An elaborate hanging sleeve of the 15th century: Detail of The Arnolfini Portrait by Jan van Eyck.

Sleeve (O. Eng. slieve, or slyf, a word allied to slip, cf. Dutch sloof) is that part of a garment which covers the arm, or through which the arm passes or slips. The pattern of the sleeve is one of the characteristics of fashion in dress, varying in every country and period. Various survivals of the early forms of sleeve are still found in the different types of academic or other robes. Where the long hanging sleeve is worn it has, as still in China and Japan, been used as a pocket, whence has come the phrase to have up one's sleeve, to have something concealed ready to produce. There are many other proverbial and metaphorical expressions associated with the sleeve, such as to wear one's heart upon one's sleeve, and to laugh in one's sleeve.

Sleeve length varies from barely over the shoulder (cap sleeve) to floor-length, Most contemporary shirt sleeves end somewhere between the mid-upper arm and the wrist.

Types of sleeves[link]

Often the names applied to sleeves in historical costume are modern.

• Batwing sleeve, a long sleeve with a deep armhole, tapering towards the wrist. Also known as a "magyar" sleeve.
• Bell sleeve, a long sleeve that is fitted from the shoulder to elbow and gently flared from elbow onward. The bell sleeve is very similar to the poet sleeve, but has a "cleaner look," often without ruffles.
• Bishop sleeve, a long sleeve, fuller at the bottom than the top, and gathered into a cuff (1940s)
• Butterfly sleeve, usually found on Filipiniana, the national costume for women of the Philippines and, dresses or formal blouses that start at the shoulder and get wider toward the end of the sleeve, but usually don't go longer than 4–5 inches. The difference between a butterfly sleeve and a Bell sleeve is that butterfly sleeves usually don't go completely around the full arm^{[citation needed]}.
• Cap sleeve, a very short sleeve covering only the shoulder, not extending below armpit level
• Dolman sleeve, a long sleeve that is very wide at the top and narrow at the wrist
• Gigot sleeve or leg of mutton sleeve, a sleeve that is extremely wide over the upper arm and narrow from the elbow to the wrist
• Hanging sleeve, a sleeve that opens down the side or front, or at the elbow, to allow the arm to pass through (14th, 15th, and 16th centuries.)
• Juliette sleeve, a long, tight sleeve with a puff at the top, inspired by fashions of the Italian Renaissance and named after Shakespeare's tragic heroine; popular from the Empire period through the 1820s in fashion, again in the late 1960s under the influence of Zeffirelli's film
• Pagoda sleeve, a wide, bell-shaped sleeve popular in the 1860s, worn over an engageante or false undersleeve
• Paned sleeve, a sleeve made in panes or panels, allowing a lining or shirt-sleeve to show through (16th and 17th centuries)
• Poet sleeve, a long sleeve fitted from shoulder to elbow, and then flared (somewhat dramatically) from elbow to wrist (or sometimes mid-hand). Often features ruffles on the cuffs.
• Patty's Sleeve, a bogey encrusted sleeve honed through years of dedicated nose wiping on ones sleeve. Most commonly sported by Terry Nutkins look-a-likes.
• Puffed or puff sleeve, a short, ¾ length or full sleeve that is gathered at the top and bottom, now most often seen on wedding and children's clothing
• Raglan sleeve, a sleeve that extends to the neckline
• Set-in sleeve, a sleeve sewn into an armhole (armscye)
• Two-piece sleeve, a sleeve cut in two pieces, inner and outer, to allow the sleeve to take a slight "L" shape to accommodate the natural bend at the elbow without wrinkling; used in tailored garments
• Virago sleeve, a full "paned" or "pansied" sleeve gathered into two puffs by a ribbon or fabric band above the elbow, worn in the 1620s and 1630s.
• 1/4 Length Sleeve, a sleeve which extends from the shoulder to mid-way down the biceps and triceps area.
• 3/4 Length Sleeve, a sleeve which extends from the shoulder to a length mid-way between the elbow and the wrist. It was common in the United States in the 1950s and again 21st century.

References[link]

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (August 2009)

• Oxford English Dictionary
• Picken, Mary Brooks: The Fashion Dictionary, Funk and Wagnalls, 1957.

Alain Johannes Moschulski (born May 2, 1962 in Chile^[1]) is a guitarist and, along with his late partner Natasha Shneider and drummer Jack Irons, a founding member of the band Eleven. In addition to his work with Eleven, he has also collaborated with many other bands and artists such as Chris Cornell, Queens of the Stone Age, Them Crooked Vultures, Arctic Monkeys, Mark Lanegan and The Desert Sessions, both as a musician and as a producer.

Career[link]

As a teenager Johannes formed the band Chain Reaction (later Anthym) with Hillel Slovak, Todd Strassman, and Jack Irons.^[2] This band was later renamed What Is This?. Todd Strassman was replaced by Michael Balzary (Flea), who was replaced, upon leaving the band, by Chris Hutchinson.

In 1987, Johannes and Natasha Shneider released the album Walk the Moon under the MCA label. Reportedly, Chris Hutchinson and Jack Irons played on some of its tracks.

Eleven was formed in 1990 and released their debut album Awake in a Dream in 1991, which included the pop based singles "Rainbows End" and "All Together". They followed this with regular releases Eleven in 1993, Thunk! in 1995, Avantgardedog in 2000, and Howling Book in 2003.

Johannes was the only other contributor on the 1996 debut album by Jason Falkner, Jason Falkner Presents Author Unknown. He was also a significant contributor to Chris Cornell's 1999 solo album, Euphoria Morning, both as a guitarist and producer. He also toured as part of Chris Cornell's band in support of this album. He mixed and played on Jack Irons' first solo record, Attention Dimension, released in 2004, and he co-wrote on Danish stonerrock outfit The Royal Highness.^[3]

In 2005, he joined Queens of the Stone Age to play guitar as well as bass on Lullabies to Paralyze. He had previously guested on Lullabies' predecessor, Songs for the Deaf, having also co-written the track "Hanging Tree" during one of The Desert Sessions. He would participate in the tour for the album and appears on the live DVD, Over the Years and Through the Woods in the main concert. Johannes once again contributed a main role to Lullabies' follow up, Era Vulgaris, but he opted to concentrate on Eleven with Natasha and the pair bowed out of touring before the album's promotion started.

He is currently a member of Brody Dalle's post-Distillers effort, Spinnerette.^[4]

In August 2009 he joined as a touring member of the supergroup Them Crooked Vultures with Foo Fighters frontman Dave Grohl, Queens of the Stone Age frontman Josh Homme and former Led Zeppelin bass player John Paul Jones. Johannes contributed guitar, bass, keyboards, and backing vocals on their 2009-2010 tour.

In late 2008, a song he co-wrote with Shneider, Time for Miracles, was recorded by Adam Lambert and used in the movie 2012.

On October 5, 2010, he released his solo debut album Spark, a tribute to the late Natasha Shneider.

Musical equipment[link]

Guitars and basses^[5][6]

Effect pedals^[6]

Amplifiers^[6]

Selected discography[link]

Throughout his career Johannes has worked with a wide range of artists and bands in various genres both as a musician, record engineer and producer.^[7]

References[link]

External links[link]

• Official website
• Eleven's official website
• Alain's MySpace
• In depth retrospective interview on Jekyll and Hyde, 106FM Jerusalem

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2009)

Dave Grohl
Grohl, Milton Keynes National Bowl, July 3, 2011
Background information
Birth name	David Eric Grohl
Also known as	Davy Grolton, Dale Nixon, Late! (pseudonym for his solo album Pocketwatch), and Dr. G (as Tenacious D's drummer) .
Born	(1969-01-14) January 14, 1969 (age 43) Warren, Ohio
Genres	Alternative rock, grunge, post-grunge, hard rock, heavy metal
Occupations	Musician, singer-songwriter
Instruments	Vocals, drums, guitar, bass guitar, piano
Years active	1986–present
Labels	RCA, Capitol, DGC, Dischord
Associated acts	Nirvana, Foo Fighters, Scream, Dain Bramage, Probot, Queens of the Stone Age, Them Crooked Vultures, Tenacious D, The Muppets, Tom Petty and the Heartbreakers
Notable instruments
Gibson SG Custom Gibson DG-335/Trini Lopez[1] Gibson Firebird[2][3] Ampeg Dan Armstrong Plexi[4]

David Eric "Dave" Grohl (born January 14, 1969)^[5][6] is an American rock musician, multi-instrumentalist, and singer-songwriter, who is the lead vocalist, guitarist, primary songwriter and founder of the Foo Fighters, prior to which he was the drummer in the grunge band Nirvana. He is also the drummer and co-founder of the rock supergroup Them Crooked Vultures. Grohl has additionally written all the music and performed all the instruments for his short-lived side projects Late! and Probot, as well as being involved with Queens of the Stone Age numerous times throughout the past decade. He has performed session work (as a drummer) for a variety of musicians, including Garbage, Killing Joke, Nine Inch Nails, The Prodigy, Slash, Juliette Lewis, Tenacious D, Tom Petty and the Heartbreakers, and Lemmy Kilmister.

Early life[link]

As a child, Grohl's family relocated from Warren, Ohio, to Springfield, Virginia, a suburb of Washington, D.C. Three years later, when Grohl was six, his parents divorced,^[7] and Grohl grew up living with his mother.

At the age of twelve, Grohl began learning to play guitar. He quickly grew tired of lessons and instead taught himself, and began playing in bands with friends.^[5][8] A year later, Grohl and his sister spent the summer in Evanston, Illinois, at their cousin Tracy's house. Tracy introduced them to punk rock by taking the pair to shows by a variety of punk bands. His first concert was in 1982 to see Naked Raygun at The Cubby Bear in Chicago when he was 13 years old.^[9] "From then on we were totally punk," Grohl explained. "We went home and bought Maximumrocknroll and tried to figure it all out."^[8]

In Virginia, Grohl attended Thomas Jefferson High School as a freshman and sophomore. He was elected vice president of his freshman class and played bits of songs by bands like the Circle Jerks and Bad Brains over the school intercom before his morning announcements. During his junior year, Grohl and his mother decided that he should transfer to Bishop Ireton High School in Alexandria because his marijuana usage was affecting his grades.^[8]

While in high school, Grohl played in several local bands, including a stint on guitar in a band called Freak Baby. While playing in Freak Baby, he taught himself to play drums.^[5] When Freak Baby kicked out its bass player, Grohl decided to switch to drums, and the new band called themselves Mission Impossible.^[8] During his developing years as a drummer, Grohl cited John Bonham as his greatest influence, and eventually had Bonham's three-circle logo tattooed on his wrist.^[10] Mission Impossible later rebranded themselves Fast before breaking up, after which Grohl joined the post-punk-influenced hardcore punk band Dain Bramage.^[11][12]

Many of Grohl's early influences were gained at the 9:30 club, a live music venue in Washington D.C.: "I went to the 9:30 club hundreds of times. I was always so excited to get there, and I was always bummed when it closed. I spent my teenage years at the club and saw some shows that changed my life."^[13]

Musical career[link]

Scream (1986–1990)[link]

Dave Grohl with Scream, 1990.

At the age of seventeen, Grohl auditioned with local DC favorites Scream to fill the vacancy left by the departure of drummer Kent Stax. In order to be lined up for the audition, Grohl had lied about his age, claiming he was 20.^[14] To Grohl's surprise, the band asked him to join. After waffling for a brief period, Grohl accepted the offer. Grohl dropped out of high school in his junior year; he said, "I was seventeen and extremely anxious to see the world, so I did it."^[15] Over the next four years, Grohl toured extensively with the band, recording a couple of live albums (their May 4, 1990 show in Alzey, Germany being released by Tobby Holzinger as Your Choice Live Series Vol.10) and two studio albums, No More Censorship and Fumble, on which Grohl penned and sang vocals on the song "Gods Look Down".

While playing in Scream, Grohl became a fan of Melvins and eventually befriended the band. During a 1990 tour stop on the west coast, The Melvins' Buzz Osborne took a couple of his friends, Kurt Cobain and Krist Novoselic, to see the band.^[16]

Nirvana (1990–1994)[link]

A few months later, Scream unexpectedly disbanded following the departure of its bass player. Grohl called Osborne for advice, and the latter gave Grohl's phone number to Krist Novoselic, who invited Grohl to Seattle. Grohl subsequently auditioned for Nirvana, and soon joined them full-time.^[17]

At the time that Grohl joined Nirvana, the band had already recorded several demos for the follow-up to their debut album Bleach, having spent time recording with producer Butch Vig in Wisconsin. Initially, the plan was to release the album on Sub Pop, but the band received a great deal of major label interest based on the demos. Grohl spent the initial months with Nirvana traveling to various major labels as the band shopped for a deal, eventually signing with DGC Records. In the spring of 1991, the band entered the studio to record the album.

Upon its release, Nevermind exceeded all expectations and became a massive success, catapulting the band to worldwide stardom. At the same time, Grohl was struggling with his status in the band. While his drumming style was a significant element in the band's success, Grohl saw himself as just another in a long line of drummers. In his mind, Nirvana was the band that recorded Bleach; his arrival had altered that sound dramatically, and as he saw it, not necessarily in a positive way. Though Grohl had been writing songs for several years, he declined to introduce his songs to the band for fear of damaging their chemistry. Instead, he compiled and recorded them himself, releasing a cassette called Pocketwatch in 1992 on indie label Simple Machines. Rather than using his own name, Grohl released the cassette under the pseudonym "Late!".

In the later years of Nirvana, Grohl's songwriting contributions increased. In Grohl's initial months in Seattle, Cobain overheard him working on a song called "Color Pictures of a Marigold", and the two ended up working on it. Grohl would later record the song for the Pocketwatch cassette. During the sessions for In Utero, he decided to re-record the song, and the band released this version as a B-side on the "Heart-Shaped Box" single, titled simply "Marigold". Grohl also contributed the main guitar riff for "Scentless Apprentice". Cobain conceded in a late 1993 MTV interview that he initially thought the riff was "kind of boneheaded", but was gratified at how the song developed (a process captured in part in a demo on the Nirvana box set With the Lights Out). Cobain noted that he was excited at the possibility of having Novoselic and Grohl contribute more to the band's songwriting.

Prior to their 1994 European tour, the band scheduled session time at Robert Lang Studios in Seattle to work on demos. For most of the three-day session Cobain was absent, so Novoselic and Grohl worked on demos of their own songs. The duo completed several of Grohl's songs, including future Foo Fighters songs "Exhausted", "Big Me", "February Stars", and "Butterflies". On the third day of the session Cobain finally arrived and the band recorded a demo of a song later named "You Know You're Right". It was the band's final studio recording.

Foo Fighters (1994-present)[link]

Following Cobain's death in April 1994, Grohl retreated, unsure of where to go and what to do with himself. In October 1994, Grohl scheduled studio time, again at Robert Lang's Studio, and quickly recorded a fifteen-track demo. With the exception of a single guitar part on "X-Static" played by Greg Dulli of the Afghan Whigs, Grohl performed all of the instruments himself..

At the same time, Grohl wondered if his future might be in drumming for other bands. In November, Grohl took a brief turn with Tom Petty and the Heartbreakers, including a memorable performance on Saturday Night Live. Petty asked him to join permanently, but Grohl declined. He was also rumored as a possible replacement for Pearl Jam drummer Dave Abbruzzese and even performed with the band for a song or two at three shows during Pearl Jam's March 1995 Australian tour. However, by then Pearl Jam had already settled on ex- Red Hot Chili Peppers drummer Jack Irons and Grohl had other solo plans in the works.

After passing the demo around, Grohl found himself with considerable major label interest. Nirvana's A&R rep Gary Gersh had subsequently taken over as president of Capitol Records and lured Grohl to sign with the label. Grohl did not want the effort to be considered the start of a solo career so he recruited other band members: former Germs and touring Nirvana guitarist Pat Smear, and two members of the recently disbanded Sunny Day Real Estate, William Goldsmith (drums) and Nate Mendel (bass). Rather than re-record the album, Grohl's demo was given a professional mix by Rob Schnapf and Tom Rothrock and was released in July 1995 as Foo Fighters' debut album.

During a break between tours, the band entered the studio and recorded a cover of Gary Numan's "Down in the Park". In February 1996, Grohl and his then-wife Jennifer Youngblood made a brief cameo appearance on The X-Files third season episode "Pusher". (The two can be spotted walking in the FBI building, just after the Pusher character has put on his phony pass. Grohl pauses to look at his watch.)

After touring for the self-titled album for more than a year, Grohl returned home and began work on the soundtrack to the 1997 movie Touch. Grohl performed all of the instruments and vocals himself, save for vocals from Veruca Salt singer Louise Post on the title track, keyboards by Barrett Jones (who also co-produced the record) on one track, and vocals and guitar by X's John Doe on "This Loving Thing (Lynn's Song)". Grohl completed the recording in two weeks, and immediately joined Foo Fighters to work on their follow-up.

In the midst of the initial sessions for Foo Fighters' second album, tension emerged between Grohl and Goldsmith. According to Goldsmith, "Dave had me do 96 takes of one song, and I had to do thirteen hours' worth of takes on another one. ... It just seemed that everything I did wasn't good enough for him, or anyone else." Goldsmith also believed that Capitol and producer Gil Norton wanted Grohl to drum on the album.^[18] With the album seemingly complete, Grohl headed home to Virginia with a copy of the rough mixes, and found himself unhappy with the results. Grohl penned a few new songs, recording one of them, "Walking After You", by himself at a studio in Washington, DC. Inspired by the session, Grohl opted to move the band, without Goldsmith's knowledge,^[18] to Los Angeles to re-record most of the album with Grohl behind the kit. After the sessions were complete, Goldsmith officially announced his departure from the band.

Speaking about the tension surrounding the departure of Goldsmith in 2011, Grohl said, "There were a lot of reasons it didn't work out... but there was also a part of me that was like, you know, I don't know if I'm finished playing the drums yet." He would also state, "I wish that I would have handled things differently..."^[19]

Dave Grohl on stage, 2006

The effort was released in May 1997 as the band's second album, The Colour and the Shape, which eventually cemented Foo Fighters as a staple of rock radio. The album spawned several hits, including "Everlong", "My Hero", and "Monkey Wrench". Just prior to the album's release, former Alanis Morissette drummer Taylor Hawkins joined the band on drums. The following September, Smear (a close friend of Jennifer Youngblood) left the band,^[7] citing a need to settle down following a lifetime of touring. Smear was subsequently replaced by Grohl's former Scream bandmate Franz Stahl. (Stahl departed the band prior to recording of Foo Fighters' third album^[7] and was replaced by touring guitarist Chris Shiflett, who later became a full-fledged member during the recording of One by One.)

Grohl's life of non-stop touring and travel continued with Foo Fighters' popularity. During his infrequent pauses he lived in Seattle and Los Angeles before returning to Alexandria, Virginia. It was there that he turned his basement into a recording studio where the 1999 album There Is Nothing Left to Lose was recorded.

In 2000, the band recruited Queen guitarist Brian May to add some guitar flourish to a cover of Pink Floyd's "Have a Cigar", a song which Foo Fighters previously recorded as a b-side. The friendship between the two bands resulted in Grohl and Taylor Hawkins being asked to induct Queen into the Rock and Roll Hall of Fame in 2001. Grohl and Hawkins joined May and Queen drummer Roger Taylor to perform "Tie Your Mother Down", with Grohl standing in on vocals for Freddie Mercury. (May later contributed guitar work for the song "Tired of You" on the ensuing Foo Fighters album, as well as on an unreleased Foo Fighters song called "Knucklehead".)

Near the end of 2001, Foo Fighters returned to the studio to work on their fourth album. After four months in the studio, with the sessions finished, Grohl accepted an invitation to join Queens of the Stone Age and helped them to record their 2002 album Songs for the Deaf. (Grohl can be seen drumming for the band in the video for the song "No One Knows".) After a brief tour through North America, Britain and Japan with the band^[7] and feeling rejuvenated by the effort, Grohl recalled the other band members to completely re-record their album at his studio in Virginia. The effort became their fourth album, One by One. While initially pleased with the results, in another 2005 Rolling Stone interview, Dave Grohl admitted to not liking the record: "Four of the songs were good, and the other seven I never played again in my life. We rushed into it, and we rushed out of it."^[20]

On November 23, 2002, Grohl achieved a historical milestone by replacing himself on the top of the Billboard Modern Rock chart, when "You Know You're Right" by Nirvana was replaced by "All My Life" by Foo Fighters. When "All My Life" ended its run, after a one week respite, "No One Knows" by Queens of the Stone Age took the number one spot. Between October 26, 2002 and March 1, 2003 Grohl was in the number one spot on the Modern Rock charts for 17 of 18 successive weeks, as a member of three different groups.

Grohl and Foo Fighters released their fifth album In Your Honor on June 14, 2005. Prior to starting work on the album, the band spent almost a year relocating Grohl's home-based Virginia studio to a brand new facility, dubbed Studio 606, located in a warehouse near Los Angeles. Featuring collaborations with John Paul Jones of Led Zeppelin, Josh Homme of Queens of the Stone Age and Norah Jones, the album was a departure from previous efforts, and included one rock and one acoustic disc.

Foo Fighters's sixth studio album Echoes, Silence, Patience & Grace was released on September 25, 2007. It was recorded during a three-month period between March 2007 and June 2007, and its release was preceded by the first single "The Pretender" on September 17. The second single, "Long Road to Ruin", was released on December 3, 2007, followed by the third single, "Let It Die", June 24, 2008.

On November 3, 2009 Foo Fighters released their first Greatest Hits collection, consisting of 16 tracks including a previously unreleased acoustic version of "Everlong" and two new tracks "Wheels" and "Word Forward" which were produced by Nevermind's producer Butch Vig. Grohl has been quoted saying the Greatest Hits is too early and "...can look like an obituary." He does not feel they have written their best hits yet.^[21]

The Foo Fighters' seventh studio album, Wasting Light, was released on April 12, 2011. It is the first Foo Fighters album to reach #1 in the United States.

Other projects[link]

Apart from his main bands, Grohl has been involved in other music projects. In 1992, Grohl played drums on Buzz Osborne's Kiss-styled solo-EP King Buzzo, where he was credited as Dale Nixon, a pseudonym that Greg Ginn adopted to play bass on Black Flag's My War. Grohl also released the music cassette Pocketwatch under the pseudonym Late! on the now defunct indie label, Simple Machines.

In 1993, Grohl was recruited to help recreate the music of The Beatles' early years for the movie Backbeat.^[22] Grohl played drums in an "all-star" lineup that included Greg Dulli of the Afghan Whigs, indie producer Don Fleming, Mike Mills of R.E.M., Thurston Moore of Sonic Youth, and Dave Pirner of Soul Asylum. A music video was filmed for the song "Money (That's What I Want)" while Grohl was with Nirvana on their 1994 European tour, footage of Grohl was filmed later and included.

Later in 1994, Grohl played drums on two tracks for Mike Watt's Ball-Hog or Tugboat?. In early 1995, Grohl and Foo Fighters played their first US tour opening for Watt, and helped make up Watt's supporting band. Nicknamed the "Ringspiel" tour, Watt's band featured Grohl and William Goldsmith on drums, Eddie Vedder and Pat Smear on guitar, and Watt on bass.

Grohl at the Roskilde Festival in 2005

During the early 2000s, Grohl spent time in his basement studio writing and recording a number of songs for a "metal" project. Over the span of several years, Grohl recruited his favorite metal vocalists from the 1980s, including Lemmy of Motörhead, Conrad "Cronos" Lant from Venom, King Diamond, Scott Weinrich, and Max Cavalera of Sepultura, to perform the vocals for the songs. The project was released in 2004 under the moniker Probot.^[23][24]

Also in 2003, Grohl stepped behind the kit to perform on Killing Joke's second self-titled album. The move surprised some Nirvana fans, given that Nirvana had been accused of stealing the opening riff of "Come as You Are" from Killing Joke's 1984 song "Eighties". However, the controversy failed to create a lasting rift between the bands. Foo Fighters covered Killing Joke's "Requiem" during the late 1990s, and were even joined by Killing Joke singer Jaz Coleman for a performance of the song at a show in New Zealand in 2003.

Grohl lent his drumming skills to other artists during the early 2000s. In 2000, Dave played drums and sang on a track, "Goodbye Lament", from Tony Iommi's album Iommi. In 2001, Grohl performed on Tenacious D's debut album, and appeared in the video for lead single "Tribute" as a demon. He later appeared in the duo's 2006 movie Tenacious D in The Pick of Destiny as the devil in the song Beelzeboss, and performed on its soundtrack. In 2002, Grohl helped Chan Marshall of Cat Power on the album You Are Free and played with Queens of the Stone Age on their album Songs for the Deaf. Grohl also toured with the band in support of the album, delaying work on the Foo Fighters' album One by One. In 2004, Grohl drummed on several tracks for Nine Inch Nails' 2005 album With Teeth. He also drummed on the song "Bad Boyfriend" on Garbage's 2005 album Bleed Like Me. Most recently, he recorded all the drums on Juliette and the Licks's 2006 album Four on the Floor^[25] and the song "For Us" from Pete Yorn's 2006 album Nightcrawler. Beyond drumming, Grohl contributed guitar to a cover of Neil Young's "I've Been Waiting For You" on David Bowie's 2002 album Heathen.

In June 2008, Grohl was Paul McCartney's special guest for a concert at the Anfield football stadium in Liverpool, in one of the central events of the English city's year as European Capital of Culture.^[26] Grohl joined McCartney's band singing backup vocals and playing guitar on "Band on the Run" and drums on "Back in the U.S.S.R." and "I Saw Her Standing There".^[27] Grohl also performed with McCartney at the 51st Grammy Awards, again playing drums on "I Saw Her Standing There". Grohl also helped pay tribute to McCartney at the 2010 Kennedy Center Honors along with No Doubt, Norah Jones, Steven Tyler, James Taylor, and Mavis Staples. He sang a duet version of "Maybe I'm Amazed" with Norah Jones on Dec. 5 2010.^[28]

Grohl played drums on the tracks 'Run With The Wolves' and 'Stand Up' on The Prodigy's^[29] 2009 album Invaders Must Die.

In July 2009, it was revealed that Grohl was recording with Josh Homme and John Paul Jones as Them Crooked Vultures.^[30] The trio performed their first show together on August 9, 2009 at Metro in Chicago.^[31] The band played their first UK gig on August 26, 2009, with a surprise appearance at Brixton Academy in London, supporting the Arctic Monkeys. The band released their debut album Them Crooked Vultures on November 16, 2009 in the UK and November 17, 2009 in the US. Grohl has recently^[when?] been involved in producing emerging Brit-rock outift A Band Called Bert, notably on the track "It's Over Now".

On February 6, 2010, Grohl performed with his band Them Crooked Vultures the songs "Mind Eraser, No Chaser" and "New Fang" as musical guests on Saturday Night Live. Dave Grohl appeared as an old punk rock drummer reuniting the group "Crisis of Conformity" after 25 years in a skit later on in the episode.^[32]

On October 23, 2010, Grohl performed with Tenacious D at Blizzcon. He appeared as the drummer for the entire concert, and a year later he returned with Foo Fighters and played a another set there, this time as guitarist and vocalist.^[33][34]

Also in 2010, Grohl helped write and performed on drums for "Watch This" with guitarist Slash and Duff McKagan on Slash's self titled album that also included many other famous artists.

In October 2011, Grohl temporarily joined Cage the Elephant as a replacement on tour after drummer Jared Champion's appendix burst.^[35]

Grohl is directing a documentary about Sound City Studios, the Van Nuys studio where Nevermind was recorded that shut down its music operations in 2011.^[36]

Equipment[link]

With Them Crooked Vultures[link]

Drums[link]

DW Jazz Series in Lazer Blue Lacquer with Chrome hardware.

• 5" X 8" Concert tom
• 5" X 10" Concert tom
• 16" X 24" Bass drum
• 9" X 13" Rack tom
• 16" X 16" Floor tom
• 16" X 18" Floor tom
• 16" X 20" Gong Drum
• 6.5" X 14" Aluminum Snare drum

Cymbals[link]

Zildjian

• 15" K Light Hi-hats
• 20" A Custom EFX
• 24" ZHT Ride
• 20" A Custom Crash
• 19" K Custom Hybrid China
• 20" A Custom Rezo Crash

Sticks[link]

Zildjian

• Dave Grohl Artist Series (16 3/4" X 0.600")

Percussion[link]

LP

• LP hi hat tambourine
• LP drum kit tambourine

Drumheads[link]

Remo

• Coated Emperor (on Toms)
• Clear Powerstroke 3 (on Bass)
• Coated Emperor X Black Dot (on Snare)

Hardware[link]

DW 9000 Series including:

• 9000 Floating Rotor Single Pedal
• 9500D 3-Leg Rotating Hi-hat Stand
• 9100AL Air Lift Drum Throne

With Foo Fighters[link]

Guitars[link]

• 2006 Gibson DG335 (x2) - Grohl's main guitars for almost all Foo Fighters shows. The one in "Pelham Blue" is tuned to E standard, while the black one is tuned to drop D.
• 2005 Gibson Firebird Studio - Main guitar used during the In Your Honor era. Pelham Blue and Black models. Used for Stacked Actors, Grohl owns many more Firebirds.
• 1965 Gibson Trini Lopez - Used during the One By One era
• 1967 Gibson Trini Lopez - Used for Walk video, Finished in rare "Pelham Blue".
• 1990 Gibson Les Paul Custom (x2) - Used from 1995–1999, two black, one white.
• 1994 Gibson SG (x4) - Used from 1995–2000, two white, one black, one sunburst.
• 1992 Gibson Explorer (x4) - Used from 1994–2001, three in black, one in white.
• 2002 Ampeg Lucite "Clear" Dan Armstrong (x4) - Main guitar used during the One By One era.^[37]

Amps[link]

• Fender Tonemaster (x2)
• Custom Audio Electronics 100 watt Custom (x2)
• Hiwatt Custom 100
• Mesa Boogie Road King (x2)
• Mesa Boogie Dual Rectifier (x2)
• Vox AC-30

Cabinets[link]

• Fender Tonemaster 4x12 (x2)
• Mesa Road King 4x12 (x2)

Effects[link]

• Boss DD3 Delay
• Boss TU2 Tuner (x2)
• MXR Phase 90
• MXR Smart Gate (x2)
• Voodoo Labs PedalPower
• Voodoo Labs Amp Switcher
• Shure UR4 Wireless
• ProCo Rat Distortion

Personal life[link]

Grohl has been married twice. He was first married to photographer Jennifer Youngblood from 1993 to 1997. After their divorce, Grohl had relationships with Winona Ryder, Louise Post from Veruca Salt, and solo artist and Hole bassist Melissa Auf Der Maur. There have also been claims of having a relationship with Christina Aguilera. Grohl has denied this however.^[38]

He then went on to marry Long Island native Jordyn Blum on August 2, 2003, at their home in Los Angeles. Guests included Clive Davis, Jack Black, and former Nirvana bandmate Krist Novoselic. On April 15, 2006, their daughter Violet Maye was born in Los Angeles, being named after Grohl's maternal grandmother. Earlier that year, Foo Fighters bandmate Taylor Hawkins told MTV, "We're going to be touring Europe in January and February, but we've got to be home by March, because Dave and his wife are having a baby," he said, adding, "but I probably wasn't supposed to tell you that." Grohl said that he had been playing music to his unborn child, saying "she 'likes' The Beatles. Doesn't really get down to The Beach Boys. Digs Mozart." On April 17, 2009, Grohl's second child, daughter Harper Willow, was born.^[39]

Grohl has been vocal in his views on drug misuse, contributing to a 2009 anti-drug video for the BBC. "I have never done cocaine, ever in my life. I have never done heroin, I have never done speed," he said in a 2008 interview, adding that he had stopped smoking marijuana and taking acid at the age of 20. In the BBC video he said "I've seen people die. It ain't easy being young, but that stuff doesn't make it any easier".^[40]

In May 2006, Grohl sent a note of support to the two trapped miners in the Beaconsfield mine collapse in Tasmania, Australia. In the initial days following the collapse, one of the men requested an iPod with Foo Fighters album In Your Honor, to be sent down to them through a small hole. Grohl's note read, in part, "Though I'm halfway around the world right now, my heart is with you both, and I want you to know that when you come home, there's two tickets to any Foos show, anywhere, and two cold beers waiting for yous. Deal?"^[41] In October 2006, one of the miners took up his offer, joining Grohl for a drink after Foo Fighters acoustic concert at the Sydney Opera House.^[42] Grohl wrote an instrumental piece for the meeting, which Grohl pledged he would include on the band's next album.^[43] The song, titled "Ballad of the Beaconsfield Miners," appears on Foo Fighters' 2007 release Echoes, Silence, Patience & Grace, and features Kaki King.

In August 2009 Grohl was given the key to the city of Warren, Ohio and performed the songs "Everlong", "Times Like These", and "My Hero". A roadway in downtown Warren named "David Grohl Alley" has been dedicated to him with murals by local artists.^[44][45]

In 2000 while on tour with Foo Fighters in Australia, Grohl was arrested by Australian police while driving a scooter for driving under the influence following a concert on the Gold Coast in Queensland. He was fined $400 and had his Australian driving permit revoked for three months. Following the incident Grohl stated: "So, people, I guess if there's anything to learn here, it's: don't drive after a few beers, even if you feel entirely capable like I did."^[46][47]

Discography[link]

Filmography[link]

Film[link]

Notes[link]