- published: 21 Dec 2012
- views: 148
88:23
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Wild Oranges (1924) - Virginia Valli, King Vidor
Director: King Vidor
Writers: Joseph Hergesheimer (novel), King Vidor (adaptation)
Stars: ...
published: 30 Dec 2012
Wild Oranges (1924) - Virginia Valli, King Vidor
Director: King Vidor
Writers: Joseph Hergesheimer (novel), King Vidor (adaptation)
Stars: Frank Mayo, Virginia Valli and Ford Sterling
Summary:
Millie Stope lives with her grandfather on a remote island. Her grandfather fled there for political reasons. But they're not alone. An escaped prisoner, Nicholas, is terrorizing them, and further more, he's interested in Mllie. John Woolfolk has lost his wife in an accident and tries to forget by sailing in his yacht aimlessly on the ocean. By chance he drops anchor in a bay of that island. He soon finds out that something is wrong on that island, and furthermore, he falls in love with Millie, who sees in him a chance to get off that island. But Nicholas has threatened her with rape and murder if she tries to escape, and he has found out about her plans... Written by Stephan Eichenberg
- published: 30 Dec 2012
- views: 290
1:04
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King Vidor Interview
Director King Vidor discusses moving from silent film. From A Journey through with Martin ...
published: 28 Apr 2010
King Vidor Interview
Director King Vidor discusses moving from silent film. From A Journey through with Martin Scorsese through American Movies.
- published: 28 Apr 2010
- views: 2127
74:37
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King Vidor's OUR DAILY BREAD (1934) Karen Morley - Tom Keene
WE LIVE! WE LOVE! WE FIGHT! WE HATE!
Our Daily Bread is a 1934 film directed by King Vid...
published: 09 Nov 2012
King Vidor's OUR DAILY BREAD (1934) Karen Morley - Tom Keene
WE LIVE! WE LOVE! WE FIGHT! WE HATE!
Our Daily Bread is a 1934 film directed by King Vidor and starring Karen Morley, Tom Keene, and John Qualen. Vidor tried to interest Irving Thalberg of MGM in the project, but Thalberg rejected the idea. Vidor then produced the film himself and released it through United Artists. The film is also known as Hell's Crossroads (American reissue title)
The film depicts a couple, down on their luck during the Great Depression, who move to a farm to try to make a go of living off the land. They don't have a clue at first, but soon find other people down on their luck to help them. Soon they have a collective of people, some from the big city, who work together on a farm. There is a severe drought, killing the crops. The people then dig a ditch by hand almost two miles long to divert water from a creek to irrigate the crops. The film is an entertaining, uplifting political allegory about the virtues of collective, non-corporate action, self-sufficiency, and the rewards of hard-work rather than the rewards of rapacious finance capitalism.
Cast
Karen Morley as Mary Sims
Tom Keene as John Sims
Barbara Pepper as Sally
Addison Richards as Louie Fuente
John Qualen as Chris Larsen
Lloyd Ingraham as Uncle Anthony
Sidney Bracey as Rent Collector
Henry Hall as Frank - the Carpenter
Nellie V. Nichols as Mrs. Cohen
Frank Minor as Plumber
Bud Ray as Stonemason
From Wikipedia
- published: 09 Nov 2012
- views: 865
78:33
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Street Scene (1931)
A 1931 drama film produced by Samuel Goldwyn and directed by King Vidor. With a screenplay...
published: 16 Jul 2012
Street Scene (1931)
A 1931 drama film produced by Samuel Goldwyn and directed by King Vidor. With a screenplay by Elmer Rice adapted from his Pulitzer Prize-winning play, Street Scene takes place on a New York City street from one evening until the following afternoon. Except for one scene which takes place inside a taxi, Vidor shot the entire film on a single set depicting half a city block of house fronts.
The movie stars Estelle Taylor, David Landau, Sylvia Sidney, William Collier, and Beulah Bondi (her screen debut). The music score is by Alfred Newman, his first complete film score. Newman composed the eponymous title theme, in the style of George Gershwin's Rhapsody in Blue. The theme has been used in other movies, including Cry of the City, Kiss of Death, I Wake Up Screaming, Where the Sidewalk Ends, The Dark Corner, and as the overture to How to Marry a Millionaire.
Director:
King Vidor
Writers:
Elmer Rice (play), Elmer Rice (adaptation)
Stars:
Sylvia Sidney, William Collier Jr. and Walter Miller
- published: 16 Jul 2012
- views: 3521
5:10
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My life with King Vidor
www.AntoniaVidor.com Toni talks about some of her life with her father, King Vidor, and t...
published: 10 Jan 2012
My life with King Vidor
www.AntoniaVidor.com Toni talks about some of her life with her father, King Vidor, and the Golden Era stars that were a part of her life growing up.
- published: 10 Jan 2012
- views: 258
2:49
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1928 King Vidor - "The Crowd" (excerpt)
Here are two scenes featuring main character John Sims from KIng Vidor's pet project "The ...
published: 13 Sep 2011
1928 King Vidor - "The Crowd" (excerpt)
Here are two scenes featuring main character John Sims from KIng Vidor's pet project "The Crowd". This great silent film was photographed by Henry Sharp. The movie got oscar nominations for best director (dramatic picture) and for best picture (unique and artistic production) at the first Academy Awards in 1929.
Especially the last shots of the second scene are impressive and must have been an inspiration for some later movie makers.
- published: 13 Sep 2011
- views: 2829
2:18
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The Fountainhead (1949) Trailer
Directed by King Vidor, "The Fountainhead" was released in 1949 and starred Gary Cooper an...
published: 28 Dec 2010
The Fountainhead (1949) Trailer
Directed by King Vidor, "The Fountainhead" was released in 1949 and starred Gary Cooper and Patricia Neal.
A Warner Bros. Picture.
- published: 28 Dec 2010
- views: 2233
2:18
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King Vidor and THE CHAMP - The Art of Improvisation
In King Vidor's THE CHAMP (1931), the director began experimenting with the new freedoms t...
published: 04 Feb 2010
King Vidor and THE CHAMP - The Art of Improvisation
In King Vidor's THE CHAMP (1931), the director began experimenting with the new freedoms that the era of sound had brought into filmmaking. Vidor -- ever on the lookout for new ways to improve his films -- saw improv not as an annoyance but as a boon. "I don't know whether you remember Jackie Cooper walking up on a roof of a house and singing a song and sticking cigarettes in his pocket -- well, this was Marion Davies' dressing room on the M-G-M lot, but it was ad-lib, off-the-cuff, because I was in the mood."
____________________
FOR CONSERVATIVE MOVIE LOVERS is the name of an ongoing series of written essays on cinema appearing at BIG HOLLYWOOD, a leading conservative website focused on reforming America's poisoned popular culture:
http://bighollywood.breitbart.com/author/lgrin/
Join conservative cinéaste Leo Grin as he journeys through the history of the greatest art form of our time, highlighting the intellectual, mythological, and cultural importance of the discipline from a right-wing perspective. Read penetrating essays on each film, explore a host of accompanying links to further reading, find information on buying and renting the discussed movies, and add your comments to the ongoing film-club discussion.
- published: 04 Feb 2010
- views: 3295
0:50
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King Vidor and THE CHAMP - Moving the Camera
In King Vidor's THE CHAMP (1931), the director began experimenting with the new freedoms t...
published: 04 Feb 2010
King Vidor and THE CHAMP - Moving the Camera
In King Vidor's THE CHAMP (1931), the director began experimenting with the new freedoms that the era of sound had brought into filmmaking. In the silent era, cameras had become gloriously mobile, but were now imprisoned in large, soundproofed housings. (but thankfully, the advent of sound also necessitated the abandonment of hand-cranked cameras, which so often resulted in herky-jerky action, in favor of pilot-toned and ultimately crystal-synched cameras that captured movement at exactly 24 frames a second). By the time of THE CHAMP, the old silent-era directors were itching to recapture the sense of motion that propelled their earlier films, so they started experimenting.
"Sometimes you had to do a retake because of camera noise," Vidor remembered. "However, we were able to put the camera tripod on a dolly, and then move the whole thing around the floor. This was what we called a perambulating shot. I liked to move the camera around, and I used a lot of this in THE CHAMP."
____________________
FOR CONSERVATIVE MOVIE LOVERS is the name of an ongoing series of written essays on cinema appearing at BIG HOLLYWOOD, a leading conservative website focused on reforming America's poisoned popular culture:
http://bighollywood.breitbart.com/author/lgrin/
Join conservative cinéaste Leo Grin as he journeys through the history of the greatest art form of our time, highlighting the intellectual, mythological, and cultural importance of the discipline from a right-wing perspective. Read penetrating essays on each film, explore a host of accompanying links to further reading, find information on buying and renting the discussed movies, and add your comments to the ongoing film-club discussion.
- published: 04 Feb 2010
- views: 2166
1:34
![](http://web.archive.org./web/20130328190454im_/http://i.ytimg.com/vi/Er7kOfPGbmQ/default.jpg)
[Great Film Scenes] The Crowd (1928) - Introduction to New York
Title: The Crowd
Year of Release: 1928
Director: King Vidor
The Crowd is one of my favor...
published: 26 Jan 2012
[Great Film Scenes] The Crowd (1928) - Introduction to New York
Title: The Crowd
Year of Release: 1928
Director: King Vidor
The Crowd is one of my favorite silent films of all time. Nominated for the Academy Award for Unique and Artistic Production and being one of the first films selected for preservation in the National Film registry, The Crowd deals with the dangers of the urban life. MGM was skeptical that a story about ordinary people could be successful at the box office. However, the film ended up making back twice what it cost to make it. The story deals with John Sims and his struggle to be somebody and make it to the top while living among the crowd of people in NYC.
This scene serves as an introduction to King Vidor's vision of what was then modern day New York. It does a great job in showing the viewer the environment that John will have to contend with throughout the movie. Although a short scene, I always saw it as a very important one to the film. It's also one of my favorite scenes in the movie.
- published: 26 Jan 2012
- views: 3528
3:54
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[Great Film Scenes] The Crowd (1928) - John wins $500
Title: The Crowd
Year of Release: 1928
Director: King Vidor
The Crowd is one of my favor...
published: 26 Jan 2012
[Great Film Scenes] The Crowd (1928) - John wins $500
Title: The Crowd
Year of Release: 1928
Director: King Vidor
The Crowd is one of my favorite silent films of all time. Nominated for the Academy Award for Unique and Artistic Production and being one of the first films selected for preservation in the National Film registry, The Crowd deals with the dangers of the urban life. MGM was skeptical that a story about ordinary people could be successful at the box office. However, the film ended up making back twice what it cost to make it. The story deals with John Sims and his struggle to be somebody and make it to the top while living among the crowd of people in NYC.
This scene is the pivotal scene in the latter part of the narrative. After struggling for a while, Things begin looking up for John, finally. However, that feeling does not last long, as one can see from the clip above. King Vidor does a great job changing the tone as the narrative turns from triumph to tragedy for the main characters.
- published: 26 Jan 2012
- views: 2983
8:18
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1928 Hallelujah - Nina Mae McKinney + Daniel L.Haynes + Gus Cannon excerpt-part-1
1928, late until May, L.A., HALLELUJAH! King Vidor (fdir); (c) 29/9/3; With: Nina Mae Mc...
published: 30 Jan 2012
1928 Hallelujah - Nina Mae McKinney + Daniel L.Haynes + Gus Cannon excerpt-part-1
1928, late until May, L.A., HALLELUJAH! King Vidor (fdir); (c) 29/9/3; With: Nina Mae McKinney as Chick, Victoria Spivey as Missy Rose, The Dixie Jubilee Singers (choir) dir.by Eva Jessye; Gus Cannon, Earl Roach; Curtis Mosby & his Orch. (Kansas City Blue Blowers): Lawrence Brown (tb) Lionel Hampton (tb,d)
34:08 excerpt - part-1 8:17: 1:40 Hallelujah - Sometimes I Feel Like a Motherless child - Swanee River -v choir / 0:50 Cotton, Cotton -vDaniel L.Haynes&ch; / 1:27 Ee, I.O. (breaks off) -female choir members acc. by (bj) (wb) / 0:42 The Wedding March (Here Comes The Bride) -harmonium solo / 0:21 At A Georgia Camp Meeting (fades) -unident.kazoo & bj (chatting in background) / 1:55 Sleep, Little Baby -vFannieBelDeKnight (on dial) / 0:15 Cotton, Cotton (fragment) -vDaniel L.Haynes & unknown / 2:22 Waiting At The End Of The road (partly on dial) -vDan.L.Haynes &bj;+b / 0:40 Going Down To New Orleans -v choir /
part-2 8:38: 0:50 12th Street Rag -C.MosbyBand / 1:55 Swanee River -vMcK & C.MosbyBand / 2:13 Swanee Shuffle -C.MosbyBand to dancers / 2:38 Blue Blowers Blues -C.Mosby Band (on dial McKinney & Haynes) / 0:18 St.Louis Blues (fragment) -choir+(p) / 0:20 I Ain´t Got Nobody -p+cymbal /
part-3 17:12: He´s Gone (behind preaching) -choir / 0:50 Swing Low Sweet Chariot -choir / 0:10+0:13 Get On Board Children -choir / 0:28 Grey Day children´s choir / 0:45 That Old Religion -choir/ 1:36 Waiting At The end of road -vDan.Haynes & choir / 3:10 montage of spirituals -same / 0:25 We Got Trouble Everywhere -Fannie BelleDeKnight a capella / 0:35 That Old Time religion---vN.M.McKinney / I Belongf To That Man, Hallelujah -choir / 0:54 He´s Gone -choir / 0:52+1:34 St.Louis Blues -vN.M.McKinney-a capella / 1:40 + 1:00 Going Home -vDan.Haynes&choir; /
This excerpt is thought as a non commercial serious research about filmed jazz-music and showing detailed sources.
- published: 30 Jan 2012
- views: 3138
Youtube results:
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Hallelujah-Aleluya.(King.Vidor,1929).VOSE.Camareros de los pies planos.avi
Drama. Musical / SINOPSIS: Los negros trabajan y sufren día a día en las plantaciones de a...
published: 25 Nov 2009
Hallelujah-Aleluya.(King.Vidor,1929).VOSE.Camareros de los pies planos.avi
Drama. Musical / SINOPSIS: Los negros trabajan y sufren día a día en las plantaciones de algodón. Pero rezan a todas horas y eso les consuela de su desdichada vida. Cuando Zeke pierde a los dados todo el dinero de su familia, su hermano Spunk decide reclamar y se inicia una pelea que le cuesta la vida. Zeke, arrepentido, se convierte en predicador para llevar a los suyos la esperanza y la resignación. Pero la mujer que le estafó aún le causará más problemas. (FILMAFFINITY)
GUIÓN King Vidor, Ransom Rideout
REPARTO Daniel L. Haynes, Nina Mae McKinney, William Fountaine, Harry Gray, Fanny Belle DeKnight, Everett McGarrity, Victoria Spivey, Milton Dickerson, Robert Couch, Walter Tait, Dixie Jubilee Singers
- published: 25 Nov 2009
- views: 11509