The word Hanani (Hebrew: חנני‎) means "God has gratified me", or "God is gracious".

Hanani is the name of three men in the Hebrew Bible

• One of the sons of Heman (1 Chr. 25:4, 25).
• A prophet who was sent to rebuke king Asa of Judah for entering into a league with Benhadad I, king of Syria, against the northern kingdom of Israel (2 Chr. 16:1-10). This Hanani was also probably the father of the prophet Jehu (1 Kings 16:7).
• Probably a brother of Nehemiah (Neh. 1:2; 7:2), who reported to him the melancholy condition of Jerusalem. Nehemiah afterwards appointed him to have charge of the city gates.

1. http://www.christiananswers.net/dictionary/hanani.html

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Barry White, born Barry Eugene Carter ((1944-09-12)September 12, 1944 – July 4, 2003(2003-07-04)), was an American composer and singer-songwriter.

A two-time Grammy Award-winner known for his distinctive bass voice and romantic image, White's greatest success came in the 1970s as a solo singer and with the Love Unlimited Orchestra, crafting many enduring soul, funk, and disco songs such as his two biggest hits, "You're the First, the Last, My Everything" and "Can't Get Enough of Your Love, Babe."

Worldwide, White had many gold and platinum albums and singles, with combined sales of over 100 million, according to critics Ed Hogan and Wade Kergan.^[1] His influences include southern soul artists like Isaac Hayes, Clarence Carter, Ray Charles, Aretha Franklin plus Motown artists The Supremes, The Four Tops and Marvin Gaye. Along with Isaac Hayes, White is considered by Allmusic.com as the first singer who played disco music before the actual period of the late 1970s.

Early life[link]

Barry White was born Barry Eugene Carter in Galveston, Texas,^[2] and grew up in the high-crime areas of South Central Los Angeles. White was the elder of two brothers; his brother Darryl is 13 months younger. He grew up listening to his mother's classical music collection, and first took to the piano emulating what he heard on the records. His introduction to music later led to him playing piano on Jesse Belvin's hit single, "Goodnight My Love."^[3]

White recalled that, "[As a child] I had a normal squeaky kid voice. Then as a teenager, that completely changed. My mother cried because she knew her baby boy had become a man."

Gang life and jail sentence[link]

During his teenage years, White and his brother got involved with crime and gang activity. At age 17, he was jailed for four months for stealing $30,000 worth of Cadillac tires.^[4]

While in jail, White listened to Elvis Presley singing "It's Now or Never" on the radio,^[5] an experience he later credited with changing the course of his life.^[6]

Music career[link]

After his release from jail, he left gang life and began a musical career at the dawn of the 1960s in singing groups. He first released "Too Far to Turn Around" in 1960 as part of The Upfronts^[7] before going out on his own in the middle of the decade.

The marginal success he had to that point was as a songwriter. His songs were recorded by rock singer Bobby Fuller and TV bubblegum act The Banana Splits. He was also responsible in 1963 for arranging "Harlem Shuffle" for Bob & Earl, which became a hit in the UK in 1969. He discovered disco/soul artists, Viola Wills and Felice Taylor in 1965 and signed them to Mustang/Bronco Records, for which he was working as A&R manager for Bob Keane, the man who discovered Ritchie Valens.

The 1970s as producer[link]

In 1972, he got his big break producing a girl group he had discovered called Love Unlimited. Formed in imitative style of the Motown girl group The Supremes, the group members had gradually honed their talents with White for two years previously until they signed contracts with Uni Records. His best friend, music industry businessman Larry Nunes, helped to finance their album. After it was recorded, Nunes took the recording to Russ Regan, who was the head of the Uni label owned by MCA. The album, 1972's From A Girl's Point of View We Give to You... Love Unlimited became a million album seller.

White produced, wrote and arranged their classic soul ballad, "Walking In The Rain With The One I Love", which climbed to #14 in the Billboard Hot 100 Pop chart and #6 on the Billboard R&B chart in late 1972. This single also reached #12 in the UK chart. White's voice can clearly be heard debuting in this piece as he plays the lover who answers the phone call of the female lead.

Soon after, Regan left Uni for 20th Century Records. Without Regan, White's relationship with Uni soured. With his relationship with Uni over and Love Unlimited contract-bound with the label, White was able to switch both his production deal and the group to 20th Century Records. (They recorded several other hits throughout the 1970s, including "I Belong To You," which spent over five months on the Billboard R&B chart in 1974 including a week at #1. White also married the lead singer of the group, Glodean James, on July 4, 1974.)

The 1970s as solo artist[link]

White wanted to work with another act but decided to work with a solo male artist. While working on a few demos for a male singer, he made three song demos of himself singing and playing, but Nunes heard them and insisted that he re-record and release them himself as a solo recording artist. After arguing for days about it, White was finally persuaded to release the songs himself although he was initially reluctant to step out in front of the microphone.

He then wrote several other songs and recorded them for what eventually became an entire album of music. He was going to use the name "White Heat," but decided on using his given name instead. White was still hesitating up to the time the label copy was made. It eventually became the first solo White album, 1973's "I've Got So Much to Give". It included the title track and his first solo chart hit, "I'm Gonna Love You Just a Little More Baby", which also rose to #1 on the Billboard R&B charts as well as #3 on the Billboard Pop charts in 1973 and stayed in the top 40 for many weeks.

Other chart hits by White included "Never, Never Gonna Give Ya Up" (#2 R&B, #7 Pop in 1973), "Can't Get Enough of Your Love, Babe" (# 1 Pop and R&B in 1974), "You're the First, the Last, My Everything" (#1 R&B, #2 Pop in 1974), "What Am I Gonna Do with You" (#1 R&B, #8 Pop in 1975), "Let the Music Play" (#4 R&B in 1976), "It's Ecstasy When You Lay Down Next to Me" (#1 R&B, #4 Pop in 1977) and "Your Sweetness is My Weakness" (#2 R&B in 1978). White also had a strong following in the United Kingdom where he scored five Top 10 hits and one number 1 for "You're The First." His popularity as a singer of love songs, coupled with his large size, led to him acquiring the affectionate nickname "The Walrus of Love".^[4]

The Love Unlimited Orchestra[link]

In 1972 White created The Love Unlimited Orchestra, a 40-piece orchestral group to be used originally as a backing band for the girl-group Love Unlimited. However, White had other plans, and in 1974 he released an album of their music titled Rhapsody in White, yielding the composition "Love's Theme", reaching #1 on the Billboard Pop charts. It was one of only a handful of instrumental recordings ever to do so.

White is sometimes credited with ushering in the "disco" sound, seamlessly combining R&B music with classical music. Some also regard "Love's Theme" as the first hit in the actual "disco era", but Nino Tempo and 5th Ave. Sax's song "Sister James" had already reached the Billboard Hot 100 a few months before and had a disco sound in its own right.

He would continue to make albums with the Orchestra, but never achieved the same kind of success with his debut album. The Orchestra ceased to make albums in 1983, but continued to support White as a backing band.

The 1980s[link]

After six years White left 20th Century in 1979 to launch his own label, Unlimited Gold, with CBS/Columbia Records. Although White's success on the pop charts slowed down as the disco era came to an end, he maintained a loyal following throughout his career. Despite several albums over the next three years he failed to repeat his earlier successes, with no singles managing to reach the Billboard Hot 100 except for 1982's "Change," climbing into the Billboard R&B Top 20 (#12). His label venture was exacting a heavy financial cost on White, so he concentrated on mostly touring and finally folded his label in 1983.

After four years he signed with A&M Records, and with the release of 1987's The Right Night & Barry White, the single titled "Sho' You Right" made it to the Billboard R&B charts, peaking at #17.

In 1989 he released The Man Is Back! and with it had three top 40 singles on the Billboard R&B charts: "Super Lover", which made it to #34, "I Wanna Do It Good to Ya", which made it to #26, and "When Will I See You Again", which made it to #32.

The 1990s[link]

A 1970s nostalgia fad allowed Barry White to enjoy a renewed wave of popularity in the 1990s. After White took part in a Quincy Jones record titled Back on the Block, on the song titled "The Secret Garden (Sweet Seduction Suite)", which topped the R&B chart in 1990, he mounted an effective comeback with several albums, each one more successful than the last. He returned to the top of the charts in 1991 with the album Put Me in Your Mix, which reached #8 on the Billboard R&B Albums chart and the song by the same name reached #2 on the Billboard R&B singles chart.

In 1994 he released the album The Icon Is Love which went to #1 on the Billboard R&B album charts, and the single "Practice What You Preach" gave him his first #1 on the Billboard R&B singles chart in almost 20 years, and was nominated for a Grammy in the Best R&B Album category (it lost to TLC's CrazySexyCool).

In 1996, White recorded the duet "In Your Wildest Dreams" with Tina Turner. 1996 also saw the release of Space Jam and its soundtrack, on which White had a duet with Chris Rock, called "Basketball Jones," a remake of Cheech & Chong's "Basketball Jones" from 1974.

His final album, 1999's Staying Power, resulted in his last hit song "Staying Power," which placed #45 on the Billboard R&B charts. The single won him his only two Grammy Awards in the categories Best Male R&B Vocal Performance and Best Traditional R&B Vocal Performance.

Acting career[link]

Over the course of his career, White sometimes did voice-over work for TV and movies. He voiced the character Bear in the 1975 film Coonskin and also played the character Sampson in the movie's live-action segments.

He appeared as himself in a couple episodes of The Simpsons, and most importantly the episode "Whacking Day" in which Bart and Lisa used his famously deep bass singing voice, played through loudspeakers placed on the ground, to lull and attract snakes. White was a fan of the show, and had reportedly contacted the staff about wanting to make a guest appearance.

He played the role of a bus driver for a Prodigy commercial in 1995, and he also portrayed the voice of a rabbit in a Good Seasons salad dressing mix commercial, singing a song called "You Can't Bottle Love."^{[citation needed]}

In addition, he did some work for car commercials, most famously for Oldsmobile, and later on, Jeep.

He also provided voice over for Arby's Restaurant commercials on TV and Radio to promote their 'Market Fresh' menu.

His voice can also be heard in Apple's first iBook commercial.

He made two guest appearances on the comedy-drama TV series Ally McBeal, as his music was often featured on the show in dream sequences.

Illness and death[link]

Overweight for much of his adult life, White suffered kidney failure in the fall of 2002 as a result of chronic high blood pressure. He suffered a stroke in May 2003, after which he was forced to retire from public life. On July 4, 2003, he died at Cedars-Sinai Medical Center in Los Angeles after suffering from total renal failure.^[8] His remains were cremated, and the ashes were scattered by his family off the California coast.^[9]

On September 20, 2004, he was posthumously inducted into the Dance Music Hall of Fame at a ceremony held in New York.^[10]

Discography[link]

References[link]

External links[link]

• Barry White at Allmusic
• Barry White at the Internet Movie Database
• Knol about Barry White written by Gabriel Gianello

Yehuda Hanani (Hebrew: יהודה חנני‎) is an Israeli-American cellist. He is a Professor of Violoncello at the University of Cincinnati College-Conservatory of Music and an international soloist and master class teacher. Hanani studied with Leonard Rose at Juilliard and with Pablo Casals.

At the age of 19, Hanani was taken to the United States from Israel by Leonard Bernstein. Bernstein was in the country to guest conduct with the Israel Philharmonic, and heard Hanani perform. Bernstein had to personally write a letter to the head of the Israeli armed forces in order to secure Hanani's release from the army.

Discography[link]

[edit] J.S. Bach — Six Suites for Cello Solo

• Suite No. 1 in G major
• Suite No. 4 in E flat major
• Suite No. 5 in C minor
• Suite No. 3 in C major
• Suite No. 2 in D minor
• Suite No. 6 in D major

[edit] Dazzle and Nostalgia: Cello Favorites

(with Michele Levin, piano)

• "Song Without Words", Op. 109 — Mendelssohn
• "Serenade" — Schubert
• "Rondo" — Weber
• "Suite Populaire Espagnole" — de Falla
• "Vocalise" — Rachmaninoff
• "Nocturne", Op. 19, No. 4 — Tchaikovsky
• "Valse Sentimentale", Op. 51, No. 6 — Tchaikovsky
• "Sicilienne", Op. 78 — Fauré
• "The Swan" — Saint-Saëns
• "Variations on a Theme from Rossini's Moses" — Paganini
• "Liebesleid" — Kreisler
• "Schön Rosmarin" — Kreisler
• "Czardas — Monti

[edit] Schubert/Schumann for Cello and Piano

(with Michele Levin, piano)

• "Sonata in A Minor", D. 821 "Arpeggione" — Franz Schubert
• "Sonatina in D Major", Op. 137, No. 1, D. 384 — Schubert
• "Stücke im Volkston in A Minor", Op. 102 — Robert Schumann
• "Fantasie Stücke" — Schumann

[edit] Vivaldi — Six Sonatas for Cello, Harpsichord, and Continuo

(with Lionel Party, Harpsichord; and Miho Zaitsu, Continuo)

• Sonata No. 1 in B flat major
• Sonata No. 2 in F major
• Sonata No. 3 in A minor
• Sonata No. 4 in B flat minor
• Sonata No. 5 in E minor
• Sonata No. 6 in B flat major

See also[link]

• Eroica Classical Recordings

References[link]

• Artist Profile: Yehuda Hanani, Eroica Classical Recordings.
• Faculty Profile: Y. Hanani, Cincinnati Conservatory of Music.

External links[link]

• College-Conservatory of Music, University of Cincinnati

This article about an Israeli musician is a stub. You can help Wikipedia by expanding it. v t e

Amy Winehouse
Amy Winehouse at the Eurockéennes festival in France (2007)
Background information
Birth name	Amy Jade Winehouse
Born	(1983-09-14)14 September 1983 Southgate, London, UK
Died	23 July 2011(2011-07-23) (aged 27) Camden, London, UK
Genres	Soul, R&B, jazz, blues
Occupations	Singer, songwriter, composer, arranger
Instruments	Vocals, guitar, drums
Years active	1993–2011
Labels	Island, Lioness, Universal Republic (U.S.)
Associated acts	Dionne Bromfield, Mark Ronson, Tony Bennett, Nas, Zalon, Tyler James, Paul Weller, The Rolling Stones, Lily Allen
Website	www.amywinehouse.com

Amy Jade Winehouse (14 September 1983 – 23 July 2011) was an English singer and songwriter known for her powerful deep contralto vocals^[1] and her eclectic mix of musical genres including R&B, soul and jazz.^[2] Winehouse's 2003 debut album, Frank, was critically successful in the UK and was nominated for the Mercury Prize. Her 2006 follow-up album, Back to Black, led to six Grammy Award nominations and five wins, tying the then record for the most wins by a female artist in a single night, and made Winehouse the first British female to win five Grammys,^[3][4] including three of the "Big Four": Best New Artist, Record of the Year and Song of the Year.

In 2007 she won a Brit Award for Best British Female Artist; she had also been nominated for Best British Album. She won the Ivor Novello Award three times: once in 2004 for Best Contemporary Song (musically and lyrically) for "Stronger Than Me", once in 2007 for Best Contemporary Song for "Rehab", and once in 2008 for Best Song Musically and Lyrically for "Love Is a Losing Game".

Winehouse died of alcohol poisoning on 23 July 2011. Her album Back to Black subsequently became the UK's best selling album of the 21st century.^[5] In 2012, Winehouse was listed at number 26 on VH1's 100 Greatest Women In Music.^[6]

Early life[link]

Amy Winehouse was born in the Southgate area of North London to a Jewish family, with some Russian ancestry on her mother's side^[7][8] who also influenced her interest in jazz.^[9] Her father, Mitchell "Mitch" Winehouse, was a taxi driver, her mother, Janis Winehouse (née Seaton),^[10] a pharmacist.^[11] Her grandmother, Cynthia, was a singer^[12] and she had an older brother, Alex (born 1979).^[13] Mitch often sang Frank Sinatra songs to young Amy, who also took to a constant habit of singing to the point that teachers found it difficult keeping her quiet in class.^[14] Winehouse's parents separated when she was nine.^[15]

When Winehouse was nine years old, her grandmother Cynthia suggested she attend the Susi Earnshaw Theatre School for furthering her vocal education.^[16] She attended the Earnshaw school for four years and founded a short-lived rap group called Sweet 'n' Sour with Juliette Ashby, her childhood friend^[17] before seeking full-time training at Sylvia Young Theatre School; however, Winehouse was allegedly expelled at 14 for "not applying herself" and also for piercing her nose.^[13][18] (Sylvia Young herself has denied this – "She changed schools at 15 – I've heard it said she was expelled; she wasn't. I'd never have expelled Amy.")^[19] She also appeared in an episode of The Fast Show, 1997, with other children from the Sylvia Young School^[20] and later attended The Mount School, Mill Hill, the BRIT School in Selhurst, Croydon, Southgate School and then Ashmole School.^{[21][22][23][24]}

Music career[link]

Early career[link]

After toying around with her brother Alex's guitar, Winehouse received her first guitar when she was 13 and began writing music a year later. Soon after, she began working for a living, including, at one time, as an entertainment journalist for the World Entertainment News Network, in addition to singing with local group the Bolsha Band.^[13][25] In July 2000 she became the featured female vocalist with the National Youth Jazz Orchestra; her influences were to include Sarah Vaughan and Dinah Washington.^[26] Her boyfriend at the time, soul singer Tyler James, sent her demo tape to an A&R person.^[9] Winehouse signed to Simon Fuller's 19 Management in 2002. While being developed by the management company, she was kept as a recording industry secret.^[27] Her future A&R representative at Island/Universal, Darcus Beese, heard of her by accident when the manager of The Lewinson Brothers showed him some productions of his clients, which featured Winehouse as key vocalist. When he asked who the singer was, the manager told him he was not allowed to say. Having decided that he wanted to sign her, it took several months of asking around for Beese to eventually discover who the singer was. However, Winehouse had already recorded a number of songs and signed a publishing deal with EMI by this time. Incidentally, she formed a working relationship with producer Salaam Remi through these record publishers.^[27]

Beese introduced Winehouse to his boss, Nick Gatfield, and the Island head shared his enthusiasm in signing the young artist. Winehouse was signed to Island/Universal, as rival interest in Winehouse had started to build to include representatives of EMI and Virgin starting to make moves. Beese told HitQuarters that he felt the reason behind the excitement, over an artist who was an atypical pop star for the time, was due to a backlash against reality TV music shows, which included audiences starved for fresh, genuine young talent.^[27]

Winehouse's greatest love was 1960s girl groups.^[28] Her stylist, Alex Foden, borrowed her "instantly recognisable" beehive hairdo (a weave^[29][30]) and she borrowed her Cleopatra makeup from The Ronettes.^[28] Her imitation was so successful, as the Village Voice reports: "Ronnie Spector—who, it could be argued, all but invented Winehouse's style in the first place when she took the stage at the Brooklyn Fox Theater with her fellow Ronettes more than 40 years ago—was so taken aback at a picture of Winehouse in the New York Post that she exclaimed, "I don't know her, I never met her, and when I saw that pic, I thought, 'That's me!' But then I found out, no, it's Amy! I didn't have on my glasses."^[31]

New York Times reporter, Guy Trebay, discussed the multiplicity of influences on Winehouse's style. Trebay noted: "her stylish husband, Blake Fielder-Civil, may have influenced her look." Additionally, Trebay observes:

She was a 5-foot-3 almanac of visual reference, most famously to Ronnie Spector of the Ronettes, but also to the white British soul singer Mari Wilson, less famous for her sound than her beehive; to the punk god Johnny Thunders...; to the fierce council-house chicks... (see: Dior and Chanel runways, 2007 and 2008); to the rat-combed biker molls photographed by the Swiss photographer Karlheinz Weinberger in the 1960s; to a lineage of bad girls, extending from Cleopatra to Louise Brooks’s Lulu and including Salt-n-Pepa, to irresistible man traps that always seemed to come to the same unfortunate end.^[32]

[edit] Major label success and Frank

Performing at the Bowery Ballroom, New York City in 2007

Winehouse's debut album, Frank, was released on 20 October 2003. Produced mainly by Salaam Remi, many songs were influenced by jazz and, apart from two covers, every song was co-written by Winehouse. The album received positive reviews^[33][34] with compliments over the "cool, critical gaze" in its lyrics^[2] and brought comparisons of her voice to Sarah Vaughan,^[35] Macy Gray and others.^[2]

The album entered the upper levels of the UK album chart in 2004 when it was nominated for BRIT Awards in the categories of "British Female Solo Artist" and "British Urban Act". It went on to achieve platinum sales.^[36] Later in 2004 she won the Ivor Novello (songwriting) Award for Best Contemporary Song, alongside Salaam Remi, with her contribution to the first single, "Stronger Than Me".^[37] The album also made the short list for the 2004 Mercury Music Prize. In the same year she performed at the Glastonbury Festival, the V Festival, the Montreal International Jazz Festival (7 July 2004, at the Club Soda), and on the Jazzworld stage. After the release of the album, Winehouse commented that she was "only 80 percent behind [the] album" because of the inclusion by her record label of certain songs and mixes she disliked.^[9] Additional singles from the album were "Take the Box", "In My Bed"/"You Sent Me Flying" and "Pumps"/"Help Yourself".

[edit] International success and Back to Black

In contrast to her jazz-influenced former album, Winehouse's focus shifted to the girl groups of the 1950s and 1960s. Winehouse hired New York singer Sharon Jones's longtime band, the Dap-Kings to back her up in the studio and on tour.^[38] In May 2006 Winehouse's demonstration tracks such as "You Know I'm No Good" and "Rehab" appeared on Mark Ronson's New York radio show on East Village Radio. These were some of the first new songs played on the radio after the release of "Pumps" and both were slated to appear on her second album. The 11-track album was produced entirely by Salaam Remi and Ronson, with the production credits being split between them. Ronson said in a 2010 interview that he liked working with Winehouse because she was blunt when she did not like his work.^[39] Promotion of Back to Black soon began and, in early October 2006 Winehouse's official website was relaunched with a new layout and clips of previously unreleased songs.^[36] Back to Black was released in the UK on 30 October 2006. It went to number one on the UK Albums Chart numerous times, and entered at number seven on the Billboard 200 in the US. It was the best-selling album in the UK of 2007, selling 1.85 million copies over the course of the year.^[40]

	"Rehab" noicon 21-second audio sample from Amy Winehouse's first hit "Tears Dry on Their Own" noicon 25-second audio sample from one of the standout tracks on "Back to Black" album "Will You Still Love Me Tomorrow" noicon Originally performed by The Shirelles in the 1960s, this version slows the tempo down and features a jazz arrangement.
Problems listening to these files? See media help.

The album spawned a number of singles. The first single released from the album was the Ronson-produced "Rehab". The song reached the top ten in the UK and the US.^[41] Time magazine named "Rehab" the Best Song of 2007. Writer Josh Tyrangiel praised Winehouse for her confidence, saying, "What she is is mouthy, funny, sultry, and quite possibly crazy" and "It's impossible not to be seduced by her originality. Combine it with production by Mark Ronson that references four decades worth of soul music without once ripping it off, and you've got the best song of 2007."^[42] The album's second single and lead single in the US, "You Know I'm No Good", was released in January 2007 with a remix featuring rap vocals by Ghostface Killah. It ultimately reached number 18 on the UK singles chart. The title track, "Back to Black", was released in the UK in April 2007 and peaked at number 25, but was more successful across mainland Europe.^[43] "Tears Dry on Their Own", "Love Is a Losing Game" and "Just Friends" were also released as singles, but failed to achieve the same level of success.^[44]

A deluxe edition of Back to Black was also released on 5 November 2007 in the UK. The bonus disc features B-sides, rare, and live tracks, as well as "Valerie". Winehouse's debut DVD I Told You I Was Trouble: Live in London was released the same day in the UK and 13 November in the US. It includes a live set recorded at London's Shepherds Bush Empire and a 50-minute documentary charting the singer's career over the previous four years.^[45] Frank was released in the United States on 20 November 2007 to positive reviews.^[46][47] The album debuted at number 61 on the Billboard 200 chart.^[48]

In addition to her own album she collaborated with other artists on singles. Winehouse was a vocalist on the song "Valerie" on Ronson's solo album Version. The song peaked at number two in the UK, upon its October single release. The song was nominated for a 2008 Brit Award for "Best British Single".^[49][50][51] Her work with ex-Sugababe Mutya Buena, "B Boy Baby", was released on 17 December 2007. It served as the fourth single from Buena's solo debut album, Real Girl.^[52]

Continued success and acclaim[link]

Winehouse performing at Eurockéennes in 2007

By year's end Winehouse had garnered numerous accolades and awards. The singer won 2008 Grammy Awards in the categories of Record of the Year, Song of the Year, and Best Female Pop Vocal Performance for the single "Rehab", while her album Back to Black was nominated for Album of the Year and won the Best Pop Vocal Album award.^[53][54] Producer Mark Ronson's work with her won the award in the Grammy Award for Producer of the Year, Non-Classical category.^[55] The singer also earned a Grammy in the Best New Artist category. This earned Winehouse an entry in the 2009 edition of the Guinness Book of World Records for Most Grammy Awards won by a British Female Act.^[56] She performed "You Know I’m No Good" and "Rehab" at the awards ceremony via satellite, as her visa approval came through too late for her to travel to the US. She said "This is for London because Camden town ain't burning down", in reference to the Camden Market fire.^[57] After the Grammy Awards, the album's sales increased catapulting Back to Black to number two on the U.S. Billboard 200 after initially peaking at number seven.^[58] On 13 January 2008, Back to Black held the number one position on the Billboard Pan European charts for the third straight week.^[59] In January 2008 Universal Music International said it believed that there was a correlation between number of albums sold and the extensive media coverage the singer had received.^[60]

Performing at Eurockéennes in Belfort, Territoire de Belfort, France on 29 June 2007

A special deluxe edition of Back to Black topped the UK album charts on 2 March 2008. The original edition of the album resided at the number 30 position, in its 68th week on the charts, while "Frank" charted at number 35.^[61] By 12 March the album had sold a total of 2,467,575 copies, 318,350 of those in the previous 10 weeks, putting the album on the UK's top 10 best-selling albums of the 21st century for the first time.^[62] On 7 April, Back to Black was residing at the top position on the pan-European charts for the sixth consecutive and thirteenth aggregate week.^[63] Back to Black was the world's seventh biggest selling album for 2008.^[64] These sales helped keep Universal Music's recorded music division from dropping to levels experienced by the overall music market.^[65]

At the 2008 Ivor Novello Awards, Winehouse became the first artist to receive two nominations for the top award, best song, musically and lyrically. She won the award for "Love Is a Losing Game" and was nominated for "You Know I'm No Good".^[66] "Rehab", a Novello winner for best contemporary song in 2006, also received a 2008 nomination for best-selling British song.^[67] Winehouse was nominated for a MTV Europe Award in the Act of The Year category.^[68] Amy Winehouse – The Girl Done Good: A Documentary Review, a 78-minute DVD, was released on 14 April 2008. The documentary features interviews with those who knew her at a young age, helped her gain success, jazz music experts, as well as music and pop culture specialists.^[69][70] A clip of Winehouse's music was included in the "Roots and Influences" area that looked at connections between different artists at the Rock and Roll Hall of Fame Annex NYC, which opened in December 2008. One thread started with Billie Holiday continued with Aretha Franklin, Mary J. Blige and finished with Winehouse.^[71] In a poll of United States residents conducted for VisitBritain by Harris Interactive that was released in March 2009, one fifth of those polled indicated they had listened to Winehouse's music during the previous year.^[72] Winehouse performed with Rhythms del Mundo on their cover of the Sam Cooke song "Cupid" for an Artists Project Earth benefit album that was released on 13 July 2009.^[73][74]

On the week of July 26, after Winehouse's death, Frank, Back To Black, and the Back To Black EP re-entered the Billboard 200 at number 57, number 9, and number 152 respectively with the album climbing to number 4 the following week.^[75][76] Back To Black also topped the Billboard Digital Albums chart on the same week and was the second best seller at iTunes.^[77] "Rehab" re-entered and topped the Billboard Digital Songs chart as well, selling up to 38,000 more digital downloads.^[78] As of August 2011 "Back to Black" was the best selling album in the United Kingdom in the 21st Century.^[79]

Final projects[link]

Winehouse and Mark Ronson contributed a cover of Lesley Gore's "It's My Party" to the Quincy Jones tribute album Q Soul Bossa Nostra released 9 November 2010.^[80] Winehouse and drummer ?uestlove of the Roots had agreed to form a group. Winehouse's problems obtaining a visa delayed the still unnamed group from working together. Producer Salaam Remi had already created some material with Winehouse as part of the project.^[81] According to a newspaper report, Universal Music pressed her regarding new material in 2008. According to that same report Winehouse as of 2 September had not been near a recording studio. It was noted that she had touring obligations during the summer and also that if an album was quickly recorded, it would be at least a year before an album could be released.^[65] In late October Winehouse's spokesman was quoted as saying that Winehouse had not been given a deadline to complete her third album, for which she was learning to play drums.^[82]

During her 2009 stay in Saint Lucia, Winehouse worked on new music with producer Salaam Remi. Island claimed that a new album would be due in 2010; Island co-president Darcus Beese said, "I've heard a couple of song demos that have absolutely floored me".^[83] In July 2010 Winehouse was quoted as saying her next album would be released no later than January 2011, saying "It’s going to be very much the same as my second album, where there's a lot of jukebox stuff and songs that are... just jukebox, really." Mark Ronson said in July 2010 that he had not started to record the album.^[84]

Winehouse's last recording was a duet with American singer Tony Bennett for his latest album, Duets II, which was released on 20 September 2011.^[85] Their single from the album, "Body and Soul," was released on 14 September 2011 on MTV and VH1 to commemorate what would have been her 28th birthday. Her father, Mitch Winehouse, launched The Amy Winehouse Foundation with the goal of raising awareness and support for organizations that help vulnerable, young adults with problems such as addiction. Proceeds from "Body and Soul" will benefit The Amy Winehouse Foundation.^[86] The song received the Grammy for Best Pop Duo/Group Performance at the 54th Grammy Awards on 12 February 2012.^[87] Winehouse's father, Mitch Winehouse, picked up the award at the awards ceremony with his wife Janis, saying, "We shouldn't be here. Our darling daughter should be here. These are the cards that we're dealt."^[88]

When interviewed by Jon Stewart on The Daily Show on 29 September 2011, Bennett stated that in hindsight, he believed Amy:

was in trouble at that time because she had a couple of engagements that she didn't keep up. But what people didn't realize at that time, that she really knew, and in fact I didn't even know it when we were making the record, and now looking at the whole thing; she knew that she was in a lot of trouble; that she wasn't going to live. And it wasn't drugs. It was alcohol toward the end. . . . It was such a sad thing because . . . she was the only singer that really sang what I call the 'right way' because she was a great jazz-pop singer. . . . She was really a great jazz singer. A true jazz singer. And I regret that because that's the 'right way' to sing.^[89]

An album of previously unreleased material, entitled Lioness: Hidden Treasures, was released on 6 December 2011.^[90]

Artistry[link]

Influence[link]

British singer Adele has credited Winehouse's success in the United States for making her and fellow British singer Duffy's journey to the United States "a bit smoother".^[91] American singer Lady Gaga credited Winehouse with paving the way for her rise to the top of the charts. She appeared to be using a metaphorical analogy to explain that Winehouse made it easier for unconventional women to have mainstream pop success.^[92] Raphael Saadiq, Anthony Hamilton, and John Legend said "Amy Winehouse was produced by people who wanted to create a marketing coup. The positive side is that it reacquainted an audience with this music and played an introductory role for others. This reinvigorated the genre by overcoming the vintage aspect".^[93]

After the release of Back to Black, record companies sought out female artists with a similar sound and fearless and experimental female musicians in general. Adele and Duffy were the second wave of artists with a sound similar to Winehouse's. A third wave of female musicians that has emerged since the album was released are led by VV Brown, Florence and the Machine, La Roux and Little Boots.^[94] In February 2010 rapper Jay-Z credited Winehouse with revitalising British music, saying, "There's a strong push coming out of London right now, which is great. It's been coming ever since I guess Amy (Winehouse). I mean always, but I think Amy, this resurgence was ushered in by Amy."^[95] In March 2011 the New York Daily News ran an article attributing the continuing wave of British female artists that have been successful in the United States to Winehouse and her absence. Spin magazine music editor Charles Aaron was quoted as saying "Amy Winehouse was the Nirvana moment for all these women," "They can all be traced back to her in terms of attitude, musical styles or fashion". According to Keith Caulfield, chart manager for Billboard, "Because of Amy, or the lack thereof, the marketplace was able to get singers like Adele and Duffy," "Now those ladies have brought on the new ones, like Eliza Doolittle, Rumer and Ellie."^[96]

Live performances[link]

Winehouse in Berlin in 2007

Winehouse toured in conjunction with the Back to Black album's release. She performed headlining gigs in September and November 2006, including one of the Little Noise Sessions charity concerts at the Union Chapel, Islington. On 31 December 2006, Winehouse appeared on Jools Holland's Annual Hootenanny and performed a cover of Marvin Gaye's "I Heard It Through the Grapevine" along with Paul Weller and Holland's Rhythm and Blues Orchestra. She also performed Toots & the Maytals' "Monkey Man". She began a run of another 14 gigs beginning in February 2007. At his request, Bruce Willis introduced Winehouse before her performance of "Rehab" at the 2007 MTV Movie Awards. Winehouse made awards organizers nervous when she went on a Las Vegas jaunt in the hours before the show.^[97] During the summer of 2007, Winehouse performed at various festivals, including UK's Glastonbury Festival,^[98] Chicago's Lollapalooza festival, Rock Werchter and Baltimore's Virgin Music Festival.

Winehouse's tour, however, did not go as well. In November 2007 the opening night of a 17-date tour was marred by booing and walkouts at the National Indoor Arena in Birmingham. A music critic for the Birmingham Mail said it was "one of the saddest nights of my life...I saw a supremely talented artist reduced to tears, stumbling around the stage and, unforgivably, swearing at the audience."^[99] Other concerts ended similarly, with, for example, fans at her Hammersmith Apollo performance saying that she "looked highly intoxicated throughout",^[100] until she announced on 27 November 2007, that her performances and public appearances were cancelled for the remainder of 2007, citing doctor advice to take a complete rest. A statement issued by concert promoter Live Nation blamed "the rigours involved in touring and the intense emotional strain that Amy has been under in recent weeks" for the decision.^[101]

On 20 February 2008, Winehouse performed at the 2008 BRIT Awards, performing "Valerie" with Mark Ronson, followed by "Love Is a Losing Game". She urged the crowd to "make some noise for my Blake."^[102] In Paris she performed what was described as a "well-executed 40 minute" set at the opening of a Fendi boutique.^[103] Although her father, manager and various members of her touring team reportedly tried to dissuade her, Winehouse performed at the Rock in Rio Lisboa festival in Portugal in May 2008.^[16] Although the set was plagued by a late arrival and problems with her voice, the crowd warmed to her. In addition to her own material she performed two Specials covers.^[104] Winehouse performed at Nelson Mandela's 90th Birthday Party concert at London's Hyde Park on the 27 June,^[105] and the next day at the Glastonbury Festival.^[106] On 12 July at the Oxegen Festival she performed a well-received 50 minute set^[107] which was followed the next day by a 14 song set at T in the Park.^[108] On 16 August she played at the Staffordshire leg of the V Festival, and the following day played the Chelmsford leg of the festival. Organizers said that Winehouse attracted the biggest crowds of the festival. Audience reaction was reported as mixed.^[109] On 6 September she was the headliner at Bestival. She performed what was described as a polished set which ended with her storming off the stage. Her hour late arrival caused her set to be cut off at the halfway point due to a curfew.^[110]

Amy Winehouse with her band backstage, 16 March 2009

In May 2009 Winehouse returned to performing at a jazz festival in Saint Lucia amid torrential downpours and technical difficulties. During her hour long set it was reported she was unsteady on her feet and had trouble remembering lyrics. She apologised to the crowd for being "bored" and ended her set by walking off the stage in the middle of a song.^[111][112] To a cheering crowd on 23 August at the V festival, Winehouse sang with The Specials on their songs "You're Wondering Now" and "Ghost Town".^[113]