Alvin Sargent (born April 12, 1927) is an American screenwriter. He has won two Academy Awards for his screenplays (1978 and 1981) and has been involved in the writing of all movies to date in the Spider-Man film series.

Life and career[link]

Sargent was born in Philadelphia, Pennsylvania. He graduated from Upper Darby High School in 1945. As of 2006, he is one of 35 alumni to be on the school's Wall of Fame.

Sargent began writing for television in 1953 and through the 1960s he scripted episodes for Route 66, Ben Casey and The Alfred Hitchcock Hour. He collaborated on his first screenplay for a motion picture in 1966 and gained recognition for I Walk the Line and Paper Moon for which he won the WGA Award for Best Screenplay Based on Material from Another Medium and was nominated for an Academy Award. He won the Academy Award for Adapted Screenplay in 1978 for the film Julia and again in 1981 for Ordinary People. He collaborated on the 2004 screenplay for Spider-Man 2 and Spider-Man 3 released in 2007.

He was married to producer Laura Ziskin for 25 years, until her death in 2011. His brother was writer and producer Herb Sargent.

Filmography[link]

• Gambit (with Jack Davies) (1966)
• The Sterile Cuckoo (1969)
• The Stalking Moon (with Wendell Mayes) (1969)
• I Walk the Line (1970)
• The Effect of Gamma Rays on Man-in-the-Moon Marigolds (1972)
• Paper Moon (1973)
• Love and Pain and the Whole Damn Thing (1973)
• A Star Is Born (1976) (uncredited)
• Julia (1977)
• Bobby Deerfield (1977)
• Straight Time (with Jeffrey Boam) (1978)
• Ordinary People (1980)
• Nuts (with Tom Topor and Daryl Ponicsan) (1987)
• Dominick and Eugene (1988)
• White Palace (with Ted Tally) (1990)
• Other People's Money (1991)
• What About Bob? (with Laura Ziskin) (1991) (Story Only)
• Hero (with Laura Ziskin and David Webb Peoples) (1992) (Story Only)
• Bogus (1996)
• Anywhere but Here (1999)
• Unfaithful (with William Broyles Jr.) (2002)
• Spider-Man (2002) (uncredited)
• Spider-Man 2 (2004)
• Spider-Man 3 (with Sam Raimi and Ivan Raimi) (2007)
• The Amazing Spider-Man (with Steve Kloves) (2012)

External links[link]

• Alvin Sargent at the Internet Movie Database

This article about a screenwriter is a stub. You can help Wikipedia by expanding it. v t e

Fred Zinnemann (29 April 1907 – 14 March 1997) was an Austrian-American film director. He won two Academy Awards for directing films (From Here to Eternity and A Man for All Seasons) in many genres, including thrillers, westerns, film noir, and play adaptations. Nineteen actors appearing in Zinnemann's films received Academy Award nominations for their performances: among that number are Frank Sinatra, Audrey Hepburn, Glynis Johns, Paul Scofield, Robert Shaw, Wendy Hiller, Jason Robards, Vanessa Redgrave, Jane Fonda, Gary Cooper and Maximilian Schell.

Life and career[link]

Zinnemann was born to a Jewish family in Vienna, Austria. While growing up in Austria, he wanted to become a musician, but went on to study law. While studying at the University of Vienna, he became drawn to films and eventually became a cameraman. He worked in Germany with several other beginners (Billy Wilder and Robert Siodmak also worked with him on the 1929 feature People on Sunday) before going to America to study film.

Zinnemann's penchant for realism and authenticity is evident in his first feature The Wave (1935), shot on location in Mexico with mostly non-professional actors recruited among the locals, which is one of the earliest examples of realism in narrative film. Earlier in the decade, in fact, Zinnemann had worked with documentarian Robert Flaherty, an association he considered "the most important event of my professional life".

1940's[link]

One of Zinnemann's first assignments in Hollywood was when he found work as an extra in All Quiet on the Western Front (1930), although he was discharged from the production for talking back to the director, Lewis Milestone. After some success with short films, he graduated to features in 1942, turning out two crisp B mysteries, Eyes in the Night and Kid Glove Killer before getting his big break with The Seventh Cross (1944), starring Spencer Tracy, which was his first hit. The film was based on Anna Seghers' novel and, while filmed entirely on the MGM backlot, made realistic use of refugee German actors in even the smallest roles. The central character—an escaped prisoner played by Tracy—is seen as comparatively passive and fatalistic. He is, however, the subject of heroic assistance from anti-Nazi Germans. In a sense, the protagonist of the film is not the Tracy character but a humble German worker played by Hume Cronyn, who changes from Nazi sympathizer to active opponent of the regime as he aids Tracy.

After World War II ended, Zinnemann learned that both of his parents had died in the Holocaust.^[1] He was further frustrated by his studio contract, which dictated that he did not have a choice in directing films like My Brother Talks to Horses (1947) and Little Mr. Jim (1947) despite his lack of interest in their subject matter.^[2] However, his next film, The Search (1948), won an Oscar for screenwriting and secured his position in the Hollywood establishment. Shot in war-ravaged Germany, the film stars Montgomery Clift in his screen debut as a GI who cares for a lost Czech boy traumatised by the war. It was followed by Act of Violence (1948), a gritty film noir starring Van Heflin as a haunted POW, Robert Ryan as his hot-tempered former friend, Janet Leigh as Heflin's wife, and Mary Astor as a sympathetic prostitute. Zinnemann considered Act of Violence the first project in which he "felt comfortable knowing exactly what I wanted and exactly how to get it."^[3]

1950's[link]

In the critically acclaimed The Men (1950), starring newcomer Marlon Brando as a paraplegic war veteran, Zinnemann filmed many scenes in a California hospital where real patients served as extras. The film is noted for giving Brando his first screen role. It was followed by Teresa (1951), starring Pier Angeli.

Perhaps Zinnemann's best-known work to come out of the 1950's is High Noon (1952), one of the first 25 American films chosen in 1989 for the National Film Registry. With its psychological and moral examinations of its lawman hero Marshall Will Kane, played by Gary Cooper, its allegorical political commentary (on McCarthy-era witch-hunting) and its innovative chronology whereby screen time approximated the 80-minute countdown to the confrontational hour, the film broke the mould of the formulaic shoot-‘em-up western.

For his screen adaptation of the play The Member of the Wedding (1952), Zinnemann chose the 26-year-old Julie Harris as the film's 12-year-old protagonist, although she had created the role on Broadway just as the two other leading actors, Ethel Waters and Brandon deWilde, had.

Zinnemann's next film, From Here to Eternity (1953), based on the novel by James Jones, would go on to win 8 Academy Awards, including Best Picture and Best Director. Zinnemann fought hard with producer Harry Cohn to cast Montgomery Clift as the character of Prewitt, although Frank Sinatra, who was at the lowest point of his popularity, cast himself in the role of "Maggio" against Zinnemann's wishes.^[4] Sinatra would later win an Oscar for Best Supporting Actor. From Here to Eternity also featured Deborah Kerr, best known for prim and proper roles, as a philandering Army wife. Donna Reed played the role of Alma "Lorene" Burke, a prostitute and mistress of Montgomery Clift's character which earned her an Academy Award for Best Supporting Actress for 1953.

Oklahoma! (1955), Zinnemann's version of the Rodgers and Hammerstein musical, is noted for the wide screen format Todd-AO making its debut, as did the film's young star, Shirley Jones. It was followed by A Hatful of Rain (1957), starring Don Murray, Eva Marie Saint and Anthony Franciosa, and based on the play by Michael V. Gazzo.

Zinnemann rounded out the 1950's with The Nun's Story (1959), casting Audrey Hepburn, previously cast in comedic roles, in the role of the anguished Sister Luke.

1960s[link]

The Sundowners (1960), starring Robert Mitchum and Deborah Kerr as an Australian outback husband and wife, led to more Academy Award nominations, including Best Picture, Best Director, Best Screenplay, Best Actress (Kerr) and Best Supporting Actress (Glynis Johns), but won none. Behold A Pale Horse (1964) was a post-Spanish Civil War epic based on the book Killing A Mouse on Sunday by Emeric Pressburger and starred Gregory Peck, Anthony Quinn and Omar Sharif, but was both a critical and commercial flop; Zinnemann would later admit that the film "didn't really come together."^[5]

Zinnemann's fortunes changed once again with A Man for All Seasons (1966), scripted by Robert Bolt from his own play and starring Paul Scofield as Sir Thomas More, portraying him as a man driven by conscience to his ultimate fate. The film went on to win six Academy Awards, including Best Picture, Best Actor (Scofield) and Best Director, Zinnemann's second such Oscar to date.

After this, Zinnemann was all set to direct an adaptation of Man's Fate for MGM. However, the project was shut down in 1969, and the studio attempted to hold Zinnemann responsible for at least $1 million of the $3.5 million that had already been spent on pre-production. In protest, Zinnemann filed a lawsuit against the studio, and it would be seven years before he would make his next film.^[6]

1970s[link]

The cancellation of Man's Fate, according to Zinnemann, "marked the end of an era in picture making and the dawn of a new one, when lawyers and accountants began to replace showmen as head of the studios and when a handshake was a handshake no longer."^[7] However, Universal then offered him the chance to direct The Day of the Jackal (1973), based on the best-selling suspense novel by Frederick Forsyth. The film starred Edward Fox as an Englishman who is relentlessly driven to complete his mission to try to kill French president Charles de Gaulle, and Michael Lonsdale as the French detective hired to stop him. Zinnemann was intrigued by the opportunity to direct a film in which the audience would already be able to guess the ending (the Jackal failing his mission), and was pleased when it ultimately became a hit with the public.^[8]

The Day of the Jackal was followed four years later by Julia (1977), based on the book Pentimento by Lillian Hellman. The film starred Jane Fonda as Hellman and Vanessa Redgrave as her best friend Julia, a doomed American heiress who forsakes the safety and comfort of great wealth to devote her life to the anti-Nazi cause in Germany. The film was nominated for 11 Academy Awards and won three, for Best Screenplay (Alvin Sargent), Best Supporting Actor (Jason Robards), and Best Supporting Actress for Redgrave, who drew scattered boos on Oscar night for her infamous "Zionist hoodlums" acceptance speech.^[9]

1980s[link]

Zinnemann's final film was Five Days One Summer (1982), filmed in Switzerland and based on the short story Maiden, Maiden by Kay Boyle. It starred Sean Connery and Betsy Brantley as a "couple" vacationing in the Alps in the 1930's, and a young Lambert Wilson as a mountain-climbing guide who grows heavily suspicious of their relationship. The film was both a critical and commercial flop, although Zinnemann would be told by various critics in later years that they considered it an underrated achievement.^[10]

Final years and death[link]

Zinnemann is often regarded as striking a blow against "ageism" in Hollywood. The story (which may be apocryphal) goes that, in the 1980s, during a meeting with a young Hollywood executive, Zinnemann was surprised to find the executive didn't know who he was, despite having won four Academy Awards, and directing many of Hollywood's biggest films. When the young executive callowly asked Zinnemann to list what he had done in his career, Zinnemann delivered an elegant comeback by reportedly answering, "Sure. You first." In Hollywood, the story is known as "You First," and is often alluded to when veteran creators find that upstarts are unfamiliar with their work.^[11]

Zinnemann died of a heart attack in London, England on 14 March 1997. He was 89 years old.

Style[link]

Zinnemann's films are all dramas of lone and principled individuals tested by tragic events, including From Here to Eternity (1953); The Nun's Story (1959); A Man For All Seasons (1966); and Julia (1977). Regarded as a consummate craftsman, Zinnemann traditionally endowed his work with meticulous attention to detail, an intuitive gift for casting and a preoccupation with the moral dilemmas of his characters.

Filmography[link]

Feature Films[link]

Short Films[link]

References[link]

External links[link]

Biography portal

• Fred Zinnemann at the Internet Movie Database
• Fred Zinnemann at Find a Grave
• Literature on Fred Zinnemann

Robert Redford
Robert Redford in 2006
Born	Charles Robert Redford, Jr. (1936-08-18) August 18, 1936 (age 75) Santa Monica, California, United States
Occupation	Actor, film director, producer, businessman, environmentalist, philanthropist
Years active	1959–present
Spouse	Lola van Wagenen (1958–1985; divorced) Sibylle Szaggars (2009–present)[1]
Children	Scott (deceased), Shauna, Jamie, Amy

Charles Robert Redford, Jr. (born August 18, 1936),^[2] better known as Robert Redford, is an American actor, film director, producer, businessman, environmentalist, philanthropist, and founder of the Sundance Film Festival. He has received two Oscars: one in 1981 for directing Ordinary People, and one for Lifetime Achievement in 2002. In 2010 he was awarded French Knighthood in the Legion d'Honneur. At the height of his fame in the 1970s and 1980s, he was often described as one of the world's most attractive men and remains one of the most popular movie stars. His popular films include Butch Cassidy and the Sundance Kid (1969), Downhill Racer (1969), Jeremiah Johnson (1972), The Candidate (1972), The Sting (1973), The Way We Were (1973), The Great Gatsby (1974), Three Days of the Condor (1975), The Great Waldo Pepper (1975), All the President's Men (1976), A Bridge Too Far (1977), The Natural (1984), Out of Africa (1985), Sneakers (1992), Indecent Proposal (1993),The Last Castle and Spy Game (2001). As a filmmaker, his notable films include Ordinary People (1980), The Milagro Beanfield War (1988), A River Runs Through It (1992), Quiz Show (1994), The Horse Whisperer (1998) and The Legend of Bagger Vance (2000).

Early life[link]

Redford's family moved to Van Nuys while his father worked in El Segundo.^[3] He attended Van Nuys High School, where he was classmates with baseball player Don Drysdale.^[3] He has described himself as having been a "bad" student, finding inspiration outside the classroom, and being interested in art and sports.^[3] He hit tennis balls with Pancho Gonzales at the Los Angeles Tennis Club to warm him up. After high school, he attended the University of Colorado for a year and a half,^[3] where he was a member of the Kappa Sigma Fraternity.^[4] While there, he worked at the restaurant/bar The Sink; a painting of his likeness is prominent in the bar's murals.^[5] After being asked to leave the University of Colorado, he traveled in Europe, living in France, Spain, and Italy.^[3] He later studied painting at the Pratt Institute in Brooklyn and took classes at the American Academy of Dramatic Arts in New York City.^[3]

Career[link]

Television[link]

Redford's career — like that of almost all major stars who emerged in the 1950s — began in New York, where an actor could find work both in television and on stage. Starting in 1959, he appeared as a guest star on numerous programs, including The Untouchables, Whispering Smith, Perry Mason, Alfred Hitchcock Presents, Route 66, Dr. Kildare, Playhouse 90, Tate, and The Twilight Zone, among others. He earned an Emmy nomination as Best Supporting Actor for his performance in The Voice of Charlie Pont (ABC, 1962). One of his last television appearances was on October 7, 1963, on Breaking Point, an ABC medical drama about psychiatry.

Theater[link]

Redford's Broadway debut was in a small role in Tall Story (1959), followed by parts in The Highest Tree (1959) and Sunday in New York (1961). His biggest Broadway success was as the stuffy newlywed husband of Elizabeth Ashley in Neil Simon's Barefoot in the Park (1963).

Film[link]

Redford in Barefoot in the Park, 1967

While still largely an unknown, Redford made his screen debut in War Hunt (1962), co-starring with John Saxon in a film set during the last days of the Korean War. This film also marked the debuts of director Sydney Pollack, with whom Redford would often collaborate in the near future, and actor Tom Skerritt. After his Broadway success, he was cast in larger feature roles in movies. He was cast alongside screen legend Alec Guinness in the war comedy Situation Hopeless ... But Not Serious, in which he played a soldier who has to spend years of his life hiding behind enemy lines. In Inside Daisy Clover (1965), which won him a golden globe for best new star, he played a bisexual movie star who marries starlet Natalie Wood, and rejoined her along with Charles Bronson for Pollack's This Property Is Condemned (1966) — again as her lover, though this time in a film which achieved even greater success. The same year saw his first teaming with Jane Fonda, in Arthur Penn's The Chase. This film marked the only time Redford would star with Marlon Brando. Fonda and Redford were paired again in the popular big screen version of Barefoot in the Park (1967)^[3] and were again co-stars much later in Pollack's The Electric Horseman (1979).

After this initial success, Redford became concerned about his blond male stereotype image and turned down roles in Who's Afraid of Virginia Woolf? and The Graduate. Redford found the property he was looking for in George Roy Hill's Butch Cassidy and the Sundance Kid (1969), scripted by William Goldman, in which he was paired for the first time with Paul Newman.^[3] The film was a huge success and made him a major bankable star,^[3] cementing his screen image as an intelligent, reliable, sometimes sardonic good guy.

Redford suffered through a few films that did not achieve box office success during this time, including Downhill Racer (1969); Tell Them Willie Boy Is Here (1969); Little Fauss and Big Halsy (1970), and The Hot Rock (1972). But his overall career was flourishing with the critical and box office hit Jeremiah Johnson (1972);^[3] the political satire The Candidate (1972); the hugely popular period drama The Way We Were (1973); and the biggest hit of his career; the blockbuster crime caper The Sting (1973), which became one of the top 20 highest grossing movies of all time when adjusted for inflation and for which he was also nominated for an Oscar.^[3]

Between 1974 and 1976, exhibitors voted Redford Hollywood's top box-office name.^[3] His hits included The Great Gatsby (1974), The Great Waldo Pepper (1975), and Three Days of the Condor (1975). The popular and acclaimed All the President's Men (1976), directed by Alan J. Pakula and scripted once again by Goldman, was a landmark film for Redford. Not only was he the executive producer and co-star, but the film's serious subject matter — the Watergate scandal — and its attempt to create a realistic portrayal of journalism also reflected the actor's offscreen concerns for political causes.^[3]

He also starred in a segment of the war film A Bridge Too Far (1977), the prison drama Brubaker (1980), playing a prison warden attempting to reform the system, and the fantasy baseball drama The Natural (1984).^[3] Redford continued his involvement in mainstream Hollywood movies, though with a newfound focus on directing. The first film he directed, Ordinary People, which followed the disintegration of an upper class American family after the death of a son, was one of the most critically and publicly acclaimed films of the decade, winning a number of Oscars, including the Academy Award for best director for Redford himself. His followup directorial project, The Milagro Beanfield War (1987), failed to generate the same level of attention. Sydney Pollack's Out of Africa (1985), with Redford in the male lead role opposite Meryl Streep, became an enormous critical and box office success and won seven Oscars including Best Picture, proving to be Redford's biggest success of the decade and Redford and Pollack's most successful of their six movies together.^[3] His next film, Legal Eagles (1986), was only a minor success at the box office.

Redford continued as a major star throughout the 1990s and 2000s. He released his third film as a director, A River Runs Through It, in 1992, which was a return to mainstream success for Redford as a director and brought a young Brad Pitt to greater prominence. 1993 brought Redford one of his most popular and recognised roles when he starred as a millionaire businessman who tests people's morals through bribery in Indecent Proposal, which became one of the year's biggest hits. He co-starred with Michelle Pfeiffer in the newsroom romance Up Close & Personal (1996), and with Kristin Scott Thomas in The Horse Whisperer (1998), which he also directed.^[3] Redford also continued work in films with political context, such as Havana (1990), playing Jack Weil, a professional gambler in 1959 Cuba during the Revolution, as well as Sneakers (1992), in which he co starred with the late River Phoenix among others.

He appeared as a disgraced Army general sent to prison in the political thriller The Last Castle (2001), directed by Rod Lurie, someone else with a strong interest in politics. In the same year, Redford reteamed with Brad Pitt for Spy Game, another success for the pair but with Redford switching this time from director to actor. Redford, a leading environmental activist, narrated the IMAX documentary Sacred Planet (2004), a sweeping journey across the globe to some of its most exotic and endangered places. In The Clearing (2004), a thriller co-starring Helen Mirren, Redford was a successful businessman whose kidnapping unearths the secrets and inadequacies that led to his achieving the American Dream.

Redford stepped back into producing with The Motorcycle Diaries (2004), a coming-of-age road film about a young medical student, Ernesto "Che" Guevera, and his friend Alberto Granado. It also explored political and social issues of South America that influenced Guevara and shaped his future. With five years spent in the film's making, Redford was credited by director Walter Salles for being instrumental in getting it made and released.

Back in front of the camera, Redford received good notices for his role in director Lasse Hallstrom's An Unfinished Life (2005) as a cantankerous rancher who is forced to take in his estranged daughter-in-law (Jennifer Lopez) — whom he blames for his son's death — and the granddaughter he never knew he had when they fled an abusive relationship. The film, which sat on the shelf for many months while its distributor Miramax was restructured, was generally dismissed as clichéd and overly sentimental. Meanwhile, Redford returned to familiar territory when he reteamed with Meryl Streep 22 years after they starred in Out of Africa, for his personal project Lions for Lambs (2007), which also starred fellow superstar Tom Cruise. After a great deal of hype, the film opened to mixed reviews and disappointing box office. Redford more recently signed on to direct and star in an update of The Candidate.^{[citation needed]}

Redford appears in the 2011 documentary Buck, where he discusses his experiences with title subject Buck Brannaman during the production of The Horse Whisperer in 1998.

Director[link]

Redford at the 1988 Cannes Film Festival

Redford had long harbored ambitions to work on both sides of the camera. As early as 1969, Redford had served as the executive producer for Downhill Racer.^[3] His first outing as director was in 1980's Ordinary People, a drama about the slow disintegration of an upper-middle class family, for which he won the Academy Award for Best Director.^[3] Redford was credited with obtaining a powerful dramatic performance from Mary Tyler Moore, as well as superb work from Donald Sutherland and Timothy Hutton, who also won the Oscar for Best Supporting Actor.

Redford did not direct again until The Milagro Beanfield War (1988), a well-crafted, though not commercially successful, screen version of John Nichols' acclaimed novel of the Southwest. The Milagro Beanfield War is the story of the people of Milagro, New Mexico (based on the real town of Truchas in northern New Mexico), overcoming big developers who set about to ruin their community and force them out because of tax increases. Other directorial projects have included the period drama A River Runs Through It (1992), based on Norman Maclean's novella, and the exposé Quiz Show (1994), about the quiz show scandal of the late 1950s.^[3] In the latter film, Redford worked from a screenplay by Paul Attanasio with noted cinematographer Michael Ballhaus and a strong cast that featured Paul Scofield, John Turturro, Rob Morrow, and Ralph Fiennes. Redford handpicked Morrow for his part in the film (Morrow's only high-profile feature film role to date), because he liked his work on Northern Exposure. Redford also directed Matt Damon and Will Smith in The Legend of Bagger Vance (2000). In 2010, Redford released The Conspirator, a period drama revolving around the assassination of Abraham Lincoln. Despite a subject matter of personal interest to Redford, the film received mixed reviews and proved to be a flop at the box office.

Honors[link]

U.S. President George W. Bush and First Lady Laura Bush pose with the Kennedy Center honorees, from left to right, actress Julie Harris, actor Robert Redford, singer Tina Turner, ballet dancer Suzanne Farrell and singer Tony Bennett on December 4, 2005, during the reception in the Blue Room at the White House.

Redford attended the University of Colorado in the 1950s and received an Honorary Degree in 1983.

In 1995, he received an honorary Doctor of Humane Letters degree from Bard College. He was a 2002 Lifetime Achievement Award/Honorary Oscar recipient at the 74th Academy Awards.^[6]

In 1996, he was awarded the National Medal of Arts.^[7]

In December 2005, he received the Kennedy Center Honors for his contributions to American culture. The Honors recipients are recognized for their lifetime contributions to American culture through the performing arts: whether in dance, music, theater, opera, motion pictures or television.^{[citation needed]}

In 2008 he was awarded The Dorothy and Lillian Gish Prize, one of the richest prizes in the arts, given annually to "a man or woman who has made an outstanding contribution to the beauty of the world and to mankind's enjoyment and understanding of life."^[8]

The University of Southern California (USC) School of Theater announced the first annual Robert Redford Award for Engaged Artists in 2009. According to the school's web site, the award was created "to honor those who have distinguished themselves not only in the exemplary quality, skill and innovation of their work, but also in their public commitment to social responsibility, to increasing awareness of global issues and events, and to inspiring and empowering young people."^[9]

Robert Redford received an honorary Doctor of Fine Arts from Brown University at the 240th Commencement exercises on May 25, 2008.^[10] He also spoke during the ceremonies.

On 14 October 2010, he was appointed Chevalier of the Légion d'honneur.^[11]

Sundance[link]

With the financial proceeds of his acting success, starting with his salaries from Butch Cassidy and the Sundance Kid and Downhill Racer, Redford bought an entire ski area on the east side of Mount Timpanogos northeast of Provo, Utah, called "Timp Haven", which was renamed "Sundance".^[3] Redford's wife Lola was from Utah and they had built a home in the area in 1963. Portions of the movie Jeremiah Johnson (1972), a film which is both one of Redford's favorites and one that has heavily influenced him, were shot near the ski area. He founded the Sundance Film Festival, Sundance Institute, Sundance Cinemas, Sundance Catalog, and the Sundance Channel, all in and around Park City, Utah, 30 miles (48 km) north of the Sundance ski area.^[3] The Sundance Film Festival caters to independent filmmakers in the United States and has received recognition from the industry as a place to open films. In 2008, Sundance exhibited 125 feature-length films from 34 countries, with more than 50,000 attendees.^[12] The name Sundance comes from his Sundance Kid character. In addition, Redford owns a celebrated restaurant called Zoom, located on Main Street in the former mining town of Park City.

Mount Timpanogos, panoramic view

Independent films[link]

Since founding the nonprofit Sundance Institute in Park City, in 1981, Redford has been deeply involved with independent film.^[3] Through its various workshop programs and popular film festival, Sundance has provided much-needed support for independent filmmakers. In 1995, Redford signed a deal with Showtime to start a 24-hour cable television channel devoted to airing independent films — the Sundance Channel premiered on February 29, 1996.

Personal life[link]

On August 9, 1958, in Las Vegas, Nevada, Redford married Lola Van Wagenen, who dropped out of college to marry him. They had four children: Scott Anthony, David James "Jamie", Shauna, and Amy Redford.

Son Jamie Redford is a writer/producer.^[13]

Scott — their first child — was born September 1, 1959, and died of sudden infant death syndrome on November 17, 1959, at age 2½ months. His remains have been buried at Provo City Cemetery in Provo, Utah. Lola and Redford divorced in 1985. He has five grandchildren: Dylan and Lena Redford (of son Jamie), Mica and Conor Schlosser (of daughter Shauna) and Eden August (of daughter Amy).^[14]

In July 2009, Redford married his longtime partner, Sibylle Szaggars, at the luxurious Louis C. Jacob Hotel in Hamburg, Germany. She had moved in with Redford in the 1990s and shares his Sundance, Utah, home.^[15] In May 2011 Alfred A Knopf published Robert Redford: The Biography by Michael Feeney Callan, written over fifteen years with Redford's input, and drawn from his personal papers and diaries.

Political activity[link]

Redford with New Mexico Governor Bill Richardson in 2009

Redford is politically liberal, and has supported environmentalism, Native American rights, and the arts. He has been noted as "an admirer of Edward Abbey, the late great anarchist voice of the desert Southwest."^[16] Most of his federal political contributions have been to Democrats (61%) or advocacy groups (34.6%), such as the Political Action Committee of the Directors Guild of America.^[17] Redford has on occasion also supported Republicans, including Brent Cornell Morris in his unsuccessful 1990 race for Utah's 3rd congressional district seat.^[17][18] Redford also supported Gary R. Herbert, another Republican and a friend, in Herbert's successful campaign to be elected Utah's Lieutenant Governor (he is currently the Governor of Utah). Redford is an avid environmentalist and is a trustee of the Natural Resources Defense Council. Redford has been a vocal critic of Barack Obama for his lack of follow-through on environmental policies. He wrote, "One reason I supported President Obama is because he said we must protect clean air, water and lands. But what good is it to say the right thing unless you act on it?" ^[19]

Filmography[link]

Actor[link]

Director[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Robert Redford

Wikiquote has a collection of quotations related to: Robert Redford

• Movie, Museum Exhibits Shine New Light on US Civil War is an April 2011 radio and internet report on the Robert Redford movie "The Conspirator." The report aired on Voice of America and was written by VOA's Special English branch.
• Redford interviewed about his life, independent film making and political activism. January 2010, 45 minute video and audio interview with transcript.
• Cinema Retro covers Robert Redford at Trinity College in Dublin
• Robert Redford at the Internet Movie Database
• Sundance Resort
• The Sundance Institute
• Robert Redford slideshow at AMCtv.com
• Redford Teams up to Train Minority Filmmakers NY Daily News, May 15, 2009
• Robert Redford: Through the Years — slideshow by Life magazine