Amun
Amun depicted with a tall feather crown
King of the Gods
Name in hieroglyphs
Major cult center	Thebes
Symbol	two vertical plumes, the ram-headed Sphinx (Criosphinx)
Parents	none (self-created)
Consort	Amunet Wosret Mut

Amun, reconstructed Egyptian Yamānu^{[citation needed]} (also spelled Amon, Amoun, Amen, Zeus Amun, and rarely Imen or Yamun, Greek Ἄμμων Ammon, and Ἅμμων Hammon^{[citation needed]}), was a god in Egyptian and Berber mythology who in the form of Amun-Ra became the focus of the most complex system of theology in Ancient Egypt. Whilst remaining hypostatic, Amun represented the essential and hidden, whilst in Ra he represented revealed divinity. As the creator deity "par excellence", he was the champion of the poor or troubled and central to personal piety.^[1]

Amun was self-created, without mother and father, and during the New Kingdom he became the greatest expression of transcendental deity in Egyptian theology. He was not considered to be immanent within creation nor was creation seen as an extension of himself. Amun-Ra did not physically engender the universe. His position as King of Gods developed to the point of virtual monotheism where other gods became manifestations of him. With Osiris, Amun-Ra is the most widely recorded of the Egyptian gods.^[1] He was also widely worshipped in the neighboring regions of Ancient Libya and Nubia.

Family[link]

Amun created himself alone.^[2] His first wife was Wosret, but he later married Amunet and Mut. With Mut he is a father of the moon god Khonsu.

Rise of god after expulsion of Hyksos[link]

Bas-relief depicting Amun as pharaoh

When the army of the founder of the Eighteenth dynasty expelled the Hyksos rulers from Egypt, the victor's city of origin, Thebes, became the most important city in Egypt, the capital of a new dynasty. The local patron deity of Thebes, Amun, therefore became nationally important. The pharaohs of that new dynasty attributed all their successful enterprises to Amun and they lavished much of their wealth and captured spoil on the construction of temples dedicated to Amun.

As the Egyptians considered themselves oppressed during the period of the Hyksos rule, the victory accomplished by pharaohs who worshipped Amun, brought him to be seen as a champion of the less fortunate. Consequently, Amun was viewed as upholding the rights of justice for the poor.^[1] By aiding those who traveled in his name, he became the Protector of the road. Since he upheld Ma'at (truth, justice, and goodness),^[1] those who prayed to Amun were required, first, to demonstrate that they were worthy by confessing their sins. Votive stelae from the artisans' village at Deir el-Medina record:

[Amun] who comes at the voice of the poor in distress, who gives breath to him who is wretched..You are Amun, the Lord of the silent, who comes at the voice of the poor; when I call to you in my distress You come and rescue me...Though the servant was disposed to do evil, the Lord is disposed to forgive. The Lord of Thebes spends not a whole day in anger; His wrath passes in a moment; none remains. His breath comes back to us in mercy..May your ka be kind; may you forgive; It shall not happen again.^[3]

Much later, because of the evidence of the adoration given to Amun in many regions during the height of his cult, Greek travellers to Egypt would report that Amun—who they determined to be the ruler of the Egyptian pantheon—was similar to the leader of the Classical Greek pantheon, Zeus, and therefore they became identified by the Greeks as the same deity. Likewise, Amun's consort Mut became associated by these Greeks with Zeus's consort in the Classical pantheon, Hera.

Praises of Amun on stelae are strikingly similar in language to those later used in the reign of Akhenaton, in particular the Hymn to the Aten:

"When thou crossest the sky, all faces behold thee, but when thou departest, thou are hidden from their faces.. When thou settest in the western mountain, then they sleep in the manner of death..The fashioner of that which the soil produces,...a mother of profit to gods and men; a patient craftsmen, greatly wearying himself as their maker..valiant herdsman, driving his cattle, their refuge and the making of their living..The sole Lord, who reaches the end of the lands every day, as one who sees them that tread thereon..Every land chatters at his rising every day, in order to praise him."^[4]

Amun-Min as Amun-Ra ka-Mut-ef from the temple at Deir el Medina.

Subsequently, when Egypt conquered Kush, they identified the chief deity of the Kushites as Amun. This Kush deity was depicted as ram-headed, more specifically a woolly ram with curved horns*—so Amun became associated with the ram: indeed, due to the aged appearance of the Kush ram deity.

Since rams were considered a symbol of virility due to their rutting behavior, Amun also became thought of as a fertility deity, and so started to absorb the identity of Min, becoming Amun-Min. This association with virility led to Amun-Min gaining the epithet Kamutef, meaning Bull of his mother,^[5] in which form he was found depicted on the walls of Karnak, ithyphallic, and with a scourge, as Min was.

Sun God[link]

Amun-Ra in hieroglyphs

Amun-Ra

As the cult of Amun grew in importance, Amun became identified with the chief deity who was worshipped in other areas during that period, the sun god Ra. This identification led to another merger of identities, with Amun becoming Amun-Ra. In the Hymn to Amun-Ra he is described as

During the later part of the eighteenth dynasty, the pharaoh Akhenaten (also known as Amenhotep IV) disliked the power of the temple of Amun and advanced the worship of the Aten, a deity whose power was manifested in the sun disk, both literally and symbolically. He defaced the symbols of many of the old deities and based his religious practices upon the deity, the Aten. He moved his capitol away from Thebes, but this abrupt change was very unpopular with the priests of Amun, who now found themselves without any of their former power. The religion of Egypt was inexorably tied to the leadership of the country, the pharaoh being the leader of both. The pharaoh was the highest priest in the temple of the capital and the next lower level of religious leaders were important advisers to the pharaoh, many being administrators of the bureaucracy that ran the country.

When Akhenaten died, the priests of Amun-Ra reasserted themselves. His name was struck from Egyptian records, all of his religious and governmental changes were undone, and the capital was returned to Thebes. The return to the previous capital and its patron deity was accomplished so swiftly that it seemed this almost monotheistic cult and its governmental reforms had never existed. Worship of the Aten ceased and worship of Amun-Ra was restored. The priests of Amun even persuaded his young son, Tutankhaten, whose name meant "the living image of Aten"—and who later would become a pharaoh—to change his name to Tutankhamun, "the living image of Amun".

As Amun-Re he was petitioned for mercy by those who believed suffering had come about as a result of their own or others wrongdoing.

Amon-Re "who hears the prayer, who comes at the cry of the poor and distressed...Beware of him! Repeat him to son and daughter, to great and small; relate him to generations of generations who have not yet come into being; relate him to fishes in the deep, to birds in heaven; repeat him to him who does not know him and to him who knows him...Though it may be that the servant is normal in doing wrong, yet the Lord is normal in being merciful. The Lord of Thebes does not spend an entire day angry. As for his anger - in the completion of a moment there is no remnant..As thy Ka endures! thou wilt be merciful!"^[7]

In the Leiden hymns, Amun, Ptah, and Re are regarded as a trinity who are distinct gods but with unity in plurality.^[8]"The three gods are one yet the Egyptian elsewhere insists on the separate identity of each of the three."^[9] This unity in plurality is expressed in one text:

The hidden aspect of Amun and his likely association with the wind caused Henri Frankfort to draw parallels with a passage from the Gospel of John: "The wind blows where it wishes, and you hear the sound of it, but do not know where it comes from and where it is going."^{[John 3:8][11]} A Leydon hymn to Amun describes how he calms stormy seas for the troubled sailor:

The tempest moves aside for the sailor who remembers the name of Amon. The storm becomes a sweet breeze for he who invokes His name... Amon is more effective than millions for he who places Him in his heart. Thanks to Him the single man becomes stronger than a crowd.^[12]

Decline[link]

Although the capital was moved back to Thebes and the power base of Amun's cult had been revivified, the authority of Amun began to weaken after the Twentieth dynasty. Under the Twenty-first dynasty the secondary line of priest pharaohs of Thebes upheld his dignity to the best of their power, and the Twenty-second favoured Thebes, but they became weak and ineffective.

As the leadership weakened, division between Upper Egypt, the southern portion, and Lower Egypt, the northern portion, reasserted itself. The unification of Egypt failed, falling into regional autonomy again. Nubia took over the rule of southern Egypt. Southern Egypt includes Thebes and it would have decayed rapidly had it not been for the piety of the rulers of Nubia toward Amun, who had been worshipped in their own country for a long time. Initially, they made Thebes their Egyptian capital and they honoured Amun greatly.

Cult in Nubia, Libya, and Greece[link]

In areas outside of Egypt where the Egyptians had previously brought the cult of Amun his worship continued. In Nubia, where his name was pronounced Amane, he remained a national deity, with his priests, at Meroe and Nobatia,^[13] regulating the whole government of the country via an oracle, choosing the ruler, and directing military expeditions. According to Diodorus Siculus, these religious leaders even were able to compel kings to commit suicide, although this tradition stopped when Arkamane, in the 3rd century BC, slew them.

In Libya there remained a solitary oracle of Amun in the Libyan Desert at the oasis of Siwa.^[14] The worship of Ammon was introduced into Greece at an early period, probably through the medium of the Greek colony in Cyrene, which must have formed a connection with the great oracle of Ammon in the Oasis soon after its establishment. Ammon had a temple and a statue, the gift of Pindar, at Thebes,^[15] and another at Sparta, the inhabitants of which, as Pausanias says,^[16] consulted the oracle of Ammon in Libya from early times more than the other Greeks. At Aphytis, Chalcidice, Ammon was worshipped, from the time of Lysander, as zealously as in Ammonium. Pindar the poet honoured the god with a hymn. At Megalopolis the god was represented with the head of a ram (Paus. viii.32 § 1), and the Greeks of Cyrenaica dedicated at Delphi a chariot with a statue of Ammon.

Such was its reputation among the Classical Greeks that Alexander the Great journeyed there after the battle of Issus and during his occupation of Egypt, where he was declared the son of Amun by the oracle. Alexander thereafter considered himself divine. Even during this occupation, Amun, identified by these Greeks as a form of Zeus,^[17] continued to be the principal local deity of Thebes.

Iarbas, a mythological king of Libya, was also considered a son of Hammon.

Derived terms[link]

Amun on relief

Several words derive from Amun via the Greek form, Ammon: ammonia and ammonite. The Romans called the ammonium chloride they collected from deposits near the Temple of Jupiter Amun in ancient Libya sal ammoniacus (salt of Amun) because of proximity to the nearby temple.^[18]

Ammonia, as well as being the chemical, is a genus name in the foraminifera. Both these foraminiferans (shelled Protozoa) and ammonites (extinct shelled cephalopods) bear spiral shells resembling a ram's, and Ammon's, horns.

The regions of the hippocampus in the brain are called the cornu ammonis – literally "Amun's Horns", due to the horned appearance of the dark and light bands of cellular layers.

See also[link]

Self-creation cosmology

References[link]

Specific references

Other sources

 This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. 

• Adolf Erman, Handbook of Egyptian Religion (London, 1907)
• David Klotz, Adoration of the Ram: Five Hymns to Amun-Re from Hibis Temple (New Haven, 2006)
• Ed. Meyer, article "Ammon" in W. H. Roscher's Lexikon der griechischen und römischen Mythologie
• Pietschmann, articles "Ammon" and "Ammoneion" in Pauly-Wissowa, Realencyclopädie.

External links[link]

• Ancient Egypt: the Mythology
• Leiden Hymns to Amun
• Strong's H0528 Amon in the Bible
• (Spanish) Karnak 3D :: Detailed 3D-reconstruction of the Great Temple of Amun at Karnak, Marc Mateos, 2007
• Tutankhamen: Amenism, Atenism, and Egyptian Monotheism
• Amun with features of Tutankhamun

v t e Ancient Egyptian religion Mythology Paganism Pantheism Polytheism Emanationism Soul Duat Numerology Deities Amun Amunet Anubis Anuket Apep Apis Aten Atum Bastet Bat Bes Four sons of Horus Geb Hapi Hathor Heka Heqet Horus Isis Khepri Khnum Khonsu Kuk Maahes Ma'at Mafdet Menhit Meretseger Meskhenet Min Mnewer Monthu Mut Nefertem Neith Nekhbet Nephthys Nu Nut Osiris Pakhet Ptah Qebui Qetesh Ra Resheph Satet Sekhmet Seker Serket Seshat Set Shu Sobek Sopdet Sopdu Tatenen Taweret Tefnut Thoth Wadjet Wadj-wer Wepwawet Wosret Writings Amduat Books of Breathing Book of Caverns Book of the Dead Book of the Earth Book of Gates Book of the Netherworld Beliefs Atenism Curse of the Pharaohs Funerals Offering formula Philosophy Temples Ancient Egypt Portal

Medwyn 'Jack' Goodall (born in 1961) is a composer and musician mostly associated with the New Age genre. He was born in Yorkshire, England. He lives with his wife Wendy in Cornwall, England. According to Allmusic, "Goodall began composing original songs as a teen, earning local notoriety with his band Trax; in the years to follow, he learned to play a vast range of instruments, including mandolin, piano, drums, harp, flute, glockenspiel, panpipes, vibraphone and synthesizer, and cut his first album at age 26".^[1] He is a prolific recorder, having recorded over 75 albums. He also topped the UK music charts twice and sold over three million albums.^[2] His first album was Emergence (1987), published by New World Music.^[3] His early albums were published also by Oreade Music. Medwyn Goodall recently started MG Music,^[4] a record label which specializes in New Age music.

He produced albums on which he arranged, performed, mixed and mastered every song, although his album, Om (2006), was produced together with Terry Oldfield and Om2 (2010), was produced together with Aroshanti. There is an updated list of his albums at MG Music^[4] and at All Music^[3] web sites.

Many of Goodall's recent releases have been under the alias Midori. He explains that he chose this alias so he "could record projects that were more ethnic, eastern, or produced for the healing arts" without confusing fans of his other music. ^[5] However, there are also other musical artists using or known by the name Midori (such as the jazz-punk combo Midori and the Japanese violinist Midori Goto).

One of Goodall's tracks, "Free Spirit" from his album Meditations and Visualisations (2001) features the same Spectrasonics "Distorted Reality" sample featured in the "Summer Forest" music in the video game Spyro 2: Ripto's Rage!, as composed by Stewart Copeland.

Discography[link]

Until April 2012, about 110 studio albums were released by Medwyn Goodall by various music companies. The list below does not contain albums released under the name Midori, Medwyn Goodall's alias for healing music.

Studio Albums[link]

• 1986 – Emergence
• 1987 – Innocence
• 1988 – Kindred Spirits
• 1988 – Paradise Moon
• 1988 – In the Stillness of a Moment
• 1989 – Angel Sleep
• 1989 – Gifts of Comfort and Joy
• 1990 – The Druid Trilogy Volume 1: Druid
• 1990 – The Druid Trilogy Volume 2: Merlin
• 1990 – The Druid Trilogy Volume 3: Excalibur
• 1991 – Medicine Woman
• 1991 – Earth Healer
• 1992 – Great Spirit
• 1992 – The Way of the Dolphin
• 1992 – Kingdom of the Sun God
• 1993 – Eagle Spirit
• 1993 – Coral Sand
• 1993 – Antarctica, The Last Wilderness
• 1993 – Leo, 24 July – 23 August
• 1994 – Four Horsemen, The Waves of Ascension
• 1994 – Return To Eden, Part 2 of the Waves of Ascension Trilogy
• 1994 – Alpha & Omega, Part 3 of the Ascension Trilogy
• 1994 – Siesta
• 1994 – Golden Dreams, Forever
• 1994 – Nazca, Land of the Incas
• 1994 – Green Dream, Chill Out 1
• 1995 – Purple Dream, Chill Out 2
• 1995 – Where Angels Tread
• 1995 – Guardian Spirit
• 1995 – Neptune, God of the Oceans
• 1996 – The Arthurian Collection 1: The Grail Quest (The Grail Quest)
• 1996 – The Arthurian Collection 2: The Gift of Excalibur (The Gift of Excalibur)
• 1996 – The Arthurian Collection 3: Fair Queen Guinevere (Guinevere)
• 1995 – The Arthurian Collection 4: Tintagel, Castle Of Arthur (Tintagel)
• 1996 – The Arthurian Collection 5: The Round Table (The Round Table)
• 1995 – Moon Goddess
• 1996 – Priestess, Return to Atlantis
• 1996 – Winds Across the Pacific
• 1996 – Alcazar, Flame of Passion
• 1996 – Spirit of Christmas
• 1996 – Shoshone Dream
• 1996 – King Shaman: Rhythms of the World
• 1997 – Ancient Nazca: Inca Mysteries
• 1997 – The Dolphin Quest
• 1997 – Clan: A Celtic Journey
• 1997 – The Way of the Ocean
• 1997 – A Christmas Tapestry
• 1997 – Goddess from the Sea (remastered version of Neptune, God of the Oceans)
• 1998 – Medicine Woman II: The Gift
• 1999 – Comet
• 1999 – Millennium
• 1999 – The Scroll: Part II of the Clan Trilogy
• 2000 – Essence of Magic
• 2000 – Timeless
• 2000 – Lightstream
• 2000 – Sacred Medicine
• 2000 – Dragon’s Keep
• 2000 – Natrual Sounds With Music: Water
• 2000 – Natrual Sounds With Music: Island
• 2001 – Natrual Sounds With Music: Birds
• 2001 – Natrual Sounds With Music: Farm
• 2001 – Snows of Kilimanjaro
• 2001 – Anam Cara
• 2001 – Earth Love
• 2001 – Medwyn Goodall's Seasons: Autumn
• 2001 – Medwyn Goodall's Seasons: Spring
• 2001 – Medwyn Goodall's Seasons: Summer
• 2001 – Medwyn Goodall's Seasons: Winter
• 2001 – Natural Balance: English Summer
• 2001 – Natural Balance: April Showers
• 2001 – Natural Balance: Calm Ocean
• 2007 – Natural Balance: Call of the Colphin
• 2002 – Rhythm of the Ancients
• 2003 – Chronicles: An Epic Tale in Music
• 2003 – Medicine Woman III: The Rising
• 2003 – Classics for Healing
• 2004 – Classics for Tranquillity
• 2004 – Classics for Creativity
• 2004 – Eye of the Wolf
• 2004 – The Dragon’s Breath (re-release of Dragon’s Keep)
• 2004 – Medwyn Goodall’s Copyright Free Volume 1: Movement
• 2004 – Medwyn Goodall’s Copyright Free Volume 2: Stillness
• 2004 – Medwyn Goodall’s Copyright Free Volume 4: Expression
• 2004 – Medwyn Goodall’s Copyright Free Volume 5: Overdub
• 2004 – Medwyn Goodall’s Copyright Free Volume 6: Christmas
• 2004 – Medwyn Goodall’s Copyright Free Volume 7: Elizabethan Weddings 1
• 2004 – Medwyn Goodall’s Copyright Free Volume 8: Celtic
• 2004 – Land of the Inca
• 2005 – Tribal Nation
• 2005 – OM
• 2005 – The Sorcerer’s Daughter
• 2006 – Earth Goddess (same as Island Bliss)
• 2006 – Life Style Series Music For Crystal Healing
• 2006 – Life Style Series Music For The Dolphin Experience
• 2006 – Life Style Series Music For Healing
• 2006 – Life Style Series Music For Perfect Sleep
• 2006 – Life Style Series Music For Aromatherapy & Massage
• 2006 – Medwyn’s Cornwall
• 2008 – Serve Chilled (with Tim Rock)
• 2008 – Amun Ra
• 2008 – Origins
• 2009 – Medicine Woman IV: Prophecy 2012
• 2009 – OM 2
• 2009 – Druid II
• 2010 – Clan III: The Lands Beyond
• 2011 – With Every Breath (with Aroshanti)
• 2011 – Tears of the Dragon
• 2011 – Knight
• 2012 – Earth Healer 2

Compilations[link]

• 1995 – Pagan Dawn
• 1997 – All Good Things
• 1997 – Visions
• 1999 – The Best of Medwyn Goodall
• 2004 – King Arthur (3-CD box set)
• 2004 – Momentum (1990-2004)
• 2009 – 25th Anniversary Best Of

Remaster / Re-release[link]

• The Arthurian Collection (remastered version of the original five titles)
• Goddess from the Sea (remastered version of Neptune, God of the Oceans)
• The Dragon’s Breath (re-release of Dragon’s Keep)

Miscellaneous[link]

• Autobiography – No Strings Attached
• DVD – Dolphins And Sea
• DVD – Medwyn Goodall’s Natural World
• DVD – Native Spirit

References[link]