- published: 30 Jul 2014
- views: 4003
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Born in Fort Worth, Texas, Carter attended I.M. Terrell High School, and played music with schoolmates Ornette Coleman and Charles Moffett in the 1940s. From 1961, Carter was based mainly on the West Coast. There he met Bobby Bradford in 1965, with whom he subsequently worked on a number of projects. He also played with Hampton Hawes and Harold Land. In the 1970s Carter became well known on the basis of his extraordinary solo concerts. At New Jazz Festival Moers 1979 he and the German clarinet player Theo Jörgensmann performed on three days. Afterwards Carter received complimentary reviews and wide recognition from around the world. He and Jörgensmann met again in 1984. The program of the Berlin JazzFest was built around the clarinet. After Carter's solo performance, he and Jörgensmann also played together.
Between 1982 and 1990 Carter composed and recorded Roots and Folklore: Episodes in the Development of American Folk Music, in five albums focused on African Americans and their history. The complete set was acclaimed by jazz critics as containing some of the best releases of the 1980s.
A clarinet quartet with Perry Robinson, Jörgensmann and Eckard Koltermann was planned for 1991, but Carter did not recover from a nonmalignant tumor. Later that year he was inducted into the Down Beat Jazz Hall of Fame.
fonte: http://en.wikipedia.org/wiki/John_Carter_%28jazz_musician%29
http://acerecords.co.uk/self-determination-music
One of the rarest Flying Dutchman releases is this album by Los Angeles-based improvisation masters John Carter and Bobby Bradford. The West Coast had an under-developed free jazz scene, but when label-owner Bob Thiele touched down in L.A. he had top tips to check out two groups. The first was pianist Horace Tapscott’s outfit, recommended to him by Leon Thomas, and the second was the New Art Jazz Ensemble led by trumpeter Bobby Bradford and reed player John Carter.
Carter and Bradford both originated fromTexas, where Carter was a schoolmate of Ornette Coleman. Bradford moved to Los Angeles in the early 50s and joined Coleman’s group. It was Coleman who suggested he hook up with Carter, who had also settled on the West Coast. The two men found they had sympathetic musical ideas and began to put a group together, adding veteran drummer Bruz Freeman and bassist Tom Williamson. They released their debut album, “Seeking”, on the Revelation label.
Thiele liked what he heard and signed the group. For their “Flight For Four” album, he felt it would make the group easier to sell if their name was changed to the John Carter & Bobby Bradford Quartet. Although not a big seller, the album was an artistically satisfying recording that showed Carter to be a rapidly emerging composer. Thiele soon had them back in the studio recording “Self Determination Music”, a thrilling album with the group’s sound boosted by second bass player Henry Franklin. The music is never easy but the compositions – three by Carter and one by Bradford – and the musical interplay between the musicians reward the listener. This is grown-up experimental music. Carter and Bradford would continue to thrive in various formats, but “Self Determination Music” is one of their finest works.
Dean Rudland
- published: 23 Feb 2015
- views: 778
Lp - Castles of Ghana (1986 / Gramavision)
John Carter - clarinet , vocals
Bobby Bradford - cornet
Baikida Carroll - trumpet , vocals
clarinet [bass] , bells , gong – Marty Ehrlich
Benny Powell - trombone
Richard Davis - bass
Terry Jenoure - violin , vocals
Andrew Cyrille - drums
- published: 20 Feb 2016
- views: 2519
Mr. boogie woogie, Big John Carter on the piano in London's Kings Cross St. Pancras train station, 24/06/2013.
- published: 17 May 2014
- views: 30430
Festival Jazz San Javier 2010
James Carter, flute
Corey Wilkes, trumpet
Gerard Gibbs, piano
Ralph Armstrong, bass
Leonard King, drums
- published: 18 Jan 2011
- views: 78950
Album: Benny Carter A Gentleman and His Music 1985
Personnel: Benny Carter (alto saxophone); Scott Hamilton (tenor saxophone); Joe Wilder (trumpet, flugelhorn); Gene Harris (piano); Ed Bickert (guitar); John Clayton (bass); Jimmie Smith (drums)
- published: 31 Jan 2014
- views: 2266
This is an educational video created to warn musicians about the dangers of doing jazz gigs.
- published: 30 Dec 2008
- views: 5933
Miles Davis' official music video for 'So What'. Click to listen to Miles Davis on Spotify: http://smarturl.it/MDavisSpotify?IQid=MDSW
As featured on Kind of Blue. Click to buy the track or album via iTunes: http://smarturl.it/MDKBiTunes?IQid=MDSW
Google Play: http://smarturl.it/MDSWPlay?IQid=MDSW
Amazon: http://smarturl.it/MDKBaz?IQid=MDSW
More from Miles Davis
Blue In Green (Audio): https://youtu.be/TLDflhhdPCg
Freddie Freeloader (Audio): https://youtu.be/ZZcuSBouhVA
All Blues (Audio): https://youtu.be/-488UORrfJ0
Follow Miles Davis
Website: http://www.milesdavis.com/
Facebook: https://www.facebook.com/MilesDavis
Twitter: https://twitter.com/milesdavis
Myspace: https://myspace.com/milesdavis/
Subscribe to Miles Davis on YouTube: http://smarturl.it/MDavisSub?IQid=MDSW
- published: 20 Oct 2010
- views: 6474997
Ron Carter (born May 4, 1937) is an American jazz double-bassist. His appearances on over 2,500 albums make him one of the most-recorded bassists in jazz history, along with Milt Hinton, Ray Brown and Leroy Vinnegar. Carter is also an acclaimed cellist who has recorded numerous times on that instrument.
Ron Carter est un contrebassiste de jazz américain né le 4 mai 1937 à Ferndale dans l'État du Michigan. Le son unique de sa musique et ses fameux déhanchements ont fait de lui une figure légendaire du jazz ainsi qu'un musicien demandé. Ses contributions sur plus de 2 500 albums en font l'un des contrebassistes les plus enregistrés de l'histoire du jazz. Ron Carter est devenu célèbre en jouant avec Miles Davis.
- published: 21 Jun 2011
- views: 953716
Avant-garde jazz drummer Joey Baron has worked with an impressive list of musicians, including everyone from Bill Frisell, Stan Getz, and Tony Bennett to John Zorn, Laurie Anderson, Fred Frith, and Tim Berne. His own groups he has led include the "Down Home Group", Barondown, and Killer Joey and was a member of "Naked City" (with John Zorn, Bill Frisell, Fred Frith and Wayne Horvitz) and of Zorn's group Masada (Dave Douglas and Greg Cohen). Joey Baron was born 1955 in Richmond ,Va. He started drumming at age 9, performing profesionally the following year. His early musical education included private drum lessons as well as the wide genre radio programing of the 1960s. After finishing high school early through a special accelerated program, Mr. Baron spent time in Boston attending the Berklee School of Music.He settled in Los Angeles,California in 1975 to realize a dream of playing with the great jazz musician Carmen McRae,consequently becoming a much sought after singer's drummer. Since moving to New York City in 1983, Mr. Baron has continued to expand his scope and develope his musical ideas through collaborations with various artists including Red Rodney, Bill Frisell, Tim Berne, Ron Carter, and John Zorn ,with whom the collaboration continues to the present. Current projects include solo concert tours, duo concerts with Lee Konitz, Bill Frisell, his own band, "Killer Joey",The John Abercrombie Quartet, and the Schulkowsky, Studer, Baron drum trio.
- published: 20 Apr 2010
- views: 14730
http://bit.ly/tatumcentennial - It is no stretch to state that Art Tatum was the jazz world's first, and arguably greatest, virtuoso. His seemingly effortless abilities on the keyboard placed him far above the most accomplished of his contemporaries.
Art Tatum played beyond the pull of trends, creating music that defied categorization.
He was among the most extraordinary of all jazz musicians; a pianist with wondrous technique who could not only play ridiculously rapid lines with both hands but was harmonically 30 years ahead of his time - all pianists have to deal to a certain extent with Tatum's innovations in order to be taken seriously.
Concord Records "Art Tatum Centennial Celebration" features performances by Louis Bellson, Red Callender, Benny Carter, Buddy DeFranco, Bill Douglass, Harry Edison, Roy Eldridge, Lionel Hampton, Jo Jones, Barney Kessel, Buddy Rich, John Simmons, Alvin Stoller and Ben Webster.
- published: 25 Sep 2009
- views: 1672
John Carter
John Carter may refer to:
Fiction
- John Carter (film), a 2012 film featuring the Burroughs character
- John Carter, Warlord of Mars, a Marvel Comics series created in 1977 and based on the Burroughs character
- The fictional universe depicted in John Carter fiction, known commonly as Barsoom
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/John_Carter
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
John Esposito
John Louis Esposito (born May 19, 1940) is an American professor of International Affairs and Islamic Studies at Georgetown University in Washington, D.C. He is also the director of the Prince Alwaleed Center for Muslim–Christian Understanding at Georgetown.
Early life
Esposito was born in Brooklyn, New York City on 19 May 1940. He was raised a Roman Catholic in an Italian neighborhood in Brooklyn, and spent a decade in a Catholic monastery. After taking his first degree he worked as a management consultant and high-school teacher. He then studied and received a masters in theology at St. John's University. He earned a PhD at Temple University, Pennsylvania in 1974, studying Islam and held postdoctoral appointments at Harvard and Oxford.
Academic career
For nearly twenty years after completing his PhD, Esposito had taught religious studies (including Hinduism, Buddhism and Islam) at the College of the Holy Cross, a Jesuit college in Massachusetts. At Holy Cross, Esposito held the Loyola Professor of Middle East Studies position, was the chair of the Department of Religious Studies, and the director of college's Center for International Studies. At Georgetown University, Esposito holds the position of University Professor and teaches as both Professor of Religion and International Affairs and Professor of Islamic Studies. Esposito also works as a Senior Scientist at the Gallup Center for Muslim Studies, where he co-authored Who Speaks for Islam? What a Billion Muslims Really Think, which was published in March 2008.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/John_Esposito
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
The King
The King may refer to:
In gaming
As a nickname
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/The_King
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Malcolm Cecil
Malcolm Cecil (born 9 January 1937) is a British jazz bassist and Grammy Award-winning record producer.
Born in London, Cecil was a founding member of the UK's leading jazz quintet of the late 1950s, The Jazz Couriers, before going on to join a number of British jazz combos led by Dick Morrissey, Tony Crombie and Ronnie Scott in the late 50s and early 60s. He later joined Cyril Davies and Alexis Korner to form the original line-up of Blues Incorporated.
He later joined Robert Margouleff to form the duo TONTO's Expanding Head Band, a project based on a unique combination of synthesizers which led to them collaborating on and co-producing several of Stevie Wonder's Grammy-winning albums of the early 70s.
TONTO's Expanding Head Band
With Robert Margouleff, he formed the duo TONTO's Expanding Head Band, a synthesizer-based project. The duo were closely associated with Stevie Wonder's multiple Grammy Award winning Talking Book (1972), sharing the Best Engineered Album, Non-Classical award as well as collaborating on and co-producing classic Wonder albums such as Music of My Mind, Innervisions and Fulfillingness' First Finale.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Malcolm_Cecil
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Carter
Carter is a surname which originally meant a person who hauls goods in a cart. It comes from the Gaelic and Celtic word cairt (cart). Being of Gaelic and Celtic origins the name originated in Ireland and Scotland and later migrated to England where it was reduced to its English pronunciation and form. However, this name stems from a few common surnames, the names being McCarthy, McArthur and McCarter.
People with this surname may trace their ancestors back to Ireland, many of these name holders ancestors escaped Ireland during the Irish diaspora heading to Great Britain, the American colonies typically the colonies of New York, Massachusetts, Georgia and Virginia. Other immigrants entered the United States later during the Great Famine of Ireland in the 1840s and later. The Irish counties with the highest amount of families having this surname are Laois, Galway, Meath and Leitrim; Laois seems to be the place where most Carters settled or where the name began in origin. Within the past 150 to 200 years, the Carter surname has been adopted widely by the African American community, either with ethnic black and Irish mixing or taken from slavemasters by former slaves. This name is common among African Americans capable of tracing their roots back to the southern United States from the early 20th century onward.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Carter
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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11:21John Carter - Capture
John Carter - CaptureJohn Carter - Capture
Born in Fort Worth, Texas, Carter attended I.M. Terrell High School, and played music with schoolmates Ornette Coleman and Charles Moffett in the 1940s. From 1961, Carter was based mainly on the West Coast. There he met Bobby Bradford in 1965, with whom he subsequently worked on a number of projects. He also played with Hampton Hawes and Harold Land. In the 1970s Carter became well known on the basis of his extraordinary solo concerts. At New Jazz Festival Moers 1979 he and the German clarinet player Theo Jörgensmann performed on three days. Afterwards Carter received complimentary reviews and wide recognition from around the world. He and Jörgensmann met again in 1984. The program of the Berlin JazzFest was built around the clarinet. After Carter's solo performance, he and Jörgensmann also played together. Between 1982 and 1990 Carter composed and recorded Roots and Folklore: Episodes in the Development of American Folk Music, in five albums focused on African Americans and their history. The complete set was acclaimed by jazz critics as containing some of the best releases of the 1980s. A clarinet quartet with Perry Robinson, Jörgensmann and Eckard Koltermann was planned for 1991, but Carter did not recover from a nonmalignant tumor. Later that year he was inducted into the Down Beat Jazz Hall of Fame. fonte: http://en.wikipedia.org/wiki/John_Carter_%28jazz_musician%29 -
0:41John Carter / Bobby Bradford - Self Determination Music
John Carter / Bobby Bradford - Self Determination MusicJohn Carter / Bobby Bradford - Self Determination Music
http://acerecords.co.uk/self-determination-music One of the rarest Flying Dutchman releases is this album by Los Angeles-based improvisation masters John Carter and Bobby Bradford. The West Coast had an under-developed free jazz scene, but when label-owner Bob Thiele touched down in L.A. he had top tips to check out two groups. The first was pianist Horace Tapscott’s outfit, recommended to him by Leon Thomas, and the second was the New Art Jazz Ensemble led by trumpeter Bobby Bradford and reed player John Carter. Carter and Bradford both originated fromTexas, where Carter was a schoolmate of Ornette Coleman. Bradford moved to Los Angeles in the early 50s and joined Coleman’s group. It was Coleman who suggested he hook up with Carter, who had also settled on the West Coast. The two men found they had sympathetic musical ideas and began to put a group together, adding veteran drummer Bruz Freeman and bassist Tom Williamson. They released their debut album, “Seeking”, on the Revelation label. Thiele liked what he heard and signed the group. For their “Flight For Four” album, he felt it would make the group easier to sell if their name was changed to the John Carter & Bobby Bradford Quartet. Although not a big seller, the album was an artistically satisfying recording that showed Carter to be a rapidly emerging composer. Thiele soon had them back in the studio recording “Self Determination Music”, a thrilling album with the group’s sound boosted by second bass player Henry Franklin. The music is never easy but the compositions – three by Carter and one by Bradford – and the musical interplay between the musicians reward the listener. This is grown-up experimental music. Carter and Bradford would continue to thrive in various formats, but “Self Determination Music” is one of their finest works. Dean Rudland -
13:24John Carter - castles of Ghana
John Carter - castles of GhanaJohn Carter - castles of Ghana
Lp - Castles of Ghana (1986 / Gramavision) John Carter - clarinet , vocals Bobby Bradford - cornet Baikida Carroll - trumpet , vocals clarinet [bass] , bells , gong – Marty Ehrlich Benny Powell - trombone Richard Davis - bass Terry Jenoure - violin , vocals Andrew Cyrille - drums -
2:38Big John Carter @ King's Cross St. Pancras, London
Big John Carter @ King's Cross St. Pancras, LondonBig John Carter @ King's Cross St. Pancras, London
Mr. boogie woogie, Big John Carter on the piano in London's Kings Cross St. Pancras train station, 24/06/2013. -
11:55James Carter Quintet - In a Sentimental Mood
James Carter Quintet - In a Sentimental MoodJames Carter Quintet - In a Sentimental Mood
Festival Jazz San Javier 2010 James Carter, flute Corey Wilkes, trumpet Gerard Gibbs, piano Ralph Armstrong, bass Leonard King, drums -
8:16Benny Carter - Blues for George
Benny Carter - Blues for GeorgeBenny Carter - Blues for George
Album: Benny Carter A Gentleman and His Music 1985 Personnel: Benny Carter (alto saxophone); Scott Hamilton (tenor saxophone); Joe Wilder (trumpet, flugelhorn); Gene Harris (piano); Ed Bickert (guitar); John Clayton (bass); Jimmie Smith (drums) -
5:13The Dangerous Life of a Jazz Musician
The Dangerous Life of a Jazz MusicianThe Dangerous Life of a Jazz Musician
This is an educational video created to warn musicians about the dangers of doing jazz gigs. -
9:07Miles Davis - So What
Miles Davis - So WhatMiles Davis - So What
Miles Davis' official music video for 'So What'. Click to listen to Miles Davis on Spotify: http://smarturl.it/MDavisSpotify?IQid=MDSW As featured on Kind of Blue. Click to buy the track or album via iTunes: http://smarturl.it/MDKBiTunes?IQid=MDSW Google Play: http://smarturl.it/MDSWPlay?IQid=MDSW Amazon: http://smarturl.it/MDKBaz?IQid=MDSW More from Miles Davis Blue In Green (Audio): https://youtu.be/TLDflhhdPCg Freddie Freeloader (Audio): https://youtu.be/ZZcuSBouhVA All Blues (Audio): https://youtu.be/-488UORrfJ0 Follow Miles Davis Website: http://www.milesdavis.com/ Facebook: https://www.facebook.com/MilesDavis Twitter: https://twitter.com/milesdavis Myspace: https://myspace.com/milesdavis/ Subscribe to Miles Davis on YouTube: http://smarturl.it/MDavisSub?IQid=MDSW -
7:10Ron Carter - The Shadow Of Your Smile
Ron Carter - The Shadow Of Your SmileRon Carter - The Shadow Of Your Smile
Ron Carter (born May 4, 1937) is an American jazz double-bassist. His appearances on over 2,500 albums make him one of the most-recorded bassists in jazz history, along with Milt Hinton, Ray Brown and Leroy Vinnegar. Carter is also an acclaimed cellist who has recorded numerous times on that instrument. Ron Carter est un contrebassiste de jazz américain né le 4 mai 1937 à Ferndale dans l'État du Michigan. Le son unique de sa musique et ses fameux déhanchements ont fait de lui une figure légendaire du jazz ainsi qu'un musicien demandé. Ses contributions sur plus de 2 500 albums en font l'un des contrebassistes les plus enregistrés de l'histoire du jazz. Ron Carter est devenu célèbre en jouant avec Miles Davis. -
1:51Jazz - James Carter Sax Improv (2009) - World Saxhopone Quartet Live (DVD)
Jazz - James Carter Sax Improv (2009) - World Saxhopone Quartet Live (DVD)Jazz - James Carter Sax Improv (2009) - World Saxhopone Quartet Live (DVD)
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1:00:00Roulette TV: JOEY BARON
Roulette TV: JOEY BARONRoulette TV: JOEY BARON
Avant-garde jazz drummer Joey Baron has worked with an impressive list of musicians, including everyone from Bill Frisell, Stan Getz, and Tony Bennett to John Zorn, Laurie Anderson, Fred Frith, and Tim Berne. His own groups he has led include the "Down Home Group", Barondown, and Killer Joey and was a member of "Naked City" (with John Zorn, Bill Frisell, Fred Frith and Wayne Horvitz) and of Zorn's group Masada (Dave Douglas and Greg Cohen). Joey Baron was born 1955 in Richmond ,Va. He started drumming at age 9, performing profesionally the following year. His early musical education included private drum lessons as well as the wide genre radio programing of the 1960s. After finishing high school early through a special accelerated program, Mr. Baron spent time in Boston attending the Berklee School of Music.He settled in Los Angeles,California in 1975 to realize a dream of playing with the great jazz musician Carmen McRae,consequently becoming a much sought after singer's drummer. Since moving to New York City in 1983, Mr. Baron has continued to expand his scope and develope his musical ideas through collaborations with various artists including Red Rodney, Bill Frisell, Tim Berne, Ron Carter, and John Zorn ,with whom the collaboration continues to the present. Current projects include solo concert tours, duo concerts with Lee Konitz, Bill Frisell, his own band, "Killer Joey",The John Abercrombie Quartet, and the Schulkowsky, Studer, Baron drum trio. -
5:59The Art Tatum Centennial Celebration
The Art Tatum Centennial CelebrationThe Art Tatum Centennial Celebration
http://bit.ly/tatumcentennial - It is no stretch to state that Art Tatum was the jazz world's first, and arguably greatest, virtuoso. His seemingly effortless abilities on the keyboard placed him far above the most accomplished of his contemporaries. Art Tatum played beyond the pull of trends, creating music that defied categorization. He was among the most extraordinary of all jazz musicians; a pianist with wondrous technique who could not only play ridiculously rapid lines with both hands but was harmonically 30 years ahead of his time - all pianists have to deal to a certain extent with Tatum's innovations in order to be taken seriously. Concord Records "Art Tatum Centennial Celebration" features performances by Louis Bellson, Red Callender, Benny Carter, Buddy DeFranco, Bill Douglass, Harry Edison, Roy Eldridge, Lionel Hampton, Jo Jones, Barney Kessel, Buddy Rich, John Simmons, Alvin Stoller and Ben Webster. -
28:03Roulette TV: ANDREW CYRILLE
Roulette TV: ANDREW CYRILLERoulette TV: ANDREW CYRILLE
Andrew Cyrille, Bob Stewart, Roy Campbell Andrew Cyrille was born in Brooklyn, NY. As well as studying privately, he attended the Juilliard and Hartnett schools of music. He has performed with Jazz artists ranging from Coleman Hawkins, Illinois Jacquet and Mary Lou Williams to Kenny Dorham, Muhal Richard Abrams, Horace Tapscott, John Carter,Mal Waldron and David Murray. In 1964 he formed and association with pianist Cecil Taylor that would last for 11 years. He played drums for many notable dancer-choreogrphers from the mid to late 1960’s. He was artist-residence and teacher at Antioch College in Yellow Springs, Ohio from 1971 to 1973. Cyrille has also taught at the Graham Windham Home for Children in New York. He is currently a faculty member at the New School University (formally The New School for Social Research) in New York City. His sterling work has earned him a number of grants and awards from the National Endowment for the Arts and Meet the Composer, including a commission to create a new work for the Cleo Parker Robinson Dance Company in 1990. In 1999, he received a Guggenheim Fellowship for composition. Starting in 1969, Cyrille began to organize the first of several percussion groups, including Dialogue of the Drums, Pieces of Time, and Weights and Measures. Some of the distinguished artists who played in these groups were Kenny Clark, Milford Graves, Famoudou Don Moye, Michael Carvin and Obo Addy. Starting in 1988 through the present time, he has toured and performed here and abroad with the renown Russian percussionist, Vladimir Tarasov. In 1975, Cyrille formed a band called Maono (feelings) featuring various instrumental voices determined by his compositions. He is a member of Trio 3 featuring alto saxophonist, Oliver Lake and bassist, Reggie Workman. Also from time to time, he leads another group called Haitian Fascination, playing music inspired by the musical tradition from Haiti. Within the past several years, he has been collaborating and working with musicians such as saxophonist, Archie Shepp, trombonist, Roswell Rudd, trumpeter, Dave Douglas, bassists, Henry Grimes and William Parker, pianists Dave Burrell and Marilyn Crispell, and vibraphonist, Karl Berger. He continues to record and perform with duo, trio, quartet, quintet and big band formations. -
9:37Calling Forth the energies 2.bugalu drums
Calling Forth the energies 2.bugalu drumsCalling Forth the energies 2.bugalu drums
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th – - Marvin Bugalu Smith (Drums), - John Esposito (Piano), - Lew Scott (Bass) Plus: The Bugalu Drum Crew and other special guests Calling Forth the energies 1. The second week around, Is about calling forth the inner spirit “energies” needed to learn To play one’s musical instrument with command Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed is a good student a good teacher, and a good student are one. The teacher shows the way and the principals and the student fulfills the teacher’s idea young people today want everything without any real hard work this is not the case with bugalu’s 37 chambers there’s no easy way to past with bugalu you just need to study and be true to yourself. As kesai Riddick said I thought he (bugalu) was going to be like any other teacher I had had in the past, conventional and status quo. But I was mistaken. “Marvin bugalu Smith is a man who has journeyed deep within himself to find his hidden treasures“, he's done this through the vehicle of the drum. I thought my desire and determination to play the drums was going to be enough to get over. Marvin wanted much more than just superficial flights of fancy, he wanted real hardcore work and sacrifice because that's what he had when he was learning the drum set. When I first was studying with Marvin I was going to college at S.U.N.Y. New Paltz and studying with the resident drum teacher there. I would always put Marvin's teachings secondary to my school work because I felt passing was more important. It's not that I didn't respect what Marvin was teaching me but my attitude towards it was arrogant and naive. I didn't understand that the stuff Marvin was showing me was what was really needed on the bandstand and what really made the music happen bugalu and his drum crew provide the best possible environment. For studying the drums studying with live Masters on the stage these, Master’s play the music right, the first time around, There’s no better teaching then live teachers on stage, with the students The Master’s John Esposito is an accomplished Innovative pianist and is the head of the Jazz department at Bard college. Born in Brooklyn, Esposito was raised in the Hudson Valley in a family that included Policemen, but also artists and musicians. Over the years, he has played, Toured and recorded with both his own bands and as a sideman with players such As Thurman Barker, Nick Brignola, Roy Campbell, Santi Debriano, Carter Jefferson, John Lindberg, Erica Lindsay, Joe Lovano, J.R. Monterose, David "fathead" Newman, Roswell Rudd, Rashied Ali, Dave Douglas, Dave Holland, Franklin. Lew Scott bass is one of the hottest bass players today in jazz circles on the he plays with Melba Moor For more on bugalu’s teaching and other information, related to jazz drumming, go to jazzdrumlessons.com So with that said Here’s comes the music enjoy. Marvin bugalu Smith drums John Esposito piano Lew Scott bass
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John Carter - Capture
Born in Fort Worth, Texas, Carter attended I.M. Terrell High School, and played music with schoolmates Ornette Coleman and Charles Moffett in the 1940s. From 1961, Carter was based mainly on the West Coast. There he met Bobby Bradford in 1965, with whom he subsequently worked on a number of projects. He also played with Hampton Hawes and Harold Land. In the 1970s Carter became well known on the basis of his extraordinary solo concerts. At New Jazz Festival Moers 1979 he and the German clarinet player Theo Jörgensmann performed on three days. Afterwards Carter received complimentary reviews and wide recognition from around the world. He and Jörgensmann met again in 1984. The program of the Berlin JazzFest was built around the clarinet. After Carter's solo performance, he and Jörgensmann als...
published: 30 Jul 2014 -
John Carter / Bobby Bradford - Self Determination Music
http://acerecords.co.uk/self-determination-music One of the rarest Flying Dutchman releases is this album by Los Angeles-based improvisation masters John Carter and Bobby Bradford. The West Coast had an under-developed free jazz scene, but when label-owner Bob Thiele touched down in L.A. he had top tips to check out two groups. The first was pianist Horace Tapscott’s outfit, recommended to him by Leon Thomas, and the second was the New Art Jazz Ensemble led by trumpeter Bobby Bradford and reed player John Carter. Carter and Bradford both originated fromTexas, where Carter was a schoolmate of Ornette Coleman. Bradford moved to Los Angeles in the early 50s and joined Coleman’s group. It was Coleman who suggested he hook up with Carter, who had also settled on the West Coast. The two men fo...
published: 23 Feb 2015 -
John Carter - castles of Ghana
Lp - Castles of Ghana (1986 / Gramavision) John Carter - clarinet , vocals Bobby Bradford - cornet Baikida Carroll - trumpet , vocals clarinet [bass] , bells , gong – Marty Ehrlich Benny Powell - trombone Richard Davis - bass Terry Jenoure - violin , vocals Andrew Cyrille - drums
published: 20 Feb 2016 -
Big John Carter @ King's Cross St. Pancras, London
Mr. boogie woogie, Big John Carter on the piano in London's Kings Cross St. Pancras train station, 24/06/2013.
published: 17 May 2014 -
James Carter Quintet - In a Sentimental Mood
Festival Jazz San Javier 2010 James Carter, flute Corey Wilkes, trumpet Gerard Gibbs, piano Ralph Armstrong, bass Leonard King, drums
published: 18 Jan 2011 -
Benny Carter - Blues for George
Album: Benny Carter A Gentleman and His Music 1985 Personnel: Benny Carter (alto saxophone); Scott Hamilton (tenor saxophone); Joe Wilder (trumpet, flugelhorn); Gene Harris (piano); Ed Bickert (guitar); John Clayton (bass); Jimmie Smith (drums)
published: 31 Jan 2014 -
The Dangerous Life of a Jazz Musician
This is an educational video created to warn musicians about the dangers of doing jazz gigs.
published: 30 Dec 2008 -
Miles Davis - So What
Miles Davis' official music video for 'So What'. Click to listen to Miles Davis on Spotify: http://smarturl.it/MDavisSpotify?IQid=MDSW As featured on Kind of Blue. Click to buy the track or album via iTunes: http://smarturl.it/MDKBiTunes?IQid=MDSW Google Play: http://smarturl.it/MDSWPlay?IQid=MDSW Amazon: http://smarturl.it/MDKBaz?IQid=MDSW More from Miles Davis Blue In Green (Audio): https://youtu.be/TLDflhhdPCg Freddie Freeloader (Audio): https://youtu.be/ZZcuSBouhVA All Blues (Audio): https://youtu.be/-488UORrfJ0 Follow Miles Davis Website: http://www.milesdavis.com/ Facebook: https://www.facebook.com/MilesDavis Twitter: https://twitter.com/milesdavis Myspace: https://myspace.com/milesdavis/ Subscribe to Miles Davis on YouTube: http://smarturl.it/MDavisSub?IQid=MDSW
published: 20 Oct 2010 -
Ron Carter - The Shadow Of Your Smile
Ron Carter (born May 4, 1937) is an American jazz double-bassist. His appearances on over 2,500 albums make him one of the most-recorded bassists in jazz history, along with Milt Hinton, Ray Brown and Leroy Vinnegar. Carter is also an acclaimed cellist who has recorded numerous times on that instrument. Ron Carter est un contrebassiste de jazz américain né le 4 mai 1937 à Ferndale dans l'État du Michigan. Le son unique de sa musique et ses fameux déhanchements ont fait de lui une figure légendaire du jazz ainsi qu'un musicien demandé. Ses contributions sur plus de 2 500 albums en font l'un des contrebassistes les plus enregistrés de l'histoire du jazz. Ron Carter est devenu célèbre en jouant avec Miles Davis.
published: 21 Jun 2011 -
Jazz - James Carter Sax Improv (2009) - World Saxhopone Quartet Live (DVD)
published: 14 Nov 2011 -
Roulette TV: JOEY BARON
Avant-garde jazz drummer Joey Baron has worked with an impressive list of musicians, including everyone from Bill Frisell, Stan Getz, and Tony Bennett to John Zorn, Laurie Anderson, Fred Frith, and Tim Berne. His own groups he has led include the "Down Home Group", Barondown, and Killer Joey and was a member of "Naked City" (with John Zorn, Bill Frisell, Fred Frith and Wayne Horvitz) and of Zorn's group Masada (Dave Douglas and Greg Cohen). Joey Baron was born 1955 in Richmond ,Va. He started drumming at age 9, performing profesionally the following year. His early musical education included private drum lessons as well as the wide genre radio programing of the 1960s. After finishing high school early through a special accelerated program, Mr. Baron spent time in Boston attending the Berkl...
published: 20 Apr 2010 -
The Art Tatum Centennial Celebration
http://bit.ly/tatumcentennial - It is no stretch to state that Art Tatum was the jazz world's first, and arguably greatest, virtuoso. His seemingly effortless abilities on the keyboard placed him far above the most accomplished of his contemporaries. Art Tatum played beyond the pull of trends, creating music that defied categorization. He was among the most extraordinary of all jazz musicians; a pianist with wondrous technique who could not only play ridiculously rapid lines with both hands but was harmonically 30 years ahead of his time - all pianists have to deal to a certain extent with Tatum's innovations in order to be taken seriously. Concord Records "Art Tatum Centennial Celebration" features performances by Louis Bellson, Red Callender, Benny Carter, Buddy DeFranco, Bill Douglas...
published: 25 Sep 2009 -
Roulette TV: ANDREW CYRILLE
Andrew Cyrille, Bob Stewart, Roy Campbell Andrew Cyrille was born in Brooklyn, NY. As well as studying privately, he attended the Juilliard and Hartnett schools of music. He has performed with Jazz artists ranging from Coleman Hawkins, Illinois Jacquet and Mary Lou Williams to Kenny Dorham, Muhal Richard Abrams, Horace Tapscott, John Carter,Mal Waldron and David Murray. In 1964 he formed and association with pianist Cecil Taylor that would last for 11 years. He played drums for many notable dancer-choreogrphers from the mid to late 1960’s. He was artist-residence and teacher at Antioch College in Yellow Springs, Ohio from 1971 to 1973. Cyrille has also taught at the Graham Windham Home for Children in New York. He is currently a faculty member at the New School University (formally The Ne...
published: 29 Apr 2010 -
Calling Forth the energies 2.bugalu drums
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th – - Marvin Bugalu Smith (Drums), - John Esposito (Piano), - Lew Scott (Bass) Plus: The Bugalu Drum Crew and other special guests Calling Forth the energies 1. The second week around, Is about calling forth the inner spirit “energies” needed to learn To play one’s musical instrument with command Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed is a good student a good teacher, and a good student are on...
published: 01 Oct 2009 -
Truth be told, "BETTER THAN HOLLYWOOD” series 66 the Talmadge st. jam session part 1 the master sessions THE SECOND TIME AROUN
Bumar records presents the Talmadge st, jazz jam session 10/19/2010 Greg Glassman trumpet John Esposito piano Malcolm Cecil bass Marvin Bugalu Smith drums Truth be told, "BETTER THAN HOLLYWOOD” series 66 part 1 the master sessions THE SECOND TIME AROUND! Marvin Bugalu Smith Truth be told, "BETTER THAN HOLLYWOOD” series 66 part 1 the master sessions THE SECOND TIME AROUND! 1)-Tomorrow night only live from the Talmadge ST. jazz jam sessions 10/19/2010 - Series 66 Greg Glassman - Trumpet, Malcolm Cecil – bass And Baba Marvin Bugalu Smith drums 2.) I feel that the music from this session will move mountains in the human world, because it's humans who play this music, to make all people happy so this music is the drink of sound that makes people happy If they just listen to the whole show ...
published: 23 Oct 2010 -
Calling Forth the energies 1.bugalu drums
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th – - Marvin Bugalu Smith (Drums), - John Esposito (Piano), - Lew Scott (Bass) Plus: The Bugalu Drum Crew and other special guests Calling Forth the energies 1. The second week around, Is about calling forth the inner spirit “energies” needed to learn To play one’s musical instrument with command Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed ...
published: 01 Oct 2009 -
Nat King Cole Album #1 In Beautiful 1080p HD!!!
Nathaniel Adams Coles (March 17, 1919 -- February 15, 1965), known professionally as Nat King Cole, was an American musician who first came to prominence as a leading jazz pianist. He owes most of his popular musical fame to his soft baritone voice, which he used to perform in big band and jazz genres. He was one of the first black Americans to host a television variety show, and has maintained worldwide popularity since his death. Album Songs Included: 1) THAT SUNDAY THAT SUMMER (Joe Sherman / George David Weiss) Recorded by: Nat King Cole, Also recorded by: Beegie Adair, Ernestine Anderson, Roger Cairns, Betty Carter, Natalie Cole, Kathie Lee Gifford, Bill Henderson, Johnny Mathis, Bob McHugh, Dan McIntyre, Jimmy Rowles, Bobby Scott, George Shearing, Robert Stewart, Sweet N' Jazzy, Di...
published: 26 Jan 2012 -
The King Beez - RAM Entertainment
The King Beez are available with or without the horn section. The King Beez consist of 1 lead female singer, 2 male lead singers, 1 lead guitar, 1 keyboard player, drums, bass AND 2 horn players (1 sax and 1 trumpet) The King Beez have quickly become the "must have" band of the South! Don't miss your opportunity to party with this group of extremely talented veteran Memphis musicians! The common thread that connects Beale Street, B.B. King’s Blues Club and The King Beez is that they represent the best of the best. While this common thread unites these three together, the ultimate result is that they create an uncommon experience for those people who prefer to dwell in the world of rhythm and blues. Beale Street is the number one street of blues in the world while B.B. King’s Blues Club i...
published: 10 Nov 2011 -
Calling Forth the energies3. bugalu drums
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th – - Marvin Bugalu Smith (Drums), - John Esposito (Piano), - Lew Scott (Bass) Plus: The Bugalu Drum Crew and other special guests Calling Forth the energies 1. The second week around, Is about calling forth the inner spirit “energies” needed to learn To play one’s musical instrument with command. Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed is a good student a good teacher, and a good student are ...
published: 02 Oct 2009 -
The Pace Report: "Conversations With a Feelin' Good Bassist" The Christian McBride Interview
Bassist and bandleader Christian McBride is about to release two of the most important music projects of his 25 years in the business. Mack Avenue Records is set to release “The Good Feeling” which is McBride’s debut with his big band taking music fans on ride that produced some of his most innovative and spine-tingling arrangements and compositions. The disc features guest musicians Ron Blake, Nicholas Payton, and vocalist Melissa Walker. Another important release is “Conversations With Christian” which is set for release this November. This disc is something that came as a brainchild from his XM Satellite Radio show which he’s hosted for many years. Throughout his many years as both a leader and sideman, McBride has interviewed some of the most prolific musicians in jazz, rock, soul, and...
published: 14 Sep 2011
John Carter - Capture
- Order: Reorder
- Duration: 11:21
- Updated: 30 Jul 2014
- views: 4003
Born in Fort Worth, Texas, Carter attended I.M. Terrell High School, and played music with schoolmates Ornette Coleman and Charles Moffett in the 1940s. From 19...
Born in Fort Worth, Texas, Carter attended I.M. Terrell High School, and played music with schoolmates Ornette Coleman and Charles Moffett in the 1940s. From 1961, Carter was based mainly on the West Coast. There he met Bobby Bradford in 1965, with whom he subsequently worked on a number of projects. He also played with Hampton Hawes and Harold Land. In the 1970s Carter became well known on the basis of his extraordinary solo concerts. At New Jazz Festival Moers 1979 he and the German clarinet player Theo Jörgensmann performed on three days. Afterwards Carter received complimentary reviews and wide recognition from around the world. He and Jörgensmann met again in 1984. The program of the Berlin JazzFest was built around the clarinet. After Carter's solo performance, he and Jörgensmann also played together.
Between 1982 and 1990 Carter composed and recorded Roots and Folklore: Episodes in the Development of American Folk Music, in five albums focused on African Americans and their history. The complete set was acclaimed by jazz critics as containing some of the best releases of the 1980s.
A clarinet quartet with Perry Robinson, Jörgensmann and Eckard Koltermann was planned for 1991, but Carter did not recover from a nonmalignant tumor. Later that year he was inducted into the Down Beat Jazz Hall of Fame.
fonte: http://en.wikipedia.org/wiki/John_Carter_%28jazz_musician%29
https://wn.com/John_Carter_Capture
Born in Fort Worth, Texas, Carter attended I.M. Terrell High School, and played music with schoolmates Ornette Coleman and Charles Moffett in the 1940s. From 1961, Carter was based mainly on the West Coast. There he met Bobby Bradford in 1965, with whom he subsequently worked on a number of projects. He also played with Hampton Hawes and Harold Land. In the 1970s Carter became well known on the basis of his extraordinary solo concerts. At New Jazz Festival Moers 1979 he and the German clarinet player Theo Jörgensmann performed on three days. Afterwards Carter received complimentary reviews and wide recognition from around the world. He and Jörgensmann met again in 1984. The program of the Berlin JazzFest was built around the clarinet. After Carter's solo performance, he and Jörgensmann also played together.
Between 1982 and 1990 Carter composed and recorded Roots and Folklore: Episodes in the Development of American Folk Music, in five albums focused on African Americans and their history. The complete set was acclaimed by jazz critics as containing some of the best releases of the 1980s.
A clarinet quartet with Perry Robinson, Jörgensmann and Eckard Koltermann was planned for 1991, but Carter did not recover from a nonmalignant tumor. Later that year he was inducted into the Down Beat Jazz Hall of Fame.
fonte: http://en.wikipedia.org/wiki/John_Carter_%28jazz_musician%29
- published: 30 Jul 2014
- views: 4003
John Carter / Bobby Bradford - Self Determination Music
- Order: Reorder
- Duration: 0:41
- Updated: 23 Feb 2015
- views: 778
http://acerecords.co.uk/self-determination-music
One of the rarest Flying Dutchman releases is this album by Los Angeles-based improvisation masters John Carte...
http://acerecords.co.uk/self-determination-music
One of the rarest Flying Dutchman releases is this album by Los Angeles-based improvisation masters John Carter and Bobby Bradford. The West Coast had an under-developed free jazz scene, but when label-owner Bob Thiele touched down in L.A. he had top tips to check out two groups. The first was pianist Horace Tapscott’s outfit, recommended to him by Leon Thomas, and the second was the New Art Jazz Ensemble led by trumpeter Bobby Bradford and reed player John Carter.
Carter and Bradford both originated fromTexas, where Carter was a schoolmate of Ornette Coleman. Bradford moved to Los Angeles in the early 50s and joined Coleman’s group. It was Coleman who suggested he hook up with Carter, who had also settled on the West Coast. The two men found they had sympathetic musical ideas and began to put a group together, adding veteran drummer Bruz Freeman and bassist Tom Williamson. They released their debut album, “Seeking”, on the Revelation label.
Thiele liked what he heard and signed the group. For their “Flight For Four” album, he felt it would make the group easier to sell if their name was changed to the John Carter & Bobby Bradford Quartet. Although not a big seller, the album was an artistically satisfying recording that showed Carter to be a rapidly emerging composer. Thiele soon had them back in the studio recording “Self Determination Music”, a thrilling album with the group’s sound boosted by second bass player Henry Franklin. The music is never easy but the compositions – three by Carter and one by Bradford – and the musical interplay between the musicians reward the listener. This is grown-up experimental music. Carter and Bradford would continue to thrive in various formats, but “Self Determination Music” is one of their finest works.
Dean Rudland
https://wn.com/John_Carter_Bobby_Bradford_Self_Determination_Music
http://acerecords.co.uk/self-determination-music
One of the rarest Flying Dutchman releases is this album by Los Angeles-based improvisation masters John Carter and Bobby Bradford. The West Coast had an under-developed free jazz scene, but when label-owner Bob Thiele touched down in L.A. he had top tips to check out two groups. The first was pianist Horace Tapscott’s outfit, recommended to him by Leon Thomas, and the second was the New Art Jazz Ensemble led by trumpeter Bobby Bradford and reed player John Carter.
Carter and Bradford both originated fromTexas, where Carter was a schoolmate of Ornette Coleman. Bradford moved to Los Angeles in the early 50s and joined Coleman’s group. It was Coleman who suggested he hook up with Carter, who had also settled on the West Coast. The two men found they had sympathetic musical ideas and began to put a group together, adding veteran drummer Bruz Freeman and bassist Tom Williamson. They released their debut album, “Seeking”, on the Revelation label.
Thiele liked what he heard and signed the group. For their “Flight For Four” album, he felt it would make the group easier to sell if their name was changed to the John Carter & Bobby Bradford Quartet. Although not a big seller, the album was an artistically satisfying recording that showed Carter to be a rapidly emerging composer. Thiele soon had them back in the studio recording “Self Determination Music”, a thrilling album with the group’s sound boosted by second bass player Henry Franklin. The music is never easy but the compositions – three by Carter and one by Bradford – and the musical interplay between the musicians reward the listener. This is grown-up experimental music. Carter and Bradford would continue to thrive in various formats, but “Self Determination Music” is one of their finest works.
Dean Rudland
- published: 23 Feb 2015
- views: 778
John Carter - castles of Ghana
- Order: Reorder
- Duration: 13:24
- Updated: 20 Feb 2016
- views: 2519
Lp - Castles of Ghana (1986 / Gramavision)
John Carter - clarinet , vocals
Bobby Bradford - cornet
Baikida Carroll - trumpet , vocals
clarinet [bass] , bells ,...
Lp - Castles of Ghana (1986 / Gramavision)
John Carter - clarinet , vocals
Bobby Bradford - cornet
Baikida Carroll - trumpet , vocals
clarinet [bass] , bells , gong – Marty Ehrlich
Benny Powell - trombone
Richard Davis - bass
Terry Jenoure - violin , vocals
Andrew Cyrille - drums
https://wn.com/John_Carter_Castles_Of_Ghana
Lp - Castles of Ghana (1986 / Gramavision)
John Carter - clarinet , vocals
Bobby Bradford - cornet
Baikida Carroll - trumpet , vocals
clarinet [bass] , bells , gong – Marty Ehrlich
Benny Powell - trombone
Richard Davis - bass
Terry Jenoure - violin , vocals
Andrew Cyrille - drums
- published: 20 Feb 2016
- views: 2519
Big John Carter @ King's Cross St. Pancras, London
- Order: Reorder
- Duration: 2:38
- Updated: 17 May 2014
- views: 30430
Mr. boogie woogie, Big John Carter on the piano in London's Kings Cross St. Pancras train station, 24/06/2013.
Mr. boogie woogie, Big John Carter on the piano in London's Kings Cross St. Pancras train station, 24/06/2013.
https://wn.com/Big_John_Carter_King's_Cross_St._Pancras,_London
Mr. boogie woogie, Big John Carter on the piano in London's Kings Cross St. Pancras train station, 24/06/2013.
- published: 17 May 2014
- views: 30430
James Carter Quintet - In a Sentimental Mood
- Order: Reorder
- Duration: 11:55
- Updated: 18 Jan 2011
- views: 78950
Festival Jazz San Javier 2010
James Carter, flute
Corey Wilkes, trumpet
Gerard Gibbs, piano
Ralph Armstrong, bass
Leonard King, drums
Festival Jazz San Javier 2010
James Carter, flute
Corey Wilkes, trumpet
Gerard Gibbs, piano
Ralph Armstrong, bass
Leonard King, drums
https://wn.com/James_Carter_Quintet_In_A_Sentimental_Mood
Festival Jazz San Javier 2010
James Carter, flute
Corey Wilkes, trumpet
Gerard Gibbs, piano
Ralph Armstrong, bass
Leonard King, drums
- published: 18 Jan 2011
- views: 78950
Benny Carter - Blues for George
- Order: Reorder
- Duration: 8:16
- Updated: 31 Jan 2014
- views: 2266
Album: Benny Carter A Gentleman and His Music 1985
Personnel: Benny Carter (alto saxophone); Scott Hamilton (tenor saxophone); Joe Wilder (trumpet, flugelhorn)...
Album: Benny Carter A Gentleman and His Music 1985
Personnel: Benny Carter (alto saxophone); Scott Hamilton (tenor saxophone); Joe Wilder (trumpet, flugelhorn); Gene Harris (piano); Ed Bickert (guitar); John Clayton (bass); Jimmie Smith (drums)
https://wn.com/Benny_Carter_Blues_For_George
Album: Benny Carter A Gentleman and His Music 1985
Personnel: Benny Carter (alto saxophone); Scott Hamilton (tenor saxophone); Joe Wilder (trumpet, flugelhorn); Gene Harris (piano); Ed Bickert (guitar); John Clayton (bass); Jimmie Smith (drums)
- published: 31 Jan 2014
- views: 2266
The Dangerous Life of a Jazz Musician
- Order: Reorder
- Duration: 5:13
- Updated: 30 Dec 2008
- views: 5933
This is an educational video created to warn musicians about the dangers of doing jazz gigs.
This is an educational video created to warn musicians about the dangers of doing jazz gigs.
https://wn.com/The_Dangerous_Life_Of_A_Jazz_Musician
This is an educational video created to warn musicians about the dangers of doing jazz gigs.
- published: 30 Dec 2008
- views: 5933
Miles Davis - So What
- Order: Reorder
- Duration: 9:07
- Updated: 20 Oct 2010
- views: 6474997
Miles Davis' official music video for 'So What'. Click to listen to Miles Davis on Spotify: http://smarturl.it/MDavisSpotify?IQid=MDSW
As featured on Kind of B...
Miles Davis' official music video for 'So What'. Click to listen to Miles Davis on Spotify: http://smarturl.it/MDavisSpotify?IQid=MDSW
As featured on Kind of Blue. Click to buy the track or album via iTunes: http://smarturl.it/MDKBiTunes?IQid=MDSW
Google Play: http://smarturl.it/MDSWPlay?IQid=MDSW
Amazon: http://smarturl.it/MDKBaz?IQid=MDSW
More from Miles Davis
Blue In Green (Audio): https://youtu.be/TLDflhhdPCg
Freddie Freeloader (Audio): https://youtu.be/ZZcuSBouhVA
All Blues (Audio): https://youtu.be/-488UORrfJ0
Follow Miles Davis
Website: http://www.milesdavis.com/
Facebook: https://www.facebook.com/MilesDavis
Twitter: https://twitter.com/milesdavis
Myspace: https://myspace.com/milesdavis/
Subscribe to Miles Davis on YouTube: http://smarturl.it/MDavisSub?IQid=MDSW
https://wn.com/Miles_Davis_So_What
Miles Davis' official music video for 'So What'. Click to listen to Miles Davis on Spotify: http://smarturl.it/MDavisSpotify?IQid=MDSW
As featured on Kind of Blue. Click to buy the track or album via iTunes: http://smarturl.it/MDKBiTunes?IQid=MDSW
Google Play: http://smarturl.it/MDSWPlay?IQid=MDSW
Amazon: http://smarturl.it/MDKBaz?IQid=MDSW
More from Miles Davis
Blue In Green (Audio): https://youtu.be/TLDflhhdPCg
Freddie Freeloader (Audio): https://youtu.be/ZZcuSBouhVA
All Blues (Audio): https://youtu.be/-488UORrfJ0
Follow Miles Davis
Website: http://www.milesdavis.com/
Facebook: https://www.facebook.com/MilesDavis
Twitter: https://twitter.com/milesdavis
Myspace: https://myspace.com/milesdavis/
Subscribe to Miles Davis on YouTube: http://smarturl.it/MDavisSub?IQid=MDSW
- published: 20 Oct 2010
- views: 6474997
Ron Carter - The Shadow Of Your Smile
- Order: Reorder
- Duration: 7:10
- Updated: 21 Jun 2011
- views: 953716
Ron Carter (born May 4, 1937) is an American jazz double-bassist. His appearances on over 2,500 albums make him one of the most-recorded bassists in jazz histor...
Ron Carter (born May 4, 1937) is an American jazz double-bassist. His appearances on over 2,500 albums make him one of the most-recorded bassists in jazz history, along with Milt Hinton, Ray Brown and Leroy Vinnegar. Carter is also an acclaimed cellist who has recorded numerous times on that instrument.
Ron Carter est un contrebassiste de jazz américain né le 4 mai 1937 à Ferndale dans l'État du Michigan. Le son unique de sa musique et ses fameux déhanchements ont fait de lui une figure légendaire du jazz ainsi qu'un musicien demandé. Ses contributions sur plus de 2 500 albums en font l'un des contrebassistes les plus enregistrés de l'histoire du jazz. Ron Carter est devenu célèbre en jouant avec Miles Davis.
https://wn.com/Ron_Carter_The_Shadow_Of_Your_Smile
Ron Carter (born May 4, 1937) is an American jazz double-bassist. His appearances on over 2,500 albums make him one of the most-recorded bassists in jazz history, along with Milt Hinton, Ray Brown and Leroy Vinnegar. Carter is also an acclaimed cellist who has recorded numerous times on that instrument.
Ron Carter est un contrebassiste de jazz américain né le 4 mai 1937 à Ferndale dans l'État du Michigan. Le son unique de sa musique et ses fameux déhanchements ont fait de lui une figure légendaire du jazz ainsi qu'un musicien demandé. Ses contributions sur plus de 2 500 albums en font l'un des contrebassistes les plus enregistrés de l'histoire du jazz. Ron Carter est devenu célèbre en jouant avec Miles Davis.
- published: 21 Jun 2011
- views: 953716
Jazz - James Carter Sax Improv (2009) - World Saxhopone Quartet Live (DVD)
- Order: Reorder
- Duration: 1:51
- Updated: 14 Nov 2011
- views: 771518
- published: 14 Nov 2011
- views: 771518
Roulette TV: JOEY BARON
- Order: Reorder
- Duration: 1:00:00
- Updated: 01 Jan 2014
- views: 14730
Avant-garde jazz drummer Joey Baron has worked with an impressive list of musicians, including everyone from Bill Frisell, Stan Getz, and Tony Bennett to John Z...
Avant-garde jazz drummer Joey Baron has worked with an impressive list of musicians, including everyone from Bill Frisell, Stan Getz, and Tony Bennett to John Zorn, Laurie Anderson, Fred Frith, and Tim Berne. His own groups he has led include the "Down Home Group", Barondown, and Killer Joey and was a member of "Naked City" (with John Zorn, Bill Frisell, Fred Frith and Wayne Horvitz) and of Zorn's group Masada (Dave Douglas and Greg Cohen). Joey Baron was born 1955 in Richmond ,Va. He started drumming at age 9, performing profesionally the following year. His early musical education included private drum lessons as well as the wide genre radio programing of the 1960s. After finishing high school early through a special accelerated program, Mr. Baron spent time in Boston attending the Berklee School of Music.He settled in Los Angeles,California in 1975 to realize a dream of playing with the great jazz musician Carmen McRae,consequently becoming a much sought after singer's drummer. Since moving to New York City in 1983, Mr. Baron has continued to expand his scope and develope his musical ideas through collaborations with various artists including Red Rodney, Bill Frisell, Tim Berne, Ron Carter, and John Zorn ,with whom the collaboration continues to the present. Current projects include solo concert tours, duo concerts with Lee Konitz, Bill Frisell, his own band, "Killer Joey",The John Abercrombie Quartet, and the Schulkowsky, Studer, Baron drum trio.
https://wn.com/Roulette_Tv_Joey_Baron
Avant-garde jazz drummer Joey Baron has worked with an impressive list of musicians, including everyone from Bill Frisell, Stan Getz, and Tony Bennett to John Zorn, Laurie Anderson, Fred Frith, and Tim Berne. His own groups he has led include the "Down Home Group", Barondown, and Killer Joey and was a member of "Naked City" (with John Zorn, Bill Frisell, Fred Frith and Wayne Horvitz) and of Zorn's group Masada (Dave Douglas and Greg Cohen). Joey Baron was born 1955 in Richmond ,Va. He started drumming at age 9, performing profesionally the following year. His early musical education included private drum lessons as well as the wide genre radio programing of the 1960s. After finishing high school early through a special accelerated program, Mr. Baron spent time in Boston attending the Berklee School of Music.He settled in Los Angeles,California in 1975 to realize a dream of playing with the great jazz musician Carmen McRae,consequently becoming a much sought after singer's drummer. Since moving to New York City in 1983, Mr. Baron has continued to expand his scope and develope his musical ideas through collaborations with various artists including Red Rodney, Bill Frisell, Tim Berne, Ron Carter, and John Zorn ,with whom the collaboration continues to the present. Current projects include solo concert tours, duo concerts with Lee Konitz, Bill Frisell, his own band, "Killer Joey",The John Abercrombie Quartet, and the Schulkowsky, Studer, Baron drum trio.
- published: 20 Apr 2010
- views: 14730
The Art Tatum Centennial Celebration
- Order: Reorder
- Duration: 5:59
- Updated: 01 Jan 2014
- views: 1672
http://bit.ly/tatumcentennial - It is no stretch to state that Art Tatum was the jazz world's first, and arguably greatest, virtuoso. His seemingly effortless a...
http://bit.ly/tatumcentennial - It is no stretch to state that Art Tatum was the jazz world's first, and arguably greatest, virtuoso. His seemingly effortless abilities on the keyboard placed him far above the most accomplished of his contemporaries.
Art Tatum played beyond the pull of trends, creating music that defied categorization.
He was among the most extraordinary of all jazz musicians; a pianist with wondrous technique who could not only play ridiculously rapid lines with both hands but was harmonically 30 years ahead of his time - all pianists have to deal to a certain extent with Tatum's innovations in order to be taken seriously.
Concord Records "Art Tatum Centennial Celebration" features performances by Louis Bellson, Red Callender, Benny Carter, Buddy DeFranco, Bill Douglass, Harry Edison, Roy Eldridge, Lionel Hampton, Jo Jones, Barney Kessel, Buddy Rich, John Simmons, Alvin Stoller and Ben Webster.
https://wn.com/The_Art_Tatum_Centennial_Celebration
http://bit.ly/tatumcentennial - It is no stretch to state that Art Tatum was the jazz world's first, and arguably greatest, virtuoso. His seemingly effortless abilities on the keyboard placed him far above the most accomplished of his contemporaries.
Art Tatum played beyond the pull of trends, creating music that defied categorization.
He was among the most extraordinary of all jazz musicians; a pianist with wondrous technique who could not only play ridiculously rapid lines with both hands but was harmonically 30 years ahead of his time - all pianists have to deal to a certain extent with Tatum's innovations in order to be taken seriously.
Concord Records "Art Tatum Centennial Celebration" features performances by Louis Bellson, Red Callender, Benny Carter, Buddy DeFranco, Bill Douglass, Harry Edison, Roy Eldridge, Lionel Hampton, Jo Jones, Barney Kessel, Buddy Rich, John Simmons, Alvin Stoller and Ben Webster.
- published: 25 Sep 2009
- views: 1672
Roulette TV: ANDREW CYRILLE
- Order: Reorder
- Duration: 28:03
- Updated: 30 Dec 2013
- views: 1592
Andrew Cyrille, Bob Stewart, Roy Campbell
Andrew Cyrille was born in Brooklyn, NY. As well as studying privately, he attended the Juilliard and Hartnett school...
Andrew Cyrille, Bob Stewart, Roy Campbell
Andrew Cyrille was born in Brooklyn, NY. As well as studying privately, he attended the Juilliard and Hartnett schools of music. He has performed with Jazz artists ranging from Coleman Hawkins, Illinois Jacquet and Mary Lou Williams to Kenny Dorham, Muhal Richard Abrams, Horace Tapscott, John Carter,Mal Waldron and David Murray. In 1964 he formed and association with pianist Cecil Taylor that would last for 11 years. He played drums for many notable dancer-choreogrphers from the mid to late 1960’s. He was artist-residence and teacher at Antioch College in Yellow Springs, Ohio from 1971 to 1973. Cyrille has also taught at the Graham Windham Home for Children in New York. He is currently a faculty member at the New School University (formally The New School for Social Research) in New York City. His sterling work has earned him a number of grants and awards from the National Endowment for the Arts and Meet the Composer, including a commission to create a new work for the Cleo Parker Robinson Dance Company in 1990. In 1999, he received a Guggenheim Fellowship for composition. Starting in 1969, Cyrille began to organize the first of several percussion groups, including Dialogue of the Drums, Pieces of Time, and Weights and Measures. Some of the distinguished artists who played in these groups were Kenny Clark, Milford Graves, Famoudou Don Moye, Michael Carvin and Obo Addy. Starting in 1988 through the present time, he has toured and performed here and abroad with the renown Russian percussionist, Vladimir Tarasov. In 1975, Cyrille formed a band called Maono (feelings) featuring various instrumental voices determined by his compositions. He is a member of Trio 3 featuring alto saxophonist, Oliver Lake and bassist, Reggie Workman. Also from time to time, he leads another group called Haitian Fascination, playing music inspired by the musical tradition from Haiti. Within the past several years, he has been collaborating and working with musicians such as saxophonist, Archie Shepp, trombonist, Roswell Rudd, trumpeter, Dave Douglas, bassists, Henry Grimes and William Parker, pianists Dave Burrell and Marilyn Crispell, and vibraphonist, Karl Berger. He continues to record and perform with duo, trio, quartet, quintet and big band formations.
https://wn.com/Roulette_Tv_Andrew_Cyrille
Andrew Cyrille, Bob Stewart, Roy Campbell
Andrew Cyrille was born in Brooklyn, NY. As well as studying privately, he attended the Juilliard and Hartnett schools of music. He has performed with Jazz artists ranging from Coleman Hawkins, Illinois Jacquet and Mary Lou Williams to Kenny Dorham, Muhal Richard Abrams, Horace Tapscott, John Carter,Mal Waldron and David Murray. In 1964 he formed and association with pianist Cecil Taylor that would last for 11 years. He played drums for many notable dancer-choreogrphers from the mid to late 1960’s. He was artist-residence and teacher at Antioch College in Yellow Springs, Ohio from 1971 to 1973. Cyrille has also taught at the Graham Windham Home for Children in New York. He is currently a faculty member at the New School University (formally The New School for Social Research) in New York City. His sterling work has earned him a number of grants and awards from the National Endowment for the Arts and Meet the Composer, including a commission to create a new work for the Cleo Parker Robinson Dance Company in 1990. In 1999, he received a Guggenheim Fellowship for composition. Starting in 1969, Cyrille began to organize the first of several percussion groups, including Dialogue of the Drums, Pieces of Time, and Weights and Measures. Some of the distinguished artists who played in these groups were Kenny Clark, Milford Graves, Famoudou Don Moye, Michael Carvin and Obo Addy. Starting in 1988 through the present time, he has toured and performed here and abroad with the renown Russian percussionist, Vladimir Tarasov. In 1975, Cyrille formed a band called Maono (feelings) featuring various instrumental voices determined by his compositions. He is a member of Trio 3 featuring alto saxophonist, Oliver Lake and bassist, Reggie Workman. Also from time to time, he leads another group called Haitian Fascination, playing music inspired by the musical tradition from Haiti. Within the past several years, he has been collaborating and working with musicians such as saxophonist, Archie Shepp, trombonist, Roswell Rudd, trumpeter, Dave Douglas, bassists, Henry Grimes and William Parker, pianists Dave Burrell and Marilyn Crispell, and vibraphonist, Karl Berger. He continues to record and perform with duo, trio, quartet, quintet and big band formations.
- published: 29 Apr 2010
- views: 1592
Calling Forth the energies 2.bugalu drums
- Order: Reorder
- Duration: 9:37
- Updated: 11 Dec 2013
- views: 408
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
- Marvin Bugalu Smit...
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
- Marvin Bugalu Smith (Drums),
- John Esposito (Piano),
- Lew Scott (Bass)
Plus: The Bugalu Drum Crew and other special guests
Calling
Forth the energies 1. The second week around,
Is about calling forth the inner spirit “energies”
needed to learn
To play one’s musical instrument with command
Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers
Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed is a good student a good teacher, and a good student are one. The teacher shows the way and the principals and the student fulfills the teacher’s idea young people today want everything without any real hard work this is not the case with bugalu’s 37 chambers there’s no easy way to past with bugalu you just need to study and be true to yourself. As kesai Riddick said
I thought he (bugalu) was going to be like any other teacher I had had in the past, conventional and status quo. But I was mistaken. “Marvin bugalu Smith is a man who has journeyed deep within himself to find his hidden treasures“, he's done this through the vehicle of the drum. I thought my desire and determination to play the drums was going to be enough to get over. Marvin wanted much more than just superficial flights of fancy, he wanted real hardcore work and sacrifice because that's what he had when he was learning the drum set. When I first was studying with Marvin I was going to college at S.U.N.Y. New Paltz and studying with the resident drum teacher there. I would always put Marvin's teachings secondary to my school work because I felt passing was more important. It's not that I didn't respect what Marvin was teaching me but my attitude towards it was arrogant and naive. I didn't understand that the stuff Marvin was showing me was what was really needed on the bandstand and what really made the music happen bugalu and his drum crew provide the best possible environment. For studying the drums studying with live Masters on the stage these,
Master’s play the music right, the first time around, There’s no better teaching then live teachers on stage, with the students
The Master’s John Esposito is an accomplished
Innovative pianist and is the head of the Jazz department at Bard college. Born in
Brooklyn, Esposito was raised in the Hudson Valley in a family that included
Policemen, but also artists and musicians. Over the years, he has played,
Toured and recorded with both his own bands and as a sideman with players such
As Thurman Barker, Nick Brignola, Roy Campbell, Santi Debriano, Carter Jefferson,
John Lindberg, Erica Lindsay, Joe Lovano, J.R. Monterose, David "fathead"
Newman, Roswell Rudd, Rashied Ali, Dave Douglas, Dave Holland, Franklin.
Lew Scott bass is one of the hottest bass players today in jazz circles on the he plays with Melba Moor
For more on bugalu’s teaching and other information, related to jazz drumming, go to jazzdrumlessons.com
So with that said
Here’s comes the music enjoy.
Marvin bugalu Smith drums
John Esposito piano
Lew Scott bass
https://wn.com/Calling_Forth_The_Energies_2.Bugalu_Drums
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
- Marvin Bugalu Smith (Drums),
- John Esposito (Piano),
- Lew Scott (Bass)
Plus: The Bugalu Drum Crew and other special guests
Calling
Forth the energies 1. The second week around,
Is about calling forth the inner spirit “energies”
needed to learn
To play one’s musical instrument with command
Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers
Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed is a good student a good teacher, and a good student are one. The teacher shows the way and the principals and the student fulfills the teacher’s idea young people today want everything without any real hard work this is not the case with bugalu’s 37 chambers there’s no easy way to past with bugalu you just need to study and be true to yourself. As kesai Riddick said
I thought he (bugalu) was going to be like any other teacher I had had in the past, conventional and status quo. But I was mistaken. “Marvin bugalu Smith is a man who has journeyed deep within himself to find his hidden treasures“, he's done this through the vehicle of the drum. I thought my desire and determination to play the drums was going to be enough to get over. Marvin wanted much more than just superficial flights of fancy, he wanted real hardcore work and sacrifice because that's what he had when he was learning the drum set. When I first was studying with Marvin I was going to college at S.U.N.Y. New Paltz and studying with the resident drum teacher there. I would always put Marvin's teachings secondary to my school work because I felt passing was more important. It's not that I didn't respect what Marvin was teaching me but my attitude towards it was arrogant and naive. I didn't understand that the stuff Marvin was showing me was what was really needed on the bandstand and what really made the music happen bugalu and his drum crew provide the best possible environment. For studying the drums studying with live Masters on the stage these,
Master’s play the music right, the first time around, There’s no better teaching then live teachers on stage, with the students
The Master’s John Esposito is an accomplished
Innovative pianist and is the head of the Jazz department at Bard college. Born in
Brooklyn, Esposito was raised in the Hudson Valley in a family that included
Policemen, but also artists and musicians. Over the years, he has played,
Toured and recorded with both his own bands and as a sideman with players such
As Thurman Barker, Nick Brignola, Roy Campbell, Santi Debriano, Carter Jefferson,
John Lindberg, Erica Lindsay, Joe Lovano, J.R. Monterose, David "fathead"
Newman, Roswell Rudd, Rashied Ali, Dave Douglas, Dave Holland, Franklin.
Lew Scott bass is one of the hottest bass players today in jazz circles on the he plays with Melba Moor
For more on bugalu’s teaching and other information, related to jazz drumming, go to jazzdrumlessons.com
So with that said
Here’s comes the music enjoy.
Marvin bugalu Smith drums
John Esposito piano
Lew Scott bass
- published: 01 Oct 2009
- views: 408
Truth be told, "BETTER THAN HOLLYWOOD” series 66 the Talmadge st. jam session part 1 the master sessions THE SECOND TIME AROUN
- Order: Reorder
- Duration: 49:37
- Updated: 23 Dec 2013
- views: 380
Bumar records presents the Talmadge st, jazz jam session 10/19/2010
Greg Glassman trumpet
John Esposito piano
Malcolm Cecil bass
Marvin Bugalu Smith drums
Tru...
Bumar records presents the Talmadge st, jazz jam session 10/19/2010
Greg Glassman trumpet
John Esposito piano
Malcolm Cecil bass
Marvin Bugalu Smith drums
Truth be told, "BETTER THAN HOLLYWOOD” series 66 part 1 the master sessions THE SECOND TIME AROUND!
Marvin Bugalu Smith Truth be told, "BETTER THAN HOLLYWOOD” series 66 part 1 the master sessions THE SECOND TIME AROUND!
1)-Tomorrow night only live from the Talmadge ST. jazz jam sessions 10/19/2010 - Series 66 Greg Glassman - Trumpet, Malcolm Cecil – bass And Baba Marvin Bugalu Smith drums
2.) I feel that the music from this session will move mountains in the human world, because it's humans who play this music, to make all people happy so this music is the drink of sound that makes people happy If they just listen to the whole show just one time with a open mind and open heart This night was bigger and better because John Esposito came to play I never told him that Greg was coming up to play so the door bell ring and I opened the door to see John Esposito READY TO PLAY so what started as a trio is now a quartet ready to play some swing music hot jazz at the Talmadge ST. jazz jam sessions
This is the group that can bring it on and then some
Now you talk about a good feeling this group swing so hard with Greg Glassmen on trumpet Greg bring a fresh new sounds to this music with both old a new lines echoing in space though his magical trumpet sound I love Greg because he loves to take chances with the music right in the performance zone and this is what makes Greg Glassman
So wonderful to play with it’s his freshness in all his musical
Skills
Malcolm Cecil bass with over 70 years of playing experience now you talk about a bass player who can pull them strings Malcolm Cecil is the man who can do this better then anyone a masterful soloist who is at home with all types of music jazz rock funk he received a Grammy for his work with the great Stevie Wonder in the year 1973 for
Inner visions by Stevie Wonder Malcolm Cecil won the Grammy
playing
Bass, Producer, Engineer, Associate Producer, Synthesizer Programming
And now Malcolm Cecil comes and joins
This all star group, Malcolm Cecil bring such a great range of ideas from his great pulling ability behind the soloist and his great wisdom of harmonies and balance Malcolm Cecil has a great way of playing and inter playing with each musician that he plays with just listen to him on the first 4cuts Malcolm is just a joy to work with on any of my bandstands
John Esposito piano now I have heard many piano players but John Esposito is pound for pound the heaviest, hippest
And most energetic piano player that I have ever played with
Marvin Bugalu Smith
Truth be told, "BETTER THAN HOLLYWOOD” series 65 part 1 at BARD collage the master sessions! with
John Esposito head professor of jazz studies BARD collage
John Esposito piano
He’s the head professor of jazz studies at BARD collage. Now I have heard many piano players and also played with many but John Esposito is pound for pound the heaviest, and the hippest and most energetic piano player that I have ever played with
Pianist/Composer John Esposito has been a source of unbridled creativity for the last thirty plus+ years playing a broad range of improvisational music. His jazz playing ranges throughout the tradition from early styles like stride piano and swing through the mainstream and avant-garde movements. He has performed and recorded with artists including Nick Brignola, Dave Douglas, Dave Holland, Carter Jefferson, Bobby Johnson, Franklin Kiermyer, Joe Lovano, J.R. Monterose, David “Fathead” Newman, Eric Person, Arthur Rhames, Sam Rivers, Roswell Rudd, Pharaoh Sanders and John Stubblefield. He has also composed and performed for theater dance, TV, and performance art. John Esposito is a New York State native and grew up in a family steeped in musical tradition. His grandfather was a noted teacher and violin maker who played violin with the St. Louis Symphony Orchestra and also worked with various theatre and jazz bands on violin and reeds starting in the early 1920’s. John’s first performance experiences were playing harmonica in a blues band as a teenager. He attended SUNY Albany as a composition major. He spent several years after college in Albany as the house pianist at the Gemini Jazz café working with J.R. Monterose and Nick Brignola and led his own group before coming to New York City in 1980.
Read more :http://www.myspace.com/johnespositojazz#ixzz139ia4OF8
Malcolm Cecil bass with over 70 years of playing experience now you talk about a bass player who can pull them strings Malcolm Cecil is the man who can do this better then anyone a masterful soloist who is at home with all types of music jazz rock funk he received a Grammy for his work with the great Stevie Wonder in the year 1973 for Inner visions by Stevie Wonder Malcolm Cecil won the Grammy playing
Bass, Producer, Engineer, Associate Producer, Synthesizer Programmin
https://wn.com/Truth_Be_Told,_Better_Than_Hollywood”_Series_66_The_Talmadge_St._Jam_Session_Part_1_The_Master_Sessions_The_Second_Time_Aroun
Bumar records presents the Talmadge st, jazz jam session 10/19/2010
Greg Glassman trumpet
John Esposito piano
Malcolm Cecil bass
Marvin Bugalu Smith drums
Truth be told, "BETTER THAN HOLLYWOOD” series 66 part 1 the master sessions THE SECOND TIME AROUND!
Marvin Bugalu Smith Truth be told, "BETTER THAN HOLLYWOOD” series 66 part 1 the master sessions THE SECOND TIME AROUND!
1)-Tomorrow night only live from the Talmadge ST. jazz jam sessions 10/19/2010 - Series 66 Greg Glassman - Trumpet, Malcolm Cecil – bass And Baba Marvin Bugalu Smith drums
2.) I feel that the music from this session will move mountains in the human world, because it's humans who play this music, to make all people happy so this music is the drink of sound that makes people happy If they just listen to the whole show just one time with a open mind and open heart This night was bigger and better because John Esposito came to play I never told him that Greg was coming up to play so the door bell ring and I opened the door to see John Esposito READY TO PLAY so what started as a trio is now a quartet ready to play some swing music hot jazz at the Talmadge ST. jazz jam sessions
This is the group that can bring it on and then some
Now you talk about a good feeling this group swing so hard with Greg Glassmen on trumpet Greg bring a fresh new sounds to this music with both old a new lines echoing in space though his magical trumpet sound I love Greg because he loves to take chances with the music right in the performance zone and this is what makes Greg Glassman
So wonderful to play with it’s his freshness in all his musical
Skills
Malcolm Cecil bass with over 70 years of playing experience now you talk about a bass player who can pull them strings Malcolm Cecil is the man who can do this better then anyone a masterful soloist who is at home with all types of music jazz rock funk he received a Grammy for his work with the great Stevie Wonder in the year 1973 for
Inner visions by Stevie Wonder Malcolm Cecil won the Grammy
playing
Bass, Producer, Engineer, Associate Producer, Synthesizer Programming
And now Malcolm Cecil comes and joins
This all star group, Malcolm Cecil bring such a great range of ideas from his great pulling ability behind the soloist and his great wisdom of harmonies and balance Malcolm Cecil has a great way of playing and inter playing with each musician that he plays with just listen to him on the first 4cuts Malcolm is just a joy to work with on any of my bandstands
John Esposito piano now I have heard many piano players but John Esposito is pound for pound the heaviest, hippest
And most energetic piano player that I have ever played with
Marvin Bugalu Smith
Truth be told, "BETTER THAN HOLLYWOOD” series 65 part 1 at BARD collage the master sessions! with
John Esposito head professor of jazz studies BARD collage
John Esposito piano
He’s the head professor of jazz studies at BARD collage. Now I have heard many piano players and also played with many but John Esposito is pound for pound the heaviest, and the hippest and most energetic piano player that I have ever played with
Pianist/Composer John Esposito has been a source of unbridled creativity for the last thirty plus+ years playing a broad range of improvisational music. His jazz playing ranges throughout the tradition from early styles like stride piano and swing through the mainstream and avant-garde movements. He has performed and recorded with artists including Nick Brignola, Dave Douglas, Dave Holland, Carter Jefferson, Bobby Johnson, Franklin Kiermyer, Joe Lovano, J.R. Monterose, David “Fathead” Newman, Eric Person, Arthur Rhames, Sam Rivers, Roswell Rudd, Pharaoh Sanders and John Stubblefield. He has also composed and performed for theater dance, TV, and performance art. John Esposito is a New York State native and grew up in a family steeped in musical tradition. His grandfather was a noted teacher and violin maker who played violin with the St. Louis Symphony Orchestra and also worked with various theatre and jazz bands on violin and reeds starting in the early 1920’s. John’s first performance experiences were playing harmonica in a blues band as a teenager. He attended SUNY Albany as a composition major. He spent several years after college in Albany as the house pianist at the Gemini Jazz café working with J.R. Monterose and Nick Brignola and led his own group before coming to New York City in 1980.
Read more :http://www.myspace.com/johnespositojazz#ixzz139ia4OF8
Malcolm Cecil bass with over 70 years of playing experience now you talk about a bass player who can pull them strings Malcolm Cecil is the man who can do this better then anyone a masterful soloist who is at home with all types of music jazz rock funk he received a Grammy for his work with the great Stevie Wonder in the year 1973 for Inner visions by Stevie Wonder Malcolm Cecil won the Grammy playing
Bass, Producer, Engineer, Associate Producer, Synthesizer Programmin
- published: 23 Oct 2010
- views: 380
Calling Forth the energies 1.bugalu drums
- Order: Reorder
- Duration: 13:18
- Updated: 06 Aug 2013
- views: 405
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
- Marvin Bugalu Smi...
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
- Marvin Bugalu Smith (Drums),
- John Esposito (Piano),
- Lew Scott (Bass)
Plus: The Bugalu Drum Crew and other special guests
Calling
Forth the energies 1. The second week around,
Is about calling forth the inner spirit “energies”
needed to learn
To play one’s musical instrument with command
Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers
Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed is a good student a good teacher, and a good student are one. The teacher shows the way and the principals and the student fulfills the teacher’s idea young people today want everything without any real hard work this is not the case with bugalu’s 37 chambers there’s no easy way to past with bugalu you just need to study and be true to yourself. As kesai Riddick said
I thought he (bugalu) was going to be like any other teacher I had had in the past, conventional and status quo. But I was mistaken. “Marvin bugalu Smith is a man who has journeyed deep within himself to find his hidden treasures“, he's done this through the vehicle of the drum. I thought my desire and determination to play the drums was going to be enough to get over. Marvin wanted much more than just superficial flights of fancy, he wanted real hardcore work and sacrifice because that's what he had when he was learning the drum set. When I first was studying with Marvin I was going to college at S.U.N.Y. New Paltz and studying with the resident drum teacher there. I would always put Marvin's teachings secondary to my school work because I felt passing was more important. It's not that I didn't respect what Marvin was teaching me but my attitude towards it was arrogant and naive. I didn't understand that the stuff Marvin was showing me was what was really needed on the bandstand and what really made the music happen bugalu and his drum crew provide the best possible environment. For studying the drums studying with live Masters on the stage these,
Master’s play the music right, the first time around, There’s no better teaching then live teachers on stage, with the students
The Master’s John Esposito is an accomplished
Innovative pianist and is the head of the Jazz department at Bard college. Born in
Brooklyn, Esposito was raised in the Hudson Valley in a family that included
Policemen, but also artists and musicians. Over the years, he has played,
Toured and recorded with both his own bands and as a sideman with players such
As Thurman Barker, Nick Brignola, Roy Campbell, Santi Debriano, Carter Jefferson,
John Lindberg, Erica Lindsay, Joe Lovano, J.R. Monterose, David "fathead"
Newman, Roswell Rudd, Rashied Ali, Dave Douglas, Dave Holland, Franklin.
Lew Scott bass is one of the hottest bass players today in jazz circles on the he plays with Melba Moor
For more on bugalu’s teaching and other information, related to jazz drumming, go to jazzdrumlessons.com
So with that said
Here’s comes the music enjoy.
Marvin bugalu Smith drums
John Esposito piano
Lew Scott bass
Add a n
https://wn.com/Calling_Forth_The_Energies_1.Bugalu_Drums
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
- Marvin Bugalu Smith (Drums),
- John Esposito (Piano),
- Lew Scott (Bass)
Plus: The Bugalu Drum Crew and other special guests
Calling
Forth the energies 1. The second week around,
Is about calling forth the inner spirit “energies”
needed to learn
To play one’s musical instrument with command
Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers
Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed is a good student a good teacher, and a good student are one. The teacher shows the way and the principals and the student fulfills the teacher’s idea young people today want everything without any real hard work this is not the case with bugalu’s 37 chambers there’s no easy way to past with bugalu you just need to study and be true to yourself. As kesai Riddick said
I thought he (bugalu) was going to be like any other teacher I had had in the past, conventional and status quo. But I was mistaken. “Marvin bugalu Smith is a man who has journeyed deep within himself to find his hidden treasures“, he's done this through the vehicle of the drum. I thought my desire and determination to play the drums was going to be enough to get over. Marvin wanted much more than just superficial flights of fancy, he wanted real hardcore work and sacrifice because that's what he had when he was learning the drum set. When I first was studying with Marvin I was going to college at S.U.N.Y. New Paltz and studying with the resident drum teacher there. I would always put Marvin's teachings secondary to my school work because I felt passing was more important. It's not that I didn't respect what Marvin was teaching me but my attitude towards it was arrogant and naive. I didn't understand that the stuff Marvin was showing me was what was really needed on the bandstand and what really made the music happen bugalu and his drum crew provide the best possible environment. For studying the drums studying with live Masters on the stage these,
Master’s play the music right, the first time around, There’s no better teaching then live teachers on stage, with the students
The Master’s John Esposito is an accomplished
Innovative pianist and is the head of the Jazz department at Bard college. Born in
Brooklyn, Esposito was raised in the Hudson Valley in a family that included
Policemen, but also artists and musicians. Over the years, he has played,
Toured and recorded with both his own bands and as a sideman with players such
As Thurman Barker, Nick Brignola, Roy Campbell, Santi Debriano, Carter Jefferson,
John Lindberg, Erica Lindsay, Joe Lovano, J.R. Monterose, David "fathead"
Newman, Roswell Rudd, Rashied Ali, Dave Douglas, Dave Holland, Franklin.
Lew Scott bass is one of the hottest bass players today in jazz circles on the he plays with Melba Moor
For more on bugalu’s teaching and other information, related to jazz drumming, go to jazzdrumlessons.com
So with that said
Here’s comes the music enjoy.
Marvin bugalu Smith drums
John Esposito piano
Lew Scott bass
Add a n
- published: 01 Oct 2009
- views: 405
Nat King Cole Album #1 In Beautiful 1080p HD!!!
- Order: Reorder
- Duration: 15:01
- Updated: 01 Jan 2014
- views: 675
Nathaniel Adams Coles (March 17, 1919 -- February 15, 1965), known professionally as Nat King Cole, was an American musician who first came to prominence as a l...
Nathaniel Adams Coles (March 17, 1919 -- February 15, 1965), known professionally as Nat King Cole, was an American musician who first came to prominence as a leading jazz pianist. He owes most of his popular musical fame to his soft baritone voice, which he used to perform in big band and jazz genres. He was one of the first black Americans to host a television variety show, and has maintained worldwide popularity since his death.
Album Songs Included:
1) THAT SUNDAY THAT SUMMER (Joe Sherman / George David Weiss) Recorded by: Nat King Cole, Also recorded by: Beegie Adair, Ernestine Anderson, Roger Cairns, Betty Carter, Natalie Cole, Kathie Lee Gifford, Bill Henderson, Johnny Mathis, Bob McHugh, Dan McIntyre, Jimmy Rowles, Bobby Scott, George Shearing, Robert Stewart, Sweet N' Jazzy, Dinah Washinton, Jack Wilson, Danny Wright.
2) AUTUMN LEAVES
(Johnny Mercer)
Recorded by:
Ray Anthony; Chet Atkins; Joan Baez; Chet Baker; Count Basie;
Tony Bennett; Acker Bilk; Stanley Black; Pat Boone; Earl Bostic;
Benny Carter; Carmen Cavallaro; King Cole Trio; Nat King Cole;
Don Cornell; Bing Crosby; Xavier Cugat; Billy Daniels;
Miles Davis; Doris Day; Buddy DeFanco; Placido Domingo;
Billy Eckstine; Duke Ellington; The Everly Brothers; Percy Faith;
The Four Freshmen; Erroll Garner; Stan Getz; Dizzy Gillespie;
Jackie Gleason; Benny Goodman; Robert Goulet;
Grappelli & Menuhin; Stephane Grappelli; Buddy Greco; Ted Heath;
Joe Henderson; Harry James; Joni James; Tom Jones; Stan Kenton;
Eartha Kitt; Frankie Laine; Michel Legrande; Jerry Lee Lewis;
Vera Lynn; Gordon McRae; Manfred Mann; The Mantovani Orch.;
Manuel & his Music of the Mountains; Tony Martin; Al Martino;
Harpo Marx; Billy May; George Melachrino & his Orch.;
Sir Yehudi Menuhin; Johnny Mercer; Ethel Merman; Helen Merrill;
Mitch Miller; The Mills Brothers; Matt Monro; Nana Mouskouri;
Willie Nelson; Helen O'Connell; Patti Page; Norrie Paramour;
Art Pepper; Oscar Peterson; Edith Piaf; Gene Pitney; Louis Prima;
Frank Purcell; Lou Rawls; Artie Shaw; George Shearing;
Zoot Simms; Frank Sinatra; Keely Smith; Dorothy Squires;
Jo Stafford; Barbra Streisand; Dame Kiri Te Kanawa;
Jack Teagarden; Mel Tormé; Jackie Trent; Caterina Valente;
Sarah Vaughan; Paul Weston; Paul Whiteman; Andy Williams;
Roger Williams; Teddy Wilson; ..... and many more.
LES FEUILLES MORTES (La Chanson de Prévert)
(Jacques Prévert / Joseph Kosma)
Yves Montand (France)
Autres interprètes:
Serge Gainsbourg, Dalida, Mouloudji, Fernand Gignac, Nana Mouskouri.
3) IT'S ALL IN THE GAME
Elton John
Tommy Edwards
Many a tear has to fall,
but it's all... in the game
All in the wonderful game
that we know... as love
You had words with him,
and your future's looking dim
but these things your heart can rise above.
Once in a while he won't call,
but it's all... in the game.
Soon he'll be there at your side
with a sweet, bouquet.
Then he'll kiss... your lips
and caress your waiting fingertips
and your heart will fly away.
Once in a while he won't call,
but it's all... in the game.
Soon he'll be there at your side
with a sweet, bouquet.
Then he'll kiss... your lips
and caress your waiting fingertips
and your heart will fly away.
https://wn.com/Nat_King_Cole_Album_1_In_Beautiful_1080P_Hd
Nathaniel Adams Coles (March 17, 1919 -- February 15, 1965), known professionally as Nat King Cole, was an American musician who first came to prominence as a leading jazz pianist. He owes most of his popular musical fame to his soft baritone voice, which he used to perform in big band and jazz genres. He was one of the first black Americans to host a television variety show, and has maintained worldwide popularity since his death.
Album Songs Included:
1) THAT SUNDAY THAT SUMMER (Joe Sherman / George David Weiss) Recorded by: Nat King Cole, Also recorded by: Beegie Adair, Ernestine Anderson, Roger Cairns, Betty Carter, Natalie Cole, Kathie Lee Gifford, Bill Henderson, Johnny Mathis, Bob McHugh, Dan McIntyre, Jimmy Rowles, Bobby Scott, George Shearing, Robert Stewart, Sweet N' Jazzy, Dinah Washinton, Jack Wilson, Danny Wright.
2) AUTUMN LEAVES
(Johnny Mercer)
Recorded by:
Ray Anthony; Chet Atkins; Joan Baez; Chet Baker; Count Basie;
Tony Bennett; Acker Bilk; Stanley Black; Pat Boone; Earl Bostic;
Benny Carter; Carmen Cavallaro; King Cole Trio; Nat King Cole;
Don Cornell; Bing Crosby; Xavier Cugat; Billy Daniels;
Miles Davis; Doris Day; Buddy DeFanco; Placido Domingo;
Billy Eckstine; Duke Ellington; The Everly Brothers; Percy Faith;
The Four Freshmen; Erroll Garner; Stan Getz; Dizzy Gillespie;
Jackie Gleason; Benny Goodman; Robert Goulet;
Grappelli & Menuhin; Stephane Grappelli; Buddy Greco; Ted Heath;
Joe Henderson; Harry James; Joni James; Tom Jones; Stan Kenton;
Eartha Kitt; Frankie Laine; Michel Legrande; Jerry Lee Lewis;
Vera Lynn; Gordon McRae; Manfred Mann; The Mantovani Orch.;
Manuel & his Music of the Mountains; Tony Martin; Al Martino;
Harpo Marx; Billy May; George Melachrino & his Orch.;
Sir Yehudi Menuhin; Johnny Mercer; Ethel Merman; Helen Merrill;
Mitch Miller; The Mills Brothers; Matt Monro; Nana Mouskouri;
Willie Nelson; Helen O'Connell; Patti Page; Norrie Paramour;
Art Pepper; Oscar Peterson; Edith Piaf; Gene Pitney; Louis Prima;
Frank Purcell; Lou Rawls; Artie Shaw; George Shearing;
Zoot Simms; Frank Sinatra; Keely Smith; Dorothy Squires;
Jo Stafford; Barbra Streisand; Dame Kiri Te Kanawa;
Jack Teagarden; Mel Tormé; Jackie Trent; Caterina Valente;
Sarah Vaughan; Paul Weston; Paul Whiteman; Andy Williams;
Roger Williams; Teddy Wilson; ..... and many more.
LES FEUILLES MORTES (La Chanson de Prévert)
(Jacques Prévert / Joseph Kosma)
Yves Montand (France)
Autres interprètes:
Serge Gainsbourg, Dalida, Mouloudji, Fernand Gignac, Nana Mouskouri.
3) IT'S ALL IN THE GAME
Elton John
Tommy Edwards
Many a tear has to fall,
but it's all... in the game
All in the wonderful game
that we know... as love
You had words with him,
and your future's looking dim
but these things your heart can rise above.
Once in a while he won't call,
but it's all... in the game.
Soon he'll be there at your side
with a sweet, bouquet.
Then he'll kiss... your lips
and caress your waiting fingertips
and your heart will fly away.
Once in a while he won't call,
but it's all... in the game.
Soon he'll be there at your side
with a sweet, bouquet.
Then he'll kiss... your lips
and caress your waiting fingertips
and your heart will fly away.
- published: 26 Jan 2012
- views: 675
The King Beez - RAM Entertainment
- Order: Reorder
- Duration: 16:23
- Updated: 29 Dec 2013
- views: 363
The King Beez are available with or without the horn section. The King Beez consist of 1 lead female singer, 2 male lead singers, 1 lead guitar, 1 keyboard play...
The King Beez are available with or without the horn section. The King Beez consist of 1 lead female singer, 2 male lead singers, 1 lead guitar, 1 keyboard player, drums, bass AND 2 horn players (1 sax and 1 trumpet)
The King Beez have quickly become the "must have" band of the South! Don't miss your opportunity to party with this group of extremely talented veteran Memphis musicians!
The common thread that connects Beale Street, B.B. King’s Blues Club and The King Beez is that they represent the best of the best. While this common thread unites these three together, the ultimate result is that they create an uncommon experience for those people who prefer to dwell in the world of rhythm and blues. Beale Street is the number one street of blues in the world while B.B. King’s Blues Club is the premier blues club on Beale Street. The missing link that rounds out and perfects and enriches the blues experience for anyone, however, is The King Beez who have been center stage at B.B. King’s. This rhythm and blues group breathes life and breath into the very soul of rhythm and blues for they have captured the essence of this particular genre.
The King Beez was created when the Doctors of Rhythm and Blues, David Bowen, Solomon McDaniel and James Jackson came together in 1991 to form what they hoped would become the standard bearer for rhythm and blues bands in Memphis and beyond. During their search for the most accomplished musicians they could find, they molded a group of eight individuals into a fabulous musical force in the world of rhythm and blues. In the process, they have set the performance bar to a level that all other bands strive to achieve but seldom do. From the beginning, they became the main stay at B.B. King’s and continue to redefine excellence in a rhythm and blues performance on and off Beale Street.
This band has a way of satisfying your every musical taste. So sit back. Relax. And enjoy the show.
"Calling only three weeks out of an event when our original band (NOT affiliated with RAM,) canceled, we were panicked. RAM Entertainment assured us they would provide a group that we would not be disappointed with. That was an understatement! RAM's depth of talent is amazing & if we weren't smitten by "our" band, would try any they recommended."
"The King Beez. . . where to begin? As we all have heard, bees are becoming endangered - as are musicians with the heart & soul as The King Beez! They are not only gifted artist, but people of integrity.
We had the King Beez perform for a celebration of about 400 people & literally everyone who commented on the wondrous evening said words to this effect, 'Who was the band? They were the BEST of any group we have heard in years!!!
As people were coming in The King Beez were thoughtful to play softer & more subdued music. But once the crowd was in . . . the magic of their talent came alive. We were in a meadow under the Majesty of God's sky & their music was an "amen" to all that was and is.
One of the guest who arrived late had been to another party with a much better known group & they said the other group didn't hold a candle to The King Beez!!! If you are blessed enough to have them at any event, you will come away holding the melodies in your heart . . . a smile on your face . . . & very tired feet!
We are already planning another event just to have them back & we will select our date as to their availability . . . just want The King Beez!!! "Thanks" RAM Entertainment & The King Beez!!!"
SHARON BALE
WEDDING RECEPTION
“We were fortunate enough to have the King Beez play at my husband's and my wedding reception, and they were wonderful. Throughout the evening guests continually asked me and my parents who they were and how we found them. Not only were they very entertaining but also very musically talented. We appreciated that the band did learn a few songs that we requested including our first dance song. At the end of the reception we had a minor hiccup (the limo forgot to show up), but the guests were none the wiser because they were able to continue dancing to great music while we quickly made other arrangements. The King Beez made our reception very memorable. I highly recommend them, and my husband and I will be heading to BB King's in Memphis on Beale St to see them as often as I can!”
MADELINE WHITE
WEDDING RECEPTION
"I recommend using RAM entertainment for any party. The process of hiring the band for our daughter's wedding was as easy as could be. Everything was done through e-mail and if I had a question, I received a prompt reply.They were very helpful as I was working with a tight budget. They had several bands within my price range and all of them seemed to be very good. I was very impressed with the professionalism of those I worked with as well as the band. The King Beez were fabulous. The dance floor was crowded with all ages. They interacted with the crowd and they were just great. Everyone wanted to know where we
https://wn.com/The_King_Beez_Ram_Entertainment
The King Beez are available with or without the horn section. The King Beez consist of 1 lead female singer, 2 male lead singers, 1 lead guitar, 1 keyboard player, drums, bass AND 2 horn players (1 sax and 1 trumpet)
The King Beez have quickly become the "must have" band of the South! Don't miss your opportunity to party with this group of extremely talented veteran Memphis musicians!
The common thread that connects Beale Street, B.B. King’s Blues Club and The King Beez is that they represent the best of the best. While this common thread unites these three together, the ultimate result is that they create an uncommon experience for those people who prefer to dwell in the world of rhythm and blues. Beale Street is the number one street of blues in the world while B.B. King’s Blues Club is the premier blues club on Beale Street. The missing link that rounds out and perfects and enriches the blues experience for anyone, however, is The King Beez who have been center stage at B.B. King’s. This rhythm and blues group breathes life and breath into the very soul of rhythm and blues for they have captured the essence of this particular genre.
The King Beez was created when the Doctors of Rhythm and Blues, David Bowen, Solomon McDaniel and James Jackson came together in 1991 to form what they hoped would become the standard bearer for rhythm and blues bands in Memphis and beyond. During their search for the most accomplished musicians they could find, they molded a group of eight individuals into a fabulous musical force in the world of rhythm and blues. In the process, they have set the performance bar to a level that all other bands strive to achieve but seldom do. From the beginning, they became the main stay at B.B. King’s and continue to redefine excellence in a rhythm and blues performance on and off Beale Street.
This band has a way of satisfying your every musical taste. So sit back. Relax. And enjoy the show.
"Calling only three weeks out of an event when our original band (NOT affiliated with RAM,) canceled, we were panicked. RAM Entertainment assured us they would provide a group that we would not be disappointed with. That was an understatement! RAM's depth of talent is amazing & if we weren't smitten by "our" band, would try any they recommended."
"The King Beez. . . where to begin? As we all have heard, bees are becoming endangered - as are musicians with the heart & soul as The King Beez! They are not only gifted artist, but people of integrity.
We had the King Beez perform for a celebration of about 400 people & literally everyone who commented on the wondrous evening said words to this effect, 'Who was the band? They were the BEST of any group we have heard in years!!!
As people were coming in The King Beez were thoughtful to play softer & more subdued music. But once the crowd was in . . . the magic of their talent came alive. We were in a meadow under the Majesty of God's sky & their music was an "amen" to all that was and is.
One of the guest who arrived late had been to another party with a much better known group & they said the other group didn't hold a candle to The King Beez!!! If you are blessed enough to have them at any event, you will come away holding the melodies in your heart . . . a smile on your face . . . & very tired feet!
We are already planning another event just to have them back & we will select our date as to their availability . . . just want The King Beez!!! "Thanks" RAM Entertainment & The King Beez!!!"
SHARON BALE
WEDDING RECEPTION
“We were fortunate enough to have the King Beez play at my husband's and my wedding reception, and they were wonderful. Throughout the evening guests continually asked me and my parents who they were and how we found them. Not only were they very entertaining but also very musically talented. We appreciated that the band did learn a few songs that we requested including our first dance song. At the end of the reception we had a minor hiccup (the limo forgot to show up), but the guests were none the wiser because they were able to continue dancing to great music while we quickly made other arrangements. The King Beez made our reception very memorable. I highly recommend them, and my husband and I will be heading to BB King's in Memphis on Beale St to see them as often as I can!”
MADELINE WHITE
WEDDING RECEPTION
"I recommend using RAM entertainment for any party. The process of hiring the band for our daughter's wedding was as easy as could be. Everything was done through e-mail and if I had a question, I received a prompt reply.They were very helpful as I was working with a tight budget. They had several bands within my price range and all of them seemed to be very good. I was very impressed with the professionalism of those I worked with as well as the band. The King Beez were fabulous. The dance floor was crowded with all ages. They interacted with the crowd and they were just great. Everyone wanted to know where we
- published: 10 Nov 2011
- views: 363
Calling Forth the energies3. bugalu drums
- Order: Reorder
- Duration: 10:10
- Updated: 06 Aug 2013
- views: 376
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
-
Marvin Bugalu Smi...
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
-
Marvin Bugalu Smith (Drums),
- John Esposito (Piano),
- Lew Scott (Bass)
Plus: The Bugalu Drum Crew and other special guests
Calling
Forth the energies 1. The second week around,
Is about calling forth the inner spirit “energies”
needed to learn
To play one’s musical instrument with command.
Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers
Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed is a good student a good teacher, and a good student are one. The teacher shows the way and the principals and the student fulfills the teacher’s idea young people today want everything without any real hard work this is not the case with bugalu’s 37 chambers there’s no easy way to past with bugalu you just need to study and be true to yourself. As kesai Riddick said
I thought he (bugalu) was going to be like any other teacher I had had in the past, conventional and status quo. But I was mistaken. “Marvin bugalu Smith is a man who has journeyed deep within himself to find his hidden treasures“, he's done this through the vehicle of the drum. I thought my desire and determination to play the drums was going to be enough to get over. Marvin wanted much more than just superficial flights of fancy, he wanted real hardcore work and sacrifice because that's what he had when he was learning the drum set. When I first was studying with Marvin I was going to college at S.U.N.Y. New Paltz and studying with the resident drum teacher there. I would always put Marvin's teachings secondary to my school work because I felt passing was more important. It's not that I didn't respect what Marvin was teaching me but my attitude towards it was arrogant and naive. I didn't understand that the stuff Marvin was showing me was what was really needed on the bandstand and what really made the music happen bugalu and his drum crew provide the best possible environment. For studying the drums studying with live Masters on the stage these,
Master’s play the music right, the first time around, There’s no better teaching then live teachers on stage, with the students
The Master’s John Esposito is an accomplished
Innovative pianist and is the head of the Jazz department at Bard college. Born in
Brooklyn, Esposito was raised in the Hudson Valley in a family that included
Policemen, but also artists and musicians. Over the years, he has played,
Toured and recorded with both his own bands and as a sideman with players such
As Thurman Barker, Nick Brignola, Roy Campbell, Santi Debriano, Carter Jefferson,
John Lindberg, Erica Lindsay, Joe Lovano, J.R. Monterose, David "fathead"
Newman, Roswell Rudd, Rashied Ali, Dave Douglas, Dave Holland, Franklin.
Lew Scott bass is one of the hottest bass players today in jazz circles on the he plays with Melba Moor
For more on bugalu’s teaching and other information, related to jazz drumming, go to jazzdrumlessons.com
So with that said
Here’s comes the music enjoy.
Marvin bugalu Smith drums
John Esposito piano
Lew Scott bass
https://wn.com/Calling_Forth_The_Energies3._Bugalu_Drums
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
-
Marvin Bugalu Smith (Drums),
- John Esposito (Piano),
- Lew Scott (Bass)
Plus: The Bugalu Drum Crew and other special guests
Calling
Forth the energies 1. The second week around,
Is about calling forth the inner spirit “energies”
needed to learn
To play one’s musical instrument with command.
Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers
Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed is a good student a good teacher, and a good student are one. The teacher shows the way and the principals and the student fulfills the teacher’s idea young people today want everything without any real hard work this is not the case with bugalu’s 37 chambers there’s no easy way to past with bugalu you just need to study and be true to yourself. As kesai Riddick said
I thought he (bugalu) was going to be like any other teacher I had had in the past, conventional and status quo. But I was mistaken. “Marvin bugalu Smith is a man who has journeyed deep within himself to find his hidden treasures“, he's done this through the vehicle of the drum. I thought my desire and determination to play the drums was going to be enough to get over. Marvin wanted much more than just superficial flights of fancy, he wanted real hardcore work and sacrifice because that's what he had when he was learning the drum set. When I first was studying with Marvin I was going to college at S.U.N.Y. New Paltz and studying with the resident drum teacher there. I would always put Marvin's teachings secondary to my school work because I felt passing was more important. It's not that I didn't respect what Marvin was teaching me but my attitude towards it was arrogant and naive. I didn't understand that the stuff Marvin was showing me was what was really needed on the bandstand and what really made the music happen bugalu and his drum crew provide the best possible environment. For studying the drums studying with live Masters on the stage these,
Master’s play the music right, the first time around, There’s no better teaching then live teachers on stage, with the students
The Master’s John Esposito is an accomplished
Innovative pianist and is the head of the Jazz department at Bard college. Born in
Brooklyn, Esposito was raised in the Hudson Valley in a family that included
Policemen, but also artists and musicians. Over the years, he has played,
Toured and recorded with both his own bands and as a sideman with players such
As Thurman Barker, Nick Brignola, Roy Campbell, Santi Debriano, Carter Jefferson,
John Lindberg, Erica Lindsay, Joe Lovano, J.R. Monterose, David "fathead"
Newman, Roswell Rudd, Rashied Ali, Dave Douglas, Dave Holland, Franklin.
Lew Scott bass is one of the hottest bass players today in jazz circles on the he plays with Melba Moor
For more on bugalu’s teaching and other information, related to jazz drumming, go to jazzdrumlessons.com
So with that said
Here’s comes the music enjoy.
Marvin bugalu Smith drums
John Esposito piano
Lew Scott bass
- published: 02 Oct 2009
- views: 376
The Pace Report: "Conversations With a Feelin' Good Bassist" The Christian McBride Interview
- Order: Reorder
- Duration: 17:41
- Updated: 21 Aug 2013
- views: 312
Bassist and bandleader Christian McBride is about to release two of the most important music projects of his 25 years in the business. Mack Avenue Records is se...
Bassist and bandleader Christian McBride is about to release two of the most important music projects of his 25 years in the business. Mack Avenue Records is set to release “The Good Feeling” which is McBride’s debut with his big band taking music fans on ride that produced some of his most innovative and spine-tingling arrangements and compositions. The disc features guest musicians Ron Blake, Nicholas Payton, and vocalist Melissa Walker. Another important release is “Conversations With Christian” which is set for release this November. This disc is something that came as a brainchild from his XM Satellite Radio show which he’s hosted for many years. Throughout his many years as both a leader and sideman, McBride has interviewed some of the most prolific musicians in jazz, rock, soul, and hip-hop. So, he recorded music with some of the musicians from his conversations ranging from Regina Carter, Sting, and Roy Haynes. Also featured on the disc are sessions with the late Dr. Billy Taylor and Hank Jones.
Christian has worn many shoes both in front and behind the scenes serving both as an artistic and musical director for jazz festivals all over the world, a master musician and clinician, radio show host, dedicated husband,and heading his own bands. He’s toured music icons ranging from guitarist Pat Metheny to Chick Corea and John McLaughlin. McBride is one of the most requested bassists in jazz. The Philadelphia native boasts that “the bass was in his blood!” His father is bassist Lee Smith who backed the legendary Mongo Santamaria, to soul legends like Blue Magic and Brenda and the Tabulations. From the age of 8 years old the young McBride found his way both as a musician as well as spokesman for jazz.
In addition to heading his group Inside Straight, this year he’ll also be playing some special dates with the Christian McBride Big Band. To order “The Good Feeling” or “Conversations With Christian,” please visit him on the web at www.christianmcbride.com or www.mackavenuerecords.com
https://wn.com/The_Pace_Report_Conversations_With_A_Feelin'_Good_Bassist_The_Christian_Mcbride_Interview
Bassist and bandleader Christian McBride is about to release two of the most important music projects of his 25 years in the business. Mack Avenue Records is set to release “The Good Feeling” which is McBride’s debut with his big band taking music fans on ride that produced some of his most innovative and spine-tingling arrangements and compositions. The disc features guest musicians Ron Blake, Nicholas Payton, and vocalist Melissa Walker. Another important release is “Conversations With Christian” which is set for release this November. This disc is something that came as a brainchild from his XM Satellite Radio show which he’s hosted for many years. Throughout his many years as both a leader and sideman, McBride has interviewed some of the most prolific musicians in jazz, rock, soul, and hip-hop. So, he recorded music with some of the musicians from his conversations ranging from Regina Carter, Sting, and Roy Haynes. Also featured on the disc are sessions with the late Dr. Billy Taylor and Hank Jones.
Christian has worn many shoes both in front and behind the scenes serving both as an artistic and musical director for jazz festivals all over the world, a master musician and clinician, radio show host, dedicated husband,and heading his own bands. He’s toured music icons ranging from guitarist Pat Metheny to Chick Corea and John McLaughlin. McBride is one of the most requested bassists in jazz. The Philadelphia native boasts that “the bass was in his blood!” His father is bassist Lee Smith who backed the legendary Mongo Santamaria, to soul legends like Blue Magic and Brenda and the Tabulations. From the age of 8 years old the young McBride found his way both as a musician as well as spokesman for jazz.
In addition to heading his group Inside Straight, this year he’ll also be playing some special dates with the Christian McBride Big Band. To order “The Good Feeling” or “Conversations With Christian,” please visit him on the web at www.christianmcbride.com or www.mackavenuerecords.com
- published: 14 Sep 2011
- views: 312
-
John Carter - Capture
Born in Fort Worth, Texas, Carter attended I.M. Terrell High School, and played music with schoolmates Ornette Coleman and Charles Moffett in the 1940s. From 1961, Carter was based mainly on the West Coast. There he met Bobby Bradford in 1965, with whom he subsequently worked on a number of projects. He also played with Hampton Hawes and Harold Land. In the 1970s Carter became well known on the basis of his extraordinary solo concerts. At New Jazz Festival Moers 1979 he and the German clarinet player Theo Jörgensmann performed on three days. Afterwards Carter received complimentary reviews and wide recognition from around the world. He and Jörgensmann met again in 1984. The program of the Berlin JazzFest was built around the clarinet. After Carter's solo performance, he and Jörgensmann als...
published: 30 Jul 2014 -
John Carter / Bobby Bradford - Self Determination Music
http://acerecords.co.uk/self-determination-music One of the rarest Flying Dutchman releases is this album by Los Angeles-based improvisation masters John Carter and Bobby Bradford. The West Coast had an under-developed free jazz scene, but when label-owner Bob Thiele touched down in L.A. he had top tips to check out two groups. The first was pianist Horace Tapscott’s outfit, recommended to him by Leon Thomas, and the second was the New Art Jazz Ensemble led by trumpeter Bobby Bradford and reed player John Carter. Carter and Bradford both originated fromTexas, where Carter was a schoolmate of Ornette Coleman. Bradford moved to Los Angeles in the early 50s and joined Coleman’s group. It was Coleman who suggested he hook up with Carter, who had also settled on the West Coast. The two men fo...
published: 23 Feb 2015 -
John Carter - castles of Ghana
Lp - Castles of Ghana (1986 / Gramavision) John Carter - clarinet , vocals Bobby Bradford - cornet Baikida Carroll - trumpet , vocals clarinet [bass] , bells , gong – Marty Ehrlich Benny Powell - trombone Richard Davis - bass Terry Jenoure - violin , vocals Andrew Cyrille - drums
published: 20 Feb 2016 -
Big John Carter @ King's Cross St. Pancras, London
Mr. boogie woogie, Big John Carter on the piano in London's Kings Cross St. Pancras train station, 24/06/2013.
published: 17 May 2014 -
James Carter Quintet - In a Sentimental Mood
Festival Jazz San Javier 2010 James Carter, flute Corey Wilkes, trumpet Gerard Gibbs, piano Ralph Armstrong, bass Leonard King, drums
published: 18 Jan 2011 -
Benny Carter - Blues for George
Album: Benny Carter A Gentleman and His Music 1985 Personnel: Benny Carter (alto saxophone); Scott Hamilton (tenor saxophone); Joe Wilder (trumpet, flugelhorn); Gene Harris (piano); Ed Bickert (guitar); John Clayton (bass); Jimmie Smith (drums)
published: 31 Jan 2014 -
The Dangerous Life of a Jazz Musician
This is an educational video created to warn musicians about the dangers of doing jazz gigs.
published: 30 Dec 2008 -
Miles Davis - So What
Miles Davis' official music video for 'So What'. Click to listen to Miles Davis on Spotify: http://smarturl.it/MDavisSpotify?IQid=MDSW As featured on Kind of Blue. Click to buy the track or album via iTunes: http://smarturl.it/MDKBiTunes?IQid=MDSW Google Play: http://smarturl.it/MDSWPlay?IQid=MDSW Amazon: http://smarturl.it/MDKBaz?IQid=MDSW More from Miles Davis Blue In Green (Audio): https://youtu.be/TLDflhhdPCg Freddie Freeloader (Audio): https://youtu.be/ZZcuSBouhVA All Blues (Audio): https://youtu.be/-488UORrfJ0 Follow Miles Davis Website: http://www.milesdavis.com/ Facebook: https://www.facebook.com/MilesDavis Twitter: https://twitter.com/milesdavis Myspace: https://myspace.com/milesdavis/ Subscribe to Miles Davis on YouTube: http://smarturl.it/MDavisSub?IQid=MDSW
published: 20 Oct 2010 -
Ron Carter - The Shadow Of Your Smile
Ron Carter (born May 4, 1937) is an American jazz double-bassist. His appearances on over 2,500 albums make him one of the most-recorded bassists in jazz history, along with Milt Hinton, Ray Brown and Leroy Vinnegar. Carter is also an acclaimed cellist who has recorded numerous times on that instrument. Ron Carter est un contrebassiste de jazz américain né le 4 mai 1937 à Ferndale dans l'État du Michigan. Le son unique de sa musique et ses fameux déhanchements ont fait de lui une figure légendaire du jazz ainsi qu'un musicien demandé. Ses contributions sur plus de 2 500 albums en font l'un des contrebassistes les plus enregistrés de l'histoire du jazz. Ron Carter est devenu célèbre en jouant avec Miles Davis.
published: 21 Jun 2011 -
Jazz - James Carter Sax Improv (2009) - World Saxhopone Quartet Live (DVD)
published: 14 Nov 2011 -
Roulette TV: JOEY BARON
Avant-garde jazz drummer Joey Baron has worked with an impressive list of musicians, including everyone from Bill Frisell, Stan Getz, and Tony Bennett to John Zorn, Laurie Anderson, Fred Frith, and Tim Berne. His own groups he has led include the "Down Home Group", Barondown, and Killer Joey and was a member of "Naked City" (with John Zorn, Bill Frisell, Fred Frith and Wayne Horvitz) and of Zorn's group Masada (Dave Douglas and Greg Cohen). Joey Baron was born 1955 in Richmond ,Va. He started drumming at age 9, performing profesionally the following year. His early musical education included private drum lessons as well as the wide genre radio programing of the 1960s. After finishing high school early through a special accelerated program, Mr. Baron spent time in Boston attending the Berkl...
published: 20 Apr 2010 -
The Art Tatum Centennial Celebration
http://bit.ly/tatumcentennial - It is no stretch to state that Art Tatum was the jazz world's first, and arguably greatest, virtuoso. His seemingly effortless abilities on the keyboard placed him far above the most accomplished of his contemporaries. Art Tatum played beyond the pull of trends, creating music that defied categorization. He was among the most extraordinary of all jazz musicians; a pianist with wondrous technique who could not only play ridiculously rapid lines with both hands but was harmonically 30 years ahead of his time - all pianists have to deal to a certain extent with Tatum's innovations in order to be taken seriously. Concord Records "Art Tatum Centennial Celebration" features performances by Louis Bellson, Red Callender, Benny Carter, Buddy DeFranco, Bill Douglas...
published: 25 Sep 2009 -
Roulette TV: ANDREW CYRILLE
Andrew Cyrille, Bob Stewart, Roy Campbell Andrew Cyrille was born in Brooklyn, NY. As well as studying privately, he attended the Juilliard and Hartnett schools of music. He has performed with Jazz artists ranging from Coleman Hawkins, Illinois Jacquet and Mary Lou Williams to Kenny Dorham, Muhal Richard Abrams, Horace Tapscott, John Carter,Mal Waldron and David Murray. In 1964 he formed and association with pianist Cecil Taylor that would last for 11 years. He played drums for many notable dancer-choreogrphers from the mid to late 1960’s. He was artist-residence and teacher at Antioch College in Yellow Springs, Ohio from 1971 to 1973. Cyrille has also taught at the Graham Windham Home for Children in New York. He is currently a faculty member at the New School University (formally The Ne...
published: 29 Apr 2010 -
Calling Forth the energies 2.bugalu drums
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th – - Marvin Bugalu Smith (Drums), - John Esposito (Piano), - Lew Scott (Bass) Plus: The Bugalu Drum Crew and other special guests Calling Forth the energies 1. The second week around, Is about calling forth the inner spirit “energies” needed to learn To play one’s musical instrument with command Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed is a good student a good teacher, and a good student are on...
published: 01 Oct 2009 -
Truth be told, "BETTER THAN HOLLYWOOD” series 66 the Talmadge st. jam session part 1 the master sessions THE SECOND TIME AROUN
Bumar records presents the Talmadge st, jazz jam session 10/19/2010 Greg Glassman trumpet John Esposito piano Malcolm Cecil bass Marvin Bugalu Smith drums Truth be told, "BETTER THAN HOLLYWOOD” series 66 part 1 the master sessions THE SECOND TIME AROUND! Marvin Bugalu Smith Truth be told, "BETTER THAN HOLLYWOOD” series 66 part 1 the master sessions THE SECOND TIME AROUND! 1)-Tomorrow night only live from the Talmadge ST. jazz jam sessions 10/19/2010 - Series 66 Greg Glassman - Trumpet, Malcolm Cecil – bass And Baba Marvin Bugalu Smith drums 2.) I feel that the music from this session will move mountains in the human world, because it's humans who play this music, to make all people happy so this music is the drink of sound that makes people happy If they just listen to the whole show ...
published: 23 Oct 2010 -
Calling Forth the energies 1.bugalu drums
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th – - Marvin Bugalu Smith (Drums), - John Esposito (Piano), - Lew Scott (Bass) Plus: The Bugalu Drum Crew and other special guests Calling Forth the energies 1. The second week around, Is about calling forth the inner spirit “energies” needed to learn To play one’s musical instrument with command Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed ...
published: 01 Oct 2009 -
Nat King Cole Album #1 In Beautiful 1080p HD!!!
Nathaniel Adams Coles (March 17, 1919 -- February 15, 1965), known professionally as Nat King Cole, was an American musician who first came to prominence as a leading jazz pianist. He owes most of his popular musical fame to his soft baritone voice, which he used to perform in big band and jazz genres. He was one of the first black Americans to host a television variety show, and has maintained worldwide popularity since his death. Album Songs Included: 1) THAT SUNDAY THAT SUMMER (Joe Sherman / George David Weiss) Recorded by: Nat King Cole, Also recorded by: Beegie Adair, Ernestine Anderson, Roger Cairns, Betty Carter, Natalie Cole, Kathie Lee Gifford, Bill Henderson, Johnny Mathis, Bob McHugh, Dan McIntyre, Jimmy Rowles, Bobby Scott, George Shearing, Robert Stewart, Sweet N' Jazzy, Di...
published: 26 Jan 2012 -
The King Beez - RAM Entertainment
The King Beez are available with or without the horn section. The King Beez consist of 1 lead female singer, 2 male lead singers, 1 lead guitar, 1 keyboard player, drums, bass AND 2 horn players (1 sax and 1 trumpet) The King Beez have quickly become the "must have" band of the South! Don't miss your opportunity to party with this group of extremely talented veteran Memphis musicians! The common thread that connects Beale Street, B.B. King’s Blues Club and The King Beez is that they represent the best of the best. While this common thread unites these three together, the ultimate result is that they create an uncommon experience for those people who prefer to dwell in the world of rhythm and blues. Beale Street is the number one street of blues in the world while B.B. King’s Blues Club i...
published: 10 Nov 2011 -
Calling Forth the energies3. bugalu drums
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th – - Marvin Bugalu Smith (Drums), - John Esposito (Piano), - Lew Scott (Bass) Plus: The Bugalu Drum Crew and other special guests Calling Forth the energies 1. The second week around, Is about calling forth the inner spirit “energies” needed to learn To play one’s musical instrument with command. Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed is a good student a good teacher, and a good student are ...
published: 02 Oct 2009 -
The Pace Report: "Conversations With a Feelin' Good Bassist" The Christian McBride Interview
Bassist and bandleader Christian McBride is about to release two of the most important music projects of his 25 years in the business. Mack Avenue Records is set to release “The Good Feeling” which is McBride’s debut with his big band taking music fans on ride that produced some of his most innovative and spine-tingling arrangements and compositions. The disc features guest musicians Ron Blake, Nicholas Payton, and vocalist Melissa Walker. Another important release is “Conversations With Christian” which is set for release this November. This disc is something that came as a brainchild from his XM Satellite Radio show which he’s hosted for many years. Throughout his many years as both a leader and sideman, McBride has interviewed some of the most prolific musicians in jazz, rock, soul, and...
published: 14 Sep 2011
John Carter - Capture
- Order: Reorder
- Duration: 11:21
- Updated: 30 Jul 2014
- views: 4003
Born in Fort Worth, Texas, Carter attended I.M. Terrell High School, and played music with schoolmates Ornette Coleman and Charles Moffett in the 1940s. From 19...
Born in Fort Worth, Texas, Carter attended I.M. Terrell High School, and played music with schoolmates Ornette Coleman and Charles Moffett in the 1940s. From 1961, Carter was based mainly on the West Coast. There he met Bobby Bradford in 1965, with whom he subsequently worked on a number of projects. He also played with Hampton Hawes and Harold Land. In the 1970s Carter became well known on the basis of his extraordinary solo concerts. At New Jazz Festival Moers 1979 he and the German clarinet player Theo Jörgensmann performed on three days. Afterwards Carter received complimentary reviews and wide recognition from around the world. He and Jörgensmann met again in 1984. The program of the Berlin JazzFest was built around the clarinet. After Carter's solo performance, he and Jörgensmann also played together.
Between 1982 and 1990 Carter composed and recorded Roots and Folklore: Episodes in the Development of American Folk Music, in five albums focused on African Americans and their history. The complete set was acclaimed by jazz critics as containing some of the best releases of the 1980s.
A clarinet quartet with Perry Robinson, Jörgensmann and Eckard Koltermann was planned for 1991, but Carter did not recover from a nonmalignant tumor. Later that year he was inducted into the Down Beat Jazz Hall of Fame.
fonte: http://en.wikipedia.org/wiki/John_Carter_%28jazz_musician%29
https://wn.com/John_Carter_Capture
Born in Fort Worth, Texas, Carter attended I.M. Terrell High School, and played music with schoolmates Ornette Coleman and Charles Moffett in the 1940s. From 1961, Carter was based mainly on the West Coast. There he met Bobby Bradford in 1965, with whom he subsequently worked on a number of projects. He also played with Hampton Hawes and Harold Land. In the 1970s Carter became well known on the basis of his extraordinary solo concerts. At New Jazz Festival Moers 1979 he and the German clarinet player Theo Jörgensmann performed on three days. Afterwards Carter received complimentary reviews and wide recognition from around the world. He and Jörgensmann met again in 1984. The program of the Berlin JazzFest was built around the clarinet. After Carter's solo performance, he and Jörgensmann also played together.
Between 1982 and 1990 Carter composed and recorded Roots and Folklore: Episodes in the Development of American Folk Music, in five albums focused on African Americans and their history. The complete set was acclaimed by jazz critics as containing some of the best releases of the 1980s.
A clarinet quartet with Perry Robinson, Jörgensmann and Eckard Koltermann was planned for 1991, but Carter did not recover from a nonmalignant tumor. Later that year he was inducted into the Down Beat Jazz Hall of Fame.
fonte: http://en.wikipedia.org/wiki/John_Carter_%28jazz_musician%29
- published: 30 Jul 2014
- views: 4003
John Carter / Bobby Bradford - Self Determination Music
- Order: Reorder
- Duration: 0:41
- Updated: 23 Feb 2015
- views: 778
http://acerecords.co.uk/self-determination-music
One of the rarest Flying Dutchman releases is this album by Los Angeles-based improvisation masters John Carte...
http://acerecords.co.uk/self-determination-music
One of the rarest Flying Dutchman releases is this album by Los Angeles-based improvisation masters John Carter and Bobby Bradford. The West Coast had an under-developed free jazz scene, but when label-owner Bob Thiele touched down in L.A. he had top tips to check out two groups. The first was pianist Horace Tapscott’s outfit, recommended to him by Leon Thomas, and the second was the New Art Jazz Ensemble led by trumpeter Bobby Bradford and reed player John Carter.
Carter and Bradford both originated fromTexas, where Carter was a schoolmate of Ornette Coleman. Bradford moved to Los Angeles in the early 50s and joined Coleman’s group. It was Coleman who suggested he hook up with Carter, who had also settled on the West Coast. The two men found they had sympathetic musical ideas and began to put a group together, adding veteran drummer Bruz Freeman and bassist Tom Williamson. They released their debut album, “Seeking”, on the Revelation label.
Thiele liked what he heard and signed the group. For their “Flight For Four” album, he felt it would make the group easier to sell if their name was changed to the John Carter & Bobby Bradford Quartet. Although not a big seller, the album was an artistically satisfying recording that showed Carter to be a rapidly emerging composer. Thiele soon had them back in the studio recording “Self Determination Music”, a thrilling album with the group’s sound boosted by second bass player Henry Franklin. The music is never easy but the compositions – three by Carter and one by Bradford – and the musical interplay between the musicians reward the listener. This is grown-up experimental music. Carter and Bradford would continue to thrive in various formats, but “Self Determination Music” is one of their finest works.
Dean Rudland
https://wn.com/John_Carter_Bobby_Bradford_Self_Determination_Music
http://acerecords.co.uk/self-determination-music
One of the rarest Flying Dutchman releases is this album by Los Angeles-based improvisation masters John Carter and Bobby Bradford. The West Coast had an under-developed free jazz scene, but when label-owner Bob Thiele touched down in L.A. he had top tips to check out two groups. The first was pianist Horace Tapscott’s outfit, recommended to him by Leon Thomas, and the second was the New Art Jazz Ensemble led by trumpeter Bobby Bradford and reed player John Carter.
Carter and Bradford both originated fromTexas, where Carter was a schoolmate of Ornette Coleman. Bradford moved to Los Angeles in the early 50s and joined Coleman’s group. It was Coleman who suggested he hook up with Carter, who had also settled on the West Coast. The two men found they had sympathetic musical ideas and began to put a group together, adding veteran drummer Bruz Freeman and bassist Tom Williamson. They released their debut album, “Seeking”, on the Revelation label.
Thiele liked what he heard and signed the group. For their “Flight For Four” album, he felt it would make the group easier to sell if their name was changed to the John Carter & Bobby Bradford Quartet. Although not a big seller, the album was an artistically satisfying recording that showed Carter to be a rapidly emerging composer. Thiele soon had them back in the studio recording “Self Determination Music”, a thrilling album with the group’s sound boosted by second bass player Henry Franklin. The music is never easy but the compositions – three by Carter and one by Bradford – and the musical interplay between the musicians reward the listener. This is grown-up experimental music. Carter and Bradford would continue to thrive in various formats, but “Self Determination Music” is one of their finest works.
Dean Rudland
- published: 23 Feb 2015
- views: 778
John Carter - castles of Ghana
- Order: Reorder
- Duration: 13:24
- Updated: 20 Feb 2016
- views: 2519
Lp - Castles of Ghana (1986 / Gramavision)
John Carter - clarinet , vocals
Bobby Bradford - cornet
Baikida Carroll - trumpet , vocals
clarinet [bass] , bells ,...
Lp - Castles of Ghana (1986 / Gramavision)
John Carter - clarinet , vocals
Bobby Bradford - cornet
Baikida Carroll - trumpet , vocals
clarinet [bass] , bells , gong – Marty Ehrlich
Benny Powell - trombone
Richard Davis - bass
Terry Jenoure - violin , vocals
Andrew Cyrille - drums
https://wn.com/John_Carter_Castles_Of_Ghana
Lp - Castles of Ghana (1986 / Gramavision)
John Carter - clarinet , vocals
Bobby Bradford - cornet
Baikida Carroll - trumpet , vocals
clarinet [bass] , bells , gong – Marty Ehrlich
Benny Powell - trombone
Richard Davis - bass
Terry Jenoure - violin , vocals
Andrew Cyrille - drums
- published: 20 Feb 2016
- views: 2519
Big John Carter @ King's Cross St. Pancras, London
- Order: Reorder
- Duration: 2:38
- Updated: 17 May 2014
- views: 30430
Mr. boogie woogie, Big John Carter on the piano in London's Kings Cross St. Pancras train station, 24/06/2013.
Mr. boogie woogie, Big John Carter on the piano in London's Kings Cross St. Pancras train station, 24/06/2013.
https://wn.com/Big_John_Carter_King's_Cross_St._Pancras,_London
Mr. boogie woogie, Big John Carter on the piano in London's Kings Cross St. Pancras train station, 24/06/2013.
- published: 17 May 2014
- views: 30430
James Carter Quintet - In a Sentimental Mood
- Order: Reorder
- Duration: 11:55
- Updated: 18 Jan 2011
- views: 78950
Festival Jazz San Javier 2010
James Carter, flute
Corey Wilkes, trumpet
Gerard Gibbs, piano
Ralph Armstrong, bass
Leonard King, drums
Festival Jazz San Javier 2010
James Carter, flute
Corey Wilkes, trumpet
Gerard Gibbs, piano
Ralph Armstrong, bass
Leonard King, drums
https://wn.com/James_Carter_Quintet_In_A_Sentimental_Mood
Festival Jazz San Javier 2010
James Carter, flute
Corey Wilkes, trumpet
Gerard Gibbs, piano
Ralph Armstrong, bass
Leonard King, drums
- published: 18 Jan 2011
- views: 78950
Benny Carter - Blues for George
- Order: Reorder
- Duration: 8:16
- Updated: 31 Jan 2014
- views: 2266
Album: Benny Carter A Gentleman and His Music 1985
Personnel: Benny Carter (alto saxophone); Scott Hamilton (tenor saxophone); Joe Wilder (trumpet, flugelhorn)...
Album: Benny Carter A Gentleman and His Music 1985
Personnel: Benny Carter (alto saxophone); Scott Hamilton (tenor saxophone); Joe Wilder (trumpet, flugelhorn); Gene Harris (piano); Ed Bickert (guitar); John Clayton (bass); Jimmie Smith (drums)
https://wn.com/Benny_Carter_Blues_For_George
Album: Benny Carter A Gentleman and His Music 1985
Personnel: Benny Carter (alto saxophone); Scott Hamilton (tenor saxophone); Joe Wilder (trumpet, flugelhorn); Gene Harris (piano); Ed Bickert (guitar); John Clayton (bass); Jimmie Smith (drums)
- published: 31 Jan 2014
- views: 2266
The Dangerous Life of a Jazz Musician
- Order: Reorder
- Duration: 5:13
- Updated: 30 Dec 2008
- views: 5933
This is an educational video created to warn musicians about the dangers of doing jazz gigs.
This is an educational video created to warn musicians about the dangers of doing jazz gigs.
https://wn.com/The_Dangerous_Life_Of_A_Jazz_Musician
This is an educational video created to warn musicians about the dangers of doing jazz gigs.
- published: 30 Dec 2008
- views: 5933
Miles Davis - So What
- Order: Reorder
- Duration: 9:07
- Updated: 20 Oct 2010
- views: 6474997
Miles Davis' official music video for 'So What'. Click to listen to Miles Davis on Spotify: http://smarturl.it/MDavisSpotify?IQid=MDSW
As featured on Kind of B...
Miles Davis' official music video for 'So What'. Click to listen to Miles Davis on Spotify: http://smarturl.it/MDavisSpotify?IQid=MDSW
As featured on Kind of Blue. Click to buy the track or album via iTunes: http://smarturl.it/MDKBiTunes?IQid=MDSW
Google Play: http://smarturl.it/MDSWPlay?IQid=MDSW
Amazon: http://smarturl.it/MDKBaz?IQid=MDSW
More from Miles Davis
Blue In Green (Audio): https://youtu.be/TLDflhhdPCg
Freddie Freeloader (Audio): https://youtu.be/ZZcuSBouhVA
All Blues (Audio): https://youtu.be/-488UORrfJ0
Follow Miles Davis
Website: http://www.milesdavis.com/
Facebook: https://www.facebook.com/MilesDavis
Twitter: https://twitter.com/milesdavis
Myspace: https://myspace.com/milesdavis/
Subscribe to Miles Davis on YouTube: http://smarturl.it/MDavisSub?IQid=MDSW
https://wn.com/Miles_Davis_So_What
Miles Davis' official music video for 'So What'. Click to listen to Miles Davis on Spotify: http://smarturl.it/MDavisSpotify?IQid=MDSW
As featured on Kind of Blue. Click to buy the track or album via iTunes: http://smarturl.it/MDKBiTunes?IQid=MDSW
Google Play: http://smarturl.it/MDSWPlay?IQid=MDSW
Amazon: http://smarturl.it/MDKBaz?IQid=MDSW
More from Miles Davis
Blue In Green (Audio): https://youtu.be/TLDflhhdPCg
Freddie Freeloader (Audio): https://youtu.be/ZZcuSBouhVA
All Blues (Audio): https://youtu.be/-488UORrfJ0
Follow Miles Davis
Website: http://www.milesdavis.com/
Facebook: https://www.facebook.com/MilesDavis
Twitter: https://twitter.com/milesdavis
Myspace: https://myspace.com/milesdavis/
Subscribe to Miles Davis on YouTube: http://smarturl.it/MDavisSub?IQid=MDSW
- published: 20 Oct 2010
- views: 6474997
Ron Carter - The Shadow Of Your Smile
- Order: Reorder
- Duration: 7:10
- Updated: 21 Jun 2011
- views: 953716
Ron Carter (born May 4, 1937) is an American jazz double-bassist. His appearances on over 2,500 albums make him one of the most-recorded bassists in jazz histor...
Ron Carter (born May 4, 1937) is an American jazz double-bassist. His appearances on over 2,500 albums make him one of the most-recorded bassists in jazz history, along with Milt Hinton, Ray Brown and Leroy Vinnegar. Carter is also an acclaimed cellist who has recorded numerous times on that instrument.
Ron Carter est un contrebassiste de jazz américain né le 4 mai 1937 à Ferndale dans l'État du Michigan. Le son unique de sa musique et ses fameux déhanchements ont fait de lui une figure légendaire du jazz ainsi qu'un musicien demandé. Ses contributions sur plus de 2 500 albums en font l'un des contrebassistes les plus enregistrés de l'histoire du jazz. Ron Carter est devenu célèbre en jouant avec Miles Davis.
https://wn.com/Ron_Carter_The_Shadow_Of_Your_Smile
Ron Carter (born May 4, 1937) is an American jazz double-bassist. His appearances on over 2,500 albums make him one of the most-recorded bassists in jazz history, along with Milt Hinton, Ray Brown and Leroy Vinnegar. Carter is also an acclaimed cellist who has recorded numerous times on that instrument.
Ron Carter est un contrebassiste de jazz américain né le 4 mai 1937 à Ferndale dans l'État du Michigan. Le son unique de sa musique et ses fameux déhanchements ont fait de lui une figure légendaire du jazz ainsi qu'un musicien demandé. Ses contributions sur plus de 2 500 albums en font l'un des contrebassistes les plus enregistrés de l'histoire du jazz. Ron Carter est devenu célèbre en jouant avec Miles Davis.
- published: 21 Jun 2011
- views: 953716
Jazz - James Carter Sax Improv (2009) - World Saxhopone Quartet Live (DVD)
- Order: Reorder
- Duration: 1:51
- Updated: 14 Nov 2011
- views: 771518
- published: 14 Nov 2011
- views: 771518
Roulette TV: JOEY BARON
- Order: Reorder
- Duration: 1:00:00
- Updated: 01 Jan 2014
- views: 14730
Avant-garde jazz drummer Joey Baron has worked with an impressive list of musicians, including everyone from Bill Frisell, Stan Getz, and Tony Bennett to John Z...
Avant-garde jazz drummer Joey Baron has worked with an impressive list of musicians, including everyone from Bill Frisell, Stan Getz, and Tony Bennett to John Zorn, Laurie Anderson, Fred Frith, and Tim Berne. His own groups he has led include the "Down Home Group", Barondown, and Killer Joey and was a member of "Naked City" (with John Zorn, Bill Frisell, Fred Frith and Wayne Horvitz) and of Zorn's group Masada (Dave Douglas and Greg Cohen). Joey Baron was born 1955 in Richmond ,Va. He started drumming at age 9, performing profesionally the following year. His early musical education included private drum lessons as well as the wide genre radio programing of the 1960s. After finishing high school early through a special accelerated program, Mr. Baron spent time in Boston attending the Berklee School of Music.He settled in Los Angeles,California in 1975 to realize a dream of playing with the great jazz musician Carmen McRae,consequently becoming a much sought after singer's drummer. Since moving to New York City in 1983, Mr. Baron has continued to expand his scope and develope his musical ideas through collaborations with various artists including Red Rodney, Bill Frisell, Tim Berne, Ron Carter, and John Zorn ,with whom the collaboration continues to the present. Current projects include solo concert tours, duo concerts with Lee Konitz, Bill Frisell, his own band, "Killer Joey",The John Abercrombie Quartet, and the Schulkowsky, Studer, Baron drum trio.
https://wn.com/Roulette_Tv_Joey_Baron
Avant-garde jazz drummer Joey Baron has worked with an impressive list of musicians, including everyone from Bill Frisell, Stan Getz, and Tony Bennett to John Zorn, Laurie Anderson, Fred Frith, and Tim Berne. His own groups he has led include the "Down Home Group", Barondown, and Killer Joey and was a member of "Naked City" (with John Zorn, Bill Frisell, Fred Frith and Wayne Horvitz) and of Zorn's group Masada (Dave Douglas and Greg Cohen). Joey Baron was born 1955 in Richmond ,Va. He started drumming at age 9, performing profesionally the following year. His early musical education included private drum lessons as well as the wide genre radio programing of the 1960s. After finishing high school early through a special accelerated program, Mr. Baron spent time in Boston attending the Berklee School of Music.He settled in Los Angeles,California in 1975 to realize a dream of playing with the great jazz musician Carmen McRae,consequently becoming a much sought after singer's drummer. Since moving to New York City in 1983, Mr. Baron has continued to expand his scope and develope his musical ideas through collaborations with various artists including Red Rodney, Bill Frisell, Tim Berne, Ron Carter, and John Zorn ,with whom the collaboration continues to the present. Current projects include solo concert tours, duo concerts with Lee Konitz, Bill Frisell, his own band, "Killer Joey",The John Abercrombie Quartet, and the Schulkowsky, Studer, Baron drum trio.
- published: 20 Apr 2010
- views: 14730
The Art Tatum Centennial Celebration
- Order: Reorder
- Duration: 5:59
- Updated: 01 Jan 2014
- views: 1672
http://bit.ly/tatumcentennial - It is no stretch to state that Art Tatum was the jazz world's first, and arguably greatest, virtuoso. His seemingly effortless a...
http://bit.ly/tatumcentennial - It is no stretch to state that Art Tatum was the jazz world's first, and arguably greatest, virtuoso. His seemingly effortless abilities on the keyboard placed him far above the most accomplished of his contemporaries.
Art Tatum played beyond the pull of trends, creating music that defied categorization.
He was among the most extraordinary of all jazz musicians; a pianist with wondrous technique who could not only play ridiculously rapid lines with both hands but was harmonically 30 years ahead of his time - all pianists have to deal to a certain extent with Tatum's innovations in order to be taken seriously.
Concord Records "Art Tatum Centennial Celebration" features performances by Louis Bellson, Red Callender, Benny Carter, Buddy DeFranco, Bill Douglass, Harry Edison, Roy Eldridge, Lionel Hampton, Jo Jones, Barney Kessel, Buddy Rich, John Simmons, Alvin Stoller and Ben Webster.
https://wn.com/The_Art_Tatum_Centennial_Celebration
http://bit.ly/tatumcentennial - It is no stretch to state that Art Tatum was the jazz world's first, and arguably greatest, virtuoso. His seemingly effortless abilities on the keyboard placed him far above the most accomplished of his contemporaries.
Art Tatum played beyond the pull of trends, creating music that defied categorization.
He was among the most extraordinary of all jazz musicians; a pianist with wondrous technique who could not only play ridiculously rapid lines with both hands but was harmonically 30 years ahead of his time - all pianists have to deal to a certain extent with Tatum's innovations in order to be taken seriously.
Concord Records "Art Tatum Centennial Celebration" features performances by Louis Bellson, Red Callender, Benny Carter, Buddy DeFranco, Bill Douglass, Harry Edison, Roy Eldridge, Lionel Hampton, Jo Jones, Barney Kessel, Buddy Rich, John Simmons, Alvin Stoller and Ben Webster.
- published: 25 Sep 2009
- views: 1672
Roulette TV: ANDREW CYRILLE
- Order: Reorder
- Duration: 28:03
- Updated: 30 Dec 2013
- views: 1592
Andrew Cyrille, Bob Stewart, Roy Campbell
Andrew Cyrille was born in Brooklyn, NY. As well as studying privately, he attended the Juilliard and Hartnett school...
Andrew Cyrille, Bob Stewart, Roy Campbell
Andrew Cyrille was born in Brooklyn, NY. As well as studying privately, he attended the Juilliard and Hartnett schools of music. He has performed with Jazz artists ranging from Coleman Hawkins, Illinois Jacquet and Mary Lou Williams to Kenny Dorham, Muhal Richard Abrams, Horace Tapscott, John Carter,Mal Waldron and David Murray. In 1964 he formed and association with pianist Cecil Taylor that would last for 11 years. He played drums for many notable dancer-choreogrphers from the mid to late 1960’s. He was artist-residence and teacher at Antioch College in Yellow Springs, Ohio from 1971 to 1973. Cyrille has also taught at the Graham Windham Home for Children in New York. He is currently a faculty member at the New School University (formally The New School for Social Research) in New York City. His sterling work has earned him a number of grants and awards from the National Endowment for the Arts and Meet the Composer, including a commission to create a new work for the Cleo Parker Robinson Dance Company in 1990. In 1999, he received a Guggenheim Fellowship for composition. Starting in 1969, Cyrille began to organize the first of several percussion groups, including Dialogue of the Drums, Pieces of Time, and Weights and Measures. Some of the distinguished artists who played in these groups were Kenny Clark, Milford Graves, Famoudou Don Moye, Michael Carvin and Obo Addy. Starting in 1988 through the present time, he has toured and performed here and abroad with the renown Russian percussionist, Vladimir Tarasov. In 1975, Cyrille formed a band called Maono (feelings) featuring various instrumental voices determined by his compositions. He is a member of Trio 3 featuring alto saxophonist, Oliver Lake and bassist, Reggie Workman. Also from time to time, he leads another group called Haitian Fascination, playing music inspired by the musical tradition from Haiti. Within the past several years, he has been collaborating and working with musicians such as saxophonist, Archie Shepp, trombonist, Roswell Rudd, trumpeter, Dave Douglas, bassists, Henry Grimes and William Parker, pianists Dave Burrell and Marilyn Crispell, and vibraphonist, Karl Berger. He continues to record and perform with duo, trio, quartet, quintet and big band formations.
https://wn.com/Roulette_Tv_Andrew_Cyrille
Andrew Cyrille, Bob Stewart, Roy Campbell
Andrew Cyrille was born in Brooklyn, NY. As well as studying privately, he attended the Juilliard and Hartnett schools of music. He has performed with Jazz artists ranging from Coleman Hawkins, Illinois Jacquet and Mary Lou Williams to Kenny Dorham, Muhal Richard Abrams, Horace Tapscott, John Carter,Mal Waldron and David Murray. In 1964 he formed and association with pianist Cecil Taylor that would last for 11 years. He played drums for many notable dancer-choreogrphers from the mid to late 1960’s. He was artist-residence and teacher at Antioch College in Yellow Springs, Ohio from 1971 to 1973. Cyrille has also taught at the Graham Windham Home for Children in New York. He is currently a faculty member at the New School University (formally The New School for Social Research) in New York City. His sterling work has earned him a number of grants and awards from the National Endowment for the Arts and Meet the Composer, including a commission to create a new work for the Cleo Parker Robinson Dance Company in 1990. In 1999, he received a Guggenheim Fellowship for composition. Starting in 1969, Cyrille began to organize the first of several percussion groups, including Dialogue of the Drums, Pieces of Time, and Weights and Measures. Some of the distinguished artists who played in these groups were Kenny Clark, Milford Graves, Famoudou Don Moye, Michael Carvin and Obo Addy. Starting in 1988 through the present time, he has toured and performed here and abroad with the renown Russian percussionist, Vladimir Tarasov. In 1975, Cyrille formed a band called Maono (feelings) featuring various instrumental voices determined by his compositions. He is a member of Trio 3 featuring alto saxophonist, Oliver Lake and bassist, Reggie Workman. Also from time to time, he leads another group called Haitian Fascination, playing music inspired by the musical tradition from Haiti. Within the past several years, he has been collaborating and working with musicians such as saxophonist, Archie Shepp, trombonist, Roswell Rudd, trumpeter, Dave Douglas, bassists, Henry Grimes and William Parker, pianists Dave Burrell and Marilyn Crispell, and vibraphonist, Karl Berger. He continues to record and perform with duo, trio, quartet, quintet and big band formations.
- published: 29 Apr 2010
- views: 1592
Calling Forth the energies 2.bugalu drums
- Order: Reorder
- Duration: 9:37
- Updated: 11 Dec 2013
- views: 408
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
- Marvin Bugalu Smit...
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
- Marvin Bugalu Smith (Drums),
- John Esposito (Piano),
- Lew Scott (Bass)
Plus: The Bugalu Drum Crew and other special guests
Calling
Forth the energies 1. The second week around,
Is about calling forth the inner spirit “energies”
needed to learn
To play one’s musical instrument with command
Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers
Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed is a good student a good teacher, and a good student are one. The teacher shows the way and the principals and the student fulfills the teacher’s idea young people today want everything without any real hard work this is not the case with bugalu’s 37 chambers there’s no easy way to past with bugalu you just need to study and be true to yourself. As kesai Riddick said
I thought he (bugalu) was going to be like any other teacher I had had in the past, conventional and status quo. But I was mistaken. “Marvin bugalu Smith is a man who has journeyed deep within himself to find his hidden treasures“, he's done this through the vehicle of the drum. I thought my desire and determination to play the drums was going to be enough to get over. Marvin wanted much more than just superficial flights of fancy, he wanted real hardcore work and sacrifice because that's what he had when he was learning the drum set. When I first was studying with Marvin I was going to college at S.U.N.Y. New Paltz and studying with the resident drum teacher there. I would always put Marvin's teachings secondary to my school work because I felt passing was more important. It's not that I didn't respect what Marvin was teaching me but my attitude towards it was arrogant and naive. I didn't understand that the stuff Marvin was showing me was what was really needed on the bandstand and what really made the music happen bugalu and his drum crew provide the best possible environment. For studying the drums studying with live Masters on the stage these,
Master’s play the music right, the first time around, There’s no better teaching then live teachers on stage, with the students
The Master’s John Esposito is an accomplished
Innovative pianist and is the head of the Jazz department at Bard college. Born in
Brooklyn, Esposito was raised in the Hudson Valley in a family that included
Policemen, but also artists and musicians. Over the years, he has played,
Toured and recorded with both his own bands and as a sideman with players such
As Thurman Barker, Nick Brignola, Roy Campbell, Santi Debriano, Carter Jefferson,
John Lindberg, Erica Lindsay, Joe Lovano, J.R. Monterose, David "fathead"
Newman, Roswell Rudd, Rashied Ali, Dave Douglas, Dave Holland, Franklin.
Lew Scott bass is one of the hottest bass players today in jazz circles on the he plays with Melba Moor
For more on bugalu’s teaching and other information, related to jazz drumming, go to jazzdrumlessons.com
So with that said
Here’s comes the music enjoy.
Marvin bugalu Smith drums
John Esposito piano
Lew Scott bass
https://wn.com/Calling_Forth_The_Energies_2.Bugalu_Drums
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
- Marvin Bugalu Smith (Drums),
- John Esposito (Piano),
- Lew Scott (Bass)
Plus: The Bugalu Drum Crew and other special guests
Calling
Forth the energies 1. The second week around,
Is about calling forth the inner spirit “energies”
needed to learn
To play one’s musical instrument with command
Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers
Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed is a good student a good teacher, and a good student are one. The teacher shows the way and the principals and the student fulfills the teacher’s idea young people today want everything without any real hard work this is not the case with bugalu’s 37 chambers there’s no easy way to past with bugalu you just need to study and be true to yourself. As kesai Riddick said
I thought he (bugalu) was going to be like any other teacher I had had in the past, conventional and status quo. But I was mistaken. “Marvin bugalu Smith is a man who has journeyed deep within himself to find his hidden treasures“, he's done this through the vehicle of the drum. I thought my desire and determination to play the drums was going to be enough to get over. Marvin wanted much more than just superficial flights of fancy, he wanted real hardcore work and sacrifice because that's what he had when he was learning the drum set. When I first was studying with Marvin I was going to college at S.U.N.Y. New Paltz and studying with the resident drum teacher there. I would always put Marvin's teachings secondary to my school work because I felt passing was more important. It's not that I didn't respect what Marvin was teaching me but my attitude towards it was arrogant and naive. I didn't understand that the stuff Marvin was showing me was what was really needed on the bandstand and what really made the music happen bugalu and his drum crew provide the best possible environment. For studying the drums studying with live Masters on the stage these,
Master’s play the music right, the first time around, There’s no better teaching then live teachers on stage, with the students
The Master’s John Esposito is an accomplished
Innovative pianist and is the head of the Jazz department at Bard college. Born in
Brooklyn, Esposito was raised in the Hudson Valley in a family that included
Policemen, but also artists and musicians. Over the years, he has played,
Toured and recorded with both his own bands and as a sideman with players such
As Thurman Barker, Nick Brignola, Roy Campbell, Santi Debriano, Carter Jefferson,
John Lindberg, Erica Lindsay, Joe Lovano, J.R. Monterose, David "fathead"
Newman, Roswell Rudd, Rashied Ali, Dave Douglas, Dave Holland, Franklin.
Lew Scott bass is one of the hottest bass players today in jazz circles on the he plays with Melba Moor
For more on bugalu’s teaching and other information, related to jazz drumming, go to jazzdrumlessons.com
So with that said
Here’s comes the music enjoy.
Marvin bugalu Smith drums
John Esposito piano
Lew Scott bass
- published: 01 Oct 2009
- views: 408
Truth be told, "BETTER THAN HOLLYWOOD” series 66 the Talmadge st. jam session part 1 the master sessions THE SECOND TIME AROUN
- Order: Reorder
- Duration: 49:37
- Updated: 23 Dec 2013
- views: 380
Bumar records presents the Talmadge st, jazz jam session 10/19/2010
Greg Glassman trumpet
John Esposito piano
Malcolm Cecil bass
Marvin Bugalu Smith drums
Tru...
Bumar records presents the Talmadge st, jazz jam session 10/19/2010
Greg Glassman trumpet
John Esposito piano
Malcolm Cecil bass
Marvin Bugalu Smith drums
Truth be told, "BETTER THAN HOLLYWOOD” series 66 part 1 the master sessions THE SECOND TIME AROUND!
Marvin Bugalu Smith Truth be told, "BETTER THAN HOLLYWOOD” series 66 part 1 the master sessions THE SECOND TIME AROUND!
1)-Tomorrow night only live from the Talmadge ST. jazz jam sessions 10/19/2010 - Series 66 Greg Glassman - Trumpet, Malcolm Cecil – bass And Baba Marvin Bugalu Smith drums
2.) I feel that the music from this session will move mountains in the human world, because it's humans who play this music, to make all people happy so this music is the drink of sound that makes people happy If they just listen to the whole show just one time with a open mind and open heart This night was bigger and better because John Esposito came to play I never told him that Greg was coming up to play so the door bell ring and I opened the door to see John Esposito READY TO PLAY so what started as a trio is now a quartet ready to play some swing music hot jazz at the Talmadge ST. jazz jam sessions
This is the group that can bring it on and then some
Now you talk about a good feeling this group swing so hard with Greg Glassmen on trumpet Greg bring a fresh new sounds to this music with both old a new lines echoing in space though his magical trumpet sound I love Greg because he loves to take chances with the music right in the performance zone and this is what makes Greg Glassman
So wonderful to play with it’s his freshness in all his musical
Skills
Malcolm Cecil bass with over 70 years of playing experience now you talk about a bass player who can pull them strings Malcolm Cecil is the man who can do this better then anyone a masterful soloist who is at home with all types of music jazz rock funk he received a Grammy for his work with the great Stevie Wonder in the year 1973 for
Inner visions by Stevie Wonder Malcolm Cecil won the Grammy
playing
Bass, Producer, Engineer, Associate Producer, Synthesizer Programming
And now Malcolm Cecil comes and joins
This all star group, Malcolm Cecil bring such a great range of ideas from his great pulling ability behind the soloist and his great wisdom of harmonies and balance Malcolm Cecil has a great way of playing and inter playing with each musician that he plays with just listen to him on the first 4cuts Malcolm is just a joy to work with on any of my bandstands
John Esposito piano now I have heard many piano players but John Esposito is pound for pound the heaviest, hippest
And most energetic piano player that I have ever played with
Marvin Bugalu Smith
Truth be told, "BETTER THAN HOLLYWOOD” series 65 part 1 at BARD collage the master sessions! with
John Esposito head professor of jazz studies BARD collage
John Esposito piano
He’s the head professor of jazz studies at BARD collage. Now I have heard many piano players and also played with many but John Esposito is pound for pound the heaviest, and the hippest and most energetic piano player that I have ever played with
Pianist/Composer John Esposito has been a source of unbridled creativity for the last thirty plus+ years playing a broad range of improvisational music. His jazz playing ranges throughout the tradition from early styles like stride piano and swing through the mainstream and avant-garde movements. He has performed and recorded with artists including Nick Brignola, Dave Douglas, Dave Holland, Carter Jefferson, Bobby Johnson, Franklin Kiermyer, Joe Lovano, J.R. Monterose, David “Fathead” Newman, Eric Person, Arthur Rhames, Sam Rivers, Roswell Rudd, Pharaoh Sanders and John Stubblefield. He has also composed and performed for theater dance, TV, and performance art. John Esposito is a New York State native and grew up in a family steeped in musical tradition. His grandfather was a noted teacher and violin maker who played violin with the St. Louis Symphony Orchestra and also worked with various theatre and jazz bands on violin and reeds starting in the early 1920’s. John’s first performance experiences were playing harmonica in a blues band as a teenager. He attended SUNY Albany as a composition major. He spent several years after college in Albany as the house pianist at the Gemini Jazz café working with J.R. Monterose and Nick Brignola and led his own group before coming to New York City in 1980.
Read more :http://www.myspace.com/johnespositojazz#ixzz139ia4OF8
Malcolm Cecil bass with over 70 years of playing experience now you talk about a bass player who can pull them strings Malcolm Cecil is the man who can do this better then anyone a masterful soloist who is at home with all types of music jazz rock funk he received a Grammy for his work with the great Stevie Wonder in the year 1973 for Inner visions by Stevie Wonder Malcolm Cecil won the Grammy playing
Bass, Producer, Engineer, Associate Producer, Synthesizer Programmin
https://wn.com/Truth_Be_Told,_Better_Than_Hollywood”_Series_66_The_Talmadge_St._Jam_Session_Part_1_The_Master_Sessions_The_Second_Time_Aroun
Bumar records presents the Talmadge st, jazz jam session 10/19/2010
Greg Glassman trumpet
John Esposito piano
Malcolm Cecil bass
Marvin Bugalu Smith drums
Truth be told, "BETTER THAN HOLLYWOOD” series 66 part 1 the master sessions THE SECOND TIME AROUND!
Marvin Bugalu Smith Truth be told, "BETTER THAN HOLLYWOOD” series 66 part 1 the master sessions THE SECOND TIME AROUND!
1)-Tomorrow night only live from the Talmadge ST. jazz jam sessions 10/19/2010 - Series 66 Greg Glassman - Trumpet, Malcolm Cecil – bass And Baba Marvin Bugalu Smith drums
2.) I feel that the music from this session will move mountains in the human world, because it's humans who play this music, to make all people happy so this music is the drink of sound that makes people happy If they just listen to the whole show just one time with a open mind and open heart This night was bigger and better because John Esposito came to play I never told him that Greg was coming up to play so the door bell ring and I opened the door to see John Esposito READY TO PLAY so what started as a trio is now a quartet ready to play some swing music hot jazz at the Talmadge ST. jazz jam sessions
This is the group that can bring it on and then some
Now you talk about a good feeling this group swing so hard with Greg Glassmen on trumpet Greg bring a fresh new sounds to this music with both old a new lines echoing in space though his magical trumpet sound I love Greg because he loves to take chances with the music right in the performance zone and this is what makes Greg Glassman
So wonderful to play with it’s his freshness in all his musical
Skills
Malcolm Cecil bass with over 70 years of playing experience now you talk about a bass player who can pull them strings Malcolm Cecil is the man who can do this better then anyone a masterful soloist who is at home with all types of music jazz rock funk he received a Grammy for his work with the great Stevie Wonder in the year 1973 for
Inner visions by Stevie Wonder Malcolm Cecil won the Grammy
playing
Bass, Producer, Engineer, Associate Producer, Synthesizer Programming
And now Malcolm Cecil comes and joins
This all star group, Malcolm Cecil bring such a great range of ideas from his great pulling ability behind the soloist and his great wisdom of harmonies and balance Malcolm Cecil has a great way of playing and inter playing with each musician that he plays with just listen to him on the first 4cuts Malcolm is just a joy to work with on any of my bandstands
John Esposito piano now I have heard many piano players but John Esposito is pound for pound the heaviest, hippest
And most energetic piano player that I have ever played with
Marvin Bugalu Smith
Truth be told, "BETTER THAN HOLLYWOOD” series 65 part 1 at BARD collage the master sessions! with
John Esposito head professor of jazz studies BARD collage
John Esposito piano
He’s the head professor of jazz studies at BARD collage. Now I have heard many piano players and also played with many but John Esposito is pound for pound the heaviest, and the hippest and most energetic piano player that I have ever played with
Pianist/Composer John Esposito has been a source of unbridled creativity for the last thirty plus+ years playing a broad range of improvisational music. His jazz playing ranges throughout the tradition from early styles like stride piano and swing through the mainstream and avant-garde movements. He has performed and recorded with artists including Nick Brignola, Dave Douglas, Dave Holland, Carter Jefferson, Bobby Johnson, Franklin Kiermyer, Joe Lovano, J.R. Monterose, David “Fathead” Newman, Eric Person, Arthur Rhames, Sam Rivers, Roswell Rudd, Pharaoh Sanders and John Stubblefield. He has also composed and performed for theater dance, TV, and performance art. John Esposito is a New York State native and grew up in a family steeped in musical tradition. His grandfather was a noted teacher and violin maker who played violin with the St. Louis Symphony Orchestra and also worked with various theatre and jazz bands on violin and reeds starting in the early 1920’s. John’s first performance experiences were playing harmonica in a blues band as a teenager. He attended SUNY Albany as a composition major. He spent several years after college in Albany as the house pianist at the Gemini Jazz café working with J.R. Monterose and Nick Brignola and led his own group before coming to New York City in 1980.
Read more :http://www.myspace.com/johnespositojazz#ixzz139ia4OF8
Malcolm Cecil bass with over 70 years of playing experience now you talk about a bass player who can pull them strings Malcolm Cecil is the man who can do this better then anyone a masterful soloist who is at home with all types of music jazz rock funk he received a Grammy for his work with the great Stevie Wonder in the year 1973 for Inner visions by Stevie Wonder Malcolm Cecil won the Grammy playing
Bass, Producer, Engineer, Associate Producer, Synthesizer Programmin
- published: 23 Oct 2010
- views: 380
Calling Forth the energies 1.bugalu drums
- Order: Reorder
- Duration: 13:18
- Updated: 06 Aug 2013
- views: 405
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
- Marvin Bugalu Smi...
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
- Marvin Bugalu Smith (Drums),
- John Esposito (Piano),
- Lew Scott (Bass)
Plus: The Bugalu Drum Crew and other special guests
Calling
Forth the energies 1. The second week around,
Is about calling forth the inner spirit “energies”
needed to learn
To play one’s musical instrument with command
Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers
Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed is a good student a good teacher, and a good student are one. The teacher shows the way and the principals and the student fulfills the teacher’s idea young people today want everything without any real hard work this is not the case with bugalu’s 37 chambers there’s no easy way to past with bugalu you just need to study and be true to yourself. As kesai Riddick said
I thought he (bugalu) was going to be like any other teacher I had had in the past, conventional and status quo. But I was mistaken. “Marvin bugalu Smith is a man who has journeyed deep within himself to find his hidden treasures“, he's done this through the vehicle of the drum. I thought my desire and determination to play the drums was going to be enough to get over. Marvin wanted much more than just superficial flights of fancy, he wanted real hardcore work and sacrifice because that's what he had when he was learning the drum set. When I first was studying with Marvin I was going to college at S.U.N.Y. New Paltz and studying with the resident drum teacher there. I would always put Marvin's teachings secondary to my school work because I felt passing was more important. It's not that I didn't respect what Marvin was teaching me but my attitude towards it was arrogant and naive. I didn't understand that the stuff Marvin was showing me was what was really needed on the bandstand and what really made the music happen bugalu and his drum crew provide the best possible environment. For studying the drums studying with live Masters on the stage these,
Master’s play the music right, the first time around, There’s no better teaching then live teachers on stage, with the students
The Master’s John Esposito is an accomplished
Innovative pianist and is the head of the Jazz department at Bard college. Born in
Brooklyn, Esposito was raised in the Hudson Valley in a family that included
Policemen, but also artists and musicians. Over the years, he has played,
Toured and recorded with both his own bands and as a sideman with players such
As Thurman Barker, Nick Brignola, Roy Campbell, Santi Debriano, Carter Jefferson,
John Lindberg, Erica Lindsay, Joe Lovano, J.R. Monterose, David "fathead"
Newman, Roswell Rudd, Rashied Ali, Dave Douglas, Dave Holland, Franklin.
Lew Scott bass is one of the hottest bass players today in jazz circles on the he plays with Melba Moor
For more on bugalu’s teaching and other information, related to jazz drumming, go to jazzdrumlessons.com
So with that said
Here’s comes the music enjoy.
Marvin bugalu Smith drums
John Esposito piano
Lew Scott bass
Add a n
https://wn.com/Calling_Forth_The_Energies_1.Bugalu_Drums
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
- Marvin Bugalu Smith (Drums),
- John Esposito (Piano),
- Lew Scott (Bass)
Plus: The Bugalu Drum Crew and other special guests
Calling
Forth the energies 1. The second week around,
Is about calling forth the inner spirit “energies”
needed to learn
To play one’s musical instrument with command
Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers
Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed is a good student a good teacher, and a good student are one. The teacher shows the way and the principals and the student fulfills the teacher’s idea young people today want everything without any real hard work this is not the case with bugalu’s 37 chambers there’s no easy way to past with bugalu you just need to study and be true to yourself. As kesai Riddick said
I thought he (bugalu) was going to be like any other teacher I had had in the past, conventional and status quo. But I was mistaken. “Marvin bugalu Smith is a man who has journeyed deep within himself to find his hidden treasures“, he's done this through the vehicle of the drum. I thought my desire and determination to play the drums was going to be enough to get over. Marvin wanted much more than just superficial flights of fancy, he wanted real hardcore work and sacrifice because that's what he had when he was learning the drum set. When I first was studying with Marvin I was going to college at S.U.N.Y. New Paltz and studying with the resident drum teacher there. I would always put Marvin's teachings secondary to my school work because I felt passing was more important. It's not that I didn't respect what Marvin was teaching me but my attitude towards it was arrogant and naive. I didn't understand that the stuff Marvin was showing me was what was really needed on the bandstand and what really made the music happen bugalu and his drum crew provide the best possible environment. For studying the drums studying with live Masters on the stage these,
Master’s play the music right, the first time around, There’s no better teaching then live teachers on stage, with the students
The Master’s John Esposito is an accomplished
Innovative pianist and is the head of the Jazz department at Bard college. Born in
Brooklyn, Esposito was raised in the Hudson Valley in a family that included
Policemen, but also artists and musicians. Over the years, he has played,
Toured and recorded with both his own bands and as a sideman with players such
As Thurman Barker, Nick Brignola, Roy Campbell, Santi Debriano, Carter Jefferson,
John Lindberg, Erica Lindsay, Joe Lovano, J.R. Monterose, David "fathead"
Newman, Roswell Rudd, Rashied Ali, Dave Douglas, Dave Holland, Franklin.
Lew Scott bass is one of the hottest bass players today in jazz circles on the he plays with Melba Moor
For more on bugalu’s teaching and other information, related to jazz drumming, go to jazzdrumlessons.com
So with that said
Here’s comes the music enjoy.
Marvin bugalu Smith drums
John Esposito piano
Lew Scott bass
Add a n
- published: 01 Oct 2009
- views: 405
Nat King Cole Album #1 In Beautiful 1080p HD!!!
- Order: Reorder
- Duration: 15:01
- Updated: 01 Jan 2014
- views: 675
Nathaniel Adams Coles (March 17, 1919 -- February 15, 1965), known professionally as Nat King Cole, was an American musician who first came to prominence as a l...
Nathaniel Adams Coles (March 17, 1919 -- February 15, 1965), known professionally as Nat King Cole, was an American musician who first came to prominence as a leading jazz pianist. He owes most of his popular musical fame to his soft baritone voice, which he used to perform in big band and jazz genres. He was one of the first black Americans to host a television variety show, and has maintained worldwide popularity since his death.
Album Songs Included:
1) THAT SUNDAY THAT SUMMER (Joe Sherman / George David Weiss) Recorded by: Nat King Cole, Also recorded by: Beegie Adair, Ernestine Anderson, Roger Cairns, Betty Carter, Natalie Cole, Kathie Lee Gifford, Bill Henderson, Johnny Mathis, Bob McHugh, Dan McIntyre, Jimmy Rowles, Bobby Scott, George Shearing, Robert Stewart, Sweet N' Jazzy, Dinah Washinton, Jack Wilson, Danny Wright.
2) AUTUMN LEAVES
(Johnny Mercer)
Recorded by:
Ray Anthony; Chet Atkins; Joan Baez; Chet Baker; Count Basie;
Tony Bennett; Acker Bilk; Stanley Black; Pat Boone; Earl Bostic;
Benny Carter; Carmen Cavallaro; King Cole Trio; Nat King Cole;
Don Cornell; Bing Crosby; Xavier Cugat; Billy Daniels;
Miles Davis; Doris Day; Buddy DeFanco; Placido Domingo;
Billy Eckstine; Duke Ellington; The Everly Brothers; Percy Faith;
The Four Freshmen; Erroll Garner; Stan Getz; Dizzy Gillespie;
Jackie Gleason; Benny Goodman; Robert Goulet;
Grappelli & Menuhin; Stephane Grappelli; Buddy Greco; Ted Heath;
Joe Henderson; Harry James; Joni James; Tom Jones; Stan Kenton;
Eartha Kitt; Frankie Laine; Michel Legrande; Jerry Lee Lewis;
Vera Lynn; Gordon McRae; Manfred Mann; The Mantovani Orch.;
Manuel & his Music of the Mountains; Tony Martin; Al Martino;
Harpo Marx; Billy May; George Melachrino & his Orch.;
Sir Yehudi Menuhin; Johnny Mercer; Ethel Merman; Helen Merrill;
Mitch Miller; The Mills Brothers; Matt Monro; Nana Mouskouri;
Willie Nelson; Helen O'Connell; Patti Page; Norrie Paramour;
Art Pepper; Oscar Peterson; Edith Piaf; Gene Pitney; Louis Prima;
Frank Purcell; Lou Rawls; Artie Shaw; George Shearing;
Zoot Simms; Frank Sinatra; Keely Smith; Dorothy Squires;
Jo Stafford; Barbra Streisand; Dame Kiri Te Kanawa;
Jack Teagarden; Mel Tormé; Jackie Trent; Caterina Valente;
Sarah Vaughan; Paul Weston; Paul Whiteman; Andy Williams;
Roger Williams; Teddy Wilson; ..... and many more.
LES FEUILLES MORTES (La Chanson de Prévert)
(Jacques Prévert / Joseph Kosma)
Yves Montand (France)
Autres interprètes:
Serge Gainsbourg, Dalida, Mouloudji, Fernand Gignac, Nana Mouskouri.
3) IT'S ALL IN THE GAME
Elton John
Tommy Edwards
Many a tear has to fall,
but it's all... in the game
All in the wonderful game
that we know... as love
You had words with him,
and your future's looking dim
but these things your heart can rise above.
Once in a while he won't call,
but it's all... in the game.
Soon he'll be there at your side
with a sweet, bouquet.
Then he'll kiss... your lips
and caress your waiting fingertips
and your heart will fly away.
Once in a while he won't call,
but it's all... in the game.
Soon he'll be there at your side
with a sweet, bouquet.
Then he'll kiss... your lips
and caress your waiting fingertips
and your heart will fly away.
https://wn.com/Nat_King_Cole_Album_1_In_Beautiful_1080P_Hd
Nathaniel Adams Coles (March 17, 1919 -- February 15, 1965), known professionally as Nat King Cole, was an American musician who first came to prominence as a leading jazz pianist. He owes most of his popular musical fame to his soft baritone voice, which he used to perform in big band and jazz genres. He was one of the first black Americans to host a television variety show, and has maintained worldwide popularity since his death.
Album Songs Included:
1) THAT SUNDAY THAT SUMMER (Joe Sherman / George David Weiss) Recorded by: Nat King Cole, Also recorded by: Beegie Adair, Ernestine Anderson, Roger Cairns, Betty Carter, Natalie Cole, Kathie Lee Gifford, Bill Henderson, Johnny Mathis, Bob McHugh, Dan McIntyre, Jimmy Rowles, Bobby Scott, George Shearing, Robert Stewart, Sweet N' Jazzy, Dinah Washinton, Jack Wilson, Danny Wright.
2) AUTUMN LEAVES
(Johnny Mercer)
Recorded by:
Ray Anthony; Chet Atkins; Joan Baez; Chet Baker; Count Basie;
Tony Bennett; Acker Bilk; Stanley Black; Pat Boone; Earl Bostic;
Benny Carter; Carmen Cavallaro; King Cole Trio; Nat King Cole;
Don Cornell; Bing Crosby; Xavier Cugat; Billy Daniels;
Miles Davis; Doris Day; Buddy DeFanco; Placido Domingo;
Billy Eckstine; Duke Ellington; The Everly Brothers; Percy Faith;
The Four Freshmen; Erroll Garner; Stan Getz; Dizzy Gillespie;
Jackie Gleason; Benny Goodman; Robert Goulet;
Grappelli & Menuhin; Stephane Grappelli; Buddy Greco; Ted Heath;
Joe Henderson; Harry James; Joni James; Tom Jones; Stan Kenton;
Eartha Kitt; Frankie Laine; Michel Legrande; Jerry Lee Lewis;
Vera Lynn; Gordon McRae; Manfred Mann; The Mantovani Orch.;
Manuel & his Music of the Mountains; Tony Martin; Al Martino;
Harpo Marx; Billy May; George Melachrino & his Orch.;
Sir Yehudi Menuhin; Johnny Mercer; Ethel Merman; Helen Merrill;
Mitch Miller; The Mills Brothers; Matt Monro; Nana Mouskouri;
Willie Nelson; Helen O'Connell; Patti Page; Norrie Paramour;
Art Pepper; Oscar Peterson; Edith Piaf; Gene Pitney; Louis Prima;
Frank Purcell; Lou Rawls; Artie Shaw; George Shearing;
Zoot Simms; Frank Sinatra; Keely Smith; Dorothy Squires;
Jo Stafford; Barbra Streisand; Dame Kiri Te Kanawa;
Jack Teagarden; Mel Tormé; Jackie Trent; Caterina Valente;
Sarah Vaughan; Paul Weston; Paul Whiteman; Andy Williams;
Roger Williams; Teddy Wilson; ..... and many more.
LES FEUILLES MORTES (La Chanson de Prévert)
(Jacques Prévert / Joseph Kosma)
Yves Montand (France)
Autres interprètes:
Serge Gainsbourg, Dalida, Mouloudji, Fernand Gignac, Nana Mouskouri.
3) IT'S ALL IN THE GAME
Elton John
Tommy Edwards
Many a tear has to fall,
but it's all... in the game
All in the wonderful game
that we know... as love
You had words with him,
and your future's looking dim
but these things your heart can rise above.
Once in a while he won't call,
but it's all... in the game.
Soon he'll be there at your side
with a sweet, bouquet.
Then he'll kiss... your lips
and caress your waiting fingertips
and your heart will fly away.
Once in a while he won't call,
but it's all... in the game.
Soon he'll be there at your side
with a sweet, bouquet.
Then he'll kiss... your lips
and caress your waiting fingertips
and your heart will fly away.
- published: 26 Jan 2012
- views: 675
The King Beez - RAM Entertainment
- Order: Reorder
- Duration: 16:23
- Updated: 29 Dec 2013
- views: 363
The King Beez are available with or without the horn section. The King Beez consist of 1 lead female singer, 2 male lead singers, 1 lead guitar, 1 keyboard play...
The King Beez are available with or without the horn section. The King Beez consist of 1 lead female singer, 2 male lead singers, 1 lead guitar, 1 keyboard player, drums, bass AND 2 horn players (1 sax and 1 trumpet)
The King Beez have quickly become the "must have" band of the South! Don't miss your opportunity to party with this group of extremely talented veteran Memphis musicians!
The common thread that connects Beale Street, B.B. King’s Blues Club and The King Beez is that they represent the best of the best. While this common thread unites these three together, the ultimate result is that they create an uncommon experience for those people who prefer to dwell in the world of rhythm and blues. Beale Street is the number one street of blues in the world while B.B. King’s Blues Club is the premier blues club on Beale Street. The missing link that rounds out and perfects and enriches the blues experience for anyone, however, is The King Beez who have been center stage at B.B. King’s. This rhythm and blues group breathes life and breath into the very soul of rhythm and blues for they have captured the essence of this particular genre.
The King Beez was created when the Doctors of Rhythm and Blues, David Bowen, Solomon McDaniel and James Jackson came together in 1991 to form what they hoped would become the standard bearer for rhythm and blues bands in Memphis and beyond. During their search for the most accomplished musicians they could find, they molded a group of eight individuals into a fabulous musical force in the world of rhythm and blues. In the process, they have set the performance bar to a level that all other bands strive to achieve but seldom do. From the beginning, they became the main stay at B.B. King’s and continue to redefine excellence in a rhythm and blues performance on and off Beale Street.
This band has a way of satisfying your every musical taste. So sit back. Relax. And enjoy the show.
"Calling only three weeks out of an event when our original band (NOT affiliated with RAM,) canceled, we were panicked. RAM Entertainment assured us they would provide a group that we would not be disappointed with. That was an understatement! RAM's depth of talent is amazing & if we weren't smitten by "our" band, would try any they recommended."
"The King Beez. . . where to begin? As we all have heard, bees are becoming endangered - as are musicians with the heart & soul as The King Beez! They are not only gifted artist, but people of integrity.
We had the King Beez perform for a celebration of about 400 people & literally everyone who commented on the wondrous evening said words to this effect, 'Who was the band? They were the BEST of any group we have heard in years!!!
As people were coming in The King Beez were thoughtful to play softer & more subdued music. But once the crowd was in . . . the magic of their talent came alive. We were in a meadow under the Majesty of God's sky & their music was an "amen" to all that was and is.
One of the guest who arrived late had been to another party with a much better known group & they said the other group didn't hold a candle to The King Beez!!! If you are blessed enough to have them at any event, you will come away holding the melodies in your heart . . . a smile on your face . . . & very tired feet!
We are already planning another event just to have them back & we will select our date as to their availability . . . just want The King Beez!!! "Thanks" RAM Entertainment & The King Beez!!!"
SHARON BALE
WEDDING RECEPTION
“We were fortunate enough to have the King Beez play at my husband's and my wedding reception, and they were wonderful. Throughout the evening guests continually asked me and my parents who they were and how we found them. Not only were they very entertaining but also very musically talented. We appreciated that the band did learn a few songs that we requested including our first dance song. At the end of the reception we had a minor hiccup (the limo forgot to show up), but the guests were none the wiser because they were able to continue dancing to great music while we quickly made other arrangements. The King Beez made our reception very memorable. I highly recommend them, and my husband and I will be heading to BB King's in Memphis on Beale St to see them as often as I can!”
MADELINE WHITE
WEDDING RECEPTION
"I recommend using RAM entertainment for any party. The process of hiring the band for our daughter's wedding was as easy as could be. Everything was done through e-mail and if I had a question, I received a prompt reply.They were very helpful as I was working with a tight budget. They had several bands within my price range and all of them seemed to be very good. I was very impressed with the professionalism of those I worked with as well as the band. The King Beez were fabulous. The dance floor was crowded with all ages. They interacted with the crowd and they were just great. Everyone wanted to know where we
https://wn.com/The_King_Beez_Ram_Entertainment
The King Beez are available with or without the horn section. The King Beez consist of 1 lead female singer, 2 male lead singers, 1 lead guitar, 1 keyboard player, drums, bass AND 2 horn players (1 sax and 1 trumpet)
The King Beez have quickly become the "must have" band of the South! Don't miss your opportunity to party with this group of extremely talented veteran Memphis musicians!
The common thread that connects Beale Street, B.B. King’s Blues Club and The King Beez is that they represent the best of the best. While this common thread unites these three together, the ultimate result is that they create an uncommon experience for those people who prefer to dwell in the world of rhythm and blues. Beale Street is the number one street of blues in the world while B.B. King’s Blues Club is the premier blues club on Beale Street. The missing link that rounds out and perfects and enriches the blues experience for anyone, however, is The King Beez who have been center stage at B.B. King’s. This rhythm and blues group breathes life and breath into the very soul of rhythm and blues for they have captured the essence of this particular genre.
The King Beez was created when the Doctors of Rhythm and Blues, David Bowen, Solomon McDaniel and James Jackson came together in 1991 to form what they hoped would become the standard bearer for rhythm and blues bands in Memphis and beyond. During their search for the most accomplished musicians they could find, they molded a group of eight individuals into a fabulous musical force in the world of rhythm and blues. In the process, they have set the performance bar to a level that all other bands strive to achieve but seldom do. From the beginning, they became the main stay at B.B. King’s and continue to redefine excellence in a rhythm and blues performance on and off Beale Street.
This band has a way of satisfying your every musical taste. So sit back. Relax. And enjoy the show.
"Calling only three weeks out of an event when our original band (NOT affiliated with RAM,) canceled, we were panicked. RAM Entertainment assured us they would provide a group that we would not be disappointed with. That was an understatement! RAM's depth of talent is amazing & if we weren't smitten by "our" band, would try any they recommended."
"The King Beez. . . where to begin? As we all have heard, bees are becoming endangered - as are musicians with the heart & soul as The King Beez! They are not only gifted artist, but people of integrity.
We had the King Beez perform for a celebration of about 400 people & literally everyone who commented on the wondrous evening said words to this effect, 'Who was the band? They were the BEST of any group we have heard in years!!!
As people were coming in The King Beez were thoughtful to play softer & more subdued music. But once the crowd was in . . . the magic of their talent came alive. We were in a meadow under the Majesty of God's sky & their music was an "amen" to all that was and is.
One of the guest who arrived late had been to another party with a much better known group & they said the other group didn't hold a candle to The King Beez!!! If you are blessed enough to have them at any event, you will come away holding the melodies in your heart . . . a smile on your face . . . & very tired feet!
We are already planning another event just to have them back & we will select our date as to their availability . . . just want The King Beez!!! "Thanks" RAM Entertainment & The King Beez!!!"
SHARON BALE
WEDDING RECEPTION
“We were fortunate enough to have the King Beez play at my husband's and my wedding reception, and they were wonderful. Throughout the evening guests continually asked me and my parents who they were and how we found them. Not only were they very entertaining but also very musically talented. We appreciated that the band did learn a few songs that we requested including our first dance song. At the end of the reception we had a minor hiccup (the limo forgot to show up), but the guests were none the wiser because they were able to continue dancing to great music while we quickly made other arrangements. The King Beez made our reception very memorable. I highly recommend them, and my husband and I will be heading to BB King's in Memphis on Beale St to see them as often as I can!”
MADELINE WHITE
WEDDING RECEPTION
"I recommend using RAM entertainment for any party. The process of hiring the band for our daughter's wedding was as easy as could be. Everything was done through e-mail and if I had a question, I received a prompt reply.They were very helpful as I was working with a tight budget. They had several bands within my price range and all of them seemed to be very good. I was very impressed with the professionalism of those I worked with as well as the band. The King Beez were fabulous. The dance floor was crowded with all ages. They interacted with the crowd and they were just great. Everyone wanted to know where we
- published: 10 Nov 2011
- views: 363
Calling Forth the energies3. bugalu drums
- Order: Reorder
- Duration: 10:10
- Updated: 06 Aug 2013
- views: 376
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
-
Marvin Bugalu Smi...
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
-
Marvin Bugalu Smith (Drums),
- John Esposito (Piano),
- Lew Scott (Bass)
Plus: The Bugalu Drum Crew and other special guests
Calling
Forth the energies 1. The second week around,
Is about calling forth the inner spirit “energies”
needed to learn
To play one’s musical instrument with command.
Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers
Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed is a good student a good teacher, and a good student are one. The teacher shows the way and the principals and the student fulfills the teacher’s idea young people today want everything without any real hard work this is not the case with bugalu’s 37 chambers there’s no easy way to past with bugalu you just need to study and be true to yourself. As kesai Riddick said
I thought he (bugalu) was going to be like any other teacher I had had in the past, conventional and status quo. But I was mistaken. “Marvin bugalu Smith is a man who has journeyed deep within himself to find his hidden treasures“, he's done this through the vehicle of the drum. I thought my desire and determination to play the drums was going to be enough to get over. Marvin wanted much more than just superficial flights of fancy, he wanted real hardcore work and sacrifice because that's what he had when he was learning the drum set. When I first was studying with Marvin I was going to college at S.U.N.Y. New Paltz and studying with the resident drum teacher there. I would always put Marvin's teachings secondary to my school work because I felt passing was more important. It's not that I didn't respect what Marvin was teaching me but my attitude towards it was arrogant and naive. I didn't understand that the stuff Marvin was showing me was what was really needed on the bandstand and what really made the music happen bugalu and his drum crew provide the best possible environment. For studying the drums studying with live Masters on the stage these,
Master’s play the music right, the first time around, There’s no better teaching then live teachers on stage, with the students
The Master’s John Esposito is an accomplished
Innovative pianist and is the head of the Jazz department at Bard college. Born in
Brooklyn, Esposito was raised in the Hudson Valley in a family that included
Policemen, but also artists and musicians. Over the years, he has played,
Toured and recorded with both his own bands and as a sideman with players such
As Thurman Barker, Nick Brignola, Roy Campbell, Santi Debriano, Carter Jefferson,
John Lindberg, Erica Lindsay, Joe Lovano, J.R. Monterose, David "fathead"
Newman, Roswell Rudd, Rashied Ali, Dave Douglas, Dave Holland, Franklin.
Lew Scott bass is one of the hottest bass players today in jazz circles on the he plays with Melba Moor
For more on bugalu’s teaching and other information, related to jazz drumming, go to jazzdrumlessons.com
So with that said
Here’s comes the music enjoy.
Marvin bugalu Smith drums
John Esposito piano
Lew Scott bass
https://wn.com/Calling_Forth_The_Energies3._Bugalu_Drums
Bumar records in association with Compassionate sound and motion productions proudly present a new concert series Tuesday, September 29th –
-
Marvin Bugalu Smith (Drums),
- John Esposito (Piano),
- Lew Scott (Bass)
Plus: The Bugalu Drum Crew and other special guests
Calling
Forth the energies 1. The second week around,
Is about calling forth the inner spirit “energies”
needed to learn
To play one’s musical instrument with command.
Studying the drums in Marvin bugalu Smith’s 37 chambers In kung fu movies today they have only 36 chambers
Marvin bugalu Smith’s 37 chambers drum school which is the best drum school in this world today because it teaches the true principals of the drums when you have a good teacher then what is needed is a good student a good teacher, and a good student are one. The teacher shows the way and the principals and the student fulfills the teacher’s idea young people today want everything without any real hard work this is not the case with bugalu’s 37 chambers there’s no easy way to past with bugalu you just need to study and be true to yourself. As kesai Riddick said
I thought he (bugalu) was going to be like any other teacher I had had in the past, conventional and status quo. But I was mistaken. “Marvin bugalu Smith is a man who has journeyed deep within himself to find his hidden treasures“, he's done this through the vehicle of the drum. I thought my desire and determination to play the drums was going to be enough to get over. Marvin wanted much more than just superficial flights of fancy, he wanted real hardcore work and sacrifice because that's what he had when he was learning the drum set. When I first was studying with Marvin I was going to college at S.U.N.Y. New Paltz and studying with the resident drum teacher there. I would always put Marvin's teachings secondary to my school work because I felt passing was more important. It's not that I didn't respect what Marvin was teaching me but my attitude towards it was arrogant and naive. I didn't understand that the stuff Marvin was showing me was what was really needed on the bandstand and what really made the music happen bugalu and his drum crew provide the best possible environment. For studying the drums studying with live Masters on the stage these,
Master’s play the music right, the first time around, There’s no better teaching then live teachers on stage, with the students
The Master’s John Esposito is an accomplished
Innovative pianist and is the head of the Jazz department at Bard college. Born in
Brooklyn, Esposito was raised in the Hudson Valley in a family that included
Policemen, but also artists and musicians. Over the years, he has played,
Toured and recorded with both his own bands and as a sideman with players such
As Thurman Barker, Nick Brignola, Roy Campbell, Santi Debriano, Carter Jefferson,
John Lindberg, Erica Lindsay, Joe Lovano, J.R. Monterose, David "fathead"
Newman, Roswell Rudd, Rashied Ali, Dave Douglas, Dave Holland, Franklin.
Lew Scott bass is one of the hottest bass players today in jazz circles on the he plays with Melba Moor
For more on bugalu’s teaching and other information, related to jazz drumming, go to jazzdrumlessons.com
So with that said
Here’s comes the music enjoy.
Marvin bugalu Smith drums
John Esposito piano
Lew Scott bass
- published: 02 Oct 2009
- views: 376
The Pace Report: "Conversations With a Feelin' Good Bassist" The Christian McBride Interview
- Order: Reorder
- Duration: 17:41
- Updated: 21 Aug 2013
- views: 312
Bassist and bandleader Christian McBride is about to release two of the most important music projects of his 25 years in the business. Mack Avenue Records is se...
Bassist and bandleader Christian McBride is about to release two of the most important music projects of his 25 years in the business. Mack Avenue Records is set to release “The Good Feeling” which is McBride’s debut with his big band taking music fans on ride that produced some of his most innovative and spine-tingling arrangements and compositions. The disc features guest musicians Ron Blake, Nicholas Payton, and vocalist Melissa Walker. Another important release is “Conversations With Christian” which is set for release this November. This disc is something that came as a brainchild from his XM Satellite Radio show which he’s hosted for many years. Throughout his many years as both a leader and sideman, McBride has interviewed some of the most prolific musicians in jazz, rock, soul, and hip-hop. So, he recorded music with some of the musicians from his conversations ranging from Regina Carter, Sting, and Roy Haynes. Also featured on the disc are sessions with the late Dr. Billy Taylor and Hank Jones.
Christian has worn many shoes both in front and behind the scenes serving both as an artistic and musical director for jazz festivals all over the world, a master musician and clinician, radio show host, dedicated husband,and heading his own bands. He’s toured music icons ranging from guitarist Pat Metheny to Chick Corea and John McLaughlin. McBride is one of the most requested bassists in jazz. The Philadelphia native boasts that “the bass was in his blood!” His father is bassist Lee Smith who backed the legendary Mongo Santamaria, to soul legends like Blue Magic and Brenda and the Tabulations. From the age of 8 years old the young McBride found his way both as a musician as well as spokesman for jazz.
In addition to heading his group Inside Straight, this year he’ll also be playing some special dates with the Christian McBride Big Band. To order “The Good Feeling” or “Conversations With Christian,” please visit him on the web at www.christianmcbride.com or www.mackavenuerecords.com
https://wn.com/The_Pace_Report_Conversations_With_A_Feelin'_Good_Bassist_The_Christian_Mcbride_Interview
Bassist and bandleader Christian McBride is about to release two of the most important music projects of his 25 years in the business. Mack Avenue Records is set to release “The Good Feeling” which is McBride’s debut with his big band taking music fans on ride that produced some of his most innovative and spine-tingling arrangements and compositions. The disc features guest musicians Ron Blake, Nicholas Payton, and vocalist Melissa Walker. Another important release is “Conversations With Christian” which is set for release this November. This disc is something that came as a brainchild from his XM Satellite Radio show which he’s hosted for many years. Throughout his many years as both a leader and sideman, McBride has interviewed some of the most prolific musicians in jazz, rock, soul, and hip-hop. So, he recorded music with some of the musicians from his conversations ranging from Regina Carter, Sting, and Roy Haynes. Also featured on the disc are sessions with the late Dr. Billy Taylor and Hank Jones.
Christian has worn many shoes both in front and behind the scenes serving both as an artistic and musical director for jazz festivals all over the world, a master musician and clinician, radio show host, dedicated husband,and heading his own bands. He’s toured music icons ranging from guitarist Pat Metheny to Chick Corea and John McLaughlin. McBride is one of the most requested bassists in jazz. The Philadelphia native boasts that “the bass was in his blood!” His father is bassist Lee Smith who backed the legendary Mongo Santamaria, to soul legends like Blue Magic and Brenda and the Tabulations. From the age of 8 years old the young McBride found his way both as a musician as well as spokesman for jazz.
In addition to heading his group Inside Straight, this year he’ll also be playing some special dates with the Christian McBride Big Band. To order “The Good Feeling” or “Conversations With Christian,” please visit him on the web at www.christianmcbride.com or www.mackavenuerecords.com
- published: 14 Sep 2011
- views: 312
-
Blue Note: A Story of Modern Jazz
Click here to enjoy more videos: http://cinematag.com http://documentary.googleusd.com The story of Alfred Lion and Francis Wolff, founders of the prestigious Blue Note Records Label. The artists list on this DVD reads like a Who's Who of the best international jazz musicians of all times. It features Art Blakey, John Coltrane, Herbie Hancock, . Featuring Bob Belden, Joachim Ernst Berendt, Art Blakey, Ron Carter, John Coltrane, Bob Cranshaw, Dexter Gordon, Johnny Griffin, Herbie Hancock, Freddie . Featuring Bob Belden, Art Blakey, Ron Carter, John Coltrane, Bob Cranshaw, Dexter Gordon, Johnny Griffin, Herbie Hancock, Freddie Hubbard, J.J. Johnson, .
published: 22 Nov 2016 -
FaceBlank The Music From the first weekend
Some of the music that was performed in the space during our show FACE BLANK at the Hundred Years Gallery London. Featuring: Mein Haus are an instrumental duo of Patricia Stepien (violin) and Elliot Murphy (cello). Based in East London but hailing from Poland and Ireland originally, they’ve been making music together since they met on a train in Deptford over a year ago. Their performances are high in energy and musically unpredictable. Their music has been described as: ‘Shostakovich and Arvo Part being kicked down a flight of stairs in an oil barrel’, with influences ranging from the Sex Pistols through Penderecki, Battles and Kraftwerk. I BELONG TO THE BAND : Jean-Michel Van Schouwburg (1955) is an improvising singer and vocal performer from Waterloo, Belgium. He has developed throat ...
published: 06 Mar 2017
Blue Note: A Story of Modern Jazz
- Order: Reorder
- Duration: 1:55:34
- Updated: 22 Nov 2016
- views: 1
Click here to enjoy more videos:
http://cinematag.com
http://documentary.googleusd.com
The story of Alfred Lion and Francis Wolff, founders of the presti...
Click here to enjoy more videos:
http://cinematag.com
http://documentary.googleusd.com
The story of Alfred Lion and Francis Wolff, founders of the prestigious Blue Note Records Label.
The artists list on this DVD reads like a Who's Who of the best international jazz musicians of all times. It features Art Blakey, John Coltrane, Herbie Hancock, .
Featuring Bob Belden, Joachim Ernst Berendt, Art Blakey, Ron Carter, John Coltrane, Bob Cranshaw, Dexter Gordon, Johnny Griffin, Herbie Hancock, Freddie .
Featuring Bob Belden, Art Blakey, Ron Carter, John Coltrane, Bob Cranshaw, Dexter Gordon, Johnny Griffin, Herbie Hancock, Freddie Hubbard, J.J. Johnson, .
https://wn.com/Blue_Note_A_Story_Of_Modern_Jazz
Click here to enjoy more videos:
http://cinematag.com
http://documentary.googleusd.com
The story of Alfred Lion and Francis Wolff, founders of the prestigious Blue Note Records Label.
The artists list on this DVD reads like a Who's Who of the best international jazz musicians of all times. It features Art Blakey, John Coltrane, Herbie Hancock, .
Featuring Bob Belden, Joachim Ernst Berendt, Art Blakey, Ron Carter, John Coltrane, Bob Cranshaw, Dexter Gordon, Johnny Griffin, Herbie Hancock, Freddie .
Featuring Bob Belden, Art Blakey, Ron Carter, John Coltrane, Bob Cranshaw, Dexter Gordon, Johnny Griffin, Herbie Hancock, Freddie Hubbard, J.J. Johnson, .
- published: 22 Nov 2016
- views: 1
FaceBlank The Music From the first weekend
- Order: Reorder
- Duration: 1:07:28
- Updated: 06 Mar 2017
- views: 34
Some of the music that was performed in the space during our show FACE BLANK at the Hundred Years Gallery London.
Featuring:
Mein Haus are an instrumental duo ...
Some of the music that was performed in the space during our show FACE BLANK at the Hundred Years Gallery London.
Featuring:
Mein Haus are an instrumental duo of Patricia Stepien (violin) and Elliot Murphy (cello). Based in East London but hailing from Poland and Ireland originally, they’ve been making music together since they met on a train in Deptford over a year ago. Their performances are high in energy and musically unpredictable.
Their music has been described as: ‘Shostakovich and Arvo Part being kicked down a flight of stairs in an oil barrel’, with influences ranging from the Sex Pistols through Penderecki, Battles and Kraftwerk.
I BELONG TO THE BAND :
Jean-Michel Van Schouwburg (1955) is an improvising singer and vocal performer from Waterloo, Belgium. He has developed throat singing, overtone, jodel, mouth sound, falsetto, and multiphonic techniques and invented several unique languages since the nineties. He is working with the trios Sureau with Jean Demey and Kris Vanderstraete, and Trio 876 with Matthias Boss and Marcello Magliocchi; and has recorded albums with Paul Dunmall, John Russell, Lawrence Casserley, Adam Bohman and Marjolaine Charbin.
London-based experimental musician and artist Adam Bohman (1959) has been operating on the outer fringes of underground music for decades. Working with home-built instruments, found objects, tape cut-ups, collages, ink drawings and graphic scores. Favouring acoustic sounds over electronics, he explores the minute tendrils of sounds coaxed from any number of non-musical instruments and objects. He is a member of British experimental groups Morphogenesis, The Bohman Brothers, Secluded Bronte and The London Improvisers Orchestra.
Zsolt Sőrés (1969) is an improvising intuitive musician, experimental sound artist, editor and writer based in Budapest, Hungary. His music characterised by formation strategies and immediate transitions; the use of unstable acoustic systems and continuous sound layers, which can develop towards a sound economy. His recent collaborations in the context of improvised music include performances with Franz Hautzinger, Isabelle Duthoit, Christian Kobi, Christian Skjød, Thanos Chrysakis, Richard Barrett and Richard Scott. /ahadmaster.blogspot.com
Experimental vibraphone, electronics and analogue synthesizer player Oliver Mayne (1971) first encountered improvisation in a duo with a Brazilian pianist whilst living in Nottingham, England, but got more seriously involved in the adventurous side of music after moving to London, attending the weekly improvisation workshops run by Eddie Prévost of legendary British improvisation group AMM. He has been involved in various recordings through the years, including releases on Glitterhouse, Clinical Archives and Aural Terrains.
Okamoto / Northover / Magliocchi
Maresuke Okamoto was born in Tokyo, in 1960. Double bass studies from 1974. He started contrabass solo on Japanese jazz scene in 1982 whileplaying on Seikei University Orchestra(classic). In this period he played with lots of famous Japanese improvisers. Mototeru Takagi, Matoharu Yoshizawa, Sabu Toyozumi, Takehisa Kosugi, etc and participated in New Jazz Syndicate (free improvisation group). Currently he performs in the world improvised music scene in collaboration with various musicians, including Audrey Chen, Carlos Zingaro, Emilie Lesbros, Hugues Vincent, Hui-Chun Lin, Ricardo Tejero, Terry Day, Tristan Honsinger, Wolfgang Georgsdorf etc.
Adrian Northover has played and recorded with B Shops for the Poor, The Remote Viewers, Sonicphonics (with Billy Bang), The London Improvisers Orchestra, Ensemble Trip-Tik, Anna Homler, Ricardo Tejero, The Custodians, Sabu Toyozumi, Terry Day, Tristan Honsinger and JJ Duerinckx ,duo CD’s with Adam Bohman, Tasos Stamou, Daniel Thompson and others. Current projects include ‘Hard Evidence’ with John Edwards and Steve Noble, playing the music of Thelonious Monk, Vladimir Miller’s Notes from Underground, ‘Hogcallin’ – a septet playing the music of Charles Mingus, and a trio with Marcio Mattos and Marilza Gouvea.
Musical explorer Marcello Magliocchi has performed and recorded in many and variated musical universes in addressing different languages such asjazz, the instant composition, live music for silent movies, and more, interacting with the worlds of dance, theatre. Currently its rhythmic timbre research takes the form of sound experiences with musicians from around the world by participating or organizing different ensemble of improvisers, video materials, electronics. Since 1974 has worked in several projects involving some of the most significant musicians in jazz and improvisation, including Mal Waldron, John Tchicai, Peter Kowald, Steve Potts, Joelle Leandre, Evan Parker, Kent Carter and William Parker.
Hundred Years Gallery
diesekonstruction.co.uk/film2017
https://wn.com/Faceblank_The_Music_From_The_First_Weekend
Some of the music that was performed in the space during our show FACE BLANK at the Hundred Years Gallery London.
Featuring:
Mein Haus are an instrumental duo of Patricia Stepien (violin) and Elliot Murphy (cello). Based in East London but hailing from Poland and Ireland originally, they’ve been making music together since they met on a train in Deptford over a year ago. Their performances are high in energy and musically unpredictable.
Their music has been described as: ‘Shostakovich and Arvo Part being kicked down a flight of stairs in an oil barrel’, with influences ranging from the Sex Pistols through Penderecki, Battles and Kraftwerk.
I BELONG TO THE BAND :
Jean-Michel Van Schouwburg (1955) is an improvising singer and vocal performer from Waterloo, Belgium. He has developed throat singing, overtone, jodel, mouth sound, falsetto, and multiphonic techniques and invented several unique languages since the nineties. He is working with the trios Sureau with Jean Demey and Kris Vanderstraete, and Trio 876 with Matthias Boss and Marcello Magliocchi; and has recorded albums with Paul Dunmall, John Russell, Lawrence Casserley, Adam Bohman and Marjolaine Charbin.
London-based experimental musician and artist Adam Bohman (1959) has been operating on the outer fringes of underground music for decades. Working with home-built instruments, found objects, tape cut-ups, collages, ink drawings and graphic scores. Favouring acoustic sounds over electronics, he explores the minute tendrils of sounds coaxed from any number of non-musical instruments and objects. He is a member of British experimental groups Morphogenesis, The Bohman Brothers, Secluded Bronte and The London Improvisers Orchestra.
Zsolt Sőrés (1969) is an improvising intuitive musician, experimental sound artist, editor and writer based in Budapest, Hungary. His music characterised by formation strategies and immediate transitions; the use of unstable acoustic systems and continuous sound layers, which can develop towards a sound economy. His recent collaborations in the context of improvised music include performances with Franz Hautzinger, Isabelle Duthoit, Christian Kobi, Christian Skjød, Thanos Chrysakis, Richard Barrett and Richard Scott. /ahadmaster.blogspot.com
Experimental vibraphone, electronics and analogue synthesizer player Oliver Mayne (1971) first encountered improvisation in a duo with a Brazilian pianist whilst living in Nottingham, England, but got more seriously involved in the adventurous side of music after moving to London, attending the weekly improvisation workshops run by Eddie Prévost of legendary British improvisation group AMM. He has been involved in various recordings through the years, including releases on Glitterhouse, Clinical Archives and Aural Terrains.
Okamoto / Northover / Magliocchi
Maresuke Okamoto was born in Tokyo, in 1960. Double bass studies from 1974. He started contrabass solo on Japanese jazz scene in 1982 whileplaying on Seikei University Orchestra(classic). In this period he played with lots of famous Japanese improvisers. Mototeru Takagi, Matoharu Yoshizawa, Sabu Toyozumi, Takehisa Kosugi, etc and participated in New Jazz Syndicate (free improvisation group). Currently he performs in the world improvised music scene in collaboration with various musicians, including Audrey Chen, Carlos Zingaro, Emilie Lesbros, Hugues Vincent, Hui-Chun Lin, Ricardo Tejero, Terry Day, Tristan Honsinger, Wolfgang Georgsdorf etc.
Adrian Northover has played and recorded with B Shops for the Poor, The Remote Viewers, Sonicphonics (with Billy Bang), The London Improvisers Orchestra, Ensemble Trip-Tik, Anna Homler, Ricardo Tejero, The Custodians, Sabu Toyozumi, Terry Day, Tristan Honsinger and JJ Duerinckx ,duo CD’s with Adam Bohman, Tasos Stamou, Daniel Thompson and others. Current projects include ‘Hard Evidence’ with John Edwards and Steve Noble, playing the music of Thelonious Monk, Vladimir Miller’s Notes from Underground, ‘Hogcallin’ – a septet playing the music of Charles Mingus, and a trio with Marcio Mattos and Marilza Gouvea.
Musical explorer Marcello Magliocchi has performed and recorded in many and variated musical universes in addressing different languages such asjazz, the instant composition, live music for silent movies, and more, interacting with the worlds of dance, theatre. Currently its rhythmic timbre research takes the form of sound experiences with musicians from around the world by participating or organizing different ensemble of improvisers, video materials, electronics. Since 1974 has worked in several projects involving some of the most significant musicians in jazz and improvisation, including Mal Waldron, John Tchicai, Peter Kowald, Steve Potts, Joelle Leandre, Evan Parker, Kent Carter and William Parker.
Hundred Years Gallery
diesekonstruction.co.uk/film2017
- published: 06 Mar 2017
- views: 34
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11:21
John Carter - Capture
Born in Fort Worth, Texas, Carter attended I.M. Terrell High School, and played music with...
published: 30 Jul 2014
John Carter - Capture
John Carter - Capture
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- published: 30 Jul 2014
- views: 4003
0:41
John Carter / Bobby Bradford - Self Determination Music
http://acerecords.co.uk/self-determination-music
One of the rarest Flying Dutchman releas...
published: 23 Feb 2015
John Carter / Bobby Bradford - Self Determination Music
John Carter / Bobby Bradford - Self Determination Music
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- published: 23 Feb 2015
- views: 778
13:24
John Carter - castles of Ghana
Lp - Castles of Ghana (1986 / Gramavision)
John Carter - clarinet , vocals
Bobby Bradford...
published: 20 Feb 2016
John Carter - castles of Ghana
John Carter - castles of Ghana
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- published: 20 Feb 2016
- views: 2519
2:38
Big John Carter @ King's Cross St. Pancras, London
Mr. boogie woogie, Big John Carter on the piano in London's Kings Cross St. Pancras train ...
published: 17 May 2014
Big John Carter @ King's Cross St. Pancras, London
Big John Carter @ King's Cross St. Pancras, London
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- published: 17 May 2014
- views: 30430
11:55
James Carter Quintet - In a Sentimental Mood
Festival Jazz San Javier 2010
James Carter, flute
Corey Wilkes, trumpet
Gerard Gibbs, p...
published: 18 Jan 2011
James Carter Quintet - In a Sentimental Mood
James Carter Quintet - In a Sentimental Mood
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- published: 18 Jan 2011
- views: 78950
8:16
Benny Carter - Blues for George
Album: Benny Carter A Gentleman and His Music 1985
Personnel: Benny Carter (alto saxophon...
published: 31 Jan 2014
Benny Carter - Blues for George
Benny Carter - Blues for George
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- published: 31 Jan 2014
- views: 2266
5:13
The Dangerous Life of a Jazz Musician
This is an educational video created to warn musicians about the dangers of doing jazz gig...
published: 30 Dec 2008
The Dangerous Life of a Jazz Musician
The Dangerous Life of a Jazz Musician
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- published: 30 Dec 2008
- views: 5933
9:07
Miles Davis - So What
Miles Davis' official music video for 'So What'. Click to listen to Miles Davis on Spotify...
published: 20 Oct 2010
Miles Davis - So What
Miles Davis - So What
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- published: 20 Oct 2010
- views: 6474997
7:10
Ron Carter - The Shadow Of Your Smile
Ron Carter (born May 4, 1937) is an American jazz double-bassist. His appearances on over ...
published: 21 Jun 2011
Ron Carter - The Shadow Of Your Smile
Ron Carter - The Shadow Of Your Smile
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- published: 21 Jun 2011
- views: 953716
1:51
Jazz - James Carter Sax Improv (2009) - World Saxhopone Quartet Live (DVD)
published: 14 Nov 2011
Jazz - James Carter Sax Improv (2009) - World Saxhopone Quartet Live (DVD)
Jazz - James Carter Sax Improv (2009) - World Saxhopone Quartet Live (DVD)
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- published: 14 Nov 2011
- views: 771518
1:00:00
Roulette TV: JOEY BARON
Avant-garde jazz drummer Joey Baron has worked with an impressive list of musicians, inclu...
published: 20 Apr 2010
Roulette TV: JOEY BARON
Roulette TV: JOEY BARON
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- published: 20 Apr 2010
- views: 14730
5:59
The Art Tatum Centennial Celebration
http://bit.ly/tatumcentennial - It is no stretch to state that Art Tatum was the jazz worl...
published: 25 Sep 2009
The Art Tatum Centennial Celebration
The Art Tatum Centennial Celebration
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- published: 25 Sep 2009
- views: 1672
28:03
Roulette TV: ANDREW CYRILLE
Andrew Cyrille, Bob Stewart, Roy Campbell
Andrew Cyrille was born in Brooklyn, NY. As wel...
published: 29 Apr 2010
Roulette TV: ANDREW CYRILLE
Roulette TV: ANDREW CYRILLE
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- published: 29 Apr 2010
- views: 1592
9:37
Calling Forth the energies 2.bugalu drums
Bumar records in association with Compassionate sound and motion productions proudly prese...
published: 01 Oct 2009
Calling Forth the energies 2.bugalu drums
Calling Forth the energies 2.bugalu drums
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- published: 01 Oct 2009
- views: 408
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11:21
John Carter - Capture
Born in Fort Worth, Texas, Carter attended I.M. Terrell High School, and played music with...
published: 30 Jul 2014
John Carter - Capture
John Carter - Capture
- Report rights infringement
- published: 30 Jul 2014
- views: 4003
0:41
John Carter / Bobby Bradford - Self Determination Music
http://acerecords.co.uk/self-determination-music
One of the rarest Flying Dutchman releas...
published: 23 Feb 2015
John Carter / Bobby Bradford - Self Determination Music
John Carter / Bobby Bradford - Self Determination Music
- Report rights infringement
- published: 23 Feb 2015
- views: 778
13:24
John Carter - castles of Ghana
Lp - Castles of Ghana (1986 / Gramavision)
John Carter - clarinet , vocals
Bobby Bradford...
published: 20 Feb 2016
John Carter - castles of Ghana
John Carter - castles of Ghana
- Report rights infringement
- published: 20 Feb 2016
- views: 2519
2:38
Big John Carter @ King's Cross St. Pancras, London
Mr. boogie woogie, Big John Carter on the piano in London's Kings Cross St. Pancras train ...
published: 17 May 2014
Big John Carter @ King's Cross St. Pancras, London
Big John Carter @ King's Cross St. Pancras, London
- Report rights infringement
- published: 17 May 2014
- views: 30430
11:55
James Carter Quintet - In a Sentimental Mood
Festival Jazz San Javier 2010
James Carter, flute
Corey Wilkes, trumpet
Gerard Gibbs, p...
published: 18 Jan 2011
James Carter Quintet - In a Sentimental Mood
James Carter Quintet - In a Sentimental Mood
- Report rights infringement
- published: 18 Jan 2011
- views: 78950
8:16
Benny Carter - Blues for George
Album: Benny Carter A Gentleman and His Music 1985
Personnel: Benny Carter (alto saxophon...
published: 31 Jan 2014
Benny Carter - Blues for George
Benny Carter - Blues for George
- Report rights infringement
- published: 31 Jan 2014
- views: 2266
5:13
The Dangerous Life of a Jazz Musician
This is an educational video created to warn musicians about the dangers of doing jazz gig...
published: 30 Dec 2008
The Dangerous Life of a Jazz Musician
The Dangerous Life of a Jazz Musician
- Report rights infringement
- published: 30 Dec 2008
- views: 5933
9:07
Miles Davis - So What
Miles Davis' official music video for 'So What'. Click to listen to Miles Davis on Spotify...
published: 20 Oct 2010
Miles Davis - So What
Miles Davis - So What
- Report rights infringement
- published: 20 Oct 2010
- views: 6474997
7:10
Ron Carter - The Shadow Of Your Smile
Ron Carter (born May 4, 1937) is an American jazz double-bassist. His appearances on over ...
published: 21 Jun 2011
Ron Carter - The Shadow Of Your Smile
Ron Carter - The Shadow Of Your Smile
- Report rights infringement
- published: 21 Jun 2011
- views: 953716
1:51
Jazz - James Carter Sax Improv (2009) - World Saxhopone Quartet Live (DVD)
published: 14 Nov 2011
Jazz - James Carter Sax Improv (2009) - World Saxhopone Quartet Live (DVD)
Jazz - James Carter Sax Improv (2009) - World Saxhopone Quartet Live (DVD)
- Report rights infringement
- published: 14 Nov 2011
- views: 771518
1:00:00
Roulette TV: JOEY BARON
Avant-garde jazz drummer Joey Baron has worked with an impressive list of musicians, inclu...
published: 20 Apr 2010
Roulette TV: JOEY BARON
Roulette TV: JOEY BARON
- Report rights infringement
- published: 20 Apr 2010
- views: 14730
5:59
The Art Tatum Centennial Celebration
http://bit.ly/tatumcentennial - It is no stretch to state that Art Tatum was the jazz worl...
published: 25 Sep 2009
The Art Tatum Centennial Celebration
The Art Tatum Centennial Celebration
- Report rights infringement
- published: 25 Sep 2009
- views: 1672
28:03
Roulette TV: ANDREW CYRILLE
Andrew Cyrille, Bob Stewart, Roy Campbell
Andrew Cyrille was born in Brooklyn, NY. As wel...
published: 29 Apr 2010
Roulette TV: ANDREW CYRILLE
Roulette TV: ANDREW CYRILLE
- Report rights infringement
- published: 29 Apr 2010
- views: 1592
9:37
Calling Forth the energies 2.bugalu drums
Bumar records in association with Compassionate sound and motion productions proudly prese...
published: 01 Oct 2009
Calling Forth the energies 2.bugalu drums
Calling Forth the energies 2.bugalu drums
- Report rights infringement
- published: 01 Oct 2009
- views: 408
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1:55:34
Blue Note: A Story of Modern Jazz
Click here to enjoy more videos:
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published: 22 Nov 2016
Blue Note: A Story of Modern Jazz
Blue Note: A Story of Modern Jazz
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- published: 22 Nov 2016
- views: 1
1:07:28
FaceBlank The Music From the first weekend
Some of the music that was performed in the space during our show FACE BLANK at the Hundre...
published: 06 Mar 2017
FaceBlank The Music From the first weekend
FaceBlank The Music From the first weekend
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- published: 06 Mar 2017
- views: 34
Blue Note: A Story of Modern Jazz...
FaceBlank The Music From the first weekend...
See more photos of john carter (jazz musician)
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Publishers call for rethink of proposed changes to online privacy laws
Edit The Observer 29 May 2017
An alliance of news publishers has called on European regulators to rethink proposed changes to online privacy laws, arguing that they will potentially kill their digital businesses and give Google, Apple and Facebook too much control of advertising and personal data ... Currently, when users visit an individual website or app they are asked if they will consent to a cookietracking them....
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Belgian University Asks Female Students To Wear Low-Cut Tops To Graduation
Edit WorldNews.com 30 May 2017
A Belgian university is red-faced after a message was sent out asking female students attending next month’s graduation ceremony to wear low-cut outfits, BBC News reported.The email, the report said, was sent to medical students at the Free University of Brussels (ULB) ... "No one has the right to tell you how you should feel in your skin. Nobody has the right to tell you how to dress....
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Nasa partner Robert Bigelow says he is 'absolute convinced' aliens are currently living on Earth
Edit The Independent 30 May 2017back
‘Super-Earth’ found 21 light years away may host alien life
Edit Financial Express 30 May 2017
Scientists have discovered a potentially habitable Earth-like planet, located just 21 light years away, that may host liquid water on its surface. The post ‘Super-Earth’ found 21 light years away may host alien life ... ....
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South Korean President 'Shocked' At Deployment Of 4 Additional THAAD Launchers
Edit WorldNews.com 30 May 2017
The “unauthorized” deployment of four additional Terminal High Altitude Area Defense (THAAD) missile launcher batteries in South Korea has “shocked” the country’s new president causing him to order an investigation into the deployment, Press TV reported Tuesday....
Carter Lake fire started on deck, then spread to house
Edit Omaha World-Herald 30 May 2017
Firefighters from Carter Lake, Omaha and Crescent, Iowa, responded to a house fire in Carter Lake on Monday evening ... ....
I wouldn't want to be a butler, says Downton Abbey's Jim Carter
Edit AOL 30 May 2017
He played the ever-loyal butler in Downton Abbey, but in real life actor Jim Carter has very different views about the job ... Discussing visiting Los Angeles, Carter told Radio Times magazine ... Carter, who is married to actress Imelda Staunton, ......
Why Yankees may release Chris Carter when Tyler Austin is done rehabbing
Edit NJ dot com 30 May 2017
Carter is hitting .188 with four homers in 36 games this season. BALTIMORE -- The Yankees have been waiting and hoping for first baseman Chris Carter to do for them what he did for the 2016 Milwaukee Brewers ... Carter has gone yard just four times with 45 strikeouts in 101 at-bats after hitting 41 last season to tie for the National League lead ... Like Carter, Austin has a lot of right-handed power....
Carter: Brzezinski was one of the best I...
Edit MSNBC 30 May 2017
Former President Jimmy Carter discusses his national security advisor, Dr. Zbigniew Brzezinski, and why he says no one in government was more loyal to him than Dr. Brzezinski. Read more ... ....
Teen accused in fatal shooting of recent Dallas Carter graduate
Edit Star Telegram 30 May 2017
Tips have led to the arrest of an Irving teen in the fatal shooting of a recent Dallas Carter High School graduate who family members say was just trying to ... ....
Video: Country star Nathan Carter looking forward to performing at Dalriada Festival
Edit Belfast Telegraph 30 May 2017
Nathan Carter is looking forward to performing at the Dalriada Festival at Glenarm Castle, Co Antrim, for a fourth time. The country music superstar and his band headline the Friday evening - July 14. "It's one of my favourite festivals," he said ... ....
'Downton Abbey' Star Jim Carter Drops Big Hint That The Film Of The Show Is ...
Edit Huffington Post 30 May 2017
Jim Carter, who played the backbone of the series, head butler Mr Carson, was talking to the new Radio Times about a brand new documentary he’s made for Radio 4 ... Read the full interview with Jim Carter in this week’s Radio Times....
Two women shot dead while driving in Cleveland's Central neighborhood
Edit Cleveland 30 May 2017
Shonna Adams, 21, and Jamila Carter, 22, died in the shooting, according to police and the Cuyahoga County Medical Examiner ... Someone in another vehicle, possibly a dark SUV, fired several shots at Carter's Dodge Avenger as she drove on Cedar Avenue, according to police....
Carter Holt Harvey brings shame to Kiwi name in Australia
Edit Scoop 30 May 2017
New Zealand’s largest private sector union is calling on New Zealand’s richest man, billionaire Graeme Hart, to stop giving New Zealand a bad name in his treatment of Australian workers ... ....
EXCLUSIVE – Carter Page: Russia Investigation Will Unearth Obama Admin’s ‘Falsified FISA Warrants Against Me’
Edit Breitbart 30 May 2017Beyoncé Bonds With Blue Ivy Carter on Memorial Day
Edit E! Online 30 May 2017
You'd be hard-pressed to find a mother-daughter duo more stylish than this one.
On Memorial Day, Beyoncé and Blue Ivy got into the summer spirit in coordinating blue and pink... ....
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