Jake Heggie (born on March 31, 1961 in West Palm Beach, Florida) is an American composer and pianist.

Jake Heggie is the composer of the operas Dead Man Walking (2000), The End of the Affair (2004), At The Statue of Venus (2005), To Hell and Back (2006), and Moby-Dick (2010), as well as the stage work For a Look or a Touch. He has composed more than 200 art songs as well as chamber and concert works. His operas and songs are championed internationally by singers who include Isabel Bayrakdarian, Renée Fleming, Susan Graham, Frederica von Stade, Audra McDonald, Patti LuPone, Joyce DiDonato, Jennifer Larmore, Bryn Terfel and many others. He also accompanies many of these artists in recitals.

Life[link]

Heggie started learning the piano when he was five years old. After spending two years in Paris, he continued his studies at the age of 20 at the University of California, Los Angeles, with the pianist Johana Harris (1912–1995), widow of the composer Roy Harris. They married in 1982 and separated in 1993.^[1]

In 1998 he was appointed composer in residence to the San Francisco Opera, where his first opera, Dead Man Walking, was first performed in 2000. With a libretto by Terrence McNally and a production by director Joe Mantello, the opera was extensively acclaimed and it ran for two extra performances due to popularity. It has since been seen in 15 international productions, including performances at New York City Opera, Cincinnati Opera, Opera Pacific, Baltimore Opera, Pittsburgh Opera, Union Avenue Opera of Saint Louis, Calgary Opera, Dresden State Opera, State Opera of South Australia, with future performances in Vienna and Sydney. In 2007 alone, Dead Man Walking received more than 50 performances.^{[citation needed]} Directors of subsequent productions have included Leonard Foglia and Nikolaus Lehnhoff. His second opera, The End of the Affair, was premiered in 2004 at the Houston Grand Opera. It has since been produced by Madison Opera, Seattle Opera and the Lyric Opera of Kansas City.

In 2005, Heggie collaborated again with Terrence McNally to create At the Statue of Venus, which opened the Ellie Caulkins Opera House in Denver. In 2006, he debuted To Hell and Back (libretto by Gene Scheer), commissioned by the Philharmonia Baroque Orchestra and featuring soprano Isabel Bayrakdarian and Patti LuPone, conducted by Nicholas McGegan in November 2006.

On 29 February 2008, his opera Last Acts, with a libretto by Gene Scheer based on a play by Terrence McNally, opened at the Houston Grand Opera, which commissioned the work in association with the San Francisco Opera and Cal Performances. Last Acts was its working title; it will in future be known as Three Decembers.^[2]

On April 30, 2010, Heggie premiered his most recent opera, Moby-Dick (libretto by Gene Scheer)at The Dallas Opera, with tenors Ben Heppner as Captain Ahab and Stephen Costello as Greenhorn (Ishmael).^[3]

Heggie married his partner of eight years, singer Curt Branom, in October 2008.^[4]

Other works[link]

Heggie's major works include a cello concerto (Holy The Firm), commissioned by the Oakland East Bay Symphony for cellist Emil Miland; and the song cycles The Deepest Desire (poetry by Sister Helen Prejean); The Starry Night (poetry by Anne Sexton, van Gogh and Emily Dickinson); Statuesque (poetry by Gene Scheer); Rise and Fall (poetry by Gene Scheer); Here and Gone (poetry by Vachel Lindsay and A. E. Housman); and Winter Roses (poetry by Raymond Carver, Charlene Baldridge, Frederica von Stade and Emily Dickinson).

Heggie's list of current commissions includes works for the Metropolitan Opera, Houston Grand Opera, Dallas Opera, San Francisco Opera, Music of Remembrance, Ravinia Festival, and Wigmore Hall.

References[link]

1. ^ "For an Operatic Life, Check Out the Composer’s" by Ralph Blumenthal, The New York Times (March 13, 2008)
2. ^ Blank, Matt (6 March 2008). "Photo Journal: Jake Heggie's Last Acts Premieres at Houston Grand Opera". Playbill. http://www.playbillarts.com/features/article/print/7579.html. Retrieved 31 March 2008. 
3. ^ Midgette (May 3, 2010)
4. ^ Zinko, Carolyne (7 December 2008). "Profile: Opera composer Jake Heggie". SFGate.com. http://articles.sfgate.com/2008-12-07/entertainment/17134053_1_composer-jake-heggie-lotfi-mansouri-dead-man-walking/4. 

External links[link]

• Official web site
• "Dead Man Walking: Jake Heggie and Terrence McNally" by Wes Phillips (May 2002)
• "Jake's Journey", interview by Robert Wilder Blue about Dead Man Walking and The End of the Affair

Ernie Manouse (born September 1, 1969 in Binghamton, New York) is an American television host, radio personality, writer and producer. He currently hosts the interview show InnerVIEWS with Ernie Manouse, produced by HoustonPBS. His work with HoustonPBS has met critical acclaim in the southern United States, earning him numerous KATIE awards and regional Emmy Awards ^[1][2]

Early life[link]

Manouse was born Ernest David Manouse in Binghamton, New York. He is of Greek descent. He attended Loyola University Chicago and studied to be a music video director. While in college, he guest-hosted Outlook, a Chicago-based radio show, with a classmate. Their radio presentation received such a positive reaction that Outlook hired them permanently.^[1]

Career[link]

Manouse began his career in television with NBC Network News, then moved into radio withWLS and WLUW in Chicago, and then back to TV at HoustonPBS. Ernie has since worked his way through many aspects of talk shows – from producing sex therapy call-in radio shows Sex Talk and The Phyllis Levy Show to hosting his own brand of chat and magazine programs.^[1] He can also be seen on PBS Stations across the country hosting numerous pledge and entertainment specials, including three of public television’s most successful pledge events with financial guru Suze Orman.

In 1996, Ernie moved to Houston, Texas and spent six years hosting and producing the daily magazine program WeekNight Edition which evolved into WeekDAY and became Houston’s most celebrated local television program, earning multiple Emmy and Houston Press Club awards. Manouse shared with Matthew Brawley the 2006 Katie Award for "Outstanding Interview/Talk Show" for the Southern region.^[3] In October 2002, Manouse helped to create and produce the local prime time magazine show The Connection, which he hosted for two years.^[4] In 2004, Manouse launched the syndicated series InnerVIEWS with Ernie Manouse.^[5] This award winning series is distributed nationally to PBS stations across the country, and airs in more than 100 cities in the U.S. and the Virgin Islands.^[4] The show features Manouse in unedited, one-on-one interviews with noted personalities such as Patti LuPone and Jamie Foxx. Manouse thoroughly researches his guests before interviewing them, and arranges an informal setting to encourage spontaneous discussion.^[1] Another area of broadcasting that Manouse has explored is late night talk, and on February 9, 2005, Manouse launched The After Party, combining arts coverage and light-hearted interviews reminiscent of Johnny Carson and Jack Parr.^[6] The show received positive reviews from both critics and audiences alike, garnering the coveted Emmy nomination for "Best Entertainment/Variety program" in its first season. The program ended its run on November 15, 2006 after over 50 episodes.

In 2006, Manouse produced and anchored A Conversation on RACE for HoustonPBS. He also produced the political Red, White & Blue and moderated the 2002 Houston Mayoral Debates, the 2008 Texas Supreme Court Judicial Debate, and the 2008 Texas US Senate Debate. In 2009, Manouse became the anchor and producer of Houston 8, a weekly current events discussion series. He also hosted the 2009 HoustonPBS Spelling Bee, the largest regional qualifying spelling bee for the national Scripps Spelling Bee.^[1]

After seven nominations for the Lone Star (Texas) regional chapter of the Emmy Awards, Manouse won three Emmys in 2009. He won for Best Information Series and Best On-Air Talent. He also won an Emmy for his work on the Houston Spelling Bee in the category of Best Event Coverage.^[7] Manouse is also a voice actor. He has done the English voiceovers for over a dozen Japanese anime videos produced by ADV Films including Gilgamesh, Le Chevalier D'Eon and Cromartie High School.^[2]

Community involvement[link]

Manouse is an active member of the Houston LGBT community. Manouse has hosted community events such as the U.S. Military Ball, and The Cattle Baron’s Ball. He serves on the advisory board of both Stages Repertory Theatre and Dominic Walsh Dance Theater. He served as Vice President of Public Affairs for the Greater Houston United Services Organization (USO).^[1] He was also vice president of the Houston Gay and Lesbian Film Festival.

References[link]

1. ^ ^{a b c d e f} "Ernie Manouse". Houston ARCH. http://houstonarch.pbworks.com/Ernie-Manouse. Retrieved 2010-05-11. 
2. ^ ^{a b} "IMDB". http://www.imdb.com/name/nm1966471/. Retrieved 2010-05-11. 
3. ^ 2006 Katie Award: Press Club of Dallas (2006-11-19). "Winners of the 2006 Katie Awards" (PDF). Press release. Retrieved 2007-04-22.
4. ^ ^{a b} "HoustonPBS". http://www.houstonpbs.org/site/PageServer?pagename=con_innerviews_ernie. Retrieved 2010-02-25. 
5. ^ HoustonPBS (January 2004). "InnerVIEWS with Ernie Manouse" (MS-Word). Press release. Retrieved 2007-04-22.
6. ^ HoustonPBS (January 2005). "The After Party" (PDF). Press release. Retrieved 2007-04-21.
7. ^ http://www.lonestaremmy.org/_archives/2009_winners.php

External links[link]

• [1] USO Houston
• [2] InnerVIEWS with Ernie Manouse
• [3] Houston Gay and Lesbian Film Festival
• [4] Ernie Manouse's website

Joyce DiDonato (born February 13, 1969) is an award-winning American operatic mezzo-soprano particularly admired for her interpretations of the works of Handel, Mozart, and Rossini. DiDonato has performed with many of the world's leading opera companies and orchestras. In 2012 she won a Grammy Award for Best Classical Vocal Solo.

Early life and education[link]

Joyce DiDonato was born Joyce Flaherty in Prairie Village, Kansas in 1969, the sixth of seven children in a close-knit Irish-American family. She sang in choir and musicals in high school and dreamed of becoming a Broadway star or pop singer.^[1] DiDonato entered Wichita State University (WSU) in the autumn of 1988 where she studied vocal music education. She was initially more interested in teaching high school vocal music and musical theatre and did not become interested in opera until her junior year, when she was cast in a school production of Die Fledermaus.^[2] After graduating from WSU in the spring of 1992, DiDonato decided to pursue graduate studies in vocal performance at the Academy of Vocal Arts.^[3] Following her studies in Philadelphia, she was accepted in Santa Fe Opera's young artist program in 1995. While there she appeared in several minor roles and understudied for larger parts in such operas as Mozart's Le nozze di Figaro, Richard Strauss' Salome, Kálmán's Gräfin Mariza and the 1994 world premiere of David Lang's Modern Painters. DiDonato was honored as the Outstanding Apprentice Artist by the Santa Fe Opera that year. In 1996 she became a part of Houston Grand Opera's young artist program where she sang from the autumn of 1996 to the spring of 1998. During the summer of 1997, DiDonato participated in San Francisco Opera's Merola Program.^[4]

During her apprentice years, DiDonato competed in several notable vocal competitions. In 1996 she won second prize in the Eleanor McCollum Competition and was a district winner of the Metropolitan Opera National Council Auditions. In 1997 she won a William Matheus Sullivan Award. In 1998 she won second prize in the Operalia Competition, first place in the Stewart Awards, won the George London Competition, and a received a Richard F. Gold Career Grant from the Shoshana Foundation.^[5]

Career[link]

DiDonato began her professional career in the 1998/1999 season singing with several regional opera companies in the United States. She most notably appeared as the main heroine, Maslova, in the world premiere of Tod Machover's Resurrection with the Houston Grand Opera.^[6] She gave a recital in San Francisco that year as part of the Schwabacher recital series.

In the 1999/2000 season, DiDonato performed the role of Meg in the world premiere of Mark Adamo's Little Women at Houston Grand Opera with Stephanie Novacek as Jo and Chad Shelton as Laurie. She performed the role of Cherubino in Mozart's Le nozze di Figaro with Santa Fe Opera and the role of Isabella in Rossini's L'italiana in Algeri with the New Israeli Opera. In addition, DiDonato gave a recital at New York's Morgan Library under the auspices of the George London Foundation and sang the mezzo-soprano solos in the Seattle Symphony's production of Handel's Messiah.^[7]

In the 2000/2001 season, DiDonato made her debut at La Scala as Angelina in Rossini's La Cenerentola, returned to Houston Grand Opera as Dorabella in Mozart's Così fan tutte, and sang the mezzo-soprano solos in Bach's Mass in B minor with the Ensemble Orchestral de Paris and conductor John Nelson.^[7] In 2000, DiDonato received the ARIA (Awards Recognizing Individual Artistry) award, which annually recognized American "vocal artists of exceptional ability and undeniable promise".^[5]

In the 2001/2002 season DiDonato made her debut with Washington National Opera as Dorabella in Mozart's Così fan tutte, her debut with De Nederlandse Opera as Sesto in Handel's Giulio Cesare, her debut with Opéra National de Paris as Rosina in Rossini's Il barbiere di Siviglia, her debut with Bavarian State Opera as Cherubino in Mozart's Le nozze di Figaro under the baton of Zubin Mehta, and returned to Santa Fe Opera to perform the role of Annio in Mozart's La clemenza di Tito. She made several concert appearances including performances of Vivaldi's Gloria with Riccardo Muti and the La Scala Orchestra and Mendelssohn's A Midsummer Night's Dream with Ensemble Orchestral de Paris. In 2002, DiDonato was given the Richard Tucker Award.^[5]

In the 2002/2003 season, DiDonato made her debut with the New York City Opera as Sister Helen in Jake Heggie's Dead Man Walking, her debut with Théâtre du Châtelet in the title role of Rossini's La cenerentola, her debut at Covent Garden as Zlatohrbitek the fox in Janáček's The Cunning Little Vixen under the baton of Sir John Eliot Gardiner, and her debut with the New National Theatre Tokyo as Rosina in Rossini's Il barbiere di Siviglia. She performed the title role in Rossini's Adina at the Rossini Opera Festival in Pesaro and the role of Cherubino in Mozart's Le nozze di Figaro with Opéra Bastille. In concert, DiDonato performed Mozart's Requiem with the Seattle Symphony, Berlioz's Les nuits d'été with the Ensemble Orchestral de Paris, and made her Carnegie Hall debut in a production of Bach's Mass in B Minor with the Orchestra of St. Luke's under the baton of Peter Schreier. She toured Europe with Marc Minkowski and Les Musiciens du Louvre in performances of Les nuits d'été.^[8] In 2003 DiDonato was the recipient of New York City Opera's Richard Gold Debut Award

In the 2003/2004 season, DiDonato made her debut with the San Francisco Opera as Rosina in Rossini's Il barbiere di Siviglia and reprised the role with Houston Grand Opera. She performed Idamante in Mozart's Idomeneo with De Nederlandse Opera and at the Aix-en-Provence Festival. She sang the role of Ascanio in a concert performance of Berlioz's Benvenuto Cellini with the Orchestre National de France and appeared in solo recitals at the Lincoln Center, the Kennedy Center, Kansas City's Folly Theater, and Wigmore Hall among others. She sang at the Hollywood Bowl in a production of Beethoven's Symphony No. 9 with the Los Angeles Philharmonic.^[8]

In the 2004/2005 season, DiDonato made her debut with the Grand Théâtre de Genève as Elisabetta in Donizetti's Maria Stuarda. She returned to La Scala in the role of Angelina in Rossini's La Cenerentola and once again played Rosina in a new production of Rossini's Il barbiere di Siviglia by Luca Ronconi at the Pesaro Festival and the Teatro Comunale di Bologna.^[7]

In the 2005/2006 season, DiDonato made her Metropolitan Opera debut as Cherubino in Le nozze di Figaro and played Stéphano in Gounod's Roméo et Juliette at the Met. She returned to the Royal Opera House as Rosina in Il barbiere di Siviglia, sang her first Sesto in Mozart's La clemenza di Tito with Grand Théâtre de Genève, and sang the role of Dejanira in Handel's Hercules at the Brooklyn Academy of Music in New York and at the Barbican Centre in London with William Christie (musician). In addition, DiDonato appeared in several concerts with the New York Philharmonic and gave a recital at Wigmore Hall in London. She closed the Santa Fe Opera's 50th anniversary season in the title role of Massenet's Cendrillon.^[7] In 2006, DiDonato was given the Royal Philharmonic Society Singer Award.

In the 2006/2007 season, DiDonato debuted at the Teatro Real as the Composer in Richard Strauss' Ariadne auf Naxos, returned to the Opéra National de Paris as Idamante in Mozart's Idomeneo, and returned to Houston Grand Opera as Angelina in La Cenerentola. She sang Rosina in Il barbiere di Siviglia at the Metropolitan Opera and sang her first Octavian in Richard Strauss' Der Rosenkavalier with the San Francisco Opera. She toured the U.S. and Europe on an extensive recital tour with accompianist Julius Drake.^[9] DiDonato won the Metropolitan Opera's Beverly Sills Award in 2007.^[10]

In the 2007/2008 season, DiDonato debuted at the Liceu as Angelina in La Cenerentola and at the Lyric Opera of Chicago as Rosina in Il barbiere di Siviglia. She sang the title role in Handel's Alcina with Alan Curtis and Il Complesso Barocco and the title role in Handel's Ariodante at the Grand Théâtre de Genève. She sang Roméo in Bellini's I Capuleti e i Montecchi with Opéra Bastille and returned to Madrid's Teatro Real as Idamante in Idomeneo in July 2008. DiDonato also gave recitals at La Scala, Lincoln Center, and the Brooklyn Academy of Music, and performed a special concert of Handel arias which was recorded in Brussels.^[9][11]

In the 2008/2009 season, DiDonato returned to Covent Garden as Donna Elvira in Mozart's Don Giovanni and as Rosina in Il barbiere di Siviglia. In a performance of that opera on July 7, DiDonato slipped onstage and broke her right fibula; she finished the first act hobbling and the rest of the performance on crutches. She then performed the five remaining scheduled performances from a wheelchair.^[12] She will be performing the roles of Beatrice in Berlioz's Béatrice et Bénédict with Houston Grand Opera, Idamante in Mozart's Idomeneo with Opéra National de Paris, and Rosina in Il barbiere di Siviglia in her debut with Vienna State Opera. DiDonato also appeared in concerts with the New York Philharmonic, Kansas City Symphony, and the Metropolitan Opera Orchestra, the latter of which under the baton of James Levine. She also toured Europe and the United States with Les Talens Lyriques giving concerts of Handel arias; including performances at Wigmore Hall and the Rossini Opera Festival.^[13]

In October 2010, DiDonato won the Klassik Echo Award as Singer of the Year.^[14]

DiDonato sang the role of Isolier in Rossini's Le comte Ory with the Metropolitan Opera in April 2011.

At the 54th Grammy Awards on February 12th, 2012, the Grammy for Best Classical Vocal Solo was awarded to DiDonato for her solo recording Diva Divo.^[15]

In 2012, DiDonato was voted into Gramophone Magazine's Hall of Fame.^[16]

In April 2012, DiDonato sang the role of Mary Stuart in Donizetti's Maria Stuarda with the Houston Grand Opera.^[17]

Personal life[link]

DiDonato is married to Italian conductor Leonardo Vordoni with whom she lives in Kansas City, Missouri. She was married once previously and continues to use her first husband's surname professionally.^[3]

Opera roles[link]

@ Indicates a world premiere

Discography[link]

Complete opera recordings[link]

• Alcina in Handel's Alcina with conductor Alan Curtis and Il Complesso Barocco, released 2009, Archiv label.
• Angelina (Cenerentola) in Rossini's La Cenerentola with conductor Alberto Zedda and SWR Orchestra Kaiserslautern, released 2005, Naxos label.
• Ariodante in Handel's Ariodante with conductor Alan Curtis and Il Complesso Barocco, released 2011, Virgin Classics label.
• Ascanio in Berlioz's Benvenuto Cellini with conductor John Nelson and Orchestre National de France, released 2005, Virgin Classics label.
• Elmira in Handel's Floridante with conductor Alan Curtis and Il Complesso Barocco, released 2007, Archiv Produktion label.
• Grace Kelly in Michael Daugherty's Jackie O with conductor Christopher Larkin and Houston Grand Opera Orchestra, released 1997, Argo label.
• Maslova in Tod Machover's Resurrection with conductor Patrick Summers and Houston Grand Opera Orchestra, released 1999, Albany Records.
• Meg March in Mark Adamo's Little Women with conductor Katherine Ciesinski and Houston Grand Opera Orchestra, released 2001, Ondine label.
• Radamisto in Handel's Radamisto with conductor Alan Curtis and Il Complesso Barocco, released 2005, Virgin Classics label.

Concert recordings[link]

• Antonio Vivaldi: The Complete Sacred Music with conductor Robert King and The King's Consort, released 2005, Hyperion label.
• Mendelssohn: A Midsummer Nights Dream with conductor John Nelson and the Ensemble Orchestral de Paris, released 2003, EMI Classics label.
• Mozart: The Last Concerto 1791 with conductor Frans Brüggen and the Orchestra of the Eighteenth Century, released 2002, Glossa label.

Solo recordings[link]

• Diva, Divo, with the Orchestre et Choeur de l’Opéra National de Lyon under Kazushi Ono, released 2011
• Rossini: Colbran, the Muse, conductor Edoardo Muller and Orchestra dell'Accademia Nazionale di Santa Cecilia, released 2009, Virgin Classics label.
• Furore – Mad Scenes from Operas, conductor Christophe Rousset and Les Talens Lyriques, released 2008, Virgin Classics label.
• Amor e gelosia: Handel Operatic Duets with Patrizia Ciofi, conductor Alan Curtis and Il Complesso Barocco, released 2004, Virgin Classics label.
• The Deepest Desire, accompanied by David Zobel, released 2006, Eloquentia label.
• Joyce DiDonato: Songs by Fauré, Hahn and Head · Arias by Rossini and Handel, live recording at Wigmore Hall, accompanied by Julius Drake, released 2006, Wigmore Hall Live label.
• ¡Pasión!, accompanied by Julius Drake, released 2007, Eloquentia label.

Other recordings[link]

• William Barnewitz: Long Road Home, DiDonato appears as a guest artist, released 2007, Avie label.
• Plácido Domingo's Operalia '98: A Tribute to Passion and Soul, released 1998, Montblanc label.

Film and television appearances[link]

• Meg March in Mark Adamo's Little Women with conductor Katherine Ciesinski and Houston Grand Opera Orchestra, aired on PBS' Great Performances in 2001.
• Rosina in Rossini's The Barber of Seville with conductor Bruno Campanella and Opéra National de Paris, aired on television in 2002, released on DVD 2002.
• "Gala Jean-Philippe Rameau" – Concert du 20ème anniversaire des Musiciens du Louvre, aired on television in 2003.
• Dejanira in Handel's Hercules with conductor William Christie, Les Arts Florissants, and Aix-en-Provence Festival, aired on television in 2005, released on DVD 2005.^[18]
• Rosina in Rossini's The Barber of Seville with conductor Antonio Pappano at the Royal Opera House, released on DVD in 2010
• Angelina in Rossini's La Cenerentola with conductor Patrick Summers at the Gran Teatre del Liceu, released on DVD in 2010

References[link]

External links[link]

• Joyce DiDonato Official Website
• An interview with Joyce DiDonato, June 2012
• An interview with Joyce DiDonato, September 2008
• Yankee Diva Joyce DiDonato's blog
• Joyce DiDonato's Management at IMG Artists
• Joyce DiDonato – Virgin Classics Official Website
• Joyce DiDonato – EMI Classics UK for Concert Dates and Releases in the UK
• Joyce DiDonato – EMI Classics Germany

Lotfollah “Lotfi” Mansouri (born 15 June 1929 in Tehran) is an Iranian-born opera director and manager. He was an opera director from about 1960 onwards, and is most well known for being the General Director of the Canadian Opera Company and of the San Francisco Opera from 1988 through 2001. In 1992 he became a Chevalier of France's Ordre des Arts et des Lettres, and the subject of a 1998 biography.^[1] He introduced opera surtitles — projected subtitles above the stage that allow the audience to follow the libretto during the performance.^[2]

Biography[link]

He was born in Tehran, Iran, the son of Hassan and Mehri (Jalili) Mansouri. He married Marjorie Anne Thompson, Sept. 18, 1954; he has a daughter Shireen Melinda.^[2] Mansouri studied psychology at the University of California, Los Angeles (A.B., 1953) and was assistant professor there (1957–60).^[1] He began his directorial career with a production of Cosi fan tutte at Los Angeles City College, and several musical theater productions at Marymount College. From 1960 to 1966, he worked as a resident stage director at the Zurich Opera. In his first year there, he staged new productions of Amahl and the Night Visitors, La traviata, Don Pasquale, and Samson et Dalila. From 1966 through 1976 he worked as the head stage director at the Geneva Opera. Throughout this period, he occasionally worked at numerous U.S. opera houses, including the Metropolitan Opera and many smaller companies.

Among his productions available on DVD, are La fille du régiment (with Beverly Sills, 1974) and L'africaine (with Shirley Verrett and Plácido Domingo, 1988).

Canadian Opera Company[link]

From 1971 through 1988 Mansouri worked as the general director of the Canadian Opera Company in Toronto. Mansouri introduced surtitles for the January 1983 staging of Elektra, and this is generally regarded as the first use of such a translation system.

San Francisco Opera[link]

In 1988, Mansouri become the fourth general director of the San Francisco Opera, replacing Terence A. McEwen.^[3]

Mansouri lead the company in commissioning several new works which have received critical acclaim, including John Adams' The Death of Klinghoffer (1992), Conrad Susa's The Dangerous Liaisons (Fall 1994), Stewart Wallace's Harvey Milk (1996) (co-commissioned with Houston Grand Opera and New York City Opera), André Previn's A Streetcar Named Desire (Fall 1998), and Jake Heggie's Dead Man Walking (Fall 2000). This move has helped build the house's reputation as one of the leading innovators in the United States, a reputation which is still held today.

Towards the end of the 2001 season, Mansouri announced his resignation and was succeeded by Pamela Rosenberg, formerly of the Stuttgart Opera.

References[link]

• Chatfield-Taylor, Joan (1997). San Francisco Opera: The First Seventy-Five Years. San Francisco: Chronicle Books. ISBN 0-8118-1368-1. http://books.google.com/books?id=neCwqtGHp1sC&pg=PA119&lpg=PA119&dq=%22terence+a+mcewen%22&source=web&ots=ibxQjNKLzU&sig=OEoDS0StHfru08BILWdVOaWQ_bM. 
• Chatfield-Taylor, Joan (1998). An Operatic Odyssey: Lotfi Mansouri and San Francisco Opera. San Francisco: Performing Arts Network. OCLC 44534470. 
• Joshua Kosman (5 August 2001). "Two views of Mansouri's S.F. era: Opera director was gambling man". San Francisco Chronicle. http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2001/08/05/PK165238.DTL&type=performance. Retrieved 11 August 2007. 
• Current Biography Yearbook. 1990 edition. New York: H. W. Wilson Co., 1990.
• Who's Who in Opera. An international biographical directory of singers, conductors, directors, designers, and administrators. Also including profiles of 101 opera companies. Edited by Maria F. Rich. New York: Arno Press, 1976.
• The Metropolitan Opera Encyclopedia. A comprehensive guide to the world of opera. Edited by David Hamilton. New York: Simon and Schuster, 1987.
• The New Grove Dictionary of Opera. Four volumes. Edited by Stanley Sadie. London: Macmillan Press, 1992.
• The New Grove Dictionary of Opera. Four volumes. Edited by Stanley Sadie. New York: Grove's Dictionaries of Music, (n.d.).
• Baker's Dictionary of Opera. Edited by Laura Kuhn. New York: Schirmer Books, 2000

External links[link]

• Lotfi Mansouri official website
• Lotfi Mansouri at the Internet Movie Database

Barbara Paterson is a Canadian artist, primarily known for her bronze figurative works, specializing in a variety of sculpture media including wax, stone, bronze and welded steel.

Barbara sculpted numerous public commissions, including Lois Hole "A Legacy of Love and Learning", and the "Famous Five" monuments in Calgary's Olympic Square and on Parliament Hill, Ottawa.^[1][2] A detail image from the "Famous Five" monuments was featured on a Canada Post stamp in October 1999, and is currently pictured on the Canadian $50.00 bill. She has publicly exhibited her art across Canada, in Bulgaria, Singapore and New York. Barbara lives in Edmonton with husband John Paterson. She has three sons (David, Jamie, and Duncan)

Works[link]

• 

  Barbara Paterson's statue of Emily Murphy in the Famous five (canada) Parliament Hill, Ottawa, Ontario

• 

  Barbara Paterson's statue of Nellie McClung in the Famous five (canada) Parliament Hill, Ottawa, Ontario

References[link]

Wikimedia Commons has media related to: Barbara Paterson

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