The examples and perspective in this article may not represent a worldwide view of the subject. Please improve this article and discuss the issue on the talk page. (January 2010)

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World cinema is a term used primarily in English language speaking countries to refer to the films and film industries of non-English speaking countries. It is therefore often used interchangeably with the term foreign film. However, both world cinema and foreign film could be taken to refer to the films of all countries other than one's own, regardless of native language.^[1]

Technically, foreign film does not mean the same as foreign language film, but the inference is that a foreign film is not only foreign in terms of the country of production, but also in terms of the language used. As such, the use of the term foreign film for films produced in the United States, United Kingdom, Australia, Canada or other English speaking countries would be uncommon within other English-speaking countries.^{[citation needed]}

World cinema has an un-official implication of films with "artistic value" as opposed to "Hollywood commercialism." Foreign language films are often grouped with "art house films" and other independent films in DVD stores, cinema listings etc. Unless dubbed into one's native language, foreign language films played in English speaking regions usually have English subtitles. Few films of this kind receive more than a limited release and many are never played in major cinemas. As such the marketing, popularity and gross takings for these films are usually markedly less than for typical Hollywood blockbusters. The combination of subtitles and minimal exposure adds to the notion that "World Cinema" has an inferred artistic prestige or intelligence, which may discourage less sophisticated viewers. Additionally, differences in cultural style and tone between foreign and domestic films affects attendance at cinemas and DVD sales.^[1]

Foreign language films can be commercial, low brow or B-movies. Furthermore, foreign language films can cross cultural boundaries, particularly when the visual spectacle and style is sufficient to overcome people's misgivings. Films of this type became more common in early 2000s, as Crouching Tiger, Hidden Dragon, Amélie, Brotherhood of the Wolf, Y Tu Mama Tambien and Talk to Her enjoyed great successes in USA cinemas and home video sales. The first foreign and foreign language film to top the North American box office was Hero in the August of 2004.^[2]

World cinema on DVD[link]

Foreign language films that are particularly successful in international markets may be taken on by the large film distribution companies for DVD releases. At the other end of the scale, many foreign language films are never given a DVD release outside of their home markets. The majority of those DVDs that are given an international release, come out on specialist labels. These labels include:

• Arrow Films (UK) - Label specialising in foreign language and cult English language films
• Artificial Eye (USA and UK)
• Axiom Films (UK)
• British Film Institute (UK)
• Contender Entertainment Group - Label distributing East Asian films. They bought out Medusa Communications in 2005, and own the sub-labels Hong Kong Legends (specialising in films from Hong Kong) and Premier Asia (specialising in films from the rest of East Asia, particularly Japan, South Korea and Thailand). CEG bought out the label.
• The Criterion Collection (USA)
• Dragon Dynasty (USA) - Label specialising in films from East Asia.
• Eastern Eye (Australia)
• Facets Multimedia (USA)
• Film Movement (USA)
• Fortissimo Films (Netherlands / international)
• ImaginAsian Pictures (USA)
• Janus Films (USA)
• Kino International (USA) - Label distributing foreign language, arthouse and silent films.
• Manga Entertainment (USA and UK) - Label specialising in anime.
• Masters of Cinema (UK)
• Mongrel Media (Canada)
• Optimum Releasing (UK) - Distributor of foreign and English language films in the UK. East Asian films released through their Optimum Asia sub-label.
• Palador Pictures (India) - Distributors of highly awarded foreign language films from across the world.
• Palisades Tartan (USA and UK) - Palisades bought out the back catalogue of Tartan Films when they folded.
• Soda Pictures (UK)
• Studio Canal (France)
• Tartan Films (USA and UK) - Label distributing a variety of foreign and English language films, though primarily East Asian films. The company consists of Tartan Video in the UK and Tartan Films USA, as well as the Tartan Asia Extreme and Tartan Terror horror labels. The company folded in 2008 and were taken over by Palisades.

World cinema television channels[link]

• CinéMoi (UK channel dedicated to French films, launching January 2009)
• World Cinema HD (USA)
• UTV World movies (India)
• NDTV Lumiere (India)
• World Movies (Australia)

Cinema by continent and country[link]

See also[link]

• Cinema of the world
• Academy Award for Best Foreign Language Film
• César Award for Best Foreign Film
• World Fastest Movie
• History of film
• Transnational cinema
• World Cinema Foundation
• Muslim Cinema
• Film industry
• World music
• Subtitledonline

Footnotes[link]

Joel and Ethan Coen
Ethan Coen and Joel Coen at the 2001 Cannes Film Festival
Born	Joel David Coen Ethan Jesse Coen (1954-11-29) November 29, 1954 (age 57) (Joel) (1957-09-21) September 21, 1957 (age 54) (Ethan) St. Louis Park, Minnesota, U.S.
Other names	Roderick Jaynes
Occupation	Film directors, producers, screenwriters, editors, cinematographers
Years active	1984–present
Notable work(s)	Raising Arizona, Miller's Crossing, Barton Fink, Fargo, The Big Lebowski, No Country for Old Men, True Grit
Influenced by	Stanley Kubrick, Buster Keaton, Charlie Chaplin, Sam Peckinpah, Sam Raimi
Spouse	Frances McDormand (Joel) Tricia Cooke (Ethan)

Joel David Coen^[1] (born November 29, 1954) and Ethan Jesse Coen^[1] (born September 21, 1957) known together professionally as the Coen brothers, are American filmmakers. Their films include Blood Simple, Fargo, The Big Lebowski, O Brother, Where Art Thou?, No Country for Old Men, and True Grit.

The brothers write, direct and produce their films jointly, although until recently Joel received sole credit for directing and Ethan for producing. They often alternate top billing for their screenplays while sharing film credits for editor under the alias Roderick Jaynes.

Background[link]

Early life[link]

Joel and Ethan Coen, of Jewish heritage,^[2] grew up in a Jewish community in St. Louis Park, Minnesota, a suburb of Minneapolis.^[3] Their father, Edward, was an economist at the University of Minnesota, and their mother, Rena, an art historian at St. Cloud State University.

When they were children, Joel saved money from mowing lawns to buy a Vivitar Super 8 camera. Together, the brothers remade movies they saw on television with a neighborhood kid, Mark Zimering ("Zeimers"),^{[citation needed]} as the star. Their first attempt was a romp titled, Henry Kissinger, Man on the Go. Cornel Wilde's The Naked Prey (1966) became their Zeimers in Zambia,^[4] which also featured Ethan as a native with a spear.

The brothers' Jewish upbringing was seldom related to their films' subjects or stories, with some exceptions, such as A Serious Man (2009), translated into Hebrew as "The Good Jew." Joel notes that "in regards to whether our background influences our film making... who knows? We don't think about it... There's no doubt that our Jewish heritage affects how we see things."^[2]

Education[link]

The brothers graduated from St. Louis Park High School in 1973 and 1976. They both also graduated from Bard College at Simon's Rock in Great Barrington, Massachusetts.^[3] Joel then spent four years in the undergraduate film program at New York University where he made a 30-minute thesis film called Soundings. The film depicted a woman engaged in sex with her deaf boyfriend while verbally fantasizing about having sex with her boyfriend's best friend, who is listening in the next room. Ethan went on to Princeton University and earned an undergraduate degree in philosophy in 1979.^[3] His senior thesis was a 41-page essay, "Two Views of Wittgenstein's Later Philosophy".

Personal lives[link]

Joel has been married to actress Frances McDormand since 1984. They adopted a son from Paraguay, named Pedro McDormand Coen (Frances and all her siblings were adopted). McDormand has acted in six of the Coen Brothers' films, including a minor appearance in Miller's Crossing, a supporting role in Raising Arizona, lead roles in Blood Simple and The Man Who Wasn't There, her Academy Award winning role in Fargo, and her latest starring role in Burn After Reading. She also did a voice-over in Barton Fink.

Ethan is married to film editor Tricia Cooke, and they have two children: daughter Dusty and son Buster.^[5]

Both couples live in New York City.^[6]

Career[link]

The 1980s[link]

After graduating from NYU, Joel worked as a production assistant on a variety of industrial films and music videos. He developed a talent for film editing and met Sam Raimi, who was looking for an assistant editor on his first feature film The Evil Dead (1981).

In 1984, the brothers wrote and directed Blood Simple, their first film together. Set in Texas, the film tells the tale of a shifty, sleazy bar owner who hires a private detective to kill his wife and her lover. The film contains elements that point to their future direction: distinctive homages to genre movies (in this case noir and horror), plot twists layered over a simple story, a dark humor and mise en scene. The film starred Frances McDormand, who would go on to feature in many of the Coen brothers' films (and marry Joel). Upon release the film received much praise and won awards for Joel's direction at both the Sundance and Independent Spirit awards.

Their next project was 1985's Crimewave, directed by Sam Raimi. The film was written by the Coens and Raimi. Joel and Raimi also made cameo appearances in Spies Like Us.

The next film by the brothers was the 1987 hit Raising Arizona, the story of an unlikely married couple: ex-convict H.I. (Nicolas Cage) and police officer Ed (Holly Hunter), who long for a baby but are unable to conceive. When a local furniture tycoon (Trey Wilson) appears on television with his newly born quintuplets and jokes that they "are more than we can handle," H.I. steals one of the quintuplets to bring up as their own. The film featured Frances McDormand, John Goodman, William Forsythe, Sam McMurray, and Randall "Tex" Cobb.

The 1990s[link]

Miller's Crossing, released in 1990, starred Albert Finney, Gabriel Byrne, and John Turturro. The film is about feuding gangsters in the Prohibition era.

The following year, they made Barton Fink; set in 1941, a New York playwright (the eponymous Barton Fink played by John Turturro) moves to Los Angeles to write a B-movie. He settles down in his hotel room to commence writing, but suffers writer's block until he is invaded by the man (John Goodman) next door. Barton Fink was a critical success, earning Oscar nominations and winning three major awards at 1991 Cannes Film Festival, including the Palme d'Or.^[7] It was their first film with cinematographer Roger Deakins, a key collaborator for the next 15 years.

In 1994, The Hudsucker Proxy (co-written with Raimi) was released; the board of a large corporation attempt to sabotage its share price by appointing a no-hoper as boss but their plan backfires when he invents the hula-hoop.

The brothers returned to a more familiar theme in 1996 with the crime thriller Fargo, set in their home state of Minnesota (Fargo, North Dakota appears in only a couple of early scenes). Jerry Lundegaard (William H. Macy), who has serious financial problems, has his wife kidnapped so that his wealthy father-in-law will pay the ransom. His plan goes wrong when the kidnappers deviate from the plan and local cop Marge Gunderson (McDormand) starts to investigate. A critical and commercial success, with particular praise for its dialogue and McDormand's performance, the film received several awards including a BAFTA award and Cannes award for direction and two Oscars, one for Best Original Screenplay and a Best Actress Oscar for McDormand.

In the Coens' next film The Big Lebowski, which was released in 1998, "The Dude" (Jeff Bridges), a Los Angeles slacker, is used as an unwitting pawn in a fake kidnapping plot with his bowling buddies (Steve Buscemi and John Goodman). Well received by critics,^[8] it is now regarded as a classic cult film.^[9]

The 2000s[link]

The Coen brothers' next film O Brother, Where Art Thou? (2000) was another critical and commercial success. The title was borrowed from the 1941 Preston Sturges film Sullivan's Travels, whose lead character, movie director John Sullivan, had planned to make a film with that title.^[10] Based loosely on Homer's Odyssey (complete with a cyclops, sirens, et al.) the story is set in Mississippi in the 1930s and follows a trio of escaped convicts who, after absconding from a chain gang, journey home in an attempt to recover the loot from a bank heist that the leader has buried. But they have no clear perception of where they are going. The film also highlighted the comic abilities of George Clooney who starred as the oddball lead character Ulysses Everett McGill (assisted by his sidekicks, played by Tim Blake Nelson and John Turturro). The film's bluegrass and old time soundtrack, offbeat humor and noted cinematography, made it a critical and commercial hit. The soundtrack CD became even more successful than the film, spawning a concert and a concert DVD of its own (Down from the Mountain) that coincided with a resurgence in interest in American folk music.

With Javier Bardem at the Cannes Film Festival.

The Coen brothers produced another noirish thriller in 2001, The Man Who Wasn't There. Set in late 1940s California, a laconic chain-smoking barber (played by Billy Bob Thornton) discovers a way of blackmailing his wife's lover and using the proceeds to invest in a dry-cleaning business. The film's twists and turns and dark humor were typical of Coen films, but here the slow pace, its dead-end roads look meant that the film was more for enthusiasts than casual audiences.

Intolerable Cruelty, released in 2003, starred George Clooney and Catherine Zeta-Jones; it was a throwback to the romantic comedies of the 1940s with a story focused on Miles Massey, a hot-shot divorce lawyer, and a beautiful divorcee whom Massey had managed to prevent from receiving any money in her divorce. She vows to get even with him while, at the same time, he becomes smitten with her. Intolerable Cruelty divided the critics; some applauded the romantic screwball comedy elements, while others wondered why the Coens would wish to subject audiences to their take on this particular genre.

In 2004, the Coen brothers made The Ladykillers, a remake of the Ealing Studios classic; a professor, played by Tom Hanks, assembles a team to rob a casino. They rent a room in an elderly woman's house to plan the heist. When the woman discovers the plot, however, the gang decides to murder her to ensure her silence. The Coens received some of the most lukewarm reviews of their career in response to this movie; much criticism centered on the idea that a relatively faithful reworking of an existing classic, in contrast to the broader genre homages that made up the bulk of the brothers' prior work, did not provide the creative latitude they needed to place their distinctive stamp on the work.

No Country for Old Men, released in November 2007, closely follows the 2005 novel by Cormac McCarthy. Vietnam veteran Llewelyn Moss (Josh Brolin), living on the Texas/Mexico border, stumbles upon, and decides to take, two million dollars in drug money. He then has to go on the run to avoid those looking to recover the money, including sociopathic killer Anton Chigurh (Javier Bardem) who confounds both Llewelyn and local sheriff Ed Tom Bell (Tommy Lee Jones). This plotline is a return to noir themes but in some respects it was a notable departure for the Coens; notably, with the exception of Stephen Root, none of the stable of regular Coen actors appears in the film. No Country has received nearly universal critical praise, garnering a 95% "Fresh" rating at Rotten Tomatoes.^[11] The film won four Academy Awards, including Best Picture, Best Director, and Best Adapted Screenplay, all of which were received by the Coens, as well as Best Supporting Actor received by Bardem. (The Coens, as "Roderick Jaynes", were also nominated for Best Editor, but lost.) It was the first time since 1961 (Jerome Robbins and Robert Wise for West Side Story) that two directors had received the honor of Best Director at the same time.

In January 2008, Ethan Coen's play Almost An Evening premiered Off-Broadway at the Atlantic Theater Company Stage 2 and opened to mostly enthusiastic reviews. The initial run closed on February 10, 2008 but the same production was moved to a new theatre for a commercial Off-Broadway run. The commercial run began in March 2008, and ran until June 1, 2008 at the Bleecker Street Theatre in New York City, produced by The Atlantic Theater Company^[12] and Art Meets Commerce.^[13] In May 2009, the Atlantic Theater Company produced Coen's "Offices", as part of their mainstage season at the Linda Gross Theater.

Burn After Reading, a comedy starring Brad Pitt and George Clooney was released September 12, 2008; it portrays a collision course between a gym instructor, spies and internet dating. Despite being released to mixed reviews, it debuted at number one in North America.

In 2009, they directed a television commercial for the Reality Coalition entitled "Air Freshener".^[14]

A Serious Man was released on October 2, 2009. It has been described as a "gentle but dark" period comedy (set in 1967) with a low budget.^[15] The film is based loosely on the Book of Job^{[citation needed]} and the Coen brothers' own childhoods in a Jewish academic family in the largely Jewish suburb of St Louis Park, Minnesota.^[15] Other filming took place in late summer 2008 in some neighborhoods of Roseville and Bloomington, Minnesota, at Normandale Community College, and at St. Olaf College. The movie went on to be nominated for the Oscars for Best Picture as well as Best Original Screenplay.

The 2010s[link]

True Grit, based on the novel by Charles Portis, was released in 2010.^[16] Filming was done in Texas and New Mexico. Jeff Bridges, who starred in the Coens' The Big Lebowski, stars as Marshal Rooster Cogburn. Matt Damon, Josh Brolin, and Hailee Steinfeld also appear in the movie.^[17] True Grit was nominated for ten Academy Awards.

Ethan Coen wrote the one-act comedy Talking Cure which was produced on Broadway in 2011 as part of Relatively Speaking, an anthology of three one-act plays by Coen, Elaine May, and Woody Allen.

Upcoming work[link]

The Coens are currently filming a script based on the 1960s folk music scene in New York City's Greenwich Village, specifically on the life of Dave Van Ronk. The film is loosely based on Van Ronk's memoir, The Mayor of MacDougal Street.^[18] Entitled Inside Llewyn Davis, the film is backed by USA's The Weinstein Company,^[19] will star Oscar Isaac, Justin Timberlake and Carey Mulligan and will be distributed by Paramount Pictures in USA and Canada only and The Weinstein Company in the non-USA and United Kingdom only.^[20]

The brothers are also reportedly working on their first television project called Harve Karbo about a quirky Los Angeles private eye for Imagine Television.^[21]

Planned films and uncompleted projects[link]

The Coens hoped to film James Dickey's novel To the White Sea.^[22] They were due to start production in 2002, with Jeremy Thomas producing and Brad Pitt in the lead role, but it was canceled when the Coens felt that the budget offered was not enough to successfully produce the film.

A project which has been mooted for several years is Hail Caesar, the third of the so called Numskull trilogy, a comedy starring George Clooney as a matinee idol making a biblical epic. However in an interview for the Los Angeles Times in February 2008, the Coens said that it did not exist as a script but only as an idea.^[23]

It has been announced that the Coen brothers will write and direct an adaptation of Michael Chabon's novel, The Yiddish Policemen's Union. They will produce the film with Scott Rudin for Columbia Pictures.^[24]

In a 1998 interview with Alex Simon for Venice magazine, the Coens discussed a project called The Contemplations which would be an anthology of short films based on stories in a leatherbound book from a 'dusty old library'.^[25]

As well as their own projects, they have involvement in two other productions. One is Suburbicon, a comedy starring and directed by George Clooney. It will be written and produced by the Coens.^[26] In addition they have provided the screenplay for a remake of the 1966 film Gambit, due to star Colin Firth and Cameron Diaz.^[27] Gambit began filming in London in May 2011.^[28]

Joel stated that "a Cold War comedy called 62 Skidoo is one I'd like to do someday".^[29]

The Coen brothers have stated that they are interested in making a sequel to Barton Fink called Old Fink, which would take place in the 1960s, around the same time period as A Serious Man. The brothers have stated that they have had talks with John Turturro in reprising his role as Fink, but they were waiting "until he was actually old enough to play the part".^[30]

Turturro has also stated that he would be interested in making a spinoff of The Big Lebowski about his character, Jesus, but the Coens have not publicly confirmed the likelihood of this project going forward.^[31]

Production company[link]

The Coen brothers founded their own film production company, called Mike Zoss Productions, located in New York City, which has been credited on their films from O Brother, Where Art Thou? onwards.^[32]

Directing distinctions[link]

In the past, Joel and Ethan Coen have had to split the producer and director credits due to guild rules that disallowed co-sharing of the director credit to prevent rights and ownership issues. The only exception to this rule is if the co-directors are an "established duo". Now that they are able to share the director credit (as an established duo), the Coen brothers have become only the third duo to be nominated for the Academy Award for Best Director. The first two pairs to achieve this were Robert Wise and Jerome Robbins (who won for West Side Story in 1961) and Warren Beatty and Buck Henry (who were nominated for Heaven Can Wait in 1978).

With eight Academy Award nominations for No Country for Old Men including Best Picture, Director, Adapted Screenplay, and Film Editing (Roderick Jaynes), the Coen Brothers have tied the record for the most nominations by a single nominee (counting an "established duo" as one nominee) for the same film. Orson Welles set the record in 1941 with Citizen Kane being nominated for Best Picture, Director, Actor, and Screenplay (with Herman J. Mankiewicz). Warren Beatty tied Welles' record when Beatty was nominated for Best Picture, Director, Actor, and Screenplay for Reds in 1981. Alan Menken also then achieved the same feat when he was nominated for Best Score and triple-nominated for Best Song for Beauty and the Beast in 1991.

Collaborators[link]

The Coen brothers often cast certain actors more than once in their films. They have worked twice with Jeff Bridges and at least three times with George Clooney, Holly Hunter (who also did an uncredited voice in Blood Simple), Frances McDormand (who also had an uncredited role in Miller's Crossing and did an uncredited voice in Barton Fink), John Turturro, Steve Buscemi, Josh Brolin, Michael Badalucco, John Goodman, Richard Jenkins, Stephen Root, and Jon Polito.

The Coens used cinematographer Barry Sonnenfeld through Miller's Crossing until Sonnenfeld left to pursue his own directing career, which includes such films as The Addams Family, Get Shorty, and Men in Black. Roger A. Deakins has been the Coen brothers' cinematographer for all their films since except Burn After Reading, on which they employed Emmanuel Lubezki.^[33]

Sam Raimi also helped write The Hudsucker Proxy, which the Coen brothers directed; and the Coen brothers helped write Crimewave, which Raimi directed. Raimi took tips about filming A Simple Plan from the Coen brothers, who had recently finished Fargo (both films are set in blindingly white snow, which reflects a lot of light and can make metering for a correct exposure tricky). Raimi has cameos in Miller's Crossing and The Hudsucker Proxy. They met when Joel Coen was hired as one of the editors of The Evil Dead (mentioned on the movies' commentary).

William Preston Robertson is an old friend of the Coens who helped them with re-shoots on Blood Simple and provided the voice of the radio evangelist. He is listed in the credits as the "Rev. William Preston Robertson". He has provided vocal talents on most of the Coens' films up to and including The Big Lebowski. He is also credited in Sam Raimi's Evil Dead II and he wrote The Making of The Big Lebowski with Tricia Cooke.

All of their films aside from 1985's Crimewave have been scored by Carter Burwell, although T-Bone Burnett produced much of the traditional music in O Brother, Where Art Thou? and The Ladykillers and was also in charge of archive music for The Big Lebowski. Skip Lievsay handles the post-production sound work for all of their films.

All of their films have been edited by "Roderick Jaynes". Jaynes is, however, an alias to refer collectively to the two Coen brothers.

Awards[link]

Academy Awards[link]

Both Ethan and Joel have been nominated for thirteen Academy Awards (twice under their alias Roderick Jaynes) and have won four, including: two Oscars for screen-writing (original screenplay for Fargo and adapted screenplay for No Country for Old Men), one for Best Director(s) (No Country for Old Men); and one for Best Picture (No Country for Old Men). They are two of only seven directors with three Oscars for the same film.^[34]

1991: Barton Fink

• Best Supporting Actor (Michael Lerner, nominated)
• Best Art Direction–Set Decoration (Dennis Gassner, Nancy Haigh, nominated)
• Best Costume Design (Richard Hornung, nominated)

1996: Fargo

• Best Picture (Ethan Coen, nominated)
• Best Director (Joel Coen, nominated)
• Best Screenplay – Original (won)
• Best Film Editing (as Roderick Jaynes, nominated)
• Best Actress (Frances McDormand, won)
• Best Supporting Actor (William H. Macy, nominated)
• Best Cinematography (Roger Deakins, nominated)

2000: O Brother, Where Art Thou?

• Best Screenplay – Adapted (nominated)
• Best Cinematography (Roger Deakins, nominated)

2001: The Man Who Wasn't There

• Best Cinematography (Roger Deakins, nominated)

2007: No Country for Old Men

• Best Picture (with Scott Rudin, won)
• Best Director (won)
• Best Screenplay – Adapted (won)
• Best Editing (as Roderick Jaynes, nominated)
• Best Supporting Actor (Javier Bardem, won)
• Best Cinematography (Roger Deakins, nominated)
• Best Sound (Skip Lievsay, Craig Berkey, Greg Orloff, Peter F. Kurland, nominated)
• Best Sound Editing (Skip Lievsay, nominated)

2009: A Serious Man

• Best Picture (nominated)
• Best Screenplay – Original (nominated)

2010: True Grit

• Best Picture (with Scott Rudin, nominated)
• Best Actor in a Leading Role (Jeff Bridges, nominated)
• Best Actress in a Supporting Role (Hailee Steinfeld, nominated)
• Best Achievement in Directing (nominated)
• Best Writing, Screenplay Based on Material Previously Produced or Published (nominated)
• Best Cinematography (Roger Deakins, nominated)
• Best Art Direction (Stefan Dechant, nominated)
• Best Costume Design (Mary Zophres, nominated)
• Best Sound (Skip Lievsay, Craig Berkey, Greg Orloff, Peter F. Kurland, nominated)
• Best Sound Editing (Skip Lievsay, nominated)

BAFTA Awards[link]

1996: Fargo

• Best Film (nominated)
• David Lean Award for Direction (Joel Coen, won)
• Best Screenplay – Original (nominated)
• Best Actress (Frances McDormand, nominated)
• Best Cinematography (Roger Deakins, nominated)
• Best Editing (as Roderick Jaynes, nominated)

2000: O Brother, Where Art Thou?

• Anthony Asquith Award for Film Music (T-Bone Burnett, Carter Burwell, nominated)
• Best Cinematography (Roger Deakins, nominated)
• Best Costume Design (Monica Howe, nominated)
• Best Production Design (Dennis Gassner, nominated)
• Best Screenplay – Original (nominated)

2001: The Man Who Wasn't There

• Best Cinematography (Roger Deakins, won)

2007: No Country for Old Men

• Best Film (with Scott Rudin, nominated)
• Best Director (won)
• Best Screenplay – Adapted (nominated)
• Best Supporting Actor (Javier Bardem, won)
• Best Supporting Actor (Tommy Lee Jones, nominated)
• Best Supporting Actress (Kelly Macdonald, nominated)
• Best Cinematography (Roger Deakins, won)
• Best Editing (as Roderick Jaynes, nominated)
• Best Sound (Peter F. Kurland, Skip Lievsay, Craig Berkey, Greg Orloff, nominated)

2008: Burn After Reading

• Best Screenplay – Original (nominated)
• Best Supporting Actor (Brad Pitt, nominated)
• Best Supporting Actress (Tilda Swinton, nominated)

2009: A Serious Man

• Best Screenplay – Original (nominated)

2010: True Grit

• Best Film (with Scott Rudin, nominated)
• Best Screenplay – Adapted (nominated)
• Best Leading Actor (Jeff Bridges, nominated)
• Best Supporting Actress (Hailee Steinfeld, nominated)
• Best Cinematography (Roger Deakins, won)
• Best Costume Design (Mary Zophres, nominated)
• Best Production Design (Stefan Deschant, nominated)
• Best Sound (Peter F. Kurland, Skip Lievsay, Craig Berkey, Greg Orloff, nominated)

Berlin Film Festival[link]

1998: The Big Lebowski

• Golden Bear (Joel Coen, nominated)^[35]

Cannes Film Festival[link]

1991: Barton Fink

• Best Actor (John Turturro, won)
• Best Director (Joel Coen, won)
• Palme d'Or (Joel Coen, won – unanimously)

1994: The Hudsucker Proxy

• Palme d'Or (Joel Coen, nominated)

1996: Fargo

• Best Director (Joel Coen, won)
• Palme d'Or (Joel Coen, nominated)

2000: O Brother, Where Art Thou?

• Palme d'Or (Joel Coen, nominated)

2001: The Man Who Wasn't There

• Best Director (Joel Coen, won – tied with David Lynch for Mulholland Dr.)
• Palme d'Or (Joel Coen, nominated)

2004: The Ladykillers

• Jury Prize (Irma P. Hall, won – for her acting)
• Palme d'Or (nominated)

2007: No Country for Old Men

• Palme d'Or (nominated)

Dan David Prize[link]

The Coen Brothers were awarded the $1-million Dan David Prize in 2011 as "a creative partnership unique in the history of film-making."^[36]

Filmography[link]

Other works[link]

• Crimewave (1985) – Film written by the Coen Brothers and Sam Raimi, directed by Raimi.
• Gates of Eden (1998) – A collection of short stories written by Ethan Coen.
• The Naked Man (1998) – A film starring Michael Rappaport, co-written by Ethan Coen.
• The Drunken Driver Has the Right of Way (2001) – A collection of poems and limericks written by Ethan Coen.
• Bad Santa (2003) – Comedy film starring Billy Bob Thornton, produced by the Coen Brothers.
• Paris, je t'aime (2006) – Film segment: "Tuileries".
• Chacun son cinéma (2007) – Film segment: "World Cinema".
• Romance & Cigarettes (2006) – Film produced by the Coen Brothers and written and directed by John Turturro.
• Gambit (2012) – Film written by the Coen Brothers directed by Michael Hoffman.
• Suburbicon (2012) – George Clooney will be directing a script written by the Coen Brothers. The Coens will also be producing.

Bibliography[link]

• Cheshire, Ellen & Ashbrook, John. 2000. Joel and Ethan Coen. "The Pocket Essential" 3rd Revised edition published in 2005 includes all films and some subsidiary works (Crimewave, Down from the Mountain, Bad Santa) up to The Ladykillers. ISBN 978-1-904048-39-8.

References[link]

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (March 2012)

Wikimedia Commons has media related to: Coen brothers

• Joel Coen at the Internet Movie Database
• Ethan Coen at the Internet Movie Database
• Joel and Ethan Coen Bibliography (via UC Berkeley)
• Coenesque: The Films of the Coen Brothers
• The Coen Brothers: A Life in Pictures, BAFTA webcast, December 13, 2007
• (French) Interview with Joel Coen, Artistik Rezo, February 17, 2011