Work

43 Work - Charlie Chaplin (1915)

Order: Reorder
Duration: 24:33
Updated: 04 Jan 2013

http://wn.com/43_Work_Charlie_Chaplin_1915

Work (1915)

Order: Reorder
Duration: 24:24
Updated: 30 Jan 2013

Veja mais aqui: http://www.filmesonlinept.com/index.php?topic=889.0 Sinopse: O Vagabundo e seu patrão têm dificuldade para chegar a uma casa onde devem colocar papel de parede. O dono da casa está irritado por não ter tomado o café da manhã, e sua esposa está dando uma bronca na empregada, quando os dois chegam. De repente, o gás da cozinha estoura e o Vagabundo se oferece para fazer o conserto. O amante da esposa chega e fazem de conta que ele é o supervisor da obra, mas o marido não acredita e começa a dar tiros com sua arma. A cozinha explode e a casa fica destruída.

http://wn.com/Work_1915

Harry Champion - Work, Boys, Work (and Be Contented) / Doctor Shelley (1915)

Order: Reorder
Duration: 4:38
Updated: 18 Jun 2012

Many of the early music-hall records, including a lot of these Harry Champion's, were made avilable on multiple labels at the same time of within short periods, sometimes with different track pairings leading to a lot of duplication. Chmpion released the same tracks for labels like Ariel, Favourite, Pathe, John Bull, Zonophone, Winner, Coliseum and Homochord. Later the main labels for him were Regal and Columbia. William Crump (1866 -- January 14, 1942), better known by the stage name Harry Champion, was a famous British music hall composer and star. Born in Shoreditch, London, he first appeared in a music hall at the age of 15, at the Queens Hall, Poplar. In 1888 he changed his stage name from Will Conray, and with a wide repertoire of songs, many of them sung at breakneck speed and often about the joys of food, became one of music hall's most successful artists. His songs became some of the most famous Cockney songs. After his "golden period" of 1910 to 1915, the Great War changed tastes and Champion and other music hall performers declined in popularity. In 1930 they regained their popularity and Champion returned to performing after ten years of retirement. Enjoying popularity throughout the 1930s, Champion started to perform on the radio in the later part of the decade but continuous performing exhausted him by late 1941 and he retired to a nursing home in London, where he died the next year. He is buried in East Finchley Cemetery.

http://wn.com/Harry_Champion_Work,_Boys,_Work_and_Be_Contented_Doctor_Shelley_1915

Eileen Farrell sings "Knoxville: Summer of 1915" - part I of II

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Duration: 3:46
Updated: 21 Jun 2012

Part 1: Here is the beginning of a radio broadcast from 1949 with Eileen Farrell singing Samuel Barber's "Knoxville: Summer of 1915" (the original version) with Bernard Herrmann conducting the CBS Symphony Orchestra. Unfortunately, the work is longer than YouTube's video clip allowance of 15 minutes. I tried to split the performance in the best spot possible for the music's sake. There is no great spot to break the work, but hopefully between the two parts of this performance one will be able to enjoy this rare performance. Link to the remainder of the work in Part 2: http://youtu.be/sZgt_W_zBkw Here is a link to one of my many Eileen Farrell playlists: http://www.youtube.com/playlist?list=PL7F4A78B401D5BFDB&feature;=plcp "It has become the time of evening when people sit on their porches, rocking gently and talking gently and watching the street and the standing up into their sphere of possession of the trees, of birds' hung havens, hangers. People go by; things go by. A horse, drawing a buggy, breaking his hollow iron music on the asphalt; a loud auto; a quiet auto; people in pairs, not in a hurry, scuffling, switching their weight of aestival body, talking casually, the taste hovering over them of vanilla, strawberry, pasteboard and starched milk, the image upon them of lovers and horsemen, squared with clowns in hueless amber. A streetcar raising its iron moan: stopping, belling and starting; stertorous; rousing and raising again its iron increasing moan and swimming its gold windows and straw seats on past and past and past, the bleak spark crackling and cursing above it like a small malignant spirit set to dog its tracks; the iron whine rises on rising speed; still risen, faints; halts; the faint stinging bell; rises again, still fainter, fainter, lifting, lifts, faints forgone: forgotten. Now is the night one blue dew. Now is the night one blue dew, my father has drained, now he has coiled the hose. Low on the length of lawns, a frailing of fire who breathes ... Parents on porches: rock and rock. From damp strings morning glories hang their ancient faces. The dry and exalted noise of the locusts from all the air at once enchants my eardrums. On the rough wet grass of the backyard my father and mother have spread quilts. We all lie there, my mother, my father, my uncle, my aunt, and I too am lying there ... They are not talking much, and the talk is quiet, of nothing in particular, of nothing at all in particular, of nothing at all. The stars are wide and alive, they seem each like a smile of great sweetness, and they seem very near. All my people are larger bodies than mine, ... with voices gentle and meaningless like the voice of sleeping birds. One is an artist, he is living at home. One is a musician, she is living at home. One is my mother who is good to me. One is my father who is good to me. By some chance, here they are, all on this earth; and who shall ever tell the sorrow of being on this earth, lying, on quilts, on the grass, in a summer evening, among the sounds of the night. May God bless my people, my uncle, my aunt, my mother, my good father, oh, remember them kindly in their time of trouble; and in the hour of their taking away. After a little I am taken in and put to bed. Sleep, soft smiling, draws me unto her: and those receive me, who quietly treat me, as one familiar and well-beloved in that home: but will not, no ,will not, not now, not ever; but will not ever tell me who I am."

http://wn.com/Eileen_Farrell_sings_Knoxville_Summer_of_1915_part_I_of_II

Eileen Farrell sings "Knoxville: Summer of 1915" - part II of II

Order: Reorder
Duration: 13:16
Updated: 21 Jun 2012

Part 2: Here is the remainder of a radio broadcast from 1949 with Eileen Farrell singing Samuel Barber's "Knoxville: Summer of 1915" (the original version) with Bernard Herrmann conducting the CBS Symphony Orchestra. Unfortunately, the work is longer than YouTube's video clip allowance of 15 minutes. I tried to split the performance in the best spot possible for the music's sake. There is no great spot to break the work, but hopefully between the two parts of this performance one will be able to enjoy this rare performance. Link back to the beginning of the work in Part 1: http://youtu.be/ELQ479wO-8c Here is a link to one of my many Eileen Farrell playlists: http://www.youtube.com/playlist?list=PL7F4A78B401D5BFDB&feature;=plcp "It has become the time of evening when people sit on their porches, rocking gently and talking gently and watching the street and the standing up into their sphere of possession of the trees, of birds' hung havens, hangers. People go by; things go by. A horse, drawing a buggy, breaking his hollow iron music on the asphalt; a loud auto; a quiet auto; people in pairs, not in a hurry, scuffling, switching their weight of aestival body, talking casually, the taste hovering over them of vanilla, strawberry, pasteboard and starched milk, the image upon them of lovers and horsemen, squared with clowns in hueless amber. A streetcar raising its iron moan: stopping, belling and starting; stertorous; rousing and raising again its iron increasing moan and swimming its gold windows and straw seats on past and past and past, the bleak spark crackling and cursing above it like a small malignant spirit set to dog its tracks; the iron whine rises on rising speed; still risen, faints; halts; the faint stinging bell; rises again, still fainter, fainter, lifting, lifts, faints forgone: forgotten. Now is the night one blue dew. Now is the night one blue dew, my father has drained, now he has coiled the hose. Low on the length of lawns, a frailing of fire who breathes ... Parents on porches: rock and rock. From damp strings morning glories hang their ancient faces. The dry and exalted noise of the locusts from all the air at once enchants my eardrums. On the rough wet grass of the backyard my father and mother have spread quilts. We all lie there, my mother, my father, my uncle, my aunt, and I too am lying there ... They are not talking much, and the talk is quiet, of nothing in particular, of nothing at all in particular, of nothing at all. The stars are wide and alive, they seem each like a smile of great sweetness, and they seem very near. All my people are larger bodies than mine, ... with voices gentle and meaningless like the voice of sleeping birds. One is an artist, he is living at home. One is a musician, she is living at home. One is my mother who is good to me. One is my father who is good to me. By some chance, here they are, all on this earth; and who shall ever tell the sorrow of being on this earth, lying, on quilts, on the grass, in a summer evening, among the sounds of the night. May God bless my people, my uncle, my aunt, my mother, my good father, oh, remember them kindly in their time of trouble; and in the hour of their taking away. After a little I am taken in and put to bed. Sleep, soft smiling, draws me unto her: and those receive me, who quietly treat me, as one familiar and well-beloved in that home: but will not, no ,will not, not now, not ever; but will not ever tell me who I am."

http://wn.com/Eileen_Farrell_sings_Knoxville_Summer_of_1915_part_II_of_II

Shanghaied (1915) [Enhanced] - Public Domain Universe - Charles Chaplin

Order: Reorder
Duration: 23:13
Updated: 18 Jan 2013

Shanghaied (1915) [Enhanced] - Public Domain Universe - Charles Chaplin Charlie Chaplin as Charlie (The Tramp) in "Shanghaied". Note: some minor enhancement work was done to improve the quality of the very old and damaged source picture and soundtrack. Nothing was added or removed. Enjoy this full free movie! PUBLIC DOMAIN UNIVERSE CHANNEL: http://www.youtube.com/PDUniverse ------------------------------------------------------------------------------------------------- ABOUT THIS MOVIE Genres: Silent & Comedy Language: Silent (English) Age rating: N/A (likely suitable for all ages) Released: 1915 Quality: 480 License: Public domain * The Work may be freely reproduced, distributed, transmitted, used, modified, built upon, or otherwise exploited by anyone for any purpose, commercial or non-commercial, and in any way, including by methods that have not yet been invented or conceived. ------------------------------------------------------------------------------------------------- *CAST & CREW* CAST Charles Chaplin ............................................ Charlie (The Tramp) Edna Purviance ............................................... Owner's Daughter Wesley Ruggles .............................................................. Owner DIRECTOR Charles Chaplin PRODUCER Jess Robins WRITER Charles Chaplin ------------------------------------------------------------------------------------------------- Public Domain Universe's goal is to collect free videos (usually movies, but also videos of any kind) and personally enhance them (just minor restoration, which can truly make a difference sometimes, but no addition), if possible and needed, for better audiovisual output for your convenience. YouTube is our platform of choice; a great platform because it is well-known by the general public, easy to use and open to discussion (at least, PDU videos are open to video responses and comments, always). Discussion is important because the works in these videos are often not well-known or could have been forgotten by time. Their free status does allow easy distribution though, which they should benefit from. These videos are free because the work you see in them never were copyrighted or they have lost their copyright status for various reasons (usually because of their age), so you can do what you want with them, even use them commercially (when something truly is in the public domain) without even needing to refer back here (since PDU too doesn't own them). It sure would be nice if you shared our links though!

http://wn.com/Shanghaied_1915_Enhanced_Public_Domain_Universe_Charles_Chaplin

Theodore Roosevelt [in Louisiana], 1915

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Duration: 0:41
Updated: 04 Jan 2010

Summary Views of TR walking on beach; holding his hat, TR stands near bushes on an island and follows the flight of birds. Film photographed by Herbert K. Job of the National Audubon Society, on an expedition with TR to bird sanctuary islands off the Louisiana coast in June 1915. Other Titles Theodore Roosevelt [in Louisiana], 1915 [4] Roosevelt Memorial Association title: TR on Pelican Island, 1915 Theodore Roosevelt on Pelican Island, 1915 Created/Published United States : [s.n.], 1915. Notes Photographed by Herbert K. Job. Appearing: President Theodore Roosevelt. Research indicates location is the Breton Island Reservation or one of the Audubon bird sanctuary islands off the coast of Louisiana; areas visited by TR included the Chandeleur Islands, Grand Isle, Breton Island, Bird Island, Last Island, Battledore Island, and Barataria Bay. Breton Island Reservation was established by Executive Order 369-A on Nov. 11, 1905. Exact location is undetermined. Subjects Roosevelt, Theodore,--1858-1919--Travel--Louisiana. Islands--Louisiana. Water-birds--Louisiana. Wildlife refuges--Louisiana. Birds--Conservation--Louisiana. Breton National Wildlife Refuge (La.) Louisiana--Description and travel. Mexico, Gulf of. Nonfiction films. Short films. Documentary films. Newsreels. Nature films. Related Names Job, Herbert Keightley, 1864-1933, photographer. Theodore Roosevelt Association Collection (Library of Congress) National Association of Audubon Societies for the Protection of Wild Birds and Animals. Digital ID trmp 4103 http://hdl.loc.gov/loc.mbrsmi/trmp.4103

http://wn.com/Theodore_Roosevelt_in_Louisiana_,_1915

Scaffold Safety Problems 1915

Order: Reorder
Duration: 0:40
Updated: 17 Apr 2010

The dangers of working on scaffolds as been well known for almost 100 years. So it is sad that scaffold-related accidents still cause 4,500 injuries and 50 deaths every year in construction in the United States alone. For information on current OSHA standards for scaffolds, go to http://www.osha.gov/SLTC/scaffolding/standards.html . The 1915 report mentioned in this clip, A treatise on safety engineering as applied to scaffolds, from the from the Travelers Insurance Company is in the public domain and available at http://www.archive.org/details/treatiseonsafety00travrich . From its preface: The experience and observation of THE TRAVELERS INSURANCE COMPANY, extending over many years, indicates that the scaffold accidents by which men are killed or injured in the United States would be found to far exceed one a day, if they could all be included; and in view of this fact, and of the further fact, already noted, that scaffolding has practically no literature at the present time, it was thought best to devote one entire volume of THE TRAVELERS' series to it, as a contribution toward the establishment of a standard approved practice, in the interest of increased safety. Scaffolds are employed widely and by many different classes of workmen; but as they are erected for temporary use only, they seldom receive the thoughtful consideration that is given to permanent structures. They are badly designed and badly built, as a rule, and all too often the materials that are used in them are poor in quality and deficient in size and quantity. In fact there appears to be a wide-spread and almost universal belief to the effect that a scaffold is not worth serious study; that anybody who can drive nails can build one that will serve; and that anything that may happen to be at hand is good enough to go into it. The result is, that bricklaying, carpenter work, painting, decorating, and many other operations in which men must work at some considerable height, and life and limb are constantly at stake, are often performed by the aid of scaffolds that are distinctly dangerous, and altogether unfit for the purpose for which they were intended. The very fact that scaffolds must be erected is sometimes entirely overlooked in making bids for building operations and other extensive work of a similar nature, and it is by no means uncommon for a sub -contract or to make no provision of his own for the materials for his scaffolds, but to rely upon picking up something about the job that will serve his purpose. These remarks are not inspired by mere pessimism. They are plain uncolored statements of facts. This clip is from the 1994 OSHA Office of Construction & Engineering video, Basic look at scaffolds for compliance officers. The 21 minute video discusses OSHA requirements for scaffolding and scaffold construction. The entire film has been digitized by the nonprofit Public.Resource.Org (http://public.resource.org/index.html ) in a cooperative agreement with the National Technical Information Service (http://public.resource.org/ntis.gov/index.html ) and is available at the Internet Archive at www.archive.com .

http://wn.com/Scaffold_Safety_Problems_1915

Stevens Model 1915 .22 Long Rifle Assembly Number 2

Order: Reorder
Duration: 9:31
Updated: 30 Dec 2011

I in this video I give alittle history on the rifle, I also show how the extractor is supposed to go in. This rifle has alittle age on it but after alittle work she is ready to work again. This is part 2 of 2, I show you in this video the weapon working with empty brass and showing that the extractor does work on this one, the cleaning methods I use, such as Eezox, Wilson Combat Ultima Lube II Oil And Grease, I also talk about the history of the Firearm about how much it was when it first came out and how come people complain about the lever action on it when that is how it was when it first came out. I also show you come of the other firearms I will be bringing out threw time (Still more in hiding, gotta hit the range soon) There is strong language in this video.

http://wn.com/Stevens_Model_1915_22_Long_Rifle_Assembly_Number_2

In Flanders Fields - Lt Col John McCrae, 1915

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Duration: 2:18
Updated: 04 Mar 2010

Created in Muvizu 3D by Jamie Hill for Park Mains High to help with the standard grade English curriculum (part of the exams for pupils of around 15 to 16 years old; for those unfamiliar with the Scottish education system, standards are similar to GCSEs in England and Wales and also similar to the inters in Ireland [the unoccupied part]). It was a real joy to work through this poem, Lt. Col. John McCrae's work of 1915) and create this video for it. I would like to thank Adam Paylor and Michael Haynes especially for allowing the use of their recording of the poem. Poetry Reading: Adam Paylor (www.CraftyFoxProductions.com) Michael Haynes (www.MichaelHaynes.name) Many thanks from all at Muvizu.

http://wn.com/In_Flanders_Fields_Lt_Col_John_McCrae,_1915

Zoltán Kodály - Sonata for Solo Cello, I

Order: Reorder
Duration: 8:01
Updated: 16 Feb 2012

Sonata for solo cello, Op. 8 (1915) I. Allegro maestoso ma appassionato II. Adagio III. Allegro molto vivace Yo-Yo Ma, cello Kodály's Sonata for solo cello of 1915 is perhaps the first major work for unaccompanied cello after Bach's six great suites of almost 200 years earlier. The sonata, in three movements totaling about half an hour, synthesizes many of the musical interests Kodály was exploring at this early time in his career. Since becoming a professor of composition at Budapest's Royal Academy of Music in 1908, most of his compositions had been chamber works for strings; the Cello Sonata is perhaps the most ambitious of the early string works. The sonata exhibits Kodály's interest in the music of Claude Debussy, which he had encountered while studying in Paris a couple of years before. Hints of the style of Béla Bartók, Kodály's good friend, can likewise be discerned. The sounds and inflections of Hungarian folk music also play a prominent role; Kodály was passionately interested in the folk music of his native land and several years earlier had started taking regular trips around the country, many with Bartók, collecting, recording, and transcribing folk songs and dances. Kodály was declared unfit for military service in World War I; during those years he worked with a volunteer group put in charge of defending the chief monuments in Budapest, while continuing his studies in Hungarian folk music and composing. Due to the war, the sonata, once completed, had to wait three years for its first performance. The cellist to whom the sonata is dedicated, Jenö Kerpely, gave that premiere in Budapest on May 7, 1918. The sonata begins with a very serious-minded Allegro maestoso ma appassionato, featuring big gestures and alternating between anger and acquiescence. The second movement, Adagio con grand' espressione, begins with a dark, meandering melodic line accompanied by occasional resonant pizzicati. After a much more aggressive central section, the music slows again and works its way to a spare and haunting conclusion. With the third movement, Allegro molto vivace, the listener is plunged into the world of Hungarian folk music. This headlong, vigorous, and diverse movement is full of virtuoso passages featuring pizzicati, double stops, and fast repeated notes and runs, and makes for an exciting conclusion. In a 1921 article titled "The New Music of Hungary," Béla Bartók wrote of this sonata: "No other composer has written music that is at all similar to this type of work... Here Kodály is expressing, with the simplest possible technical means, ideas that are completely original. It is precisely the complexity of the problem that offered him the opportunity of creating an original and unusual style, with its surprising effects of vocal type; though quite apart from these effects the musical value of the work is brilliantly apparent." [allmusic.com] Art by William Baziotes

http://wn.com/Zoltán_Kodály_Sonata_for_Solo_Cello,_I

George Enescu - Symphony No.2 in A-major, Op.17 (1915)

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Duration: 48:19
Updated: 07 Oct 2012

George Enescu Work: Symphony No.2 in A-major, Op.17 (1915) Mov.I: Vivace ma non troppo 00:00 Mov.II: Andante giusto 18:52 Mov.III: Un poco lento, marziale - Allegro vivace, marziale 31:24 Orchestra: Romanian National Radio Orchestra Conductor: Horia Andreescu

http://wn.com/George_Enescu_Symphony_No2_in_A-major,_Op17_1915

Why work at Manchester University? (world leading minds)

Order: Reorder
Duration: 2:50
Updated: 22 Feb 2012

http://wn.com/Why_work_at_Manchester_University?_world_leading_minds

A Basketmaker in Rural Japan

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Duration: 11:24
Updated: 21 Dec 2012

"A Basketmaker in Rural Japan" 1994 11 minutes Made for the exhibition A Basketmaker in Rural Japan at the Arthur M. Sackler Gallery Arthur M. Sackler Gallery. Funding from the Smithsonian Institution Special Exhibition Fund. Video footage donated by UMK Television Miyazaki. "A Basketmaker in Rural Japan" introduces the life work of Hiroshima Kazuo (born 1915), the last professional basketmaker in the mountainous Hinokage region on Japan's island of Kyushu. Viewers can watch Mr. Hiroshima make a creel while listening to his descriptions of his apprenticeship, the role of basketmakers in Japanese rural society, and his feelings about his work. Freer Gallery of Art and Arthur M. Sackler Gallery

http://wn.com/A_Basketmaker_in_Rural_Japan

Griffes - The Pleasure-Dome of Kubla-Khan (1915)

Order: Reorder
Duration: 9:05
Updated: 09 Nov 2010

The Pleasure-Dome of Kubla-Khan (1915) A work for solo piano by American composer Charles Tomlinson Griffes (1884-1920). In his short life, Griffes evolved from a Wagnerite and protégé of Engelbert Humperdinck into a composer of remarkably distinctive, atmospheric, somewhat jazz-influenced piano music. "The Pleasure-Dome of Kubla-Khan" is, of course, based on the famous poem by Samuel Taylor Coleridge "Kubla Khan." Ferruccio Busoni suggested to Griffes that he orchestrate this work as a symphonic poem, and in this form "The Pleasure-Dome of Kubla-Khan" brought Griffes considerable success and recognition. Pianist: Michael Lewin Kubla Khan (by Samuel Taylor Coleridge) In Xanadu did Kubla Khan A stately pleasure-dome decree: Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea. So twice five miles of fertile ground With walls and towers were girdled round: And there were gardens bright with sinuous rills, Where blossomed many an incense-bearing tree; And here were forests ancient as the hills, Enfolding sunny spots of greenery. But oh! that deep romantic chasm which slanted Down the green hill athwart a cedarn cover! A savage place! as holy and enchanted As e'er beneath a waning moon was haunted By woman wailing for her demon-lover! And from this chasm, with ceaseless turmoil seething, As if this earth in fast thick pants were breathing, A mighty fountain momently was forced: Amid whose swift half-intermitted burst Huge fragments vaulted like rebounding hail, Or chaffy grain beneath the thresher's flail: And 'mid these dancing rocks at once and ever It flung up momently the sacred river. Five miles meandering with a mazy motion Through wood and dale the sacred river ran, Then reached the caverns measureless to man, And sank in tumult to a lifeless ocean: And 'mid this tumult Kubla heard from far Ancestral voices prophesying war! The shadow of the dome of pleasure Floated midway on the waves; Where was heard the mingled measure From the fountain and the caves. It was a miracle of rare device, A sunny pleasure-dome with caves of ice! A damsel with a dulcimer In a vision once I saw: It was an Abyssinian maid, And on her dulcimer she played, Singing of Mount Abora. Could I revive within me Her symphony and song, To such a deep delight 'twould win me, That with music loud and long, I would build that dome in air, That sunny dome! those caves of ice! And all who heard should see them there, And all should cry, Beware! Beware! His flashing eyes, his floating hair! Weave a circle round him thrice, And close your eyes with holy dread, For he on honey-dew hath fed, And drunk the milk of Paradise.

http://wn.com/Griffes_The_Pleasure-Dome_of_Kubla-Khan_1915

Sergei Taneyev (1856-1915): Mozart - Fantasy in C minor K.396

Order: Reorder
Duration: 2:47
Updated: 10 Jan 2009

Sergei Taneyev was a student of Tchaikowsky and Rubinstein. He was a brilliant pianist, premiering works by major composers of his time. He was later a teacher of composition and piano at the Moscow Conservatory, later becoming the director of the Conservatory. His pupils there included Glière, Scriabin and Rachmaninoff. This recording of Taneyev playing Mozart's C minor Fantasy was made onto an Edison cylinder in 1891 by the pioneering Russian entrepeneur Julius Block. It is just the first part of the work: the cylinder was too short to record the whole work.

http://wn.com/Sergei_Taneyev_1856-1915_Mozart_Fantasy_in_C_minor_K396

Armenian patriotic songs (Freedom Fighters "Fedayi" 1915-1920)

Order: Reorder
Duration: 14:06
Updated: 08 Feb 2013

Fedayi (Arabic - sacrificing himself for the idea of holy struggle), members of the armed struggle of the Armenian people against the Turkish invaders in Western Armenia, Kilikia and the Armenian-populated areas Ottoman Empire in the late XIX - early XX centuries. Pursued both social and national liberation. Fida act according to certain principles, which were later compiled and presented Andranik in its "combat manuals." Fida swore (UGT) to spare no lives for the motherland and the people, to be truthful, morally clean, to respect the mystery entrusted to them, to keep in order guns, shoot straight, settle modest food, not to drink alcoholic beverages, with respect to the working people, to be brave and resourceful in battle, defeating the enemy, even if he has a numerical superiority. The first groups of Fedayi in Mush and Sasun led Arab and IChO Shaen in Vaspourakan - Villagers Kachet Chato and Shero. Of the group made a number of well-known Arab Fida, including Gevorg Chaush and others. In the second half of the 1880s. this movement in Hnuse and Karina headed Hagop Sarkavag in Taron and Sasun - Margar Varzhapet. In the late 80's and early 90's. The nineteenth century. Erznka in Sebastia and operated group Hovhannes Minasyan. Toros Tsarukyan (Chello) - in Vardo, in Aleppo - Miridzhana. Fida group frequently replenished Armenian youth, who moved to Western Armenia in Eastern Armenia, Armenian-populated parts of Russia. In 1890. formed groups Bitlistsi Mushegh, Aghbyur Serob, Andranik, Spaganats Makara. Fida known Dzhohk Hrayr tried to turn disparate actions feed in a broad popular movement into a general uprising against the Ottoman rule. Several Fidan advocated the creation of an alliance with the working people of other non-Turkish peoples of the Ottoman empire. After the Young Turk Revolution in 1908 was granted amnesty Fida, most of them returned to the peaceful work. At the beginning of the First World War, 1914-18, many Tidal forces entered the Armenian volunteers, and during the genocide of Armenians in Turkey participated in the self-defense of the Armenians. Armenian people praised the heroism of the feed devoted to them songs. Poems dedicated feed, created D. Varuzhan, Tumanyan, A. Isahakyan and other poets, the book H. Dashtents "Call ploughmen" created a number of known images of the feed they devoted many paintings of Armenian artists. Fedayi movement, led by the Armenian National Party, is a brilliant page of the national liberation struggle of the Armenian people.

http://wn.com/Armenian_patriotic_songs_Freedom_Fighters_Fedayi_1915-1920

By The Sea 1915

Order: Reorder
Duration: 9:21
Updated: 02 Dec 2012

By the Sea is a 1915 film Charlie Chaplin made while waiting for a studio to work in Los Angeles. He just left Niles Essanay Studio after doing five films at that location. By the Sea was filmed all on location at Crystal Pier in April 1915.

http://wn.com/By_The_Sea_1915

" Who Squares ? " an imagenistic homage to Kazimir Malevich and Josef Albers by Paul Rolans

Order: Reorder
Duration: 4:01
Updated: 12 Dec 2012

"In 1915, Malevich laid down the foundations of Suprematism when he published his manifesto From Cubism to Suprematism. In 1915--1916 he worked with other Suprematist artists in a peasant/artisan co-operative in Skoptsi and Verbovka village. In 1916--1917 he participated in exhibitions of the Jack of Diamonds group in Moscow together with Nathan Altman, David Burliuk and A. Ekster, The most amous examples of his Suprematist work is the Black Square .The first Black Square was painted in 1915 and became the turning point in the development of Russian avant-garde. (From Wikipedia) Malevich: "When, in the year 1913, in my desperate attempt to free art from the ballast of objectivity, I took refuge in the square form and exhibited a picture which consisted of nothing more than a black square on a white field, the critics and, along with them, the public sighed, "Everything which we loved is lost. We are in a desert... Before us is nothing but a black square on a white background!" "But this desert is filled with the spirit of nonobjective sensation which pervades everything." Homage to the Square by Josef Albers "Accomplished as a designer, photographer, typographer, printmaker and poet, Albers is best remembered for his work as an abstract painter and theorist. He favored a very disciplined approach to composition. Most famous of all are the hundreds of paintings and prints that make up the series Homage to the Square. In this rigorous series, begun in 1949, Albers explored chromatic interactions with nested squares. The optical effects Albers created—shimmering color contrasts and the illusion of receding and advancing planes—were meant not so much to deceive the eye as to challenge the viewer's faculties of visual reception. This shift in emphasis from perception willed by the artist to reception engineered by the viewer is the philosophical root of the Homage to the Square series. Albers tried to teach the mechanics of vision and show even the uninformed viewer how to see." (Cornelia Lauf and Wikipedia)

http://wn.com/_Who_Squares_?_an_imagenistic_homage_to_Kazimir_Malevich_and_Josef_Albers_by_Paul_Rolans

The Long Way Home / Heaven Is in the Sky / I Have Three Heads / Epitaph's Spoon River Anthology

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Duration: 95:48
Updated: 10 Jan 2013

Spoon River Anthology (1915), by Edgar Lee Masters, is a collection of short free-form poems that collectively describe the life of the fictional small town of Spoon River, named after the real Spoon River that ran near Masters' home town. The collection includes two hundred and twelve separate characters, all providing two-hundred forty-four accounts of their lives and losses. The poems were originally published in the magazine Reedy's Mirror. Each following poem is an epitaph of a dead citizen, delivered by the dead themselves. They speak about the sorts of things one might expect: some recite their histories and turning points, others make observations of life from the outside, and petty ones complain of the treatment of their graves, while few tell how they really died. Speaking without reason to lie or fear the consequences, they construct a picture of life in their town that is shorn of façades. The interplay of various villagers — e.g. a bright and successful man crediting his parents for all he's accomplished, and an old woman weeping because he is secretly her illegitimate child — forms a gripping, if not pretty, whole. The subject of afterlife receives only the occasional brief mention, and even those seem to be contradictory. The work features such characters as Tom Merritt, Amos Sibley, Carl Hamblin, Fiddler Jones and A.D. Blood. Many of the characters that make appearances in Spoon River Anthology were based on real people that Masters knew or heard of in the two towns in which he grew up, Petersburg and Lewistown, Illinois. Most notable is Ann Rutledge, regarded in local legend to be Abraham Lincoln's early love interest though there is no actual proof of such a relationship. Rutledge's grave can still be found in a Petersburg cemetery, and a tour of graveyards in both towns reveals most of the surnames that Masters applied to his characters. Other local legends assert that Masters' fictional portrayal of local residents, often in unflattering light, created a lot of embarrassment and aggravation in his hometown. This is offered as an explanation for why he chose not to settle down in Lewistown or Petersburg. Spoon River Anthology is often used in second year characterization work in the Meisner technique of actor training. http://en.wikipedia.org/wiki/Spoon_River_Anthology

http://wn.com/The_Long_Way_Home_Heaven_Is_in_the_Sky_I_Have_Three_Heads_Epitaph's_Spoon_River_Anthology

44 A woman - Charlie Chaplin (1915)

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Duration: 19:46
Updated: 04 Jan 2013

http://wn.com/44_A_woman_Charlie_Chaplin_1915

Group of workers harvesting tea-photo: 1905 -1915 = i make up a song to this picture

Order: Reorder
Duration: 4:26
Updated: 11 Feb 2013

Hi, it's Bieni, i found this picture on Wikipedia. Isn't that a beautiful picture of all these people picking tea? These women are in Georgia. Whoever took this picture, took a beautiful picture of beautiful people working hard. I guess they are all ready to work and pick tea leaves. Hi, it's Bieni, we love to eat sardines, so i thought i'd make a film about them.I hope you enjoy it. We love to drink tea - specially i am. I made up a song. I really love to drink tea. I need to say though that when i sang ...at bedtime, that i thought of drinking tea at bedtime, not a caffeinated tea, but i also still call a peppermint tea or other herbal teas teas. That's what we always said in Germany, where i grew up. I just learned a few months back that these "teas" are called tea sane. Yes, don't drink a tea from the camelia tea leaf at bedtime. You won't sleep all night. It'll keep you up. Love, Bieni :O) PS: i have another film out on bienisfilms about tea. It's called: Tea Harvest = tea pickers in China with Erhu music = http://www.youtube.com/watch?v=xuTItItQBdk

http://wn.com/Group_of_workers_harvesting_tea-photo_1905_-1915_=_i_make_up_a_song_to_this_picture

"The Cheat" (1915) - by Cecil DeMille SILENT FILM

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Duration: 58:55
Updated: 20 Jan 2012

This was a slightly scandalous film when it was released. An early work of Cecil DeMille's that had to do with infidelity and interracial relationships back in 1915. it still stands as one of the best silent films out there. Starring Fannie Hill and the excellent Sessue Hayakawa. It's a real winner.

http://wn.com/The_Cheat_1915_by_Cecil_DeMille_SILENT_FILM

Work
Directed by	Charlie Chaplin
Produced by	Jess Robbins
Written by	Charlie Chaplin
Starring	Charles Chaplin Charles Inslee Billy Armstrong Edna Purviance Leo White
Music by	Robert Israel (Kino video release)
Cinematography	Harry Ensign
Editing by	Charlie Chaplin
Distributed by	Essanay Studios General Film Company
Release date(s)	June 21, 1915
Running time	33 minutes
Country	United States
Language	Silent film English (original intertitles)

Make changes yourself !

External links [link]

http://wn.com/Work_(1915_film)

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