Wikimedia Commons has media related to: 269

Emperor Claudius II Gothicus

Year 269 (CCLXIX) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Claudius and Paternus (or, less frequently, year 1022 Ab urbe condita). The denomination 269 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.

Events[link]

By place[link]

Roman Empire[link]

• Second Gothic invasion: The Goths and other German tribes attack Bosphorean towns on the coast of the Black Sea. Some 2,000 ships and 320,000 men from the Danube enter Roman territory. Emperor Claudius II defeats the invaders and receives the title Gothicus for his triumph. Many of the prisoners will serve in the Roman legions and settle in vacant lands in the Danubian provinces.
• Claudius II travels to Sirmium and prepares a war against the Vandals, who raid Pannonia.
• The Heruli capture Athens and raid the Aegean Islands as far as Crete and Rhodes.

Africa[link]

• Queen Zenobia conquers Syria, Palestine, Lebanon and Egypt, giving her control of Rome's grain supply. The library at Alexandria is partly burned during a raid by Zabdas, general of Zenobia.

By topic[link]

Religion[link]

• January 5 – Pope Felix I succeeds Pope Dionysius as the 26th pope.
• Paul of Samosata is deposed as Patriarch of Antioch (though he is not removed until 272).

Births[link]

• Murong Hui, Xianbei chief and Duke Xiang of Liaodong (d. 333)

Deaths[link]

• Saint Valentine (executed by Claudius II) (Possible year)
• Lu Kai, nephew of Lu Xun (b. 198)
• Wang Kang, prefect of Yongchang
• Wang Xiang, minister of the Kingdom of Wei (b. 185)

References[link]

Bill Maher
Maher at a ceremony to receive a star on the Hollywood Walk of Fame in September 2010
Birth name	William Maher, Jr.
Born	(1956-01-20) January 20, 1956 (age 56) New York, New York, U.S.
Medium	Stand-up, television, film, books
Nationality	American
Years active	1979–present
Genres	Satire, Political satire, News satire, Observational comedy
Subject(s)	American politics, current events, American culture, pop culture, freedom of speech, environmentalism, religion, human sexuality, recreational drug use, libertarianism, American liberalism, American conservatism
Influences	Steve Allen, George Carlin, Johnny Carson, David Frost, Robert Klein, Don Rickles, Gore Vidal, Lenny Bruce
Notable works and roles	Elliot on Charlie Hoover Host of Politically Incorrect Host of Real Time with Bill Maher Religulous
Website	BillMaher.com

William "Bill" Maher, Jr. ( /ˈmɑːr/; born January 20, 1956) is an American stand-up comedian, television host, political commentator, author, and actor. Before his current role as the host of HBO's Real Time with Bill Maher, Maher hosted a similar late-night talk show called Politically Incorrect originally on Comedy Central and later on ABC.

Maher is known for his political satire and sociopolitical commentary, which targets a wide swath of topics including religion, politics, bureaucracies of many kinds, political correctness, the mass media, greed among people and persons in positions of high political and social power, and the lack of intellectual curiosity in the electorate.^[1] He supports the legalization of marijuana and same-sex marriage, and serves on the board of PETA.^[2] He is also a critic of religion and is an advisory board member of Project Reason, a foundation to promote scientific knowledge and secular values within society.^[3] In 2005, Maher ranked at number 38 on Comedy Central's 100 greatest stand-up comedians of all time.^[4] Bill Maher received a Hollywood Walk of Fame star on September 14, 2010.^[5]

Early life and education[link]

Maher was born in New York City, the son of Julie (née Berman), a nurse, and William Maher, Sr., a network news editor and radio announcer.^[6] He was raised in his Irish American father's Catholic religion, remaining unaware that his mother was Jewish until his early teenage years.^{[7][8][9][10]} Due to Maher's father's disagreement with the Catholic Church's position on birth control, he stopped taking Maher and his sister to Catholic church services when Maher was thirteen.^[11]

Maher was raised in River Vale, New Jersey, and graduated from Pascack Hills High School in Montvale in 1974. He received a B.A. in English and history from Cornell University in 1978.^[12]

Early career[link]

Maher began his career as a stand-up comedian and actor. He was host of the New York City comedy club Catch a Rising Star in 1979. Thanks to Steve Allen, he began appearing on Johnny Carson's and David Letterman's shows in 1982. He made limited television appearances including a recurring role in Sara (1985), appeared in Max Headroom (1987), two separate appearances on Murder, She Wrote (1989, 1990), a recurring role in Charlie Hoover (1991) and other productions. He has also appeared in several films, usually in a comic role. His feature film debut was in D.C. Cab (1983), and he also appeared in Ratboy (1986) Cannibal Women in the Avocado Jungle of Death (1988) and Pizza Man (1991), among others.

Television career[link]

[edit] Politically Incorrect with Bill Maher

Maher assumed the host role Politically Incorrect with Bill Maher, a late-night political talk show that ran on Comedy Central from 1993 to 1997 and on ABC from 1997 to 2002. The show regularly began with a topical monologue by Maher preceding the introduction of four guests, usually a diverse group of individuals from show business, popular culture, political pundits, political consultants, authors, and occasionally news figures. The group would discuss topical issues selected by Maher, who also participated in the discussions.^[13] Jerry Seinfeld, a regular guest on the show, stated that Politically Incorrect reminded him of talk shows from the 1950s and 60s "when guests interacted with each other as much as with the host."^[14]

Politically Incorrect won an array of awards, including an Emmy Award for Outstanding Technical Direction, two CableACE awards for Best Talk Show Series, and a Genesis Award for Best Television Talk Show. Maher earned numerous award nominations for his producing, writing and hosting of Politically Incorrect, including ten Emmy nominations, two TV Guide nominations, and two Writers Guild nominations. ABC decided against renewing Maher's contract for Politically Incorrect in 2002, after he made a controversial on-air remark shortly after the September 11 attacks.^[15] He agreed with his guest, conservative pundit Dinesh D'Souza, that the 9/11 terrorists did not act in a cowardly manner (in rebuttal to President Bush's statement calling 9/11 hijackers cowards). Maher said, "We have been the cowards. Lobbing cruise missiles from two thousand miles away. That's cowardly. Staying in the airplane when it hits the building. Say what you want about it. Not cowardly. You're right." Maher later clarified that his comment was not anti-military in any way whatsoever, referencing his well-documented longstanding support for the American military.^[16][17][18]

In the context of the attacks, some corporate advertisers found the comment too insensitive and controversial. Several companies, including FedEx and Sears Roebuck, pulled their advertisements from the show, costing the show more than it returned.

The show was cancelled on June 16, 2002, and the Sinclair Broadcast Group had dropped the show from its ABC-affiliated stations months prior. On June 22, 2002, just six days after the cancellation of Politically Incorrect, Maher received the Los Angeles Press Club president's award (for "championing free speech"). Maher was on the board of judges one year for the PEN/Newman's Own First Amendment Award.

Maher's remarks after 9/11 were not the first time he had sparked controversy on Politically Incorrect. In the same year, Maher was widely criticized for comparing dogs to retarded children. He apologized for his comments.^[19]

[edit] Real Time with Bill Maher

In 2003, Maher became the host, co-producer and co-writer of Real Time with Bill Maher, a weekly hour-long political comedy talk show on the cable television network HBO. During an interview, Maher told Terry Gross (on NPR's Fresh Air) that he much prefers having serious and well-informed guests on his program, as opposed to the random celebrities that fleshed out his roundtable discussions on Politically Incorrect.^[20]

As with his previous show, Politically Incorrect, Maher begins Real Time with a comic opening monologue based upon current events and other topical issues. He proceeds to a one-on-one interview with a guest, either in-studio or via satellite. Following the interview, Maher sits with three panelists, usually consisting of pundits, authors, activists and journalists, for a discussion of the week's events. In the segment "New Rules" at the end of each show, Maher delivers a humorous editorial on popular culture and American politics.

In late May 2005, Alabama Congressman Spencer Bachus sent a letter to Time Warner's board of directors requesting Real Time be cancelled after remarks Maher made after noting the military had missed its recruiting goals by 42 percent. Bachus said he felt the comments were demeaning to the military and treasonous. Maher stated his highest regard and support for the troops and asked why the congressman criticized him instead of doing something about the recruitment problem.^[21]

Real Time has earned widespread praise. It has been nominated for more than ten Primetime Emmy Awards and six Writer's Guild awards. In 2007, Maher and his co-producers were awarded the Television Producer of the Year Award in Variety Television by the Producers Guild of America.^[22] Maher holds the record for the most Emmy nominations without a win, having been nominated on 22 occasions and not winning once. Eleven of the nominations were for Politically Incorrect, while nine were for Real Time. The other two were nominations for two of his HBO comedy specials: Bill Maher: I'm Swiss and Bill Maher: The Decider.^[23]

HBO announced in July 2011 the show was renewed for a tenth season.^[24]

Christine O'Donnell[link]

On September 17, 2010, Maher aired a clip of Delaware Republican Senatorial candidate Christine O'Donnell from the October 29, 1999 episode of his old show Politically Incorrect on his current show Real Time with Bill Maher,^[25][26] where she discussed that she had "dabbled in witchcraft." This was one of the most notable of numerous controversial statements by O'Donnell that made her the most covered candidate in the 2010 mid-term election cycle.^[27][28]

Political commentator[link]

Maher is a frequent commentator on various cable news networks, namely CNN, MSNBC, and HLN. Maher has regularly appeared on CNN's The Situation Room with Wolf Blitzer^[29] and has also been a frequent guest on MSNBC's Hardball with Chris Matthews,^[30] The Rachel Maddow Show^[31] and Countdown with Keith Olbermann.^[32] Maher has also appeared as a guest on HLN's The Joy Behar Show.^[33]

Maher hosted the January 13, 2006 edition of Larry King Live, on which he was a frequent guest. Maher appeared as a special guest on the June 29, 2010 edition of the show, on which CNN anchor Larry King announced his retirement.^[34] Maher co-emceed the final show of Larry King Live on December 16, 2010 with Ryan Seacrest.^[35]

Since May 2005, he has been a contributing blogger at The Huffington Post.

Views and beliefs[link]

Politics[link]

Maher and Ingrid Newkirk, founder of PETA. Maher is on the board of directors of the animal rights group.

Maher eschews political labels, referring to himself as "practical".^[36] In the past, he has described himself as a libertarian and has also referred to himself "as a progressive, as a sane person".^[37][38]

Maher favors a partial privatization of Social Security, ending corporate welfare and federal funding of non-profits, and legalization of gambling, prostitution, and marijuana. Maher is a member of the advisory boards for both the NORML and Marijuana Policy Project, organizations which support regulated legalization of marijuana.^[39][40] He describes himself as an environmentalist, and he has spoken in favor of the Kyoto treaty on global warming on his show Real Time. He often criticizes industry figures involved in environmental pollution.^[41]

Maher is a board member of People for the Ethical Treatment of Animals.

Before the 2004 U.S. presidential election, Maher became candid in his stated opposition to the re-election of George W. Bush and in his support for John Kerry.^[42]

Known for protesting against the demonization of the word "liberal", during the campaign Maher criticized Kerry for being ashamed of the word. On his show, the comedian has noted the paradox of people claiming they distrusted "elite" politicians while at the same time wanting elite doctors to treat them and elite lawyers to represent them in court.^[43] Maher supports the death penalty. Since the 9/11 attacks, he has endorsed the use of racial profiling at airports.^[44]

He was originally against the Iraq War, and has summarized his opinion by saying that the United States and the world have had to pay too high a price for the war. He is skeptical of Iraq surviving without civil war.^[45]

In the 2008 U.S. presidential election, Maher announced his support for Barack Obama.^[46] Although Maher welcomed Obama's electoral victory, he has subjected him to criticism once in office for not acting boldly on health care reform and other progressive issues.^[47]

On February 23, 2012, after his 'Crazy Stupid Politics' special streamed on Yahoo! Screen, Maher announced that he was contributing $1 million to Priorities USA, the Obama SuperPAC.^[48][49]

Religion[link]

Maher is highly critical of religion, and views it as not worth the bother. He has referred to himself as an apatheist - a pragmatic atheist - on Scarborough Country on April 24, 2007, and again in July 2011.^[50][51] He has reiterated this stance in subsequent interviews, rejecting both the certitude of the existence, as well as the certitude of nonexistence of deities, concluding, "I'm saying that doubt is the only appropriate response for human beings."^[52] He is an advisory board member of author Sam Harris's Project Reason, a foundation that promotes scientific knowledge and secular values within society.

Maher and director Larry Charles teamed up to make the feature film Religulous (2008), described by trade publication Variety as a documentary "that spoofs religious extremism across the world." It was released on October 3, 2008.^[53][54]

While Maher is critical towards Christianity, he is an outspoken critic of religion as a whole, including Islam. On October 29, 2010, during a Real Time segment, Maher commented on a news story saying that the name Mohammed had become the most popular baby name in the United Kingdom. He asked, "Am I a racist to feel alarmed by that? Because I am. And it’s not because of the race, it’s because of the religion. I don’t have to apologize, do I, for not wanting the Western world to be taken over by Islam in 300 years? Sharia law is being institutionalized in England? Well, then I am right, I should be alarmed."^[55] He later defended his comments on CNN, saying, "And when I say Westerner, I mean someone who believes in the values that Western people believe in that a lot of the Muslim world does not. Like separation of church and state. Like equality of the sexes. Like respect for minorities, free elections, free speech, freedom to gather. These things are not just different from cultures that don’t have them. ... It’s better. ... I would like to keep those values here." ^[56]

Maher received the Richard Dawkins Award for 2009 from Atheist Alliance International "for his efforts to further the values science and reason in the world."^[57]

Maher was ranked first by MormonVoices, a group associated with Foundation for Apologetic Information & Research, on its Top Ten Anti-Mormon Statements of 2011 list for saying "By any standard, Mormonism is more ridiculous than any other religion".^[58]

Health care[link]

Maher has stated that the AMA is a powerful lobbying group and one of the primary reasons why the United States had failed to enact health care reform.^{[59][dead link][60]}

On August 24, 2009, Maher was a guest on The Tonight Show with Conan O'Brien. On the topic of getting health care reform legislation passed, Maher stated that Obama should forget about trying to get 60 votes for it, "he only needs 51." "Forget getting the sixty votes or sixty percent — sixty percent of people don't believe in evolution in this country — he just needs to drag them to it, like I said, they're stupid; get health care done, with or without them."^[61]

Maher has expressed the view that most illness is generally the result of poor diet and lack of exercise, and that medicine is often not the best way of addressing illness. In an episode of his show about the 2008 presidential candidates' health plans, Maher stated that poor nutrition is a primary cause of illness, and that "the answer isn't another pill."^[62] He also has said:" If you believe you need to take all the pills the pharmaceutical industry says you do, then you're already on drugs!"^[63]

He has expressed his distaste for the pharmaceutical and health care industries in general, on the grounds that they make their money out of curing people who are made sick by consuming unhealthy food that corporations urge upon the public. He maintains that mass consumption of high-fructose corn syrup is a contributor to the rise in frequency of obesity in the United States.^[64]

In a discussion with Michael Moore about the film Sicko, Maher said, "The human body is pretty amazing; it doesn't get sick, usually, for no reason. I mean, there's some genetic stuff that can get to you, but, basically, people are sick in this country because they're poisoned. The environment is a poisoning factor, but also, we gotta say, they poison themselves. They eat shit. People eat shit, and that's, to my way of thinking, about 90 percent of why people are sick, is because they eat shit. Would you agree?"^[65]

On October 9, 2009, on his HBO show, Maher debated the effectiveness of flu vaccinations with Bill Frist and stated, "Why would you let them be the ones to stick a disease into your arm? I would never get a swine flu vaccine or any vaccine. I don’t trust the government, especially with my health." Maher also expressed skepticism about the seriousness of the swine flu and whether completely healthy people could die from it. His comments have generated criticism, and his remarks have been called unscientific and even harmful.^[66]

Maher responded to the criticism, noting, "What I've read about what they think I'm saying is not what I've said. I'm not a germ theory denier. I believe vaccinations can work. Polio is a good example. Do I think in certain situations that inoculating Third World children against malaria or diphtheria, or whatever, is right? Of course. In a situation like that, the benefits outweigh costs. But to me living in Los Angeles? To get a flu shot? No."^[67]

He supports the current abortion laws and giving the terminally ill the right to assisted suicide.

Criticism of 9/11 conspiracy theories[link]

Maher has been a critic of 9/11 conspiracy theories. On October 19, 2007, Maher confronted several 9/11 truthers and had them ejected from his show audience after they interrupted the live show numerous times by calling out from the audience. The incident drew significant media attention and praise from Fox News talk show host and frequent critic John Gibson.^[68]

Personal life[link]

Maher has never married. In 2003, he began dating former Playboy Cyber Girl Coco Johnsen. In November 2004, at the end of their 17-month relationship, she sued him for USD $9 million for "pain and suffering" for alleged "insulting, humiliating and degrading racial comments." Her suit^[69] stated that Maher promised to marry her and father her children, support her financially, and purchase a Beverly Hills home. Her suit also alleged that she quit her job as a flight attendant and occasional model to be with him. Maher's lawyers in their response filed on November 23, 2004, in Los Angeles Superior Court said Maher is a "confirmed bachelor, and a very public one at that" who "never promised to marry [Johnsen] or to have children with her."^[70]

Maher's filing stated that, after the relationship had ended, Johnsen "launched a campaign to embarrass, humiliate, and extort ridiculous sums of money from Bill Maher." Johnsen accused another former boyfriend of rape and kidnapping in 1997, and the charges were later dismissed for lack of evidence.^[71] Her lawsuit against Maher was dismissed on May 2, 2005.

Maher next to his star on the Hollywood Walk of Fame in September 2010

Maher enjoys his bachelor status and states that he does not want to get married. On his website, he is quoted as saying, "I'm the last of my guy friends to have never gotten married, and their wives — they don't want them playing with me. I'm like the escaped slave — I bring news of freedom."^[72]

In 2005, he began dating Karrine Steffans, best-selling author and former hip hop model.^[73][74][75] When commentators suggested there was a pattern to his dating because both his girlfriend and former girlfriend were black, Maher said, "People say I'm into black women. Robert De Niro is into black women. I'm just into women who are real, and they happen to be black."^[74]

From 2009 to 2011, Maher dated the neuroscientist and science educator Cara Santa Maria.^[76]

Credits[link]

Bibliography[link]

• True Story : A Novel, 1994 (ISBN 0-7432-4251-3)
• Does Anybody Have a Problem With That? Politically Incorrect's Greatest Hits, 1996 (ISBN 0-679-45627-9)
• Does Anybody Have a Problem with That? The Best of Politically Incorrect, 1997 (ISBN 0-345-41281-8)
• When You Ride Alone You Ride With Bin Laden: What the Government Should Be Telling Us to Help Fight the War on Terrorism, 2003 (ISBN 1-893224-90-2)
• Keep the Statue of Liberty Closed: The New Rules, 2004 (ISBN 1-932407-47-2)
• New Rules: Polite Musings from a Timid Observer, 2005 (ISBN 1-59486-295-8)
• The New New Rules: A Funny Look at How Everybody but Me Has Their Head Up Their Ass, 2011 (ISBN 0-39915-841-3)

Filmography[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Bill Maher

Wikiquote has a collection of quotations related to: Bill Maher

• Official website
• Bill Maher on Twitter
• Bill Maher on Myspace
• Bill Maher at the Internet Movie Database
• Works by or about Bill Maher in libraries (WorldCat catalog)
• Bill Maher on National Public Radio in 2004
• Appearances on C-SPAN
• Bill Maher on Charlie Rose
• HBO's "Real Time with Bill Maher" site
• 2006 Maher Interview with The A.V. Club
• 2009 Maher Interview with writers at the Religulous DVD release
• Bill Maher collected news and commentary at The New York Times

A portrait of Antonio Vivaldi in 1725

Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741), nicknamed il Prete Rosso ("The Red Priest") because of his red hair, was an Italian^[1] Baroque composer, priest, and virtuoso violinist, born in Venice. Recognized as one of the greatest Baroque composers, his influence during his lifetime was widespread over Europe. Vivaldi is known mainly for composing instrumental concertos, especially for the violin, as well as sacred choral works and over 40 operas. His best known work is a series of violin concertos known as The Four Seasons.

Many of his compositions were written for the female music ensemble of the Ospedale della Pietà, a home for abandoned children where Vivaldi worked from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna hoping for preferment. The Emperor died soon after Vivaldi's arrival, and the composer died a pauper, without a steady source of income.

Though Vivaldi's music was well received during his lifetime, it later declined in popularity until its vigorous revival in the first half of the 20th century. Today, Vivaldi ranks among the most popular and widely recorded Baroque composers.

Childhood[link]

The church where Vivaldi was baptised: San Giovanni Battista in Bragora, Sestiere di Castello, Venice

Antonio Lucio Vivaldi was born in Venice, the capital of the Republic of Venice in 1678. He was baptized immediately after his birth at his home by the midwife, which led to the belief that his life was somehow in danger. Though not known for certain, the immediate baptism was most likely due either to his poor health or to an earthquake that shook the city that day. In the trauma of the earthquake, Vivaldi's mother may have dedicated him to the priesthood.^[2] Vivaldi's official church baptism did not take place until two months later.^[3]

Vivaldi's parents were Giovanni Battista Vivaldi and Camilla Calicchio, as recorded in the register of San Giovanni in Bragora.^[4] Vivaldi had five siblings: Margarita Gabriela, Cecilia Maria, Bonaventura Tomaso, Zanetta Anna, and Francesco Gaetano.^[5] Giovanni Battista, a barber before becoming a professional violinist, taught Antonio to play the violin, and then toured Venice playing the violin with his young son. He probably taught him at an early age, judging by Vivaldi's extensive musical knowledge at the age of 24 when he started working at the Ospedale della Pietà.^[6] Giovanni Battista was one of the founders of the Sovvegno dei musicisti di Santa Cecilia, an association of musicians.^[7]

The president of the Sovvegno was Giovanni Legrenzi, a composer of the early Baroque and maestro di cappella at St. Mark's Basilica. It is possible that Legrenzi gave the young Antonio his first lessons in composition. The Luxembourg scholar Walter Kolneder has discerned in the early liturgical work Laetatus sum (RV Anh 31, written in 1691 at the age of 13) the influence of Legrenzi's style. Vivaldi's father may have been a composer himself: in 1689, an opera titled La Fedeltà sfortunata was composed by a Giovanni Battista Rossi, and this was the name under which Vivaldi's father had joined the Sovvegno di Santa Cecilia:^[8] "Rosso" is Italian for "Red", and would have referred to the colour of his hair, a family trait.

Vivaldi's health was problematic. His symptoms, strettezza di petto ("tightness of the chest"), have been interpreted as a form of asthma.^[3] This did not prevent him from learning to play the violin, composing or taking part in musical activities,^[3] although it did stop him from playing wind instruments. In 1693, at the age of 15, he began studying to become a priest.^[9] He was ordained in 1703, aged 25. He was soon nicknamed il Prete Rosso, "The Red Priest", because of his red hair.^[10] Not long after his ordination, in 1704, he was given a reprieve from celebrating the Holy Mass because of his ill health. Vivaldi only said Mass as a priest a few times. He appears to have withdrawn from priestly duties, but he remained a priest.^{[citation needed]}

[edit] At the Conservatorio dell'Ospedale della Pietà

In September 1703, Vivaldi became maestro di violino (master of violin) at an orphanage called the Pio Ospedale della Pietà (Devout Hospital of Mercy) in Venice.^[1] While Vivaldi is most famous as a composer, he was regarded as an exceptional technical violinist as well. The German architect Johann Friedrich Armand von Uffenbach referred to Vivaldi as "the famous composer and violinist" and said that "Vivaldi played a solo accompaniment excellently, and at the conclusion he added a free fantasy [an improvised cadenza] which absolutely astounded me, for it is hardly possible that anyone has ever played, or ever will play, in such a fashion."^[11]

Vivaldi was only 25 when he started working at the Ospedale della Pietà. Over the next thirty years he composed most of his major works while working there.^[12] There were four similar institutions in Venice; their purpose was to give shelter and education to children who were abandoned or orphaned, or whose families could not support them. They were financed by funds provided by the Republic.^[13] The boys learned a trade and had to leave when they reached 15. The girls received a musical education, and the most talented stayed and became members of the Ospedale's renowned orchestra and choir.

Shortly after Vivaldi's appointment, the orphans began to gain appreciation and esteem abroad, too. Vivaldi wrote concertos, cantatas and sacred vocal music for them.^[14] These sacred works, which number over 60, are varied: they included solo motets and large-scale choral works for soloists, double chorus, and orchestra.^[15] In 1704, the position of teacher of viola all'inglese was added to his duties as violin instructor.^[16] The position of maestro di coro, which was at one time filled by Vivaldi, required a lot of time and work. He had to compose an oratorio or concerto at every feast and teach the orphans both music theory and how to play certain instruments.^[17]

His relationship with the board of directors of the Ospedale was often strained. The board had to take a vote every year on whether to keep a teacher. The vote on Vivaldi was seldom unanimous, and went 7 to 6 against him in 1709.^[18] After a year as a freelance musician, he was recalled by the Ospedale with a unanimous vote in 1711; clearly during his year's absence the board realized the importance of his role.^[18] He became responsible for all of the musical activity of the institution^[19] when he was promoted to maestro di' concerti (music director) in 1716.^[20]

In 1705, the first collection (Connor Cassara) of his works was published by Giuseppe Sala:^[21] his Opus 1 is a collection of 12 sonatas for two violins and basso continuo, in a conventional style.^[16] In 1709, a second collection of 12 sonatas for violin and basso continuo appeared, his Opus 2.^[22] A real breakthrough as a composer came with his first collection of 12 concerti for one, two, and four violins with strings, L'estro armonico Opus 3, which was published in Amsterdam in 1711 by Estienne Roger,^[23] dedicated to Grand Prince Ferdinand of Tuscany. The prince sponsored many musicians including Alessandro Scarlatti and Georg Frideric Handel. He was a musician himself, and Vivaldi probably met him in Venice.^[24] L'estro armonico was a resounding success all over Europe. It was followed in 1714 by La stravaganza Opus 4, a collection of concerti for solo violin and strings,^[25] dedicated to an old violin student of Vivaldi's, the Venetian noble Vettor Dolfin.^[26]

In February 1711, Vivaldi and his father traveled to Brescia, where his setting of the Stabat Mater (RV 621) was played as part of a religious festival. The work seems to have been written in haste: the string parts are simple, the music of the first three movements is repeated in the next three, and not all the text is set. Nevertheless, perhaps in part because of the forced essentiality of the music, the work is one of his early masterpieces.

Despite his frequent travels from 1718, the Pietà paid him 2 sequins to write two concerti a month for the orchestra and to rehearse with them at least five times when in Venice. The Pietà's records show that he was paid for 140 concerti between 1723 and 1733.

Opera impresario[link]

First edition of Juditha triumphans^[27]

In early 18th century Venice, opera was the most popular musical entertainment. It proved most profitable for Vivaldi. There were several theaters competing for the public's attention. Vivaldi started his career as an opera composer as a sideline: his first opera, Ottone in villa (RV 729) was performed not in Venice, but at the Garzerie Theater in Vicenza in 1713.^[28] The following year, Vivaldi became the impresario of the Teatro Sant'Angelo in Venice, where his opera Orlando finto pazzo (RV 727) was performed. The work was not to the public's taste, and it closed after a couple of weeks, being replaced with a repeat of a different work already given the previous year.^[24]

In 1715, he presented Nerone fatto Cesare (RV 724, now lost), with music by seven different composers, of which he was the leader. The opera contained eleven arias, and was a success. In the late season, Vivaldi planned to put on an opera composed entirely by him, Arsilda regina di Ponto (RV 700), but the state censor blocked the performance. The main character, Arsilda, falls in love with another woman, Lisea, who is pretending to be a man.^[24] Vivaldi got the censor to accept the opera the following year, and it was a resounding success.

At this period, the Pietà commissioned several liturgical works. The most important were two oratorios. Moyses Deus Pharaonis, (RV 643) is lost. The second, Juditha triumphans (RV 644), celebrates the victory of the Republic of Venice against the Turks and the recapture of the island of Corfù. Composed in 1716, it is one of his sacred masterpieces. All eleven singing parts were performed by girls of the Pietà, both the female and male roles. Many of the arias include parts for solo instruments—recorders, oboes, clarinets^{[citation needed]}, violas d'amore, and mandolins—that showcased the range of talents of the girls.^[29]

Also in 1716, Vivaldi wrote and produced two more operas, L'incoronazione di Dario (RV 719) and La costanza trionfante degli amori e degli odi (RV 706). The latter was so popular that it performed two years later, re-edited and retitled Artabano re dei Parti (RV 701, now lost). It was also performed in Prague in 1732. In the following years, Vivaldi wrote several operas that were performed all over Italy.

His progressive operatic style caused him some trouble with more conservative musicians, like Benedetto Marcello, a magistrate and amateur musician who wrote a pamphlet denouncing him and his operas. The pamphlet, Il teatro alla moda, attacks Vivaldi without mentioning him directly. The cover drawing shows a boat (the Sant'Angelo), on the left end of which stands a little angel wearing a priest's hat and playing the violin. The Marcello family claimed ownership of the Teatro Sant'Angelo, and a long legal battle had been fought with the management for its restitution, without success. The obscure writing under the picture mentions non-existent places and names: ALDIVIVA is an anagram of A. Vivaldi.

In a letter written by Vivaldi to his patron Marchese Bentivoglio in 1737, he makes reference to his "94 operas". Only around 50 operas by Vivaldi have been discovered, and no other documentation of the remaining operas exists. Although Vivaldi may have exaggerated, in his dual role of composer and impresario it is plausible that he may either have written or been responsible for the production of as many as 94 operas during a career which by then had spanned almost 25 years.^[30] While Vivaldi certainly composed many operas in his time, he never reached the prominence of other great composers like Alessandro Scarlatti, Johann Adolph Hasse, Leonardo Leo, and Baldassare Galuppi, as evidenced by his inability to keep a production running for any extended period of time in any major opera house.^[31]

His most successful operas were La constanza trionfante and Farnace which garnered six revivals each.^[31]

[edit] Mantua and The Four Seasons

Caricature by P.L.Ghezzi, Rome (1723)

	"La primavera" (Spring) – Movement 1: Allegro from The Four Seasons A 2000 live performance by Wichita State University Chamber Players.
Problems listening to this file? See media help.

In 1717 or 1718, Vivaldi was offered a new prestigious position as Maestro di Cappella of the court of prince Philip of Hesse-Darmstadt, governor of Mantua.^[32] He moved there for three years and produced several operas, among which was Tito Manlio (RV 738). In 1721, he was in Milan, where he presented the pastoral drama La Silvia (RV 734, 9 arias survive). He visited Milan again the following year with the oratorio L'adorazione delli tre re magi al bambino Gesù (RV 645, also lost). In 1722 he moved to Rome, where he introduced his operas' new style. The new pope Benedict XIII invited Vivaldi to play for him. In 1725, Vivaldi returned to Venice, where he produced four operas in the same year.

During this period Vivaldi wrote the Four Seasons, four violin concertos depicting scenes appropriate for each season. Three of the concerti are of original conception, while the first, "Spring", borrows motifs from a Sinfonia in the first act of his contemporaneous opera "Il Giustino". The inspiration for the concertos was probably the countryside around Mantua. They were a revolution in musical conception: in them Vivaldi represented flowing creeks, singing birds (of different species, each specifically characterized), barking dogs, buzzing mosquitoes, crying shepherds, storms, drunken dancers, silent nights, hunting parties from both the hunters' and the prey's point of view, frozen landscapes, ice-skating children, and warming winter fires. Each concerto is associated with a sonnet, possibly by Vivaldi, describing the scenes depicted in the music. They were published as the first four concertos in a collection of twelve, Il cimento dell'armonia e dell'inventione, Opus 8, published in Amsterdam by Le Cène in 1725.

During his time in Mantua, Vivaldi became acquainted with an aspiring young singer Anna Tessieri Girò who was to become his student, protégée, and favorite prima donna.^[33] Anna, along with her older half-sister Paolina, became part of Vivaldi's entourage and regularly accompanied him on his many travels. There was speculation about the nature of Vivaldi's and Giro's relationship, but no evidence to indicate anything beyond friendship and professional collaboration. Although Vivaldi's relationship with Anna Girò was questioned, he adamantly denied any romantic relationship in a letter to his patron Bentivoglio dated 16 November 1737.^[34]

Later life and death[link]

During the height of his career, Vivaldi received commissions from European nobility and royalty. The wedding cantata Gloria e Imeneo (RV 687) was written for the marriage of Louis XV. Vivaldi's Opus 9, La Cetra, was dedicated to Emperor Charles VI. In 1728, Vivaldi met the emperor while he was visiting Trieste to oversee the construction of a new port. Charles admired the music of the Red Priest so much that he is said to have spoken more with the composer during their one meeting than he spoke to his ministers in over two years. He gave Vivaldi the title of knight, a gold medal and an invitation to Vienna. Vivaldi gave Charles a manuscript copy of La Cetra, a set of concerti almost completely different from the set of the same title published as Opus 9. The printing was probably delayed, forcing Vivaldi to gather an improvised collection for the emperor.

Frontispiece of Il teatro alla moda

Accompanied by his father, Vivaldi traveled to Vienna and Prague in 1730, where his opera Farnace (RV 711) was presented.^[35] Some of his later operas were created in collaboration with two of Italy's major writers of the time. L'Olimpiade and Catone in Utica were written by Pietro Metastasio, the major representative of the Arcadian movement and court poet in Vienna. La Griselda was rewritten by the young Carlo Goldoni from an earlier libretto by Apostolo Zeno.

Like many composers of the time, the final years of Vivaldi's life found him in financial difficulties. His compositions were no longer held in such high esteem as they once were in Venice; changing musical tastes quickly made them outmoded. In response, Vivaldi chose to sell off sizeable numbers of his manuscripts at paltry prices to finance his migration to Vienna.^[36] The reasons for Vivaldi's departure from Venice are unclear, but it seems likely that, after the success of his meeting with Emperor Charles VI, he wished to take up the position of a composer in the imperial court. On his way to Vienna, Vivaldi may have stopped in Graz to see Anna Girò.^[37]

It is also likely that Vivaldi went to Vienna to stage operas, especially since he took up residence near the Kärntnertortheater. Shortly after Vivaldi's arrival in Vienna, Charles VI died, a stroke of bad luck that left the composer without royal protection or a steady source of income. Vivaldi died a pauper^[38][39] not long after the emperor, on the night between 27 and 28 July 1741 at the age of 63,^[40] of "internal infection", in a house owned by the widow of a Viennese saddlemaker. On 28 July he was buried in a simple grave at the Hospital Burial Ground in Vienna. Vivaldi's funeral took place at St. Stephen's Cathedral, where the young Joseph Haydn was then a choir boy. The cost of his funeral included a Kleingeläut (pauper's peal of bells).^[41]

He was buried next to Karlskirche, in an area now part of the site of the Technical Institute. The house Vivaldi lived in while in Vienna was torn down; the Hotel Sacher is built on part of the site. Memorial plaques have been placed at both locations as well as a Vivaldi "star" in the Viennese Musikmeile and a monument at the Rooseveltplatz.

Only three portraits of Vivaldi are known to survive: an engraving, an ink sketch and an oil painting. The engraving, by Francois Morellon La Cave, was made in 1725 and shows Vivaldi holding a sheet of music. The ink sketch was done by Ghezzi in 1723 and shows only Vivaldi's head and shoulders in profile. The oil painting found in the Liceo Musicale of Bologna gives us possibly the most accurate picture and shows Vivaldi's red hair under his blond wig.^[42]

Style and influence[link]

Vivaldi's music was innovative. He brightened the formal and rhythmic structure of the concerto, in which he looked for harmonic contrasts and innovative melodies and themes; many of his compositions are flamboyantly, almost playfully, exuberant.

Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his St John Passion, St Matthew Passion, and cantatas). Bach transcribed six of Vivaldi's concerti for solo keyboard, three for organ, and one for four harpsichords, strings, and basso continuo (BWV 1065) based upon the concerto for four violins, two violas, cello, and basso continuo (RV 580).

Posthumous reputation[link]

During his lifetime, Vivaldi's popularity quickly made him famous in other countries, including France where musical taste was less dictated by fashion than elsewhere.^{[citation needed]} This popularity dwindled. After the Baroque period, Vivaldi's published concerti were relatively unknown, and largely ignored, even after Felix Mendelssohn rekindled interest in Bach. Even Vivaldi's most famous work, The Four Seasons, was unknown in its original edition.

In the early 20th century, Fritz Kreisler's Vivaldi-styled concerto (which he passed off as an original Vivaldi work) helped revive Vivaldi's reputation. This spurred the French scholar Marc Pincherle to begin an academic study of Vivaldi's oeuvre. Many Vivaldi manuscripts were rediscovered, and were acquired by the National University of Turin Library with generous sponsorship of Turinese businessmen Roberto Foa and Filippo Giordano, in memory of their sons. This led to renewed interest in Vivaldi by, among others, Mario Rinaldi, Alfredo Casella, Ezra Pound, Olga Rudge, Desmond Chute, Arturo Toscanini, Arnold Schering, and Louis Kaufman. These figures were instrumental in the Vivaldi revival of the 20th century.

In 1926, in a monastery in Piedmont, researchers discovered 14 folios of Vivaldi's work, previously thought lost during the Napoleonic wars. Some volumes in the numbered set were missing; these turned up in the collections of the descendants of the Grand Duke Durazzo who had acquired the monastery complex in the 18th century. The volumes contained 300 concertos, 19 operas and over 100 vocal-instrumental works.^[43]

The resurrection of Vivaldi's unpublished works in the 20th century is mostly due to the efforts of Alfredo Casella, who in 1939 organised the historic Vivaldi Week, in which the rediscovered Gloria (RV 589) and l'Olimpiade were revived. Since World War II, Vivaldi's compositions have enjoyed wide success. In 1947, the Venetian businessman Antonio Fanna founded the Istituto Italiano Antonio Vivaldi, with the composer Gian Francesco Malipiero as its artistic director, having the purpose of promoting Vivaldi's music and publishing new editions of his works. Historically informed performances seem to have increased Vivaldi's fame further.

Recent rediscoveries of works by Vivaldi include two psalm settings of Nisi Dominus (RV 803, in eight movements) and Dixit Dominus (RV 807, in eleven movements), identified in 2003 and 2005, respectively, by the Australian scholar Janice Stockigt. Vivaldi scholar Michael Talbot called RV 807 "arguably the best nonoperatic work from Vivaldi's pen to come to light since... the 1920s".^[44] Vivaldi's lost 1730 opera Argippo (RV 697) was re-discovered in 2006 by harpsichordist and conductor Ondřej Macek, whose Hofmusici orchestra performed the work at Prague Castle on 3 May 2008, its first performance since 1730.

In popular culture[link]

The movie Vivaldi, a Prince in Venice was completed in 2005 as an Italian-French co-production under the direction of Jean-Louis Guillermou. In 2005, ABC Radio National commissioned a radio play about Vivaldi, which was written by Sean Riley. Entitled The Angel and the Red Pries, the play was later adapted into a stage version and performed at the Adelaide Festival of the Arts.^[45]

The music of Vivaldi, Mozart, Tchaikovsky, and Corelli, has been included in the theories of Alfred Tomatis on the effects of music on human behaviour and used in music therapy.^{[citation needed]}

Works[link]

A Vivaldi work is identified by RV number, which refers to its place in the "Ryom-Verzeichnis" or "Répertoire des oeuvres d'Antonio Vivaldi", a catalog created in the 20th century by musicologist Peter Ryom.

Le quattro stagioni (The Four Seasons) of 1723 is his most famous work. Part of Il cimento dell'armonia e dell'inventione ("The Contest between Harmony and Invention"), it depicts moods and scenes from each of the four seasons. This work has been described as an outstanding instance of pre-19th Century program music.^[46]

Vivaldi wrote more than 500 other concertos. About 350 of these are for solo instrument and strings, of which 230 are for violin, the others being for bassoon, cello, oboe, flute, viola d'amore, recorder, lute, or mandolin. About 40 are for two instruments and strings, and about 30 are for three or more instruments and strings.

As well as about 46 operas, Vivaldi composed a large body of sacred choral music. Other works include sinfonias, about 90 sonatas, and chamber music.

Some sonatas for flute, published as Il Pastor Fido, have been erroneously attributed to Vivaldi, but were composed by Nicolas Chédeville.

Vivaldi's Gloria (a collection of choral pieces for SATB) is a very well known and widely praised piece. The research of Richard Vendome showed that Vivaldi wrote this piece while director of music at a girl's dance school, implying that he intended it to be sung by females - including the tenor and bass parts. While this thesis is controversial, Vendome has proved it possible with his own 'SPAV' choir, dedicated to the works of Vivaldi and his students, in which females sing bass and tenor, along with soprano and alto, all at pitch.^{[citation needed]}

Notes[link]

References and further reading[link]

• Bukofzer, Manfred (1947). Music in the Baroque Era. New York, W. W. Norton & Co. ISBN 0-393-09745-5.
• Cross, Eric (1984). Review of I libretti vivaldiani: recensione e collazione dei testimoni a stampa by Anna Laura Bellina; Bruno Brizi; Maria Grazia Pensa in Music & Letters, Vol. 65, No. 1 (Jan., 1984), pp. 62–64
• Formichetti, Gianfranco Venezia e il prete col violino. Vita di Antonio Vivaldi, Bompiani (2006), ISBN 88-452-5640-5.
• Heller, Karl Antonio Vivaldi: The Red Priest of Venice, Amadeus Press (1997), ISBN 1-57467-015-8
• Kolneder, Walter Antonio Vivaldi: Documents of His Life and Works, C F Peters Corp (1983), ISBN 3-7959-0338-6
• Barbara Quick, Vivaldi's Virgins (novel), HarperCollins (2007), ISBN 978-0-06-089052-0.
• André Romijn. Hidden Harmonies: The Secret Life of Antonio Vivaldi, 2007 ISBN 978-0-9554100-1-7
• Eleanor Selfridge-Field (1994). Venetian Instrumental Music, from Gabrieli to Vivaldi. New York, Dover Publications. ISBN 0-486-28151-5.
• Michael Talbot, Antonio Vivaldi, Insel Verlag (1998), ISBN 3-458-33917-5
• Michael Talbot: "Antonio Vivaldi", Grove Music Online, ed. L. Macy (Accessed 26 August 2006), (subscription access)
• Vivaldi: Voice of the Baroque, H. C. Robbins Landon, 1996 University of Chicago Press, ISBN 0-226-46842-9
• Sarah Bruce Kelly: The Red Priest's Annina, 2009 Bel Canto Press, ISBN 978-0-578-02566-7
• Sarah Bruce Kelly: Vivaldi's Muse, 2011 Bel Canto Press, ISBN 978-0-9836304-0-1

External links[link]

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Wikiquote has a collection of quotations related to: Antonio Vivaldi

Wikimedia Commons has media related to: Antonio Vivaldi

• Catalog of instrumental works
• Complete works catalog
• Works by or about Antonio Vivaldi in libraries (WorldCat catalog)
• Michael Talbot: Recent Vivaldi Discoveries from the online magazine Goldberg.
• Antonio Vivaldi by Fréderic Délaméa (Translated by Kirk McElhearn) from Goldberg.
• Two Vivaldi biopics may duel at the box office
• Free scores by Antonio Vivaldi at the International Music Score Library Project
• Free scores by Antonio Vivaldi in the Choral Public Domain Library (ChoralWiki)
• Free scores by Antonio Vivaldi in the Werner Icking Music Archive (WIMA)
• The Mutopia Project has compositions by Antonio Vivaldi
• Vivaldi biography. Free English eBooks: 1. Talbot, M. Vivaldi. 1993; 2. Heller, K. Antonio Vivaldi: The Red Priest of Venice. 1997
• project Anima Veneziana (Ryom, Peter. Vivaldi Werkverzeichnis. 1. Auflage. 2007. Breitkopf & Härtel. 664 S., format: JPG)
• The Seasons in interactive hypermedia Allegro, Largo, Allegro (Shockwave required) at the BinAural Collaborative Hypertext
• Allegro molto from 'Winter' by Vivaldi
• Video of ballet to music by Antonio Vivaldi
• Informations about the research project on the Saxon court's instrumental music collection in the Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden, in German (open source online publication of all Vivaldi manuscripts from the Pisendel collection)
• Fata Tiganca by Vivaldi

Steven Chu
12th United States Secretary of Energy
Incumbent
Assumed office January 21, 2009
President	Barack Obama
Deputy	Daniel Poneman
Preceded by	Samuel Bodman
Personal details
Born	(1948-02-28) February 28, 1948 (age 64) St. Louis, Missouri, U.S.
Political party	Democratic Party[1][2]
Spouse(s)	Lisa Chu-Thielbar (Divorced) Jean Fetter (1997–present)
Alma mater	University of Rochester (BA, BS) University of California, Berkeley (PhD)
Website	Official website

Steven Chu (Chinese: 朱棣文; pinyin: Zhū Dìwén)^[3] is an American physicist and the 12th United States Secretary of Energy. Chu is known for his research at Bell Labs in cooling and trapping of atoms with laser light, which won him the Nobel Prize in Physics in 1997, along with his scientific colleagues Claude Cohen-Tannoudji and William Daniel Phillips.^[3] At the time of his appointment as Energy Secretary, he was a professor of physics and molecular and cellular biology at the University of California, Berkeley and the director of the Lawrence Berkeley National Laboratory, where his research was concerned primarily with the study of biological systems at the single molecule level.^[4] Previously, he had been a professor of physics at Stanford University. He is a vocal advocate for more research into renewable energy and nuclear power, arguing that a shift away from fossil fuels is essential to combating climate change.^[5][6][7] For example, he has conceived of a global "glucose economy", a form of a low-carbon economy, in which glucose from tropical plants is shipped around like oil is today.^[8]