B*Witched were an Irish girl group that was active between 1998 and 2002. They enjoyed success in both Europe and North America between 1998 and 2000, releasing two albums and eight singles, all of which made the UK Top 20. The original lineup comprised twin sisters Edele and Keavy Lynch, Sinéad O'Carroll and Lindsay Armaou. B*Witched performed in the 2007 gig 'Battle of the Pop Bands' which brought old bands from the late 1990s and early 2000s.

B*Witched's first four singles all topped the UK charts. The group split up in 2002 after being dropped by their record company. The group sold 3 million albums worldwide. In 2006 the Lynch sisters formed a group, Ms. Lynch, which frequently performs B*Witched material at live shows. In late 2010, the name of the band was changed to 'Barbarellas', with their debut single, "Body Rock" being released in January 2011.

Career[link]

The original lineup of B*Witched comprised twin sisters Edele Lynch and Keavy Lynch (born 15 December 1978), Lindsay Armaou (born 18 December 1980) and Sinéad O'Carroll (born 14 May 1973). They were originally called 'D'Zire', then 'Sister', before becoming known as 'B*Witched'. The band deliberately cultivated a tomboy image. To appeal to a younger audience, the band members also understated their ages in their early years.^[1]

Edele and Keavy's brother Shane Lynch (of the group Boyzone) helped the group find a manager. Former New Kids on the Block manager Kim Glover was appointed to the role, and she signed the group to Glowworm Records, the Epic label she ran, in 1997. The label was co-run by Ray "Madman" Hedges who produced all of the group's releases.

[edit] B*Witched

B*Witched released their debut single "C'est la Vie" on 25 May 1998. Despite mixed reviews, it reached Number 1 on the UK charts, making them the youngest^{[clarification needed]} female group ever to do so, and also made Number 9 in the US. Subsequent singles "Rollercoaster", "To You I Belong" and "Blame It on the Weatherman" also topped the UK charts, making B*Witched the first group to have its first four singles all enter the charts at Number 1. They also sang the theme song for Sabrina: The Animated Series.

The group's debut album, B*Witched, was released in October 1998, reaching Number 3 in the UK charts and was certified Double Platinum in the UK and Platinum in the US.^[2]

The group appeared on the ABBA tribute single "Thank ABBA for the Music" which reached Number 4 in the UK and recorded a cover of "Does Your Mother Know" for the subsequent ABBAmania album and TV special. Singing dolls of the group were made by Yaboom Toys in 1999.^[3] Along with Britney Spears, they performed the opening act at the *NSYNC Tour.

[edit] Awake and Breathe

B*Witched's second album, Awake and Breathe, released almost exactly a year after their debut, peaked at Number 5 on the charts and was certified Platinum. Singles from the album were less successful than earlier releases ("Jesse Hold On" reached Number 4, "I Shall Be There" Number 13 and "Jump Down" Number 16 in the UK).

[edit] Across America 2000

After touring Europe and America, where they co-headlined the All That Music and More Festival with LFO and Blaque, the band began work on a third album. Three new songs were recorded, including "Hold On" (featured in The Princess Diaries), "Mickey" (featured in Bring It On), and "Play That Funky Music". The latter two appeared on their new American EP, Across America 2000, along with live tracks and the earlier cover of "Does Your Mother Know".^[4] Across America 2000 was supposed to make a comeback for the band in America and sold reasonably well. The group appeared on the American soap opera General Hospital on 4 July 2001.

Split[link]

Planned singles, "Where Will You Go?", was scheduled for release in mid-2002 to give the band a comeback in the UK, but the group were dropped by their label before a promotional video (due to be filmed in Africa) as well as a Christmas single "(To Be) Held In Your Arms" strategically released alongside their third album could be produced. Plans for a new deal with Telstar Records fell through later that year, and the group officially split in September 2002 after Sinéad O'Carroll left the band. To date, the third album has remained shelved. In October 2009, the song "Where Will You Go?" leaked to the Internet.

Post-B*witched careers[link]

Lindsay[link]

Lindsay Armaou set up an official website in 2003 and began working on solo material. She married 911's Lee Brennan in September 2006.^[5] In May 2007, she joined the band Clayton (formerly known as Callaghan) as singer and co-writer. Sometime in 2007-2008, the site went offline indefinitely, with only the words "Coming Soon" remaining on the home page under the site header. Lindsay has recently begun pursuing acting.

Edele and Keavy Lynch[link]

After B*Witched split up in 2002, both Keavy and Edele continued to work in the music industry. Edele worked as a songwriter with the Xenomania production team, co-writing the tracks "Some Kind of Miracle" for Girls Aloud in 2003 and "Situations Heavy" for the Sugababes. Edele married Michael Barrett on 9 August 2006 ^[6] and gave birth to a daughter in 7 July 2007 Cleo Barrett; she gave birth to her second child on 6 April 2010 a son named Harley Christian. Edele gave birth to her third child a daughter named Enya on 8 September 2011.^[7]

Keavy Lynch formed a song writing and production company called Ziiiing! with musical partner Alex Toms. She played the lead role in a pantomime production of Snow White in December 2005 at the Theatre Royal in Nottingham.

In 2006 Keavy and Edele decided to reunite with each other musically, performing under the name Ms. Lynch. They have written songs including "Tip It", "Night Mode", "What’s Up", "Poppin In" and "Faith In Me" together. They are currently touring universities and nightclubs around the UK and Ireland.^[8] When the sisters aren't performing, rehearsing, writing or recording in the studio, Edele is kept busy with family life and Keavy volunteers at the Make a Wish Foundation. As of April 2008, the sisters have new management with Sohoartists and they are working with Paul Burger, who used to be the chairman at Sony Records.

Keavy and Edele have now formed a new band, under the name "Barbarellas". Their debut single, "Body Rock", was released on 31 January 2011. It was produced by Yoad Nevo, and remixed by Manhattan Clique and Riffs&Rays. The debut album, Night Mode, was released in April 2011. They made their debut performance as the "Barbarellas" on the morning television show Lorraine.

Sinead[link]

Sinead O'Carroll was the oldest of the group: born in 1973. She managed a girl group, Minx, until 2004, and has set up a youth musical workshop, Star Academy. In November 2007 she appeared in an episode of the Irish soap opera Fair City as a hotel receptionist. As of 2008, she presents Inside & Out, a makeover show for TV3 Ireland. O'Carroll married Mike Rahman in June 2006, and on 27 September 2008 she gave birth to a baby daughter Lucie-Alker Rahman at Mount Carmel Hospital, Dublin.^[9]

Discography[link]

Albums[link]

• B*Witched (1998)
• Awake and Breathe (1999)

References[link]

External links[link]

• B*Witched - The Original Official Website Domain
• B*Witched at Allmusic
• B*Witched on Myspace
• B*Witched discography at MusicBrainz
• Lindsay Armaou at the Internet Movie Database
• Keavy Lynch at the Internet Movie Database
• Edele Lynch at the Internet Movie Database
• Sinéad O'Carroll at the Internet Movie Database

The term black people is used in some socially-based systems of racial classification for humans of a dark-skinned phenotype, relative to other racial groups represented in a particular social context. Different societies apply different criteria regarding who is classified as "black", and often social variables such as class and socio-economic status also play a role, so that relatively dark-skinned people can be classified as white if they fulfill other social criteria of "whiteness" and relatively light-skinned people can be classified as black if they fulfill the social criteria for "blackness" in a particular setting.^[1]

As a biological phenotype being "black" is often associated with the very dark skin colors of some people who are classified as "black". But, particularly in the United States, the racial or ethnic classification also refers to people with all possible kinds of skin pigmentation from the darkest through to the very lightest skin colors, including albinos, if they are believed by others to have African ancestry, or to exhibit cultural traits associated with being "African-American". As a result, in the United States the term "black people" is not an indicator of skin color but of socially based racial classification.^[2]

Some definitions of the term include only people of relatively recent Sub-Saharan African descent (see African diaspora). Among the members of this group, dark skin is most often accompanied by the expression of natural afro-hair texture. Other definitions of the term "black people" extend to other populations characterized by dark skin, sometimes including people indigenous to Oceania.^[3][4]

Physiological traits[link]

Dark skin[link]

Map of indigenous skin color distribution in the world based on Von Luschan's chromatic scale.

The evolution of dark skin is linked intrinsically to the loss of body hair in humans. By 1.2 million years ago, all people having descendants today had the same receptor protein of today's Africans; their skin was dark, and the intense sun lowered the chance of survival of those with lighter skin that resulted from mutational variation in the receptor protein.^[5] This is significantly earlier than the speciation of Homo sapiens from Homo erectus some 250,000 years ago.

Skin cancer as a result of ultraviolet light radiation causing mutations in the skin is less common among people with dark skin than it is among those with light skin.^[6][7] Dark skin prevents an essential B vitamin, folate, from being destroyed. In the absence of modern medicine and diet, a person with dark skin in the tropics would live longer, be healthier and more likely to reproduce than a person with light skin. As evidence of this expectation of adverse effects of light skin in the tropics, White South Africans ^[8] and white Australians have some of the highest rates of skin cancer in the world.^[9]

Conversely, as dark skin prevents sunlight from penetrating the skin, it hinders the production of vitamin D₃. When humans migrated to less sun-intensive regions in the north, low vitamin D₃ levels became a problem, and humans with lighter skin were more successful in reproducing. White people of Europe, who have low levels of melanin, naturally have an almost colorless skin pigmentation, especially when untanned. This low level of pigmentation allows the blood vessels to become visible, which gives the characteristic pale pink color of white people. The loss of melanin in white people is thought to have been caused by a mutation in one letter out of 3.1 billion letters of DNA.^[10]

The genetic mutations leading to light skin, though different among East Asians and Europeans,^[11] suggest the two groups experienced a similar selective pressure due to settlement in northern latitudes.^[12]

Black skin pigmentation has been linked to a number of other properties, including tactile characteristics, and slower and less pronounced development of wrinkles.^[13]

Hair[link]

The texture of hair in people of Sub-Saharan African ancestry is noticeably different from that of European and Asian populations. Herodotus described the peoples of Libya (the "western Ethiopians") as woolly-haired.

Such "afro-hair" texture is denser than its straight counterparts. Due to this, it is often referred to as "coily", "thick", "nappy", "bushy", or "woolly". For several reasons, possibly including its relatively flat cross section (among other factors^[14]), this hair type conveys a dry or matte appearance.^[15][16] Its unique shape renders it prone to breakage when combed or brushed.^[16]

The specific characteristics of the natural afro-hair form are unique among all mammals.^{[clarification needed][dubious – discuss][17]} The texture likely predates the evolution of dark skin. It evolved when, as pre-human australopithecines lost most of their fur to enable perspiration, the need to protect the newly exposed pale skin underneath this body hair was crucial (see^[18] in light of Rogers and others., 2004 and Harding and others., 2000). The trait ceased to be essential to survival at the equator upon the evolution of hairless dark skin. Yet it has continued to be expressed vestigially among most Melanesians, Andaman Islanders, and sub-Saharan Africans.

Sub-Saharan Africa[link]

A black woman and her albino son from Tanzania

Sub-Saharan Africa is a common, if imprecise term that encompasses African countries located south of the Sahara Desert. It is commonly used to differentiate the region culturally, ecologically, politically and, more controversially, racially, from North Africa, which has historically been considered part of the Mediterranean sphere and whose residents are primarily of Arab ethnicity.

Because the indigenous people of this region are primarily dark-skinned, it is alternatively called "Black Africa".^[19] However the terminology Black Africa and Sub-Sahara Africa is considered by some as a pejorative term and a vestige of colonialism, which divided Africa into European terms of homogeneity.^[20] Some criticize the use of the term, because, as it has become in many quarters synonymous with Black Africa, people may not realize that there are also indigenous black populations in North Africa. In addition, the Sahara cuts across countries such as Mauritania, Mali, Niger, and Chad, leaving some parts of them in North Africa and some in sub-Saharan Africa.

Some black Africans prefer to be culturally distinguished from those who live in the north of the continent.^[21]

Cultural ideas of a black race[link]

South Africa[link]

A Khoisan man, an ethnic group in South Africa.

In South Africa during the apartheid era, the population was classified into four main racial groups: Black, White, Asian (mostly Indian), and Coloured. The Coloured group included people of mixed Bantu, Khoisan, and European descent (with some Malay ancestry, especially in the Western Cape). The Coloured definition occupied an intermediary position between the Black and White definitions in South Africa.

The apartheid bureaucracy devised complex (and often arbitrary) criteria in the Population Registration Act to determine who belonged in which group. Minor officials administered tests to enforce the classifications. When it was unclear from a person's physical appearance whether a person was to be considered Colored or Black, the "pencil test" was employed. This involved inserting a pencil in a person's hair to determine if the hair was kinky enough for the pencil to get stuck.^[22]

During the apartheid era, those classed as "Coloured" were oppressed and discriminated against. But, they had limited rights and overall had slightly better socioeconomic conditions than those classed as "Black".

In the post-apartheid era, the ANC government's laws in support of their affirmative action policies define "Black" people to include "Africans", "Coloureds" and "Asians". Their affirmative action policies have also favored "Africans" over "Coloureds". Some South Africans categorized as "African Black" openly state that "Coloureds" did not suffer as much as they did during apartheid. The popular saying by "Coloured" South Africans to illustrate their dilemma is:

We were not white enough under apartheid, and we are not black enough under the ANC (African National Congress)

In 2008, the High Court in South Africa ruled that Chinese South Africans who were residents during the apartheid era (and their descendents) are to be reclassified as "Black people" solely for the purposes of accessing affirmative action benefits, because they were also "disadvantaged" by racial discrimination. Chinese people who arrived in the country after the end of apartheid do not qualify.^[23]

Other than by appearance, "Coloureds" can usually be distinguished from "Blacks" by language. Most speak Afrikaans or English as a first language, as opposed to Bantu languages such as Zulu or Xhosa. They also tend to have more European-sounding names than Bantu names.^[24]

In the Middle East[link]

Near East and North Africa[link]

Black African and Near Eastern peoples have interacted since prehistoric times.^[25][26] Some historians estimate that as many as 14 million black slaves were transported across the Red Sea, Indian Ocean, and Sahara Desert in the Arab slave trade from 650 to 1900 CE.^[27][28] The Moroccan Sultan Moulay Ismail "the Bloodthirsty" (1672–1727) raised a corps of 150,000 black slaves, called his Black Guard, who coerced the country into submission.^[29][30]

13th century slave market in Yemen. Yemen officially abolished slavery in 1962.^[31]

In more recent times, about 1000 CE, interactions between black people and Arabs resulted in the incorporation of extensive Arabic vocabulary into Swahili, which became a useful lingua franca for merchants. Some of this linguistic exchange occurred as part of the slave trade; the history of Islam and slavery shows that the major juristic schools traditionally accepted the institution of slavery.^[32] As a result, Arab influence spread along the east coast of Africa and to some extent into the interior (see Swahili people). Timbuktu was a trading outpost that linked West Africa with Berber, Arab, and Jewish traders throughout the Arab World. As a result of these interactions, some female-mediated gene flow into the Middle East from Sub-Saharan Africa can be observed in certain populations.^[33]

According to Dr. Carlos Moore, resident scholar at Brazil's University of the state of Bahia, Afro-multiracials in the Arab world self-identify in ways that resemble Latin America. He claims that black-looking Arabs, much like black-looking Latin Americans, consider themselves white because they have some distant white ancestry.^[34]

Soldiers of the Free Arabian Legion in Greece, September 1943.

Moore also claims that a film about Egyptian President Anwar Sadat had to be canceled when Sadat discovered that an African-American had been cast to play him. In fact, the 1983 television movie Sadat, starring Louis Gossett, Jr., was not canceled. The Egyptian government refused to let the drama air in Egypt, partially on the grounds of the casting of Gossett.^[35]

Sadat's mother was a dark-skinned Sudanese woman and his father was a lighter-skinned Egyptian. In response to an advertisement for an acting position he remarked, "I am not white but I am not exactly black either. My blackness is tending to reddish".^[36]

Fathia Nkrumah was another Egyptian with ties to Black Africa. She was the late wife of Ghanaian revolutionary Kwame Nkrumah, whose marriage was seen as helping plant the seeds of cooperation between Egypt and other African countries as they struggled for independence from European colonization. This helped advance the formation of the African Union.^[37]

Bashi-bazouk of the Ottoman Empire by Jean-Léon Gérôme, 1869

Because of the patriarchal nature of Arab society, Arab men enslaved more black women than men, and used more black female slaves than males. The men interpreted the Qur'an to permit sexual relations between a male master and his female slave outside of marriage,^[38][39] leading to many mixed-race children. When an enslaved woman became pregnant with her Arab master's child, she became umm walad or “mother of a child”, a status that granted her privileged rights. The child was allowed to prosper from the wealth of the father and was given rights of inheritance.^[40] Because the society was patrilineal, the children took their fathers' status at birth and were born free. Some succeeded their fathers as rulers, as was the case with Sultan Ahmad al-Mansur, who ruled Morocco from 1578 to 1608. His mother was a Fulani concubine of his father.

Such tolerance, however, was not extended to wholly black persons, even when technically "free." Arabs commonly believed that blacks were slaves.^[41] The term "abd", (Arabic: عبد‎,) "slave," remains a common term for black people in the Middle East, and, depending on the context, usually though not always derogatory.^[42]

Turkey[link]

Beginning several centuries ago, a number of sub-Saharan Africans were brought by slave traders during the Ottoman Empire to plantations between Antalya and Istanbul in modern-day Turkey.^[43] Some of their descendants remain, mixed with the rest of the population in these areas, and many migrated to larger cities. Some came from the island of Crete following the population exchange between Greece and Turkey in 1923.^[44]

Israel[link]

An African Hebrew Israelites of Jerusalem child in Dimona.

About 150,000 black people live in Israel, amounting to just over 2% of the nation's population. The vast majority of these, some 120,000, are Beta Israel,^[45] most of whom came during the 1980s and 1990s from Ethiopia.^[46] In addition, Israel is home to over 5,000 members of the African Hebrew Israelites of Jerusalem movement, who reside mainly in a distinct neighborhood in the Negev town of Dimona. Unknown numbers of black converts to Judaism reside in Israel, most of them converts from the UK, Canada, and the United States. Thousands of mixed-race individuals with non-black Jewish relatives also live in Israel.

In the Americas[link]

Approximately 12 million Africans were shipped to the Americas during the Atlantic slave trade from 1492 to 1888. Today their descendants number approximately 150 million,^[47] most of whom live in the United States, the Caribbean and Latin America. Most notably Brazil has the largest population in the world, aside from Nigeria, of individuals of at least partial African descent. Many have a multiracial background of African, Amerindian, European and Asian ancestry. The various regions developed complex social conventions with which their multi-ethnic populations were classified.

United States[link]

Harriet Tubman, an African-American abolitionist and conductor of the Underground Railroad.

In the first 200 years that black people were in the United States, they commonly referred to themselves as Africans. In Africa, people primarily identified themselves by ethnic group (closely allied to language) and not by skin color. Individuals would be Ashanti, Igbo, Bakongo or Wolof. But when Africans were brought to the Americas, they were forced to give up their ethnic affiliations when they were combined with other groups from Africa. In areas of the Upper South, different ethnic groups were brought together. This is significant as Africans came from a vast geographic region, the West African coastline stretching from Senegal to Angola and in some cases from the south east coast such as Mozambique. A new identity and culture was born that incorporated elements of the various ethnic groups and of European cultural heritage, resulting in fusions such as the Black church and Black English. This new identity was based on African ancestry and slave status rather than any one ethnic group.^[48]

In March 1807, Britain, which largely controlled the Atlantic, declared the trans-atlantic slave trade illegal, as did the United States. (The latter prohibition took effect January 1, 1808, the earliest date on which Congress had the power to do so under Article I, Section 9 of the United States Constitution.)

By that time, the majority of black people were U.S.-born, so use of the term "African" became problematic. Though initially a source of pride, many blacks feared the use of African as an identity would be a hindrance to their fight for full citizenship in the US. They also felt that it would give ammunition to those who were advocating repatriating black people back to Africa. In 1835 black leaders called upon black Americans to remove the title of "African" from their institutions and replace it with "Negro" or "Colored American". A few institutions chose to keep their historic names, such as the African Methodist Episcopal Church. "Negro" and "colored" remained the popular terms until the late 1960s.^[49]

The term black was used throughout but not frequently as it carried a certain stigma. In his 1963 "I Have a Dream" speech,^[50] Martin Luther King, Jr. uses the terms negro fifteen times and black four times. Each time he uses black it is in parallel construction with white, for example, "black men and white men".^[51]

With the successes of the civil rights movement, a new term was needed to break from the past and help shed the reminders of legalized discrimination. In place of Negro, activists promoted the use of black as standing for racial pride, militancy and power. Some of the turning points included the use of the term "Black Power" by Kwame Toure (Stokely Carmichael) and the release of James Brown's song "Say It Loud - I'm Black and I'm Proud".

African-American Michael Jordan, considered by many the greatest basketball player in history.

In 1988 Jesse Jackson urged Americans to use the term African American because the term has a historical cultural base. Since then African-American and black have essentially a coequal status. Controversy continues over which term is more appropriate. Some such as Maulana Karenga and Owen Alik Shahadah argue African-American is more appropriate because it accurately articulates geography and historical origin.^[48] Others have argued that "black" is a better term because "African" suggests foreignness, despite the long presence of black people in the US.^[52] Still others believe the term black is inaccurate because African Americans have a variety of skin tones.^{[citation needed]} Surveys show that the majority of black Americans have no preference for "African American" or "Black,"^[53] although they have a slight preference for "black" in personal settings and "African-American" in more formal settings.^[54] Increases in the number of immigrants to the United States from Africa, the Caribbean and Latin America have brought up questions about who uses the term African-American. The more recent African immigrants may sometimes view themselves, and be viewed, as culturally distinct from native-born people who are descendants of African slaves.^[55]

The U.S. census race definitions says a black is a person having origins in any of the black racial groups of Africa. It includes people who indicate their race as "Black, African Am., or Negro," or who provide written entries such as African-American, Afro-American, Kenyan, Nigerian, or Haitian. However, the Census Bureau notes that these classifications are socio-political constructs and should not be interpreted as scientific or anthropological.^[56]

A black Gl and a Chinese soldier place the flag of their ally on the front of their jeep, truck convoy on the Stilwell Road, Burma, 1945

A considerable portion of the U.S. population identified as black also has some Native American or European ancestry. For instance, genetic studies of African-American people show an ancestry that is on average 17–18% European.^[57]

One-drop rule[link]

Since the late nineteenth century, the South used a colloquial term, the one-drop rule, to classify as black a person of any known African ancestry. This practice of hypodescent was not put into law until the early twentieth century.^[58] Legally the definition varied from state to state, and was more flexible in the eighteenth and nineteenth centuries before the American Civil War. For instance, Thomas Jefferson held persons who were legally white (less than 25% Black) according to Virginia law at the time, but, because they were born to slave mothers, they were born into slavery, according to the principle of partus sequitur ventrem, which Virginia adopted into law in 1662.

Outside of the US, some other countries have adopted the one-drop rule, but the definition of who is black and the extent to which the one-drop "rule" applies varies greatly from country to country.

The one-drop rule may have originated as a means of increasing the number of black slaves^[59] and been maintained as an attempt to keep the white race pure.^[60] One of the results of the one-drop rule was uniting the African-American community.^[58] Some of the most prominent civil-rights activists were multiracial, and advocated equality for all.^{[citation needed]}

Blackness[link]

Barack Obama, the first black president of the United States, was throughout his campaign criticized as being either "too black" or "not black enough".^[61][62][63]

The concept of blackness in the United States has been described^{[by whom?]} as the degree to which one associates themselves with mainstream African-American culture and values. To a certain extent, this concept is not so much about race but more about culture and behavior. Blackness can be contrasted with "acting white," where black Americans are said to behave with assumed characteristics of stereotypical white Americans, with regard to fashion, dialect, taste in music,^[64] and possibly, from the perspective of a significant number of black youth, academic achievement.^[65]

The notion of blackness can also be extended to non-black people. Toni Morrison once described Bill Clinton as the first black president,^[66] because of his warm relations with African Americans, his poor upbringing and also because he is a jazz musician. Christopher Hitchens was offended by the notion of Clinton as the first black president noting "we can still define blackness by the following symptoms: alcoholic mothers, under-the-bridge habits...the tendency to sexual predation and shameless perjury about the same". Some black activists were also offended, claiming Clinton used his knowledge of black culture to exploit black people like no other president before^[67] for political gain, while not serving black interests. They note his lack of action during the Rwanda genocide^[68] and his welfare reform which some claim led to the worst child poverty since the 1960s^[69] along with the fact that the number of black people in jail increased during his administration.^[70]

The question of blackness also arose in Democrat Barack Obama's 2008 presidential campaign. Commentators have questioned whether Obama, who was elected the first black President of the United States, is black enough, as his mother was white American, and his father was a black Kenyan immigrant.^[61][63] Obama refers to himself interchangeably as black and African-American.^[71] "Is Barack Obama the first black President of the United States?"^[72]

Brazil[link]

The topic of race in Brazil is a complex and diverse one.^{[citation needed]} A Brazilian child was never automatically identified with the racial type of one or both parents, nor were there only two categories to choose from. Between a pure black and a very light mulatto over a dozen racial categories would be recognized in conformity with the combinations of hair color, hair texture, eye color, and skin color. These types grade into each other like the colors of the spectrum, and no one category stands significantly isolated from the rest. That is, race referred to appearance, not heredity.^[73]

Jongo, a Brazilian dance of African origin, c. 1822

There is some disagreement among scholars over the effects of social status on racial classifications in Brazil. It is generally believed that upward mobility and education results in reclassification of individuals into lighter skinned categories. The popular claim is that in Brazil poor whites are considered black and wealthy blacks are considered white. Some scholars disagree arguing that whitening of one's social status may be open to people of mixed race, but a typically black person will consistently be identified as black regardless of wealth or social status.^[74][75] Multiracial persons can even reappreciate their African heritage and start to declare themselves as black persons with increasings of social status and education.

Statistics[link]

From the year 1500 to 1850 an estimated 3.5 million Africans were forcibly shipped to Brazil.^[74] It is estimated that more than half of the Brazilian population is at least in part descendants of these Africans. Brazil has the largest population of Afro-descendants outside of Africa. In contrast to the US there were no segregation or anti-miscegenation laws in Brazil and as a result intermarriage has affected a large majority of the Brazilian population. Even much of the white/Asian population has either African or Amerindian blood. According to the last census of the twentieth century 54% identified themselves as white, 6.2% identified themselves as black and 39.5% identified themselves as Pardo (brown) — a broad multiracial category.^[77]

A philosophy of whitening emerged in Brazil in the nineteenth century. Until recently the government did not keep data on race. However, statisticians estimate that in 1835 half the population was black, one fifth was Pardo (brown) and one fourth white. By 2000 the black population had fallen to only 6.2% and the Pardo had increased to 40% and white to 55%. Essentially most of the black population was absorbed into the multiracial category by intermixing.^[73] A recent study found that at least 29% of the middle class white Brazilian population had some recent African ancestry.^[78]

Race relations in Brazil[link]

Afro-Brazilian women during a Candomblé ceremony.

Because of the ideology of miscegenation, Brazil has avoided the polarization of society into black and white. The bitter and sometimes violent racial tensions that divide the US are notably absent in Brazil. According to the census, 6.7% of Brazilians said they were black, compared with 6.2% in 2000, and 43.1% said they were mixed race, up from 38.5%. According to Brazil's minister for racial equality, Elio Ferreira de Araujo, attributed the change to growing pride among his country's black and indigenous communities.^[79]

However, the philosophy of the racial democracy in Brazil has drawn criticism from some quarters. Brazil has one of the largest gaps in income distribution in the world. The richest 10% of the population earn 28 times the average income of the bottom 40%. The richest 10 percent is almost exclusively white. One-third of the population lives under the poverty line, with blacks and other non-whites accounting for 70 percent of the poor.^[80]

Fruit sellers in Rio de Janeiro c. 1820

In the US, black people earn 75% of what white people earn.^[81] In Brazil, non-whites earn less than 50% of what whites earn. Some have posited that Brazil does in fact practice the one-drop rule when social economic factors are considered. This is because the gap in income between blacks and other non-whites is relatively small compared to the large gap between whites and non-whites. Other factors such as illiteracy and education level show the same patterns.^[82] Unlike in the US where African Americans were united in the civil-rights struggle, in Brazil the philosophy of whitening has helped divide blacks from other non-whites and prevented a more active civil rights movement.

Though Brazilians of African heritage make up a large percentage ^[83] the population there are very few black politicians. The city of Salvador, Bahia, for instance, is 80% Afro-Brazilian but has never had a black mayor. Critics indicate that US cities that have a black majority, such as Detroit and New Orleans, have never had white mayors since first electing black mayors in the 1970s.^[79][84]

Black people in Brazil c. 1821

Non-white people also have limited media visibility. The Latin American media, in particular the Brazilian media, has been accused of hiding its Black, Indigenous, Multiracial and East Asian population. For example the telenovelas or soaps are said to be a hotbed of largely light-eyed white and light-skinned mulattoes and mestizos (often deemed as white persons in Brazil if achieving the middle class or higher social status) actors. Most rare empowered persons of color represented in Latin American media possess typically Caucasian features due to a mix of racist standards of beauty, colourism and lookism. Nevertheless, in the last years, the number of empowered afrodescendants (either economically or by other ways) increased in Brazilian media coverage. Despite Brazil also possessing criminal black man stereotypes, it is considered a huge prejudice and mostly not used in a disordered way by the media, in spite of sometimes common "humouristic" sexist jokes and LGBT stereotyping ^[85] and as such lack of politically correctness in native race issues is not a major problem (there are way more stereotypes of Asian people, Europeans or U.S. Americans, for example).

These patterns of discrimination against non-whites have led some to advocate for the use of the Portuguese term 'negro' to encompass non-whites so as to renew a black consciousness and identity, in effect an African descent rule.^[86] It generates criticism since Pardo, or Brown people, is intended to include caboclos (mestizos), assimilated Amerindians and tri-racials, not only afrodescendants — thus Brazilian of some or no recent African descent, as most White Brazilians, become 60–70% of the population, breaking the argument of possible Brazilian one-drop rule since real noticeable mulattoes, cafuzos (zambos) and black persons are a minority and the Brazilian poor represents larger percents in Brazil. As one would expect from an underdeveloped country, there are pockets of poverty in White-majority and Japanese Brazilian-majority areas, rarer in urban developments but common in rural areas. They are even more common among Mestizo-majority areas, and Amerindian communities.

In Asia and Australasia[link]

Siddi folk dancers performing at Devaliya Naka, Sasan Gir, Gujarat.

China[link]

As of August, 2008, The Migration Information Source article noted that "A Nigerian Embassy spokesman estimated that Nigerians possibly make up the largest group of Black Africans in China, with about 2,000 to 3,000 Nigerians in Guangdong in 2006. Most businessmen only stay temporarily."^[87][88]

An ethnic Ati woman of the Philippines. The Negritos were the earliest inhabitants of Southeast Asia.

India and Southeast Asia[link]

The Great Andamanese are one of five Negrito ethnic groups (Adivasi or tribal) native to the Andaman and Nicobar Islands; they are among the first inhabitants of what is now India, arriving over 70,000 years ago. They are facing extinction.^[89] The other four ethnic groups are the Jangil, Jarawa, Onge and Sentinelese. By their external physical appearance (phenotype) such people resemble Black Africans with dark skin and sometimes tightly coiled hair. There have been suggestions of a Black African origin. However, in the case of the Andamanese people, a study conducted by the NCBI indicated that the Andamanese people possessed closer affinities with the Southeast Asian population than with the Black African population.^[90]

In South India there are also several communities of Black African descent, such as the Sheedis/Siddis, specifically the Siddis of Karnataka, who descend from Black African slaves. In Pakistan, these descendants are known as the Makrani.

Other black people of Southeast Asia, collectively known as Negritos, include the Semang peoples of Malaysia, the Mani of Thailand the Aeta of Luzon and the Ati of Panay in the Philippines.^[91]

Melanesia[link]

There are several groups of dark-skinned people who live in various parts of Asia, Australia and Oceania who sometimes are referred to as black people. They include the Indigenous Australians, the Melanesians (now divided into Austronesian-speaking populations and Papuans, and including the great genetic diversity of New Guinea), the Semang people of the Malay peninsula, and indigenous first nation Fijians. They are as genetically, anthropologically and culturally related to Africans only as much as all other non-Africans are related to Africans, and because of this it has been deemed controversial to label them black people in the sense of some relation to the native African peoples and the African diaspora that is not similarly present in other Asian, Oceanic or European populations.

In Europe[link]

Portrait of a black woman, Katherine, in Antwerp, 1521, by Albrecht Dürer.

United Kingdom[link]

According to the Office for National Statistics, as of the 2001 census, there are over a million black people in the United Kingdom; 1% of the total population describe themselves as "Black Caribbean", 0.8% as "Black African", and 0.2% as "Black other".^[92] Britain encouraged the immigration of workers from the Caribbean after World War II; the first symbolic movement was those who came on the ship the Empire Windrush. The preferred official umbrella term is "black and minority ethnic" (BME), but sometimes the term "black" is used on its own, to express unified opposition to racism, as in the Southall Black Sisters, which started with a mainly British Asian constituency, and the National Black Police Association, which has a membership of "African, African-Caribbean and Asian origin".^[93]

France[link]

The pioneering Chadian-French rapper MC Solaar.

While census collection of ethnic background is illegal in France, it is estimated that there are about 2.5 – 5 million black people residing there.^[94][95]

Balkans[link]

Due to the Ottoman slave trade that had flourished in the Balkans, the coastal town of Ulcinj in Montenegro had its own black community.^[96] As a consequence of the slave trade and privateer activity, a considerable number of Ulcinj inhabitants until 1878 were black.^[97] The Ottoman Army also sent an estimated 30,000 Black African troops and cavalrymen to its expedition in Hungary during the Austro-Turkish War of 1716–18.^[98]

Eastern Europe[link]

As African states became independent in the 1960s, the Soviet Union offered many of their citizens the chance to study in Russia. Over a period of 40 years, about 400,000 African students from various countries moved to Russia to pursue higher studies, including many Black Africans.^[99][100] This extended beyond the Soviet Union to many countries of the Eastern bloc.

A cultural classification of people as "black" exists in Russia. Certain groups of people who are ethnically different, and generally darker than ethnic Russians are pejoratively referred to as "blacks" (chernye), and face specific sorts of social exclusion (see Racism in Russia). Roma, Georgians, and Tatars fall into this category.^[101] Those referred to as "black" are from the former Soviet republics, predominantly peoples of the Caucasus, for example, Chechens.^[102] Although "Caucasian" is used in American English to mean "white people", in Russian – and most other varieties of English – it only refers to the Caucasus, not European people in general.

See also[link]

Footnotes[link]

External links[link]

• two African American boys Clarence 'Grandpa' Liv and Alonzo 'Teddy' Tucker at the Wright Brothers bicycle shop, 1897(old-pictures.com database)
• Clarence Liv and Alonzo 'Teddy' Tucker at the Wright Cycle Company, photo taken by Wright Brothers 1897(old-pictures.com)

John Cho
John Cho in 2008
Born	John Yohan Cho (1972-06-16) June 16, 1972 (age 40) Seoul, South Korea
Occupation	Actor
Years active	1997–present
Spouse	Kerri Higuchi (m. 2006) «start: (2006)»"Marriage: Kerri Higuchi to John Cho" Location: (linkback:http://en-wiki.pop.wn.com/index.php/John_Cho)

John Yohan Cho (born June 16, 1972) is a Korean-American^[1] actor and musician, best known for his roles and as Harold Lee in the Harold & Kumar films (2004–present) and as the character who coins the term "MILF" in the American Pie films (1999–2012). He also appeared in the critically acclaimed hit films Better Luck Tomorrow and American Beauty. More recently, Cho's fame has increased with his portrayal of the iconic Star Trek character Hikaru Sulu in the 2009 film Star Trek. For television, he is best known for his roles as FBI agent Demetri Noh in the Sci-Fi television drama FlashForward and Chau Presley in the sitcom Off Centre.

Early life[link]

Cho was born in Seoul, South Korea, and raised in Los Angeles, where his family settled in 1978. His father was a minister in the Church of Christ, and was originally from North Korea.^[2][3] Cho graduated from Herbert Hoover High School in Glendale, California, in 1990. He then attended the University of California, Berkeley, graduating in 1996 with a BA degree in English, and taught English at Pacific Hills School in West Hollywood, California.

Career[link]

Cho began his career after graduating from Berkeley, when he moved to Los Angeles and worked with the Asian American theatre company East West Players. There, he appeared in Edward Sakamoto's The Taste of Kona Coffee in 1996, and Euijoon Kim's My Tired Broke Ass Pontificating Slapstick Funk in 2000.^[4] He gained attention with a small role in the 1999 comedy American Pie, in which he popularized the slang term "MILF". His most successful starring role to date has been as Harold Lee in 2004's Harold & Kumar Go to White Castle. Cho was one of the stars of the short-lived situation comedy Off Centre, and guest-starred on Charmed as a ghost. He was a costar of the now-defunct Fox sitcom Kitchen Confidential. Cho had supporting roles in American Beauty, Evolution and Down to Earth, and a minor role in Bowfinger.

In 2002, Cho had a starring role in the ensemble cast of Better Luck Tomorrow, a drama focusing on the travails of a group of Asian Americans living in Southern California who are academically successful but socially discontented, and as a result engage in wantonly violent, criminal behavior. He was cast in NBC's new comedy The Singles Table in September 2006, but the series never aired due to changes in scheduling and production. In 2006 and 2009,^[5] Cho was selected as one of the sexiest men alive in People Magazine.

Cho appeared on July 2004 issue of KoreAm Journal. In 2007, Cho was added to the cast of Ugly Betty as a recurring regular. Cho plays Kenny, a best friend of accountant Henry Grubstick (played by Christopher Gorham). Cho played helmsman Hikaru Sulu in J. J. Abrams's feature film Star Trek.^[6][7]

Cho appeared in Nas's "Be a Nigger Too" music video along with various celebrities, and had a guest appearance on the sitcom How I Met Your Mother, in the episode "I'm Not That Guy".

In 2009–10, Cho starred in the television series FlashForward as FBI Special Agent Demetri Noh.^[8] His character was originally slated to be killed off during what turned out to be the show's only season, but after his turn as Sulu in Star Trek boosted his popularity, the producers revised the show's storyline so that he survived, in an attempt to boost declining ratings.^[9]

Musical career[link]

He is the lead singer for Viva La Union (formerly known as Left of Zed),^[10] a Los Angeles band composed of former UCB and USC students. They have one album, self-titled, while their song "Chinese Baby" is featured on the Harold & Kumar Escape from Guantanamo Bay soundtrack.

Filmography[link]

References[link]

External links[link]

	Biography portal
	Film portal
	Asian Americans portal

• John Cho at the Internet Movie Database
• John Cho at AllRovi
• John Cho at Memory Alpha (a Star Trek wiki)
• John Cho's twitter

Michael Jackson
Jackson at the White House in 1984
Background information
Birth name	Michael Joseph Jackson[1]
Also known as	King of Pop, MJ
Born	(1958-08-29)August 29, 1958 Gary, Indiana, U.S.
Died	June 25, 2009(2009-06-25) (aged 50) Los Angeles, California, U.S.
Genres	R&B, pop, rock, soul, dance, funk, disco, new jack swing
Occupations	Singer-songwriter, musician, composer, dancer, choreographer, record producer, actor, businessman, philanthropist
Instruments	Vocals
Years active	1964–2009
Labels	Motown, Epic, Legacy, MJJ Productions
Associated acts	The Jackson 5 Michael Jackson's Signature
Website	www.michaeljackson.com

Michael Joseph Jackson^[1] (August 29, 1958 – June 25, 2009) was an American recording artist, entertainer, and businessman. Often referred to as the King of Pop, or by his initials MJ,^[2] Jackson is recognized as the most successful entertainer of all time by Guinness World Records. His contribution to music, dance, and fashion, along with a much-publicized personal life, made him a global figure in popular culture for over four decades. The seventh child of the Jackson family, he debuted on the professional music scene along with his brothers as a member of The Jackson 5 in 1964, and began his solo career in 1971.

In the early 1980s, Jackson became a dominant figure in popular music. The music videos for his songs, including those of "Beat It", "Billie Jean", and "Thriller", were credited with transforming the medium into an art form and a promotional tool, and the popularity of these videos helped to bring the relatively new television channel MTV to fame. Videos such as "Black or White" and "Scream" made him a staple on MTV in the 1990s. Through stage performances and music videos, Jackson popularized a number of complicated dance techniques, such as the robot and the moonwalk, to which he gave the name. His distinctive musical sound and vocal style influenced numerous hip hop, post-disco, contemporary R&B, pop and rock artists.

Jackson's 1982 album Thriller is the best-selling album of all time. His other records, including Off the Wall (1979), Bad (1987), Dangerous (1991), and HIStory (1995), also rank among the world's best-selling. Jackson is one of the few artists to have been inducted into the Rock and Roll Hall of Fame twice. He was also inducted into the Dance Hall of Fame as the first (and currently only) dancer from the world of pop and rock 'n' roll. Some of his other achievements include multiple Guinness World Records; 13 Grammy Awards (as well as the Grammy Legend Award and the Grammy Lifetime Achievement Award); 26 American Music Awards (more than any other artist, including the "Artist of the Century"); 13 number-one singles in the United States in his solo career (more than any other male artist in the Hot 100 era); and the estimated sale of over 750 million records worldwide. Jackson won hundreds of awards, which made him the most-awarded recording artist in the history of popular music.^[3] He was also one of the world's most prominent humanitarians and philanthropists; personally, and through his Heal the World Foundation, he donated more than $300 million in charity, and held the Guinness World Record for having supported the most charities out of any pop star.^[4][5]

Aspects of Jackson's personal life, including his changing appearance, personal relationships, and behavior, generated controversy. In 1993, he was accused of child sexual abuse, but the case was settled out of court and no formal charges were brought. In 2005, he was tried and acquitted of further child sexual abuse allegations and several other charges after the jury found him not guilty on all counts. While preparing for his concert series titled This Is It, Jackson died of acute propofol and benzodiazepine intoxication on June 25, 2009, after suffering from cardiac arrest. The Los Angeles County Coroner ruled his death a homicide, and his personal physician was convicted of involuntary manslaughter. Jackson's death triggered a global outpouring of grief, and as many as one billion people around the world reportedly watched his public memorial service on live television. In March 2010, Sony Music Entertainment signed a $250 million deal with Jackson's estate to retain distribution rights to his recordings until 2017, and to release seven posthumous albums over the decade following his death.^[6]

Life and career[link]

Early life and The Jackson 5 (1958–1975)[link]

Jackson's childhood home in Gary, Indiana, showing floral tributes after his death

Jackson (center) as a member of The Jackson 5 in 1972

Michael Jackson was born on August 29, 1958, the eighth of ten children in an African American working-class family who lived in a small 3-room house in Gary, Indiana,^[7] an industrial city near Chicago. His mother, Katherine Esther Scruse, was a devout Jehovah's Witness, and his father, Joseph Walter "Joe" Jackson, was a steel mill worker who performed with an R&B band called The Falcons. Jackson had three sisters: Rebbie, La Toya, and Janet, and five brothers: Jackie, Tito, Jermaine, Marlon, and Randy.^[8] A sixth brother, Brandon, died shortly after birth.^[9]

Jackson had a troubled relationship with his father, Joe.^[10][11][12] Joseph acknowledged in 2003 that he regularly whipped Jackson as a boy.^[12] Jackson stated that he was physically and emotionally abused during incessant rehearsals, though he also credited his father's strict discipline with playing a large role in his success.^[10] Jackson first spoke openly about his childhood abuse in an interview with Oprah Winfrey, broadcast in February 1993. He admitted that he had often cried from loneliness and he would vomit on the sight of his father. Jackson's father was also said to have verbally abused Jackson, saying that he had a fat nose on numerous occasions.^[13] In fact, Michael Jackson's deep dissatisfaction with his appearance, his nightmares and chronic sleep problems, his tendency to remain hyper-compliant especially with his father, and to remain child-like throughout his adult life are in many ways consistent with the effects of this chronic maltreatment he endured as a young child.^[14]

In an interview with Martin Bashir, later included in the 2003 broadcast of Living with Michael Jackson, Jackson acknowledged that his father hurt him when he was a child, but was nonetheless a "genius", as he admitted his father's strict discipline played a huge role in his success. When Bashir dismissed the positive remark and continued asking about beatings, Jackson put his hand over his face and objected to the questions. He recalled that Joseph sat in a chair with a belt in his hand as he and his siblings rehearsed, and that "if you didn't do it the right way, he would tear you up, really get you".^[15][16]

In 1964, Michael and Marlon joined the Jackson Brothers—a band formed by brothers Jackie, Tito, and Jermaine—as backup musicians playing congas and tambourine. Jackson later began performing backup vocals and dancing. When he was eight, Jackson began sharing the lead vocals with his older brother Jermaine, and the group's name was changed to The Jackson 5.^[8] The band toured the Midwest extensively from 1966 to 1968, frequently performing at a string of black clubs known as the "chitlin' circuit", where they often opened stripteases and other adult acts. In 1966, they won a major local talent show with renditions of Motown hits and James Brown's "I Got You (I Feel Good)", led by Michael.^[17]

The Jackson 5 recorded several songs, including "Big Boy", for the local record label Steeltown in 1967, before signing with Motown Records in 1968.^[8] Rolling Stone magazine later described the young Michael as "a prodigy" with "overwhelming musical gifts," writing that he "quickly emerged as the main draw and lead singer."^[18] The group set a chart record when its first four singles ("I Want You Back", "ABC", "The Love You Save", and "I'll Be There") peaked at number one on the Billboard Hot 100.^[8] Between 1972 and 1975, Michael released four solo studio albums with Motown, among them Got to Be There and Ben, released as part of the Jackson 5 franchise, and producing successful singles such as "Got to Be There", "Ben", and a remake of Bobby Day's "Rockin' Robin".

The Jackson 5 "became a cutting-edge example of black crossover artists... five working-class black boys with afros and bell bottoms, and they really didn't have to trade any of that stuff in order to become mainstream stars."^[19]

The group's sales began declining in 1973, and the band members chafed under Motown's strict refusal to allow them creative control or input. Although they scored several top 40 hits, including the top 5 disco single "Dancing Machine" and the top 20 hit "I Am Love", the Jackson 5 left Motown in 1975.^[20]

[edit] Move to Epic and Off the Wall (1975–81)

In June 1975, the Jackson 5 signed with Epic Records, a subsidiary of CBS Records^[20] and renamed themselves the Jacksons. Younger brother Randy formally joined the band around this time, while Jermaine left to pursue a solo career.^[21] They continued to tour internationally, releasing six more albums between 1976 and 1984, during which Michael was the lead songwriter, writing hits such as "Shake Your Body (Down to the Ground)", "This Place Hotel", and "Can You Feel It".^[17] In 1978, he starred as the scarecrow in the musical, The Wiz, a box-office disaster. It was here that he teamed up with Quincy Jones, who was arranging the film's musical score. Jones agreed to produce Jackson's next solo album, Off the Wall.^[22] In 1979, Jackson broke his nose during a complex dance routine. His subsequent rhinoplasty was not a complete success; he complained of breathing difficulties that would affect his career. He was referred to Dr. Steven Hoefflin, who performed Jackson's second rhinoplasty and subsequent operations.^[23]

Jones and Jackson produced the Off the Wall album together. Songwriters for the album included Jackson, Rod Temperton, Stevie Wonder, and Paul McCartney. Released in 1979, it was the first solo album to generate four U.S. top 10 hits, including the chart-topping singles "Don't Stop 'til You Get Enough" and "Rock with You".^[24][25] It reached number three on the Billboard 200 and eventually sold over 20 million copies worldwide.^[26] In 1980, Jackson won three awards at the American Music Awards for his solo efforts: Favorite Soul/R&B Album, Favorite Soul/R&B Male Artist, and Favorite Soul/R&B Single for "Don't Stop 'Til You Get Enough".^[27][28] That year, he also won Billboard Year-End for Top Black Artist and Top Black Album and a Grammy Award for Best Male R&B Vocal Performance, also for "Don't Stop 'Til You Get Enough".^[24] Jackson again won at the American Music Awards in 1981 for Favorite Soul/R&B Album and Favorite Soul/R&B Male Artist.^[29] Despite its commercial success, Jackson felt Off the Wall should have made a much bigger impact, and was determined to exceed expectations with his next release.^[30] In 1980, he secured the highest royalty rate in the music industry: 37 percent of wholesale album profit.^[31]

[edit] Thriller and Motown 25: Yesterday, Today, Forever (1982–83)

In 1982, Jackson contributed the song "Someone In the Dark" to the storybook for the film E.T. the Extra-Terrestrial; the record won a Grammy for Best Recording for Children in 1984. In the same year he won another seven Grammys and eight American Music Awards (including the Award of Merit, the youngest artist to win it), making him the most awarded in one night for both award shows.^[32][33] These awards were thanks to the Thriller album, released in late 1982, which was 1983's best-selling album worldwide^[34][35] and became the best-selling album of all time in the United States,^[36] as well as the best-selling album of all time worldwide, selling an estimated 110 million copies so far.^[37] The album topped the Billboard 200 chart for 37 weeks and was in the top 10 of the 200 for 80 consecutive weeks. It was the first album to have seven Billboard Hot 100 top 10 singles, including "Billie Jean", "Beat It", and "Wanna Be Startin' Somethin'".^[38] Thriller was certified for 29 million shipments by the RIAA, giving it Double Diamond status in the United States. The album won also another Grammy for Best Engineered Recording – Non Classical in 1984, awarding Bruce Swedien for his work.^[39] Jackson's attorney John Branca noted that Jackson had the highest royalty rate in the music industry at that point: approximately $2 for every album sold. He was also making record-breaking profits from sales of his recordings. The videocassette of the documentary The Making of Michael Jackson's Thriller sold over 350,000 copies in a few months. The era saw the arrival of novelties like dolls modeled after Michael Jackson, which appeared in stores in May 1984 at a price of $12.^[40] Biographer J. Randy Taraborrelli writes that, "Thriller stopped selling like a leisure item—like a magazine, a toy, tickets to a hit movie—and started selling like a household staple."^[41] In 1985, The Making of Michael Jackson's Thriller won a Grammy for Best Music Video, Longform.^[32] In December 2009, the music video for "Thriller" was selected for the National Film Registry by the Library of Congress, "Thriller" is the first music video ever to be inducted.^[42][43][44]

Time described Jackson's influence at that point as "Star of records, radio, rock video. A one-man rescue team for the music business. A songwriter who sets the beat for a decade. A dancer with the fanciest feet on the street. A singer who cuts across all boundaries of taste and style and color too".^[40] The New York Times wrote that, "in the world of pop music, there is Michael Jackson and there is everybody else".^[45]

On March 25th 1983, Michael Jackson reunited with his brothers for a legendary live performance which was taped for a Motown 25: Yesterday, Today, Forever television special. The show aired on May 16, 1983, to an audience of 47 million viewers, and featured the Jacksons and a number of other Motown stars. It is best remembered for Jackson's solo performance of "Billie Jean". Wearing a distinctive black sequin jacket and golf glove decorated with rhinestones, he debuted his signature dance move, the moonwalk, which former Soul Train dancer and Shalamar member Jeffrey Daniel had taught him three years before. The Jacksons' performance drew comparisons to Elvis Presley's and The Beatles' appearances on The Ed Sullivan Show.^[46] Anna Kisselgoff of The New York Times later wrote, "The moonwalk that he made famous is an apt metaphor for his dance style. How does he do it? As a technician, he is a great illusionist, a genuine mime. His ability to keep one leg straight as he glides while the other bends and seems to walk requires perfect timing."^[47]

Pepsi, "We Are the World" and business career (1984–85)[link]

Jackson with a Knott's Berry Farm Snoopy mascot in April 1984

On January 27, 1984, Michael and other members of the Jacksons filmed a Pepsi Cola commercial, overseen by executive Phil Dusenberry,^[48] from ad agency BBDO and Pepsi's Worldwide Creative Director, Alan Pottasch at the Shrine Auditorium in Los Angeles. In front of a full house of fans during a simulated concert, pyrotechnics accidentally set Jackson's hair on fire. He suffered second-degree burns to his scalp. Jackson underwent treatment to hide the scars on his scalp, and he also had his third rhinoplasty shortly thereafter.^[23] Jackson never recovered from this injury. Pepsi settled out of court, and Jackson donated his $1.5 million settlement to the Brotman Medical Center in Culver City, California, which now has a "Michael Jackson Burn Center" in honor of his donation.^[49] Dusenberry later recounted the episode in his memoir, Then We Set His Hair on Fire: Insights and Accidents from a Hall of Fame Career in Advertising.

On May 14, 1984, Jackson was invited to the White House to receive an award from President Ronald Reagan for his support of charities that helped people overcome alcohol and drug abuse.^[50] Jackson won eight awards during the Grammys that year. Unlike later albums, Thriller did not have an official tour to promote it, but the 1984 Victory Tour, headlined by The Jacksons, showcased much of Jackson's new solo material to more than two million Americans. He donated all the funds (around $8 million) raised from the Victory Tour to charity.^[51] He also co-wrote the charity single "We Are the World" in 1985 with Lionel Richie, which was released worldwide to aid the poor in the U.S. and Africa. It became one of the best-selling singles of all time, with nearly 30 million copies sold and millions of dollars donated to famine relief. In 1986, "We Are the World" won four Grammys (one for Jackson for Song of the Year). American Music Award directors removed the charity song from the competition because they felt it would be inappropriate, but recognized it with two special honors (one for the creation of the song and one for the USA for Africa idea). They are the only AMAs that Jackson won as non-solo artist.^{[52][53][54][55]}

Jackson at the White House South Portico with President Ronald Reagan and first lady Nancy Reagan, 1984

In 1984, ATV Music Publishing, which had the copyrights to nearly 4000 songs, including the Northern Songs catalog that contained the majority of the Lennon–McCartney compositions recorded by The Beatles, was put up for sale by Robert Holmes à Court.^[56] Jackson had become interested in owning music catalogs after working with Paul McCartney in the early 1980s: Jackson had learned McCartney made approximately $40 million a year from other people's songs.^[57] In 1981,^[58] McCartney was offered the ATV music catalog for £20 million ($40 million).^[57][59] According to McCartney, he contacted Yoko Ono about making a joint purchase by splitting the cost equally at £10 million each, but Ono thought they could buy it for £5 million each.^[57][59] When they were unable to make the joint purchase, McCartney let the offer fall through, not wanting to be the sole owner of the Beatles' songs.^[58][59]

According to a negotiator for Holmes à Court in the 1984 sale, "We had given Paul McCartney first right of refusal but Paul didn't want it at that time."^[60] Also, an attorney for McCartney assured Jackson's attorney, John Branca, that McCartney was not interested in bidding: McCartney reportedly said "It's too pricey".^[57][58] But there were several other companies and investors bidding. In September 1984, Jackson was first informed about the sale by Branca and sent a bid of $46 million on November 20, 1984.^[56] Jackson's agents thought they had a deal several times, but encountered new bidders or new areas of debate.^[56] In May 1985, Jackson's team walked away from talks after having spent over $1 million on four months of due diligence and on the negotiations.^[56]

In June 1985, Jackson and Branca learned that Charles Koppelman's and Marty Bandier's The Entertainment Co. had made a tentative agreement with Holmes à Court to buy ATV Music for $50 million.^[56] But in early August, Holmes à Court's team contacted Jackson and talks resumed. Jackson raised his bid to $47.5 million and it was accepted because he could close the deal more quickly, having already completed due diligence of ATV Music.^[56] He also agreed to visit Holmes à Court in Australia, where he would appear on the Channel Seven Perth Telethon.^[56][60] Jackson's purchase of ATV Music was finalized August 10, 1985.^[56]

[edit] Appearance, tabloids, Bad, films, autobiography and Neverland (1986–90)

Jackson's skin had been a medium-brown color for the entire duration of his youth, but starting in the mid 1980s, it gradually grew paler. The change gained widespread media coverage, including rumors that he might be bleaching his skin.^[61] According to J. Randy Taraborrelli's biography, in 1986, Jackson was diagnosed with vitiligo and lupus; the vitiligo partially lightened his skin, and the lupus was in remission; both illnesses made him sensitive to sunlight. The treatments he used for his condition further lightened his skin tone, and, with the application of pancake makeup to even out blotches, he could appear very pale.^[62] Jackson was also diagnosed with vitiligo in his autopsy.^[63] By the mid 1990s several surgeons speculated that he had undergone various nasal surgeries, a forehead lift, thinned lips, and cheekbone surgery—although Jackson denied this and insisted that he only had surgery on his nose.^[64] Jackson claimed that he had only two rhinoplasties and no other surgery on his face, although at one point he mentioned having a dimple created in his chin.^[65] Jackson lost weight in the early 1980s because of a change in diet and a desire for "a dancer's body".^[65] Witnesses reported that he was often dizzy and speculated that he was suffering from anorexia nervosa; periods of weight loss would become a recurring problem later in life.^[66]

During the course of his treatment, Jackson made two close friends: his dermatologist, Dr. Arnold Klein, and Klein's nurse Debbie Rowe. Rowe eventually became Jackson's second wife and the mother of his two eldest children. Long before becoming romantically involved with her, Jackson relied heavily on Rowe for emotional support. He also relied heavily on Klein, for medical and business advice.^[67]

Jackson became the subject of increasingly sensational reports. In 1986, the tabloids ran a story claiming that Jackson slept in a hyperbaric oxygen chamber to slow the aging process; he was pictured lying down in a glass box. Although the claim was untrue, according to tabloid reports that are widely cited, Jackson had disseminated the fabricated story himself.^[68][69] When Jackson bought a chimpanzee called Bubbles from a laboratory, he was reported to be increasingly detached from reality.^[70] It was reported that Jackson had offered to buy the bones of Joseph Merrick (the "elephant man") and although untrue, Jackson did not deny the story.^[68][69] Although initially he saw these stories as opportunities for publicity, he stopped leaking untruths to the press as they became more sensational. Consequently the media began making up their own stories.^[69][71][72] These reports became embedded in the public consciousness, inspiring the nickname "Wacko Jacko", which Jackson came to despise.^[73] Responding to the gossip, Jackson remarked to Taraborrelli:

Why not just tell people I'm an alien from Mars? Tell them I eat live chickens and do a voodoo dance at midnight. They'll believe anything you say, because you're a reporter. But if I, Michael Jackson, were to say, "I'm an alien from Mars and I eat live chickens and do a voodoo dance at midnight," people would say, "Oh, man, that Michael Jackson is nuts. He's cracked up. You can't believe a single word that comes out of his mouth."^[74]

Jackson wore a gold-plated military style jacket with belt in the Bad era

Jackson collaborated with George Lucas and Francis Ford Coppola on the 17-minute 3-D film Captain EO, which debuted in September 1986 at both the original Disneyland and at EPCOT in Florida, and in March 1987 at Tokyo Disneyland. The $30 million movie was a popular attraction at all three parks. A Captain EO attraction was later featured at Euro Disneyland after that park opened in 1992. All four parks' Captain EO installations stayed open well into the 1990s: Paris' installation was the last one to close, in 1998.^[75] The attraction would later return to Disneyland in 2010 after Jackson's death.^[76]

In 1987, Jackson disassociated himself from the Jehovah's Witnesses, in response to their disapproval of the Thriller video.^[77] With the industry expecting another major hit, Jackson's first album in five years, Bad (1987), was highly anticipated.^[78] It did not top Thriller as a commercial or artistic triumph, but Bad was still a substantial success in its own right.

The Bad album spawned seven hit singles in the U.S., five of which ("I Just Can't Stop Loving You", "Bad", "The Way You Make Me Feel", "Man in the Mirror" and "Dirty Diana") reached number one on the Billboard Hot 100 charts. This was a record for most number one Hot 100 singles from any one album, including Thriller.^[79] Although the title track's video was arguably derivative of the video for the earlier single "Beat It", the "Bad" video still proved to be one of Jackson's iconic moments. It was a gritty but colorful epic set against the backdrop of the New York City Subway system, with costuming and choreography inspired by West Side Story. As of 2012, the album sold between 30 and 45 million copies worldwide.^{[80][81][82][83][84][85][86]} Thanks to the Bad album, Bruce Swedien and Humberto Gatica won one Grammy in 1988 for Best Engineered Recording – Non Classical and Michael Jackson won one Grammy for Best Music Video, Short Form for "Leave Me Alone" in 1989.^[32][39] In the same year, Jackson won an Award of Achievement at the American Music Awards because Bad is the first album ever to generate five number one singles in the US, the first album to top in 25 countries and the best-selling album worldwide in 1987 and in 1988.^{[87][88][89][90]} In 1988, "Bad" won an American Music Award for Favorite Soul/R&B Single.^[91]

Front view: Jackson wearing the costume on a June 2, 1988 performance in Vienna, Austria

The Bad World Tour began on September 12 that year, finishing on January 14, 1989.^[92] In Japan alone, the tour had 14 sellouts and drew 570,000 people, nearly tripling the previous record of 200,000 in a single tour.^[93] Jackson broke a Guinness World Record   when 504,000 people attended seven sold-out shows at Wembley Stadium. He performed a total of 123 concerts to an audience of 4.4 million people. The Bad Tour turned out to be the last of Jackson's concert tours to include shows in the continental United States, although later tours did make it to Hawaii.

In 1988, Jackson released his first and only autobiography, Moonwalk, which took four years to complete and sold 200,000 copies.^[94] Jackson wrote about his childhood, The Jackson 5, and the abuse he had suffered.^[95] He also wrote about his facial appearance, saying he had had two rhinoplastic surgeries and a dimple created in his chin.^[65] He attributed much of the change in the structure of his face to puberty, weight loss, a strict vegetarian diet, a change in hair style, and stage lighting.^[65] Moonwalk reached the top position on The New York Times best sellers' list.^[96] The musician then released a film called Moonwalker, which featured live footage and short films that starred Jackson and Joe Pesci. The film was originally intended to be released to theaters but due to financial issues, the film was released direct-to-video. It saw a theatrical release in Germany, though. It debuted atop the Billboard Top Music Video Cassette chart, staying there for 22 weeks. It was eventually knocked off the top spot by Michael Jackson: The Legend Continues.^[97]

In March 1988, Jackson purchased land near Santa Ynez, California, to build Neverland Ranch at a cost of $17 million. He installed Ferris wheels, a menagerie, and a movie theater on the 2,700-acre (11 km²) property. A security staff of 40 patrolled the grounds. In 2003, it was valued at approximately $100 million.^[18][98] In 1989, his annual earnings from album sales, endorsements, and concerts was estimated at $125 million for that year alone.^[99] Shortly afterwards, he became the first Westerner to appear in a television ad in the Soviet Union.^[97]

His success resulted in his being dubbed the "King of Pop".^{[100][101][102][103]} The nickname was popularized by Elizabeth Taylor when she presented him with the Soul Train Heritage Award in 1989, proclaiming him "the true king of pop, rock and soul."^[104] President George H. W. Bush designated him the White House's "Artist of the Decade".^[105] From 1985 to 1990, he donated $500,000 to the United Negro College Fund, and all of the profits from his single "Man in the Mirror" went to charity.^[106][107] Jackson's live rendition of "You Were There" at Sammy Davis Jr.'s 60th birthday celebration received an Emmy nomination.^[97]

[edit] Dangerous, Heal the World Foundation and Super Bowl XXVII (1991–93)

In March 1991, Jackson renewed his contract with Sony for $65 million, a record-breaking deal at the time,^[108] displacing Neil Diamond's renewal contract with Columbia Records.^[109] He released his eighth album Dangerous in 1991. As of 2008, Dangerous had shipped seven million copies in the U.S. and had sold 32 million copies worldwide. The Dangerous album was co-produced by Teddy Riley, one of the pioneers of "new jack swing" which convinced Michael to feature a rapper on his album for the first time, the act worked and it turned out to be the best-selling album associated with that movement.^{[110][111][112]} In the United States, the album's first single "Black or White" was its biggest hit, reaching number one on the Billboard Hot 100 and remaining there for seven weeks, with similar chart performances worldwide.^[113] The album's second single "Remember the Time" spent eight weeks in the top five in the United States, peaking at number three on the Billboard Hot 100 singles chart.^[114] At the end of 1992, Dangerous was awarded 1992's best-selling album worldwide and "Black or White" was awarded 1992's best-selling single worldwide at the Billboard Music Awards. Additionally, he won an award as best-selling artist of the '80s.^[115] In 1993, Jackson performed the song at the Soul Train Music Awards in a chair, saying he had suffered an injury in rehearsals.^[116] In the UK and other parts of Europe, "Heal the World" was the biggest hit from the album; it sold 450,000 copies in the UK and spent five weeks at number two in 1992.^[114]

Jackson founded the Heal the World Foundation in 1992. The charity organization brought underprivileged children to Jackson's ranch to enjoy theme park rides that Jackson had built on the property. The foundation also sent millions of dollars around the globe to help children threatened by war, poverty, and disease. In the same year Jackson published his second book, the bestselling collection of poetry, Dancing the Dream. While it was a commercial success and revealed a more intimate side to Jackson's nature, the collection was mostly critically unacclaimed at the time of release. In 2009, the book was republished by Doubleday and was more positively received by some critics in the wake of Jackson's untimely death. The Dangerous World Tour grossed $100 million. The tour began on June 27, 1992, and finished on November 11, 1993. Jackson performed to 3.5 million people in 67 concerts.^[114][117] He sold the broadcast rights to his Dangerous world tour to HBO for $20 million, a record-breaking deal that still stands.^[118]

Following the illness and death of Ryan White, Jackson helped draw public attention to HIV/AIDS, something that was still controversial at the time. He publicly pleaded with the Clinton Administration at Bill Clinton's Inaugural Gala to give more money to HIV/AIDS charities and research.^[119][120] In a high-profile visit to Africa, Jackson visited several countries, among them Gabon and Egypt.^[121] His first stop to Gabon was greeted with a sizable and enthusiastic reception of more than 100,000 people, some of them carrying signs that read, "Welcome Home Michael."^[121] In his trip to Côte d'Ivoire, Jackson was crowned "King Sani" by a tribal chief.^[121] He then thanked the dignitaries in French and English, signed official documents formalizing his kingship and sat on a golden throne while presiding over ceremonial dances.^[121]

In January 1993, Jackson made a memorable appearance at the halftime show at Super Bowl XXVII. The performance began with Jackson catapulting onto the stage as fireworks went off behind him. As he landed on the canvas, he maintained a motionless "clenched fist, standing statue stance", dressed in a gold and black military outfit and sunglasses; he remained completely motionless for a minute and a half while the crowd cheered. He then slowly removed his sunglasses, threw them away and sang four songs: "Jam", "Billie Jean", "Black or White" and "Heal the World". It was the first Super Bowl where the audience figures increased during the half-time show, and was viewed by 135 million Americans alone; Jackson's Dangerous album rose 90 places up the album chart.^[61] Jackson was given the "Living Legend Award" at the 35th Grammy Awards in Los Angeles. "Black or White" was Grammy-nominated for best vocal performance. "Jam" gained two nominations: Best R&B Vocal Performance and Best R&B Song.^[114] The Dangerous album won a Grammy for Best Engineered – Non Classical, awarding the work of Bruce Swedien and Teddy Riley. In the same year, Michael Jackson won three American Music Awards for Favorite Pop/Rock Album (Dangerous), Favorite Soul/R&B Single ("Remember the Time") and was the first to win the International Artist Award, for his global performances and humanitarian concerns. This award will bear his name in the future.^{[32][39][122]}

First child sexual abuse allegations and first marriage (1993–94)[link]

Jackson gave a 90-minute interview to Oprah Winfrey on February 10, 1993, his second television interview since 1979. He grimaced when speaking of his childhood abuse at the hands of his father; he believed he had missed out on much of his childhood years, admitting that he often cried from loneliness. He denied tabloid rumors that he had bought the bones of the Elephant Man, slept in a hyperbaric oxygen chamber, or bleached his skin, stating for the first time that he had vitiligo. The interview was watched by an American audience of 90 million. Dangerous re-entered the album chart in the top 10, more than a year after its original release.^{[16][61][114]}

In the summer of 1993, Jackson was accused of child sexual abuse by a 13-year-old boy named Jordan Chandler and his father, Dr. Evan Chandler, a dentist.^{[123][124][125]} The Chandler family demanded payment from Jackson, and the singer initially refused. Jordan Chandler eventually told the police that Jackson had sexually abused him.^[126] Dr. Chandler was tape-recorded discussing his intention to pursue charges, saying, "If I go through with this, I win big-time. There's no way I lose. I will get everything I want and they will be destroyed forever ... Michael's career will be over". Jordan's mother was, however, adamant that there had been no wrongdoing on Jackson's part.^[125] Jackson later used the recording to argue that he was the victim of a jealous father whose only goal was to extort money from the singer.^[125]

Later that year, on December 20, Jackson's home was raided by the police, and Jackson submitted to a 25-minute strip search.^[127] Jordan Chandler had reportedly given police a description of Jackson's intimate parts, notably claiming that his bleach-damaged penis was circumcised; the strip search revealed, to the contrary, that Jackson was actually uncircumcised,^[128] a fact confirmed in his autopsy.^[129] His friends said he never recovered from the humiliation of the strip search. The investigation was inconclusive and no charges were ever filed.^[130][131] Jackson described the search in an emotional public statement, and proclaimed his innocence.^{[123][127][132]} On January 1, 1994, Jackson's insurance carrier settled with the Chandlers out of court for $22 million. A Santa Barbara County grand jury and a Los Angeles County grand jury disbanded on May 2, 1994 without indicting Jackson.^[133] After which time the Chandlers stopped co-operating with the criminal investigation around July 6, 1994.^{[134][135][136]} The out-of-court settlement's documentation specifically stated Jackson admitted no wrongdoing and no liability; the Chandlers and their family lawyer Larry Feldman signed it without contest.^[137] The Chandlers' lawyer Mr. Feldman also explicitly stated "nobody bought anybody's silence".^[138] A decade after the fact, during the second round of child abuse allegations, Jackson's lawyers would file a memo stating that the 1994 settlement was done without his consent.^[135]

In May 1994, Jackson married the daughter of Elvis Presley, Lisa Marie Presley. They had first met in 1975, when a seven-year-old Presley attended one of Jackson's family engagements at the MGM Grand Hotel and Casino, and were reconnected through a mutual friend.^[139] According to a friend of Presley's, "their adult friendship began in November 1992 in L.A."^[140] They stayed in contact every day over the telephone. As the child molestation accusations became public, Jackson became dependent on Presley for emotional support; she was concerned about his faltering health and addiction to drugs.^[141] Presley explained, "I believed he didn't do anything wrong and that he was wrongly accused and yes I started falling for him. I wanted to save him. I felt that I could do it."^[142] She eventually persuaded him to settle the allegations out of court and go into rehabilitation to recover.^[141]

Jackson proposed to Presley over the telephone towards the fall of 1993, saying, "If I asked you to marry me, would you do it?"^[141] They married in the Dominican Republic in secrecy, denying it for nearly two months afterwards.^[143] The marriage was, in her words, "a married couple's life ... that was sexually active".^[144] At the time, the tabloid media speculated that the wedding was a ploy to prop up Jackson's public image.^[143] The marriage lasted less than two years and ended with an amicable divorce settlement.^[145] In a 2010 interview with Oprah, Presley admitted that they spent four more years after the divorce "getting back together and breaking up", until she decided to stop.^[146]

[edit] HIStory, second marriage and fatherhood (1995–99)

In 1995, Jackson merged his ATV Music catalog with Sony's music publishing division creating Sony/ATV Music Publishing. Jackson retained half-ownership of the company, earned $95 million upfront as well as the rights to even more songs.^[147][148] He then released the double album HIStory: Past, Present and Future, Book I. The first disc, HIStory Begins, was a 15-track greatest hits album, and was later reissued as Greatest Hits: HIStory, Volume I in 2001, while the second disc, HIStory Continues, contained 15 new songs. The album debuted at number one on the charts and has been certified for seven million shipments in the US.^[149] It is the best-selling multiple-disc album of all-time, with 20 million copies (40 million units) sold worldwide.^[113][150] HIStory received a Grammy nomination for Album of the Year.^[151]

Michael Jackson at the 1997 Cannes Film Festival

The first single released from the album was the double A-side "Scream/Childhood". "Scream" was a duet, performed with Jackson's youngest sister Janet. The song fights against the media, mainly for what the media made him out to be during his 1993 child abuse allegations. The single had the highest debut on the Billboard Hot 100 at number five, and received a Grammy nomination for "Best Pop Collaboration with Vocals".^[151] "You Are Not Alone" was the second single released from HIStory; it holds the Guinness World Record for the first song ever to debut at number one on the Billboard Hot 100 chart.^[99] It was seen as a major artistic and commercial success, receiving a Grammy nomination for "Best Pop Vocal Performance".^[151] In late 1995, Jackson was rushed to a hospital after collapsing during rehearsals for a televised performance; the incident was caused by a stress-related panic attack.^[152] "Earth Song" was the third single released from HIStory, and topped the UK Singles Chart for six weeks over Christmas 1995; it sold a million copies, making it Jackson's most successful single in the UK.^[151] The track "They Don't Care About Us" became controversial when the Anti-Defamation League and other groups criticized its allegedly antisemitic lyrics. Jackson quickly put out a revised version of the song without the offending lyrics.^[153] In 1996, Jackson won a Grammy for Best Music Video, Short Form for "Scream" and an American Music Award for Favorite Pop/Rock Male Artist.^[32][154]

The album was promoted with the successful HIStory World Tour. The tour began on September 7, 1996, and finished on October 15, 1997. Jackson performed 82 concerts in 58 cities to over 4.5 million fans, and grossed up a total of $165 million. The show, which visited five continents and 35 countries, became Jackson's most successful in terms of audience figures.^[92] During the tour, Jackson married his longtime friend Deborah Jeanne Rowe, a dermatology nurse, in an impromptu ceremony in Sydney, Australia. Rowe was approximately six months pregnant with the couple's first child at the time. Originally, Rowe and Jackson had no plans to marry, but Jackson's mother Katherine persuaded them to do so.^[155] Michael Joseph Jackson Jr (commonly known as Prince) was born on February 13, 1997; his sister Paris-Michael Katherine Jackson was born a year later on April 3, 1998.^[145][156] The couple divorced in 1999, and Jackson got full custody of the children. The divorce was relatively amicable, but a subsequent custody suit was not settled until 2006.^[157][158]

Jackson at Perth Airport in 1996

In 1997, Jackson released Blood on the Dance Floor: HIStory in the Mix, which contained remixes of hit singles from HIStory and five new songs. Worldwide sales stand at 6 million copies as of 2007, it is the best selling remix album ever released.^[159] It reached number one in the UK, as did the title track.^[159][160] In the US, the album was certified platinum, but only reached number 24.^[110][151] Forbes placed his annual income at $35 million in 1996 and $20 million in 1997.^[98] Throughout June 1999, Jackson was involved in a number of charitable events. He joined Luciano Pavarotti for a benefit concert in Modena, Italy. The show was in support of the nonprofit organization War Child, and raised a million dollars for the refugees of Kosovo, FR Yugoslavia, as well as additional funds for the children of Guatemala.^[161] Later that month, Jackson organized a set of "Michael Jackson & Friends" benefit concerts in Germany and Korea. Other artists involved included Slash, The Scorpions, Boyz II Men, Luther Vandross, Mariah Carey, A. R. Rahman, Prabhu Deva Sundaram, Shobana, Andrea Bocelli and Luciano Pavarotti. The proceeds went to the Nelson Mandela Children's Fund, the Red Cross and UNESCO.^[162]

[edit] Label dispute, Invincible and third child (2000–03)

At the turn of the century, the American Music Awards honored Jackson as Artist of the '80s.^[163] Throughout 2000 and 2001, Jackson worked in the studio with Teddy Riley and Rodney Jerkins, as well as other collaborators. These sessions would result in the album Invincible, released in October 2001. Invincible was Jackson's first full-length album in six years, and it would be the last album of new material he released while still alive. The release of the album was preceded by a dispute between Jackson and his record label, Sony Music Entertainment. Jackson had expected the licenses to the masters of his albums to revert to him sometime in the early 2000s. Once he had the licenses, he would be able to promote the material however he pleased and he would also be able to keep all the profits. However, due to various clauses in the contract, the revert date turned out to be many years away. Jackson discovered that the attorney who represented him in the deal was also representing Sony.^[160] Jackson was also concerned about the fact that for a number of years, Sony had been pressuring him to sell his share in their music catalog venture. Jackson feared that Sony might have a conflict of interest, since if Jackson's career failed he would have to sell his share of the catalog at a low price.^[164] Jackson sought an early exit from his contract.^[160] Just before the release of Invincible, Jackson informed the head of Sony Music Entertainment, Tommy Mottola, that he was leaving Sony.^[160] As a result, all singles releases, video shootings and promotions concerning the Invincible album were suspended.

In September 2001, two 30th Anniversary concerts were held at Madison Square Garden to mark the singer's 30th year as a solo artist. Jackson appeared onstage alongside his brothers for the first time since 1984. The show also featured performances by Mýa, Usher, Whitney Houston, 'N Sync, Destiny's Child, Monica, Luther Vandross, and Slash, among other artists.^[165] The second of the two shows took place the night before the September 11, 2001, terrorist attacks.^[166] After 9/11, Jackson helped organize the United We Stand: What More Can I Give benefit concert at RFK Stadium in Washington, D.C. The concert took place on October 21, 2001, and included performances from dozens of major artists, including Jackson, who performed his song "What More Can I Give" as the finale.^[164] Jackson's solo performances were omitted from the televised version of the benefit concert, although he could still be seen singing background vocals. This omission happened because of contractual issues related to the earlier 30th Anniversary concerts: those concerts were boiled down into a two-hour TV special titled Michael Jackson: 30th Anniversary Celebration: The Solo Years which debuted in November 2001.

In spite of the events preceding its release, Invincible came out in October 2001 to much anticipation. Invincible proved to be a hit, debuting atop the charts in 13 countries and going on to sell approximately 13 million copies worldwide. It received double-platinum certification in the US.^{[110][113][167]} However, the sales for Invincible were lower than those of his previous releases, due in part to a lack of promotion, no supporting world tour and the label dispute. The album also came out at a bad time for the music industry in general.^[164] The album cost $30 million to record, not including promotional expenditures.^[168] Invincible spawned three singles, "You Rock My World", "Cry" and "Butterflies", the latter without a music video. Jackson alleged in July 2002 that Mottola was a "devil" and a "racist" who did not support his African-American artists, using them merely for his own personal gain.^[164] He charged that Mottola had called his colleague Irv Gotti a "fat nigger".^[169] Sony refused to renew Jackson's contract, and claimed that a $25 million promotional campaign had failed because Jackson refused to tour in the United States.^[168]

In 2002, Michael Jackson won his 22nd American Music Award for Artist of the Century.^[170] In the same year, Jackson's third child, Prince Michael Jackson II (nicknamed "Blanket") was born.^[171] The mother's identity is unknown, but Jackson has said the child was the result of artificial insemination from a surrogate mother and his own sperm.^[157] On November 20 of that year, Jackson brought his newborn son onto the balcony of his room at the Hotel Adlon in Berlin, as fans stood below, holding him in his right arm, with a cloth loosely draped over the baby's face. The baby was briefly extended over a railing, four stories above ground level, causing widespread criticism in the media. Jackson later apologized for the incident, calling it "a terrible mistake".^[172] Sony released Number Ones, a compilation of Jackson's hits on CD and DVD. In the US, the album was certified triple platinum by the RIAA; in the UK it was certified six times platinum for shipments of at least 1.2 million units.^[110][173]

Second child sexual abuse allegations and acquittal (2003–05)[link]

Beginning in May 2002, Jackson allowed a documentary film crew, led by British TV personality Martin Bashir, to follow him around just about everywhere he went. Bashir's film crew was with Jackson during the "baby-dangling incident" in Berlin. The program was broadcast in March 2003 as Living with Michael Jackson, and painted an extraordinarily unflattering portrait of the singer.

In a particularly controversial scene, Jackson was seen holding hands and discussing sleeping arrangements with a young boy.^[174] As soon as the documentary aired, the Santa Barbara county attorney's office began a criminal investigation. Jackson was arrested in November 2003, and was charged with seven counts of child molestation and two counts of administering an intoxicating agent in relation to the 13 year old boy shown in the film.^[174] Jackson denied the allegations, saying the sleepovers were not sexual in nature. The People v. Jackson trial began on January 31, 2005, in Santa Maria, California, and lasted five months, until the end of May. On June 13, 2005, Jackson was acquitted on all counts.^{[175][176][177]} After the trial, in a highly publicized relocation he moved to the Persian Gulf island of Bahrain, as a guest of Sheikh Abdullah.^[178] Bahrain was also where the family intended to send Jackson if he was convicted (though Jackson did not know about the plan), according to a statement by Jermaine Jackson printed in The Times of London in September 2011.^[179]

[edit] Closure of Neverland, final years and This Is It (2006–09)

Jackson with his children in Disneyland Paris, 2006

In March 2006, the main house at the Neverland Ranch was closed as a cost-cutting measure.^[180] There were numerous reports around that time that Jackson was having financial problems. Jackson had been delinquent on his repayments of a $270 million loan secured against his music publishing holdings, even though those holdings were reportedly making him as much as $75 million a year.^[181] Bank of America sold the debt to Fortress Investments. Sony reportedly proposed a restructuring deal which would give them a future option to buy half of Jackson's stake in their jointly owned publishing company (leaving Jackson with a 25% stake).^[148] Jackson agreed to a Sony-backed refinancing deal in April 2006, although the exact details were not made public.^[182] Jackson did not have a recording contract in place with Sony or any other major record label at the time.

In early 2006, there was an announcement that Jackson had signed a contract with a Bahrain-based startup called Two Seas Records. However, nothing ever came of that deal, and the CEO of Two Seas, Guy Holmes, later stated that the deal had never been finalized.^[183][184] Throughout 2006, Sony repackaged 20 singles from the 1980s and 1990s as the Michael Jackson: Visionary series, which subsequently became a box set. Most of those singles returned to the charts as a result. In September 2006, Jackson and his ex-wife Debbie Rowe confirmed reports that they had settled their long-running child custody suit. The terms were never made public. Jackson continued to be the custodial parent of the couple's two children.^[158] In October 2006, Fox News entertainment reporter Roger Friedman said that Jackson had been recording at a studio in rural Westmeath, Ireland. It was not known at the time what Jackson might be working on, or who might be paying for the sessions, since his publicist had recently issued a statement claiming that he had left Two Seas.^[184][185]

In November 2006, Jackson invited an Access Hollywood camera crew into the studio in Westmeath, and MSNBC broke the story that he was working on a new album, produced by will.i.am of The Black Eyed Peas.^[113] Jackson performed at the World Music Awards, in London on November 15, 2006, and accepted a Diamond Award for selling over 100 million records.^[113][186] Jackson returned to the United States after Christmas 2006 to attend James Brown's funeral in Augusta, Georgia. He gave one of the eulogies, saying that "James Brown is my greatest inspiration."^[187] In the spring of 2007, Jackson and Sony teamed up to buy yet another music publishing company: Famous Music LLC, formerly owned by Viacom. This deal gave him the rights to songs by Eminem, Shakira and Beck, among others.^[188] Jackson recorded extensively during this period in New York with songwriter and producer will.i.am and also in Las Vegas with producers Akon and RedOne.^[189][190] In March 2007, Jackson gave a brief interview to the Associated Press in Tokyo, where he said, "I've been in the entertainment industry since I was 6 years old, and as Charles Dickens would say, 'It's been the best of times, the worst of times.' But I would not change my career ... While some have made deliberate attempts to hurt me, I take it in stride because I have a loving family, a strong faith and wonderful friends and fans who have, and continue, to support me."^[191]

In September 2007, Jackson was reportedly still working with will.i.am, but the album was apparently never completed.^[192] However, in 2008, Jackson and Sony released Thriller 25 to mark the 25th anniversary of the original Thriller. This album featured the previously unreleased song "For All Time" (an outtake from the original sessions) as well as remixes, where Jackson collaborated with younger artists who had been inspired by his work.^[193] Two of the remixes were released as singles with only modest success: "The Girl Is Mine 2008" (with will.i.am) and "Wanna Be Startin' Somethin' 2008" (with Akon). The first single was based on an early demo version, without Paul McCartney. The album itself was a hit, however.^{[193][194][195][196]} In anticipation of Jackson's 50th birthday, Sony BMG released a series of greatest-hits albums called King of Pop. Slightly different versions were released in various countries, based on polls of local fans.^[197] King of Pop reached the top 10 in most countries where it was issued, and also sold well as an import in other countries (such as the United States.)^[198][199]

In the fall of 2008, Fortress Investments threatened to foreclose on Neverland Ranch, which Jackson used as collateral for loans running into many tens of millions of dollars. However, Fortress opted to sell Jackson's debts to Colony Capital LLC. In November, Jackson transferred Neverland Ranch's title to Sycamore Valley Ranch Company LLC, which was a joint venture between Jackson and Colony Capital LLC. This deal cleared Jackson's debt, and he reportedly even gained an extra $35 million from the venture. At the time of his death, Jackson still owned a stake in Neverland/Sycamore Valley, but it is unknown how large that stake was.^{[200][201][202]} In September 2008, Jackson entered negotiations with Julien's Auction House to display and auction a large collection of memorabilia amounting to approximately 1,390 lots. The auction was scheduled to take place between April 22 and April 25.^[203] An exhibition of the lots opened as scheduled on April 14, but the actual auction was eventually cancelled at Jackson's request.^[204]

In March 2009, Jackson held a press conference at London's O₂ Arena and announced a series of comeback concerts titled This Is It. The shows would be Jackson's first major series of concerts since the HIStory World Tour finished in 1997. Jackson suggested possible retirement after the shows; he said it would be his "final curtain call". The initial plan was for 10 concerts in London, followed by shows in Paris, New York City and Mumbai. Randy Phillips, president and chief executive of AEG Live, stated that the first 10 dates alone would earn the singer approximately £50 million.^[205] The London residency was increased to 50 dates after record breaking ticket sales: over one million were sold in less than two hours.^[206] Jackson rehearsed in Los Angeles in the weeks leading up to the tour under the direction of choreographer Kenny Ortega. Most of these rehearsals took place at the Staples Center, which was owned by AEG.^[207] The concerts would have commenced on July 13, 2009, and finished on March 6, 2010. Less than three weeks before the first show was due to begin in London and with all concerts being sold out, Jackson died after suffering cardiac arrest.^[208] Some time before his death, it was widely stated that he was starting a clothing line with Christian Audigier; due to his death, the current status of the label remains unknown.^[209][210]

Jackson's first posthumous single was a song titled "This Is It" which Jackson cowrote in the 1980s with Paul Anka. It was not on the set lists for the concerts, and the recording was based on an old demo tape. The surviving brothers reunited in the studio for the first time since 1989 to record backing vocals. On October 28, 2009, a documentary film about the rehearsals titled Michael Jackson's This Is It was released.^[211] Even though it ran for a limited two-week engagement, it became the highest grossing documentary or concert movie of all time, with earnings of more than $260 million worldwide.^[212] Jackson's estate received 90% of the profits.^[213] The film was accompanied by a compilation album of the same name. Two versions of the new song appear on the album, which also featured original masters of Jackson's hits in the order in which they appear in the movie, along with a bonus disc with previously unreleased versions of more Jackson hits as well as a spoken-word poem titled "Planet Earth".^[214] At the 2009 American Music Awards Jackson won four posthumous awards, two for him and two for his album Number Ones, bringing his total American Music Awards to 26.^[215][216]

Death and memorial[link]

On June 25, 2009, Jackson died while in his bed at his rented mansion at 100 North Carolwood Drive in the Holmby Hills district of Los Angeles. Attempts at resuscitating him by Conrad Murray, his personal physician, were unsuccessful.^[217] Los Angeles Fire Department paramedics received a 911 call at 12:22 (PDT, 19:22 UTC), arriving three minutes later at Jackson's location.^[218][219] He was reportedly not breathing and CPR was performed.^[220] Resuscitation efforts continued en route to the Ronald Reagan UCLA Medical Center, and for more than an hour after arriving there at 1:13 (20:13 UTC). He was pronounced dead at 2:26 local time (21:26 UTC).^[221][222] Jackson's death triggered a global outpouring of grief.^[217]

The news spread quickly online, causing websites to slow down and crash from user overload. Both TMZ and the Los Angeles Times suffered outages.^[223] Google initially believed that the input from millions of people searching for "Michael Jackson" meant that the search engine was under DDoS attack, and blocked searches related to Michael Jackson for 30 minutes. Twitter reported a crash, as did Wikipedia at 3:15 p.m. PDT (22:15 UTC).^[224] The Wikimedia Foundation reported nearly a million visitors to Jackson's biography within one hour, probably the most visitors in a one-hour period to any article in Wikipedia's history.^[225] AOL Instant Messenger collapsed for 40 minutes. AOL called it a "seminal moment in Internet history", adding, "We've never seen anything like it in terms of scope or depth."^[226]

Around 15% of Twitter posts—or 5,000 tweets per minute—reportedly mentioned Jackson after the news broke,^[227][228] compared to the 5% recalled as having mentioned the Iranian elections or the flu pandemic that had made headlines earlier in the year.^[228] Overall, web traffic ranged from 11% to at least 20% higher than normal.^[227][229] MTV and Black Entertainment Television (BET) aired marathons of Jackson's music videos.^[230] Jackson specials aired on multiple television stations around the world. The British soap opera EastEnders added a last-minute scene, in which one character tells another about the news, to the June 26 episode.^[231] Jackson was the topic of every front-page headline in the daily British tabloid The Sun for about two weeks following his death.^[232] During the same period, the three major U.S. networks' evening newscasts—ABC World News, CBS Evening News, and NBC Nightly News—devoted 34% of their broadcast time to him.^[233] Magazines including Time published commemorative editions.^[234] A scene that had featured Jackson's sister La Toya was cut from the film Brüno out of respect toward Jackson's family.^[235]

Jackson's memorial was held on July 7, 2009, at the Staples Center in Los Angeles, preceded by a private family service at Forest Lawn Memorial Park's Hall of Liberty. Jackson's casket was present during the memorial but no information was released about the final disposition of the body. While some unofficial reports claimed a worldwide audience as high as one billion people,^[236][237] the U.S. audience was estimated by Nielsen to be 31.1 million, an amount comparable to the estimated 35.1 million that watched the 2004 burial of former president Ronald Reagan, and the estimated 33.1 million Americans who watched the 1997 funeral for Princess Diana.^[238]