ISO basic Latin alphabet
Aa	Bb	Cc	Dd
Ee	Ff	Gg	Hh
Ii	Jj	Kk	Ll
Mm	Nn	Oo	Pp
Qq	Rr	Ss	Tt
Uu	Vv	Ww	Xx
Yy	Zz

B (named bee /ˈbiː/)^[1] is the second letter in the ISO basic Latin alphabet. It is used to represent a variety of bilabial sounds (depending on language), most commonly a voiced bilabial plosive.

History[link]

⟨B⟩ may have started as a pictogram of the floorplan of a house in Egyptian hieroglyphs. By 1050 BC, the Phoenician alphabet's letter had a linear form that served as the beth.

Egyptian hieroglyph cottage	Phoenician beth	Greek Beta	Etruscan B	Roman B

Typography[link]

The modern lowercase ⟨b⟩ derives from later Roman times, when scribes began omitting the upper loop of the capital.

Blackletter B	Uncial B
Modern Roman B	Modern Italic B	Modern Script B

Use[link]

In English, most other languages that use the Latin alphabet, and the International Phonetic Alphabet, ⟨b⟩ denotes the voiced bilabial plosive /b/, as in bib. In English it is sometimes silent; most instances are derived from old monosyllablic words with the b final and immediately preceded by an m, such as lamb and bomb; a few are examples of etymological spelling to make the word more like its Latin original, such as debt or doubt.

In Estonian, Icelandic, and Chinese pinyin, ⟨b⟩ does not denote a voiced consonant; instead, it represents a voiceless /p/ that contrasts with either a geminated /pp/ (in Estonian) or an aspirated /pʰ/ (in Chinese, Danish and Icelandic), represented by ⟨p⟩. In Fijian ⟨b⟩ represents a prenasalized /mb/, whereas in Zulu and Xhosa it represents an implosive /ɓ/, in contrast to the digraph ⟨bh⟩ which represents /b/.

Finnish only uses ⟨b⟩ in loanwords.

⟨B⟩ is also a musical note. Its value varies depending on the region; a ⟨b⟩ in Anglophone countries represents a note that is a semitone higher than the B note in Northern Continental Europe. (Anglophone B is represented in Northern Europe with ⟨H⟩.) Archaic forms of ⟨b⟩, the b quadratum (square b, ♮) and b rotundum (round b, ♭) remain in use for musical notation as the symbols for natural and flat, respectively.

In Contracted (grade 2) English braille, ⟨b⟩ stands for "but" when in isolation.

Related letters and other similar characters[link]

• Β β : Greek letter Beta
• В в : Cyrillic letter Ve
• Б б : Cyrillic letter Be
• Ɓ ɓ : Latin letter B with hook
• Ъ ъ : Cyrillic letter Yer (also known as the hard sign, back yer, or tvyordiy znak) is shaped like the letter b, but has no phonetic value on its own in modern East Slavic languages. The ъ serves as an orthographic device that indicates that the consonant preceding the ъ is not palatalized.
• Ь ь : Cyrillic letter Soft sign (also known as the front yer, or myagkiy znak) is also shaped like the letter b, but has no phonetic value on its own in modern East Slavic languages. The ь serves as orthographic device that indicates that the consonant preceding the ь is softened or palatalized.
• ẞ ß : German letter Eszett, originally a ligature of long s ⟨ſ⟩ with ⟨z⟩, now considered to stand for ⟨ss⟩.
• ב : Hebrew letter Bet
• ␢ : Space

Computing codes[link]

¹ and all encodings based on ASCII, including the DOS, Windows, ISO-8859 and Macintosh families of encodings.

Other representations[link]

NATO phonetic	Morse code
Bravo	–···

Signal flag	Flag semaphore	Braille

References[link]

External links[link]

• Media related to B at Wikimedia Commons
• The Wiktionary entry for B
• The Wiktionary entry for b

Sarah Kay is a professor of French at New York University.

Kay was a student in the UK at the University of Oxford. She started her teaching career at the University of Liverpool then moved to the University of Cambridge. She was head of department at Cambridge from 1996 until 2001 and Director of Studies at Girton College, Cambridge from 2003 to 2005. Kay has been a fellow of the British Academy since 2004 and was awarded a D.Litt (Cambridge) in 2005.^[1]

Publications[link]

• Žižek: A Critical Introduction (Cambridge: Polity, 2003)
• (with Malcolm Bowie and Terence Cave) A Short History of French Literature (Oxford University Press, 2003)
• Courtly Contradictions (Stanford University Press, 2001)
• (with Simon Gaunt) The Troubadours. An Introduction (Cambridge University Press, 1999)
• The Chansons de geste in the Age of Romance (Oxford University Press, 1995)
• (as co-editor with Miri Rubin) Framing Medieval Bodies (Manchester University Press, 1994)
• (as editor) Raoul de Cambrai (Oxford University Press, 1992)
• Subjectivity in Troubadour Poetry (Cambridge University Press, 1990)

References[link]

External links[link]

• Kay's profile at Princeton University
• Review of Kay's Courtly Contradictions published in The Medieval Review, 2004.

This biography article of a United Kingdom academic is a stub. You can help Wikipedia by expanding it. v t e

System of a Down
System of a Down at Download Festival On June 12, 2005.
Background information
Also known as	Soil (1992–1994) SOAD System
Origin	Los Angeles, US
Genres	Alternative metal, progressive rock, hard rock, experimental
Years active	1994–2006, 2011–present
Labels	Sony Music, American, Columbia
Associated acts	Achozen, Axis of Justice, George Clinton and His Gangsters of Love, Scars on Broadway, Serj Tankian and The F.C.C., The Apex Theory
Website	www.systemofadown.com
Members
Daron Malakian Serj Tankian Shavo Odadjian John Dolmayan
Past members
Ontronik Khachaturian

System of a Down, also known by the acronym SOAD and often shortened to System, is a rock band from Southern California, formed in 1994. It consists of Serj Tankian (lead vocals, keyboards, rhythm guitar), Daron Malakian (guitar, vocals), Shavo Odadjian (bass, background vocals) and John Dolmayan (drums).

The band achieved commercial success with the release of five studio albums; from which three debuted at number one on the Billboard 200. System of a Down has been nominated for four Grammy Awards, and won the award in 2006 for Best Hard Rock Performance for the song "B.Y.O.B.". The group went on hiatus in August 2006, but reunited in November 2010, embarking on a worldwide tour in 2011.

History[link]

Soil (1992–1994)[link]

Serj Tankian, Daron Malakian, and Shavo Odadjian all attended Rose and Alex Pilibos Armenian School while children, although because of their eight-year age difference they did not meet until 1992 while working on separate projects at the same recording studio.^[1] They formed a band named Soil with Tankian on vocals and keyboards, Malakian on vocals and guitar, Dave Hakopyan (who later played in The Apex Theory/Mt. Helium) on bass and Domingo "Dingo" Laranio on drums. The band hired Shavo Odadjian (another Rose and Alex Pilibos alumnus) as manager, although he eventually joined Soil as rhythm guitarist. After three years, only one live show, and one jam session recording, Hakopyan and Laranio quit the band, feeling that it was not going anywhere.

Demo tapes and signing (1994–1997)[link]

After Soil split up, Tankian, Odadjian, and Malakian formed a new band, System of a Down. The group took its name from a poem that Malakian had written titled “Victims of the Down."^[2] The word "victims" was changed to "system" because Odadjian believed that the alteration would appeal to a much wider audience and also because the group wanted their records to be alphabetically shelved closer to their musical heroes, Slayer. Odadjian switched from guitar to bass and passed on his managerial duties to Velvet Hammer Music and Management Group and its founder David “Beno” Benveniste.^{[citation needed]} The band recruited drummer Ontronik "Andy" Khachaturian, an old school friend of Malakian's and Odadjian's who had played with Malakian in a band called Snowblind during their teens.^[2]

System of a Down quickly made what is known as Untitled 1995 Demo Tape, which was not commercially released but appeared on file sharing networks around the time of the band's success with Toxicity about six years later. Demo Tape 2 was released in 1996. At the beginning of 1997, System of a Down recorded their final publicly released demo tape, Demo Tape 3. In mid 1997, drummer Khachaturian left the band because of a hand injury (he subsequently co-founded The Apex Theory, which included former Soil bassist Dave Hakopyan).^[2] Khachaturian was replaced by John Dolmayan.

The band's first official release of a professionally recorded song was on a collection called Hye Enk ("we're Armenian" in English), an Armenian Genocide recognition compilation, in 1997. Soon after playing at notable Hollywood clubs such as the Whisky-A-Go-Go and Viper Room the band caught famed producer Rick Rubin's attention who asked them to keep in touch with him. Showing great interest, the group recorded Demo Tape 4 near the end of 1997. Unlike the previous demo tapes, however, Demo Tape 4 was made only to be sent to record companies (although it has since been leaked onto the internet). Rubin signed the group onto his American/Columbia Records, and System of a Down began to record in Rubin's studio, laying down tracks that would eventually be released on their debut album.

Also in 1997, the group won the Best Signed Band Award from the Rock City Awards.^[3]

Debut album (1998–2000)[link]

In June 1998, System of a Down released their debut album, System of a Down. They enjoyed moderate success as their first singles "Sugar" and "Spiders" became radio favorites and the music videos for both songs were frequently aired on MTV. After the release of the album, the band toured extensively, opening for Slayer and Metallica before making their way to the second stage of Ozzfest. Following Ozzfest, they toured with Fear Factory and Incubus before headlining the Sno-Core Tour with Puya, Mr. Bungle, The Cat and Incubus providing support.

In November 1998, System of a Down appeared on South Park's Chef Aid album, providing the music for the song "Will They Die 4 You?" Near the end of the song Tankian can be heard saying, "Why must we kill our own kind?" a line that would later be used in the song "Boom!" Although System of a Down is credited on the album, South Park character Chef doesn't introduce them as he does for all other artist featured on the record.

System of a Down's former drummer, Ontronik Khachaturian, briefly reunited with the band at a show at The Troubadour in 1999, filling in on vocals for an ill Tankian.^[2] In 2000, the band contributed their cover of the Black Sabbath song "Snowblind" to the Black Sabbath tribute album Nativity in Black 2.

[edit] Toxicity and Steal This Album! (2001–2003)

Guitarist Daron Malakian met Serj Tankian for the first time in 1993 before forming the band a year later.

On September 3, 2001, System of a Down had planned on launching their second album at a free concert in Hollywood as a "thank you" to fans. The concert, which was to be held in a parking lot, was set up to accommodate 3,500 people, however, an estimated 7,000 to 10,000 fans showed up. Because of the large excess number of fans the performance was cancelled by police officers just before the group took the stage. No announcement was made that the concert had been cancelled. Fans waited for more than an hour for the group to appear, but when a banner hanging at the back of the stage that read "System of a Down" was removed by security, the audience rushed the stage, destroying all the band's touring gear (approximately $30,000 worth of equipment) and began to riot, throwing rocks at police, breaking windows, and knocking over portable toilets. The riot lasted six hours, during which six arrests were made. The band's manager, David "Beno" Benveniste, later said that the riot could have been avoided if the group had been permitted to perform or had they been allowed to make a statement at the concert regarding the cancellation. System of a Down's scheduled in-store performance the next day was cancelled to prevent a similar riot.^[4]

The group's big break arrived when their second album Toxicity debuted at No.1 on the American and Canadian charts, despite the events of September 11. The album eventually achieved multi-platinum certification^{[citation needed]} and has since sold over 12 million copies worldwide.^{[citation needed]} It was still on top in America during the week of the September 11, 2001 attacks and the political environment caused by the attacks added to the controversy surrounding the album's hit single "Chop Suey!" The song was taken off the radio as it contained politically sensitive lyrics at the time such as "(I don't think you) trust in my self-righteous suicide." Regardless, the video gained constant play on MTV as did the album's second single, "Toxicity". Even with the controversy surrounding "Chop Suey!" (which earned a Grammy nomination), System of a Down still received constant airplay in the United States throughout late 2001 and 2002 with "Toxicity" and "Aerials". In May 2006, VH1 listed Toxicity in the No.14 slot in the 40 Greatest Metal Songs.

In 2001, the band went on tour with Slipknot throughout the United States and Mexico. Following a performance in Grand Rapids, Michigan, Odadjian was harassed, ethnically intimidated, and was physically assaulted by security guards backstage, who then dragged him out of the venue. Odadjian received medical attention from police and later filed a suit against the security company.^[5] Despite the incident, the tour was a success and System of a Down and Slipknot went on the Pledge of Allegiance Tour with Rammstein in 2001.

In late 2001, unreleased tracks from the Toxicity sessions made their way onto the internet.^[6] This collection of tracks was dubbed Toxicity II by fans. The group released a statement that the tracks were unfinished material and subsequently released the final versions of the songs as their third album, Steal This Album!, which was released in November 2002. Steal This Album! resembled a burnable CD that was marked with a felt-tip marker. 50,000 special copies of the album with different CD designs were also released, each designed by a different member of the band. The name of the album is a reference to Abbie Hoffman's counter-culture book, Steal This Book as well as a message to those who leaked the songs onto the internet. The song "Innervision" was released as a promo single and received constant airplay on alternative radio. A video for "Boom!" was filmed with director Michael Moore as a protest against the War in Iraq.

[edit] Mezmerize and Hypnotize (2004–2006)

Serj Tankian has gained reputation for his large vocal range along with his unusual vocal tactics.

Between 2004 to 2005, the group recorded the follow-up to Steal This Album!, a double album, which they released as separate installments six months apart from each other, notably including album cover artwork by Malakian's father, Vartan Malakian, which was designed to connect the two separate album covers. The first album, Mezmerize, was released on May 17, 2005 to favorable reviews by critics. It debuted at No.1 in the United States, Canada, Australia and all around the world, making it System of A Down's second No.1 album. First week sales rocketed to over 800,000 copies worldwide. The Grammy Award-winning single "B.Y.O.B.", which questions the integrity of military recruiting in America, worked its way up the Billboard Modern Rock and Mainstream Rock charts. The next single, "Question!" was released with Shavo Odadjian co-directing the music video. Following the release of Mezmerize, the band toured extensively throughout the United States and Canada with The Mars Volta and Bad Acid Trip supporting.

The second part of the double album, Hypnotize, was released on November 22, 2005. Like Mezmerize, it debuted at No.1 in the US, making System of a Down, along with The Beatles, Guns 'N Roses, and rappers 2Pac and DMX, the only artists to ever have two studio albums debut at No.1 in the same year.^[7] In February 2006, System of a Down won the Grammy for Best Hard Rock Performance for "B.Y.O.B.", beating out other established artists such as Nine Inch Nails and Robert Plant. Their second single off the Hypnotize album, "Lonely Day" was released in March in the United States. System of a Down released "Kill Rock 'N Roll" and "Vicinity of Obscenity" as their next promo singles. The band headlined Ozzfest 2006 in cities where tour founder Ozzy Osbourne opted not to appear or wasn't playing on the main stage.

Whereas on System of a Down's previous albums most of the lyrics were written and sung by Tankian and the music was co-written by Tankian and Malakian (and sometimes Odadjian) much of the music and lyrics on Mezmerize/Hypnotize were written by Malakian who also took on a much more dominant role as vocalist on both albums, often leaving Tankian providing keyboards and backing vocals.

Concert footage and interviews with the band concerning the importance of helping create awareness and recognition of the Armenian Genocide were featured in the 2006 film Screamers, directed by Carla Garapedian. An interview with Tankian's grandfather, a survivor of the Genocide, was also included in the film as well as Tankian's and Dolmayan's meeting with (then) Speaker of the House Dennis Hastert during which the two musicians campaigned for the United States government's official recognition of the Genocide. Footage of Tankian and Dolmayan marching with protesters outside of the Turkish embassy in Washington D.C. was also used in Screamers.

System of a Down was honored at a University of Southern California game at the Los Angeles Coliseum in Los Angeles, California in 2006. The Trojan Marching Band, along with Dolmayan and Odadjian, performed three System of a Down songs: "Toxicity," "Sugar," and "Hypnotize." System of a Down's song "Lonely Day" was nominated for Best Hard Rock Performance in the 49th Grammy Awards in 2007, but lost to "Woman" by Wolfmother.

In May 2006, the band announced they were going on hiatus. Malakian confirmed the break would probably last a few years, which Odadjian specified as a minimum of three years in an interview with Guitar magazine. He told MTV, "We're not breaking up. If that was the case, we wouldn't be doing this Ozzfest. We're going to take a very long break after Ozzfest and do our own things. We've done System for over ten years, and I think it's healthy to take some rest."^[8]

May 2006 also saw the UK publication of a biography of the band entitled System Of A Down: Right Here In Hollywood by writer Ben Myers. It was published in the US in 2007 through The Disinformation Company.

Hiatus (2006–2010)[link]

Malakian announced he was forming a band called Scars on Broadway, which was joined by Dolmayan. System of a Down's final performance before their hiatus took place on August 13, 2006 in West Palm Beach, Florida. "Tonight will be the last show we play for a long time together," Malakian told the crowd during Sunday's last performance. "We'll be back. We just don't know when."^[9]

Tankian released his debut solo album Elect the Dead in the autumn of 2007 to great critical and commercial acclaim. Malakian and Dolmayan released Scars On Broadway's debut self-titled album on July 29, 2008. Dolmayan, alongside working with Scars on Broadway, formed his own band, Indicator, as well as opened Torpedo Comics, an online comic book store.^[10] Odadjian pursued his project with RZA of Wu-Tang Clan, a hip-hop group named AcHoZeN, worked on his urSESSION website/record label, and performed as a member of funk legend George Clinton's backing band.

Reunion and tour (2011–present)[link]

On November 29, 2010, following several weeks of internet rumors, System of a Down officially announced that they would be reuniting for a string of large European festival dates in June 2011.^[11] Among the announced tour dates included UK's Download Festival, Switzerland's Greenfield Festival, Germany's Rock am Ring/Rock im Park, Sweden's Metaltown, Austria's Nova Rock Festival and Finland's Provinssirock. In their reunion statement posted on their website, the band was unclear as to the extent of their reformation. It read, "We have no master plan of sorts – we are playing these shows simply because we want to play together again as a band and for you, our amazing fans."^[12] On March 1, 2011 the band announced they will play several shows in western North America in May and June. The reunion tour commenced on May 10, 2011 in Edmonton, Alberta.^[13] On May 4, 2011, Brazil event organiser and promoter Roberto Medina announced that System will be headlining, alongside Guns N' Roses, his Rock in Rio 2011 festival on October 2 in Rio de Janeiro.^[14]

System's first tour through Mexico and South America began on September 28, 2011 in Mexico City, ending in Santiago, Chile on October 7, 2011.^[15] From late February to early March 2012, they will headline five dates at the Soundwave festival.^[16] This will be the band's first visit to Australia since 2005.

Asked in October 2011 whether System of a Down will record a new album, drummer John Dolmayan replied, "We're gonna take it day by day. [...] For the people who are waiting for an album — I know there's a lot of people waiting for an album; I'm waiting for an album just like they are. It's gonna happen when it's right and when we can make something that tops what we've done in the past. Because we don't really wanna rest on our laurels — where what you've done in the past is what you depend on. Well, I don't wanna do that, and I know the rest of the guys don't wanna do that. Instead of resting on our laurels, we wanna throw them away and create something new and specific for this generation that they can say that's their System of a Down."^[17]

On August 11 and 12, 2012, System will play the Heavy MTL and Heavy T.O. music festivals in Montreal and Toronto, respectively.^[18]

On April 23, 2012, it was announced on the band's website that they would do a summer tour of the eastern United States and Canada with special guests, Deftones.

Style[link]

Lyricism[link]

System of a Down's lyrics are often oblique^[19] or dadaist,^[19] and have discussed topics such as drug abuse,^[19] politics^[19][20] and sexual intercourse.^[19][20]

All four members are of Armenian descent, and are widely known for their outspoken views expressed in many of their songs confronting the Armenian Genocide of 1915 as well as the ongoing War on Terrorism.

Music[link]

The stylistic variety and level of experimentation^[21] in System of a Down's music has made it difficult to describe, but the group has, for the most part, maintained a single style throughout their body of work. This style has variously been termed alternative metal,^[22] alternative rock,^[23] art rock,^[24][25] avant-garde metal,^[26] experimental rock,^[27][28] hard rock,^[22][29] heavy metal,^[22] new prog,^[30] nu metal,^[31][32] progressive metal^[33][34] and progressive rock.^[35][36]

Malakian has stated that "We don't belong to any one scene"^[37] and that "I don't like the nu-metal drop-A 7-string guitar sound; it is not my thing, at least not yet."^[38] In interview with Mike Lancaster, he also said, "People always seem to feel the need to put us into a category, but we just don't fit into any category."^[39] According to Tankian, "As far as arrangement and everything, [our music] is pretty much pop. To me, System of a Down isn't a progressive band. [...] But it's not a typical pop project, obviously. We definitely pay attention to the music to make sure that it's not something someone's heard before."^[40]

The band has used a wide range of instruments, including electric mandolins, baritone electric guitars, acoustic guitars, ouds, sitars and twelve string guitars.^[41] According to Malakian, he would often write songs in E♭ tuning, which would later be changed to drop C tuning in order to be performed by the band.^[38] Malakian states that "For me, the drop-C tuning is right down the center. It has enough of the clarity and the crisp sound—most of our riffy stuff is done on the top two strings, anyway—but it's also thicker and ballsier."^[38]

Influences and comparison to other artists[link]

The band's influences include Middle Eastern music,^[42] Ozzy Osbourne,^[37][42] Dead Kennedys,^[43] Frank Zappa,^[44] Slayer^[42] and Van Halen.^[43] One reviewer claimed that their music encompasses different sounds, from sounding like "Fugazi playing Rush" to sometimes "tread[ing] close to Frank Zappa territory."^[35] Malakian has stated that "I'm a fan of music. I'm not necessarily a fan of any one band."^[45] Dolmayan stated "I don't think we sound like anybody else. I consider us System of a Down."^[46] Odadjian stated "You can compare us to whoever you want. I don't care. Comparisons and labels have no effect on this band. Fact is fact: We are who we are and they are who they are."^[46]

Awards and nominations[link]

System of a Down has been nominated for four Grammy Awards, of which has won one in 2006 for Best Hard Rock Performance for the song B.Y.O.B.. The band has also been nominated for several Kerrang! and MTV awards.

Grammy Awards

General

• In 2005, System of a Down won for Best Alternative Act in the Europe Music Awards
• In 2006, System of a Down won the "MTV Good Woodie Award" for their song "Question!"
• In 2006, System of a Down's song "Toxicity" was No.14 on the VH1 Top 40 Metal Songs list

Band members[link]

Occasional contributors

• Arto Tunçboyacıyan – percussion, composition (on Toxicity: "Science" and "Arto". Steal This Album!: "Bubbles" and some live concerts in 2005)^[47]
• Harry Perry – rhythm guitar (Ozzfest 2006)

Discography[link]

• System of a Down (1998)
• Toxicity (2001)
• Steal This Album! (2002)
• Mezmerize (2005)
• Hypnotize (2005)

References[link]

External links[link]

Wikimedia Commons has media related to: System of a Down

• Official website

vep:System of a Down

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (February 2010)

Jonathan Swift
Portrait by Charles Jervas
Born	(1667-11-30)30 November 1667 Dublin, Ireland
Died	19 October 1745(1745-10-19) (aged 77) Ireland
Pen name	M.B. Drapier, Lemuel Gulliver, Isaac Bickerstaff
Occupation	Satirist, essayist, political pamphleteer, poet, priest
Language	English
Nationality	Irish[1]
Alma mater	Trinity College, Dublin
Notable work(s)	Gulliver's Travels A Modest Proposal A Tale of a Tub Drapier's Letters
Influenced John Ruskin

Jonathan Swift (30 November 1667 – 19 October 1745) was an Anglo-Irish^[2] satirist, essayist, political pamphleteer (first for the Whigs, then for the Tories), poet and cleric who became Dean of St. Patrick's Cathedral, Dublin.^[3]

He is remembered for works such as Gulliver's Travels, A Modest Proposal, A Journal to Stella, Drapier's Letters, The Battle of the Books, An Argument Against Abolishing Christianity, and A Tale of a Tub. Swift is probably the foremost prose satirist in the English language, and is less well known for his poetry. Swift originally published all of his works under pseudonyms—such as Lemuel Gulliver, Isaac Bickerstaff, M.B. Drapier—or anonymously. He is also known for being a master of two styles of satire: the Horatian and Juvenalian styles.

Biography[link]

Youth[link]

Jonathan Swift was born in Dublin, Ireland. He was the second child and only son of Jonathan Swift (1640-1667) and his wife Abigail Erick (or Herrick), of Frisby-on-the-Wreake. His father, a native of Goodrich, Herefordshire, accompanied his brothers to Ireland to seek their fortunes in law after their Royalist father's estate was brought to ruin during the English Civil War. Swift's father died at Dublin before he was born, and his mother returned to England. He was left in the care of his influential uncle, Godwin, a close friend and confidante of Sir John Temple, whose son later employed Swift as his secretary.

Swift's family had several interesting literary connections: His grandmother, Elizabeth (Dryden) Swift, was the niece of Sir Erasmus Dryden, grandfather of the poet John Dryden. The same grandmother's aunt, Katherine (Throckmorton) Dryden, was a first cousin of the wife of Sir Walter Raleigh. His great-great grandmother, Margaret (Godwin) Swift, was the sister of Francis Godwin, author of The Man in the Moone which influenced parts of Swift's Gulliver's Travels. His uncle, Thomas Swift, married a daughter of the poet and playwright Sir William Davenant, a godson of William Shakespeare.

His uncle Godwin Swift (1628-1695) a benefactor, he took primary responsibility for the young Jonathan, sending him with one of his cousins to Kilkenny College (also attended by the philosopher George Berkeley). In 1682 he attended Dublin University (Trinity College, Dublin), financed by Godwin's son, Willoughby, from where he received his B.A. in 1686, and developed his friendship with William Congreve. Swift was studying for his Master's degree when political troubles in Ireland surrounding the Glorious Revolution forced him to leave for England in 1688, where his mother helped him get a position as secretary and personal assistant of Sir William Temple at Moor Park, Farnham. Temple was an English diplomat who, having arranged the Triple Alliance of 1668, retired from public service to his country estate to tend his gardens and write his memoirs. Gaining the confidence of his employer, Swift "was often trusted with matters of great importance."^{[cite this quote]} Within three years of their acquaintance, Temple had introduced his secretary to William III, and sent him to London to urge the King to consent to a bill for triennial Parliaments.

When Swift took up his residence at Moor Park, he met Esther Johnson, then eight years old, the fatherless daughter of one of the household servants. Swift acted as her tutor and mentor, giving her the nickname "Stella", and the two maintained a close but ambiguous relationship for the rest of Esther's life.

Swift left Temple in 1690 for Ireland because of his health, but returned to Moor Park the following year. The illness, fits of vertigo or giddiness—now known to be Ménière's disease—would continue to plague Swift throughout his life. During this second stay with Temple, Swift received his M.A. from Hart Hall, Oxford in 1692. Then, apparently despairing of gaining a better position through Temple's patronage, Swift left Moor Park to become an ordained priest in the Established Church of Ireland and in 1694 he was appointed to the prebend of Kilroot in the Diocese of Connor, with his parish located at Kilroot, near Carrickfergus in County Antrim.

Swift appears to have been miserable in his new position, being isolated in a small, remote community far from the centres of power and influence. While at Kilroot, however, Swift may well have become romantically involved with Jane Waring. A letter from him survives, offering to remain if she would marry him and promising to leave and never return to Ireland if she refused. She presumably refused, because Swift left his post and returned to England and Temple's service at Moor Park in 1696, and he remained there until Temple's death. There he was employed in helping to prepare Temple's memoirs and correspondence for publication. During this time Swift wrote The Battle of the Books, a satire responding to critics of Temple's Essay upon Ancient and Modern Learning (1690). Battle was however not published until 1704.

On 27 January 1699 Temple died. Swift stayed on briefly in England to complete the editing of Temple's memoirs, and perhaps in the hope that recognition of his work might earn him a suitable position in England. However, Swift's work made enemies of some of Temple's family and friends who objected to indiscretions included in the memoirs. His next move was to approach King William directly, based on his imagined connection through Temple and a belief that he had been promised a position. This failed so miserably that he accepted the lesser post of secretary and chaplain to the Earl of Berkeley, one of the Lords Justices of Ireland. However, when he reached Ireland he found that the secretaryship had already been given to another. But he soon obtained the living of Laracor, Agher, and Rathbeggan, and the prebend of Dunlavin in St. Patrick's Cathedral, Dublin.

At Laracor, a mile or two from Trim, County Meath, and twenty miles (32 km) from Dublin, Swift ministered to a congregation of about fifteen people, and had abundant leisure for cultivating his garden, making a canal (after the Dutch fashion of Moor Park), planting willows, and rebuilding the vicarage. As chaplain to Lord Berkeley, he spent much of his time in Dublin and traveled to London frequently over the next ten years. In 1701, Swift published, anonymously, a political pamphlet, A Discourse on the Contests and Dissentions in Athens and Rome.

Writer[link]

In February 1702, Swift received his Doctor of Divinity degree from Trinity College, Dublin. That spring he traveled to England and returned to Ireland in October, accompanied by Esther Johnson—now twenty years old—and his friend Rebecca Dingley, another member of William Temple's household. There is a great mystery and controversy over Swift's relationship with Esther Johnson nicknamed "Stella". Many^[who?] hold that they were secretly married in 1716.

During his visits to England in these years Swift published A Tale of a Tub and The Battle of the Books (1704) and began to gain a reputation as a writer. This led to close, lifelong friendships with Alexander Pope, John Gay, and John Arbuthnot, forming the core of the Martinus Scriblerus Club (founded in 1713).

Swift became increasingly active politically in these years. From 1707 to 1709 and again in 1710, Swift was in London, unsuccessfully urging upon the Whig administration of Lord Godolphin the claims of the Irish clergy to the First-Fruits and Twentieths ("Queen Anne's Bounty"), which brought in about £2,500 a year, already granted to their brethren in England. He found the opposition Tory leadership more sympathetic to his cause and Swift was recruited to support their cause as editor of the Examiner when they came to power in 1710. In 1711, Swift published the political pamphlet "The Conduct of the Allies," attacking the Whig government for its inability to end the prolonged war with France. The incoming Tory government conducted secret (and illegal) negotiations with France, resulting in the Treaty of Utrecht (1713) ending the War of the Spanish Succession.

Swift was part of the inner circle of the Tory government, and often acted as mediator between Henry St. John (Viscount Bolingbroke) the secretary of state for foreign affairs (1710–15) and Robert Harley (Earl of Oxford) lord treasurer and prime minister (1711–1714). Swift recorded his experiences and thoughts during this difficult time in a long series of letters to Esther Johnson, later collected and published as The Journal to Stella. The animosity between the two Tory leaders eventually led to the dismissal of Harley in 1714. With the death of Queen Anne and accession of George I that year, the Whigs returned to power and the Tory leaders were tried for treason for conducting secret negotiations with France.

Also during these years in London, Swift became acquainted with the Vanhomrigh family and became involved with one of the daughters, Esther, yet another fatherless young woman and another ambiguous relationship to confuse Swift's biographers. Swift furnished Esther with the nickname "Vanessa" and she features as one of the main characters in his poem Cadenus and Vanessa. The poem and their correspondence suggests that Esther was infatuated with Swift, and that he may have reciprocated her affections, only to regret this and then try to break off the relationship. Esther followed Swift to Ireland in 1714, where there appears to have been a confrontation, possibly involving Esther Johnson. Esther Vanhomrigh died in 1723 at the age of 35. Another lady with whom he had a close but less intense relationship was Anne Long, a toast of the Kit-Cat Club.

Maturity[link]

Bust in St. Patrick's Cathedral.

Before the fall of the Tory government, Swift hoped that his services would be rewarded with a church appointment in England. However, Queen Anne appeared to have taken a dislike to Swift and thwarted these efforts. The best position his friends could secure for him was the Deanery of St. Patrick's, Dublin. With the return of the Whigs, Swift's best move was to leave England and he returned to Ireland in disappointment, a virtual exile, to live "like a rat in a hole".

Once in Ireland, however, Swift began to turn his pamphleteering skills in support of Irish causes, producing some of his most memorable works: Proposal for Universal Use of Irish Manufacture (1720), Drapier's Letters (1724), and A Modest Proposal (1729), earning him the status of an Irish patriot.

Also during these years, he began writing his masterpiece, Travels into Several Remote Nations of the World, in Four Parts, by Lemuel Gulliver, first a surgeon, and then a captain of several ships, better known as Gulliver's Travels. Much of the material reflects his political experiences of the preceding decade. For instance, the episode in which the giant Gulliver puts out the Lilliputian palace fire by urinating on it can be seen as a metaphor for the Tories' illegal peace treaty; having done a good thing in an unfortunate manner. In 1726 he paid a long-deferred visit to London, taking with him the manuscript of Gulliver's Travels. During his visit he stayed with his old friends Alexander Pope, John Arbuthnot and John Gay, who helped him arrange for the anonymous publication of his book. First published in November 1726, it was an immediate hit, with a total of three printings that year and another in early 1727. French, German, and Dutch translations appeared in 1727, and pirated copies were printed in Ireland.

Swift returned to England one more time in 1727 and stayed with Alexander Pope once again. The visit was cut short when Swift received word that Esther Johnson was dying and rushed back home to be with her. On 28 January 1728, Esther Johnson died; Swift had prayed at her bedside, even composing prayers for her comfort. Swift could not bear to be present at the end, but on the night of her death he began to write his The Death of Mrs. Johnson. He was too ill to attend the funeral at St. Patrick's. Many years later, a lock of hair, assumed to be Esther Johnson's, was found in his desk, wrapped in a paper bearing the words, "Only a woman's hair."

Swift's death mask

Death became a frequent feature in Swift's life from this point. In 1731 he wrote Verses on the Death of Dr. Swift, his own obituary published in 1739. In 1732, his good friend and collaborator John Gay died. In 1735, John Arbuthnot, another friend from his days in London, died. In 1738 Swift began to show signs of illness, and in 1742 he appears to have suffered a stroke, losing the ability to speak and realizing his worst fears of becoming mentally disabled. ("I shall be like that tree," he once said, "I shall die at the top.") To protect him from unscrupulous hangers on, who had begun to prey on the great man, his closest companions had him declared of "unsound mind and memory." However, it was long believed by many that Swift was really insane at this point. In his book Literature and Western Man, author J.B. Priestley even cites the final chapters of Gulliver's Travels as proof of Swift's approaching "insanity".

In part VIII of his series, The Story of Civilization, Will Durant describes the final years of Swift's life as such:

"Definite symptoms of madness appeared in 1738. In 1741 guardians were appointed to take care of his affairs and watch lest in his outbursts of violence he should do himself harm. In 1742 he suffered great pain from the inflammation of his left eye, which swelled to the size of an egg; five attendants had to restrain him from tearing out his eye. He went a whole year without uttering a word."^[4]

In 1744, Alexander Pope died. On October 19 1745, Swift also died. After being laid out in public view for the people of Dublin to pay their last respects, he was buried in his own cathedral by Esther Johnson's side, in accordance with his wishes. The bulk of his fortune (twelve thousand pounds) was left to found a hospital for the mentally ill, originally known as St. Patrick’s Hospital for Imbeciles, which opened in 1757, and which still exists as a psychiatric hospital.

Epitaph[link]

Epitaph in St. Patrick's Cathedral, Dublin near his burial site.

Text extracted from the introduction to The Journal to Stella by George A. Aitken and from other sources)

Jonathan Swift wrote his own epitaph:

Hic depositum est Corpus

IONATHAN SWIFT S.T.D.

Hujus Ecclesiæ Cathedralis

Decani,

Ubi sæva Indignatio

Ulterius

Cor lacerare nequit,

Abi Viator

Et imitare, si poteris,

Strenuum pro virili

Libertatis Vindicatorem.

Obiit 19º Die Mensis Octobris

A.D. 1745 Anno Ætatis 78º.

The literal translation of which is: "Here is laid the Body of Jonathan Swift, Doctor of Sacred Theology, Dean of this Cathedral Church, where fierce Indignation can no longer injure the Heart. Go forth, Voyager, and copy, if you can, this vigorous (to the best of his ability) Champion of Liberty. He died on the 19th Day of the Month of October, A.D. 1745, in the 78th Year of his Age."

William Butler Yeats poetically translated it from the Latin as:

Swift has sailed into his rest;

Savage indignation there

Cannot lacerate his breast.

Imitate him if you dare,

World-besotted traveller; he

Served human liberty.

Works[link]

Wikisource has original works written by or about: Jonathan Swift

Swift was a prolific writer, notable for his satires. The most recent collection of his prose works (Herbert Davis, ed. Basil Blackwell, 1965-) comprises fourteen volumes. A recent edition of his complete poetry (Pat Rodges, ed. Penguin, 1983) is 953 pages long. One edition of his correspondence (David Woolley, ed. P. Lang, 1999) fills three volumes.

Major prose works[link]

Jonathan Swift at the Deanery of St. Patrick's, illus. from 1905 Temple Scott edition of Works

The title page to Swift's 1735 Works, depicting the author in the Dean's chair, receiving the thanks of Ireland. The Horatian motto reads, Exegi Monumentum Ære perennius, "I have completed a monument more lasting than brass." The 'brass' is a pun, for Wood's half-pence (alloyed with brass) is scattered at his feet. Cherubim award Swift a poet's laurel.

Swift's first major prose work, A Tale of a Tub, demonstrates many of the themes and stylistic techniques he would employ in his later work. It is at once wildly playful and funny while being pointed and harshly critical of its targets. In its main thread, the Tale recounts the exploits of three sons, representing the main threads of Christianity, who receive a bequest from their father of a coat each, with the added instructions to make no alterations whatsoever. However, the sons soon find that their coats have fallen out of current fashion, and begin to look for loopholes in their father's will that will let them make the needed alterations. As each finds his own means of getting around their father's admonition, they struggle with each other for power and dominance. Inserted into this story, in alternating chapters, the narrator includes a series of whimsical "digressions" on various subjects.

In 1690, Sir William Temple, Swift's patron, published An Essay upon Ancient and Modern Learning a defense of classical writing (see Quarrel of the Ancients and the Moderns) holding up the Epistles of Phalaris as an example. William Wotton responded to Temple with Reflections upon Ancient and Modern Learning (1694) showing that the Epistles were a later forgery. A response by the supporters of the Ancients was then made by Charles Boyle (later the 4th Earl of Orrery and father of Swift's first biographer). A further retort on the Modern side came from Richard Bentley, one of the pre-eminent scholars of the day, in his essay Dissertation upon the Epistles of Phalaris (1699). However, the final words on the topic belong to Swift in his Battle of the Books (1697, published 1704) in which he makes a humorous defense on behalf of Temple and the cause of the Ancients.

In 1708, a cobbler named John Partridge published a popular almanac of astrological predictions. Because Partridge falsely determined the deaths of several church officials, Swift attacked Partridge in Predictions For The Ensuing Year by Isaac Bickerstaff, a parody predicting that Partridge would die on March 29. Swift followed up with a pamphlet issued on March 30 claiming that Partridge had in fact died, which was widely believed despite Partridge's statements to the contrary. According to other sources,^{[citation needed]} Richard Steele uses the personae of Isaac Bickerstaff and was the one who wrote about the "death" of John Partridge and published it in The Spectator, not Jonathan Swift.*

Drapier's Letters (1724) was a series of pamphlets against the monopoly granted by the English government to William Wood to provide the Irish with copper coinage. It was widely believed that Wood would need to flood Ireland with debased coinage in order make a profit. In these "letters" Swift posed as a shop-keeper—a draper—in order to criticize the plan. Swift's writing was so effective in undermining opinion in the project that a reward was offered by the government to anyone disclosing the true identity of the author. Though hardly a secret (on returning to Dublin after one of his trips to England, Swift was greeted with a banner, "Welcome Home, Drapier") no one turned Swift in. The government eventually resorted to hiring none other than Sir Isaac Newton to certify the soundness of Wood's coinage to counter Swift's accusations. In "Verses on the Death of Dr. Swift" (1739) Swift recalled this as one of his best achievements.

Gulliver's Travels, a large portion of which Swift wrote at Woodbrook House in County Laois, was published in 1726. It is regarded as his masterpiece. As with his other writings, the Travels was published under a pseudonym, the fictional Lemuel Gulliver, a ship's surgeon and later a sea captain. Some of the correspondence between printer Benj. Motte and Gulliver's also-fictional cousin negotiating the book's publication has survived. Though it has often been mistakenly thought of and published in bowdlerized form as a children's book, it is a great and sophisticated satire of human nature based on Swift's experience of his times. Gulliver's Travels is an anatomy of human nature, a sardonic looking-glass, often criticized for its apparent misanthropy. It asks its readers to refute it, to deny that it has adequately characterized human nature and society. Each of the four books—recounting four voyages to mostly-fictional exotic lands—has a different theme, but all are attempts to deflate human pride. Critics hail the work as a satiric reflection on the shortcomings of Enlightenment thought.

In 1729, Swift published A Modest Proposal for Preventing the Children of Poor People in Ireland Being a Burden on Their Parents or Country, and for Making Them Beneficial to the Publick, a satire in which the narrator, with intentionally grotesque arguments, recommends that Ireland's poor escape their poverty by selling their children as food to the rich: ”I have been assured by a very knowing American of my acquaintance in London, that a young healthy child well nursed is at a year old a most delicious nourishing and wholesome food...” Following the satirical form, he introduces the reforms he is actually suggesting by deriding them:

Therefore let no man talk to me of other expedients...taxing our absentees...using [nothing] except what is of our own growth and manufacture...rejecting...foreign luxury...introducing a vein of parsimony, prudence and temperance...learning to love our country...quitting our animosities and factions...teaching landlords to have at least one degree of mercy towards their tenants....Therefore I repeat, let no man talk to me of these and the like expedients, 'till he hath at least some glympse of hope, that there will ever be some hearty and sincere attempt to put them into practice.

Essays, tracts, pamphlets, periodicals[link]

• "A Meditation upon a Broomstick" (1703–1710): Full text: munseys.com
• "A Critical Essay upon the Faculties of the Mind" (1707–1711)
• The Bickerstaff-Partridge Papers (1708–1709): Full text: U of Adelaide
• "An Argument Against Abolishing Christianity" (1708–1711): Full text: U of Adelaide
• The Intelligencer (with Thomas Sheridan) (1719–1788): Text: Project Gutenberg
• The Examiner (1710): Texts: Ourcivilisation.com, Project Gutenberg
• "A Proposal for Correcting, Improving and Ascertaining the English Tongue" (1712): Full texts: Jack Lynch, U of Virginia
• "On the Conduct of the Allies" (1713)
• "Hints Toward an Essay on Conversation" (1713): Full text: Bartleby.com
• "A Letter to a Young Gentleman, Lately Entered into Holy Orders" (1720)
• "A Letter of Advice to a Young Poet" (1721): Full text: Bartleby.com
• Drapier's Letters (1724, 1725): Full text: Project Gutenberg
• "Bon Mots de Stella" (1726): a curiously irrelevant appendix to "Gulliver's Travels"
• "A Modest Proposal", perhaps the most notable satire in English, suggesting that the Irish should engage in cannibalism. (Written in 1729)
• "An Essay on the Fates of Clergymen": Full text: JaffeBros
• "A Treatise on Good Manners and Good Breeding": Full text: Bartleby.com

Poems[link]

An 1850 illustration of Swift

• "Ode to the Athenian Society", Swift's first publication, printed in The Athenian Mercury in the supplement of Feb 14, 1691.
• Poems of Jonathan Swift, D.D. Texts at Project Gutenberg: Volume One, Volume Two
• "Baucis and Philemon" (1706–1709): Full text: Munseys
• "A Description of the Morning" (1709): Full annotated text: U of Toronto; Another text: U of Virginia
• "A Description of a City Shower" (1710): Full text: U of Virginia
• "Cadenus and Vanessa" (1713): Full text: Munseys
• "Phillis, or, the Progress of Love" (1719): Full text: theotherpages.org
• Stella's birthday poems:
  • 1719. Full annotated text: U of Toronto
  • 1720. Full text: U of Virginia
  • 1727. Full text: U of Toronto
• "The Progress of Beauty" (1719–1720): Full text: OurCivilisation.com
• "The Progress of Poetry" (1720): Full text: theotherpages.org
• "A Satirical Elegy on the Death of a Late Famous General" (1722): Full text: U of Toronto
• "To Quilca, a Country House not in Good Repair" (1725): Full text: U of Toronto
• "Advice to the Grub Street Verse-writers" (1726): Full text: U of Toronto
• "The Furniture of a Woman's Mind" (1727)
• "On a Very Old Glass" (1728): Full text: Gosford.co.uk
• "A Pastoral Dialogue" (1729): Full text: Gosford.co.uk
• "The Grand Question debated Whether Hamilton's Bawn should be turned into a Barrack or a Malt House" (1729): Full text: Gosford.co.uk
• "On Stephen Duck, the Thresher and Favourite Poet" (1730): Full text: U of Toronto
• "Death and Daphne" (1730): Full text: OurCivilisation.com
• "The Place of the Damn'd" (1731): Full text
• "A Beautiful Young Nymph Going to Bed" (1731): Full annotated text: Jack Lynch; Another text: U of Virginia
• "Strephon and Chloe" (1731): Full annotated text: Jack Lynch; Another text: U of Virginia
• "Helter Skelter" (1731): Full text: OurCivilisation.com
• "Cassinus and Peter: A Tragical Elegy" (1731): Full annotated text: Jack Lynch
• "The Day of Judgment" (1731): Full text
• "Verses on the Death of Dr. Swift, D.S.P.D." (1731–1732): Full annotated texts: Jack Lynch, U of Toronto; Non-annotated text:: U of Virginia
• "An Epistle To A Lady" (1732): Full text: OurCivilisation.com
• "The Beasts' Confession to the Priest" (1732): Full annotated text: U of Toronto
• "The Lady's Dressing Room" (1732): Full annotated text: Jack Lynch
• "On Poetry: A Rhapsody" (1733)
• "The Puppet Show" Full text: Worldwideschool.org
• "The Logicians Refuted" Full text: Worldwideschool.org

Correspondence, personal writings[link]

• "When I Come to Be Old" – Swift's resolutions. (1699): Full text: JaffeBros
• The Journal to Stella (1710–1713): Full text (presented as daily entries): The Journal to Stella; Extracts: OurCivilisation.com;
• Letters:
  • Selected Letters: JaffeBros
  • To Oxford and Pope: OurCivilisation.com
• 'The Correspondence of Jonathan Swift, D.D'. Edited by David Woolley. In four volumes, plus index volume. Frankfurt am Main ; New York : P. Lang, c1999-c2007.

Sermons, prayers[link]

• Three Sermons and Three Prayers. Full text: U of Adelaide, Project Gutenberg
• Three Sermons: I. on mutual subjection. II. on conscience. III. on the trinity. Text: Project Gutenberg
• Writings on Religion and the Church. Text at Project Gutenberg: Volume One, Volume Two
• "The First He Wrote Oct. 17, 1727." Full text: Worldwideschool.org
• "The Second Prayer Was Written Nov. 6, 1727." Full text: Worldwideschool.org

Miscellany[link]

• Directions to Servants (1731):: Extracts: OurCivilisation.com
• A Complete Collection of Genteel and Ingenious Conversation (1738)
• "Thoughts on Various Subjects." Full text: U of Adelaide
• Historical Writings: Project Gutenberg
• Swift Quotations: JaffeBros – many choice, well-documented Swift quotations here
• Swift quotes at Bartleby: Bartleby.com – 59 quotations, with notes

Legacy[link]

John Ruskin named him as one of the three people in history who were the most influential for him.^[5]

Swift crater, a crater on Mars's moon Deimos, is named after Jonathan Swift, who predicted the existence of the moons of Mars.^[6]

See also[link]

Poetry portal

• Poor Richard's Almanack
• Sweetness and light

Notes[link]

1. ^ http://www.online-literature.com/swift/
2. ^ Encyclopaedia Britannica: "Anglo-Irish author, who was the foremost prose satirist in the English language".
3. ^ http://www.online-literature.com/swift/
4. ^ "The Story of Civilization", V.8., 362.
5. ^ John Ruskin: Sesame and Lillies
6. ^ MathPages - Galileo's Anagrams and the Moons of Mars.

Biographical sources[link]

• Samuel Johnson's "Life of Swift": JaffeBros. From his Lives of the Poets.
• William Makepeace Thackeray's influential vitriolic biography: JaffeBros. From his English Humourists of The Eighteenth Century.
• Bullitt, John M. Jonathan Swift and the Anatomy of Satire: A Study of Satiric Technique, 1953, Cambridge: Harvard U P,
• Jae Num Lee "Swift and Scatological Satire", 1971, University of New Mexico Press, ISBN 0-8263-0196-7 jstor review
• Lee, Jae Num. "Scatology in Continental Satirical Writings from Aristophanes to Rabelais" and "English Scatological Writings from Skelton to Pope." Swift and Scatological Satire. Albuquerque: U of New Mexico P, 1971. 7–22; 23–53.
• Susan Gubar "The Female Monster in Augustan Satire" Signs, Vol. 3, No. 2 (Winter, 1977), pp. 380–394
• Many other sources are listed here.

External links[link]

Find more about Jonathan Swift on Wikipedia's sister projects:
	Definitions and translations from Wiktionary
	Images and media from Commons
	Learning resources from Wikiversity
	News stories from Wikinews
	Quotations from Wikiquote
	Source texts from Wikisource
	Textbooks from Wikibooks

•  Chisholm, Hugh, ed. (1911). "Swift, Jonathan". Encyclopædia Britannica (11th ed.). Cambridge University Press. 
• Free audiobook of A Modest Proposal from LibriVox
• BBC audio file "Swift's A modest Proposal". BBC discussion. In our time.
• Works by or about Jonathan Swift in libraries (WorldCat catalog)
• Jonathan Swift at the Open Directory Project
• Jonathan Swift at the National Portrait Gallery, London
• Swift, Jonathan (1667-1745) Dean of St Patrick's Dublin Satirist at the National Register of Archives

E-texts of works[link]

• The Online Books Page
• Works by Jonathan Swift at Project Gutenberg

v t e Works by Jonathan Swift Satires A Tale of a Tub (1704) The Battle of the Books (1704) Gulliver's Travels (1726) Essays Thoughts on Various Subjects, Moral and Diverting (1706) An Argument Against Abolishing Christianity (1708) Drapier's Letters (1724/25) A Modest Proposal (1729) Sermons Sermons of Jonathan Swift Miscellany A Complete Collection of Genteel and Ingenious Conversation (1738) A Journal to Stella (published posthumously – 1766)

John B (born John Bryn Williams, 1977, Maidenhead, Berkshire, England) is an English DJ and electronic music producer. He is widely recognised for his eccentric clothing and wild hair and his production of several cutting edge drum and bass tracks.

John B ranked #76 in DJ Magazine 's 2010 Top 100 DJs annual poll, announced on 27 October 2010.^[1]

Biography[link]

Williams started producing music around the age of 14,^[2] and now is the head of drum and bass record label Beta Recordings, together with its more specialist^[3] drum and bass sub-labels Nu Electro,^[4] Tangent, and Chihuahua. He also has releases on Formation Records, Metalheadz and Planet Mu.

Williams was ranked 1st drum and bass DJ on the 2009 DJMag's top 100.^[5] and #92 on the DJ List as of October 3, 2009.^[6]

He attended Durham University.

Style[link]

While his trademark sound has evolved through the years, it generally involves female vocals and trance-like synths (a style which has been dubbed "trance and bass", "trancestep" and "futurestep" by listeners). His most recent concentration is an 1980s electroclash influenced fusion of electro and drum and bass, which was dubbed 'electrostep'. At first (around early 2002), this style seemed odd and comical to some in the drum and bass community.^[7] However, this move has given John the ability to carry his style of drum and bass forward. He has dabbled in darkstep, jazzstep and various other styles in his time. When he DJs, he is known to spin both drum and bass and electrohouse, sometimes with other genres such as disco and rock, in the same sets.

Discography[link]

• Visions (1997)
• Catalyst (1999)
• Future Reference (2001)
• Brainstorm (2002)
• In:transit (2004)
• American Girls (2004)
• Electrostep (2006)
• To Russia With Love (2008)
• Light Speed (2012)

References[link]

External links[link]

• John B Official Homepage
• John B Podcast
• Beta Recordings' Website
• John B on Myspace
• John B discography at Discogs
• John B at rolldabeats