"Feeling Good" (also known as Feelin' Good) is a song written by English singer-songwriters Anthony Newley and Leslie Bricusse for the 1965 musical The Roar of the Greasepaint - The Smell of the Crowd starring Cy Grant, who sang the original version of the song. It has since been recorded by many artists, including Nina Simone, Muse, Sammy Davis Jr., Bobby Darin, Traffic, Michael Bublé, The Pussycat Dolls, George Michael, John Barrowman, My Brightest Diamond, John Coltrane, Toše Proeski, Adam Lambert, Joe Bonamassa, Frank Sinatra Jr, Jennifer Hudson, Stephen Williams, Sharon Jones and the Dap Kings, Ed Sheeran and Alice Russell with The Quantic Soul Orchestra.

Nina Simone version

Nina Simone's version appeared on her 1965 album I Put a Spell on You. Simone's version is also featured in the 1993 film Point of No Return, in which the protagonist uses the code name "Nina" and professes to be a longtime fan of Simone's music. The song was also featured in the promotional video of the TV series Six Feet Under (4th season), and is included in the show's volume 2 soundtrack. Simone's version is in the soundtracks of the 2006 film Last Holiday, the 2010 film Repo Men, the 2009 game The Saboteur (set during World War II, long before the song was written), and the Chuck episode "Chuck Versus the Honeymooners".

Versions and other songs containing samples of Nina Simone's version

The George Michael version contains samples, and is featured in Swedish rap group Fjärde Världen's song "Ingen Annan".

The track "About You" on Mary J. Blige's album The Breakthrough features an unusual take on the song. The bulk of the recording consists of new lyrics, composed by Mary J. Blige, will.i.am and Keith Harris. However, the chorus samples several lines from "Feeling Good" as performed by Nina Simone. The original vocals are distorted so that the voice is almost unrecognizable. For this reason, Simone receives a credit as a feature artist, and writers Anthony Newley and Leslie Bricusse receive credit as writers. The track is produced by will.i.am. A song by 50 Cent Bad News contains a sample from the Nina Simone's version as well, as does Lil Wayne's "Birds Flying High." The song is also sampled in the song "New Day" from the debut collaborative studio album by American rappers Jay-Z and Kanye West Watch the Throne, released August 8, 2011.

In April, 2011, PBS used the song to promote their airing of the remake of "Upstairs, Downstairs".

The vocal from the Nina Simone recording is also sampled in numerous house and dubstep tracks. Like in Viper's - The Twister together with the Duran Duran sample.

Muse version

Muse crafted a version on their album Origin of Symmetry and with "Hyper Music" as part of a double A-side.

The Muse version was used by Nescafé for their advertising, but without the band's permission, so Nescafé replaced it with the Nina Simone version. Muse were subsequently paid settlement money, which they donated to Oxfam. In a poll by Total Guitar of "the best covers ever", the Muse version came 5th in the list. It is also featured in the 2008 movie Seven Pounds starring Will Smith and in one episode of the TV series Queer as Folk as well as during the end credits of an episode of TV series Luther.

In September 2010, NME readers voted the Muse version of the song the greatest cover song of all time, beating The Beatles' version of "Twist and Shout" and Johnny Cash's "Hurt".

Virgin Atlantic Airways used the Muse version as the soundtrack for a global television commercial which debuted in October 2010. The ad prominently features the song as accompaniment to a surreal sequence of vignettes depicting Virgin Atlantic cabin crew members.

Michael Bublé version

Coordinates	35°27′″N139°38′″N
name	Feeling Good
cover	Feeling Good.jpg
artist	Michael Bublé
album	It's Time
released	2005
format	CD single, digital download
recorded	2005
genre	Big Band
length	3:57
label	143, Reprise
writer	Leslie Bricusse, Anthony Newley
last single	"Sway"(2004)
this single	"Feeling Good"(2005)
next single	"Home"(2005)
misc	}}

"Feeling Good" was released as the lead single from Michael Bublé's It's Time. The single was released on April 19, 2005. "Feeling Good" was also used as the opening song for Buble's Caught in the Act live album, recorded during his performance at the Wiltern Theater. Buble's version was used in commercials and intros for ESPN's 2005 World Series of Poker Tournament, and for the 2010 NBA Draft tournament. Buble's version has also featured in a number of films.

Tracklisting

; German CD Single # "Feeling Good" - 3:57 # "Softly As I Leave You" - 3:14 # "You'll Never Know" (Live) - 4:50

Chart information

In the UK, the song went to #162, in Australia to #70, in Germany to #36, in Austria #66, and in Poland #14. Despite this, the song became one of his most popular singles and is used in most to all of his concerts. The track finally became a hit in May 2010 when it reached #69 on the UK Singles Chart after it was features a series of British commercials.

Chart (2005–2010)	Peakposition
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Selected list of other notable recordings

1964: Cy Grant on the album Cy & I, with Bill LeSage (World Record Club) ''

1965: Gilbert Price in the original Broadway cast

1965: John Coltrane on The John Coltrane Quartet Plays

1965: Julie London on the album Feeling Good

1965: Chris Connor on the album Sings Gentle Bossa Nova

1965: Sammy Davis, Jr. on the album The Sammy Davis, Jr. Show

1966: Bobby Darin on the album Bobby Darin: In A Broadway Bag

1966: Jack Jones on his album Impossible Dream

1969: Black Cat Bones on the album Barbed Wire Sandwich

1969: Traffic on the album Last Exit

1969: Mahogany on the album Mahogany

1978: Olivia Newton-John on her eponymous TV special

1991: Carla White on the album Listen Here

1993: Elaine Paige on her album Romance & the Stage

2000: Eels on the album Oh, What a Beautiful Morning

2000: Frank Cunimondo Trio on the album Feelin' Good

2001: Muse on the album Origin of Symmetry

2004: Michelle McManus on her debut album The Meaning of Love

2004: Sophie B. Hawkins on the album Wilderness

2005: Pussycat Dolls on the album PCD

2005: Wax Tailor on the album Tales of the forgotten melodies, sampled on the track "How I feel"

2005: Quantic Soul Orchestra on the album Pushin' On

2007: Toše Proeski on the album Igri Bez Granici

2007: John Barrowman on the album Another Side

2007: Blackmailers on the album Paradise Fanfare Blues

2007: Randy Crawford and Joe Sample on the album Feeling Good.

2009: Joe Bonamassa on his 2009 album The Ballad of John Henry

2009: My Brightest Diamond on 2009 compilation Dark Was the Night

2009: Oleta Adams on 2009 album Let's Stay Here

2009: Asa on 2009 album Live in Paris

2011: Jennifer Hudson album track from I Remember Me

2011: Ronan Parke for his 'Britain's Got Talent Audition

2011: The Throne on the song "New Day" in the album Watch the Throne

2011: Prince Poppycock on an 'America's Got Talent' performance

References

Category:1964 songs Category:Songs written by Anthony Newley Category:Songs written by Leslie Bricusse Category:Songs from musicals Category:Nina Simone songs Category:George Michael songs Category:Eels (band) songs Category:Frank Sinatra songs

cs:Feeling Good es:Feeling Good fr:Feeling Good it:Feeling Good pl:Feeling Good sv:Feeling Good

Coordinates	35°27′″N139°38′″N
name	Nina Simone
background	solo_singer
birth name	Eunice Kathleen Waymon
born	February 21, 1933Tryon, North Carolina, United States
died	April 21, 2003Carry-le-Rouet, Bouches-du-Rhône, France
genre	Jazz, blues, R&B;, folk, gospel
occupation	Singer, songwriter, pianist, arranger, activist
years active	1954–2003
label	Bethlehem, Colpix, Philips, RCA Victor, CTI, Legacy Recordings
website	http://www.ninasimone.com/ }}

Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), better known by her stage name Nina Simone (), was an American singer, songwriter, pianist, arranger, and civil rights activist widely associated with jazz music. Simone aspired to become a classical pianist while working in a broad range of styles including classical, jazz, blues, folk, R&B;, gospel, and pop.

Born the sixth child of a preacher's family in North Carolina, Simone aspired to be a concert pianist as a child. Her musical path changed direction after she was denied a scholarship to the prestigious Curtis Institute of Music in Philadelphia, despite a well-received audition. Simone was later told by someone working at Curtis that she was rejected because she was black. She then began playing in a small club in Philadelphia to fund her continuing musical education to become a classical pianist and was required to sing as well. She was approached for a recording by Bethlehem Records, and her rendition of "I Loves You Porgy" became a smash hit in the United States in 1958. and accompanied with her expressive jazz-like singing in her characteristic low tenor. She injected as much of her classical background into her music as possible to give it more depth and quality, as she felt that pop music was inferior to classical. Her intuitive grasp on the audience-performer relationship was gained from a unique background of playing piano accompaniment for church revivals and sermons regularly from the early age of six years.

After 20 years of performing, she became involved in the civil rights movement and the direction of her life shifted once again.

Biography

Youth (1933–1954)

Simone was born Eunice Kathleen Waymon in Tryon, North Carolina. The sixth of eight children in a poor family, she began playing piano at age three; the first song she learned was "God Be With You, Till We Meet Again". Demonstrating a talent with the instrument, she performed at her local church, but her concert debut, a classical recital, was given when she was twelve. Simone later claimed that during this performance her parents, who had taken seats in the front row, were forced to move to the back of the hall to make way for white people. Simone said she refused to play until her parents were moved back to the front, and that the incident contributed to her later involvement in the civil rights movement.

Simone's mother, Mary Kate Waymon, was a strict Methodist minister and a housemaid. Simone's father, John Divine Waymon, was a handyman who at one time owned a dry cleaning business, but who also suffered bouts of ill health. Mary Kate's employer, hearing of her daughter's talent, provided funds for piano lessons. Subsequently, a local fund was set up to assist in Simone's continued education. With the assistance of this scholarship money she attended high school.

After finishing high school, she had studied for an interview with the help of a private tutor to study piano further at the Curtis Institute, but she was rejected. Simone believed that this rejection was related directly to her race. Simone then moved to New York City, where she studied at the Juilliard School of Music.

Early success (1954–1959)

To fund her private lessons, Simone performed at the Midtown Bar & Grill on Pacific Avenue in Atlantic City, whose owner insisted that she sing as well as play the piano. In 1954 she adopted the stage name Nina Simone. "Nina" (from niña, meaning 'little girl' in Spanish) was a nickname a boyfriend had given to her, and "Simone" was taken from the French actress Simone Signoret, whom she had seen in the movie Casque d'or. Simone's mixture of jazz, blues, and classical music in her performances at the bar earned her a small, but loyal, fan base.

In 1958, she befriended and married Don Ross, a beatnik who worked as a fairground barker, but quickly regretted their marriage. After playing in small clubs, in 1958 she recorded a rendition of George Gershwin's "I Loves You Porgy" (from Porgy and Bess), which she learned from a Billie Holiday album and performed as a favor to a friend. It became her only Billboard top 40 success in the United States, and her debut album Little Girl Blue soon followed on Bethlehem Records. Simone missed out on more than $1 million in royalties (mainly because of the successful re-release of My Baby Just Cares for Me during the 1980s) and never benefited financially from the album, because she had sold her rights to it for $3,000.

Becoming popular (1959–1964)

After the success of Little Girl Blue, Simone signed a contract with Colpix Records, and recorded a string of studio and live albums. Colpix relinquished all creative control to her, including the choice of material that would be recorded, in exchange for her signing the contract with them. At this point, Simone only performed pop music to make money to continue her classical music studies, and was indifferent about having a recording contract. She kept this attitude toward the record industry for most of her career.

Simone married a New York police detective, Andrew Stroud, in 1961; Stroud later became her manager.

Civil rights era (1964–1974)

In 1964, she changed record distributors, from the American Colpix to the Dutch Philips, which also meant a change in the contents of her recordings. Simone had always included songs in her repertoire that drew upon her African-American origins (such as "Brown Baby" and "Zungo" on Nina at the Village Gate in 1962). On her debut album for Philips, Nina Simone In Concert (live recording, 1964), however, Simone for the first time openly addressed the racial inequality that was prevalent in the United States with the song "Mississippi Goddam", her response to the murder of Medgar Evers and the bombing of a church in Birmingham, Alabama that killed four black children. The song was released as a single, and it was boycotted in certain southern states. "Old Jim Crow", on the same album, addressed the Jim Crow Laws.

From then on, a civil rights message was standard in Simone's recording repertoire, becoming a part of her live performances. Simone performed and spoke at many civil rights meetings, such as at the Selma to Montgomery marches. Simone advocated violent revolution during the civil rights period, rather than Martin Luther King's non-violent approach, and she hoped that African Americans could, by armed combat, form a separate state. Nevertheless, she wrote in her autobiography that she and her family regarded all races as equal.

She covered Billie Holiday's "Strange Fruit", a song about the lynching of black men in the South, on Pastel Blues (1965). She also sang the W. Cuney poem "Images" on Let It All Out (1966), about the absence of pride she saw among African-American women. Simone wrote "Four Women", a song about four different stereotypes of African-American women, and included the recording on her 1966 album Wild Is the Wind.

Simone moved from Philips to RCA Victor during 1967. She sang "Backlash Blues", written by her friend Langston Hughes on her first RCA album, Nina Simone Sings The Blues (1967). On Silk & Soul (1967), she recorded Billy Taylor's "I Wish I Knew How It Would Feel to Be Free" and "Turning Point". The album Nuff Said (1968) contains live recordings from the Westbury Music Fair, April 7, 1968, three days after the murder of Martin Luther King, Jr. She dedicated the whole performance to him and sang "Why? (The King Of Love Is Dead)", a song written by her bass player, Gene Taylor, directly after the news of King's death had reached them. In the summer of 1969 she performed at the Harlem Cultural Festival in Harlem's Mount Morris Park.

Together with Weldon Irvine, Simone turned the late Lorraine Hansberry's unfinished play To Be Young, Gifted, and Black into a civil rights song. Hansberry had been a personal friend whom Simone credited with cultivating her social and political consciousness. She performed the song live on the album Black Gold (1970). A studio recording was released as a single, and renditions of the song have been recorded by Aretha Franklin (on her 1972 album Young, Gifted and Black) and by Donny Hathaway.

Later life (1974–2003)

Simone left the United States in September 1970, flying to Barbados and expecting Stroud to communicate with her when she had to perform again. However, Stroud interpreted Simone's sudden disappearance, and the fact that she had left behind her wedding ring, as an indication of a desire for a divorce. As her manager, Stroud was in charge of Simone's income.

When Simone returned to the United States she learned that a warrant had been issued for her arrest for unpaid taxes (as a protest against her country's involvement with the Vietnam War), causing her to return to Barbados again to evade the authorities and prosecution. Simone stayed in Barbados for quite some time and she had a lengthy affair with the Prime Minister, Errol Barrow. A close friend, singer Miriam Makeba, then persuaded her to go to Liberia. After that she lived in Switzerland and the Netherlands, before settling in France during 1992.

She recorded her last album for RCA, It Is Finished, during 1974. Simone did not make another record until 1978, when she was persuaded to go into the recording studio by CTI Records owner Creed Taylor. The result was the album Baltimore, which, while not a commercial success, did get good reviews and marked a quiet artistic renaissance in Simone's recording output. Her choice of material retained its eclecticism, ranging from spiritual songs to Hall & Oates' "Rich Girl". Four years later Simone recorded Fodder On My Wings on a French label. During the 1980s Simone performed regularly at Ronnie Scott's jazz club in London, where she recorded the album Live at Ronnie Scott's in 1984. Although her early on-stage style could be somewhat haughty and aloof, in later years, Simone particularly seemed to enjoy engaging her audiences sometimes by recounting humorous anecdotes related to her career and music and by soliciting requests. In 1987, the original 1958 recording of "My Baby Just Cares For Me" was used in a commercial for Chanel No. 5 perfume in the United Kingdom. This led to a re-release of the recording, which stormed to number 4 on the UK's NME singles chart, giving her a brief surge in popularity in the UK. Her autobiography, I Put a Spell on You, was published in 1992. She recorded her last album, A Single Woman, in 1993.

In 1993, Simone settled near Aix-en-Provence in Southern France. She had suffered from breast cancer for several years before she died in her sleep at her home in Carry-le-Rouet, Bouches-du-Rhône on April 21, 2003. (In addition, Simone received a diagnosis of bipolar disorder in the late 1980s). Her funeral service was attended by singers Miriam Makeba and Patti Labelle, poet Sonia Sanchez, actor Ossie Davis, and hundreds of others. Elton John sent a floral tribute with the message "You were the greatest and I love you". Simone's ashes were scattered in several African countries. She left behind a daughter, Lisa Celeste Stroud, an actress and singer, who took the stage name Simone, and has appeared on Broadway in Aida.

Musical style

Simone standards

Throughout her career, Simone assembled a collection of songs that would become standards in her repertoire. These songs were self-written tunes, tributes to works by others with a new arrangement by Simone, or songs written especially for Simone. Her first hit song in America was her rendition of George Gershwin's "I Loves You, Porgy" (1958). It peaked at number 18 in the pop singles chart and number 2 on the black singles chart. During that same period Simone recorded "My Baby Just Cares for Me", which would become her biggest success years later, in 1987, when it was featured in a Chanel No. 5 perfume commercial. A music video was created by Aardman Studios for the commercial. !!DON'T put detailed cover/sample/soundtrack use of songs here, only the very basics. Put that sort of information on the ARTICLE ABOUT THE SONG OR ALBUM!! Well known songs from her Philips albums include "Don't Let Me Be Misunderstood" on Broadway-Blues-Ballads (1964), "I Put a Spell on You", "Ne Me Quitte Pas" (a rendition of a Jacques Brel song) and "Feeling Good" on I Put A Spell On You (1965), "Lilac Wine" and "Wild Is the Wind" on Wild is the Wind (1966). Especially the songs "Don't Let Me Be Misunderstood", "Feeling Good", and "Sinnerman" (Pastel Blues, 1965) have great popularity today in terms of cover versions (most notably a version of the former song by The Animals), sample usage, and its use on soundtracks for various movies, TV-series, and video games. "Sinnerman", in particular, has been featured in the TV series Scrubs and Person of Interest, on movies such as The Thomas Crown Affair, Miami Vice, and Inland Empire, and sampled by artists such as Talib Kweli and Timbaland. The song "Don't Let Me Be Misunderstood" was sampled by Devo Springsteen on "Misunderstood" from Common's 2007 album Finding Forever, and by little-known producers Rodnae and Mousa for the song "Don't Get It" on Lil Wayne's 2008 album Tha Carter III. The song "See-Line Woman" was sampled by Kanye West for "Bad News" on his album 808s and Heartbreak.

Simone's years at RCA-Victor spawned a number of singles and album songs that were popular, particularly in Europe. In 1968, it was "Ain't Got No, I Got Life", a medley from the musical Hair from the album 'Nuff Said! (1968) that became a surprise hit for Simone, reaching number 4 on the UK pop charts and introducing her to a younger audience. In 2006, it returned to the UK Top 30 in a remixed version by Groovefinder. The following single, the Bee Gees' rendition of "To Love Somebody" also reached the UK top 10 in 1969. "House of the Rising Sun" was featured on Nina Simone Sings The Blues in 1967, but Simone had recorded the song in 1961 and it was featured on Nina At The Village Gate (1962), predating the versions by Dave Van Ronk and Bob Dylan. It was later covered by The Animals, for whom it became a signature hit.

Performing style

Simone's bearing and stage presence earned her the title "High Priestess of Soul". She was a piano player, singer, and performer, "separately and simultaneously". On stage, Simone moved from gospel to blues, jazz, and folk, to numbers with European classical styling, and Bach-style fugal counterpoint. She incorporated monologues and dialogues with the audience into the program, and often used silence as a musical element. Simone compared it to "mass hypnosis. I use it all the time". Throughout most of her life and recording career she was accompanied by percussionist Leopoldo Fleming and guitarist and musical director Al Schackman.

Simone had a reputation in the music industry for her volatility. In 1995, she shot and wounded her neighbor's son with a pneumatic pistol after his laughter disturbed her concentration. She also fired a gun at a record company executive whom she accused of stealing royalties. According to a biographer, Simone took medication for a condition from the mid-1960s on. All this was only known to a small group of intimates, and kept out of public view for many years, until the biography Break Down And Let It All Out written by Sylvia Hampton and David Nathan revealed this in 2004 after her death.

Legacy and influence

Music

Musicians who have cited Simone as important for their own musical upbringing include Antony and the Johnsons, Nick Cave, Van Morrison, Christina Aguilera, Elkie Brooks, Talib Kweli, Mos Def, Kanye West, Lena Horne, John Legend, Elizabeth Fraser, Cat Stevens, Anna Calvi, Peter Gabriel, Cedric Bixler-Zavala, Mary J. Blige, Michael Gira, Angela McCluskey, Lauryn Hill, Patrice Babatunde, Alicia Keys, Ian MacKaye, Kerry Brothers, Jr. "Krucial", Amanda Palmer, Steve Adey and Jeff Buckley. John Lennon cited Simone's version of "I Put a Spell on You" as a source of inspiration for the Beatles song "Michelle". Musicians who have covered her work (or her specific renditions of songs) include Black Rock Coalition Orchestra, J.Viewz, Carola, Aretha Franklin, Janis Joplin, Marilyn Manson, Donny Hathaway, David Bowie, Elkie Brooks, Roberta Flack, Jeff Buckley, The Animals, Nick Cave, Shivaree (band), Ambrosia Parsley, Muse, Cat Power, Katie Melua, Timbaland, Feist, Shara Worden, Common, Lil Wayne, and Michael Bublé. Simone's music has been featured in soundtracks of various motion pictures and video games, including but not limited to, The Big Lebowski (1998), Point of No Return (AKA The Assassin, 1993), Notting Hill (1999), Any Given Sunday (1999), The Thomas Crown Affair (1999), Six Feet Under (2001), The Dancer Upstairs (film) (2002), Before Sunset (2004), Cellular (2004), Inland Empire (2006), Sex and the City (2008), The World Unseen (2008), Revolutionary Road (2008), Watchmen (2009), The Saboteur (2009), Repo Men (2010). Frequently her music is used in remixes, commercials, and TV series.

Film

The documentary Nina Simone: La Legende (The Legend) was made in the 1990s by French filmmakers, based on her autobiography I Put A Spell On You. It features live footage from different periods of her career, interviews with friends and family, various interviews with Simone then living in the Netherlands, and while on a trip to her birthplace. A portion of footage from The Legend was taken from an earlier 26-minute biographical documentary by Peter Rodis, released in 1969 and entitled simply, Nina.

Her filmed 1976 performance at the Montreux Jazz Festival is available on video courtesy of Eagle Rock Entertainment, and it is screened annually in New York City at an event called, "The Rise and Fall of Nina Simone: Montreux, 1976,", which is curated by Tom Blunt.

Plans for a Nina Simone biographical film were released at the end of 2005, to be based on Simone's autobiography I Put A Spell On You (1992) and to focus on her relationship in later life with her assistant, Clifton Henderson, who died in 2006. TV writer Cynthia Mort (Will & Grace, Roseanne) is working on the script, and singer Mary J. Blige will play the lead role. Release of the movie is scheduled for 2012.

Her music was used in the S4C show, "Alys", in 2010.

A song sung by Nina Simone on her 1970 live album, Black Gold, is used in the film The Dancer Upstairs.

In the film Point of No Return, the protagonist choses "Nina" as her codename in honor of Simone, her mother's favorite musical artist as well as her own. Simone's music features prominently in the film.

Honors

On Human Kindness Day 1974 in Washington, D.C., more than 10,000 people paid tribute to Nina Simone. Simone received two honorary degrees in music and humanities, from the University of Massachusetts and Malcolm X College. She preferred to be called "Dr. Nina Simone" after these honors were bestowed upon her. Only two days before her death, Simone was awarded an honorary degree by the Curtis Institute, the music school that had refused to admit her as a student at the beginning of her career. In 2010, Tryon, NC erected a statue in her honor along Trade street.

Discography

! Year	! Album	! Type	! Label	! Billboard
1958		Studio
	Nina Simone and Her Friends	Studio
The Amazing Nina Simone	Studio
Nina Simone at Town Hall	Live and studio
	Nina Simone at Newport	Live
	Studio
	Nina at the Village Gate	Live
Nina Simone Sings Ellington	Live
	Nina's Choice	Compilation
Nina Simone at Carnegie Hall	Live
	Folksy Nina	Live
Nina Simone in Concert	Live
Broadway-Blues-Ballads	Studio
		Studio
Pastel Blues	Studio
	Nina Simone with Strings	Studio (strings added)	Colpix
Let It All Out	Live and studio
	Studio
	High Priestess of Soul	Studio
Nina Simone Sings the Blues	Studio
Silk & Soul	Studio
1968	Nuff Said	Live and studio
	Nina Simone and Piano	Studio
	Studio
A Very Rare Evening	Live	PM Records
1970		Live	RCA Records
		Studio	RCA Records
Gifted & Black	Studio	Canyon Records
1972		Live and studio	RCA Records
	Live at Berkeley	Live	Stroud
Gospel According to Nina Simone	Live	Stroud
	It Is Finished	Live	RCA Records
Sings Billie Holiday	Live	Stroud
1978		Studio	CTI Records
1980	The Rising Sun Collection	Live	Enja
1982	Fodder on My Wings	Studio
1984	Backlash	Live	StarJazz
1985	Nina's Back	Studio
1985	Live & Kickin	Live
	Let It Be Me	Live
	Live	Hendring-Wadham
The Nina Simone Collection	Compilation	Deja Vu
1993	A Single Woman	Studio	Elektra Records
Additional releases
1975	The Great Show Live in Paris	Live	RCA?
1997	Released	Compilation	RCA Victor Europe
	Gold	Studio remastered	Universal/UCJ
Anthology	Compilation (from many labels)	RCA/BMG Heritage
2004	Nina Simone's Finest Hour	Compilation	Verve/Universal
	The Soul of Nina Simone	Compilation + DVD	RCA DualDisc
Nina Simone Live at Montreux 1976	DVD only	Eagle Eye Media
	The Very Best of Nina Simone	Compilation	Sony BMG
	Remix	Legacy/SBMG	5 (contemp.jazz)
Songs to Sing: the Best of Nina Simone	Compilation/Live Compilation	Deluxe
Forever Young, Gifted, & Black: Songs of Freedom and Spirit	Remix	RCA
2008	To Be Free: The Nina Simone Story	Compilation	Sony Legacy
2009	The Definitive Rarities Collection - 50 Classic Cuts	Compilation	Artwork Media
?	Nina Simone Live	DVD only: Studio 1961 & '62	Kultur/Creative Arts Television

References

Bibliography

External links

Nina Simone discography – at iMusic.am

Article on Nina Simone in the Encyclopedia of Jazz Musicians

The Nina Simone Database – A comprehensive Nina Simone website

Nina Simone – Legacy Recordings Page

L'hommage: Nina Simone – Tribute and archival site

Nina Simone at The Music Box – A collection of reviews

Eunice Waymon-Nina Simone Memorial Project North Carolina-based scholarship, statue & music festival

Nina Simone Biography at About.com

Obituary from The Daily Telegraph

Nina Simone: The "Princess Noire" - audio report by NPR

Category:1933 births Category:2003 deaths Category:American Methodists Category:African American female activists Category:African American female singer-songwriters Category:African Americans' rights activists Category:American expatriates in France Category:American jazz pianists Category:American jazz singers Category:American rhythm and blues singer-songwriters Category:American soul musicians Category:Cancer deaths in France Category:Charly Records artists Category:Deaths from breast cancer Category:Jazz songwriters Category:Juilliard School alumni Category:Musicians from North Carolina Category:People from Polk County, North Carolina Category:People from Provence-Alpes-Côte d'Azur Category:People with bipolar disorder Category:Soul-jazz musicians Category:Torch singers Category:Women in jazz

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Coordinates	35°27′″N139°38′″N
Landscape	yes
Background	solo_singer
Birth name	Tramar Dillard
Born	September 17, 1979 Carol City, Florida, U.S.
Occupation	Rapper, Songwriter, Actor
Genre	Southern hip hop, Pop rap, R&B;, Dance
Years active	2006–present
Label	Atlantic, Poe Boy
Associated acts	Brisco, Timbaland, David Guetta, Ke$ha, T-Pain, Akon
Website	}}

Tramar Dillard (born September 17, 1979), better known by his stage name Flo Rida ("flow rider"), is an American rapper and singer-songwriter. He released his debut album, Mail on Sunday, in March 2008. His debut single "Low", featuring T-Pain, was a #1 hit for ten weeks in United States in early 2008. Two other singles resulted from Mail on Sunday: "Elevator" and "In the Ayer". In 2009, his second album R.O.O.T.S. was released; its most successful single "Right Round" was at the top of the Hot 100 for six weeks. Since then, he has released his third studio album titled Only One Flo (Part 1), which will see a sequel titled Only One Rida (Part 2).

Early life

Tramar Dillard was born in the 187th Street projects of Carol City, Florida. His single mother raised him and his seven sisters, some of whom sang in a local gospel group. Dillard's brother-in-law was a hypeman for local rap group 2 Live Crew, and, while in Ninth Grade, Dillard formed his own amateur group with some friends called the Groundhoggz. His work with 2 Live Crew member Fresh Kid Ice attracted attention of DeVante Swing, a member of the band Jodeci. However, he was rejected by several of the major labels, so he sought many other jobs outside of music. After graduating from high school in 1998, he studied international business management at the University of Nevada, Las Vegas for two years and attended Barry University for two months. He returned to Florida to continue pursuing his music career after receiving a phone call from a representative of the independent label Poe Boy Entertainment. Dillard signed with Poe Boy in 2006, and as Flo Rida he began affiliating with other artists, such as Rick Ross, Trina, T-Pain, and Trick Daddy. A promotional street single entitled "Birthday", featuring Rick Ross, was his first significant release. He made his debut guest appearance with the song "Bitch I'm from Dade County" on DJ Khaled's album We the Best, which featured Trick Daddy, Trina, Rick Ross, Brisco, C-Ride, and Dre.

Music career

Mail on Sunday (2007–08)

Flo Rida's first single was "Low", featuring T-Pain. It was his first official single from his debut album Mail On Sunday and the soundtrack to the movie Step Up 2: The Streets. "Low" reached #1 on the Billboard Hot 100 chart. "Elevator", featuring Timbaland, "In the Ayer" featuring will.i.am, and "Roll" featuring Sean Kingston followed and all charted on the Hot 100 and other charts.

After the success of Mail on Sunday, Flo Rida made guest performances on other R&B;, rap, and pop singles, including "Move Shake Drop" by DJ Laz, "We Break the Dawn" by Michelle Williams, the remix of "4 Minutes" by Madonna, "Running Back" by Australian R&B; singer Jessica Mauboy, "Feel It" by DJ Felli Fel, and the remix of "Speedin'" by Rick Ross. During the summer of 2008, he did live performances on the Fox dance competition program So You Think You Can Dance in the US and 2008 MuchMusic Video Awards in Canada. He appeared on the albums We Global by DJ Khaled, Gutta by Ace Hood, and The Fame by Lady Gaga, among others.

R.O.O.T.S. (2009)

According to Billboard magazine, Flo Rida began recording his sophomore nine months after Mail On Sunday. The album is titled R.O.O.T.S. and was released on March 31, 2009. The first single "Right Round" featured Ke$ha and was released for airplay in January 2009. "Right Round" jumped from number 58 to the top spot in one week in late February. The song broke a record for the most digital one week sales in the U.S., with 636,000, beating the previous record he had set himself with "Low". "Right Round" sampled "You Spin Me Round (Like a Record)", a 1985 hit by Dead or Alive. The second official single was "Sugar", which featured R&B; singer Wynter Gordon. The song reached #5 on the Billboard Hot 100. Other singles were "Jump" featuring Nelly Furtado, which reached #54 on the Hot 100 and was the promotional single for the animated film G-Force, and "Be On You" featuring Ne-Yo, which reached #19 on the Hot 100. In addition to singles from his own album, Flo Rida made guest performances on "Feel It" by DJ Felli Fel, "Starstruck" by Lady Gaga, and "Feel It" by Three 6 Mafia. "Bad Boys", the first single by winner of British reality show The X Factor Alexandra Burke that featured Flo Rida, debuted at #1 on the UK Singles Chart in October.

Only One Flo (Part 1) (2010)

Flo Rida's third album Only One Flo (Part 1) was released on November 24, 2010. In March 2010, Flo Rida announced on Twitter that the album would be titled The Only One. Billboard reported that The Only One was to be a double album. "Club Can't Handle Me", produced by David Guetta, was the first official single and reached #9 on the Billboard Hot 100 in the United States. Flo Rida also made guest appearances on "iYiYi", a song by Australian teen singer Cody Simpson, and on the song "Out My Video" by Bulgarian singer LiLana. Flo Rida collaborated with UK girl group The Saturdays, recording a new version of the girl's single, "Higher".

In December 2010, the Associated Press reported that Flo Rida had created his own label, International Music Group, inspired by Nicki Minaj's signing with Lil Wayne's. He has signed an 18 year-old rapper, Brianna and Git Fresh to International. Currently Flo Rida teamed up with Malaysian singer, Mizz Nina in Take Over. They shoot Take Over in Miami, Florida.

Only One Rida (Part 2) (2011)

On August 29th, 2011 Flo Rida released his new single off the album Only One Rida (Part 2), called Good Feeling, which is now out now on the US iTunes store. The Album is due out later in 2011. A track called Hangover is rumored to be the second Track, Taio Cruz is featured on it. Inna, Starboy Nathan will be featured on the record, too.

Legal issues

On June 9, 2011, Flo Rida was arrested in Miami Beach, Florida for DUI and driving with a suspended license. Flo Rida was released from jail after he posted $2,000 bail and obtained a signed court order allowing him to travel to Asia for a series of previously scheduled concerts in Bangkok over the weekend.

Discography

Mail on Sunday (2008)

R.O.O.T.S. (2009)

Only One Flo (Part 1) (2010)

Only One Rida (Part 2) (2011)

Awards and nominations

! Year	! Type	! Award	! Result
		Breakthrough Performer
Favourite Male Hip-Hop Artist
	Best New Artist
Rookie of the Year
	Breathrough Artist
	Choice Breakout Artist
Choice Rap Artist
APRA Awards
MOBO Awards
MTV Video Music Awards	Best Hip-Hop Video ("Right Round" with Kesha)
NT Indigenous Music Awards
People's Choice Awards
Teen Choice Awards	Best Hip-Hop Rap Track ("Right Round" with Kesha)
	APRA Awards
Grammy Awards	Best Rap Album (R.O.O.T.S.)
People's Choice Awards	Hip-Hop Artist of the Year

See also

List of Miami rappers

References

External links

Category:1979 births Category:Living people Category:African American rappers Category:American dance musicians Category:Atlantic Records artists Category:Barry University alumni Category:Electro-hop musicians Category:Hip hop singers Category:Rappers from Miami, Florida Category:University of Nevada, Las Vegas alumni

ar:فلو ريدا bg:Flo Rida ca:Flo Rida cs:Flo Rida cy:Flo Rida da:Flo Rida de:Flo Rida es:Flo Rida fa:فلو رایدا fr:Flo Rida ko:플로 라이더 id:Flo Rida it:Flo Rida he:פלו ריידה lv:Flo Rida hu:Flo Rida nl:Flo Rida ja:フロー・ライダー no:Flo Rida pl:Flo Rida pt:Flo Rida ro:Flo Rida ru:Флоу Райда fi:Flo Rida sv:Flo Rida th:โฟล ไรเดอ tr:Flo Rida vi:Flo Rida zh:佛罗·里达

Coordinates	35°27′″N139°38′″N
name	Jools Holland
background	solo_singer
birth name	Julian Miles Holland
birth date	January 24, 1958
birth place	Blackheath, London, England
instrument	Piano, keyboard, guitar
genre	Boogie-woogie, jazz, blues, R&B;
occupation	Musician, composer, television presenter, bandleader
years active	1974–present
associated acts	Squeeze Rhythm & Blues Orchestra
website	Official site }}

Julian Miles "Jools" Holland OBE, DL (born 24 January 1958) is an English pianist, bandleader, singer, composer, and television presenter. He was a founder of the band Squeeze, and his work has involved him with many artists including Sting, Eric Clapton, George Harrison, The Who, David Gilmour and Bono.

Holland is a published author and appears on television shows besides his own and contributes to radio shows. In 2004, he collaborated with Tom Jones on an album of traditional R&B; music. He currently hosts Later... with Jools Holland, a music-based show aired on BBC2, on which his annual show the Hootenanny, is based.

Life and career

Holland played as a session musician before finding fame, and his first studio session was with Wayne County & the Electric Chairs in 1976 on their track "F*ck Off."

Holland was a founding member of the British pop band Squeeze, formed in March 1974, in which he played keyboards until 1981 and helped the band to achieve millions of record sales, before pursuing his solo career.

Holland began issuing solo records in 1978, his first EP being Boogie Woogie '78. He continued his solo career through the early 1980s, releasing an album and several singles between 1981 and 1984. He branched out into TV, co-presenting the Newcastle-based TV music show The Tube with Paula Yates. Holland achieved notoriety by inadvertently using the phrase "groovy fuckers" in a live, early evening TV trailer for the show, causing it to be suspended for six weeks. He referred to this in his sitcom "The Groovy Fellers" with Rowland Rivron.

thumb|right|Holland at the Tsunami Relief concert in Cardiff's Millennium Stadium, 22 January 2005In 1983 Holland played an extended piano solo on The The's re-recording of "Uncertain Smile" for the album Soul Mining. In 1985, Squeeze (which had continued in Holland's absence through to 1982) unexpectedly regrouped including Jools Holland as their keyboard player. Holland remained in the band until 1990, at which point, he again departed Squeeze on amicable terms to resume his solo career as a musician and a TV host.

In 1987, Holland formed The Jools Holland Big Band which consisted of himself and Gilson Lavis from Squeeze. This gradually became his 18-piece Rhythm & Blues Orchestra.

Between 1988 and 1990 he performed and co-hosted along with David Sanborn during the two seasons of the music performance program Sunday Night on NBC late-night television. Since 1992 he has presented the eclectic music program Later... with Jools Holland, plus an annual New Year's Eve "Hootenanny".

In 1996 Holland signed a record deal with Warner Bros. Records and his records are now marketed through Rhino Records.

Holland has a touring band, The Rhythm And Blues Orchestra, which often includes singers Sam Brown and Ruby Turner. In January 2005 Holland and his band performed with Eric Clapton as the headline act of the Tsunami Relief Cardiff. He also headlined the Skegness SO Festival in July 2010.

Personal

Holland is a fan of the 1960s TV series The Prisoner. He owns costumes and props from the series, and occasionally appears wearing the trademark brown-with-white-pipe blazer featured in the series. Holland lives in the Westcombe Park area of Blackheath in southeast London, where he had his studio, Helicon Mountain, built to his design, heavily inspired by Portmeirion, the setting for The Prisoner. In 1987, Holland demonstrated his love of the series and starred in a spoof documentary, The Laughing Prisoner, with Stephen Fry, Terence Alexander and Hugh Laurie. Much of it was shot on location in Portmeirion, with archive footage of Patrick McGoohan, and featuring musical numbers from Siouxsie and the Banshees, Magnum and XTC. Holland performed a number towards the end of the program. Holland is also a Millwall FC fan. His younger brother Christopher also plays organ in the Rhythm & Blues Orchestra as well as being a successful singer/songwriter in his own right.

Holland was an interviewer for The Beatles Anthology TV project, and appeared in the 1997 film Spiceworld as a musical director.

He received an OBE in 2003 in the Queen's Birthday Honours list, for services to the British music industry as a television presenter and musician. In September 2006 Holland was appointed a Deputy Lieutenant for Kent. He is also known for his charity work: in June 2006 he performed in Southend for HIV/AIDS charity Mildmay, and in early 2007 he performed at Wells and Rochester Cathedrals to raise money for maintaining cathedral buildings. He is also patron of the Drake Music Project and has raised many thousands of pounds for the charity.

Jools Holland was appointed an Honorary Fellow of Canterbury Christ Church University at a ceremony held at Canterbury Cathedral on 30 January 2009.

On 29 August 2005 Holland married Christabel McEwen, his girlfriend of 15 years (between 1983 and 1995 she had been married to Edward Lambton, 7th Earl of Durham, but they divorced). The wedding, at St James's Church, Cooling near Rochester, was attended by many celebrities, including Ringo Starr, Robbie Coltrane, Stephen Fry, Lenny Henry, Noel Gallagher, Dawn French and Jennifer Saunders.

Writing

His 2007 autobiography, Barefaced Lies and Boogie Woogie Boasts was BBC Radio 4 "Book of the Week" in the week beginning 8 October 2007 and was read by Holland. He is the author or joint author of four other books.

Discography

Albums that have charted and gained Certifications

Year	Album	Peak chart positions		!style="width:4em;font-size:75%"
1996	Sex & Jazz & Rock & Roll
1998	Best Of				UK">Music recording sales certifications
!style="width:4em;font-size:75%"	!style="width:4em;font-size:75%"
1996	Sex & Jazz & Rock & Roll
1998	Best Of				UK: Silver
2000	Hop The Wag				* UK: Silver
2001	Small World Big Band				* UK: 2× Platinum
2002	SWBB Volume Two: More Friends				* UK: Platinum
2003	Jack O The Green (SWBB Friends 3)				* UK: Silver
2005	Swinging the Blues, Dancing the Ska
2007	Best of Friends				* UK: Silver
2011	Finding The Keys - The Best of

Releases

1978 "Boogie Woogie '78" (EP)

1981 Jools Holland and His Millionaires

1984 Jools Holland Meets Rock 'A' Boogie Billy (U.S. release only)

1990 World Of His Own

1991 The Full Complement

1992 "Together Again" (single with Sam Brown)

1992 The A-Z Geographer's Guide To The Piano

1994 Solo Piano

1994 Live Performance

1996 Sex & Jazz & Rock & Roll

1997 Lift The Lid

1998 Best Of

1999 Sunset Over London

2000 Hop The Wag

2001 Small World Big Band

2002 SWBB Volume Two: More Friends

2003 Jack O The Green (SWBB Friends 3)

2004 Tom Jones & Jools Holland

2005 Beatroute

2005 Swinging the Blues, Dancing the Ska

2006 Moving Out To The Country

2007 Best of Friends

2008 The Collection

2008 The Informer (With Ruby Turner)

2008 "The Informer" (single with Ruby Turner)

2009 "I Went By" (single with Louise Marshall)

2010 Rockinghorse

Film and television

1981 Urgh! A Music War

1982 Police: Around the World

1982 - 1987 The Tube (Host for 121 editions)

1983 Rebellious Jukebox: Compere

1984 The Young Ones: Punk (Episode entitled "Summer Holiday")

1985 Walking To New Orleans (Jools Holland in New Orleans)

1987 Eat the Rich: Sun Reporter

1987 Filthy Rich & Catflap: Strip Show Pianist (Episode #1.3)

1987 The Laughing Prisoner: No. 7

1987 French and Saunders (Episode 1.5)

1988 Sunday Night: Host (unknown episodes)

1989 Juke Box Jury: Host (unknown episodes)

1989 The Groovy Fellers Himself, 6 episodes

1991 Mr Roadrunner (Jools Holland in Memphis)

1994 There's No Business: Pianist

1994 - 1995 Don't Forget Your Toothbrush

1995 The Beatles Anthology

1997 Spice World: Musical Director

1997 Name That Tune: Host and Pianist

2003 Jool's History of the Piano : Presenter

2006 ''Top Gear: Star in a reasonably priced car.

2007 Fairport@Forty: Interview

2009 Chop Shop Rover Concept: The Jet 1 Car : Customer

Current television programmes

1992–present Later... with Jools Holland

2000–present Jools' Annual Hootenanny

Books

"Rolling Stones": A Life on the Road, (with Dora Loewenstein), Viking/Allen Lane (1998), (ISBN 0-670-88051-5)

Beat Route: Journeys Through Six Counties, Weidenfeld & Nicholson (1998), (ISBN 0-575-06700-4)

Ray Charles: Man and Music, (with Michael Lydon), Payback Press (1999), (ISBN 0-86241-929-8)

Hand That Changed Its Mind , International Music Publications (2007), (ISBN 1-84328-645-9)

Barefaced Lies and Boogie-woogie Boasts , Michael Joseph Ltd (2007), (ISBN 0-7181-4915-7)

References

External links

Category:1958 births Category:Living people Category:Boogie-woogie pianists Category:English rock pianists Category:English television presenters Category:Officers of the Order of the British Empire Category:Bandleaders Category:Squeeze members Category:I.R.S. Records artists Category:People from Blackheath, London Category:BBC Radio 2 presenters Category:Deputy Lieutenants of Kent

cy:Jools Holland de:Jools Holland es:Jools Holland fr:Jools Holland nl:Jools Holland pl:Jools Holland pt:Jools Holland fi:Jools Holland

Coordinates	35°27′″N139°38′″N
Background	solo_singer
Birth name	James Joseph Brown, Jr.
Birth date	May 03, 1933
Birth place	Barnwell, South Carolina, U.S.
Origin	Augusta, Georgia, United States
Death date	December 25, 2006
Death place	Atlanta, Georgia, U.S.
Genre	Rhythm and blues, funk, soul
Occupation	Singer, musician, songwriter, dancer, bandleader, record producer
Instrument	Vocal, guitar, harmonica, bass, keyboards, drums, percussion instruments
Years active	1956–2006
Label	Federal, King, Try Me, Smash, People, Polydor, Scotti Bros., Dade Records
Associated acts	The Famous Flames, The J.B.'s, Bobby Byrd , The Soul Generals, Lyn Collins
Website	}}

James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, songwriter, musician, and recording artist. Eventually referred to as "The Godfather of Soul", Brown started singing in gospel groups and worked his way on up. He has been recognized as one of the most iconic figures in the 20th century popular music and was renowned for his vocals and feverish dancing. He was also called "The Hardest-Working Man in Show Business" and "Mr. Dynamite". He was also noted as the lead singer of the famed Rhythm & Blues vocal group, The Famous Flames.

Early life

James Brown was born in Barnwell, South Carolina on May 3, 1933 to Susie Brown and Joseph ("Joe") Gardner (who changed his surname to Brown after Mattie Brown who raised him). Although Brown was to be named after his father Joseph, his first and middle names were mistakenly reversed on his birth certificate. He therefore became James Joseph Brown, Jr. As a young child, Brown was called Junior. When he later lived with his aunt and cousin, he was called Little Junior since his cousin's nickname was also Junior. He was of African American, Native American (Apache), through his father, and had Asian ancestry.

As a young child, the family lived in extreme poverty in nearby Elko, South Carolina, which at the time was an impoverished town in Barnwell County. When Brown was two years old, his parents separated after his mother left his father for another man. After his mother abandoned the family, Brown continued to live with his father and his father's live-in girlfriends until he was six years old. After that time, Brown and his father moved to Augusta, Georgia.

His father sent him to live with an aunt, who ran a house of prostitution. Even though Brown lived with relatives, he spent long stretches of time on his own, hanging out on the streets and hustling to get by. Brown managed to stay in school until he dropped out in the seventh grade.

During his childhood, Brown earned money shining shoes, sweeping out stores, selling and trading in old stamps, washing cars and dishes and singing in talent contests. Brown also performed buck dances for change to entertain troops from Camp Gordon at the start of World War II as their convoys traveled over a canal bridge near his aunt's home. Between earning money from these adventures, Brown taught himself to play a harmonica given to him by his father. He learned to play some guitar from Tampa Red, in addition to learning to play piano and drums from others he met during this time. Brown was inspired to become an entertainer after watching Louis Jordan, a popular jazz and R&B; performer during the 1940s, and Jordan's Tympany Five performing "Caldonia" in a short film.

As an adult, Brown legally changed his name to remove the "Jr." designation. In his spare time, Brown spent time practicing his various skills in Augusta-area stalls and committing petty crimes. At the age of sixteen, he was convicted of armed robbery and sent to a juvenile detention center upstate in Toccoa in 1949.

In 1952, while Brown was still in reform school, he met future R&B; legend Bobby Byrd, who was there playing baseball against the reform school team. Byrd saw Brown perform there and admired his singing and performing talent. As a result of this friendship, Byrd's family helped Brown secure an early release after serving three years of his sentence. The authorities agreed to release Brown on the condition that he would get a job and not return to Augusta or Richmond County. After stints as a boxer and baseball pitcher in semi-professional baseball (a career move ended by a leg injury), Brown turned his energy toward music.

Career

Brown's career spanned decades, and profoundly influenced the development of many different musical genres. Brown moves on a continuum of blues and gospel-based forms and styles to a profoundly Africanised approach to music making. Brown performed in concerts, first making his rounds across the "chitlin' circuit", and then across the country and later around the world, along with appearing in shows on television and in movies. Although he contributed much to the music world through his hitmaking, Brown holds the record as the artist who charted the most singles on the Billboard Hot 100 without ever hitting number one on that chart.

1955: The Famous Flames

In 1955, Brown and Bobby Byrd's sister Sarah performed in a group called "The Gospel Starlighters". Eventually, Brown joined Bobby Byrd's vocal group, the Avons, and Byrd turned the group's sound towards secular rhythm and blues. After the group's name was changed to The Flames, Brown and Byrd's group toured the Southern "chitlin' circuit". The group eventually signed a deal with the Cincinnati, Ohio-based label Federal Records, a sister label of King Records. Brown's early recordings were fairly straightforward gospel-inspired R&B; compositions, heavily influenced by the work of contemporary musicians such as Ray Charles, Little Willie John, Clyde McPhatter and Little Richard.

Little Richard's relations with Brown were particularly significant in Brown's development as a musician and showman. Brown once called Richard his idol, and credited Richard's saxophone-studded mid-1950s road band, The Upsetters, with being the first to put the funk in the rock and roll beat. Etta James recalled her first meeting with James Brown, in Macon, Georgia, where Brown had befriended Little Richard. She said Brown "used to carry around an old tattered napkin with him, because Little Richard had written the words, 'please, please, please' on it and James was determined to make a song out of it...". The resulting track "Please, Please, Please" ended up becoming The Flames first R&B; hit in 1956, selling over a million copies. However, nine subsequent singles released by The Flames failed to live up to the success of their debut, and the group was in danger of being dropped by Federal Records. When Little Richard left pop music in October 1957 to become a preacher, Brown filled out Little Richard's remaining tour dates in his place. Further, several former members of Little Richard's backup band joined Brown's group after Richard's exit from the pop music scene. Brown's group returned to the charts, hitting #1 R&B; in February 1959 with "Try Me". This hit record was the best-selling R&B; single of the year, becoming the first of 17 chart-topping R&B; singles by Brown over the next two decades. By the time "Try Me" was released on record, the group's billing was changed to James Brown and The Famous Flames. "The Famous Flames" was a vocal group, not a backing band.

In 1959, Brown and The Famous Flames moved from the Federal Records subsidiary to King Records, the parent label. Brown began to have recurring conflicts with King Records president Syd Nathan over repertoire and other matters. In one notable instance, Brown recorded the 1960 Top Ten R&B; hit "(Do the) Mashed Potatoes" on Dade Records, owned by Henry Stone, under the pseudonym "Nat Kendrick & The Swans" because Nathan refused to allow him to record it for King.

Early and mid-1960s

In 1962, the singer Tammi Terrell came to the attention of James Brown and the seventeen-year-old found herself in Brown's popular Revue becoming one of Brown's first female headliners. In 1963, Terrell recorded for Brown's Try Me Records, releasing the ballad, "I Cried", which gave her some chart success. Terrell and Brown also had a personal relationship, which was hampered by Brown's physical abuse towards her. After a horrific incident backstage after a show, Terrell asked singer Gene Chandler (the "Duke of Earl", who witnessed the incident first hand) to take her to the bus station so she could go home. He later called her mother to come pick her up. This ended Terrell's two-year relationship with Brown. Brown scored on the charts in the early 1960s with recordings such as his 1962 cover of "Night Train". While Brown's early singles were major hits across the southern United States and then regular R&B; Top Ten hits, he and the Famous Flames were not successful nationally until his self-financed live show was captured on the 1963 LP Live at the Apollo. Brown financed the recording of the album himself, and it was released on King Records over the objections of label owner Syd Nathan, who saw no commercial potential in a live album containing no new songs. Defying Nathan's expectations, the album stayed on the pop charts for fourteen months, peaking at #2. In addition, Brown recorded a hit version of the ballad "Prisoner of Love", (his first Top 20 pop hit), in 1963 and founded (under King auspices) the fledgling Try Me Records, Brown's first attempt at running a record label.

Brown followed the success of Live at the Apollo with a string of singles that, along with the work of Allen Toussaint in New Orleans, essentially defined the foundation of Funk music. Driven by the success of Live at the Apollo and the failure of King Records to expand record promotion beyond the "black" market, James Brown and fellow Famous Flame Bobby Byrd formed a production company, Fair Deal, to promote sales of Brown's record releases to white audiences. In this arrangement, Smash Records, a subsidiary of Mercury Records, was used as a vehicle to distribute Brown's music. Smash released his 1964 hit "Out of Sight", which reached #24 on the pop charts and pointed the way to his later funk hits. Its release also triggered a legal battle between Smash and King that resulted in a one year ban on the release of Brown's vocal recordings.

During the mid-1960s, two of Brown's signature tunes "Papa's Got a Brand New Bag" and "I Got You (I Feel Good)", both from 1965, were his first Top 10 pop hits, as well as major #1 R&B; hits, with each remaining the top-selling singles in black venues for over a month. In 1966, Brown's "Papa's Got a Brand New Bag" won the Grammy for Best Rhythm & Blues Recording (an award last given in 1968). Brown's national profile was boosted further that year by appearances in the movie Ski Party and the concert film The T.A.M.I. Show, in which he and The Famous Flames (Bobby Byrd, Bobby Bennett and "Baby Lloyd" Stallworth) upstaged The Rolling Stones. In his concert repertoire and on record, Brown mingled his innovative rhythmic essays with Broadway show tunes and ballads, such as his hit "It's a Man's Man's Man's World" (1966).

Late 1960s

As the 1960s decade neared its end, Brown continued to refine the new funk idiom. Brown's 1967 #1 R&B; hit, "Cold Sweat", sometimes cited as the first true funk song, was the first of his recordings to contain a drum break and the first that featured a harmony that was reduced to a single chord. The instrumental arrangements on tracks such as "Give It Up Or Turnit A Loose" and "Licking Stick-Licking Stick" (both recorded in 1968) and "Funky Drummer" (recorded in 1969) featured a more developed version of Brown's mid-1960s style, with the horn section, guitars, bass and drums meshed together in intricate rhythmic patterns based on multiple interlocking riffs.

Changes in Brown's style that started with "Cold Sweat" also established the musical foundation for Brown's later hits, such as "I Got the Feelin'" (1968) and "Mother Popcorn" (1969). By this time Brown's vocals frequently took the form of a kind of rhythmic declamation, not quite sung but not quite spoken, that only intermittently featured traces of pitch or melody. This would become a major influence on the techniques of rapping, which would come to maturity along with hip hop music in the coming decades.

In November 1967, James Brown purchased radio station WGYW in Knoxville, Tennessee for a reported $75,000, according to the January 20, 1968 Record World magazine. The call letters were changed to WJBE reflecting his initials. WJBE began on January 15, 1968 and broadcast a Rhythm & Blues format. The station slogan was "WJBE 1430 Raw Soul". At the time it was mentioned "Brown has also branched out into real estate and music publishing in recent months".

Brown's recordings influenced musicians across the industry, most notably Sly and his Family Stone, Charles Wright & the Watts 103rd Street Rhythm Band, Booker T. & the M.G.'s and soul shouters like King Curtis, Edwin Starr, Temptations David Ruffin, and Dennis Edwards. A then-prepubescent Michael Jackson took Brown's shouts and dancing into the pop mainstream as the lead singer of Motown's The Jackson 5. Those same tracks were later resurrected by countless hip-hop musicians from the 1970s onward. As a result, James Brown remains to this day the world's most sampled recording artist, with "Funky Drummer" itself becoming the most sampled individual piece of music.

Brown's band during this period employed musicians and arrangers who had come up through the jazz tradition. He was noted for his ability as a bandleader and songwriter to blend the simplicity and drive of R&B; with the rhythmic complexity and precision of jazz. Trumpeter Lewis Hamlin and saxophonist/keyboardist Alfred "Pee Wee" Ellis (the successor to previous bandleader Nat Jones) led the band. Guitarist Jimmy Nolen provided percussive, deceptively simple riffs for each song, and Maceo Parker's prominent saxophone solos provided a focal point for many performances. Other members of Brown's band included stalwart singer and sideman Bobby Byrd, drummers John "Jabo" Starks, Clyde Stubblefield and Melvin Parker (Maceo's brother), saxophonist St. Clair Pinckney, trombonist Fred Wesley, guitarist Alphonso "Country" Kellum and bassist Bernard Odum.

During this period, Brown's music empire also expanded along with his influence on the music scene. As Brown's music empire grew, his desire for financial and artistic independence grew as well. Brown bought radio stations during the late 1960s, including radio station WRDW in Augusta, Georgia where he shined shoes as a boy. Brown also branched out to make several recordings with musicians outside his own band. He recorded Gettin' Down To It (1969) and Soul on Top (1970), two albums consisting mostly of romantic ballads and jazz standards, with the Dee Felice Trio and the Louie Bellson Orchestra respectively. He recorded a number of tracks with the Dapps, a white Cincinnati bar band, including the hit "I Can't Stand Myself (When You Touch Me)". He also released three albums of Christmas music with his own band.

1970s and the J.B.'s

By 1970, most members of James Brown's classic 1960s band had quit his act for other opportunities, and The Famous Flames singing group had disbanded, with original member Bobby Byrd the only one remaining with Brown. Brown and Byrd employed a new band that included future funk greats, such as bassist Bootsy Collins, Collins' guitarist brother Phelps "Catfish" Collins and trombonist and musical director Fred Wesley. This new backing band was dubbed "The J.B.'s", and the band made its debut on Brown's 1970 single "Get Up (I Feel Like Being A) Sex Machine". Although The J.B.'s went through several lineup changes, with the first change occurring in 1971, the band remained Brown's most familiar backing band.

In 1971, Brown began recording for Polydor Records which also took over distribution of Brown's King Records catalog. Many of his sidemen and supporting players, such as Fred Wesley & The J.B.'s, Bobby Byrd, Lyn Collins, Vicki Anderson and Hank Ballard, released records on the People label, an imprint founded by Brown that was purchased by Polydor as part of Brown's new contract. The recordings on the People label, almost all of which were produced by Brown himself, exemplified his "house style". Songs such as "I Know You Got Soul" by Bobby Byrd, "Think (About It)" by Lyn Collins and "Doing It to Death" by Fred Wesley & The J.B.'s are considered as much a part of Brown's recorded legacy as the recordings released under his own name.

In 1972, James Brown, when asked, openly proclaimed his support of Richard Nixon against the Democrat, George McGovern, and a nationwide boycott called by Black Democratic leaders damaged his status as the most successful Black entrepreneur in the country. Still, his popularity buoyed up his financial fortunes after a brief downturn, and he went on with his career, undaunted.

In 1973, Brown provided the score for the blaxploitation film Black Caesar. In 1974, he toured Africa and performed in Zaire as part of the buildup to the Rumble in the Jungle fight between Muhammad Ali and George Foreman. Admirers of Brown's music, including Miles Davis and other jazz musicians, began to cite Brown as a major influence on their own styles. However, Brown, like others who were influenced by his music, also "borrowed" from other musicians. His 1976 single "Hot (I Need To Be Loved, Loved, Loved, Loved)" (R&B; #31) used the main riff from "Fame" by David Bowie, not the other way around as was often believed. The riff was provided to "Fame" co-writers John Lennon and Bowie by guitarist Carlos Alomar, who had briefly been a member of Brown's band in the late 1960s.

Brown's Polydor recordings during the 1970s exemplified his innovations from the previous twenty years. Compositions such as "The Payback" (1973), "Papa Don't Take No Mess", "Stoned to the Bone", and "Funky President (People It's Bad)" (1974), and "Get Up Offa That Thing" (1976) were among his most noted recordings during this time.

Late 1970s and 1980s

By the mid-1970s, Brown's star-status was on the wane, and key musicians in his band such as Fred Wesley and Bootsy left to join Parliament-Funkadelic, the collective conducted by George Clinton. The onslaught of the slickly commercial style of disco caught Brown off guard, as it superseded his raw style of funk music on the dance floor. His 1976 albums Get Up Offa That Thing and Bodyheat were Brown's first flirtations with disco rhythms and its slicker production techniques. While the albums Mutha's Nature (1977) and Jam 1980s (1978) did not generate chart hits, Brown's 1979 LP The Original Disco Man was a notable late addition to his oeuvre. This album featured the song "It's Too Funky in Here", which was his last top R&B; hit of the decade. Like the rest of the songs on The Original Disco Man, "It's Too Funky in Here" was not produced by Brown himself, but produced instead by Brad Shapiro.

Brown's contract with Polydor expired in 1981, and his recording and touring schedule was somewhat reduced. Despite these events, Brown experienced something of a resurgence during the 1980s, effectively crossing over to a broader, more mainstream audience. He appeared in the feature films The Blues Brothers, Doctor Detroit and Rocky IV, as well as guest starring in the Miami Vice episode "Missing Hours" (1988). He also recorded Gravity, a modestly popular crossover album released on his new host label Scotti Bros., and the 1986 top 10 hit single "Living in America" (written by Dan Hartman), which was featured prominently in the Rocky IV film and soundtrack. Brown performed the song in the film at Apollo Creed's final fight, shot in the Ziegfeld Room at the MGM Grand in Las Vegas and was credited as "The Godfather of Soul." In 1987, Brown won the Grammy for Best Male R&B; Vocal Performance for "Living in America." Acknowledging his influence on modern hip-hop and R&B; music, Brown collaborated with hip-hop artist Afrika Bambaataa on the single "Unity."

In 1988, Brown worked with the production team Full Force on the hip-hop influenced album I'm Real, which spawned a #5 R&B; hit single, "Static". Meanwhile, the drum break from the second version of the original 1969 hit "Give It Up Or Turnit A Loose" (the recording included on the compilation album In the Jungle Groove) became so popular at hip hop dance parties (especially for breakdance) during the late 1970s and early 1980s that hip hop founding father Kurtis Blow called the song "the national anthem of hip hop".

1990s to the 2000s

After a stint in prison during the late 1980s, Brown released the album Love Overdue, with the new single "Move On". Brown also released the 1991 four-CD box set Star Time, which included music spanning his four-decade career at that time. Nearly all of his earlier LPs were re-released on CD, often with additional tracks and commentary by experts on Brown's music. In 1991, Brown appeared in MC Hammer's video "Too Legit to Quit" (or "2 Legit 2 Quit"), someone Hammer idolized. In 1993, James Brown released the album Universal James, which spawned the singles "Can't Get Any Harder", "How Long" and "Georgia-Lina". In 1995, the live album Live at the Apollo 1995 was released, featuring the new studio track "Respect Me", which was released as a single that same year. Brown followed up this single with the megamix "Hooked on Brown" that was released as a single in 1996. Brown's later LP releases during this time included the 1998 studio album I'm Back that featured the single "Funk on ah Roll", and the 2002 album The Next Step that featured the single "Killing is Out, School is In," both produced and co-written by Derrick Monk. Brown participated in the PBS American Masters television documentary James Brown: Soul Survivor, which was directed by Jeremy Marre.

Although Brown had various run-ins with the law, he continued to perform and record regularly, and he also made appearances in television shows and films, such as Blues Brothers 2000, and sporting events, such as his 2000 appearance at the World Championship Wrestling pay-per-view event SuperBrawl X. In Brown's appearance at the SuperBrawl X event, he danced alongside wrestler Ernest "The Cat" Miller, whose character was based on Brown, during his in ring skit with The Maestro. Brown was featured in Tony Scott's 2001 short film, Beat the Devil, alongside Clive Owen, Gary Oldman, Danny Trejo and Marilyn Manson. Brown also made a cameo appearance in the 2002 Jackie Chan film The Tuxedo, in which Chan was required to finish Brown's act after Brown was accidentally knocked out by Chan. In 2002, Brown appeared in Undercover Brother, playing the role as himself.

Brown appeared at Edinburgh 50,000 - The Final Push, the final Live 8 concert on July 6, 2005, where he performed a duet with British pop star Will Young on "Papa's Got A Brand New Bag". He also performed a duet with another British pop star, Joss Stone, a week earlier on the United Kingdom chat show Friday Night with Jonathan Ross. Before his death, Brown was scheduled to perform a duet with singer Annie Lennox on the song "Vengeance" for her new album Venus, scheduled for release in early 2007. In 2006, Brown continued his "Seven Decades Of Funk World Tour", his last concert tour where he performed all over the world. His final U.S. performance was in San Francisco on August 20, 2006, as headliner at the Festival of the Golden Gate (Foggfest) on the Great Meadow at Fort Mason. His last shows were greeted with positive reviews, and one of his final concert appearances at the Irish Oxegen festival in Punchestown in 2006 was performed for a record crowd of 80,000 people. Brown's last televised appearance was at his induction into the UK Music Hall of Fame in November 2006, before his death the following month.

James Brown Revue

For many years, Brown's touring show was one of the most extravagant productions in American popular music. At the time of Brown's death, his band included three guitarists, two bass guitar players, two drummers, three horns and a percussionist. The bands that he maintained during the late 1960s and 1970s were of comparable size, and the bands also included a three-piece amplified string section that played during ballads. Brown employed between 40 and 50 people for the James Brown Revue, and members of the revue traveled with him in a bus to cities and towns all over the country, performing upwards of 330 shows a year with almost all of the shows as one-nighters.

Concert introduction

Before James Brown appeared on stage, his personal MC gave him an elaborate introduction accompanied by drumrolls, as the MC worked in Brown's various sobriquets along with the names of many of his hit songs. The introduction by Fats Gonder, captured on Brown's 1963 album Live at the Apollo album, is a representative example:

So now ladies and gentlemen it is star time, are you ready for star time? Thank you and thank you very kindly. It is indeed a great pleasure to present to you at this particular time, national and international[ly] known as the hardest working man in show business, the man that sings "I'll Go Crazy" ... "Try Me" ... "You've Got the Power" ... "Think" ... "If You Want Me" ... "I Don't Mind" ... "Bewildered" ...the million dollar seller, "Lost Someone" ... the very latest release, "Night Train" ... let's everybody "Shout and Shimmy" ... Mr. Dynamite, the amazing Mr. Please Please himself, the star of the show, James Brown and The Famous Flames!!

Among the MCs who worked with Brown and his revue through the years, Brown's most famous MC was Danny Ray, who appeared on stage with him for over 30 years.

Concert repertoire and format

James Brown's performances were famous for their intensity and length. His own stated goal was to "give people more than what they came for — make them tired, 'cause that's what they came for.'" Brown's concert repertoire consisted mostly of his own hits and recent songs, with a few R&B; covers mixed in. Brown danced vigorously as he sang, working popular dance steps such as the Mashed Potato into his routine along with dramatic leaps, splits and slides. In addition, his horn players and backup singers (The Famous Flames) typically performed choreographed dance routines, and later incarnations of the Revue included backup dancers. Male performers in the Revue were required to wear tuxedoes and cummerbunds long after more casual concert wear became the norm among the younger musical acts. Brown's own extravagant outfits and his elaborate processed hairdo completed the visual impression.

A James Brown concert typically included a performance by a featured vocalist, such as Vicki Anderson or Marva Whitney, and an instrumental feature for the band, which sometimes served as the opening act for the show. Although Brown released many live albums, Say It Live & Loud: Live in Dallas 08.26.68, released by Polydor in 1998, was one of only a few audio recordings that captured a performance of the James Brown Revue from beginning to end.

Cape routine

A trademark feature of Brown's stage shows, usually during the song "Please, Please, Please", involved Brown dropping to his knees while clutching the microphone stand in his hands, prompting the show's longtime MC, Danny Ray, to come out, drape a cape over Brown's shoulders and escort him off the stage after he had worked himself to exhaustion during his performance. As Brown was escorted off the stage by the MC, Brown's vocal group, The Famous Flames, continued singing the background vocals "Please, please don't go-oh-oh". Brown would then shake off the cape and stagger back to the microphone to perform an encore. Brown's routine was inspired by a similar one used by the professional wrestler Gorgeous George.

Brown performs a version of the cape routine over the closing credits of the film Blues Brothers 2000.

As band leader

Brown demanded extreme discipline, perfection and precision from his musicians and dancers — right down to when performers in his Revue showed up for rehearsals all the way to whether members wore the right "uniform" or "costume" for concert performances. During an interview conducted by Terri Gross during the NPR segment "Fresh Air" with Maceo Parker, a former saxophonist in Brown's band for most of the 1960s and part of the 1970s and 1980s, Parker offered his experience with the discipline that Brown demanded of the band:

Brown also had a practice of directing, correcting and assessing fines on members of his band who broke his rules, such as wearing unshined shoes, dancing out of sync or showing up late on stage. During some of his concert performances, Brown danced in front of his band with his back to the audience as he slid across the floor, flashing hand signals and splaying his pulsating fingers to the beat of the music. Although audiences thought Brown's dance routine was part of his act, this practice was actually his way of pointing to the offending member of his troupe who played or sang the wrong note or committed some other infraction. Brown used his splayed fingers and hand signals to alert the offending person of the fine that person must pay to him for breaking his rules.

Social activism

Civil unrest and self-empowerment

During the late 1960s and early 1970s, James Brown was renowned for his social activism. In 1966, he released the single "Don't Be a Drop-Out" as a lesson to young students who had thoughts of dropping out. He later made public speeches in front of dozens of children and advocated the importance of education in school. In 1967, he issued a patriotic single, "America is My Home", which was a "rap" about how he felt people, particularly in the African-American community, were neglecting the country that he said "could give (them) opportunities" explaining how at one time he was shining shoes and the next, he was greeting the President of the United States as he did when President Lyndon B. Johnson thanked him for donating money to school drop-out prevention programs.

In 1968 after the assassination of Martin Luther King, Jr., Brown released "Say It Loud – I'm Black and I'm Proud" following pressure from fans to take a stance on the civil rights movement, an issue he had avoided up until this point. It became an anthem of the civil rights movement. Brown later said of it in his 1986 autobiography “The song is obsolete now... But it was necessary to teach pride then, and I think the song did a lot of good for a lot of people... People called "Black and Proud" militant and angry - maybe because of the line about dying on your feet instead of living on your knees. But really, if you listen to it, it sounds like a children's song. That's why I had children in it, so children who heard it could grow up feeling pride... The song cost me a lot of my crossover audience. The racial makeup at my concerts was mostly black after that. I don't regret it, though, even if it was misunderstood.”

He performed in front of a televised audience in Boston the day after Dr. King's death. Brown is often given credit for preventing rioting with the performance. Mayor Kevin White strongly restrained the Boston Police from cracking down on minor violence and protests after the assassination, and Boston religious and community leaders worked to keep tempers from flaring. Also, White arranged to have the Brown performance broadcast multiple times on Boston's public television station, WGBH, thus keeping many potential rioters off the streets, watching the concert for free. Brown demanded $60,000 for "gate" fees (money he thought would be lost from ticket sales on account of the concert being broadcast for free), and then threatened to go public about the secret arrangement when the city balked at paying up after the concert, news of which would have been a political death-blow to White, and possibly sparked riots on its own. White successfully lobbied the behind-the-scenes power-brokering group known as "The Vault" to come up with money for Brown's gate fee and other social programs; The Vault contributed $100,000 to such programs, and Brown received $15,000 from them via the city. White persuaded management at the Boston Garden to give up their share of receipts to make up the difference. The story is documented in the PBS film "The Night James Brown Saved Boston".

Afterwards, President Johnson urged Brown to visit Washington, D.C. to greet inner-city residents there performing at a benefit concert there and expressed the notion that violence "wasn't the way to go". Many in the black community felt that Brown was speaking out to them more than some major leaders in the country, a sentiment that was strengthened with the release of his groundbreaking landmark single, "Say It Loud – I'm Black and I'm Proud".

Brown continued performing benefit concerts for various civil rights organizations including Jesse Jackson's PUSH and The Black Panther Party's Breakfast program throughout the early-1970s. Brown also continued to release socially conscious singles such as "I Don't Want Nobody To Give Me Nothing (Open Up the Door, I'll Get It Myself)" (1969), "Get Up, Get Into It, Get Involved" (1971), "Talking Loud and Saying Nothing" (1972), "King Heroin" (1972), "Funky President (People It's Bad)" (1974) and "Reality" (1975). The week before his death, Brown took time to give Christmas presents to an orphanage in Atlanta.

Personal life

At the end of his life, James Brown lived in a riverfront home in Beech Island, South Carolina, directly across the Savannah River from Augusta, Georgia. James Brown was diagnosed with diabetes at a very early stage of his life. Brown was once diagnosed with prostate cancer, which was successfully treated with surgery. Regardless of his health, Brown maintained his reputation as the "hardest working man in show business" by keeping up with his grueling performance schedule. However, James Brown led as colorful a life on stage with his performances, as he had off stage with his troubles with the law and his last marriage in particular.

Marriages and children

Brown was married three times — Velma Warren (1953–1969, divorced), Deidre "Deedee" Jenkins (22 October 1970–10 January 1981, divorced) and Adrienne Lois Rodriguez (born 9 March 1950) (1984–1996, wife's death). He also had a relationship with Tomi Rae Hynie (2001–2004). From these and other relationships, James Brown had five sons — Teddy Brown (1954–1973), Terry Brown, and Larry Brown, Daryl Brown (a member of Brown's backing band) and James Joseph Brown II, in addition to four daughters — Lisa Brown, Dr. Yamma Noyola Brown Lumar, Deanna Brown Thomas and Venisha Brown. Brown also had eight grandchildren and four great-grandchildren. Brown's eldest son, Teddy, died in a car crash on 14 June 1973. According to a 22 August 2007 article published in the British newspaper The Daily Telegraph, DNA tests indicate that Brown also fathered at least three illegitimate children. The only one of them who has been identified is LaRhonda Pettit (born 1962), a retired air stewardess and teacher who lives in Houston.

JB Skate Culture

There is a rollerskating art form called JB created and dedicated to James Brown in Chicago, Illinois. It is a culture that has grown over three decades that has a distinct style that is recognized by specific moves, tempo, and attitude. The music is created by local Chicago musical producers who personally love James Brown and his music, many of them roller skate themselves. The music starts with taking samples of original James Brown songs and then the producer puts his or her creative spin on it.

Brown-Hynie marriage controversy

Much controversy surrounds Tomi Rae Hynie's marriage to James Brown on December 23, 2002, officiated by Rev. Larry Fryer. Brown's longtime attorney, Albert "Buddy" Dallas, reported that the marriage between Brown and Hynie was not valid because Hynie was married at that time to Javed Ahmed, a Bangladeshi whom Hynie claimed married her for a Green Card in an immigration fraud. Although Hynie stated that her marriage to Javed Ahmed was later annulled, this annulment did not occur until April 2004. In an interview on CNN with Larry King, Hynie produced a 2001 marriage certificate as proof of her marriage to James Brown, but she did not provide King with court records pointing to an annulment of her marriage to him or to Ahmed.

According to Dallas, Brown was angry and hurt that Hynie concealed her prior marriage from him, and that Brown moved to file for annulment from Hynie. Dallas added that, although Hynie's marriage to Javed Ahmed was annulled after she married James Brown, the Brown-Hynie marriage was not valid under South Carolina law because Brown and Hynie did not remarry after the annulment. In August 2003, Brown took out a full-page public notice in Variety Magazine featuring Hynie, James II and himself on vacation at Disney World to announce that he and Hynie were going their separate ways.

Paternity of James Brown II

In a separate CNN interview, Debra Opri, another Brown family attorney, revealed to Larry King that Brown wanted a DNA test performed after his death to confirm the paternity of James Brown II — not for Brown's sake, but for the sake of the other family members. In April 2007, Hynie selected a guardian ad litem whom she wants appointed by the court to represent her son, James Brown II, in the paternity proceedings.

Legal issues

Brown's personal life was marred by several brushes with the law:

At the age of 16, he was arrested for theft and served 3 years in prison.

In 1988, Brown was arrested following an alleged high-speed car chase on Interstate 20 along the Georgia-South Carolina state border. He was convicted of carrying an unlicensed pistol and assaulting a police officer, along with various drug-related and driving offenses. Although he was sentenced to six years in prison, he was eventually released in 1991 after serving only three years of his sentence. Brown's FBI file, released to The Washington Post in 2007 under the Freedom of Information Act, related Brown's claim that the high-speed chase did not occur as claimed by the police, and that local police shot at his car several times during an incident of police harassment and assaulted him after his arrest. Local authorities found no merit to Brown's accusations.

In another incident, the police were summoned to Brown's residence on July 3, 2000 after he was accused of charging an electric company repairman with a steak knife when the repairman visited Brown's house to investigate a complaint about having no lights at the residence.

In 2003, Brown was pardoned by the South Carolina Department of Probation, Parole, and Pardon Services for past crimes that he was convicted of committing in South Carolina.

During the 1990s and 2000s, Brown was repeatedly arrested for domestic violence:

Adrienne Rodriguez, his third wife, had him arrested four times between the mid-1980s and mid-1990s on charges of assault.

In January 2004, Brown was arrested in South Carolina on a domestic violence charge after Tomi Rae Hynie accused him of pushing her to the floor during an argument at their home, where she suffered scratches and bruises to her right arm and hip. Later that year in June 2004, Brown pleaded no contest to the domestic violence incident, but served no jail time. Instead, Brown was required to forfeit a US$1,087 bond as punishment.

In January 2005, a woman named Jacque Hollander filed a lawsuit against James Brown, which stemmed from an alleged 1988 forcible rape. When the case was initially heard before a judge in 2002, Hollander's claims against Brown were dismissed by the court as the limitations period for filing the suit had expired. Hollander claimed that stress from the alleged assault later caused her to contract Graves' Disease, a thyroid condition. Hollander claimed that the incident took place in South Carolina while she was employed by Brown as a publicist. Hollander alleged that, during her ride in a van with Brown, Brown pulled over to the side of the road and sexually assaulted her while he threatened her with a shotgun. In her case against Brown, Hollander entered as evidence a DNA sample and a polygraph result, but the evidence was not considered due to the limitations defense. Hollander later attempted to bring her case before the Supreme Court but nothing became of her complaint.

Death and aftermath

Death

On December 23, 2006, James Brown, in ill health, showed up at his dentist's office in Atlanta, Georgia several hours later than his appointment for dental implant work. During that visit, Brown's dentist observed that Brown looked "very bad ... weak and dazed." Instead of performing the dental work, the dentist advised Brown to see a doctor right away about his medical condition.

Brown checked in at the Emory Crawford Long Memorial Hospital in Atlanta, Georgia on December 24, 2006 for a medical evaluation of his condition, and he was admitted to the hospital for observation and treatment. According to Charles Bobbit, Brown's longtime personal manager and friend, Brown had been sick and suffering with a noisy cough since he returned from a November trip to Europe. Bobbit also added that it was characteristic of Brown to never tell or complain to anyone that he was sick, and that Brown frequently performed during illness. Although Brown had to cancel upcoming shows in Waterbury, Connecticut and Englewood, New Jersey, Brown was confident that the doctor would discharge him from the hospital in time to perform the New Year's Eve shows.

For the New Year's celebrations, Brown was scheduled to perform at the Count Basie Theatre in New Jersey and at the B. B. King Blues Club in New York, in addition to performing a song live on CNN for the Anderson Cooper New Year's Eve special. However, Brown remained hospitalized, and his medical condition worsened throughout that day.

On December 25, 2006, Brown died at approximately 1:45 AM EST (06:45 UTC) from congestive heart failure resulting from complications of pneumonia, with his agent Frank Copsidas and his friend Paul Sargent at his bedside. According to Sargent, Brown stuttered "I'm going away tonight", and then Brown took three long, quiet breaths and fell asleep before dying.

Memorial services

After Brown's death on Christmas day, Brown's relatives and friends, a host of celebrities and thousands of fans attended public memorial services at the Apollo Theater in New York on December 28, 2006 and at the James Brown Arena on December 30, 2006 in Augusta, Georgia. A separate, private memorial service was also held in North Augusta, South Carolina on December 29, 2006, which was attended by Brown's family and close friends. Celebrities who attended Brown's public and/or private memorial services included Michael Jackson, Jimmy Cliff, Joe Frazier, Buddy Guy, Ice Cube, Ludacris, Dr. Dre, Little Richard, Dick Gregory, MC Hammer, Prince, Jesse Jackson, Ice-T, Jerry Lee Lewis, Bootsy Collins, LL Cool J, Lil Wayne, Lenny Kravitz, 50 Cent, Stevie Wonder, and Don King, among others. All of the public and private memorial services were officiated by Rev. Al Sharpton.

Brown's public and private memorial ceremonies were elaborate, complete with costume changes for Brown and videos featuring him in concert performances. Brown's body, which was placed in a Promethean casket, which is bronze polished to a golden shine, was driven through the streets of New York to the Apollo Theater in a white, glass-encased horse-drawn carriage. In Augusta, Georgia, the procession for Brown's public memorial visited Brown's statue as the procession made its way to the James Brown Arena. During the public memorial at the James Brown Arena, nachos and pretzels were served to mourners, as a video showed Brown's last performance in Augusta, Georgia and the Ray Charles version of "Georgia On My Mind" played soulfully in the background. Brown's last backup band, The Soul Generals, also played the music of Brown's hits during the memorial service at the James Brown Arena. The group was joined by Bootsy Collins on bass, with MC Hammer performing a dance in James Brown style. Former Temptations lead singer Ali-Ollie Woodson performed "Walk Around Heaven All Day" at the memorial services.

Last will and testament

James Brown signed his last will and testament on August 1, 2000, before Strom Thurmond, Jr., an attorney for Brown's estate. The irrevocable trust, separate and apart from Brown's will, was created on Brown's behalf in 2000 by his attorney, Albert "Buddy" Dallas, who was named as one of three personal representatives of Brown's estate. Brown's will covered the disposition of his personal assets, such as clothing, cars and jewelry, while Brown's irrevocable trust covered the disposition of music rights, business assets of James Brown Enterprises and Brown's Beech Island estate in South Carolina.

During the reading of Brown's will on January 11, 2007, Thurmond revealed that Brown's six adult living children (Terry Brown, Larry Brown, Daryl Brown, Yamma Brown Lumar, Deanna Brown Thomas and Venisha Brown) were named in the will. Hynie and James II were not mentioned in the will as parties who could inherit Brown's property. Brown's will was signed ten months before James II was born and more than a year before Brown's marriage to Tomi Rae Hynie. Like Brown's will, his irrevocable trust also did not mention Hynie and James II as recipients of Brown's property. The irrevocable trust was established before, and had not been amended since, the birth of James II.

On January 24, 2007, Brown's children filed a lawsuit against the personal representatives of Brown's estate. In their petition, Brown's children asked the court to remove the personal representatives of Brown's estate (including Brown's attorney and estate's trustee, Albert "Buddy" Dallas) and appoint a special administrator because of perceived impropriety and alleged mismanagement of Brown's assets. To challenge the validity of the will and irrevocable trust, Hynie also filed a lawsuit against Brown's estate on January 31, 2007. In her lawsuit against Brown's estate, Hynie asked the court to recognize her as Brown's widow, and she also asked the court to appoint a special administrator for the estate.

Burial at temporary site

After the public and private memorial services in late December 2006, James Brown's body remained in his casket for a time in a temperature-controlled room at his estate. Brown's casket was later moved to an undisclosed location, while his children and Tomi Rae Hynie became embroiled in disputes about Brown's final resting place and matters related to probating his will. More than ten weeks after Brown's death and the public and private memorial services, Brown's children and Hynie decided on a temporary burial site for James Brown. Brown was buried on March 10, 2007 in a crypt at the home of Deanna Brown Thomas, one of Brown's daughters who also held a private ceremony for the temporary burial. The private ceremony for the temporary burial, officiated by Al Sharpton, was attended by Brown's family and a host of friends.

According to Brown's family, Brown's body will remain buried at the temporary site while a public mausoleum is built for him and a decision has been made for Brown's final resting place. To turn Brown's estate into a visitor attraction, Brown's family plans to consult with the family of Elvis Presley for guidance about converting the estate into an attraction similar to Graceland.

Dallas, Brown's long time attorney and one of the trustees for Brown's estate, did not attend the private service for the temporary burial. He expressed his disapproval and disappointment with the temporary burial arrangement with the comment "Mr. Brown's not deserving of anyone's backyard." According to Dallas, the trustees for Brown's estate "had made arrangements for Brown to be laid to rest at no cost at a 'very prominent memorial garden in Augusta.'"

Honors, awards and dedications

James Brown received a variety of awards and honors throughout his lifetime and after his death. At one city, fans voted to honor Brown by naming a bridge after the entertainer. In 1993, the City Council of Steamboat Springs, Colorado conducted a poll of its residents to choose a new name for the bridge that crossed the Yampa River on Shield Drive. The winning name with 7,717 votes was "James Brown SoulCenter of the Universe Bridge". The bridge was officially dedicated in September 1993, and James Brown appeared at the ribbon-cutting ceremony for the event. Although a petition was started by a local group of ranchers to return the name of the bridge to "Stockbridge" for historical reasons, the ranchers backed off after citizens defeated their efforts because of the popularity of Brown's name. Brown returned to Steamboat Springs, Colorado on July 4, 2002 for an outdoor music festival, performing with other bands such as The String Cheese Incident.

During his long career, James Brown received several prestigious music industry awards and honors. In 1983, Brown was inducted into the Georgia Music Hall of Fame. In addition, Brown was named as one of the first inductees into the Rock and Roll Hall of Fame at its inaugural induction dinner in New York on January 23, 1986. However, the members of his original vocal group, The Famous Flames, Bobby Byrd, Johnny Terry, Bobby Bennett, and Lloyd Stallworth, were not. On February 25, 1992, Brown was awarded a Lifetime Achievement Award at the 34th annual Grammy Awards. Exactly a year later, he received a Lifetime Achievement Award at the 4th annual Rhythm & Blues Foundation Pioneer Awards. A ceremony was held for Brown on January 10, 1997 to honor him with a star on the Hollywood Walk of Fame.

On June 15, 2000, Brown was honored as an inductee for the New York Songwriters Hall of Fame. On August 6, 2002, James Brown was honored as the first BMI Urban Icon at the BMI Urban Awards. His BMI accolades include an impressive ten R&B; Awards and six Pop Awards. On November 14, 2006, Brown was inducted into the UK Music Hall of Fame, and he was one of several inductees who performed at the ceremony. In recognition of his accomplishments as an entertainer, Brown was a recipient of Kennedy Center Honors on December 7, 2003. In 2004, Rolling Stone magazine ranked James Brown as #7 on its list of the 100 Greatest Artists of All Time. In an article for Rolling Stone, critic Robert Christgau cited Brown as "the greatest musician of the rock era".

Brown was also honored in his hometown of Augusta, Georgia for his philanthropy and civic activities. On November 20, 1993, Mayor Charles DeVaney of Augusta held a ceremony to dedicate a section of 9th Street between Broad and Twiggs Streets, renamed "James Brown Boulevard", in the entertainer's honor. On May 6, 2005, as a 72nd birthday present for Brown, the city of Augusta unveiled a life-sized bronze James Brown statue on Broad Street. The statue was to have been dedicated a year earlier, but the ceremony was put on hold because of a domestic abuse charge that Brown faced at the time. In 2005, Charles "Champ" Walker and the We Feel Good Committee went before the County commission and received apporoval to change Augusta's slogan to "We Feel Good". Afterwards, Official renamed the city's civic center the James Brown Arena, and James Brown attended a ceremony for the unveiling of the namesake center on October 15, 2006.

On December 30, 2006, during the public memorial service at the James Brown Arena, Dr. Shirley A.R. Lewis, president of Paine College, a historically black college in Augusta, Georgia, bestowed posthumously upon Brown an honorary doctorate in recognition and honor of his many contributions to the school in its times of need. Brown was scheduled originally to receive the honorary doctorate from Paine College during its May 2007 commencement.

During the 49th Annual Grammy Awards presentation held on February 11, 2007, James Brown's famous cape was draped over a microphone at the end of a montage by Danny Ray (his M.C. for over 30 years), in honor of notable persons in the music industry, including Brown, who died during the previous year. Earlier that evening, Christina Aguilera delivered an impassioned performance of one of Brown's hits, "It's a Man's Man's Man's World" followed by a standing ovation, while Chris Brown performed a dance routine in honor of James Brown.

Tributes

As a tribute to James Brown, the Rolling Stones covered the song, "I'll Go Crazy" from Brown's Live at the Apollo album, during its 2007 European tour. On September 12, 2007, barely nine months after James Brown's death, Bobby Byrd, the original leader and founder of The Famous Flames vocal group along with Brown, died of cancer at 73 years old. Jimmy Page has remarked, "He [James Brown] was almost a musical genre in his own right and he changed and moved forward the whole time so people were able to learn from him."

On December 22, 2007, the first annual "Tribute Fit For the King of King Records" in honor of James Brown was held at the Madison Theater in Covington, Kentucky. The tribute, organized by Bootsy Collins, featured appearances by Afrika Bambaataa, Chuck D of Public Enemy, The Soul Generals, Buckethead, Freekbass, Triage and many of Brown's surviving family members. Comedian Michael Coyer was the MC for the event. During the show, the mayor of Cincinnati proclaimed December 22 as James Brown Day. It has been said that a biopic is in the works about Brown; Spike Lee has signed on to direct, with Brian Grazer producing and Jez and John-Henry Butterworth writing the script. Usher and Fergie are interested in being in the project.

In 2008, Aaron Smith (aka Shwayze), an American rapper, titled the 8th track of his self-titled album "James Brown is Dead" as a tribute to the Godfather of Soul.

Discography

Notable albums

Four of James Brown's albums appeared on the Rolling Stone Magazine's 2003 list of the 500 greatest albums of all time:

Live at the Apollo (1963) (#24)

In the Jungle Groove (1986) (#330)

Star Time (1991) (#79)

20 All-Time Greatest Hits! (1991) (#414)

In addition, Brown's 1970 double album Sex Machine was ranked 96th in a 2005 survey held by British television station Channel 4 to determine the 100 greatest albums of all time. Other notable albums, originally released as double LP records, feature extensive playing by The J.B.'s and served as prolific sources of samples for later musical artists, including:

Get On the Good Foot (1972)

The Payback (1974)

Hell (1974)

The 1968 Live at the Apollo, Vol. II double LP album was notably influential on musicians at the time of its release. This classic album remains an example of Brown's energetic live performances and audience interaction, as well as providing a means of documenting the metamorphosis of his music from the R&B; and soul styles into hard funk.

Notable singles

Until the early 1970s, Brown was famous mostly for his road show and singles, rather than his albums (with his live LPs as a major exception). Six of his hit singles appeared on the Rolling Stone Magazine's 2004 list of the 500 greatest songs of all time:

"Papa's Got a Brand New Bag" (1965) (#72)

"I Got You (I Feel Good)" (1965) (#78)

"It's a Man's Man's Man's World" (1966) (#123)

"Please, Please, Please" (1956) (#142)

"Say It Loud - I'm Black and I'm Proud" (1968) (#305)

"Get Up (I Feel Like Being a) Sex Machine" (1970) (#326)

Complete singles reissue

In 2006, Hip-O Select Records began a multi-volume reissue of James Brown's complete singles (both A-sides and B-sides) on CD. As of March 2011, ten volumes have been released, covering the periods 1956–1960, 1960–1963, 1964–1965, 1966–1967, 1967–1969, 1969–1970, 1970–1972, 1972–1973, 1973–1975 and 1975-1979. The liner notes included in the CD release of Volume Ten indicate that an eleventh volume is in the works.

Filmography

The T.A.M.I. Show (1964) (documentary)

Ski Party (1965)

The Phynx (1970)

Black Caesar (1973) (soundtrack only)

Slaughter's Big Ripoff (1974) (soundtrack only)

The Blues Brothers (1980)

Doctor Detroit (1983)

Rocky IV (1985)

When We Were Kings (1996) (documentary)

Soulmates (1997)

Blues Brothers 2000 (1998)

portrayed by Carlton Smith in Liberty Heights (1999)

Holy Man (1998)

Undercover Brother (2002)

The Tuxedo (2002)

The Hire: Beat The Devil (2002) (short film)

Paper Chasers (2003) (documentary)

Sid Bernstein Presents... (2005) (documentary)

Glastonbury (2006) (documentary)

Life on the Road with Mr. and Mrs. Brown (2007) (documentary; release pending)

I Got The Feelin': James Brown in the '60s (three-DVD set featuring the film The Night James Brown Saved Boston, Live at the Boston Garden 1968 and Live at the Apollo '68

Soul Power (2009) (documentary)

In other media

Games

In the video game World of Warcraft, Bronjahm (the first boss character in the "Forge of Souls" level) contributes music to the game, refers to himself as "the Godfather of Souls", and accompanies each new music cue with a James Brown reference.

In The Godfather 2 video game, Brown's "It's a Man's Man's Man's World" plays behind the end credits.

A different version of "I Got You (I Feel Good)", recorded in 1974, is playable in the rhythm video game Rock Band 3. In addition, "Get Up (I Feel Like Being a) Sex Machine (Pt. 1)" is available for download across the series, while "Super Bad (Pts. 1 & 2)" was released later, only for the third game.

References

; Footnotes

; Other references

Sussman, M. (producer). (2006, December 25). Arts: Soul classics by James Brown (multimedia presentation). The New York Times. Retrieved January 9, 2007.

Slide show: James Brown through the years. (2006, December 25). The New York Times. Retrieved January 9, 2007.

Lethem, J. (2006, June 12). Being James Brown. Rolling Stone Magazine. Retrieved January 14, 2007.

Rolling Stone Magazine audio interview with Jonathan Lethem about James Brown and his music. Rolling Stone Magazine. Retrieved January 9, 2007.

External links

Profile of James Brown at Soul Evolution

The Times Obituary for James Brown

James Brown, 1933-2006. News and multimedia archive from The Augusta Chronicle

James Brown's Musicians Reflect On His Legacy – article from Down Beat Magazine

Biography: James Brown and the Black Arts movement of the 60s and 70s (biography at Funky-Stuff.com).

James Brown biography and concert review in cosmopolis.ch

RBMA Radio On Demand – Across 135th Street – Volume 7 – Tribute to James Brown - Chairman Mao (RBMA, Egotrip)

1980 Interview with James Brown and the Rev. Al Sharpton by Jon Alpert on Democracy Now

James Brown concert and interviews on NPR Music

James Brown radiostream

James Brown funeral program Digital Library of Georgia

The James Brown SuperFan Club

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