- published: 15 May 2008
- views: 19030
- author: niki2342
1:32
12 to 20 kHz
Sound frequencies from 12 to 20 kHz in 0.5 kHz increments....
published: 09 Feb 2008
author: Sze Yen Hoo
12 to 20 kHz
Sound frequencies from 12 to 20 kHz in 0.5 kHz increments.
- published: 09 Feb 2008
- views: 510489
- author: Sze Yen Hoo
3:36
KHZ let it go
KHZ'S Song Let it go....
published: 19 Jun 2008
author: weapon2020
KHZ let it go
KHZ'S Song Let it go.
- published: 19 Jun 2008
- views: 6631
- author: weapon2020
3:58
kHz-What You Want
Directed by Michael Stavaridis Edited by Mike Amoia and Pull Taken from the album "Emotron...
published: 28 Sep 2007
author: ThekHz
kHz-What You Want
Directed by Michael Stavaridis Edited by Mike Amoia and Pull Taken from the album "Emotronic"
- published: 28 Sep 2007
- views: 17961
- author: ThekHz
1:41
Hearing Test - 20 Hz to 20 kHz Frequency Sweep
Watch in 1080p HD for best results! This is not to be taken seriously, but just something ...
published: 21 Nov 2012
author: EpicPuzl781
Hearing Test - 20 Hz to 20 kHz Frequency Sweep
Watch in 1080p HD for best results! This is not to be taken seriously, but just something give you an image of how your hearing is. ===PLEASE READ DESCRIPTIO...
- published: 21 Nov 2012
- views: 6011
- author: EpicPuzl781
4:48
[PV] Black Gene For the Next Scene - 涙-kHz
BGFNS - 涙-kHz // Namida-kHz. All rights belongs to Black Gene for the Next Scene....
published: 22 Jul 2012
author: SPYAIRWORLD
[PV] Black Gene For the Next Scene - 涙-kHz
BGFNS - 涙-kHz // Namida-kHz. All rights belongs to Black Gene for the Next Scene.
- published: 22 Jul 2012
- views: 13175
- author: SPYAIRWORLD
0:31
6000 Hz 6 kHz Sine Wave Sound Frequency Tone
PLEASE READ DESCRIPTION=== Welcome, welcome, welcome to the home of the most comprehensive...
published: 18 Nov 2012
author: EpicPuzl781
6000 Hz 6 kHz Sine Wave Sound Frequency Tone
PLEASE READ DESCRIPTION=== Welcome, welcome, welcome to the home of the most comprehensive collection of beeps, rumbles, chirps and noise on teh Internets...
- published: 18 Nov 2012
- views: 2139
- author: EpicPuzl781
4:31
Black Gene For the Next Scene 「涙khz」振付動画
Black Gene For the Next Scene の2ndシングル「涙khz」の振付動画です。...
published: 20 Aug 2012
author: BandsaidYT
Black Gene For the Next Scene 「涙khz」振付動画
Black Gene For the Next Scene の2ndシングル「涙khz」の振付動画です。
- published: 20 Aug 2012
- views: 18798
- author: BandsaidYT
0:17
Audio Test 10 kHz - 20 Hz
If you like this, give me a vote http://www.indabamusic.com/#!/submissions/show/48228....
published: 18 Mar 2010
author: virusrusesc
Audio Test 10 kHz - 20 Hz
If you like this, give me a vote http://www.indabamusic.com/#!/submissions/show/48228.
- published: 18 Mar 2010
- views: 24696
- author: virusrusesc
11:51
Killahurtz - West On 27th (A Tribe Called KHz Mix)
...
published: 24 Sep 2010
author: Dazz Woodmansey
Killahurtz - West On 27th (A Tribe Called KHz Mix)
- published: 24 Sep 2010
- views: 11824
- author: Dazz Woodmansey
14:17
500 kHz in Europe, the Summer of 1974
Sorry for the tacky powerpoint slides but thought it was worth getting this remarkable aud...
published: 13 Jul 2011
author: Gerry Lynch
500 kHz in Europe, the Summer of 1974
Sorry for the tacky powerpoint slides but thought it was worth getting this remarkable audio document up on Youtube. These are recordings made by Arthur Good...
- published: 13 Jul 2011
- views: 2396
- author: Gerry Lynch
10:01
NTSC Test Card with 1 KHz Test Tone
This video has been uploaded with Freemake Video Converter....
published: 24 Dec 2010
author: Kyoobur9000
NTSC Test Card with 1 KHz Test Tone
This video has been uploaded with Freemake Video Converter.
- published: 24 Dec 2010
- views: 21772
- author: Kyoobur9000
13:54
Arangkada of Leo Lastimosa over DYAB 1512 khz on April 19, 2013
Arangkada of Leo Lastimosa over DYAB 1512 khz on April 19, 2013....
published: 18 Apr 2013
author: DYAB Cebu
Arangkada of Leo Lastimosa over DYAB 1512 khz on April 19, 2013
Arangkada of Leo Lastimosa over DYAB 1512 khz on April 19, 2013.
- published: 18 Apr 2013
- views: 34
- author: DYAB Cebu
6:35
test from a 455 KHz IF filter (test oscillator)
The video shows the inner side from a 455 KHz IF filter and a way to test it. When it work...
published: 24 Jun 2012
author: radiofun232
test from a 455 KHz IF filter (test oscillator)
The video shows the inner side from a 455 KHz IF filter and a way to test it. When it works in the oscillator it is OK. The oscillator can also be used to te...
- published: 24 Jun 2012
- views: 747
- author: radiofun232
Vimeo results:
6:16
3D Printed Record - Audio Tests
In order to explore the current limits of 3D printing technology, I've created a program f...
published: 20 Dec 2012
author: Amanda Ghassaei
3D Printed Record - Audio Tests
In order to explore the current limits of 3D printing technology, I've created a program for converting digital audio into a 3D model of a record and printed some functional prototypes that play on ordinary record players. The audio on the records is very low resolution, it has a sampling rate of 11kHz (a quarter of typical mp3 audio) and 5-6bit resolution (less than one thousandth of the resolution of typical 16 bit audio), but the result is easily recognizable. Find my Processing code, 3D model downloads, photos, and a detailed discussion of the design process on Instructables:
http://www.instructables.com/id/3D-Printed-Record/
10:43
Chopin - Scherzo nr 1 in b minor - Alessio Nanni
Alessio Nanni, italian classical pianist, performs the Scherzo in b minor op.20 nr.1 by Fr...
published: 23 Dec 2010
author: Alessio Nanni
Chopin - Scherzo nr 1 in b minor - Alessio Nanni
Alessio Nanni, italian classical pianist, performs the Scherzo in b minor op.20 nr.1 by Fryderyk Chopin.
This first Scherzo takes A-B-A-Coda form and begins with two chords in fortissimo. At tremendous speed, a series of dramatic outbursts in the B minor tonic follows. Near the center of the piece, the music leads into a slower section in B major; finally one hears a tangible melody in the middle register, surrounded by accompaniment in both the left and upper right hands. Chopin clearly quotes in this section of the composition from an old Polish Christmas song (Lulajże Jezuniu); tempo is marked as Molto Piu Lento. The B major area dissolves as the harmony mysteriously changes character via secondary dominant. The two chords from the very start reappear, superimposed over vestiges of the middle section. Then the beginning presto repeats itself in the familiar minor tonic.
The lead-in to the dramatic, virtuosic coda is similar to the approach toward the Molto Piu Lento, but slightly different (as it is with Chopin's Second and Third Scherzi also). This final section incorporates dizzying arpeggiated flights up and down almost the entire keyboard, suspended by a climactic series of nine ten-note chords (E# diminished seventh (with diminished third), augmented sixth chord in root position, secondary leading-tone chord of tonic B). After the resolution and a rapid chromatic ascent over four octaves in both hands, the coda and piece come to a triumphant end via a bold minor plagal cadence.
__________________________________________________________
Recorded on december 8th 2010 at Passadori Steinway Hall - Brescia
Produced in collaboration with www.passadoripianoforti.it.
Video release date : 23/12/10
IMPORTANT NOTICE:
We suggest to wait until the video is fully downloaded before start watching.
Switching from Flash Player to HTML5 player is strongly recommended in order to avoid any frame-drop.
Please fullscreen it.
Produced by © WHITE NOISE FACTORY
Piano: Steinway & Sons, Concert Grand mod. D
Piano technician: Giulio Passadori
Recorded in super high definition: 96khz/24 bit technology.
Special thanks to: Giovanni Doria, Giulio and Angela Passadori, Simona Passadori, Flavio Gheruzzi.
© by Alessio Nanni - All Rights Reserved
www.alessionanni.com
14:51
Franz Liszt - Ballade in b minor nr.2 - Alessio Nanni, piano
The Steinway Artist Alessio Nanni plays the Ballade in b minor nr.2 by Franz Liszt.
This ...
published: 28 May 2011
author: Alessio Nanni
Franz Liszt - Ballade in b minor nr.2 - Alessio Nanni, piano
The Steinway Artist Alessio Nanni plays the Ballade in b minor nr.2 by Franz Liszt.
This piano work unquestionably represents the beauty of darkness in one of Liszt's most intriguing rendering ever.
Unexplainably this Ballade is also one of his great neglected piano work ever.
This piano work is based on a Byzantine myth, 'Hero and Leander', relating the story of Hero, a priestess of Aphrodite who dwelt in a tower in Sestos on the European side of the Dardanelles, and Leander, a young man from Abydos on the opposite side of the strait. Leander fell in love with Hero and would swim every night across the Hellespont to be with her. Hero would light a lamp at the top of her tower to guide his way.
Succumbing to Leander's soft words, and to his argument that Aphrodite, as goddess of love, would scorn the worship of a virgin, Hero allowed him to make love to her. This routine lasted through the warm summer. But one stormy winter night, the waves tossed Leander in the sea and the breezes blew out Hero's light, and Leander lost his way, and was drowned. Hero threw herself from the tower in grief and died as well.
Liszt's ending definitely is not a tragic one, though. There is certainly a storm at the end as the soaring waves of the Hellespont and the love duet commingle, but one way or another they make it out of the storm.
__________________________________________________________
Recorded on may 1st 2011 at Passadori Steinway Hall - Brescia
Produced in collaboration with passadoripianoforti.it.
Video release date : 6/6/2011
IMPORTANT NOTICE:
We suggest to wait until the video is fully downloaded before start watching.
Switching from Flash Player to HTML5 player is strongly recommended in order to avoid any frame-drop.
Please fullscreen it.
Produced by © WHITE NOISE FACTORY
Piano technician: Giulio Passadori
Logistic supervisor: Flavio Gheruzzi
Piano: Steinway & Sons, Concert Grand mod. D
Recorded in super high definition: 96khz/24 bit technology.
Special thanks to: Simona Passadori.
© by Alessio Nanni - All Rights Reserved
alessionanni.com
12:27
Test HD-DSLR Canon EOS 5D MK II (1) - 720p
[Para leer con más detalle el texto de este mini-tutorial con sus imágenes y enlaces corre...
published: 28 Sep 2009
author: Julio Gómez
Test HD-DSLR Canon EOS 5D MK II (1) - 720p
[Para leer con más detalle el texto de este mini-tutorial con sus imágenes y enlaces correspondientes visita http://juliogm.wordpress.com/2010/03/04/video-test-hd-dslr-canon-eos-5d-mk-ii-1-720p/]
Este es el primero de una serie de vídeos -necesariamente breves- en los que pruebo las capacidades más elementales y simples de grabación de vídeo en esta y otras DSLR de Canon.
En la primera entrega se pueden ver imágenes de las siguientes pruebas básicas:
* Aberturas de diafragma y sus efectos en la imagen.
* Velocidades de obturación y sus efectos en la imagen.
NOTA: Históricamente ha habido dos posibles explicaciones a la pregunta de por qué el ser humano puede ver imagen en movimiento:
1. La persistencia retiniana (una imagen permanece en la retina humana una décima de segundo antes de desaparecer completamente. Esto permite que veamos la realidad como una secuencia de imágenes ininterrumpida y que podamos calcular fácilmente la velocidad y dirección de un objeto que se desplaza).
Este fundamento ha sido puesto en tela de juicio por numerosos neurólogos, sobre todo a partir de los años 80 cuando se enunció la teoría del fenómeno phi.
2. El fenómeno phi (no existe retención sino incapacidad del ojo para distinguir rápidamente estímulos repetidos mas allá de cierto límite. Ese límite de la percepción en sí mismo no es otro que el del fenómeno del movimiento aparente, denominado efecto PHI. Esta teoría está ilustrada con un ejemplo muy sencillo:
Si se colocan dos luces, una junto a otra, que se encienden alternativamente, cuando los focos van a una velocidad que rebasa el límite, el espectador no ve dos luces, sino una que se mueve de un lado a otro.
El límite perceptual se refiere al tiempo mínimo que un estímulo visual debe durar para poder ser percibido. No es que nuestros ojos retengan esa imagen, sino que las separaciones entre una imagen y otra no duran lo suficiente para ser percibidas).
Ese límite, en cualquier caso, está entre las 43 y las 45 imágenes por segundo. Por eso la velocidad de obturación más cercana a la visión humana en estas cámaras es la de 1/50.
En las cámaras de cine (con emulsión fotoquímica) el cálculo se ha realizado siempre colocando el ángulo del obturador a 180º. Este es un estándar que asociamos al "look" cinematográfico, aunque, por supuesto, no se emplea constantemente ni en todas las escenas.
Para entendernos, la equivalencia de cualquier ángulo del obturador (en cámaras donde este sea mecánico) respecto a la velocidad de obturación (con obturación electrónica o no) se calcula multiplicando el número de imágenes por segundo por los grados de un ciclo completo (360º) y dividiéndolo por el ángulo de obturación que se quiere imitar.
Hasta hace poco en la EOS 5D MK II había que conformarse con emplear un número de fps fijo (30) pero desde que se ha actualizado el firmware de este modelo para admitir cadencias de 24 y 25p, lo ideal si se busca el look citado es grabar a 24 fps.
Es decir que si buscamos ese aspecto (propio del ángulo del obturador a 180º en las cámaras de cine) la operación a realizar sería la siguiente:
24 x 360 / 180 = 48 (o sea, 1/50 sería la velocidad más cercana).
Velocidades superiores producirán un efecto de "staccato", velocidades inferiores producirán un desenfoque de movimiento.
Estos efectos pueden buscarse a propósito (el "staccato" es fundamental , por ejemplo, en los primeros 15 minutos de "Salvad al soldado Ryan").
Si no es así, es conveniente exponer combinando ISO y abertura de diafragma y no modificar la velocidad de obturación.
En cualquier caso siempre y cuando se grabe en exteriores podemos movernos en la horquilla entre los 1/30 y los 1/125 segs. sin demasiadas consecuencias.
En interiores en cambio, es fundamental tener presente la frecuencia de la corriente eléctrica (si no es continua).
* Sensibilidades ISO y sus efectos en la imagen.
NOTA: El ruido electrónico, sobre todo debido a errores de cuantificación en las zonas más oscuras de la imagen, comienza a ser apreciable sólo en los pasos superiores a las siguientes sensibilidades ISO (en las cuales la imagen aún aparece totalmente limpia):
- Canon EOS 7D: entre 800 y 1000 ISO
(su ISO máximo es de 12800 en vídeo)
- Canon EOS 5D Mark II: 1600 ISO
(su ISO máximo es de 12800 en vídeo)
- Canon EOS 1D Mark IV: 3200 ISO
(su ISO máximo es de 102400 en vídeo)
Esto no significa que no se puedan usar sensibilidades mayores (cuando hay suficiente luz, el ruido presente en la imagen no es molesto hasta alcanzar sensibilidades aún superiores).
Con poca luz, es posible que la imagen del LCD muestre ruido de crominancia. En las fotos, el ruido de crominancia no se registra. Sin embargo, en los vídeos, el ruido de crominancia se registrará casi de la misma manera que se ve en la pantalla LCD.
* Estilos de imagen
- Monocromo (filtro rojo, para contrastar cielos).
- Monocromo (filtro verde
Youtube results:
2:57
455 KHz IF filter oscillator schematic
There was a request/comment on my channel (earlier video): "does the universal oscillator ...
published: 09 Nov 2012
author: radiofun232
455 KHz IF filter oscillator schematic
There was a request/comment on my channel (earlier video): "does the universal oscillator also work on 455 KHz? Yes it does, but raise the emitter resistor t...
- published: 09 Nov 2012
- views: 414
- author: radiofun232
1:38
Emergency Action Message 8992 kHz
A 41 character Emergency Action Message (EAM) transmitted from Andrews Air Force Base on f...
published: 02 Apr 2013
author: landsurfer66
Emergency Action Message 8992 kHz
A 41 character Emergency Action Message (EAM) transmitted from Andrews Air Force Base on frequency 8992 kHz USB at 0145 Z (9:45PM EST), April 2, 2013. Also h...
- published: 02 Apr 2013
- views: 1223
- author: landsurfer66
5:01
Ultra High-speed Robot Based on 1 kHz Vision System
By Masatoshi Ishikawa, Akio Namiki, Taku Senoo and Yuji Yamakawa....
published: 20 Oct 2012
author: GerbilGod7
Ultra High-speed Robot Based on 1 kHz Vision System
By Masatoshi Ishikawa, Akio Namiki, Taku Senoo and Yuji Yamakawa.
- published: 20 Oct 2012
- views: 15891
- author: GerbilGod7