Greasy spoon is a colloquial or slang term originating in the United States to mean a small, especially cheap, archetypal working class restaurant or diner. The term is now used in many English speaking countries to mean the same thing. The name "greasy spoon" is used to imply a less-than-rigorous approach to hygiene and dishwashing, and appears in use in the early 20th century.

Many typical American greasy spoons focus on fried or grilled food, such as fried eggs, bacon, burgers, hash browns, waffles, pancakes, omelettes, deep fried chicken, and sausages. These are often accompanied by baked beans, french fries, coleslaw, or toast. Soups and chili con carne are generally available. Since the 1970s many Greek immigrants have entered the business; as a result, gyros and souvlaki meats are now a common part of the repertoire, often served as a side dish with breakfast as a replacement for bacon or sausage. A full meal may be available for a special price, sometimes called a blue-plate special. Regional fare is often served. Coffee, iced tea and soft drinks are the typical beverages, and pie and ice cream are popular desserts.

Rufus Thomas, Jr. (March 27, 1917 – December 15, 2001) was an American rhythm and blues, funk and soul singer and comedian from Memphis, Tennessee, who recorded on Sun Records in the 1950s and on Stax Records in the 1960s and 1970s. He was the father of soul singer Carla Thomas and keyboard player Marvell Thomas. A third child, Vaneese, a former French teacher, has a recording studio in upstate New York and sings for television commercials.

Born a sharecropper's son in the rural community of Cayce, Mississippi, Thomas moved to Memphis with his family at age 2. His mother was “a church woman.” Thomas made his artistic debut at the age of 6 playing a frog in a school theatrical production. Much later in life, he would impersonate all kinds of animals: screeching cats, funky chickens and penguins, and mournful dogs. By age 10, he was a tap dancer, performing in amateur productions at Memphis' Booker T. Washington High School.

Throbbing Gristle were an English industrial, avant-garde music and visual arts group that evolved from the performance art group COUM Transmissions. The band consisted of Genesis P-Orridge (born Neil Megson - bass guitar, violin, vocals, vibraphone), Cosey Fanni Tutti (guitars, cornet, vocals), Peter "Sleazy" Christopherson (tapes, found sounds, horns, piano, vibraphone, synthesizer), and Chris Carter (synthesizers, tapes, electronics).

Throbbing Gristle evolved from the performance art group COUM Transmissions, which was formed in Kingston Upon Hull, England, by a group of performers centered on Genesis P-Orridge and Cosey Fanni Tutti. The final performance of COUM Transmissions in 1976 was the debut of Throbbing Gristle.

Throbbing Gristle's confrontational live performances and use of often disturbing imagery, including pornography and photographs of Nazi concentration camps, gave the group a notorious reputation. However the group always maintained that their mission was to challenge and explore the darker and obsessive sides of the human condition rather than to make attractive music. Throbbing Gristle made extensive use of pre-recorded tape-based 'samples' and special effects to produce a distinctive, highly distorted background, usually accompanied by lyrics or spoken-word performances by Cosey Fanni Tutti or Genesis P-Orridge. Though they asserted they wanted to provoke their audience into thinking for themselves rather than pushing any specific agenda (as evidenced by the song "Don't Do As You're Told, Do As You Think" on Heathen Earth), Throbbing Gristle also frequently associated with the anarchist punk scene. They appeared in the fanzine Toxic Grafity, with a condensation of their own propaganda parody series, Industrial News.

Hank Marr (30 January 1927–16 March 2004) was a soul jazz and hard bop Hammond B3 organist and pianist born in Columbus, Ohio, probably best known for his many albums recorded under his own name for the Double-time record label.

Leader: Columbus natives Hank Marr and (Tenor Saxophonist) Rusty Bryant co-led a group that toured for several years (beginning in 1958 going into 1960’s). Later, Marr led a group that featured Electric Guitarist/Singer James Ulmer . Ulmer first recorded professionally with Marr in 1964. Ulmer later toured Europe under Marr in 1966-1967.

Sideman: As a sideman, Marr made a name for himself playing with many accomplished musicians. In the late 1960s, Marr performed in a duo with guitarist Floyd Smith (musician) in Atlantic City, NJ.

Marr had two minor hit singles, "Greasy Spoon" (U.S. #101, 1964) and "Silver Spoon" (U.S. #134, 1965).

Ellas Otha Bates (December 30, 1928 – June 2, 2008), known by his stage name Bo Diddley, was an American rhythm and blues vocalist, guitarist, songwriter (usually as Ellas McDaniel), and rock and roll pioneer. He was also known as "The Originator" because of his key role in the transition from the blues to rock & roll, influencing a host of acts, including Buddy Holly, Jimi Hendrix, The Rolling Stones, The Velvet Underground, The Who, The Yardbirds, Eric Clapton,The Beatles, and George Michael, among others. He introduced more insistent, driving rhythms and a hard-edged electric guitar sound on a wide-ranging catalog of songs, along with African rhythms and a signature beat (a simple, five-accent rhythm) that remains a cornerstone of rock and pop. Accordingly, he was inducted into the Rock and Roll Hall of Fame and received Lifetime Achievement Awards from the Rhythm and Blues Foundation and a Grammy Award from the National Academy of Recording Arts and Sciences. He was known in particular for his technical innovations, including his trademark rectangular guitar.