On display are the items used in a chewing session. The betel leaves are variously folded. Slices of the dry areca nut are on the upper left and slices of the tender areca nut on the upper right. The pouch on the right has tobacco, a recent introduction^{[citation needed]}.

Betel leaves at a market in Mandalay, Burma

Paan, from the word pān (Hindi: पान, Urdu: پان; lit. "betel vine"), is a stimulating, psychoactive preparation of betel leaf combined with areca nut and/or cured tobacco.^[1][2] Paan is chewed before spitting or swallowing. Paan has many variations. Slaked lime paste is commonly added to bind the leaves. Some South Asian preparations include katha paste or mukhwas to freshen the breath.

Paan is also known as a betel quid. It is mostly consumed in Asia, and elsewhere in the world by some Asian emigrants, with or without tobacco, in an addictive and euphoria-inducing formulation with adverse health effects.^[3]

Varieties[link]

Shopkeeper making paan in an Indian store

Some examples of paan's numerous variations are:^[4]

Tambaku paan

Betel leaf filled with powdered tobacco and spices

Paan supari / paan masala / sada paan

Betel leaf filled with a mixture of chopped or coarsely ground areca nuts and other spices

Meetha paan / sweet paan

Betel leaf with coconut, fruit preserves, gulkand (rose petal preserves, various spices. May also include maraschino cherry. Alternatively, South Asian sweet paan may contain candied fruits and/or candy-coated fennel seeds.

Trento / olarno paan

A mint-flavoured preparation served with potatoes

Bengali paan is known as deshi mahoba, and has a delicate flavour. Maghai paan and jagannath paan are the signature varieties of Varanasi.

The flavour and potency of paan depends, too, on the betel cultivar used, and the age of the plant at harvest. In South India, paan prepared from small and fragile leaves is called chigrlayele. In India, black paan leaves—ambadi and kariyele, which are thicker than the green leaves—are often chewed with tobacco.

Effects on health[link]

Health effects of chewing paan: gum damage, tooth decay and oral cancer

Health effects: Tobacco-filled paan induces profuse salivation that stains mouth area.

The International Agency for Research on Cancer (IARC) and the World Health Organization (WHO) accept the scientific evidence that chewing betel quids and areca nut is carcinogen to humans.^[3][5][6][7] The main carcinogenic factor is believed to be areca nut. A recent study found that areca-nut paan with and without tobacco increased oral cancer risk by 9.9 and 8.4 times, respectively.^[8]

In a ca. 1985 study,^[2] scientists linked malignant tumours to the site of skin or subcutaneous administration of aqueous extracts of paan in mice. In hamsters, forestomach carcinomas occurred after painting of the cheek-pouch mucosa with aqueous extracts or implantation of a wax pellet containing powdered paan with tobacco into the cheek pouch; carcinomas occurred in the cheek pouch following implantation of the wax pellets. In human populations, they report observing elevated frequencies of micronucleated cells in buccal mucosa of people who chew betel quid in Philippines and India. The scientists also found that the proportion of micronucleated exfoliated cells is related to the site within the oral cavity where the paan is kept habitually and to the number of betel quids chewed per day. In related studies,^[2] the scientists reported that oral leukoplakia shows a strong association with habits of paan chewing in India. Some follow-up studies have shown malignant transformation of a proportion of leukoplakias. Oral submucous fibrosis and lichen planus, which are generally accepted to be precancerous conditions, appear to be related to the habit of chewing paan.

In a study conducted in Taiwan, scientists report^[9] the extent of cancer risks of betel quid (paan) chewing beyond oral cancer, even when tobacco was absent. In addition to oral cancer, significant increases were seen among chewers for cancer of the esophagus, liver, pancreas, larynx, lung, and all cancer. Chewing and smoking, as combined by most betel chewers, interacted synergistically and was responsible for half of all cancer deaths in this group. Chewing betel leaf quid and smoking, the scientists claim shortened the life span by nearly 6 years.

A Lancet Oncology publication claims that paan masala may cause tumours in different parts of the body and not just the oral cavity as previously thought.^[10]

In a study conducted in Sri Lanka, scientists found^[11] high prevalence of oral potentially malignant disorders in rural Sri Lankan populations. After screening for various causes, the scientists report paan chewing being the major risk factor, with or without tobacco.

In October, 2009, 30 scientists from 10 countries met at the International Agency for Research on Cancer (IARC), a World Health Organization sponsored group, to reassess the carcinogenicity of various agents including areca nut - a common additive in paan. They report there is sufficient evidence that paan chewing, even without tobacco, leads to tumour in oral cavity and oesophagus, and that paan with added tobacco is a carcinogen to oral cavity, pharynx and oesophagus.^[12]

[edit] Effects of chewing paan during pregnancy

Scientific teams from Taiwan, Malaysia and Papua New Guinea have reported that expectant mothers who chew areca nut formulations such as paan, during pregnancy, significantly increase adverse outcomes for the baby. The effects were similar to those reported for mothers who consume alcohol or tobacco during pregnancy. Lower birth weights, reduced birth length and early term were found to be significantly higher.^[13][14]

Culture[link]

Betel leaf and areca nut consumption in the world

Beeda stall, Gallface Beach - Colombo

Chewing the mixture of areca nut and betel leaf is a tradition, custom or ritual which dates back thousands of years from India to the Pacific. Ibn Battuta describes this practice as follows: "The betel is a tree which is cultivated in the same manner as the grape-vine; … The betel has no fruit and is grown only for the sake of its leaves … The manner of its use is that before eating it one takes areca nut; this is like a nutmeg but is broken up until it is reduced to small pellets, and one places these in his mouth and chews them. Then he takes the leaves of betel, puts a little chalk on them, and masticates them along with the betel."

It constitutes an important and popular cultural activity in many Asian and Oceanic countries, including Myanmar, Cambodia, the Solomon Islands, Thailand, the Philippines, Laos, and Vietnam. It is not known how and when the areca nut and the betel leaf were married together as one drug. Archaeological evidence from Thailand, Indonesia and the Philippines suggests they have been used in tandem for four thousand years or more.^[15]

Paan is a ubiquitous sight in many parts of India and Southeast Asia. It is known as beeda in Hindi and vetrrilai or thambulum in Tamil, killi or tambulam in (Telugu), sireh (in Malay language), sirih (in Indonesian), suruh (in Javanese), mark (ໝາກ) in Lao, and bulath (in Sri Lanka). In urban areas, chewing paan is generally considered a nuisance because some chewers spit the paan out in public areas – compare chewing gum ban in Singapore and smoking ban. The red stain generated by the combination of ingredients when chewed are known to make a colourful stain on the ground. This is becoming an unwanted eyesore in Indian cities such as Mumbai, although many see it as an integral part of Indian culture. This is also common in some of the Persian Gulf countries, such as the UAE and Qatar, where many Indians live. Recently, the Dubai government has banned the import and sale of paan and the like.^[16]

According to traditional Ayurvedic medicine, chewing areca nut and betel leaf is a good remedy against bad breath (halitosis),^[17] but it can possibly lead to oral cancer.

India[link]

Ghiyas-ud-din Khalji, the Sultan of Mandu (r. 1469-1500), watches as tender betel leaves of the finest quality are spread out and rosewater is sprinkled on them, while saffron is also added. An elaborate betel chew or paan would contain fragrant spices and rose preserves with chopped areca nuts, folio from 16th century cookbook, Nimmatnama-i Nasiruddin-Shahi

In ancient India, women used to chew paan to acquire a redness on their lips and mouth, serving as a primitive lipstick.^[18] Some regarded Paan as a medicinal substance and an aphrodisiac drug. The practise of chewing Paan was adopted by Buddhism and thus the habit widened beyond India and moved to China, Vietnam, Burma, Thailand Cambodia, Malaysia, Sumatra and Bali. Paan is also identified as the cultural cause of high precancerous lesions or leukoplakia often leading to serious cancers in the oesophagus; Paan's ingredients are high in narcotic making it invariably addictive and thus detrimental. The habit of spitting out the chewed betel is also believed to aid the spread of diseases like tuberculosis.^[18]

Betel leaf used to make paan is produced in different parts of India. Some states that produce betel lead for paan include West Bengal, Bihar, Assam, Andhra Pradesh, Uttar Pradesh. In West Bengal two types of betel leaves are produced. These are "Bangala Patta (Country Leaf)" and Mitha Patta (Sweet Leaf)". In West Bengal, Bangla patta is produced mainly in district of Dinajpur, Malda, Islampur, Jalpaiguri, and Nadia. Mitha patta is produced in places such as Midnapur and South 24 Parganas.^{[citation needed]}

The skilled paan maker is known as a paanwala in North India. In other parts, paanwalas are also known as panwaris or panwadis.

Paan (betel leaves) being served with silver foil at Sarnath near Varanasi

Paan made with areca nut and lime, with or without tobacco, causes profuse red colored salivation. This saliva is spit, yielding stains and biological waste pollution in public spaces. Many countries and municipalities have laws to prevent paan spit.^[19][20]

In the Indian state of Maharashtra the paan culture is widely criticised due to the cleanliness problems created by people who spit in public places. In Mumbai, there have been attempts to put pictures of Hindu gods in places (walls, etc.) where people commonly tend to spit, but success has been limited. One of the great Marathi artists P L Deshpande wrote a comic story on the subject of panwala (paan vendor), and a performed a televised reading session on Doordarshan during the 1980s in his unique style.

Paan is losing its appeal to farmers because of falling demand. Consumers prefer chewing tobacco formulations such as gutkha over paan. Higher costs, water scarcity and unpredictable weather have made betel gardens are no longer lucrative. ^[21]

Philippines[link]

Betel quid is sold in Taiwan from road side neon decorated kiosks, named as Betelnut Beauty shops (Binlang Xi Shi, 檳榔西施). These shops sell a quid preparation of betel leaf, betel nuts, tobacco and lime with scantly clad girls as salesperson. It is a controversial business, with critics questioning entrapment, exploitation, health, class and culture.^[22]

Paan has been part of the Ifugao culture in the Philippines. Known mainly as tepak sirih in Malay, it is also commonly and simply referred to as nga-nga in Tagalog. Nga-nga literally means "to chew/gnaw". Nowadays, it is mostly popular among the inhabitants of the Cordilleras.

Myanmar[link]

Kun-ya (ကွမ်းယာ) is the word for paan in Myanmar, formerly Burma, where the most common configuration for chewing is a betel vine leaf (Piper betel), areca nut (from Areca cathechu), slaked lime (sodium hydroxide) and some aroma, although many betel chewers also use tobacco.^[23]

Betel chewing has very long tradition in Burma, having been practiced since before the beginning of recorded history.^[24] Until the 1960s, both men and women loved it and every household used to have a special lacquerware box for paan, called kun-it (ကွမ်းအစ်), which would be offered to any visitor together with cheroots to smoke and green tea to drink.^[25] The leaves are kept inside the bottom of the box, which looks like a small hat box, but with a top tray for small tins, silver in well-to-do homes, of various other ingredients such as the betel nuts, slaked lime, cutch, anise seed and a nut cutter.^[25] The sweet form (acho) is popular with the young, but grownups tend to prefer it with cardamom, cloves and tobacco. Spittoons, therefore, are still ubiquitous, and signs saying "No paan-spitting" are commonplace, as it makes a messy red splodge on floors and walls; many people display betel-stained teeth from the habit. Paan stalls and kiosks used to be run mainly by people of Indian origin in towns and cities. Smokers who want to kick the habit would also use betel nut to wean themselves off tobacco.

Taungoo in Lower Burma is where the best areca palms are grown indicated by the popular expression "like a betel lover taken to Taungoo".^[26] Other parts of the country contribute to the best paan according to another saying "Tada-U for the leaves, Ngamyagyi for the tobacco, Taungoo for the nuts, Sagaing for the slaked lime, Pyay for the cutch". Kun, hsay, lahpet (paan, tobacco and pickled tea) are deemed essential items to offer monks and elders particularly in the old days. Young maidens traditionally carry ornamental betel boxes on a stand called kundaung and gilded flowers (pandaung) in a shinbyu (novitiation) procession. Burmese history also mentions an ancient custom of a condemned enemy asking for "a paan and a drink of water" before being executed.

An anecdotal government survey indicated that 40% of men and 20% of women in Myanmar chew betel.^[27] An aggregate study of cancer registries (2002 to 2007) at the Yangon and Mandalay General Hospitals, the largest hospitals in the country, found that oral cancer was the 6th most common cancer among males, and 10th among females.^[28] Of these oral carcinoma patients, 36% were regular betel quid chewers.^[28] University of Dental Medicine, Yangon records from 1985 to 1988 showed that 58.6% of oral carcinoma patients were regular betel chewers.

Since the 1990s, betel chewing has been actively discouraged by successive governments, from the State Law and Order Restoration Council (SLORC) onward, on the grounds of health and tidiness.^[24] In April 1995, the Yangon City Development Committee banned betel in Yangon (Rangoon), in anticipation of Visit Myanmar Year 1996, a massive effort to promote the country as a tourist destination.^[29][30] Effective 29 July 2007, betel chewing, along with smoking, has been banned from the Shwedagon Pagoda, the country's most important religious site.^[31] In 2010, the Ministry of Education's Department of Basic Education and Burma's Anti-Narcotics Task Force collaborated to prohibit betel shops from operating within 50 metres (160 ft) of any school.^[32]

Pakistan[link]

The consumption of paan has long been a very popular cultural tradition throughout Pakistan, especially in Memon and Muhajir households, where numerous paans were consumed throughout the day. In general, though, paan is an occasional delicacy thoroughly enjoyed by many, and almost exclusively bought from street vendors instead of any preparations at home. Pakistan grows a large variety of betel leaf (specifically in the coastal areas of Sindh), although paan is imported in large quantities from India, Bangladesh, Sri Lanka and, recently, Thailand. The paan business is famously handled and run by Memon traders, who migrated from western India when Pakistan split from India in 1947.

The culture of chewing paan has also spread in Punjab where a paan shop can be found in almost every street and market. In the famous Anarkali Bazar in Lahore a street called paan gali is dedicated for paan and its ingredients together with other Indian products.^[33]

Cambodia, Laos and Thailand[link]

The chewing of the product is part of the culture of Cambodia, Laos and Thailand. Cultivation of areca nut palm and betel leaves is common in rural areas of these countries, being a traditional cash crop, and the utensils used for preparation are often treasured. Now, many young people have given up the habit, especially in urban areas, but many, especially older people, still keep to the tradition.

Vietnam[link]

In Vietnam, the areca nut and the betel leaf are such important symbols of love and marriage that in Vietnamese the phrase "matters of betel and areca" (chuyện trầu cau) is synonymous with marriage. Areca nut chewing starts the talk between the groom's parents and the bride's parents about the young couple's marriage. Therefore, the leaves and juices are used ceremonially in Vietnamese weddings.^[34]

Bangladesh[link]

In Bangladesh, pan is chewed throughout the country by all classes. Prior to British rule, it was chewed without tobacco. It is offered to the guests and used in festivals irrespective of religion. A mixture called Dhakai pan khili (like a roll) is famous in Bangladesh and the subcontinent. The sweet pan of the Khasi tribe is famous for its special quality. Paan is also used in Hindu puja and wedding festivals and to visit relatives. It has become a ritual, tradition and culture of Bangladeshi society. Adult women gather with pandani^[35] along with friends and relatives in leisure time.

Nepal[link]

Paan is chewed by Madheshis, although the hilly migrants in terai have also taken up chewing Paan in recent days. Throughout Terai Paan is as common as anywhere in northern India. Most leaves are imported from India, although natively its grown in some quantities, but not much commercially. Most public places in Kathmandu discourage chewing paan, and blaspheme at Madheshis' culture of chewing Paan.

Gallery[link]

• Bà Cả giã trầu-27012009677.jpg

  Combining areca nut and betel leaf in Vietnam

• 

  A sign in Indonesia; the legend says, "Betel-taking prohibited"

• 

  Thai chew with betel, areca nut, tobacco and other components

• 

  South Indian style paan

• 

  Chocolate Paan

• 

  A container used to hold paan from 19th century India

See also[link]

• Betel container
• Quid-chewing

References[link]

External links[link]

Wikimedia Commons has media related to: Betel leaves

• US Store Apologizes for 'No Burmese' Sign, Associated Press, The Irrawaddy, March 15, 2010
• Nutritional composition of paan
• Betel-quid and Areca-nut Chewing and Some Areca-nut-derived Nitrosamines, from IARC Monographs on the Evaluation of Carcinogenic Risks to Humans, Volume 85 (2004)

Amitabh Bachchan
Amitabh Bachchan in 2009
Born	Amitabh Harivansh Bachchan (1942-10-11) 11 October 1942 (age 69) Allahabad, United Provinces, British India
Residence	Prateeksha, Mumbai, Maharashtra, India
Occupation	Actor, producer, singer, television presenter
Years active	1969–present
Spouse	Jaya Bhaduri (1973–present)
Children	Abhishek Bachchan Shweta Nanda
Website
bigb.bigadda.com

Amitabh Bachchan ([əmɪtaːbʱ bəttʃən] ( listen), born Amitabh Harivansh Bachchan on 11 October 1942) is an Indian film actor. He first gained popularity in the early 1970s as the "angry young man" of Hindi cinema, and has since appeared in over 180 Indian films in a career spanning more than four decades.^[1][2] Bachchan is regarded as one of the greatest and most influential actors in the history of Indian cinema.^[3][4][5]

Bachchan has won numerous major awards in his career, including three National Film Awards as Best Actor, and fourteen Filmfare Awards. He is the most-nominated performer in any major acting category at Filmfare, with 37 nominations overall. In addition to acting, Bachchan has worked as a playback singer, film producer and television presenter. He also had a stint in politics in the 1980s. He has received both the Padma Shri and the Padma Bhushan civilian awards from the Indian government.

Early life[link]

Bachban was born in Allahabad, Uttar Pradesh. His father, Harivansh Rai Bachchan, was a Hindi poet, and his mother, Teji Bachchan, was a Sikh from Faisalabad (now in Pakistan).^[6] Bachchan was initially named Inquilaab, inspired from the famous phrase Inquilab Zindabad, during the Indian independence struggle. However, at the suggestion of fellow poet Sumitranandan Pant, Harivansh Rai changed the name to Amitabh which means, "the light that would never go off." Though his surname was Shrivastava, his father had adopted the pen-name Bachchan (meaning child-like in colloquial Hindi), under which he published all his works. It is with this last name that Amitabh debuted in films, and, for all public purposes, it has become the surname of all members of his family. Bachchan's father died in 2003, and his mother in 2007.^[7]

Amitabh is the eldest of Harivansh Rai Bachchan's two sons, the second being Ajitabh. His mother had a keen interest in theatre and had been offered a role in a film, but preferred her domestic duties. She had some degree of influence in Bachchan's choice of career because she always insisted that he should take the centre stage.^[8] He attended Allahabad's Jnana Prabodhini and Boys' High School (BHS), followed by Nainital's Sherwood College, where he majored in the art stream.^{[citation needed]} He later went on to study at Kirori Mal College of the University of Delhi and completed a Bachelor of Science degree.^{[citation needed]} In his twenties, Bachchan gave up a job as freight broker for the shipping firm, Bird and Co., based in Calcutta now known as Kolkata, to pursue a career in acting.^{[citation needed]}

Career[link]

Early work: 1969–1972[link]

Bachchan made his film debut in 1969 as a voice narrator in Mrinal Sen's National Award winning film Bhuvan Shome. Thereafter he got his first acting role as one of the seven protagonists in Saat Hindustani, a film directed by Khwaja Ahmad Abbas and featuring Utpal Dutt, Madhu and Jalal Agha. Though the film was not a financial success, Bachchan won his first National Film Award for Best Newcomer.^[9]

Anand (1971) followed, where he starred alongside Rajesh Khanna. Bachchan's role as a doctor with a cynical view of life garned him his first Filmfare Best Supporting Actor Award. He then played his first negative role as an infatuated lover-turned-murderer in Parwaana (1971). This was followed by several films including Reshma Aur Shera (1971). During this time, he made a guest appearance in the film Guddi which starred his future wife Jaya Bhaduri. He narrated part of the film Bawarchi. In 1972, he made an appearance in the road action comedy Bombay to Goa, directed by S. Ramanathan. Many of his films during this early period did not do well, but that was about to change.^[10]

Rise to stardom: 1973–1983[link]

Director Prakash Mehra cast him in the leading role for the film Zanjeer (1973) as Inspector Vijay Khanna. The film was a sharp contrast to the romantically themed films that had generally preceded it and established Amitabh in a new persona—the "angry young man" of Bollywood cinema.^[2] He earned a Filmfare nomination for Best Actor. Filmfare considers this one of the iconic performances of Bollywood history.^[10] The year 1973 was also when he married Jaya, and around this time they appeared in several films together; not only in Zanjeer but in films such as Abhimaan which followed and was released only a month after their marriage. Later, Bachchan played the role of Vikram in the film Namak Haraam, a social drama directed by Hrishikesh Mukherjee and scripted by Biresh Chatterjee addressing themes of friendship. His supporting role won him his second Filmfare Best Supporting Actor Award.^{[citation needed]}

In 1974, Bachchan made several guest appearances in films such as Kunwara Baap and Dost, before playing a supporting role in Roti Kapda Aur Makaan. The film, directed and written by Manoj Kumar, addressed themes of honesty in the face of oppression and financial and emotional hardship. Bachchan then played the leading role in film Majboor, released on 6 December 1974, which was a remake of the Hollywood film Zigzag. The film was only a moderate success at the box office.^[11] In 1975, he starred in a variety of film genres from the comedy Chupke Chupke, the crime drama Faraar to the romantic drama Mili. 1975 was the year when he appeared in two films which are regarded as important in Hindi cinematic history. He starred in the Yash Chopra directed film Deewaar, opposite Shashi Kapoor, Nirupa Roy, and Neetu Singh, which earned him a Filmfare Nomination for Best Actor. The film became a major hit at the box office in 1975, ranking in at number 4.^[12] Indiatimes Movies ranks Deewaar amongst the Top 25 Must See Bollywood Films.^[13] Released on 15 August 1975 was Sholay (meaning flames), which became the highest grossing film of all time in India, earning INR 2,36,45,00,000 equivalent to US$ 60 million, after adjusting for inflation.^[14] Bachchan played the role of Jaidev. In 1999, BBC India declared it the "Film of the Millennium" and like Deewar, has been cited by Indiatimes movies as amongst the Top 25 Must See Bollywood Films.^[13] In that same year, the judges of the 50th annual Filmfare Awards awarded it with the special distinction award called Filmfare Best Film of 50 Years.

Bachchan starred in comedies such as Chupke Chupke (1975) and Amar Akbar Anthony (1977) and in films such as Kabhie Kabhie (1976). In 1976, he was once again cast by director Yash Chopra in his second film, Kabhi Kabhie, a romantic tale in which Bachchan starred as a young poet named Amit Malhotra who falls deeply in love with a beautiful young girl named Pooja played by actress Rakhee Gulzar. The film saw him again nominated for the Filmfare Best Actor Award. In 1977, he won his first Filmfare Best Actor Award for his performance in Amar Akbar Anthony where he played the third lead opposite Vinod Khanna and Rishi Kapoor as Anthony Gonsalves. In 1978 he starred in all four of the highest grossing films of India in that year.^[15] He once again resumed double roles in films such as Kasme Vaade as Amit and Shankar and Don playing the characters of Don, a leader of an underworld gang and his look alike Vijay. His performance won him his second Filmfare Best Actor Award. He also performed in Trishul and Muqaddar Ka Sikandar which both earned him further Filmfare Best Actor nominations. He was billed a "one-man industry" by the French director François Truffaut.^[16]

In 1979, for the first time, Amitabh was required to use his singing voice for the film Mr. Natwarlal in which he starred alongside Rekha. His performance in the film saw him nominated for both the Filmfare Best Actor Award and the Filmfare Best Male Playback Awards. In 1979, he also received Best Actor nomination for Kaala Patthar (1979) and then went on to be nominated again in 1980 for the Raj Khosla directed film Dostana, in which he starred opposite Shatrughan Sinha and Zeenat Aman. Dostana proved to be the top grossing film of 1980.^[17] In 1981, he starred in Yash Chopra's melodrama film Silsila, where he starred alongside his wife Jaya and rumoured lover Rekha. Other films of this period include Ram Balram (1980), Shaan (1980), Lawaaris (1981), and Shakti (1982) which pitted him against legendary actor Dilip Kumar.^[18]

[edit] 1982 injury while filming Coolie

On 26 July 1982, while filming Coolie in the University Campus in Bangalore, Bachchan suffered a near fatal intestinal injury during the filming of a fight scene with co-actor Puneet Issar.^[19] Bachchan was performing his own stunts in the film and one scene required him to fall onto a table and then on the ground. However as he jumped towards the table, the corner of the table struck his abdomen, resulting in a splenic rupture from which he lost a significant amount of blood. He required an emergency splenectomy and remained critically ill in hospital for many months, at times close to death. The public response included prayers in temples and offers to sacrifice limbs to save him, while later, there were long queues of well-wishing fans outside the hospital where he was recuperating.^[20] Nevertheless, he spent many months recovering and resumed filming later that year after a long period of recuperation. The film was released in 1983, and partly due to the huge publicity of Bachchan's accident, the film was a box office success.^[21]

The director, Manmohan Desai, altered the ending of Coolie after Bachchan's accident. Bachchan's character was originally intended to have been killed off but after the change of script, the character lived in the end. It would have been inappropriate, said Desai, for the man who had just fended off death in real life to be killed on screen. Also, in the released film the footage of the fight scene is frozen at the critical moment, and a caption appears onscreen marking this as the instant of the actor's injury and the ensuing publicity of the accident.^[20]

Later, he was diagnosed with Myasthenia gravis. His illness made him feel weak both mentally and physically and he decided to quit films and venture into politics. At this time he became pessimistic, expressing concern with how a new film would be received and stated before every release, "Yeh film to flop hogi!" ("This film will flop").^[22]

Politics: 1984–87[link]

In 1984, Bachchan took a break from acting and briefly entered politics in support of long-time family friend, Rajiv Gandhi. He contested Allahabad's seat of 8th Lok Sabha against H. N. Bahuguna, former Chief Minister of Uttar Pradesh and won by one of the highest victory margins in general election history (68.2% of the vote).^[23] His political career, however, was short-lived: he resigned after three years, calling politics a cesspool. The resignation followed the implication of Bachchan and his brother in the "Bofors scandal" by a newspaper, which he vowed to take to court. Bachchan was eventually found not guilty of involvement in the ordeal.^[24]

His old friend, Amar Singh, helped him during a financial crisis due to the failure of his company ABCL. Therefore Bachchan started to support Amar Singh's political party, the Samajwadi party. Jaya Bachchan joined the Samajwadi Party and became a Rajya Sabha member.^[25] Bachchan has continued to do favors for the Samajwadi party, including advertisements and political campaigns. These activities have recently gotten him into trouble again in the Indian courts for false claims after a previous incident of submission of legal papers by him, stating that he is a farmer.^[26]

A 15 year press ban against Bachchan was imposed during his peak acting years by Stardust and some of the other film magazines. In his own defense, Bachchan claimed to have banned the press from entering his sets until late 1989.^[27]

Slump and retirement: 1988–1992[link]

In 1988, Bachchan returned to films, playing the title role in Shahenshah, which was a box office success due to the hype of Bachchan's comeback.^[28] After the success of his comeback film however, his star power began to wane as all of his subsequent films failed at the box office. The 1991 hit film, Hum, for which he won his third Filmfare Best Actor Award, looked like it might reverse this trend, but the momentum was short-lived as his string of box office failures continued. Notably, despite the lack of hits, it was during this period that Bachchan won his first National Film Award for Best Actor, for his performance as a Mafia don in the 1990 film Agneepath. These years would be the last he would be seen on screen for some time. After the release of Khuda Gawah in 1992, Bachchan went into semi-retirement for five years. In 1994, one of his delayed films Insaniyat was released but was also a box office failure.^[29]

Producer and acting comeback 1996–99[link]

Bachchan turned producer during his temporary retirement period, setting up Amitabh Bachchan Corporation, Ltd. (A.B.C.L.) in 1996, with the vision of becoming a 10 billion rupees (approx 250 million $US) premier entertainment company by the year 2000. ABCL's strategy was to introduce products and services covering the entire section of the India's entertainment industry. Its operations were mainstream commercial film production and distribution, audio cassettes and video discs, production and marketing of television software, celebrity and event management. Soon after the company was launched in 1996, the first film was produced by the company. Tere Mere Sapne failed to do well at the box office but launched the careers of actors such as Arshad Warsi and South films star Simran. ABCL produced a few other films, none of which did well.

In 1997, Bachchan attempted to make his acting comeback with the film Mrityudata, produced by ABCL. Though Mrityudaata attempted to reprise Bachchan's earlier success as an action hero, the film was a failure both financially and critically. ABCL was the main sponsor of the 1996 Miss World beauty pageant, Bangalore but lost millions. The fiasco and the consequent legal battles surrounding ABCL and various entities after the event, coupled with the fact that ABCL was reported to have overpaid most of its top level managers, eventually led to its financial and operational collapse in 1997. The company went into administration and was later declared a failed company by Indian Industries board. The Bombay high court, in April 1999, restrained Bachchan from selling off his Bombay bungalow 'Prateeksha' and two flats till the pending loan recovery cases of Canara Bank were disposed of. Bachchan had, however, pleaded that he had mortgaged his bungalow to Sahara India Finance for raising funds for his company.^[30]

Bachchan attempted to revive his acting career and had average success with Bade Miyan Chote Miyan (1998),^[29] and received positive reviews for Sooryavansham (1999)^[31] but other films such as Lal Baadshah (1999) and Hindustan Ki Kasam (1999) were box office failures.

Return to prominence: 2000–present[link]

Bachchan at the IIFA Awards in 2006

In 2000, Amitabh Bachchan appeared in Yash Chopra's box-office hit, Mohabbatein, directed by Aditya Chopra. He played a stern, older figure that rivalled the character of Shahrukh Khan. His role won him his third Filmfare Best Supporting Actor Award. Other hits followed, with Bachchan appearing as an older family patriarch in Ek Rishtaa: The Bond of Love (2001), Kabhi Khushi Kabhie Gham... (2001) and Baghban (2003). As an actor, he continued to perform in a range of characters, receiving critical praise for his performances in Aks (2001), Aankhen (2002), Khakee (2004) and Dev (2004). One project that did particularly well for Bachchan was Sanjay Leela Bhansali's Black (2005). The film starred Bachchan as an aging teacher of a deaf-blind girl and followed their relationship. His performance was unanimously praised by critics and audiences and won him his second National Film Award for Best Actor and fourth Filmfare Best Actor Award. Taking advantage of this resurgence, Amitabh began endorsing a variety of products and services, appearing in many television and billboard advertisements. In 2005 and 2006, he starred with his son Abhishek in the hit films Bunty Aur Babli (2005), the Godfather tribute Sarkar (2005), and Kabhi Alvida Na Kehna (2006). All of them were successful at the box office.^[32][33] His later releases in 2006 and early 2007 were Baabul (2006),^[34] Ekalavya and Nishabd (2007), which failed to do well at the box office but his performances in each of them were praised by critics.^[35]

In May 2007, two of his films Cheeni Kum and the multi-starrer Shootout at Lokhandwala were released. Shootout at Lokhandwala did very well at the box office and was declared a hit in India, while Cheeni Kum picked up after a slow start and only had average success.^[36] A remake of his biggest hit, Sholay (1975), entitled Ram Gopal Varma Ki Aag, released in August of that same year and proved to be a major commercial failure in addition to its poor critical reception.^[36] The year also marked Bachchan's first appearance in an English-language film, Rituparno Ghosh's The Last Lear. The film premiered at the 2007 Toronto International Film Festival on 9 September 2007. He received positive reviews from critics who hailed his performance as his best ever since Black.^[37] Bachchan was slated to play a supporting role in his first international film, Shantaram, directed by Mira Nair and starring Hollywood actor Johnny Depp in the lead. The film was due to begin filming in February 2008 but due to the writer's strike, was pushed to September 2008.^[38] The film is currently "shelved" indefinitely.^[39] Vivek Sharma's Bhoothnath, in which he plays the title role as a ghost, was released on 9 May 2008. Sarkar Raj, the sequel of the 2005 film Sarkar, released in June 2008 and received a positive response at the box-office. Paa, which released at the end of 2009 was a highly anticipated project as it saw him playing his own son Abhishek's Progeria-affected 13-year-old son, and it opened to favourable reviews, particularly towards Bachchan's performance. It won him his third National Film Award for Best Actor and fifth Filmfare Best Actor Award. In 2010, he debuted in Malayalam film through Kandahar, directed by Major Ravi and co-starring Mohanlal.^[40] The film was based on the hijacking incident of the Indian Airlines Flight 814.^[41] Bachchan did not receive any remuneration for this film.^[42]

Television career[link]

In the year 2000, Bachchan stepped up to host India's adaptation of the British television game show, Who Wants to Be a Millionaire? entitled, Kaun Banega Crorepati. As it did in most other countries where it was adopted, the program found immediate success. He has hosted all but one of the seasons of the show. Canara Bank withdrew its law suit against Bachchan in November 2000. Bachchan hosted KBC till November 2005, when he fell ill. At that time he was admitted to Lilavati Hospital's ICU once more, to undergo surgery for diverticulitis of the small intestine.^[43] During the period and that following his recovery, most of his projects were put on hold, including KBC.^[44] He has hosted all but one season of the show. Its success set the stage for his return to film popularity. In 2009 Oscar winning movie Slumdog Millionaire in the first question of Who Wants to be a Millionaire? contest "Amitabh Bachchan" was the correct answer to the question "Who was the star of Zanjeer? Feroz Abbas Khan performed as Amitabh Bachchan in a scene in the movie while Anil Kapoor performed as the host of the contest. Bachchan hosted the third season of the reality show Bigg Boss in 2009.^[45]

Voice[link]

Bachchan is known for his deep, baritone voice. He has been a narrator, a playback singer and presenter for numerous programmes.^{[citation needed]} Renowned film director Satyajit Ray was so impressed with Bachchan's voice, that he decided to use his voice as commentary in Shatranj Ke Khilari since he could not find a suitable role for him.^[46] In 2005, Bachchan has lent his voice to the Oscar-winning French documentary March of the Penguins, directed by Luc Jacquet.^[47]

Controversies and criticism[link]

Barabanki land case[link]

In the runup to the Uttar Pradesh state assembly elections, 2007, Bachchan made a film extolling the virtues of the Mulayam Singh government. His Samajwadi Party was routed, and Mayawati came to power.^{[citation needed]}

On 2 June 2007 a Faizabad court ruled that he had legally acquired agricultural land designated specifically for landless Dalit farmers.^[48] It was speculated that he might be investigated on related charges of forgery, as he has allegedly claimed he was a farmer.^[49] On 19 July 2007, after the scandal broke out, Bachchan surrendered the land acquired in Barabanki in Uttar Pradesh and Pune. He wrote to the chief minister of Maharashtra, Vilasrao Deshmukh, to donate the lands that were allegedly acquired illegally in Pune.^[50] However, the Lucknow Court has put a stay on the land donation and said that the status quo on the land be maintained.

On 12 October 2007, Bachchan abandoned his claim in respect of the land at Daulatpur village in Barabanki district.^[51] On 11 December 2007, the Lucknow bench of the Allahabad High Court gave a clean chit to Bachchan in a case pertaining to alleged fraudulent allotment of government land to him in Barabanki district. A single Lucknow bench of Justice said there was no finding that the actor "himself committed any fraud or manipulated any surreptitious entry in the revenue records".^[52][53]

After receiving a positive verdict in Barabanki case, Amitabh Bachchan intimated to Maharashtra government that he did not wish to surrender his land in Maval tehsil of Pune district.^[54]

Raj Thackeray's criticism[link]

Bachchan featured on an advert in shopping mall in India

In January 2008 at political rallies, Raj Thackeray, the chief of Maharashtra Navnirman Sena, targeted Amitabh Bachchan, asserting that the actor was "more inclined" towards his native state than Maharashtra. He expressed his disapproval of Amitabh's inaugurating a girls' school named after his daughter-in-law, actress Aishwarya Rai Bachchan, at Barabanki in Uttar Pradesh, rather than in Maharashtra.^[55] According to media reports, Raj's censure of Amitabh, whom he admires, stemmed out of his disappointment of not being invited to Amitabh's son Abhishek's marriage to Aishwarya, despite invitations to his estranged uncle Bal and cousin Uddhav.^[56][57]

Responding to Raj's accusations, the actor's wife, SP MP Jaya Bachchan, said that the Bachchans were willing to start a school in Mumbai, provided the MNS leader donated the land to build it. She told the media, "I heard that Raj Thackeray owns huge properties in Maharashtra, in Mumbai—Kohinoor Mills. If he is willing to donate land, we can start a school in the name of Aishwarya here."^[58] Raj responded to it saying, "Jaya bachchan claims she does not know me then how come she knows how much property I own?". Amitabh abstained from commenting on the issue. However, he apologized to Raj for controversial remarks from Jaya in some other incidence. "^[59]

Bal Thackeray refuted the allegations, stating, "Amitabh Bachchan is an open-minded person, he has great love for Maharashtra, and this is evident on many occasions. The actor has often said that Maharashtra and specially Mumbai has given him great fame and affection. He has also said that what he is today is because of the love people have given him.^{[citation needed]} The people of Mumbai have always acknowledged him as an artiste.^{[citation needed]} It was utter foolishness to make these parochial allegations against him. Amitabh is a global superstar. People all over the world respect him. This cannot be forgotten by anyone. Amitabh should ignore these silly accusations and concentrate on his acting."^[60]

On 23 March 2008, more than a month and half after Raj's remarks, Amitabh finally spoke out in an interview to a local tabloid saying, "Random charges are random; they do not deserve the kind of attention you wish me to give."^[61] Later, on 28 March at a press conference for the International Indian Film Academy, when asked what his take was on the anti-migrant issue, Amitabh said that it is one's fundamental right to live anywhere in the country and the constitution entitles so.^[62] He also stated that he was not affected by Raj's comments.^[63]

Awards, honours and recognitions[link]

Apart from National Film Awards, Filmfare Awards and other competitive awards which Bachchan won for his performances throughout the years, he has been awarded several honours for his achievements in the Indian film industry.^{[citation needed]} In 1991, he became the first artist to receive the Filmfare Lifetime Achievement Award, which was established in the name of Raj Kapoor. Bachchan was crowned as Superstar of the Millennium in 2000 at the Filmfare Awards. The Government of India awarded him with the Padma Shri in 1984^[64] and the Padma Bhushan in 2001.^[65] France's highest civilian honour, the Knight of the Legion of Honour, was conferred upon him by the French Government in 2007 for his "exceptional career in the world of cinema and beyond".^[66] In 2011, actor Dilip Kumar blogged that Black should have been nominated for an Oscar. Kumar added: "If any Indian actor, in my personal opinion, deserves the world's most coveted award, it is you."^[67]

In 1999, Bachchan was voted the "greatest star of stage or screen" in a BBC Your Millenium online poll. The organisation noted that "Many people in the western world will not have heard of [him] ...[but it] is a reflection of the huge popularity of Indian films."^[68] In 2001, he was honoured with the Actor of the Century award at the Alexandria International Film Festival in Egypt in recognition of his contribution to the world of cinema.^[69] Many other honours for his achievements were conferred upon him at several International Film Festivals, including the Lifetime Achievement Award at the 2010 Asian Film Awards.^[70]

In June 2000, he became the first living Asian to have been immortalised in wax at London's Madame Tussauds Wax Museum.^[71] Another statue was installed in New York ^[72] and Hong Kong in 2009.^[73]

In 2003, he was conferred with the Honorary Citizenship of the French town of Deauville.^[74] He was honoured with an Honorary Doctorate by the University of Jhansi, India, in 2004,^[75] the University of Delhi in 2006,^[76] the De Montfort University in Leicester, UK, in 2006,^[77] the University Brandan Foster by the Leeds Metropolitan University in Yorkshire, UK, in 2007,^[78] and the Queensland University of Technology in Brisbane, Australia, in 2011.^[79]

Severals books have been written about Bachchan. Amitabh Bachchan: the Legend was published in 1999,^[80] To be or not to be: Amitabh Bachchan in 2004,^[81] AB: The Legend: (A Photographer's Tribute) in 2006 ^[82]/, Amitabh Bachchan: Ek Jeevit Kimvadanti in 2006,^[83] Amitabh: The Making of a Superstar in 2006,^[84] Looking for the Big B: Bollywood, Bachchan and Me in 2007 ^[85] and Bachchanalia in 2009.^[86] Bachchan himself also wrote a book in 2002: Soul Curry for you and me – An Empowering Philosophy That Can Enrich Your Life.^[87] In the early 80s, Bachchan authorized the use of his likeness for the comic book character Supremo in a series titled The Adventures of Amitabh Bachchan.^[88]

Personal life[link]

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (May 2012)

Bachchan is married to actress Jaya Bhaduri. They have two children, Shweta Nanda and Abhishek Bachchan. Abhishek is also an actor and is married to actress Aishwarya Rai.

Filmography[link]

Latest films[link]

Producer[link]

Playback singer[link]

Further reading[link]

• Mazumdar, Ranjani. Bombay Cinema: An Archive of the City. Minneapolis: University of Minnesota Press, 2007.

References[link]

External links[link]

	Bollywood portal
	Biography portal

Wikimedia Commons has media related to: Amitabh Bachchan

• Amitabh Bachchan's official blog
• Amitabh Bachchan at the Internet Movie Database
• Amitabh Bachchan Documentary, Classic BBC Archive video and exclusive interview conducted in Amitabh's own house for BBC Asian Network^{[dead link]}
• British Academy of Film and Television Arts brochure