Not to be confused with the similarly-pronounced Elba.

Elbe
Czech: Labe, German: Elbe, Low German: Ilv or Elv
River
The Elbe (Labe) near Děčín, Czech Republic
Countries	Czech Republic, Germany
Regions	Hradec Králové, Pardubice, Central Bohemia, Ústí nad Labem, Saxony, Saxony-Anhalt, Brandenburg, Lower Saxony, Mecklenburg-Vorpommern, Hamburg, Schleswig-Holstein
Tributaries
- left	Vltava, Ohře, Mulde, Saale, Ohre, Ilmenau, Luhe, Oste
- right	Jizera, Schwarze Elster, Havel, Elde, Bille, Alster
Cities	Pardubice, Ústí nad Labem, Dresden, Meißen, Wittenberg, Dessau, Magdeburg, Hamburg, Stade, Cuxhaven
Source	Bílé Labe
- location	Krkonoše, Czech Republic
- elevation	1,386 m (4,547 ft)
- coordinates	50°46′32.59″N 15°32′10.14″E / 50.7757194°N 15.53615°E / 50.7757194; 15.53615
Mouth	North Sea
- elevation	0 m (0 ft)
- coordinates	53°55′20″N 8°43′20″E / 53.92222°N 8.72222°E / 53.92222; 8.72222
Length	1,091 km (678 mi)
Basin	148,268 km2 (57,247 sq mi)
Discharge	mouth
- average	711 m3/s (25,109 cu ft/s)
- max	1,232 m3/s (43,508 cu ft/s)
- min	493 m3/s (17,410 cu ft/s)
Discharge elsewhere (average)
- Děčín	303 m3/s (10,700 cu ft/s)
The Elbe watershed
Tributaries of the Elbe

The Elbe (Czech:  Labe (help·info); German: Elbe; Low German: Ilv) is one of the major rivers of Central Europe. It rises in the Krkonoše Mountains of the northwestern Czech Republic before traversing much of Bohemia (Czech Republic), then Germany and flowing into the North Sea at Cuxhaven, 110 km northwest of Hamburg. Its total length is 1,094 kilometres (680 mi).^[1]

The Elbe's major tributaries include the Vltava, Saale, Havel, Mulde, Schwarze Elster, and Ohre rivers.^[1]

The Elbe River basin, comprising the Elbe and its tributaries, has a catchment area of 148,268 square kilometres (57,247 sq mi), the fourth largest in Europe. The basin spans four countries, with its largest parts in Germany (65.5%) and the Czech Republic (33.7%). Much smaller parts lie in Austria (0.6%) and Poland (0.2%). The basin is inhabited by 24.5 million people.^[1]

Course[link]

In the Czech Republic[link]

The Elbe rises at an elevation of about 1,400 metres (4,593 ft) in the Krkonoše (also known as Giant Mountains or in German as Riesengebirge) on the northwest borders of the Czech Republic. Of the numerous small streams whose waters compose the infant river, the most important is the Bílé Labe, or White Elbe. After plunging down the 60 metres (197 ft) of the Labský vodopád, or Elbe Falls, the latter stream unites with the steeply torrential Malé Labe, and thereafter the united stream of the Elbe pursues a southerly course, emerging from the mountain glens at and continuing on to Pardubice, where it turns sharply to the west. At Kolín some 43 kilometres (27 mi) further on, it bends gradually towards the north-west.

At the village of Káraný, a little above Brandýs nad Labem it picks up the Jizera.

At Mělník its stream is more than doubled in volume by the Vltava, or Moldau, a river which winds northwards through Bohemia. Although upstream from the confluence Vltava is longer (434 kilometres (270 mi) against 294 kilometres (183 mi)), has larger discharge and larger drainage basin, due to historical reasons (at the confluence the Elbe flows through prominent wide valley while the Vltava, flowing into the valley, meets the Elbe at almost a right angle, so it appears as a tributary) the river continues as Elbe.

Some distance lower down, at Litoměřice, the waters of the Elbe are tinted by the reddish Ohře (Eger). Thus augmented, and swollen into a stream 140 metres (459 ft) wide, the Elbe carves a path through the basaltic mass of the České Středohoří, churning its way through a deep, narrow rocky gorge.

In Germany[link]

Shortly after crossing the Czech-German frontier, and passing through the sandstone defiles of the Elbe Sandstone Mountains, the stream assumes a north-westerly direction, which on the whole it preserves right to the North Sea.

The river rolls through Dresden and finally, beyond Meißen, enters on its long journey across the North German Plain passing along the former border of East Germany, touching Torgau, Wittenberg, Dessau, Magdeburg, Wittenberge, and Hamburg on the way, and taking on the waters of the Mulde and Saale from the west, and those of the Schwarze Elster, Havel and Elde from the east. In its northern section both banks of the Elbe are characterised by flat, very fertile marshlands (Elbe Marshes), former flood plains of the Elbe now diked.

At Magdeburg there is a viaduct, the Magdeburg Water Bridge, that carries a canal and its shipping traffic, over the Elbe and its banks, allowing shipping traffic to pass under it unhindered.

The middle Elbe in the north German lowland near the village of Gorleben. In this section, the river had been part of the Iron Curtain between West and East Germany during the Cold War. For that reason, the riverbanks even today look relatively natural and undeveloped.

Soon the Elbe reaches Hamburg. Within the city-state the Elbe has a number of branch streams, such as Dove Elbe, Gose Elbe, Köhlbrand, Northern Elbe (Norderelbe), Reiherstieg, Southern Elbe (Süderelbe). Some of which have been disconnected for vessels from the main stream by dikes. In 1390 the Gose Elbe (literally in English: shallow Elbe) was separated from the main stream by a dike connecting the two then-islands of Kirchwerder and Neuengamme. The Dove Elbe (literally in English: deaf Elbe) was diked off in 1437/38 at Gammer Ort. These hydraulic engineering works were carried out to protect marshlands from inundation, and to improve the water supply of the Port of Hamburg. After the heavy inundation by the North Sea flood of 1962 the western section of the Southern Elbe was separated, becoming the Old Southern Elbe, while the waters of the eastern Southern Elbe now merge into the Köhlbrand, which is bridged by the Köhlbrandbrücke, the last bridge over the Elbe before the North Sea.

The Northern Elbe passes the Elbe Philharmonic Hall and is then crossed under by the old Elbe Tunnel (Alter Elbtunnel), both in Hamburg's city centre. A bit more downstream the Northern Elbe and the Köhlbrand reunite to form the Lower Elbe stream south of Altona-Altstadt, a locality of Hamburg. Right at its beginning the Lower Elbe is passed under by the New Elbe Tunnel (Neuer Elbtunnel), the last structural road link crossing the river before the North Sea. Leaving the city-state the Lower Elbe then passes between Holstein and the Elbe-Weser Triangle with Stade until it flows into the North Sea at Cuxhaven. Near its mouth it passes the entrance to the Kiel Canal at Brunsbüttel before it debouches into the North Sea.

Towns and cities on the Elbe[link]

The Elbe near Festung Königstein in Germany.

Navigation[link]

The Elbe has been navigable by commercial vessels since 1842, and provides important trade links as far inland as Prague. The river is linked by canals (Elbe-Seitenkanal, Elbe-Havel Canal, Mittellandkanal) to the industrial areas of Germany and to Berlin. The Elbe-Lübeck Canal links the Elbe to the Baltic Sea, as does the Kiel Canal, whose western entrance is near the mouth of the Elbe. The Elbe-Weser Shipping Channel connects the Elbe with the Weser.

By the Treaty of Versailles the navigation on the Elbe became subject to the International Commission of the Elbe, seated in Dresden.^[2] The statute of the Commission was signed in Dresden on February 22, 1922.^[3] Following articles 363 and 364 of the Treaty of Versailles, Czechoslovakia was entitled to lease its own harbour bassin, Moldauhafen in Hamburg. The contract of lease with Germany, and supervised by the United Kingdom, was signed on February 14, 1929 and will end in 2028. Since 1993 the Czech Republic holds the former Czechoslovak legal position.

Before Germany was reunited, waterway transport in Western Germany was hindered by the fact that inland navigation to Hamburg had to pass through the German Democratic Republic. The Elbe-Seitenkanal (Elbe Lateral Canal) was built between the West German section of the Mittellandkanal and the Lower Elbe to restore this connection. When the two nations were reunited, works were begun to improve and restore the original links: the Magdeburg Water Bridge now allows large barges to cross the Elbe without having to enter the river. The often low water levels of the Elbe do not hinder navigation to Berlin any longer.^[4]

Islands[link]

The biggest Elbe island of Wilhelmsburg between the Northern and the Southern Elbe in Hamburg

The mouth of the Elbe with the island Trischen in the North Sea.

Outer Elbe (estuary)[link]

• Medemsand
• Neuwerk – an exclave of Hamburg's borough of Mitte (centre)
• Nigehörn – an exclave Hamburg's borough of Mitte
• Scharhörn – an exclave Hamburg's borough of Mitte

Lower Elbe[link]

• Rhinplatte – west of Glückstadt
• Schwarztonnensand - east of Drochtersen
• Pagensand - west of Seestermühe
• Bishorst - west of Wedel
• Lühesand - east of Stade
• Hanskalbsand - south of Schulau
• Hahnöfersand - north of Jork
• Neßsand - south of Tinsdal
• Schweinesand - south of Blankenese (Hamburg)

Between Northern and Southern Elbe (Norderelbe/Süderelbe)[link]

• Finkenwerder – in Hamburg's borough of Mitte (centre)
• Kaltehofe (also "Kalte Hofe") – in Hamburg's borough of Mitte
• Wilhelmsburg, including the islands Veddel, Georgswerder, Kleiner Grasbrook, Steinwerder, Peute and several more – in Hamburg's borough of Mitte

Middle Elbe[link]

• Steinkopfinsel – in Magdeburg
• Rotehorninsel – in Magdeburg

Upper reaches[link]

• Gauernitzer Elbinsel – east of Gauernitz in the Dresden Basin between Dresden and Meißen
• Pillnitzer Elbinsel – in Dresden's southern quarter of Pillnitz in the Dresden Basin

Headwaters[link]

• Kmochův – in Kolín

Ferries[link]

The Dolní Žleb Ferry.

The Wörlitz Coswig Ferry.

The Zollenspieker Ferry.

The Elbe is crossed by many ferries, both passenger and car carrying. In downstream order, these include:^[5]

• Dolní Žleb Ferry, at Dolní Žleb in the Děčín District
• Rathen Ferry, at Rathen
• Pillnitz Kleinzschachwitz Ferry, in the eastern suburbs of Dresden
• Laubegast Niederpoyritz Ferry, in Dresden
• Johannstadt Neustadt Ferry, in Dresden
• Belgern Ottersitz Ferry, between Belgern and Ottersitz
• Dommitzsch Prettin Ferry, between Dommitzsch and Prettin
• Mauken Pretzsch Ferry, between Mauken and Pretzsch
• Wartenburg Elster Ferry, between Wartenburg and Elster
• Wörlitz Coswig Ferry, between Wörlitz and Coswig
• Steutz Aken Ferry, between Steutz and Aken
• Tochheim Ferry, between Tochheim and Alt Tochheim near Breitenhagen
• Ronney Barby Ferry, between Barby and Walternienburg
• Westerhüsen Ferry, at Westerhüsen near Magdeburg
• Schartau Rogätz Ferry, between Schartau and Rogätz
• Ferchland Grieben Ferry, between Ferchland and Grieben
• Sandau Büttnershof Ferry, between Sandau and Büttnershof
• Räbel Havelberg Ferry, between Räbel and Havelberg
• Lenzen Pevestorf Ferry, between Lenzen and Pevestorf
• Darchau Ferry, between Darchau and Neu Darchau
• Bleckede Ferry, between Bleckede and Neu Bleckede
• Zollenspieker Ferry, between Kirchwerder and Winsen (Luhe) to the east of Hamburg
• Ferries in the port of Hamburg, operated by HADAG^[6]
• Wischhafen Glückstadt Ferry, between Wischhafen and Glückstadt to the west of Hamburg

Many of these ferries are traditional reaction ferries, a type of cable ferry that uses the current flow of the river to provide propulsion.

Etymology[link]

First attested in Latin as Albis, the name Elbe means "river" or "river-bed" and is nothing more than the High German version of a word (albiz) found elsewhere in Germanic; cf. Old Norse river name Elfr, Swedish älv "river", Old English river name Ielf, and Middle Low German elve "river-bed".^[7]

History[link]

The Elbe was recorded by Ptolemy as Albis (Germanic for "river") in Germania Magna with its source in the Asciburgis mountains (Krkonoše, Riesengebirge or Giant Mountains), where the Germanic Vandalii lived.

The Elbe feeds the Port of Hamburg.

The Elbe passing Dresden.

The Elbe has long been an important delineator of European geography. The Romans knew the river as the Albis; however, they only attempted once to move the Eastern border of their empire forward from the Rhine to the Elbe, and this attempt failed in the Battle of the Teutoburg Forest in 9 AD, after which they never seriously tried again. In the Middle Ages it formed the eastern limit of the Empire of Charlemagne. The river's navigable sections were also essential to the success of the Hanseatic League and much trade was carried on its waters.

The Elbe delineated the western parts of Germany from the eastern so-called East Elbia, where soccage and serfdom were more strict and prevailed longer, than westwards of the river, and where feudal lords held bigger estates than in the west. Thus incumbents of huge land-holdings became characterised as East Elbian Junkers. The Northern German area north of the Lower Elbe used to be called North Albingia in the Middle Ages. When the four Lutheran church bodies there united in 1977 they chose the name North Elbian Evangelical Lutheran Church. Other, administrative units were named after the river Elbe, such as the Westphalian Elbe département (1807–1813) and the Lower Elbe département (1810), and the French département Bouches-de-l'Elbe (1811–1814).

In 1945, as World War II was drawing to a close, Nazi Germany was caught between the armies of the western Allies advancing from the west and the Soviet Union advancing from the east. On 25 April 1945, these two forces linked up near Torgau, on the Elbe. The event was marked as Elbe Day. After the war, the Elbe formed part of the border between East Germany and West Germany.

During the 1970s, the Soviet Union stated that Adolf Hitler's ashes had been scattered in the Elbe following disinterment from their original burial site.^[8][9]

See also[link]

• 2002 European floods
• 2006 European floods
• Saxon Elbeland - the region of the Upper Elbe in Germany

References[link]

External links[link]

Wikimedia Commons has media related to: Elbe

• Ancient library Albis river in Germania Magna
• Source of Albis river in Asciburgis (Riesengebirge Giants mountains
• information and pictures of the spring of Labe in Giant Mountains (Krkonoše, Riesengebirge)

Geographic data related to Elbe at OpenStreetMap

• Mühlanger , Wittenberg district in Saxony-Anhalt, Germany. 9 km to Lutherstadt Wittenberg –Germany --click-on: Bildergalerie click-on..click-around
• Hamburg-Wedel-Elbe-Web-Cams
• Hamburg-Cruise-Center + Elbphilharmonie Hamburg- Elbe-Harbour-Web-Cams

Frederick Emerson Small (born November 6, 1952), known publicly as Fred Small, is an American singer-songwriter. He is also a lawyer and a Unitarian Universalist minister. His songs often make a political or ethical statement. Among his best-known songs are "Heart of the Appaloosa," "Everything Possible," "Peace Is", and "Cranes Over Hiroshima". He is hailed by Pete Seeger as "one of America's best songwriters".

In 1996 he became the minister of First Church Unitarian in Littleton, Massachusetts. On April 20, 2008 he was called as Senior Minister at the First Parish Church in Cambridge, Massachusetts.

His original album "Love's Gonna Carry Us" had featured Small by himself singing and playing the guitar. However, as Small became more famous, his albums included more instruments and more appearances by other artists, including instrumental and vocal backing by popular New England folk artists. Famous fiddlers, guitarists, and mandolin players alike became a part of Small’s discography and helped Small increase his popularity. ^[1]

Discography[link]

• Love's Gonna Carry Us (1981)
• The Heart of the Appaloosa (1983)
• No Limit (1985)
• I Will Stand Fast (1988)
• Jaguar (1991)
• Everything Possible (1993)
• Only Love (2001)

References[link]

External links[link]

• Fred Small at Allmusic
• "Fred Small" - biography on First Church Unitarian website
• "Fred Small" - First Parish in Cambridge Unitarian Universalist website
• Former official site - from the Internet Archive
• Fred Small fansite

This article about a United States singer is a stub. You can help Wikipedia by expanding it. v t e

Johann Strauss II

Johann Strauss II (October 25, 1825 – June 3, 1899), also known as Johann Baptist Strauss or Johann Strauss, Jr., the Younger, or the Son (German: Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely then responsible for the popularity of the waltz in Vienna during the 19th century.

Strauss was born in St. Ulrich (now a part of Neubau), the son of Johann Strauss I, another composer of dance music. His father did not wish him to become a composer, but rather a banker; however, the son defied his father's wishes, and went on to study music with the composer Joseph Drechsler and the violin with Anton Kollmann, the ballet répétiteur of the Vienna Court Opera. Strauss had two younger brothers, Josef and Eduard Strauss, who became composers of light music as well, although they were never as well known as their elder brother.

Some of Johann Strauss's most famous works include The Blue Danube, Kaiser-Walzer, Tales from the Vienna Woods, the Tritsch-Tratsch-Polka, and the Pizzicato Polka. Among his operettas, Die Fledermaus and Der Zigeunerbaron are the most well-known.

Early life[link]

His father, Johann Strauss I, in an etching from 1835

Strauss was born in St. Ulrich near Vienna (now a part of Neubau), Austria, on October 25, 1825, to the famous composer Johann Strauss I. His father did not want him to become a musician but rather a banker.^[1] Nevertheless, Strauss Junior studied the violin secretly as a child with the first violinist of his father's orchestra, Franz Amon.^[1] When his father discovered his son secretly practising on a violin one day, he gave him a severe whipping, saying that he was going to beat the music out of the boy.^[2] It seems that rather than trying to avoid a Strauss rivalry, the elder Strauss only wanted his son to escape the rigours of a musician's life.^[3] It was only when the father abandoned his family for a mistress, Emilie Trampusch, that the son was able to concentrate fully on a career as a composer with the support of his mother.^[4]

Strauss studied counterpoint and harmony with theorist Professor Joachim Hoffmann,^[1] who owned a private music school. His talents were also recognized by composer Joseph Drechsler, who taught him exercises in harmony. His other violin teacher, Anton Kollmann, who was the ballet répétiteur of the Vienna Court Opera, also wrote excellent testimonials for him. Armed with these, he approached the Viennese authorities to apply for a license to perform.^[5] He initially formed his small orchestra where he recruited his members at the Zur Stadt Belgrad tavern, where musicians seeking work could be hired easily.^[6]

Debut as a composer[link]

Johann Strauss in his younger years

Johann Strauss I's influence over the local entertainment establishments meant that many of them were wary of offering the younger Strauss a contract for fear of angering the father.^[4] Strauss Jr. was able to persuade the Dommayer's Casino in Hietzing, a suburb of Vienna, to allow him to perform.^[7] The elder Strauss, in anger at his son's disobedience, and at that of the proprietor, refused to ever play at the Dommayer's Casino again,^[8] which had been the site of many of his earlier triumphs.

Strauss made his debut at Dommayer's in October 1844, where he performed some of his first works, such as the waltzes "Sinngedichte", Op. 1 and "Gunstwerber", Op. 4 and the polka "Herzenslust", Op. 3.^[1] Critics and the press were unanimous in their praise for Strauss's music. A critic for Der Wanderer commented that "Strauss’s name will be worthily continued in his son; children and children’s children can look forward to the future, and three-quarter time will find a strong footing in him."^[1]

Strauss at the beginning of his career.

Despite the initial fanfare, Strauss found his early years as a composer difficult, but he soon won over audiences after accepting commissions to perform away from home. The first major appointment for the young composer was his award of the honorary position of "Kapellmeister of the 2nd Vienna Citizen's Regiment", which had been left vacant following Joseph Lanner's death two years before.^[9]

Vienna was wracked by a bourgeois revolution on February 24, 1848, and the intense rivalry between father and son became much more apparent. Johann Jr. decided to side with the revolutionaries. It was a decision that was professionally disadvantageous, as the Austrian royalty twice denied him the much coveted 'KK Hofballmusikdirektor' position, which was first designated especially for Johann I in recognition of his musical contributions. Further, the younger Strauss was also arrested by the Viennese authorities for publicly playing "La Marseillaise", but was later acquitted.^[10] The elder Strauss remained loyal to the monarchy, and composed his "Radetzky March", Op. 228 (dedicated to the Habsburg field marshal Joseph Radetzky von Radetz), which would become one of his best-known compositions.^[11]

When the elder Strauss died from scarlet fever in Vienna in 1849, the younger Strauss merged both their orchestras and engaged in further tours.^[1] Later, he also composed a number of patriotic marches dedicated to the Habsburg Emperor Franz Josef I, such as the "Kaiser Franz-Josef Marsch" Op. 67 and the "Kaiser Franz Josef Rettungs Jubel-Marsch" Op. 126, probably to ingratiate himself in the eyes of the new monarch, who ascended to the Austrian throne after the 1848 revolution.^[1]

Career advancements[link]

Strauss Jr. eventually surpassed his father's fame, and became one of the most popular waltz composers of the era, extensively touring Austria–Hungary, Poland, and Germany with his orchestra. He applied for the KK Hofballmusikdirektor Music Director of the Royal Court Balls position, which he eventually attained in 1863,^[1] after being denied several times before for his frequent brushes with the local authorities.

In 1853, due to constant mental and physical demands, Strauss suffered a nervous breakdown.^[1] He took a seven-week vacation in the countryside in the summer of that year, on the advice of doctors. Johann's younger brother Josef was persuaded by his family to abandon his career as an engineer and take command of Johann's orchestra in the interim.^[1]

In 1855, Strauss accepted commissions from the management of the Tsarskoye-Selo Railway Company of Saint Petersburg to play in Russia for the Vauxhall Pavilion at Pavlovsk in 1856. He would return to perform in Russia every year until 1865.^[1]

Later, in the 1870s, Strauss and his orchestra toured the United States, where he took part in the Boston Festival at the invitation of bandmaster Patrick Gilmore and was the lead conductor in a 'Monster Concert' of over 1000 performers,^[12] performing his "Blue Danube" waltz, amongst other pieces, to great acclaim.^[12]

Marriages[link]

Strauss married the singer Henrietta Treffz in 1862, and they remained together until her death in 1878.^[1] Six weeks after her death,^[1][13] Strauss married the actress Angelika Dittrich. Dittrich was not a fervent supporter of his music, and their differences in status and opinion, and especially her indiscretion, led him to seek a divorce.^[1]

Strauss was not granted a divorce by the Roman Catholic Church, and therefore changed religion and nationality, and became a citizen of Saxe-Coburg-Gotha in January 1887.^[1] Strauss sought solace in his third wife Adele Deutsch, whom he married in August 1882. She encouraged his creative talent to flow once more in his later years, resulting in many famous compositions, such as the operettas Der Zigeunerbaron and Waldmeister, and the waltzes "Kaiser-Walzer" Op. 437, "Kaiser Jubiläum" Op. 434, and "Klug Gretelein" Op. 462.

Musical rivals and admirers[link]

Johann Strauss and Johannes Brahms photographed in Vienna.

Although Strauss was the most sought-after composer of dance music in the latter half of the 19th century, stiff competition was present in the form of Karl Michael Ziehrer and Émile Waldteufel; the latter held a commanding position in Paris.^[14] Phillip Fahrbach also denied the younger Strauss the commanding position of the KK Hofballmusikdirektor when the latter first applied for the post. The German operetta composer Jacques Offenbach, who made his name in Paris, also posed a challenge to Strauss in the operetta field.^[15]

Strauss was admired by other prominent composers: Richard Wagner once admitted that he liked the waltz "Wein, Weib und Gesang" Op. 333.^[16] Richard Strauss (unrelated to the Strauss family), when writing his Rosenkavalier waltzes, said in reference to Johann Strauss, "How could I forget the laughing genius of Vienna?"^[17]

Johannes Brahms was a personal friend of Strauss; the latter dedicated his waltz "Seid umschlungen, Millionen!" ("Be Embraced, You Millions!"), Op. 443, to him.^[18] A story is told in biographies of both men that Strauss's wife Adele approached Brahms with a customary request that he autograph her fan. It was usual for the composer to inscribe a few measures of his best-known music, and then sign his name. Brahms, however, inscribed a few measures from the "Blue Danube", and then wrote beneath it: "Unfortunately, NOT by Johannes Brahms."^[19]

Stage works[link]

The most famous of Strauss' operettas are Die Fledermaus, Eine Nacht in Venedig, and Der Zigeunerbaron. Notwithstanding their general lack of modern popularity, there are many dance pieces drawn from themes of his operettas, such as "Cagliostro-Walzer" Op. 370 (from Cagliostro in Wien), "O Schöner Mai" Walzer Op. 375 (from Prinz Methusalem), "Rosen aus dem Süden" Walzer Op. 388 (from Das Spitzentuch der Königin), and "Kuss-Walzer" op. 400 (from Der lustige Krieg), that have survived obscurity and become well-known. Strauss also wrote an opera, Ritter Pázmán,^[20] and was in the middle of composing a ballet, Aschenbrödel, when he died in 1899.^[21]

Death and legacy[link]

A statue of the Waltz King in Stadtpark, Vienna

Silhouette by Otto Böhler

Strauss was diagnosed with pleural pneumonia in the spring of 1899,^[21] and died in Vienna, at the age of 73. He was buried in the Zentralfriedhof. At the time of his death, he was still composing his ballet Aschenbrödel.^[21]

Strauss's music is now regularly performed at the annual Neujahrskonzert of the Vienna Philharmonic Orchestra, as a result of the efforts by Clemens Krauss who performed a special all-Strauss programme in 1929 with the Viennese orchestra. Many distinguished Strauss interpreters include Willi Boskovsky,^[22] who carried on the "Vorgeiger" tradition of conducting with violin in hand, as is the Strauss family custom, as well as Herbert von Karajan and the opera conductor Riccardo Muti. In addition, the Wiener Johann Strauss Orchester, which was formed in 1966, pays tribute to the touring orchestras which once made the Strauss family so famous.^[23]

Most of the Strauss works that are performed today may once have existed in a slightly different form, as Eduard Strauss destroyed much of the original Strauss orchestral archives in a furnace factory in Vienna's Mariahilf district in 1907.^[24] Eduard, then the only surviving brother of the three, took this drastic precaution after agreeing to a pact between himself and brother Josef that whoever outlived the other was to destroy their works. The measure was intended to prevent the Strauss family's works from being claimed by another composer. This may also have been fueled by Strauss's rivalry with another of Vienna's popular waltz and march composers, Karl Michael Ziehrer.^[25]

Portrayals in the media[link]

The lives of the Strauss dynasty members and their world-renowned craft of composing Viennese waltzes are also briefly documented in several television adaptations, such as The Strauss Family (1972), The Strauss Dynasty (1991)^[26] and Strauss, the King of 3/4 Time (1995).^[27] Many other films used his works and melodies, and several films have been based upon the life of the musician, the most famous of which is called The Great Waltz (1938).^[28]

Alfred Hitchcock made a low-budget biographical film of Strauss in 1933 called Waltzes from Vienna.^[29] After a trip to Vienna, Walt Disney was inspired to create four feature films. One of those was The Waltz King, a loosely adapted biopic of Johann Strauss, which aired as part of the Wonderful World of Disney in the U.S. in 1963.^[30] In Mikhail Bulgakov's 1940 (published 1967) novel, The Master and Margarita, Johann Strauss conducts the orchestra during Satan's Great Ball at the invitation of Behemoth.

A Corny Concerto (1943), a Warner Bros cartoon, directed by Bob Clampett with animation by Robert McKimson, features music that was composed by Johann Strauss, and is a parody of Walt Disney's 1940 Fantasia. The cartoon is narrated by Elmer Fudd, parodying Deems Taylor's appearance in Fantasia.

The 1953 animated short "Johann Mouse" from the series Tom and Jerry features a mouse mesmerised by the playing of several Strauss waltzes by the cat.

	"The Blue Danube"
Problems listening to this file? See media help.

Works[link]

See List of operettas by Johann Strauss II and List of compositions by Johann Strauss II.

Notes[link]

References[link]

• Gänzl, Kurt. The Encyclopedia of Musical Theatre (3 Volumes). New York: Schirmer Books, 2001.
• Traubner, Richard. Operetta: A Theatrical History. Garden City, NY: Doubleday & Company, 1983.
• Jacob, H. E. Johann Strauss, Father and Son: A Century of Light Music. The Greystone Press, 1940.

External links[link]

Wikimedia Commons has media related to: Johann Strauss II

Ballet portal

• A complete list of Strauss's compositions
• A complete list of compositions by Johann Strauss II compiled by the Johann Strauss Society of New York
• European Archive Copyright free LP recording of several (abridged) works by Johann Strauss II, at the European Archive (for non-American viewers only).
• Johann Strauss Gallery
• List of Strauss's stage works with date, theatre information and links
• Free scores by Johann Strauss II at the International Music Score Library Project
• www.kreusch-sheet-music.net Free Scores by Strauss
• Free scores by Johann Strauss II in the Werner Icking Music Archive (WIMA)