Ani
—  City  —
Անի
Ruins of the medieval Armenian city of Ani, as viewed from Armenia
A map of Ani
Ani A map of Ani
Coordinates: 40°30′27″N 43°34′22″E / 40.5075°N 43.57278°E / 40.5075; 43.57278Coordinates: 40°30′27″N 43°34′22″E / 40.5075°N 43.57278°E / 40.5075; 43.57278
Country	Turkey
Province	Kars Province
Elevation	1,464 m (4,803 ft)
Population
• Estimate ()	Uninhabited

Ani (Armenian: Անի)^[1][2] is a ruined and uninhabited medieval Armenian city-site situated in the Turkish province of Kars, near the border with Armenia. It was once the capital of a medieval Armenian kingdom that covered much of present day Armenia and eastern Turkey. The city is located on a triangular site, visually dramatic and naturally defensive, protected on its eastern side by the ravine of the Akhurian River and on its western side by the Bostanlar or Tzaghkotzadzor valley. The Akhurian is a branch of the Araks River and forms part of the current border between Turkey and Armenia. Called the "City of 1001 Churches",^[3] Ani stood on various trade routes and its many religious buildings, palaces, and fortifications were amongst the most technically and artistically advanced structures in the world.^[4][5]

At its height, Ani had a population of 100,000–200,000 people and was the rival of Constantinople, Baghdad and Cairo.^[6] Long ago renowned for its splendor and magnificence, Ani has been abandoned and largely forgotten for centuries.^[2][7]

History[link]

Etymology[link]

Armenian chroniclers such as Yeghishe and Ghazar Parpetsi first mentioned Ani in the 5th century AD.^[6] They described it as a strong fortress built on a hilltop and a possession of the Armenian Kamsarakan dynasty. The city took its name from the Armenian fortress-city and pagan center of Ani-Kamakh located in the region of Daranaghi in Upper Armenia.^[6] Ani was also previously known as Khnamk (Խնամք), although historians are uncertain as to why it was called so.^[6] Johann Heinrich Hübschmann, a German philologist and linguist who studied the Armenian language, suggested that the word may have come from the Armenian word "khnamel" (խնամել), an infinitive which means "to take care of".^[6]

Capital of the Bagratuni kingdom[link]

Bagratuni kingdom – Armenia, around the year 1000 AD

By the early 9th century the former territories of the Kamsarakans in Arsharunik and Shirak (including Ani) had been incorporated into the territories of the Armenian Bagratuni dynasty.^[8] Their leader, Ashot Msaker (Ashot the Meateater) (806–827) was given the title of ishkhan (prince) of Armenia by the Caliphate in 804.^[9] The Bagratunis had their first capital at Bagaran, some 40 km south of Ani, before moving it to Shirakavan, some 25 km northeast of Ani, and then transferring it to Kars in the year 929. In 961 king Ashot III (953–977) transferred the capital from Kars to Ani. Ani expanded rapidly during the reign of King Smbat II (977–989). In 992 the Armenian Catholicosate moved its seat to Ani. In the 10th century the population was perhaps 50,000–100,000^[10].By the start of the 11th century the population of Ani was well over 100,000, and its renown was such that it was known as "The city of forty gates" and "The city of a thousand and one churches."

Ani attained the peak of its power during the long reign of King Gagik I (989–1020). After his death his two sons quarrelled over the succession. The eldest son, Hovhannes Smbat (1020–41), gained control of Ani and his younger brother, Ashot IV (1020–40), controlled other parts of the Bagratuni kingdom. Hovhannes-Smbat, fearing that the Byzantine Empire would attack his now weakened kingdom, made the Byzantine Emperor Basil his heir. In January 1022, the Catholicos Peter, handed over to Basil II who was wintering with his army in Trebizond a document from Hovhannes-Smbat pledging his kingdom to the emperor in the event of his death.^[11] When Hovhannes-Smbat died in 1041, the successor to Basil, Emperor Michael IV claimed sovereignty over Ani. The new king of Ani, Gagik II (1042–45), opposed this and several Byzantine armies sent to capture Ani were repulsed. However, in 1045, after the capture of Ashot and at the instigation of pro-Byzantine elements amongst its population, Ani surrendered to Byzantine control.^[6] A Greek governor was installed in the city.

Cultural and economic center[link]

Ani did not lie along any previously important trade routes, but because of its size, power, and wealth it became an important trading hub. Its primary trading partners were the Byzantine Empire, the Persian Empire, the Arabs, as well as smaller nations in southern Russia and Central Asia.^[6]

Sacking and desolation[link]

In 1064 a large Seljuk Turkish army, headed by Sultan Alp Arslan, with the help of the Caucasian Georgians headed by King Bagrat, attacked Ani and after a siege of 25 days they captured the city and slaughtered its population. An account of the sack and massacres in Ani is given by the Arab historian Sibt ibn al-Jawzi, who quotes an eyewitness saying:

The army entered the city, massacred its inhabitants, pillaged and burned it, leaving it in ruins and taking prisoner all those who remained alive...The dead bodies were so many that they blocked the streets; one could not go anywhere without stepping over them. And the number of prisoners was not less than 50,000 souls. I was determined to enter city and see the destruction with my own eyes. I tried to find a street in which I would not have to walk over the corpses; but that was impossible.^[12]

In 1072 the Seljuks sold Ani to the Shaddadids, a Muslim Kurdish dynasty. The Shaddadids generally pursued a conciliatory policy towards the city’s overwhelmingly Armenian and Christian population and actually married several members of the Bagratid nobility. Whenever the Shaddadid governance became too intolerant, the population would appeal to the Christian kingdom of Georgia for help. The Georgians captured Ani in 1124, 1161 and 1174, each time eventually returning it to the Shaddadids.

In the year 1199 the forces of the Georgian queen Tamar captured Ani and dislodged the Shaddadids, the governorship of the city was given to Armenian generals Zakare and Ivane Zakarids.^[13] At Ani, this new dynasty is generally known as the Zakarids, after its founder Zakare, and they considered themselves to be the successors to the Bagratids. Prosperity quickly returned to Ani; its defences were strengthened and many new churches were constructed. Zakare was succeeded by his son Shahanshah.

The Mongols unsuccessfully besieged Ani in 1226, but in 1236 they captured and sacked the city, massacring large numbers of its population. Ani had fallen when Shahanshah was absent. On his return the Zakarids continued to rule Ani, only now as vassals of the Mongols rather than the Georgians. Ani started its gradual but terminal decline during the Mongol period. By the 14th century the city was ruled by a succession of local Turkish dynasties, including the Jalayrids and the Kara Koyunlu (Black Sheep clan) who made Ani their capital. Tamerlane captured Ani in the 1380s. On his death the Kara Koyunlu regained control but transferred their capital to Yerevan. In 1441 the Armenian Catholicosate did the same. The Persian Safavids then ruled Ani until it became part of the Turkish Ottoman Empire in 1579. A small town remained within its walls at least until the middle 17th century, but the site was entirely abandoned by the middle of the 18th century. The depopulation of Ani was paralleled by the depopulation of its rural hinterland as a result of political unrest in the border region during the Ottoman-Iranian wars and a fragmentation of central control by either of the empires.

Modern times[link]

In 1905–06, archaeological excavations of the church of Saint Gregory of King Gagik were undertaken, headed by Nikolai Marr.

In the first half of the 19th century, European travelers discovered Ani for the outside world, publishing their descriptions in academic journals and travel accounts. In 1878 the Kars region, including Ani, was incorporated into the territory of the Russian Empire. In 1892 the first archaeological excavations were conducted at Ani, sponsored by the St. Petersburg Academy of Sciences and supervised by the Russian archaeologist and orientalist Nikolai Marr (1864–1934). Marr's excavations at Ani resumed in 1904 and continued yearly until 1917. Large sectors of the city were professionally excavated, numerous buildings were uncovered and measured, the finds were studied and published in academic journals, guidebooks for the monuments and the museum were written, and the whole site was surveyed for the first time.^[14] Emergency repairs were also undertaken on those buildings that were most at risk of collapse. A museum was established to house the tens of thousands of items found during the excavations. This museum was housed in two buildings: the Minuchihr mosque, and a purpose-built stone building.^[15] Armenians from neighboring villages and towns also began to visit the city on a regular basis,^[16] and there was even talk by Marr's team of building a school for educating the local Armenian children, building parks, and planting trees to beautify the site.^[17]

In 1918, during the latter stages of World War I, the armies of the Ottoman Empire were fighting their way across the territory of the newly declared Republic of Armenia, capturing Kars in April 1918. At Ani, attempts were made to evacuate the artifacts contained in the museum as Turkish soldiers were approaching the site. About 6000 of the most portable items were removed by archaeologist Ashkharbek Kalantar, a participant of Marr's excavation campaigns. At the behest of Joseph Orbeli, the saved items were consolidated into a museum collection; they are currently part of the collection of Yerevan's State Museum of Armenian History.^[18] Everything that was left behind was later looted or destroyed.^[19] Turkey's surrender at the end of World War I led to the restoration of Ani to Armenian control, but a resumed offensive against the Armenian Republic in 1920 resulted in Turkey's recapture of Ani. In 1921 the signing of the Treaty of Kars formalised the incorporation of the territory containing Ani into the Republic of Turkey.

An 1885 engraving of Ani.

In May 1921 the Turkish National Assembly issued a command to the commander of the Eastern Front, Kazım Karabekir, ordering that the "monuments of Ani be wiped off the face of the earth".^[20] Karabekir records in his memoirs that he replied dismissively to this command,^[21] but the wiping-out of all traces of Marr's excavations and building repairs suggests that the command was partially carried out.^[22]

Current state[link]

Panoramic view of north walls of Ani, April 2011.

According to The Economist:

Even as a ruin, Ani has been a disputed city. In 1921 when most of the site was ceded to Turkey, the Armenians were dismayed. They have since accused the Turks of neglecting the place in a spirit of chauvinism. The Turks retort that Ani's remains have been shaken by blasts from a quarry on the Armenian side of the border.^[5]

Another commentator describes:

Ani is now a ghost city, uninhabited for over three centuries and marooned inside a Turkish military zone on Turkey's border with modern Armenia. Ani's recent history has been one of continuous and always increasing destruction. Neglect, earthquakes, cultural cleansing, vandalism, quarrying, amateurish restorations and excavations – all these and more have taken a heavy toll on Ani's monuments.^[4]

In the estimation of the Landmarks Foundation (a non-profit organization established for the protection of sacred sites) this ancient city:

needs to be protected regardless of whose jurisdiction it falls under. Earthquakes in 1319, 1832, and 1988, Army Target practice and general neglect all have had devastating effects on the architecture of the city. The city of Ani is a sacred place which needs ongoing protection.^[7]

As a tourist site, Ani has been less than welcoming until recently. A traveler^[who?] gives the following account from a few years ago^{[clarification needed]}:

Due to the proximity of the border, just as in Soviet days, visitors to Ani must first obtain permission from the tourist office in Kars. The lengthy procedure which is mentioned in many guidebooks has been shortcut and there is no need anymore to pay a visit to the police and the museum in Kars. Permit and entrance ticket are now issued at the Kars tourist office. The employees request the plate number of your car or taxi and try to sell you a packaged tour that they organize. This being the good news. The bad news is that, due to tensions with Armenia, photography is again strictly forbidden. When we arrived at Ani, all cameras had to remain in the car. During the visit, after a friendly body search, we were constantly escorted by border guards to ensure that no one went too close to the border.^{[citation needed]}

Around 2004 these restrictions were relaxed and photography is now allowed.^[23]

Now, according to an author of Lonely Planet and Frommer's travel guides to Turkey:

Official permission to visit Ani is no longer needed. Just go to Ani and buy a ticket. If you don't have your own car, haggle with a taxi or minibus driver in Kars for the round-trip to Ani, perhaps sharing the cost with other travelers. If you have trouble, the Tourist Office may help. Plan to spend at least a half-day at Ani. It's not a bad idea to bring a picnic lunch and a water bottle.^[24]

Turkey's authorities now say they will do their best to conserve and develop the site and the culture ministry has listed Ani among the sites it is keenest to conserve. In the words of Mehmet Ufuk Erden, the local governor:

By restoring Ani, we'll make a contribution to humanity...We will start with one church and one mosque, and over time we will include every single monument.^[5]

In an October 2010 report titled Saving Our Vanishing Heritage, Global Heritage Fund identified Ani as one of 12 worldwide sites most "On the Verge" of irreparable loss and destruction, citing insufficient management and looting as primary causes ^{[25] [26]}.

The World Monuments Fund placed Ani on its 1996, 1998, and 2000 Watch Lists of 100 Most Endangered Sites. In May 2011, WMF announced it was beginning conservation work on the cathedral and Church of the Holy Redeemer in partnership with the Turkish Ministry of Culture. ^[27]

Monuments at Ani[link]

All the structures at Ani are constructed using the local volcanic basalt, a sort of tufa stone. It is easily carved and comes in a variety of vibrant colors, from creamy yellow, to rose-red, to jet black. The most important surviving monuments are as follows:

The cathedral of Ani[link]

This photo of two people inside the Cathedral of Ani demonstrates the size of the building

Also known as Surp Asdvadzadzin (church of the Holy Mother of God), its construction was started in the year 989, under King Smbat II. Work was halted after his death, and was only finished in 1001 (or in 1010 under another reading of its building inscription). The design of the cathedral was the work of Trdat, the most celebrated architect of medieval Armenia. The cathedral is a domed basilica (the dome collapsed in 1319). The interior contains several progressive features (such as the use of pointed arches and clustered piers) that give to it the appearance of Gothic architecture (a style which the Ani cathedral predates by several centuries).^[28]

Surp Stephanos Georgian Church[link]

There is no inscription giving the date of its construction, but an edict in Georgian is dated 1218. According to the Georgians had unearthed in 1161 as the city's first historic building in 1161 and 1218 between ferman, possibly 13 should be made ​​early in the century..^[29]

The church of St Gregory of Tigran Honents[link]

This church, finished in 1215, is the best-preserved monument at Ani. It was built during the rule of the Zakarids and was commissioned by the wealthy Armenian merchant Tigran Honents. Its plan is of a type called a domed hall. In front of its entrance are the ruins of a narthex and a small chapel that are from a slightly later period. The exterior of the church is spectacularly decorated. Ornate stone carvings of real and imaginary animals fill the spandrels between blind arcade that runs around all four sides of the church. The interior contains an important and unique series of frescoes cycles that depict two main themes. In the eastern third of the church is depicted the Life of Saint Gregory the Illuminator, in the middle third of the church is depicted the Life of Christ. Such extensive fresco cycles are rare features in Armenian architecture – it is believed that these ones were executed by Georgian artists, and the cycle also includes scenes from the life of St. Nino, who converted the Georgians to Christianity. In the narthex and its chapel survive fragmentary frescoes that are more Byzantine in style.^[30]

• 

  Saint Gregory, drum and dome.

• 

  Saint Gregory, western side.

• 

  Frescoes on the southern wall : the Dormition.

• 

  Frescoes.

• 

  Frescoes.

• 

  Frescoes of the northern wall : the Raising of Lazarus.

The church of the Holy Redeemer[link]

The Church of the Redeemer (Surb Prkich).

This church was completed shortly after the year 1035. It had a unique design: 19-sided externally, 8-apsed internally, with a huge central dome set upon a tall drum. It was built by Prince Ablgharib Pahlavid to house a fragment of the True Cross. The church was largely intact until 1955, when the entire eastern half collapsed during a storm.^[31]

The church of St Gregory of the Abughamrents[link]

The church of St. Gregory of the Abughamrents and the citadel in the ruins of Ani.

This small building probably dates from the late 10th century. It was built as a private chapel for the Pahlavuni family. Their mausoleum, built in 1040 and now reduced to its foundations, was constructed against the northern side of the church. The church has a centralised plan, with a dome over a drum, and the interior has six exedera.^[32]

King Gagik's church of St Gregory[link]

Also known as the Gagikashen, this church was constructed between the years 1001 and 1005 and intended to be a recreation of the celebrated cathedral of Zvartnots at Vagharshapat. Nikolai Marr uncovered the foundations of this remarkable building in 1905 and 1906. Before that, all that was visible on the site was a huge earthen mound. The designer of the church was the architect Trdat. The church is known to have collapsed a relatively short time after its construction and houses were later constructed on top of its ruins. Trdat's design closely follows that of Zvartnotz in its size and in its plan (a quatrefoil core surrounded by a circular ambulatory).^[33]

The church of the Holy Apostles[link]

The date of its construction is not known, but the earliest dated inscription on its walls is from 1031. It was founded by the Pahlavuni family and was used by the archbishops of Ani (many of whom belonged to that dynasty). It has a plan of a type called an inscribed quatrefoil with corner chambers. Only fragments remain of the church, but a narthex with spectacular stonework, built against the south side of the church, is still partially intact. It dates from the early 13th century. A number of other halls, chapels, and shrines once surrounded this church: Nikolai Marr excavated their foundations in 1909, but they are now mostly destroyed.^[34]

The mosque of Minuchir[link]

Menüçehr Mosque west view

The mosque is named after its presumed founder, Minuchihr, the first member of the Shaddadid dynasty that ruled Ani after 1072. The oldest surviving part of the mosque is its still intact minaret. It has the Arabic word Bismillah ("In the name of God") in Kufic lettering high on its northern face. The prayer hall, half of which survives, dates from a later period (the 12th or 13th century). In 1906 the mosque was partially repaired in order for it to house a public museum containing objects found during Nikolai Marr's excavations.^[35]

The citadel[link]

At the southern end of Ani is a flat-topped hill once known as Midjnaberd (the Inner Fortress). It has its own defensive walls that date back to the period when the Kamsarakan dynasty ruled Ani (7th C. AD). Nikolai Marr excavated the citadel hill in 1908 and 1909. He uncovered the extensive ruins of the palace of the Bagratid kings of Ani that occupied the highest part of the hill. Also inside the citadel are the visible ruins of three churches and several unidentified buildings. One of the churches, the "church of the palace" is the oldest surviving church in Ani, dating from the 6th or 7th century. Marr undertook emergency repairs to this church, but most of it has now collapsed – probably during an earthquake in 1966.^[36]

The city walls[link]

The walls of Ani showing a defensive tower.

A line of walls that encircled the entire city defended Ani. The most powerful defences were along the northern side of the city, the only part of the site not protected by rivers or ravines. Here the city was protected by a double line of walls, the much taller inner wall studded by numerous large and closely space semicircular towers. Contemporary chroniclers wrote that King Smbat (977–989) built these walls. Later rulers strengthened Smbat's walls by making them substantially higher and thicker, and by adding more towers. Armenian inscriptions from the 12th and 13th century show that private individuals paid for some of these newer towers. The northern walls had three gateways, known as the Lion Gate, the Kars Gate, and the Dvin Gate (also known as the Chequer-Board Gate because of a panel of red and black stone squares over its entrance).^[37]

Other monuments[link]

Fresco on the ceiling of a cave church outside Ani.

There are many other minor monuments at Ani. These include a convent known as the Virgins' chapel; a church used by Chalcedonian Armenians; the remains of a single-arched bridge over the Arpa river; the ruins of numerous oil-presses and several bath houses; the remains of a second mosque with a collapsed minaret; a palace that probably dates from the 13th century; the foundations of several other palaces and smaller residences; the recently excavated remains of several streets lined with shops; etc.

Cave Village[link]

Directly outside of Ani, there was a settlement-zone carved into the cliffs. It may have served as "urban sprawl" when Ani grew too large for its city walls. Today, goats and sheep take advantage of the caves' cool interiors. One highlight of this part of Ani is a cave church with frescos on its surviving walls and ceiling.

See also[link]

• Ani security fence
• List of Kings of Ani

Notes[link]

Further reading[link]

Wikimedia Commons has media related to: Ani

• Cowe, S. Peter (2001). Ani: World Architectural Heritage of a Medieval Armenian Capital. Sterling, Va.: Peeters. 
• (Armenian) Hakobyan, Tadevos Kh. (1980). Անիի Պատմություն, Հնագույն Ժամանակներից մինչև 1045 թ, գիրք 1 (The History of Ani, from Ancient Times Until 1045, Book I). Yerevan, Armenian SSR: Yerevan State University Press. 
• (Armenian) Hakobyan, Tadevos Kh. (1982). Անիի Պատմություն, 1045 թ. մինչև անկումն ու ամայացումը, գիրք 2 (The History of Ani, from 1045 Until its Collapse and Desolation, Book II). Yerevan, Armenian SSR: Yerevan State University Press. 
• Kevorkian, Raymond (2001). Raymond Kevorkian. ed. Ani – Capitale de l'Arménie en l'An Mil. 
• Lynch, H.F.B. (1901). Armenia, Travels and Studies. London: Longmans. ISBN 1-4021-8950-8. 
• Marr, Nicolas Yacovlevich (2001). Ani – Rêve d'Arménie. Paris: Anagramme Editions. 
• Minorsky, Vladimir (1953). Studies in Caucasian History. ISBN 0-521-05735-3. 
• Paolo, Cuneo (1984). Documents of Armenian Architecture, volume 12: Ani. 
• Kalantar, Ashkharbek (1994). Armenia from the Stone Age to the Middle Ages. 
• Sinclair, Thomas Allen (1987). Eastern Turkey, an Architectural and Archeological Survey, volume 1. 

External links[link]

• Ani travel guide from Wikitravel
• Virtual Ani – has clickable maps, extensive history and photos
• 3D Models of Ani

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Ani Choying Drolma (born June 4, 1971, in Kathmandu, Nepal), also known as Choying Drolma and Ani Choying (Ani, "nun", is an honorific), is a Buddhist nun and musician from the Nagi Gompa nunnery in Nepal. She is known in Nepal and throughout the world for bringing many Tibetan Buddhist chants and feast songs to mainstream audiences.

Biography[link]

Chöying Drölma

Ani Choying was born in 1971 in Kathmandu, Nepal, to Tibetan exiles. She entered monastic life as a means of escape from her physically abusive father, and she was accepted into the Nagi Gompa nunnery at the age of 13.^[1] For a number of years, the monastery's resident chant master (who was trained directly by the wife of Tulku Urgyen Rinpoche) taught Ani Choying the music that she is famous for performing.

Musical career[link]

In 1994, guitarist Steve Tibbetts visited the nunnery and eventually recorded much of the Tibetan music with Ani Choying on two albums. The recordings, titled Chö and Selwa, were released to critical acclaim. Tibbetts and Ani Choying embarked on small performance tours, which included shows at several historical Tibetan monasteries.

Sina Vodjani recorded an album in collaboration with Ani Choying Drolma.^[2]

Ani Choying Dolma is part of a fairly large group of musicians in the Tibetan tradition now active outside Tibet, including singer Techung, singer Karjam Saeji, singer Phurbu T Namgyal, flautist Nawang Khechog, singer Amchok Gompo Dhondup, singer Yungchen Lhamo and Jewish-American Tibetan-genre performer Amalia Rubin.

Discography[link]

1. Chö (1997)
2. Dancing Dakini (1999)
3. Choying (2000)
4. Moments Of Bliss (2004)
5. Selwa (2004)
6. Smile (2005)
7. Inner Peace (2006)
8. Ama (2009)
9. Matakala (2009)
10. Inner Peace 2 (2011)

References[link]

1. ^ http://www.npr.org/2011/03/13/134455191/buddhist-nun-shares-the-sound-of-music
2. ^ The official Web site of Ani Choying Drolma

• "The official Web site of Ani Choying Drolma". http://www.choying.com. Retrieved 2006-07-05. 
• "NPR: Buddhist Nun Shares the Sound of Music". http://www.npr.org/2011/03/13/134455191/buddhist-nun-shares-the-sound-of-music. Retrieved 2011-03-14. 
• "Songs by Ani Choying Drolma". http://supernepal.com/music?vq=Ani+Choying+Drolma. 

Ani Lorak Ані Лорак
Ani Lorak in Serbia, 2008, semi-final.
Background information
Birth name	Karolina Miroslavivna Kuiek (Кароліна Мирославівна Куєк)
Also known as	Ani Lorak (Ані Лорак)
Born	(1978-09-27) 27 September 1978 (age 33)
Origin	Kitsman, Ukrainian SSR, Soviet Union
Genres	Pop, Soul, Pop rock, Synthpop, Eurodance
Occupations	singer
Instruments	voice, piano
Years active	1996–present
Labels	Moon Records, Lavina Music
Website	www.anilorak.com

Karolina Miroslavivna Kuiek, (Ukrainian: Кароліна Мирославівна Куєк, alternate transliterations of the last name: Kuyek, Kuek), popularly known as Ani Lorak (Ukrainian: Ані Лорак), born 27 September 1978, Kitsman, Ukrainian SSR, Soviet Union, is a famous Ukrainian pop singer, songwriter, actress, entrepreneur, and former UN Goodwill Ambassador. Having received Ukraine's most prestigious and honorary title, the People's Artist of Ukraine, Lorak has been cited as one of the most powerful and influential women in her country,^[1] as well as ranked one of the most beautiful women from Eastern Europe.^[2]

Lorak represented Ukraine at the Eurovision Song Contest 2008 with the song "Shady Lady" and came in 2nd place behind Dima Bilan from Russia.^[3][4] She came second in the Press Award Eurovision Song Contest^[5] and won the Artistic Award for her performance.^[6]

Early life[link]

Karolina Kuiek developed the desire to become a singer as early as the age of four. She often performed at various school vocal competitions. In 1992, she took part in the popular contest 'Pervotsvit' and was the winner. It was here where she met her ex-producer Yuriy Falyosa. As a result, at the age of 14 she signed her first professional contract. Kuiek became known as Ani Lorak in March 1995 when she took part in a contest at the television program "Morning Star" in Moscow, Russia. There was a Russian singer with the same name already enrolled in that competition so Kuiek had to invent a stage name. Ani Lorak is the name Karolina read backwards. Ani Lorak moved to Kiev in 1995. By that time her name was well known in Ukrainian show business. She became even more popular after winning the "Big Apple Music 1996 Competition" in New York, U.S.. She was named "Discovery of the Year" at the popular Ukrainian festival "Tavria Games" in 1996. The same year she released her first album "I Want to Fly".

1997–2011[link]

Lorak continued recording new songs in 1997. Her two videos "The Model" and "My God" were filmed and the latter became a soundtrack to the movie "The Right to Choose". In the spring of 1998 her new video "I will be back" was shot and in December Lorak's second album "I will be back" was released. Mastering of this album took place in New York. Simultaneously her two music videos "Oh my love" and "A Stranger's City" were filmed to accompany her new album. At the outset of 1999 she started extensive touring, performing in the US, France, Germany, Hungary, and her concerts took place in every major city of Ukraine. In 1999 she earned the title of the Honored Artist of Ukraine.^[7]

In the spring of 2000 Ani Lorak recorded the soundtrack for an advert for the Chocolate "Korona" at the London studio "Astoria". Here, the singer met British composers Burrie Guard and Josh Phillips. Also, in London Lorak recorded new songs. In 2004-2005 Ani Lorak was a UN Good Will Ambassador in Ukraine for HIV/AIDS.

In October 2009, Lorak was ranked 41st in a top 100 of "most influential women in Ukraine" compiled by experts for the Ukrainian magazine Focus.^[8]

Business ventures[link]

In 2005, Ani Lorak and her fiance Murat opened the Angel Lounge, a restaurant that specializes in Mediterranean cuisine in the center of Kiev.^[9] In 2009, they opened a Ukrainian travel agency called "Holiday Travel", which is a sub-division of "Turtess Travel", a company Murat works for.^[10] In 2010, Lorak became an Oriflame advert. She participated in several catalofues and developed a new fragrance called Chiffon by Ani Lorak.^[11]

In 2011, Lorak was announced the fifth richest singer in Ukraine, with her team's revenues amounting to $2.35 million that year. Her typical fee is $25,000-$40,000 per concert.^[12]

Personal life[link]

On 21 August 2009, Lorak married her longtime Turkish fiance and manager Murat Nalçacıoğlu, whom she met in 2003 when vacationing in Turkey.^[13] Her husband, Murat, is a Turkish hotel manager and travel agent. She confirmed her pregnancy at the end of November 2010.^[14] Their daughter, Sophia Nalçacıoğlu, was born on June 9, 2011.^[15] She and her family live in a house on the outskirts of Kiev, Ukraine but frequently travel to Turkey.

Eurovision[link]

2005[link]

In 2005, Ani Lorak made her first attempt to perform at the Eurovision Song Contest and was virtually certain to sing the home country's entry in Kiev, but ultimately failed to be selected. Her narrow defeat in the 2005 national pre-selection competition was particularly controversial, given that the winners, GreenJolly, did not have to qualify for the final by winning one of the fifteen preliminary heats (unlike her). Ani finished in second place in the Ukrainian national final with the song A Little Shot Of Love.

2008[link]

Having come close to singing the home country's entry in 2005, when Ukraine staged the Eurovision Song Contest, Ukrainian television NTU announced in late December that Ani Lorak, one of the country's most successful singers would represent the country at Eurovision in Belgrade and that the public and a jury would choose the song. On 23 February, Ani performed five potential entries, in a special show and the winner, chosen by both the public and by the jury was "Shady Lady",^[16] written by Greek composer and producer Dimitris Kontopoulos, also known in the Eurovision bubble.

She also recorded a Russian version of her Eurovision song "Shady Lady" with the title "S neba v nebo". Ani had visited other countries to present her song, like Malta, Russia, Bulgaria, Spain and Germany. At the 2008 Eurovision Song Contest in Belgrade, she sang the song "Shady Lady" in the second semi final on the 22nd of May 2008 winning a place in the final. She took the second place in the final after Dima Bilan. She was awarded a prize for being the Best Artist at the contest from the media. Italian designer Roberto Cavalli designed a dress for Ani Lorak performance at the festival. The ornate dress was made with Swarovski Diamonds, and her choreography produced by Fokas Evangelinos who designed the stage show for her entry. He also arranged the stage shows of Greece 2005, Russia 2006 and Belarus 2007.

Charity[link]

Ani spends a lot of time on charitable activities. In 2004-2005 Ani Lorak has been a UN Goodwill Ambassador on HIV/AIDS in Ukraine. UNICEF and UN in Ukraine have awarded a commendation to Ani Lorak for assistance and help to HIV positive citizens of Ukraine. In 2005, Ani Lorak was conferred with the St. Stanislav Order of the 4th degree and the Officer's Cross "for strengthening the international authority of Ukraine, for the high professionalism, great creative achievements, charity and adherence to the ideals of chivalry".^[17]

Albums[link]

Singles[link]

See also[link]

• Ukraine in the Eurovision Song Contest 2008
• Ani Lorak Obnemi menya

References[link]

External links[link]

Wikinews has related news: Interview with Ani Lorak in the run-up to Eurovision 2009

Wikimedia Commons has media related to: Ani Lorak

• Official website
• Myspace
• Twitter
• Facebook

Achievements
Preceded by Verka Serduchka with "Dancing Lasha Tumbai"	Ukraine in the Eurovision Song Contest 2008	Succeeded by Svetlana Loboda with "Be My Valentine! (Anti-Crisis Girl)"
Preceded by Sophia Paraskeva and Alex Michael	Junior Eurovision Song Contest presenter (with Timur Miroshnichenko) 2009	Succeeded by Leila Ismailаva and Dziаnis Kurian

Ani DiFranco
Ani DiFranco performing at the Ancienne Belgique in 2007
Background information
Birth name	Angela Marie DiFranco
Born	(1970-09-23) September 23, 1970 (age 41) Buffalo, New York
Genres	Folk rock, indie, alternative
Occupations	Singer-songwriter, musician
Instruments	Guitar, bass guitar, tenor guitar, vocals, percussion, piano
Years active	1990–present
Labels	Righteous Babe
Website	righteousbabe.com

Ani DiFranco ( /ˈɑːniː/; born Angela Maria DiFranco on September 23, 1970) is an American singer, guitarist, poet, and songwriter. She has released more than 20 albums,^[1] and is widely considered a feminist icon.^[2][3][4]