Manchu Manju 滿族/满族 Nurhaci • Hong Taiji • Kangxi Emperor • Yongzheng Emperor Qianlong Emperor • Empress Dowager Cixi • Guangxu Emperor • Puyi Dorgon • Heshen • Yixin • Pujie Lao She • John Fugh • Rosamund Kwan • Lang Lang Total population 10,700,000 0.15% of global human population (estimate) Regions with significant populations Ethnic Minority  China 10,682,263[1] ↳ Hong Kong N/A ↳ Macau N/A  Taiwan 12,000[2] Languages Standard Chinese • Manchu Religion Shamanism • Buddhism • Chinese folk religion • Christianity mainly Atheists or Agnostics nowadays[3] Related ethnic groups Evenks • Nanai • Oroqen • Udege • Sibe and other Tungusic peoples This article contains Chinese text. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Chinese characters.

The Manchus (Manchu: Manju; simplified Chinese: 满族; traditional Chinese: 滿族; pinyin: Mǎnzú) are an ethnic minority of China who originated in Manchuria (northeastern China).

For centuries, the Manchu ethnicity has acculturated with the majority Han ethnicity of China. Most Manchu today speak Standard Chinese, while the Manchu language is only spoken by elderly people in remote northeastern China and a few scholars; there are around ten thousand speakers of Xibe, a closely related language spoken in the Ili region of Xinjiang. In recent years, however, there has been a resurgence of interest in Manchu culture among both ethnic Manchus and Han.^[4] The number of Chinese today with some Manchu ancestry is quite large—with 10.68 million members (in China), Manchu is the 3rd largest ethnic group in China after the Han and the Zhuang.^[5] The adoption of favorable policies towards ethnic minorities (such as preferential university admission, government employment opportunities and exemption from the one child policy) has encouraged some people with mixed Han and Manchu ancestry to re-identify themselves as Manchu.

During their rise in the 17th century, with the help of the Ming dynasty rebels (such as general Wu Sangui), they came to power in China and Manchu clan Aisin Gioro founded the Qing Dynasty, which ruled China until the Xinhai Revolution of 1911, which established a republican government in its place.

Culture[link]

A Manchu man hunting, from a Qing era painting.

Aspects of Manchu customs and traditions can be seen in local cuisines, language and customs in Northeast China as well as cities in that region. After having conquered the Ming Dynasty, the Manchus began to adopt many Han customs and traditions to effectively rule China.^{[citation needed]}

They traditionally coiled their hair in high tufts on top of their heads and wore earrings, long gowns and embroidered shoes. The women with higher social standing wore silk and satin clothing while cotton clothing was worn by women of lower social standing. Variants of such costumes (including qi pao and ma gua, Mandarin dress) are still popular throughout China. The cheongsam is a modern adaptation of aristocratic Manchu female dress. Men's clothing formerly consisted of a short, tailored "horse-jacket" worn over a long belted gown to facilitate an equine lifestyle.

The traditional Manchu dwellings were made up of three quarters. In the center of the house was the kitchen while the wings contained the dormitory and the living room. The unique Manchu tradition did not allow people to die on nahan (20px) to the west or north. Believing that doors were made for living souls, the Manchus allowed dead bodies to be taken out only through windows and ground burial was the general practice.^[6]

The Tale of the Nisan Shaman is an important piece of Manchu folklore.^[7]

It was reported in anthropology studies—such as by Weston La Barre, Jeffrey Henderson, and others—that Manchu mothers used to show affection for their children by performing fellatio on their male babies, placing its penis in their mouths and stimulating it, since it was not considered a sexual act, while the Manchu regarded public kissing with revulsion, which was considered sexual.^{[8][9][10][11][12]} They were also reported to caress their children's sexual organs, tickling those of their daughters.^[13]

Manchu girls were reported to be independent and equal to male siblings, having more rights than Chinese girls.^[14] Manchu women were said to be aggressive and irritable, Mongol and Chinese Bannermen married to them were reported to be scared of them, complaining to the Emperor, who permitted them to protest out loud to their wives rather than hide.^[15][16][17]

During the Qing dynasty, education was discouraged by Manchu women. Many of the princesses could not read the simplest book nor write a letter to a friend, but depended upon educated eunuchs to perform these services for them. The Chinese woman on the contrary could usually read and write with ease, and the education of some of them was equal to that of a Hanlin.^[18] However many of these Manchu women of noble background seldom mingled with educated Chinese women even if their husbands were of equal rank in court.

History[link]

Origins and early history[link]

One of the earliest ancestors of the Manchu can trace back to the ancient Sushen tribes.^[19] They were followed by the Yilou people, who were active from AD 202 to 220. The Wuji followed in the 5th century and the tribes of the Mohe in the 6th century. One of the tribes of the Mohe, the Heishui (Amur River) tribe, eventually became the ancestors of the Jurchens, from whom the Manchu originated.^[20]

The Jurchens under the Wanyan clan established the Jin Dynasty (literally Golden Dynasty) that ruled the northern half of China (1115–1234) and rivaled the Song Dynasty in southern China. The Jin were conquered by the Mongols under Genghis Khan.

Another theory is that the Manchu people stem their roots from the Merkit people, a native Mongolic tribal people from the Mongolian plateau in the 12th century.

Before the 17th century, the ancestors of the Manchus were generally a pastoral people, hunting, fishing and engaging in limited agriculture and pig-farming.

A depiction of three peoples of the Siberia. The Manchu man in the middle is dressed in traditional clothes and soncoho.

One of the old traditions of Manchu is the system of bondservants, booi aha or just booi, translated into Mandarin as nucai. The Jurchen tribes employed booi as early as the 15th century, and it was common practice for Manchu military commanders to have their field and house bondservants serving in booi units during military campaigns. The booi differ from Chinese bond slavery in a few key ways, and are somewhat akin to the European feudal liege-bondsman relation. Firstly, booi status is hereditary, similar to a social caste. However, booi were not viewed as properties (although sales of bondservants did occur). Thirdly, booi is more a matter of rank and heredity rather than profession or social status. Indeed, many booi were richly rewarded by their bondmasters, and amassed great wealth and power. Booi status to the imperial Aisin Gioro clan was very prestigious, and they retained the privillege to call themselves "nucai" (slave) when addressing their Aisin Gioro lords. In 1673 the killing of a 'booi's slaves to accompany their dead master to the grave was outlawed.

Founding of the Qing Dynasty[link]

A depiction of two Jurchen warriors and their horses.

A depiction of a Manchu hunting party.

Plaque at the Forbidden City in Beijing, China, in both Chinese (left) and Manchu (right)

In 1616, Nurhaci broke away from the power of the decaying Ming Dynasty and established the Later Jin Dynasty (後金 Hòu Jīn)/Amaga Aisin Gurun (), domestically called the State of Manchu (manju gurun) (15px), and unified Manchu tribes, establishing (or at least expanding) the Manchu Banner system, a military structure which made their forces quite resilient in the face of superior Ming Dynasty numbers in the field. Nurhaci later conquered Mukden (modern-day Shenyang) and built it into the new capital in 1621.

In 1636 Nurhaci's son Hong Taiji, reorganized the Manchus, including those other groups (such as Hans and Mongols) who had joined them, changed the nation's name to Qing Empire, and formally changed the name of the ethnic designation to Manchu, outlawing use of the name Jurchen. According to legend, the name was chosen because Hong Taiji's father, Nurhaci, had believed himself to be a reincarnation of the bodhisattva Manjusri. The actual etymology of the name Manchu is debated. The alleged connection to Manjusri faces alternative theories, one of which links the name to the Tungusic word *mangu(n) "river".^{[citation needed]}

When Beijing was captured by Li Zicheng's peasant rebels in 1644, the last Ming Emperor Chongzhen committed suicide. The Manchu then allied with Ming Dynasty general Wu Sangui and seized control of Beijing, which became the new capital of the Qing dynasty. Over the next two decades, the Manchu took command of all of China and defended against Russian hostilities in Russian–Manchu border conflicts.

For political purposes, the early Manchu emperors took wives descended from the Mongol Great Khans, so that their descendants (such as the Kangxi Emperor) would also be seen as legitimate heirs of the Mongol-ruled Yuan dynasty. During the Qing Dynasty, the Manchu government made efforts to preserve Manchu culture and language. These efforts were largely unsuccessful in that Manchus gradually adopted the customs and language of the surrounding Han Chinese and, by the 19th century, spoken Manchu was rarely used even in the Imperial court. Written Manchu, however, was still used for the keeping of records and communication between the emperor and the Banner officials until the collapse of the dynasty. The Qing dynasty also maintained a system of dual appointments in which all major imperial offices would have a Manchu and a Han Chinese member. Because of the small number of Manchus, this insured that a large fraction of them would be government officials.

During the Russian Invasion of Northern and Central Manchuria (1900), the Russian Empire annihilated many bannermen as they fought to the death against the Russians, each falling one at a time against a five pronged Russian invasion. The Russians killed many of the Manchus, thousands of them fled south. The Russian Cossacks looted their villages and property and then burnt them to ashes.^[21][22]

Near the end of the Qing Dynasty, Manchus were portrayed as outside colonizers by Chinese nationalists such as Sun Yat-Sen, even though the Republican revolution he brought about was supported by many reform-minded Manchu officials and military officers.^[23] This portrayal dissipated somewhat after the 1911 revolution as the new Republic of China now sought to include Manchus within its national identity.^[24] Until 1924, the government continued to pay stipends to Manchu bannermen; however, many cut their links with their banners and took on Han-style names in shame and to avoid persecution.^[25] The official total of Manchu fell by more than half during this period, as they refused to admit to their ethnicity when asked by government officials or other outsiders.^[26]

Modern history[link]

Manchu ladies in 1900s

In 1931, the Empire of Japan created a puppet state in Northeast China called Manchukuo. The new state was nominally ruled by Emperor Puyi. By this time the population of historical Manchuria was overwhelmingly Han Chinese, so while Manchukuo was intended to be a state for Manchus (though many were murdered by the Japanese), Manchukuo had a majority Han population, largely due to internal immigration from China. Manchukuo was abolished at the end of World War II after the Soviet invasion of Manchuria, with its territory incorporated again into China.

A Manchu young man dressed in traditional clothes

The People's Republic of China recognised the Manchu as one of the country's official minorities in 1952.^[27] In the 1953 census, 2.5 million people identified themselves as Manchu.^[28] The Communist government also attempted to improve the treatment of Manchu people; some Manchu people who had hidden their ancestry during the period of KMT rule thus became more comfortable to reveal their ancestry, such as the writer Lao She, who began to include Manchu characters in his fictional works in the 1950s (in contrast to his earlier works which had none).^[29] Between 1982 and 1990, the official count of Manchu people more than doubled from 4,299,159 to 9,821,180, making them China's fastest-growing ethnic minority.^[30] In fact, however, this growth was not due to natural increase, but instead people formerly registered as Han applying for official recognition as Manchu.^[31]

About a half of the Manchu population lives in Liaoning province and about one-fifth in Hebei province. In both of these provinces there are a number of Manchu autonomous counties.

Autonomous Areas designated for Manchus[link]

Notes[link]

•  This article incorporates text from Court life in China: the capital, its officials and people, by Isaac Taylor Headland, a publication from 1909 now in the public domain in the United States.
•  This article incorporates text from Bay View magazine, Volume 18, by Bay View Reading Club, a publication from 1910 now in the public domain in the United States.

Sources[link]

• Rhoads, Edward J. M. (2000). Manchus & Han: Ethnic Relations and Political Power in Late Qing and Early Republican China, 1861-1928. University of Washington Press. ISBN 0-295-98040-0. http://books.google.com/?id=QiM2pF5PDR8C. 
• Wang, Can; Wang, Pingxing (May 2005). Ethnic Groups in China. China Intercontinental Press. ISBN 7-5085-0490-9. 

External links[link]

• Manchu Association of Republic of China
• Mukden(Shenyang) Manchu Association
• Jixiang Manchu
• Manchu culture network
• Solonju Manchu language network
• Taipei Manchu

See also[link]

• Qing Dynasty
• Eight Banners
• List of Manchu clans
• Manchu people in Taiwan

Dr. Fu Manchu is a fictional character introduced in a series of novels by British author Sax Rohmer during the first half of the 20th century. The character was also featured extensively in cinema, television, radio, comic strips and comic books for over 90 years, and has become an archetype of the evil criminal genius while lending the name to the Fu Manchu moustache.

Characters[link]

Fu Manchu[link]

A master criminal, Fu Manchu's murderous plots are marked by the extensive use of arcane methods; he disdains guns or explosives, preferring dacoits, Thuggee, and members of other secret societies as his agents armed with knives, or using "pythons and cobras... fungi and my tiny allies, the bacilli... my black spiders" and other peculiar animals or natural chemical weapons.

In the 1933 novel, The Bride of Fu Manchu, Fu Manchu claims to hold doctorates from four Western universities. In the 1959 novel, Emperor Fu Manchu, he reveals he attended Heidelberg, the Sorbonne, and Edinburgh. In the early books, Dr. Petrie, believed that Fu Manchu was around 70 years old in 1911 at the time of their first encounter. This would have placed Fu Manchu in the West studying for his first doctorate in the 1870s.

According to Cay Van Ash, Rohmer's biographer and former assistant who became the first author to continue the series after Rohmer's death, "Fu Manchu" was a title of honour, which meant "the Warlike Manchu." Van Ash speculates that Fu Manchu had been a member of the Imperial family who backed the losing side in the Boxer Rebellion. In the earliest books, Fu Manchu is an agent of the secret society, the Si-Fan and acts as the mastermind behind a wave of assassinations targeting Western imperialists. In later books, he vies for control of the Si-Fan which is more concerned with routing Fascist dictators and halting the spread of Communism. The Si-Fan is largely funded through criminal activities, particularly the drug trade and white slavery. Dr. Fu Manchu has extended his already considerable lifespan by use of the elixir vitae, a formula he spent decades trying to perfect.

Denis Nayland Smith and Dr. Petrie[link]

Opposing Fu Manchu in the early stories are Denis Nayland Smith and Dr. Petrie. They are in the Holmes and Watson tradition, with Dr. Petrie narrating the stories while Nayland Smith carries the fight, combating Fu Manchu more by dogged determination than intellectual brilliance (except in extremis). Nayland Smith and Fu Manchu share a grudging respect for one another, as each believes a man must keep his word even to an enemy.

In the first three books, Nayland Smith is a colonial police commissioner in Burma granted a roving commission which allows him to exercise authority over any group that can help him in his mission. He resembles Sherlock Holmes in physical description and acerbic manner, but not in deductive genius. He has been criticized as being a racist and jingoistic character, especially in the early entries in the series, and gives voice to anti-Asian sentiments. When Rohmer revived the series in the early 1930s, Smith (who has been knighted) is Assistant Commissioner of Scotland Yard. He later resigns this post and accepts a position with British Intelligence. Several books have him placed on special assignment with the FBI.

Over the years, Smith has been played by many actors, all of them middle-aged. This is despite the original character's age ranging from a young man in the early books in the 1910s to an old man in the books from the late 1950s:

• O.P. Heggie (52-53) in The Mysterious Dr. Fu Manchu (1929) and The Return of Dr. Fu Manchu (1930)
• Lewis Stone (53) in The Mask of Fu Manchu (1932)
• William Royle (53) in Drums of Fu Manchu (1940)
• Lester Matthews (56) in The Adventures of Dr. Fu Manchu (1956)
• Nigel Green (41) in The Face of Fu Manchu (1965)
• Douglas Wilmer (46-47) in The Brides of Fu Manchu (1966) and The Vengeance of Fu Manchu (1967)
• Richard Greene (50-51) in The Blood of Fu Manchu (1968) and The Castle of Fu Manchu (1969)
• Peter Sellers (54) in The Fiendish Plot of Dr. Fu Manchu (1980)

Kâramanèh[link]

Prominent among Fu Manchu's agents was the "seductively lovely" Kâramanèh. Her real name is unknown. She was sold to the Si-Fan by Egyptian slave traders while still a child. Kara falls in love with the narrator of the first three books in the series, Dr. Petrie. She rescues Petrie and Nayland Smith many times. Eventually the couple are united and she wins her freedom. They marry and have a daughter, Fleurette, who figures in later novels. Author Lin Carter later created a son for Dr. Petrie and Kara, but this is not considered canonical.

Fah lo Suee[link]

Fu Manchu's daughter, Fah lo Suee, is a devious mastermind in her own right, frequently plotting to usurp her father's position in the Si-Fan and aiding his enemies within and outside of the organization. Her real name is unknown; Fah lo Suee was a childhood term of endearment. She was introduced anonymously while still a teenager in the third book in the series and plays a larger role in several of the titles of the 1930s and 1940s. She was known for a time as Koreani after being brainwashed by her father, but her memory was later restored. She is infamous for taking on false identities, like her father, among them Madame Ingomar and Queen Mamaloi. In film, she has been portrayed by numerous actresses over the years. Her character is usually renamed in film adaptations because of difficulties with pronunciation. Anna May Wong played Ling Moy in 1931's Daughter of the Dragon. Myrna Loy was the similarly named Fah lo See in 1932's The Mask of Fu Manchu. Gloria Franklin was Fah lo Suee in 1940's Drums of Fu Manchu. Laurette Luez played Karamaneh in 1956's The Adventures of Dr. Fu Manchu, but the character owed more to Fah lo Suee than Rohmer's depiction of Karamaneh. Tsai Chin was Fu Manchu's daughter, Lin Tang in the five Christopher Lee films of the 1960s.

Controversy[link]

After the 1932 release of MGM's adaptation of The Mask of Fu Manchu, which featured the Asian villain telling an assembled group of Muslims that they must "kill the white men and take their women", a Harvard University student group petitioned MGM producer William Randolph Hearst (who had also serialized the novel in his Cosmopolitan magazine) to cease making further films based on the property.

Following the 1940 release of Republic Pictures' serial adaptation of Drums of Fu Manchu, the U.S. State Department requested the studio make no further films with the character as China was an ally against Japan. Likewise Rohmer's publisher, Doubleday, refused to publish further additions to the bestselling series for the duration of the Second World War once the United States entered the conflict. BBC Radio and Broadway investors subsequently rejected Rohmer's proposals for an original Fu Manchu radio serial and stage show during the 1940s.

A planned 1972 U.S. network television screening of the 1966 Warner Bros. film The Brides of Fu Manchu was cancelled due to protests from an Asian anti-defamation group.

Rohmer himself was quoted in the biography his wife co-authored Master of Villainy to respond to charges that Fu Manchu had demonized all Chinese people by stating that

Of course, not the whole Chinese population of Limehouse was criminal. But it contained a large number of persons who had left their own country for the most urgent of reasons. These people knew no way of making a living other than the criminal activities that had made China too hot for them. They brought their crimes with them.

It was Rohmer's contention that he based Fu Manchu and other "Yellow Peril" mysteries on real Chinese crime figures he knew during his brief stint as a newspaper reporter covering Limehouse activities.

Cultural impact[link]

The character of Fu Manchu became a stereotype often associated with the Yellow Peril. Fu Manchu has inspired numerous other characters, and is the model for most villains in later "Yellow Peril" thrillers.^[1] Examples include Pao Tcheou, Ming the Merciless from Flash Gordon, Dr, Goo-Fee from Fearless Fly,Li Chang Yen from The Big Four, James Bond adversary Dr. No, The Celestial Toymaker from the Doctor Who story of the same name, Dr. Benton Quest's archenemy Dr. Zin from the Jonny Quest television series, Dr. Yen-Lo from The Manchurian Candidate, Lo-Pan from Big Trouble in Little China, Marvel Comics foes the Mandarin and the Yellow Claw, DC Comics' Rā's al Ghūl, Wo Fat from the CBS TV series Hawaii Five-O, "The Craw" in more than one episode of Get Smart,and Ancient Wu from the video game True Crime: Streets of LA. Fu Manchu and his daughter are the inspiration for the character Hark and his daughter Anna Hark in the comic book series Planetary.

He was also parodied by Kenneth Williams in the radio show Round the Horne as the Oriental criminal mastermind Dr Chou En Ginsberg MA (failed), accompanied by his common-as-muck concubine Lotus Blossom, played by a cockney Hugh Paddick. Appearing in ten minute sketches within the show he was the villain for Kenneth Horne's masterspy in adventures such as "The Man with the Golden Thunderball", which also spoofed James Bond.

While not of Chinese descent, "Egyptian" arch-villain "Kathulos" (then revealed to be a survived Atlantean) of Robert E. Howard's Skull-Face novella is inspired by Fu Manchu^[2][3][4]. "Comrade Li" in Peter George's Commander-1 (1965) is essentially the same type of villain—despite his name having only a thin veneer of Communism or Marxism, being rather a suave philosopher steeped in ancient Chinese learning—whose cold-blooded machinations bring about a nuclear holocaust in which nearly all humanity perishes (including China, which he sought to make great) and who eventually meets a suitable gruesome and ignominious end.

A character with the name "Fred Fu Manchu" appeared as a famous Chinese bamboo saxophonist as part of The Goon Show, a 1950's British radio comedy programme. He appeared in his very own episode, "The Terrible Revenge of Fred Fu Manchu" in 1955 (announced as "Fred Fu-Manchu and his Bamboo Saxophone"), as well as making minor appearances in other episodes (including "China Story", "The Siege of Fort Night" and "The Lost Emperor"(as "Doctor Fred Fu Manchu: oriental tattooist")). The character was invented and performed by Spike Milligan, who used the character to mock British xenophobia and self-satisfaction, the traits summoning the original Fu Manchu into existence, and not as a slur against Asians.^[5]

Fu Manchu is also one of the earliest known examples of an evil scientist or archenemy, with Professor Moriarty, Doctor Jack Quartz (from Nick Carter), Zenith the Albino (from Sexton Blake), and some others being among the few other precedents. The style of facial hair associated with him in film adaptations has become known as the Fu Manchu moustache, although Rohmer's writings described the character as wearing no such adornment.

Books[link]

• The Mystery of Dr. Fu-Manchu (1913) (US Title: The Insidious Dr. Fu-Manchu).
• The Return of Dr. Fu-Manchu (1916) (UK Title: The Devil Doctor)
• The Hand of Fu Manchu (1917) (UK Title: The Si-Fan Mysteries)
• Daughter of Fu Manchu (1931)
• The Mask of Fu Manchu (1932)
• The Bride of Fu Manchu (1933) (original US Title: Fu Manchu's Bride)
• The Trail of Fu Manchu (1934)
• President Fu Manchu (1936)
• The Drums of Fu Manchu (1939)
• The Island of Fu Manchu (1941)
• The Shadow of Fu Manchu (1948)
• Re-Enter: Fu Manchu (1957) (UK Title: Re-Enter: Dr. Fu Manchu)
• Emperor Fu Manchu (1959) was Rohmer's last novel.
• The Wrath of Fu Manchu (1973) was a posthumous anthology containing the title novella, first published in 1952, and three later short stories: "The Eyes of Fu Manchu" (1957), "The Word of Fu Manchu" (1958), and "The Mind of Fu Manchu" (1959).
• Ten Years Beyond Baker Street (1984). The first of two authorized continuation novels by Cay Van Ash, Sax Rohmer's former assistant and biographer. The novel is set in a narrative gap within The Hand of Fu Manchu and Sir Arthur Conan Doyle's Sherlock Holmes story, His Last Bow (both published in 1917). Holmes comes out of retirement to aid Dr. Petrie when Nayland Smith is abducted by the Si-Fan.
• The Fires of Fu Manchu (1987). The second of two authorized continuation novels by Cay Van Ash. The novel is set in 1917 and documents Smith and Petrie's encounter with Fu Manchu during the First World War culminating in Smith's knighthood. A third Van Ash title, The Seal of Fu Manchu was underway when Van Ash died in 1994. The incomplete manuscript is believed lost.
• The Terror of Fu Manchu (2009). The first of two authorized continuation novels by William Patrick Maynard. The novel expands on the continuity established in Van Ash's books and sees Dr. Petrie teaming with both Nayland Smith and a Rohmer character from outside the series, Gaston Max in an adventure set on the eve of the First World War.
• The Destiny of Fu Manchu (2012). The second of two authorized continuation novels by William Patrick Maynard. The novel is set between Rohmer's The Drums of Fu Manchu and The Island of Fu Manchu on the eve of the Second World War and follows the continuity established in the author's first novel.
• The League of Dragons by George Alec Effinger was an unpublished, unauthorized novel involving a young Sherlock Holmes matching wits with Fu Manchu in the nineteenth century. Chapters have been published in the anthologies, Sherlock Holmes in Orbit (1995) and My Sherlock Holmes (2003). This lost university adventure of Holmes is narrated by Conan Doyle's character Reginald Musgrave.

Fu Manchu also made appearances in the following non-Fu Manchu books:

• Anno Dracula (1994) by Kim Newman. An alternate histories adventure with Fu Manchu in an anonymous cameo appearance as one of the London crime lords of the nineteenth century.
• "Sex Slaves of the Dragon Tong" and "Part of the Game" are a pair of related short stories by F. Paul Wilson appearing in his collection, Aftershocks and Others: 19 Oddities (2009) and feature anonymous appearances by Dr. Fu Manchu and characters from Little Orphan Annie.
• Fu Manchu also appears anonymously in several stories in August Derleth's Solar Pons detective series. Derleth's successor, Basil Copper also made use of the character.
• Fu Manchu is the name of the Chinese ambassador in Kurt Vonnegut's Slapstick (novel) (1976)
• It is revealed that Chiun, the Master of Sinanju has worked for the Devil Doctor, as have previous generations of Masters in the The Destroyer novel #83 Skull Duggery.

In other media[link]

Film[link]

Fu Manchu first appeared on the big screen in the 1923 British silent film serial The Mystery of Dr. Fu Manchu starring Harry Agar Lyons. Lyons returned to the role the next year in The Further Mysteries of Dr. Fu Manchu.

In 1929 Fu Manchu made his American film debut in Paramount's early talkie, The Mysterious Dr. Fu Manchu starring Warner Oland, best known for his portrayal of Charlie Chan. Oland repeated the role in 1930's The Return of Dr. Fu Manchu and 1931's Daughter of the Dragon as well as in the short, Murder Will Out as part of the omnibus film, Paramount on Parade where the Devil Doctor confronts both Philo Vance and Sherlock Holmes.

The most infamous incarnation of the character was MGM's The Mask of Fu Manchu (1932) starring Boris Karloff and Myrna Loy. The film's tone has long been considered racist and offensive, but that only added to its cult status alongside its campy humour and Grand Guignol sets and torture sequences. The film was suppressed for many years, but has since received critical re-evaluation and been released on DVD uncut.

Fu Manchu returned to the serial format in 1940 in Republic Pictures' Drums of Fu Manchu, a 15-episode serial considered to be one of the best the studio ever made. It was later edited and released as a feature film in 1943.

Other than an obscure, unauthorized 1946 Mexican film El Otro Fu Manchu, the Devil Doctor was absent from the big screen for 25 years, until producer Harry Alan Towers began a series starring Christopher Lee in 1965. Towers and Lee would make five Fu Manchu film through the end of the decade: The Face of Fu Manchu (1965), The Brides of Fu Manchu (1966), The Vengeance of Fu Manchu (1967), The Blood of Fu Manchu (1968), and finally The Castle of Fu Manchu (1969).

The character's last authorized film appearance was in the 1980 Peter Sellers spoof, The Fiendish Plot of Dr. Fu Manchu with Sellers featured in a double role as both Fu Manchu and Nayland Smith. The film bore little resemblance to any prior film or the original books. In the film, Fu Manchu claims he was known as "Fred" at public school, a reference to the character of "Fred Fu Manchu" from The Goon Show which had co-starred Sellers.

Jess Franco, who had directed The Blood of Fu Manchu and The Castle of Fu Manchu, also directed The Girl From Rio the second of three Harry Alan Towers films based on Rohmer's female Fu Manchu character, Sumuru. He later directed an unauthorized 1986 Spanish film featuring Fu Manchu's daughter, Esclavas del Crimen.

Nicolas Cage made a camp cameo appearance as Fu Manchu in Rob Zombie's faux trailer Werewolf Women of the SS, which is part of the 2007 film Grindhouse.

There have been several unsuccessful plans to revive the character for the big screen since the early 1970s. The most recent project was announced by Distant Horizons at Cannes in 2007.

Television[link]

Fu Manchu was first brought to television in an unsold pilot for NBC in 1952, The Zayat Kiss starred John Carradine and Cedric Hardwicke.

In 1956, the television arm of Republic Pictures produced a 13-episode syndicated series, The Adventures of Dr. Fu Manchu starring Glen Gordon as Dr. Fu Manchu, Lester Matthews as Sir Denis Nayland Smith, and Clark Howat as Dr. John Petrie. The title sequence depicted Smith and Fu Manchu in a game of chess as the announcer stated that "the Devil is said to play for men's souls. So does Dr. Fu Manchu, Evil Incarnate." At the conclusion of each episode, after Nayland Smith and Petrie had foiled Fu Manchu's latest fiendish scheme, he would be seen breaking a black chess piece as the closing credits rolled. It was directed by noted serial director Franklin Adreon as well as William Witney. Unlike the Holmes/Watson type relationship of the films, the series featured Smith as a law enforcement officer and Petrie as a staff member for the Surgeon General.

In 1990, TeleMundo broadcast an affectionate spoof, The Daughter of Fu Manchu featuring Paul Naschy as the Devil Doctor and starring the Hispanic comedy troupe, The Yellow Squad.

Music[link]

• Guy Lombardo had a 1935 song entitled "Fu Manchu, Why Don't You Behave"
• The Rockin' Ramrods had a 1965 song titled "Don't Fool With Fu Manchu"^[6]
• The stoner rock band Fu Manchu was named after him.
• Jamaican reggae pioneer Desmond Dekker recorded a song titled "Fu Man Chu" in 1968 with the chorus, "This is the face of Fu Manchu."
• Frank Black (of the Pixies) recorded a song called "Fu Manchu" in 1993.
• In the song, "We Want Freedom", by Dead Prez, Fu Manchu is referred to in the 2nd verse as a man who "dominated the land and accumulated wealth".
• Fu Manchu was the name of a bull, mentioned in Tim McGraw's song "Live Like You Were Dying".
• Fu Manchu was also mentioned in Travis Tritt's song "It's a Great Day to Be Alive".
• Northern Irish band Ash include Fu Manchu in the lyrics to their songs "Kung Fu" and "Day of the Triffids".
• British band The Wildhearts include Fu Manchu on their list of admired villains in the song "Rooting For The Bad Guy".
• "The Village Green Preservation Society" on the similarly titled album by The Kinks mentions Fu Manchu, alongside other fictional villains, Moriarty and Dracula, in its list of things to preserve, "Help save Fu Manchu, Moriarty and Dracula". 30 years later, front man Ray Davies again name-checked the character in his 1998 solo song, "London Song."
• Hip Hop group The Fugees briefly mention Fu Manchu in the song "Vocab", from the album Blunted on Reality.
• Montréal French speaking rock singer Robert Charlebois composed a song entitled "Fu Man Chu (Chus d'dans)" in 1972, in which he refers to the Fu Man Chu and Gene Autry black and white movies of the 1950-1960s. Through the story of Bill, the hero, the song highlights the main events of the second half of the 20th Century, starting with Bill initially dreaming about being attached to a railway track when the train is coming, then his posting abroad to war (presumably Vietnam) and finally ends with Lady Trenton losing her virginity to Bill, whom she saved from the villains after his trip to the milky way.
• Drum and bass duo Drumsound & Bassline Smith recently^[when?] released a song called "Fu Manchu", with a dubstep edit.

Radio[link]

Fu Manchu's earliest radio appearances were on the Collier Hour 1927-31 on the Blue Network. This was a radio programme designed to promote Collier's magazine and presented weekly dramatizations of the current issues stories and serials. Fu was voiced by Arthur Hughes. A self titled show on CBS followed in 1932-33. John C. Daly, and later Harold Huber, played Fu.

Additionally, there were "pirate" broadcast from the Continent into Britain, from Radio Luxembourg and Radio Lyons in 1936 through 1937. Frank Cochrane voiced Fu Manchu. The BBC produced a competing series, The Peculiar Case of the Poppy Club starting in 1939. That same year The Shadow of Fu Manchu aired in the United States as a thrice weekly serial dramatizing the first nine novels.^[7]

Comic strips[link]

Fu was first brought to newspaper comic strips in a black and white daily strip drawn by Leo O'Mealia and ran from 1931 to 1933. The strips were adaptations of the first two Fu Manchu novels and part of the third. They were copyrighted by "Sax Rohmer and The Bell Syndicate, Inc".

Graphic novels[link]

• Fu Manchu made his first comic book appearance in Detective Comics # 17, and continued, as one feature among many in the anthology series, until #28. These were reprints of the earlier Leo O'Mealia strips. Original Fu stories in comics had to wait for Avon's one-shot The Mask of Dr. Fu Manchu in 1951. A similar British one-shot The Island of Fu Manchu was published in 1956.

• In the 1970s, Fu Manchu appeared as the father of the character Shang-Chi in the series Shang-Chi, Master of Kung Fu. However Marvel Comics cancelled the book in 1982, and issues over licensing the character and concepts from the novels (such as his daughter) have hampered Marvel's ability to both collect the series in trade paperback format and reference Fu Manchu as Shang-Chi's father. As such, the character is either never mentioned by name, or by alias ("Mr. Han"). Though Fu Manchu himself was killed off in #100 of his son's comic, he has since been (partially) resurrected by an evil terror group known as the Shadow Council.

• Fu Manchu appeared as a villain in the first volume of Alan Moore's comic book series The League of Extraordinary Gentlemen where he attempts to steal a piece of Cavorite to make an airforce and attack England, but was referred to only as "the Doctor" or "the Devil Doctor".

• In the first edition of Docteur Mystery, Fu Manchu is a leader of a cult that tries to resurrect a giant dragon to take over Europe.

• Martin Gilfryd/Memnan Saa of the BPRD comics by Mike Mignola, John Arcudi and Guy Davis is modelled after Dr. Fu Manchu. Before the mysterious character's identity was revealed Mignola referred to the villain as "that Fu Manchu-looking guy."

Sweets[link]

In 1977 Trebor produced a Fu Munchews sweet.^[8]

See also[link]

• Charlie Chan

References[link]

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (February 2010)

External links[link]

• Fu Manchu at the Internet Movie Database
• "The Adventures of Dr. Fu Manchu" (1956 TV Series)
• The Page of Fu Manchu
• The Insidious Dr. Fu Manchu by Sax Rohmer
• The Return of Dr. Fu Manchu by Sax Rohmer
• Dr Hermes Reviews reviews of all the Fu Manchu books as well as those featuring Sax Rohmer's other criminal mastermind, Sumuru
• A database and cover gallery of Fu Manchu comic book appearances
• Theater of the Ears: The Shadow of Fu Manchu Radio Dramas
• The Chronology of Fu Manchu http://www.pjfarmer.com/woldnewton/Fumanchu.htm
• Fu Manchu and the Yellow Peril http://dspace.wul.waseda.ac.jp/dspace/bitstream/2065/10005/1/40050_3_2.pdf
• Fu Manchu in Edinburgh (BBC Radio 4 programme)

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (July 2011)

Lakshmi Prasanna Manchu (Telugu: లక్ష్మి ప్రసన్న మంచు) is an Indian film actress, producer and a television host. She is the only daughter of actor Mohan Babu and his first wife late Vidya Devi. She graduated with a Bachelors in Theater Oklahoma City University. She has acted in the American Television series Las Vegas and Desperate Housewives. She has also appeared in commercials for Toyota, AARP and Chevrolet.

Career[link]

Lakshmi became known through her role in the American television series Las Vegas, where she played the role of Sarasvati Kumar, the love interest of James Lesure. The show gave her the chance to work with many stars, such as James Caan, Sylvestor Stallone, just to name a few. She has appeared in national commercials campaigns for AARP, Chevrolet, and Toyota. In 2006, she acted, directed, and produced Perfect Lives, a short film that was accepted and screened at the Wilshire Fine Arts Theater as part of the La Femme Film Festival in Los Angeles.

Filmography[link]

Feature films[link]