- published: 24 Nov 2012
- views: 64
- author: lisakiraly
0:20
Fisher Price Loving Family My First Dollhouse Kitchen 2005
...
published: 24 Nov 2012
author: lisakiraly
Fisher Price Loving Family My First Dollhouse Kitchen 2005
- published: 24 Nov 2012
- views: 64
- author: lisakiraly
5:05
ABY KING HELLS KITCHEN 2005
Hells Kitchen Contestant Aby King - a snippet of all the highs and lows... ;-) x....
published: 24 Jan 2012
author: Aby King
ABY KING HELLS KITCHEN 2005
Hells Kitchen Contestant Aby King - a snippet of all the highs and lows... ;-) x.
- published: 24 Jan 2012
- views: 127
- author: Aby King
2:48
Vern and Claire in Hilton Head Kitchen 2005
...
published: 16 Nov 2010
author: Bruce Reingold
Vern and Claire in Hilton Head Kitchen 2005
- published: 16 Nov 2010
- views: 28
- author: Bruce Reingold
9:26
Hell's Kitchen - Season 7: Episode 8 - 3/5
...
published: 05 Jul 2010
author: Michelle Lok
Hell's Kitchen - Season 7: Episode 8 - 3/5
- published: 05 Jul 2010
- views: 29124
- author: Michelle Lok
2:36
black clouds charlies kitchen cambridge 2005
black clouds charlie's kitchen 2005 sowhatificantrememberthesongtitle....
published: 27 Nov 2012
author: Dave Blakney
black clouds charlies kitchen cambridge 2005
black clouds charlie's kitchen 2005 sowhatificantrememberthesongtitle.
- published: 27 Nov 2012
- views: 43
- author: Dave Blakney
5:59
Cocktail Kitchen (2005)
Television Pilot. Producer/Director: Stuart Willis....
published: 28 Sep 2006
author: enfiladefilms
Cocktail Kitchen (2005)
Television Pilot. Producer/Director: Stuart Willis.
- published: 28 Sep 2006
- views: 57
- author: enfiladefilms
2:53
2005 - Hells Kitchen with Nicole Appleton and Liam Gallagher.wmv
...
published: 10 Dec 2011
author: linzrulz116
2005 - Hells Kitchen with Nicole Appleton and Liam Gallagher.wmv
- published: 10 Dec 2011
- views: 11804
- author: linzrulz116
6:20
Kitchen Table Electronics Repair: 2005 Chevy Malibu Key Fob
Here's a video explaining how remote keyless entry works, how the remotes usually break, h...
published: 31 May 2010
author: uxwbill
Kitchen Table Electronics Repair: 2005 Chevy Malibu Key Fob
Here's a video explaining how remote keyless entry works, how the remotes usually break, how I fixed this one and how I tested it even though I did not have ...
- published: 31 May 2010
- views: 29190
- author: uxwbill
18:08
Freak Kitchen - Live in France (2005)
Freak Kitchen - Live in France (2005) w/ Mattias IA Eklundh....
published: 08 Nov 2012
author: Guillaume DEBLOCK
Freak Kitchen - Live in France (2005)
Freak Kitchen - Live in France (2005) w/ Mattias IA Eklundh.
- published: 08 Nov 2012
- views: 276
- author: Guillaume DEBLOCK
3:44
Biffy Clyro Asexual Meat Kitchen Live Reading 2005
This track is the B-Side of the Floating Stars single, The studio version features vocals ...
published: 08 Jan 2011
author: John Smith
Biffy Clyro Asexual Meat Kitchen Live Reading 2005
This track is the B-Side of the Floating Stars single, The studio version features vocals Matt Caughthran who fronts The Bronx. If you have any RARE footage ...
- published: 08 Jan 2011
- views: 1476
- author: John Smith
4:40
2005 Sierra 33 Rear Kitchen MItch the Rv Guy 916 459 8384 Fifth Wheel
MItch the Rv Guy 916 459 8384 call or text 2005 Sierra 33 Rear Kitchen Fifth Wheel....
published: 03 Mar 2013
author: Mitch TheRvGuy
2005 Sierra 33 Rear Kitchen MItch the Rv Guy 916 459 8384 Fifth Wheel
MItch the Rv Guy 916 459 8384 call or text 2005 Sierra 33 Rear Kitchen Fifth Wheel.
- published: 03 Mar 2013
- views: 19
- author: Mitch TheRvGuy
Vimeo results:
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
1:52
Colourfornia
Directed By: Nick Thomm
Assistant Director: Josh Thomm
www.thedropstudio.com
www.nickthomm...
published: 26 Jul 2011
author: Nick Thomm
Colourfornia
Directed By: Nick Thomm
Assistant Director: Josh Thomm
www.thedropstudio.com
www.nickthomm.com
Audio: Calvin Harris - Colours
Shot on the Phantom HD Gold
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
1:46
Augmented (hyper)Reality: Domestic Robocop
The latter half of the 20th century saw the built environment merged with media space, and...
published: 06 Jan 2010
author: Keiichi Matsuda
Augmented (hyper)Reality: Domestic Robocop
The latter half of the 20th century saw the built environment merged with media space, and architecture taking on new roles related to branding, image and consumerism. Augmented reality may recontextualise the functions of consumerism and architecture, and change in the way in which we operate within it.
A film produced for my final year Masters in Architecture, part of a larger project about the social and architectural consequences of new media and augmented reality.
Youtube results:
11:45
"Ruth's Kitchen" Christmas Episode, feat. Greg Davis (2005)
"Ruth's Kitchen," the Christmas special, featuring Ruth Jones and "Santa's Little Helper,"...
published: 02 Mar 2013
author: guvdavis
"Ruth's Kitchen" Christmas Episode, feat. Greg Davis (2005)
"Ruth's Kitchen," the Christmas special, featuring Ruth Jones and "Santa's Little Helper," Greg Davis. Dishes include "Impossible Brunch Pie" and "Hot Cocoa ...
- published: 02 Mar 2013
- views: 3
- author: guvdavis
0:53
April 1,2005 Remodel Kitchen Project
...
published: 12 Nov 2012
author: LaMonte Newbern
April 1,2005 Remodel Kitchen Project
- published: 12 Nov 2012
- views: 9
- author: LaMonte Newbern
3:17
2005 Coachmen Chaparral 292RKS rear kitchen travel trailer@Lerch RV,Milroy Pennsylvania RV Sales
This 2005 Coachmen Chaparral 292 RKS is a rear kitchen travel trailer. Loaded with interio...
published: 23 Apr 2012
author: PALerchRV
2005 Coachmen Chaparral 292RKS rear kitchen travel trailer@Lerch RV,Milroy Pennsylvania RV Sales
This 2005 Coachmen Chaparral 292 RKS is a rear kitchen travel trailer. Loaded with interior storage, this camper is a must see. Equipped with a front queen m...
- published: 23 Apr 2012
- views: 576
- author: PALerchRV
15:59
[pc] snakes and ladders (kitchen sinc, 2005).wmv
the classic board game of counting where you must be the first to land on space 100 (somet...
published: 21 Mar 2012
author: Nick Mccolm
[pc] snakes and ladders (kitchen sinc, 2005).wmv
the classic board game of counting where you must be the first to land on space 100 (sometimes called "home"), climbing ladders while avoiding snakes. the ga...
- published: 21 Mar 2012
- views: 17
- author: Nick Mccolm