Shoulder pads are a type of fabric-covered padding used in men's and women's clothing to give the wearer the illusion of having broader and less sloping shoulders.

In men's styles, shoulder pads are often used in suits, jackets and overcoats, usually sewn at the top of the shoulder and fastened between the lining and the outer fabric layer.

In women's clothing, their inclusion depends on the fashions of the day. Their use is particularly associated with clothing of the early 1940s and the 1980s.

Although from a non-fashion point of view they are generally for people with narrow or sloping shoulders, there are also quite a few cases in which shoulder pads will be necessary for a suit or blazer in order to compensate for certain fabrics' natural properties, most notably suede blazers, due to the weight of the material.

1930s[link]

Shoulder pads originally became popular for women in the 1930s when fashion designer Elsa Schiaparelli included them in her designs of 1931, and the following year Joan Crawford wore them in the film "Letty Lynton".^[1] In the beginning, they were shaped as a semicircle or small triangle, and were stuffed with wool, cotton or sawdust. They were positioned at the top of the sleeve, to extend the shoulder line. A good example of this is their use in "leg o' mutton" sleeves, or the smaller puffed sleeves which were revived at this time, and based on styles from the 1890s.

1940s[link]

After World War II began in 1939, women's fashions became increasingly militarised. Jackets and coats in particular were influenced by masculine styles and shoulder pads became bulkier and were positioned at the top of the shoulder to create a solid look. Dresses too were made with shoulder pads; soon the style was universal, found in all garments excepting lingerie but tapering off later in the decade after the war was over and women yearned for a softer, more feminine look.

During the late 1940s to about 1951, some dresses featured a soft, smaller shoulder pad with so little padding as to be barely noticeable. Its function seems to have been to slightly shape the shoulder line.

1950s and 1960s[link]

During the 1950s and 1960s small padded shoulder pads appeared only in women's jackets and coats—not in dresses, knitwear or blouses as they had previously during the heyday of the early 1940s.

1970s[link]

Shoulder pads made their next appearance in women's clothing in the early 1970s, through the influence of British fashion designer Barbara Hulanicki and her label Biba. Biba produced designs influenced by the styles of the 1930s and 1940s, and so a soft version of the shoulder pad was revived. Ossie Clark was another London designer using shoulder pads at the time. These styles did not, however, reach mainstream acceptance, and so the popularity was relatively short lived.

1980s[link]

During the early 1980s there was a resurgence of interest in the ladies' evening wear styles of the early 1940s: peplums, batwing sleeves and other design elements of the times were re-interpreted for a new market. The shoulder pad helped define the silhouette and was reintroduced in cut foam versions, especially in well-cut suits reminiscent of the WWII era. British Prime Minister Margaret Thatcher was internationally noted for her adoption of these fashions.^[2][3] Before too long, these masculinized shapes were adopted by women seeking success in the corporate world and became an icon of women's attempts to smash the glass ceiling, a mission that was also added by their notable appearance in the TV series Dynasty.^[4]

As the decade wore on, shoulder pads became the defining fashion statement of the era, known as power dressing and bestowing the perception of status and position onto those who wore them. They became both larger and more ubiquitous—every garment from the brassiere upwards would come with its own set of shoulder pads. To prevent excessive shoulder padding, velcro was sewn onto the pads so that the wearer could choose how many sets to wear. By the end of the era, some shoulder pads were the size of dinner plates. It was inevitable that as the cycle of fashion turned, they would lose favour in the early 1990s.

1990s[link]

The shoulder pad fashion carried over from the late 1980s with some popularity in the early 1990s, but tastes were changing. Some designers continued to produce ranges featuring shoulder pads into the mid-1990s, as shoulder pads were prominent in women's formal suits, and matching top-bottom attire, highly exampled in The Nanny. but the marketplace had spoken—the styles now looked out of date and were shunned by the young and fashion-conscious. Appearances were reduced to smaller, subtler versions augmenting the shoulder lines of jackets and coats.

2000s[link]

In the late 2000s, a resurgence of shoulder pads appeared on many runways, fashion designer collections and became mainstream among many people who were interested in fashion. By the 2009-2010 seasons shoulder pads had made their way into the mainstream market again.^[5] In 2010 many retailers like Wal-Mart had shoulder pads on at least half of all womens tops and blouses.^[6]

2010s[link]

The late 2000s and early 2010s have seen the resurgence of shoulder pads. Many young women are now copying artists such as Lady Gaga and Rihanna who are known for their 1980s style jackets with shoulder pads. The new wave styles of the 1980s have made a resurgence in mainstream fashion in the 2010s.

References[link]

See also[link]

• 1930–1945 in fashion
• 1980s fashion

This article does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2009)

1906 photograph of early American football uniform with rudimentary shoulder pads worn by Bradbury Robinson, who threw the first legal forward pass

American football shoulder pads.

Football shoulder pads

Shoulder pads are a piece of protective equipment used in many contact sports such as American football, Canadian football, lacrosse and hockey. Most modern shoulder pads consist of a shock absorbing foam material with a hard plastic outer covering. The pieces are usually secured by rivets or strings that the user can tie to adjust the size.

Properly fitting pads are critical. Shoulder pads are fitted to an adult football player by measuring across the player's back from shoulder blade to shoulder blade with a soft cloth tape measure and then adding 1/2 inch. All points of the pads should be checked to assure proper fit. Maintenance during football season includes monthly checks and replacing worn parts.

Various styles of shoulder pads exist for different positions played. Pads for a quarterback are lightweight and offer freedom of movement. Pads for linemen are designed with few flaps and epaulets, thus reducing the opportunity of being grabbed by the opposition. A player may have a preference for vinyl buckles or elastic straps.

Researchers at the University of Florida's College of Medicine have developed a way to air condition shoulder pads that is designed to regulate players' body temperatures during games and practices.

A related piece of protective equipment is the rib protector. It attaches to the shoulder pads and wraps around the player's midsection. It is designed to protect the ribs, stomach, and back areas.

See also[link]

• American football

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Adam Lambert
Adam Lambert at the 21st GLAAD Media Awards (2010)
Background information
Birth name	Adam Mitchel Lambert
Born	(1982-01-29) January 29, 1982 (age 30) Indianapolis, Indiana
Origin	Rancho Peñasquitos, San Diego
Genres	Pop,[1] pop rock[1]
Occupations	Musician, singer-songwriter, actor
Instruments	Vocals
Years active	2009–present
Labels	19, RCA
Associated acts	Queen
Website	adamofficial.com

Adam Mitchel Lambert (born January 29, 1982) is an American singer-songwriter and stage actor. Born in Indianapolis but raised in San Diego, Lambert had dreamed of becoming a performer after appearing in numerous amateur productions in his childhood and adolescence. His passion overtook him when deciding to drop out of college, pursue his career, and perform in various professional theatrical productions across the world.

Lambert came to prominence following his appearance on the eighth season of American Idol.^[2] Although he was runner-up, Lambert launched a music career with the release of his debut studio album For Your Entertainment (2009) after signing with 19 in a joint venture with RCA. Debuting at number three on the Billboard 200, selling 198,000 copies in the U.S. in its first week, and reaching the top 10 in several countries worldwide, the album subsequently achieved international success with its singles "For Your Entertainment", "Whataya Want from Me" and "If I Had You".^[3][4][5] Soon after, he embarked on his first headlining worldwide concert tour, Glam Nation, making him the only American Idol contestant to do so in the year following his Idol season. The tour was followed by two live releases: an extended play entitled Acoustic Live! (2010), and a live CD/DVD Glam Nation Live (2011), which debuted at number one on the SoundScan Music Video chart.^[6] Lambert took executive producer credit and was a principal writer on his second studio album, Trespassing, which was released to critical acclaim on May 15, 2012.^[7] Trespassing made its debut in the number one spot on the Billboard 200 album chart,^[8] also topping the Billboard Digital Albums Chart and Canada's Digital Albums Chart.^[9][10]With this accomplishment, Lambert makes music history as the first openly gay artist to achieve the top charting position.^[11][12][13]

Citing influence from various artists, Lambert has become recognized for his flamboyant, theatrical and androgynous performance style, and his powerful and technically skilled tenor voice with multi-octave range.^[14][15] He has accrued numerous awards and nominations, including a Grammy nomination for Best Male Pop Vocal Performance, and has sold nearly two million copies of his debut album worldwide as of April 2012^[16] and 4.2 million singles worldwide as of January 2011.^[17] The Times identified Lambert as the first openly gay mainstream pop artist to launch a career on a major label in the U.S., while The LA Times ranked him fifth in its list of the top 120 American Idol contestants.^[18][19]

Biography[link]

Early life (1982–2000)[link]

Adam Lambert was born in Indianapolis, Indiana, on January 29, 1982, to mother Leila (née Mitchel), an interior designer; and father Eber Lambert, a program manager for Novatel Wireless.^[20] He has a younger brother, Neil.^[20] His father is of mostly Norwegian descent and his mother is Jewish. Lambert was raised in his mother's religion^[21][22][23] and has since performed in Hebrew at Jewish events, singing songs such as "Shir LaShalom" at a 2005 tribute concert to assassinated Israeli Prime Minister Yitzhak Rabin^[24] and performing at the San Diego Temple of the Arts multiple times, including at the Kol Nidre service on the Jewish holiday of Yom Kippur.^[25]

Shortly after Lambert's birth, his family moved to California when a job opportunity opened for his father in San Diego.^[26] At first, they lived in Rancho Bernardo but settled in Rancho Peñasquitos after his brother was born.^[26] Attending Deer Canyon Elementary School, Lambert began performing with Metropolitan Educational Theatre network from the age of nine and appeared in local productions of You're a Good Man, Charlie Brown and Fiddler on the Roof with the company.^[26][27] Around this age, he also received voice coaching and continued his passion for performing while he attended Mesa Verde Middle School.^[20]

While attending Mount Carmel High School (MCHS), he became heavily involved with theater and choir, frequently performed vocals with the school's jazz band, MC Jazz, and loyally competed in the local Air Bands competitions.^[26] Some of his memorable MCHS performances included Frederic in The Pirates of Penzance and "It's Only a Paper Moon" with MC Jazz.^[28] Still thrilled by the stage, Lambert auditioned for Starlight Theatre, a professional outdoor theater company in Balboa Park, where he performed in the ensemble for Hello, Dolly!, Camelot, The Music Man, Grease and as Captain Hook in Peter Pan.^[20][26] After graduating in 2000, he moved to Orange County to attend college. Shortly after enrollment, Lambert had a change of heart, pushed by his intense desire to perform. He left school after only five weeks and moved to Los Angeles. "I just decided that what I really wanted to do was try to work in the real entertainment world," he said. "Life is all about taking risks to get what you want."^[28]

Career beginnings (2001–2008)[link]

At 19, Lambert landed his first job, touring on a cruise ship with Anita Mann Productions for ten months.^[29] Afterwards, he began auditioning again and performed in light opera in Orange County, California.^[29] By 21, he was signed with a manager and cast in a European tour of Hair for six months.^[29] "That was a huge turning point for me personally, because I finally got comfortable in my own skin. I was discovering a lot about myself. Sex, drugs and rock 'n' roll, a lot of it."^[29] He dyed his hair black, and while in Germany, reportedly started smoking cannabis and tried ecstasy.^[30] In 2004, he appeared in the Theatre Under the Stars (TUTS) production of Brigadoon^[31] and a Pasadena Playhouse production of 110 in the Shade,^[32] before being cast in the role of Joshua in The Ten Commandments: The Musical at the Kodak Theatre alongside Val Kilmer. Lambert, still unknown, was one of the few facets of the production to garner a positive review.^[32][33] After coming to the attention of the casting director for the musical Wicked, he was hired as the understudy for the role of Fiyero in addition to being an ensemble member in the first national touring production of the musical from 2005, and the Los Angeles production from 2007. He finished performances with the musical in 2008.^[32] Beginning in 2004, he regularly performed at the Upright Cabaret and the Zodiac Show, which was co-created by Carmit Bachar of the Pussycat Dolls.

During this same period, Lambert briefly moonlighted as the front man for underground rock band The Citizen Vein with Steve Sidelnyk, Tommy Victor and Monte Pittman.^[34] He remembers, "We did three gigs and that was it and we recorded a couple things, like rough recordings, and I don't know, it didn't quite click."^[35] He also worked as a demo singer and a session musician; a compilation of his 2005 recordings were later released on the album Take One (2009)^[36] by Hi Fi Recordings and Wilshire Records. Upon their release, Lambert issued a statement: "Back in 2005 when I was a struggling artist, I was hired as a studio singer to lend my vocals to tracks written by someone else. I was broke at the time and this was my chance to make a few bucks, so I jumped at the opportunity to record for my first time in a professional studio. The work I did back then in no way reflects the music I am currently in the studio working on."^[37]

[edit] American Idol (2009)

Lambert singing the national anthem during his visit to MCAS Miramar (2009)

Lambert auditioned for the eighth season of American Idol in San Francisco, California. He recalls his decision to audition for the show came after a week at Burning Man where he experimented with "certain funguses." He went on to say that "I had a psychedelic experience where I looked up at the clouds and went, 'Oh!' I realized that we all have our own power, and that whatever I wanted to do, I had to make happen."^[38] During his initial audition, Lambert sang the songs "Crazy", "Rock With You" and "Bohemian Rhapsody".^[35] Although advancing to Hollywood week and performing "What's Up" and "Believe" as solos and "Some Kind of Wonderful" in the group performance,^[39] judges Simon Cowell and Kara DioGuardi feared he was too theatrical.^[35] Nonetheless, he advanced to the top 36 where contestants were split into three groups of 12. Lambert was in group 2 and performed "(I Can't Get No) Satisfaction",^[39] after which, he was voted into the top 13, joining fellow group 2 performers Allison Iraheta and Kris Allen. Lambert and Allen became roommates in the Idol mansion.^[21]

The first week of live shows, Lambert sang Michael Jackson's "Black or White", leading to praiseful support from all four judges.^[40] The following week, Lambert sang a version of "Ring of Fire". While Randy Jackson, DioGuardi, and Paula Abdul all liked his performance, Cowell called it "indulgent rubbish".^[40] On Motown night, Lambert sang an acoustic version of The Miracles' "The Tracks of My Tears". The judges all liked it, and Smokey Robinson, the week's mentor and the original singer-songwriter, gave Lambert a standing ovation. When Lambert performed "Play That Funky Music", DioGuardi capped the judge's across-the-board positive reaction with: "Every week I cannot wait to get to the show and see what you’re going to do next."^[40] Advancing to the top 8, he sang the 2001 Michael Andrews and Gary Jules arrangement of "Mad World". Because the show had exceeded its time slot, only Cowell gave a critique, which he did by simply giving Lambert a standing ovation. During the results the next night, the other judges agreed that a standing ovation was the best critique of Lambert's performance.^[40] The next week, he performed "Born to Be Wild" to which Abdul responded, "You're one of the bravest contestants I've ever witnessed", but Cowell questioned the performance's overall likability factor in the general public.^[40]

Photos of Lambert romantically kissing another man surfaced in the midst of the American Idol competition. Highlighted as controversial, they were presented and discussed by conservative commentators on The O'Reilly Factor, who called them "embarrassing", but did not agree that the images would impact the competition.^[41] Lambert confirmed that the photos were of him, stating he had nothing to hide and has always been open about his life.^[42] Mainstream media speculation centered on Lambert's sexuality; presuming he was gay, he would be the first gay American Idol.^{[43][note 1]} Much of the media focus regarded the readiness of American Idol voters for an openly gay winner.^[43] Asked by Rolling Stone whether the speculation surrounding his sexual orientation impacted the final vote, Lambert laughed and said "probably".^[44] He confirmed that he was gay in a Rolling Stone cover story interview shortly after he was named the American Idol runner-up.^[30]

For his second top 7 performance, Lambert sang "If I Can't Have You", delivering what DioGuardi described as his "most memorable performance", while Cowell described his vocals as "immaculate" and Abdul was reduced to tears.^[40] A week later, he returned with "Feeling Good" which received mixed reception from the judges who felt his edgy and dramatic theatrical performance was "a little too Broadway." For the first and only time, he ended up in the bottom two after the public vote, but received enough votes to remain in the competition.^[40] Down to the top 4, Lambert was the first to perform and sang "Whole Lotta Love". Cowell commented, "that was one of my favorite performances" admitting that "nobody can top that now", while Abdul described Lambert's performance as "a whole lotta perfect." He followed it by "nailing" his duet of "Slow Ride" with fellow competitor Allison Iraheta later in the night.^[40] For the top 3 show, he performed "One" before Cowell declared, "If you are not in the final next week, it will be one of the biggest upsets", and followed it with "Cryin' before Abdul affirmed, "we'll be seeing you next week and many years after that."^[40] He also visited his hometown and reprised his earlier successes of "Black or White" and "Mad World" at his alma mater, Mount Carmel High School.^[45] Afterwards, San Diego mayor Jerry Sanders declared May 8, 2009, "Adam Lambert Day."^[46]

Friends from the start, Lambert and Kris Allen were safe, and into the final. Lambert performed three solo songs in the final, reprising "Mad World" as his choice. He followed this by the 1960s civil rights anthem "A Change Is Gonna Come", picked by producer Simon Fuller, to a tremendously positive judge reaction. "That was the best I've EVER heard you sing, EVER EVER EVER EVER EVER!" cooed Abdul. "Whatever happens with this Idol journey, I know you're going to be iconic."^[40] The mandatory winner's single, "No Boundaries", was then performed by both Lambert and Allen. After the performance, Cowell summed up Lambert's journey, "Over the entire season, you've been one of the best, most original contestants we've ever had on the show. The hope and whole idea of a show like this is to find a worldwide star, and I truly believe we've found that in you."^[40] Alongside the usual solo performances, Lambert also performed a medley of "Beth", "Detroit Rock City", and "Rock and Roll All Nite" with rock band Kiss and joined with Kris Allen, Brian May and Roger Taylor (of Queen) to perform the anthem "We Are the Champions" during the final episode before the results were announced.^[47] Lambert was announced as the runner-up for the eighth season of American Idol but, upon winning, Kris Allen stated, "Adam deserved this." Explaining this remark later, Allen said that he thought Lambert deserved to win as much as he did, and that Lambert "was the most consistent person all year. He was seriously one of the most gifted performers that I've ever met."^[48] Lambert's version of the winner's single was released alongside Allen's version. The LA Times later ranked Lambert 5th in its list of the top 120 American Idol contestants, selected from seasons 1 to 9 of the show, above Allen.^[49]

[edit] American Idol season 8 performances and results

• ^ Note A: Due to the judges using their one save to save Matt Giraud, the Top 7 remained intact for an additional week.
• ^ Note B: It was only announced that Allison Iraheta received the lowest number of votes this week. The other member(s) of the bottom two or three were never revealed, and the safe contestants were announced in random order.

Fresh from the competition, Lambert participated in the American Idols LIVE! Tour 2009 with his fellow top 10 contestants which visited 50 cities in the United States and Canada from July 5 to September 15, 2009 and was the recipient of two 2009 awards: the Young Hollywood Award for Artist of the Year and the Teen Choice Award for Male Reality/Variety Star.^[50][51] He reteamed with fellow American Idol contestants Kris Allen and Allison Iraheta for a special Idols Rock My Town concert in February which was held at the Highline Ballroom in New York City.^[52] When Lambert appeared a guest on Larry King Live (guest-hosted by Ryan Seacrest) along with Kris Allen, judge Paula Abdul, and the rest of the top ten finalists, he stated that he planned to create a pop rock, multi-genre album fused with electronic production.^[53] Lambert stuck to those intentions; the album he subsequently released conformed highly to his description of the album he planned to make.^[54]

[edit] For Your Entertainment and touring (2009–2011)

Lambert at the 16th Screen Actors Guild Awards (2010)

For Your Entertainment, Lambert's debut studio album, was released in 2009. Number three on the Billboard 200^[55] and selling 198,000 copies in the United States in its first week,^[5] the album sees Lambert in collaboration with a number of producers, majorly Rob Cavallo, and a string of writers that includes Matthew Bellamy, Ryan Tedder, Rivers Cuomo, Justin Hawkins, P!nk, Linda Perry and Lady Gaga.^[56] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 71, which indicates "generally favorable reviews" with Entertainment Weekly writing, "he's still the belle of what turns out to be one heck of a glitter-pop ball," and All Music Guide stating, "there's a lot of pure pop pleasure here, more than any immediate post-Idol album has ever delivered." But Rolling Stone gave it a more mixed review: "The songs sound great but feel strangely stuffy--[it] seems like a disc that was overthought."^[57] Its Claude Kelly and Dr. Luke-produced lead single "For Your Entertainment" preceded the album's release but was not as successful as its second single "Whataya Want from Me" which impacted on charts worldwide, became his highest-peaking single (at number 10) on the Billboard Hot 100, and was nominated for the Grammy Award for Best Male Pop Vocal Performance at the 53rd awards ceremony. Another notable single included on the album was "Time for Miracles", which was originally intended as only the ending theme for the disaster movie 2012; Queen guitarist Brian May lauded the "truly sensational" song, admitting that he was "completely blown away" upon hearing the track.^[58] Since its release, For Your Entertainment has sold nearly 2 million copies worldwide ^[59] and was certified gold in the US.^[3][60][54]

On November 22, Lambert performed "For Your Entertainment" at the American Music Awards of 2009. The controversial performance, which was the night's finale, showed Lambert kissing a male bassist, grinding a dancer's head against his pelvis, and grabbing the crotch of another.^[61] In response, the Parents Television Council, a conservative decency campaigning group,^[62] urged viewers to complain to the FCC,^[63] despite the fact that the performance occurred "outside the FCC's usual 6am-10pm time frame prohibiting the broadcast of indecent material".^[64] ABC received about 1,500 telephoned complaints and cancelled Lambert's scheduled November 25 performance on Good Morning America.^[65][66] Consequently, CBS invited Lambert to perform on The Early Show instead, on the same date, in New York City.^[67] When discussing the incident in a backstage Rolling Stone interview after the performance, Lambert stated: "Female performers have been doing this for years—pushing the envelope about sexuality—and the minute a man does it, everybody freaks out. We're in 2009—it's time to take risks, be a little more brave, time to open people's eyes and if it offends them, then maybe I'm not for them. My goal was not to piss people off, it was to promote freedom of expression and artistic freedom."^[61] Lambert returned to the AMA's two years later as a presenter, and was warmly received.^[68]

In the months surrounding his album release, Lambert appeared on the cover of a number of high-profile magazines including Entertainment Weekly in May 2009,^[69] Rolling Stone in June 2009^[70] and Details in November 2009.^[71] In his Details shoot he was photographed with a nude woman, sparking controversy.^[72] His Rolling Stone cover story became the magazine's best selling issue of the year.^[73] He appeared on the cover of Out magazine in their "Out 100" issue (11/09),^[74] again sparking controversy when Out's publisher issued him an open letter questioning the "gayness" of his image.^[75] The Canadian website and magazine Rockstar Weekly published an Adam Lambert fan magazine in February 2010 featuring fun and inspirational stories from Lambert fans around the world. The issue sold out quickly in its limited first run and was re-issued in October 2010 with extra pages.^[76] In April it was revealed that Lambert had been chosen one of People Magazine's Most Beautiful People 2010.^[77] He appeared on the cover of Japan's May 2010 issue of Rolling Stone magazine, after his single "For Your Entertainment" reached its fifth consecutive number-one spot on their radio airplay charts.^[78] In November 2011, Lambert appeared on the cover of The Advocate, which included an in-depth interview about his upcoming album and other topics.^[79] The issue immediately became a sought-after item, since the magazine is available by subscription only.^[80]

In support of the album, Lambert performed at various events since its release, both in the US and internationally. These included radio-sponsored events, live concerts, and televised events. In December 2009, he hosted and performed at a number of radio-sponsored Jingle Balls, in New York, Miami, and Tampa, Florida.^[81] And, to ring in the New Year, he headlined the Gridlock New Year's Eve 2010 festival at Paramount Studios in Los Angeles, CA. The event, hosted by Pamela Anderson, benefited the American Red Cross.^[82] In February 2010, AOL Music unleashed a special, intimate, five-song mini-concert on AOL Sessions where Lambert performed "Whataya Want from Me", the Lady Gaga-written "Fever", "Strut", "If I Had You" and "Soaked".^[83] The same month, he performed another intimate acoustic concert for IHeartRadio where he stopped the performance of "Whataya Want from Me" to ask an audience member to stop talking on her cell phone.^[84] Later that month, Lambert performed his first official solo concert, held at Fantasy Springs Resort Casino in Indio, California,^[85] where played to a sold-out audience of 3,500 fans, some of whom came from as far away as Thailand and Australia to attend the concert.^[86] On March 31, 2010, Lambert performed  a set in Berns, Stockholm, Sweden.^[87] In April 2010, he performed two concerts in British Columbia, Canada; the first on April 8 in Coquitlam, BC, and another concert at the River Rock Casino Resort in Richmond B.C. the following night.^[88] A year later in May 2011, Lambert performed at the Maxidrom Festival in Moscow, Russia, to an estimated crowd of 50,000 people^[89] while July saw him at the Ste Agathe en Feux Festival in Quebec, Canada.

At the start of June 2010, Lambert embarked on his debut headlining concert tour Glam Nation, playing throughout the United States with Allison Iraheta and Orianthi before performing throughout Europe and Asia. His concert in Malaysia on October 10, 2010, went ahead as planned, despite protests from an Islamist political party.^[90] Lambert performed a total of 113 shows; nearly all of them sold out.^[91] The concert performed at Indianapolis was filmed for Lambert's first video release Glam Nation Live, a package included a 13-track CD with a DVD which featured the concert and behind-the-scenes footage.^[92] The concert, which MTV called "out of this world", and his subsequent video release, were well-received, with Entertainment Weekly saying that it "sizzles" with the energy that Lambert's vocals bring in a live concert setting.^[93] Glam Nation Live debuted at number one on the SoundScan Music Video chart^[94] and landed in the number-12 spot on Billboard's 2011 year-end chart for music video sales.^[95] This followed the release of his first extended play (EP), titled Acoustic Live!, which included acoustic versions of his songs recorded live in various countries. The EP garnered excellent reviews and was called "electrifying" by the New York Daily News.^[96][97][98]

On November 6, 2011, Lambert joined the legendary band Queen as lead singer for a special performance at the MTV Europe Music Awards held in Belfast, Northern Ireland, where the band was honored with the Global Icon Award. In a "spectacular" performance that closed the show, Lambert and Queen presented a medley of the classic hits “The Show Must Go On”, "We Will Rock You", and "We Are the Champions".^[99] On December 9, Roger Taylor was quoted as saying they are in talks with Lambert about fronting some more live shows for Queen, calling the artist "a really great performer with an astonishing voice."^[100]

[edit] Trespassing (2012–present)

After changing management from 19 Entertainment to Direct Management Group in August 2011,^[101] Lambert announced that his second studio album, Trespassing, would be released on March 20, 2012; and that he would serve as executive producer.^[102] In mid-February, he reported that the release had been delayed to "Mapril", citing last minute additions of new songs and collaborations.^[103] After unveiling snippets of four more album tracks, Lambert announced in late March that the album would drop on May 15, 2012.^[104][105] Anticipation for the release has been building and is considerable.^{[106][107][108]} The title track was co-written with Grammy Award winning Pharrell Williams,^[109] while the album's lead single, "Better Than I Know Myself", a collaboration with Dr. Luke and Claude Kelly,^[110] was released on December 20, 2011 to all digital retailers.^[102] His debut live performance of the single on January 17, 2012, on the The Tonight Show with Jay Leno received overwhelmingly positive reviews, focusing on Lambert's soaring and impeccable vocals on this melodically challenging song, as well as his more stripped down and sophisticated look.^{[111][112][113][114]} Its reprise on the The Ellen DeGeneres Show two days later, brought equally favorable reviews as well as an interview.^[115][116] The commanding album cover art by Lambert's friend and Art Director/Photographer for Trespassing, Lee Cherry, was revealed on January 24. The image is a dramatic departure from Lambert's depiction on the 2009 cover of For Your Entertainment, signaling a new era in his career.^[117][118]

On January 29, Lambert's 30th birthday, he was the first American artist to play the Q-Snowcase in Zell Am See, Austria. In a five-song acoustic set, he performed three songs from the new album—including a debut unplugged version of the title track "Trespassing," described as "fierce and funky" in this rendition.^[119]

Lambert premiered his provocative and "stunningly art-directed" video of "Better Than I Know Myself" on his Vevo channel on February 3, 2012.^[120] Directed by Ray Kay, the video provides the viewer with split screen and split personality entree into an interpretative world where dark and light collide and coalesce. The multiple meanings attached to the work serve as the introduction to the theme of the album Trespassing, which Lambert says reflects the dark and light sides of himself through song.^[121][122]