Albhy Galuten is a Grammy Award-winning American record producer, composer, musician, orchestrator and technology executive.

He produced 18 number 1 singles with songs and albums selling over 100,000,000 copies. He has won two Grammies, a Dramalogue award (theatre) and a BMI award (as a songwriter).

His record productions include the soundtracks Saturday Night Fever, the theme song "Grease" and songs or albums for Jellyfish, Olivia Newton-John, Barbra Streisand (Guilty), Dionne Warwick (Heartbreaker), Andy Gibb, Kenny Rogers and Dolly Parton ("Islands in the Stream"), Samantha Sang ("Emotion"), Diana Ross ("Chain Reaction"), Eric Clapton ("Knockin' on Heaven's Door"), Titanic Love Affair and Bee Gees (nine number one songs).

Galuten also contributed playing or orchestration skills to recording artists Wishbone Ash, Bill Wyman, Eric Clapton, Rod Stewart, Aretha Franklin, Eagles, Kenny Loggins, Petula Clark and No Doubt (director of paradigm).

He is currently a technology executive at Sony and has been an executive at Universal Music Group (Senior Vice President, Advanced Technology) and Ion (Vice President, New Technology). In his various roles as a technology executive Galuten has filed patents, developed corporate technology strategy, negotiated technology deals and worked in the development of standards including the Content Reference Forum (Chairman) and the Coral Consortium (Vice President).

As an inventor, Galuten is noted for having created the first commercial drum loop ("Stayin' Alive", Bee Gees), the enhanced CD and patents on content distribution and resolution, on customer care and on User Interface design.

External links[link]

• Berklee
• Brothers Gibb - Interview
• Song list
• IMDb

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Bee Gees
The Bee Gees performing on Dutch television in 1968. From left to right: Barry, Robin, and Maurice Gibb
Background information
Genres	Pop, pop rock, disco, blue-eyed soul, soft rock
Years active	1958–2003 2009–2012
Labels	RSO, Warner Bros., Festival, Polydor, Atco
Website	www.beegees.com
Past members
Barry Gibb Robin Gibb Maurice Gibb Colin Petersen Vince Melouney Geoff Bridgford Alan Kendall Dennis Bryon Blue Weaver

The Bee Gees were a musical group founded in 1958. The group's line-up consisted of brothers Barry, Robin, and Maurice Gibb. The trio were successful for most of their decades of recording music, but they had two distinct periods of exceptional success: as a pop act in the late 1960s/early 1970s, and as prominent performers of the disco music era in the late 1970s.

The group sang three-part tight harmonies that were instantly recognisable; Robin's clear vibrato lead was a hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the late 1970s and 1980s. The brothers wrote all of their own hits, as well as writing and producing several major hits for other artists.

Born in the Isle of Man to English parents, the Gibb brothers lived their first few years in Chorlton, Manchester, England, then moved in the late 1950s to Redcliffe, Queensland, Australia, where they began their musical careers.^[1] After achieving their first chart success in Australia with "Spicks and Specks" (their 12th single), they returned to the United Kingdom in January 1967 where producer Robert Stigwood began promoting them to a worldwide audience.

It has been estimated that the Bee Gees' career record sales total more than 220 million,^[2] ranking them among the best-selling music artists of all time. They were inducted into the Rock and Roll Hall of Fame in 1997;^[3] the presenter of the award to "Britain's first family of harmony" was Brian Wilson, historical leader of the Beach Boys, a "family act" also featuring three harmonising brothers.^[4] The Bee Gees' Hall of Fame citation says "Only Elvis Presley, The Beatles, Michael Jackson, Garth Brooks and Paul McCartney have outsold the Bee Gees".^[3]

Following Maurice's sudden death in January 2003, Barry and Robin Gibb retired the group's name after 45 years of activity. In 2009, however, Robin announced that he and Barry had agreed that the Bee Gees would re-form and perform again.^[5] Robin died in May 2012 after a prolonged bout of cancer.^[6]

History[link]

Early years[link]

Plaque at Maitland Terrace/Strang Road intersection in Union Mills, Isle of Man.

Barry Gibb (b. 1946) and fraternal twin brothers Robin (1949–2012) and Maurice Gibb (1949–2003) were born on the Isle of Man, but the family returned to father Hugh Gibb's home town of Chorlton-cum-Hardy, Manchester, England where they went to Oswald Road Primary School, in the early 1950s where the boys began to sing in harmony. The story is told that they were going to lip sync to a record in the local Gaumont cinema (as other children had done on previous weeks) and as they were running to the theatre, the heavy 78-RPM record broke. The brothers had to sing live and received such a positive response from the audience that they decided to pursue a singing career.^[7]

In 1958 the Gibb family, including infant brother, Andy (1958–1988), emigrated to Redcliffe in Queensland, Australia. The young brothers began performing where they could to raise pocket money. First called the Rattlesnakes, later Wee Johnny Hayes & the Bluecats, they were introduced to radio DJ Bill Gates by racetrack promoter Bill Goode (who saw them perform at Brisbane's Speedway Circuit). Gates renamed them the "Bee Gees" after his and Goode's initials – thus the name was not specifically a reference to "Brothers Gibb", despite popular belief.^[8]

By 1960 the Bee Gees were featured on television shows. In the next few years they began working regularly at resorts on the Queensland coast. For his songwriting, Barry sparked the interest of Australian star Col Joye, who helped them get a record deal with Festival Records subsidiary, Leedon Records, in 1963 under the name "Bee Gees." The three released two or three singles a year, while Barry supplied additional songs to other Australian artists. From 1963 to 1966 the Gibb family lived at 171 Bunnerong Road, Maroubra in Sydney.^[9]

A minor hit in 1965, "Wine and Women", led to the group's first LP The Bee Gees Sing and Play 14 Barry Gibb Songs. By 1966 Festival was, however, on the verge of dropping them from the Leedon roster because of their perceived lack of commercial success. It was at this time that they met American-born songwriter, producer and entrepreneur, Nat Kipner, who had just been appointed A&R manager of a new independent label, Spin Records. Kipner briefly took over as the group's manager and successfully negotiated their transfer to Spin in exchange for Festival being granted the Australian distribution rights to the group's recordings.^{[citation needed]}

Through Kipner the Bee Gees met engineer-producer, Ossie Byrne. He produced (or co-produced with Kipner) many of the earlier Spin recordings, most of which were cut at his own small self-built St Clair Studio in the Sydney suburb of Hurstville. Byrne gave the Gibb brothers virtually unlimited access to St Clair Studio over a period of several months in mid-1966. The group later acknowledged that this enabled them to greatly improve their skills as recording artists. During this productive time they recorded a large batch of original material—including the song that would become their first major hit, "Spicks and Specks" (on which Byrne played the trumpet coda) – as well as cover versions of current hits by overseas acts such as The Beatles. They regularly collaborated with other local musicians, including members of beat band Steve & The Board, led by Steve Kipner, Nat's teenage son.

Frustrated by their lack of success, the Gibbs decided to return to England in late 1966. Ossie Byrne travelled with them, and Colin Petersen, who eventually became the group's drummer, followed soon after. While at sea in January 1967, they learned that "Spicks and Specks" had been awarded Best Single of the Year by Go-Set, Australia's most popular and influential music newspaper.

Late 1960s: first international fame[link]

The Bee Gees in 1967.

Before their departure from Australia to England, Hugh Gibb sent demos to Brian Epstein who managed The Beatles and was director of NEMS, a British music store and promoter. Brian Epstein had passed the demo tapes to Robert Stigwood, who had recently joined NEMS. After an audition with Stigwood in February 1967, the Bee Gees were signed to a five-year contract whereby Polydor Records would be their record label in the United Kingdom and ATCO Records would be the United States distributor. Work quickly began on the group's first international album, and Robert Stigwood launched a promotional campaign to coincide with its release.

Stigwood proclaimed that the Bee Gees were "The Most Significant New Talent Of 1967" and thus began the immediate comparison to The Beatles.^[10] Their second British single (their first UK 45 rpm issued was "Spicks and Specks"), "New York Mining Disaster 1941", was issued to radio stations with a blank white label listing only the song title. Some DJs immediately assumed this was a new single by The Beatles and started playing the song in heavy rotation. This helped the song climb into the Top 20 in both the United Kingdom and the United States. No such chicanery was needed to boost the Bee Gees' second single, "To Love Somebody", into the US Top 20. Originally written for Otis Redding, "To Love Somebody" was a soulful ballad sung by Barry, which has since become a pop standard covered by hundreds of artists including Gram Parsons, Rod Stewart, Bonnie Tyler, Janis Joplin, The Animals, Nina Simone, Jimmy Somerville and Michael Bolton. Another single, "Holiday", was released in the United States, peaking at No. 16. The parent album, Bee Gees 1st (their first internationally), peaked at No. 7 in the United States and No. 8 in the United Kingdom.

Following the success of Bee Gees 1st, the band (which now consisted of Barry on rhythm guitar, Maurice on bass, Vince Melouney on lead guitar and Colin Petersen on drums),.^[10] began work on the act's second album. Released in late 1967, Horizontal repeated the success of their first album, featuring the No. 1 UK single "Massachusetts" (a No. 11 US hit), and the No. 7 UK single "World". The sound of the album Horizontal had a more "rock" sound than their previous release, though ballads like "And The Sun Will Shine" and "Really And Sincerely" were also prominent. The Horizontal album reached No. 12 in the US, and No. 16 in the UK promoting the record, the Bee Gees made their first appearances in America, playing live concerts and television shows such as The Ed Sullivan Show and Rowan & Martin's Laugh-In. Two more singles followed in early 1968, the ballad "Words" (No. 15 US, No. 8 UK) and the double A-sided single "Jumbo" b/w "The Singer Sang His Song". "Jumbo" was the Bee Gees' least successful single to date only reaching No. 57 in the US, and No. 25 in the UK. The Bee Gees felt that "The Singer Sang His Song" was the stronger of the two sides, an opinion shared by listeners in the Netherlands, who made it a No. 3 hit. Further Bee Gees chart singles followed: "I've Gotta Get a Message to You" (No. 8 US, No. 1 UK) and "I Started A Joke" (No. 6 US), both culled from the band's third album Idea. Idea was another Top 20 album in the US (No. 17) and the UK (No. 4). Following the tour and TV special to promote the album, Vince Melouney left the group, feeling that he wanted to play more of a blues style music than the Gibbs were writing. Melouney did achieve one feat while with the Bee Gees—his composition "Such A Shame" (from Idea) is the only song on any Bee Gees album not written by a Gibb brother.

By 1969, the cracks began to show within the group. Robin began to feel that Stigwood had been favouring Barry as the frontman. Their next album, which was to have been a concept album called Masterpeace, evolved into the double-album Odessa. Most rock critics felt this was the best Bee Gees album of the '60s, with its progressive rock feel on the title track, the country-flavoured "Marley Purt Drive" and "Give Your Best", and signature ballads such as "Melody Fair" and "First of May"; the last of which became the only single from the album, and was a minor hit. Feeling that the flipside, "Lamplight" should have been the A-side, Robin quit the group in mid-1969 and launched a solo career. Robin Gibb saw brief success in Europe with the No. 2 hit "Saved By The Bell" and the album Robin's Reign. Barry and Maurice continued as the Bee Gees, even recruiting their sister Lesley to appear with them on stage.

The first of many Bee Gees compilations, Best of Bee Gees was released, featuring the non-LP single "Words" plus the Australian hit "Spicks and Specks" The CD release replaces "Spicks and Specks" with another non-LP single "Tomorrow Tomorrow", because Polydor could no longer secure the rights to the Australian track. "Tomorrow Tomorrow" was a moderate hit in the UK reaching No. 23, but stalled at No. 54 in the US. The compilation reached the Top Ten in both the US and the UK.

While Robin was off on his own, Barry, Maurice, and Colin continued on as the Bee Gees, recording their next album, Cucumber Castle. There was also a TV special filmed to accompany the album, which aired on the BBC in 1971. Colin Petersen played drums on the tracks recorded for the album, but was fired from the group after filming began and his parts were edited out of the final cut of the film. After Colin was fired, Australian drummer Geoff Bridgford was recruited to complete the recording of songs for Cucumber Castle. The leadoff single, "Don't Forget to Remember" was a big hit in the UK reaching No. 2, but a disappointment in the US, only reaching No. 73. The next 2 singles, "I.O.I.O." and "If I Only Had My Mind on Something Else" barely scraped the charts, and following the release of the album, Barry and Maurice parted ways. It seemed that the Bee Gees were finished. Barry recorded a solo album which never saw official release, though "I'll Kiss Your Memory" was released as a single, without much interest. Meanwhile, Maurice released the single "Railroad", and starred in the West End musical Sing A Rude Song.

Early 1970s[link]

The three brothers reunited in the later part of 1970 penning a series of songs about heartache and loneliness. During this period they became a four piece band joined again by Australian drummer Geoff Bridgford who after playing on the 2 Years On album and Trafalgar album became the last non-Gibb brother to be a member of the Bee Gees. Although they had lost traction on the British charts, the Bee Gees hit No. 3 in America with "Lonely Days" (from the reunion LP 2 Years On) and had their first US No. 1 with "How Can You Mend a Broken Heart" (from Trafalgar). The trio's talents were included in the soundtrack for the 1971 film Melody as they performed several songs for the title. In 1972, they hit No. 16 in America with the single "My World" and "Run To Me" from the LP To Whom It May Concern; the latter also returned them to the British top ten for the first time in three years.

By 1973, however, the Bee Gees were in a rut. The album, Life in a Tin Can, released on RSO Records and its lead-off single, "Saw a New Morning," sold poorly with the single peaking at No. 94. This was followed by an unreleased album (known as A Kick in the Head Is Worth Eight in the Pants). A second compilation album, Best of Bee Gees, Volume 2 was released in 1973, though it did not repeat the success of Volume 1.

On the advice of Ahmet Ertegün, head of their US label Atlantic Records, Stigwood arranged for the group to record with famed soul music producer Arif Mardin. The resulting LP, Mr. Natural, included fewer ballads and foreshadowed the R&B direction of the rest of their career. But when it too failed to attract much interest, Mardin encouraged them to work with the soul music style.

The brothers attempted to assemble a live stage band that could replicate their studio sound. Lead guitarist Alan Kendall had come on board in 1971, but did not have much to do until Mr. Natural. For that album, they added drummer Dennis Bryon, and they later added ex-Strawbs keyboard player Blue Weaver, completing the late 1970s "Bee Gees band". Maurice, who had previously performed on piano, guitar, organ, mellotron, and bass guitar, as well as exotica like mandolin and Moog synthesiser, now confined himself to bass onstage.

At Eric Clapton's suggestion, the brothers relocated to Miami, Florida, early in 1975 to record. After starting off with ballads, they eventually heeded the urging of Mardin and Stigwood and crafted more rhythmic disco songs, including their second US No. 1, "Jive Talkin'", along with US No. 7 "Nights on Broadway." The band liked the resulting new sound, and this time the public agreed, sending the LP Main Course up the charts. This was their second album to have two US top-10 singles since 1968's Idea. Main Course also became their first charting R&B album. Mardin was unable to work with the group afterwards, but the Bee Gees enlisted Albhy Galuten and Karl Richardson who had worked with Mardin during the Main Course sessions. This production team would carry the Bee Gees through the rest of the 1970s.

The next album, Children of the World, was drenched in Barry's newfound falsetto and Weaver's synthesiser disco licks. Led off by the single "You Should Be Dancing," it pushed the Bee Gees to a level of stardom they had not previously achieved in the US, though their new R&B/disco sound was not as popular with some die hard fans from the 1960s. The Bee Gees' band was now closer to a rock act, with rhythm guitar and real drums behind the falsetto.

[edit] Late 1970s: Saturday Night Fever

Following a successful live album, Here at Last... Bee Gees... Live, the Bee Gees agreed with Stigwood to participate in the creation of the Saturday Night Fever soundtrack. It would be the turning point of their career. The cultural impact of both the film and the soundtrack was seismic, not only in the United States, but in the rest of the world as well, bringing the nascent disco scene mainstream.

The band's involvement in the film did not begin until post-production. As John Travolta asserted, "The Bee Gees weren't even involved in the movie in the beginning ... I was dancing to Stevie Wonder and Boz Scaggs."^[11] Producer Robert Stigwood commissioned the Bee Gees to create the songs for the film. The brothers wrote the songs "virtually in a single weekend" at France's Château d'Hérouville studio.^[11] Barry Gibb remembered the reaction when Stigwood and music supervisor Bill Oakes arrived and listened to the demos:

Bill Oakes, who supervised the soundtrack, asserts that Saturday Night Fever did not begin the disco craze; rather, it prolonged it: "Disco had run its course. These days, Fever is credited with kicking off the whole disco thing–-it really didn't. Truth is, it breathed new life into a genre that was actually dying."^[11]

Three Bee Gees singles ("How Deep Is Your Love", "Stayin' Alive", and "Night Fever") reached No. 1 in the United States and many countries around the world, launching the most popular period of the disco era. They also penned the song "If I Can't Have You" which became a No. 1 hit for Yvonne Elliman, while the Bee Gees' own version was the B-Side of "Stayin' Alive." Such was the popularity of Saturday Night Fever that two different versions of the song "More Than a Woman" received airplay, one by the Bee Gees, which was relegated to album track, and another by Tavares, which was the hit. The Gibb sound was inescapable. During an eight-month period beginning in the Christmas season of 1977, six songs written by the brothers held the No. 1 position on the US charts for 25 of 32 consecutive weeks—three of their own releases, two for brother Andy Gibb, and the Yvonne Elliman single.

Fueled by the movie's success, the soundtrack broke multiple industry records, becoming the highest-selling album in recording history to that point. With more than 40 million copies sold, Saturday Night Fever is among music's top five best selling soundtrack albums. It is currently calculated as the 4th highest-selling album worldwide.^[12]

During this era, Barry and Robin also wrote "Emotion" for an old friend, Australian vocalist Samantha Sang, who made it a Top Ten hit (the Bee Gees sang backing vocals). Barry also wrote the title song to the movie version of the Broadway musical Grease for Frankie Valli to perform, which went to No. 1. During this period, the Bee Gees' younger brother Andy followed his older siblings into a music career, and enjoyed considerable success. Produced by Barry, Andy Gibb's first three singles all topped the US charts. In March 1978, the Bee Gees held the top 2 positions on the US Charts with "Night Fever" and "Stayin' Alive", the first time this had happened since The Beatles. On the US Billboard Hot 100 chart for 25 March 1978, five songs written by the Gibbs were in the US top ten at the same time: "Night Fever", "Stayin' Alive", "If I Can't Have You", "Emotion" and "Love is Thicker Than Water". Such chart dominance hadn't been seen since April 1964, when The Beatles had all five of the top five American singles. Barry Gibb became the only songwriter to have four consecutive number one hits in the US breaking the John Lennon and Paul McCartney 1964 record. These songs were "Stayin' Alive", "Love Is Thicker Than Water", "Night Fever", "If I Can't Have You".

The Bee Gees also co-starred with Peter Frampton in the movie Sgt. Pepper's Lonely Hearts Club Band (1978) loosely inspired by the classic 1967 album by The Beatles. The film had been heavily promoted prior to release, and was expected to enjoy great commercial success. However, the disjointed film was savaged by the movie critics, and ignored by the public. Though some of its tracks charted, the soundtrack too was a high-profile flop. The single "Oh! Darling", credited to Robin Gibb, reached No. 15 in the US. Previously, the Bee Gees had recorded three Beatles covers—"Golden Slumbers/Carry That Weight", "She Came in Through the Bathroom Window" and "Sun King" – for the transitory musical documentary All This and World War II.

The Bee Gees' follow-up to Saturday Night Fever was the Spirits Having Flown album. It yielded three more No. 1 hits: "Too Much Heaven", "Tragedy", and "Love You Inside Out." This gave the act six consecutive No. 1 singles in America within a year and a half (a record surpassed only by Whitney Houston). "Too Much Heaven" ended up as the Bee Gees' musical contribution to the Music for UNICEF Concert at the United Nations General Assembly in January 1979, a benefit organised by the Bee Gees, Robert Stigwood, and David Frost for UNICEF that was broadcast worldwide. The brothers donated the royalties from the song to the charity. Up to 2007, this song has earned over $11 million for UNICEF. During the summer of 1979, the Bee Gees embarked on their largest concert tour covering the US and Canada. The Spirits Having Flown tour capitalised on Bee Gees fever that was sweeping the nation, with sold out concerts in 38 cities. The Bee Gees produced a video for the title track of "Too Much Heaven" directed by Miami-based film-maker, Martin Pitts and produced by Charles Allen. With this video, Pitts and Allen began a long association with the brothers.

The Bee Gees even had a country hit in 1979 with "Rest Your Love On Me", the flip side of their pop hit "Too Much Heaven", which made Top 40 on the country charts. In 1981, Conway Twitty's version of "Rest Your Love On Me" topped the country charts.

The Bee Gees' overwhelming success rose and fell with the disco bubble. By the end of 1979, disco was rapidly declining in popularity, and the backlash against disco put the Bee Gees' American career in a tailspin. Radio stations around America began promoting "Bee Gee Free Weekends". Following their remarkable run from 1975 to 1979, the act would have only one more top ten single in the US, and that would not come until 1989. The Bee Gees' international popularity sustained somewhat less damage. Barry Gibb considered the success of the Saturday Night Fever soundtrack both a blessing and a curse:

1980s[link]

Robin and Barry Gibb released various solo albums in the 1980s but only with sporadic and moderate chart success. The brothers had continuing success behind the scenes, however, writing and producing for several artists. In 1980 Barry Gibb worked with Barbra Streisand on her album Guilty. He co-produced and wrote or co-wrote all nine of the album's tracks (four of them written with Robin and the title track with both Robin and Maurice). Barry also appeared on the album's cover with Streisand, and duetted with her on two tracks. The album reached No.1 in both the US and the UK, as did the single "Woman in Love" (written by Barry and Robin), becoming Streisand's most successful single and album to date.

In 1981 the Bee Gees released the album Living Eyes, their last release on RSO. This album was the first CD ever played in public, when it was played to viewers of the BBC show Tomorrow's World.^[13] With the disco backlash still running strong, the album failed to make the UK or US Top 40. Two singles from the album fared little better – "He's a Liar" reached No. 30 in the US and "Living Eyes" reached No. 45, breaking the Bee Gees' Top 40 streak which started in 1975 with "Jive Talkin'".

In 1982 Dionne Warwick enjoyed a UK No.2 and US Adult Contemporary No. 1 with her comeback single, "Heartbreaker", taken from her album of the same name written largely by the Bee Gees and co-produced by Barry Gibb. The album reached No.3 in the UK and the Top 30 in the US where it was certified Gold.

A year later Dolly Parton and Kenny Rogers recorded the Bee Gees-penned track "Islands in the Stream", which became a US No. 1 hit and Top 10 in the UK. Rogers' 1983 album, Eyes That See In The Dark, was written entirely by the Bee Gees and co-produced by Barry. The album was a Top 10 hit in the US and was certified Double Platinum.

The Bee Gees had greater success with the soundtrack to Staying Alive in 1983, the sequel to Saturday Night Fever. The soundtrack was certified platinum in the US, and included their Top 30 hit "The Woman in You".

Also in 1983 the band were sued by Chicago songwriter Ronald Selle, who claimed that the brothers stole melodic material from one of his songs, "Let It End", and used it in "How Deep Is Your Love". At first, the Bee Gees lost the case; one juror said that a factor in the jury's decision was the Gibbs' failure to introduce expert testimony rebutting the plaintiff's expert testimony that it was "impossible" for the two songs to have been written independently. However, the verdict was overturned a few months later.

In 1985 Diana Ross released the album Eaten Alive, written by the Bee Gees, with the title track co-written with Michael Jackson (who also performed on the track). The album was again co-produced by Barry Gibb and the single "Chain Reaction" gave Ross a UK and Australian No.1 hit.

The Bee Gees released the album E.S.P. in 1987, which sold over 3 million copies. It was their first album in six years, and their first for Warner Bros. Records. The single "You Win Again" went to No. 1 in numerous countries, including the UK,^[14] and made the Bee Gees the first group to score a UK No. 1 hit in each of three decades: the 1960s, 1970s, and 1980s.^[15] The single was a disappointment in the US, charting at No. 75, and the Bee Gees voiced their frustration over American radio stations not playing their new European hit single, an omission which the group felt led to poor sales of their current album in the States.

On 10 March 1988, younger brother Andy died, aged 30, as a result of myocarditis, an inflammation of the heart muscle due to a recent viral infection. His brothers acknowledge that Andy's past drug and alcohol use probably made his heart more susceptible to this illness. Just before Andy's death, it had been decided by the group that Andy would join them, which would have made the group a four-piece group. The Bee Gees' following album, One (1989), featured a song dedicated to Andy, "Wish You Were Here". The album also contained their first US top ten hit (No. 7) in a decade, "One". After the album's release, they embarked on their first world tour in ten years.

1990s[link]

In 1990, Polydor Records issued the box set Tales from the Brothers Gibb: A History in Song, which contained all of the group's singles (except 1981's "Living Eyes"), rare B-sides, unreleased tracks, solo material, and live performances. Many songs received new stereo mixes by Bill Inglot with some songs making their CD debut. At the time of its release, Tales was one of the first box sets issued in the music business and it was considered an honour for a group to have one. In the UK, Polydor issued a single disc hits collection from Tales called The Very Best of the Bee Gees, which contained their biggest UK hits. The album became one of their best selling albums in that country, eventually being certified Triple Platinum.

The Bee Gees in Los Angeles in 1992.

Following their next album, High Civilization (1991), which contained the UK top five hit "Secret Love", the Bee Gees went on a European tour. After the tour, Barry Gibb began to battle a serious back problem, which required surgery. In addition, he also suffered from arthritis, and at one point, it was so severe that it was doubtful that he would be able to play guitar for much longer. Also in the early 1990s, Maurice Gibb finally sought treatment for his alcoholism, which he had battled for many years, with the help of Alcoholics Anonymous.

In 1993, the group returned to the Polydor label, and released the album Size Isn't Everything, which contained the UK top five hit "For Whom the Bell Tolls". Success still eluded them in the US, however, as the first single released, "Paying the Price of Love" only managed to reach No. 74 on the Billboard Hot 100 while the parent album stalled at No. 153.

In 1997, they released the album Still Waters, which sold over four million copies, and reached No.2 in the UK (their highest album chart position there since 1979) and No.11 in the US. The album's first single, "Alone", gave them another UK Top 5 hit and a top 30 hit in the US. Still Waters would be the band's most successful US release of their post-RSO era.

At the 1997 BRIT Awards held in Earls Court, London on 24 February, the Bee Gees received the award for Outstanding Contribution to Music.^[16] On 14 November 1997, the Bee Gees performed a live concert in Las Vegas called One Night Only. The show included a performance of "Our Love (Don't Throw It All Away)" synchronised with a vocal by their deceased brother Andy and a cameo appearance by Celine Dion singing "Immortality". The CD of the performance sold over 5 million copies. The "One Night Only" name grew out of the band's declaration that, due to Barry's health issues, the Las Vegas show was to be the final live performance of their career. After the immensely positive audience response to the Vegas concert, Barry decided to continue despite the pain, and the concert expanded into their last full-blown world tour of "One Night Only" concerts.^[17] The tour included playing to 56,000 people at London's Wembley Stadium on 5 September 1998 and concluded in the newly built Olympic Stadium in Sydney, Australia on 27 March 1999 to 72,000 people.^[17]

In 1998, the group's soundtrack for Saturday Night Fever was incorporated into a stage production produced first in the West End and then on Broadway. They wrote three new songs for the adaptation. Also in 1998 the brothers recorded Ellan Vannin for Isle of Man charities. Known as the unofficial national anthem of the Isle of Man, the brothers performed the song during their world tour to reflect their pride in the place of their birth.^[18]

The Bee Gees closed the decade with what turned out to be their last full-sized concert, known as BG2K, on 31 December 1999.

2000–08: Maurice's death and hiatus[link]

In 2001, the group released what turned out to be their final album of new material as a group, This Is Where I Came In. The album was another success, reaching the Top 10 in the UK (being certified Gold), and the Top 20 in the US. The title track was also a UK Top 20 hit single. The album gave each member of the group a chance to write in his own way, as well as composing songs together. For example, Maurice's compositions and leads are the "Man in the Middle" and "Walking on Air," while Robin contributed "Déjà Vu," "Promise the Earth," and "Embrace," and Barry contributed "Loose Talk Costs Lives," "Technicolour Dreams", and "Voice in the Wilderness". The other songs are collaborative in writing and vocals. They performed many tracks from This Is Where I Came In, plus many of their biggest hits, on the live televised concert series Live by Request, shown on the A&E Network. The last concert of the Bee Gees as a trio was at the Love and Hope Ball in 2002.

Maurice, who had been the musical director of the Bee Gees during their final years as a group, died unexpectedly on 12 January 2003 at the age of 53 from a heart attack, while awaiting emergency surgery to repair a strangulated intestine.^[19] Initially, his surviving brothers announced that they intended to carry on the name "Bee Gees" in his memory. But as time passed they decided to retire the group name, leaving it to represent the three brothers together.^[20]

The same week that Maurice died, Robin's solo album Magnet was released. On 23 February 2003, the Bee Gees received the Grammy Legend Award. Barry and Robin accepted as well as Maurice's son, Adam, in a tearful ceremony.

Although there was talk of a memorial concert featuring both surviving brothers and invited guests,^[21] nothing materialised. Barry and Robin continued to work independently, and both released recordings with other artists, occasionally coming together to perform at special events.

In late 2004, Robin embarked on a solo tour of Germany, Russia and Asia. During January 2005, Barry, Robin and several legendary rock artists recorded "Grief Never Grows Old," the official tsunami relief record for the Disasters Emergency Committee. Later that year, Barry reunited with Barbra Streisand for her top-selling album Guilty Pleasures, released as Guilty Too in the UK as a sequel album to the previous Guilty. Robin continued touring in Europe. Also in 2004, Barry recorded his song "I Cannot Give You My Love" with Cliff Richard, which became a UK top 20 hit single.^[22]

In February 2006, Barry and Robin reunited on stage for a Miami charity concert to benefit the Diabetes Research Institute. It was their first public performance together since the death of brother Maurice. Barry and Robin also played at the 30th annual Prince's Trust Concert in the UK on 20 May 2006.

In October 2008, Robin performed a couple of songs in London as part of the BBC Electric Proms Saturday Night Fever performance. This involved various other performers and the BBC Concert Orchestra and was screened on the BBC and BBC interactive services.

2009–12: Return to performing and Robin's death[link]

On 1 September 2009, Barry's 63rd birthday, he, in an interview with Easy Mix radio host Tim Roxborough, mentioned on the subject of future tours that "they will be back"; but in an agreement with Warner/Rhino they would not make an announcement at that time.^[23][24] On 7 September 2009, Robin Gibb disclosed to Jonathan Agnew that he had been in touch with Barry Gibb and that they had agreed that the Bee Gees would re-form and "perform again".^[25]

Barry and Robin performed on the BBC's Strictly Come Dancing on 31 October 2009^[26] and appeared on ABC-TV's Dancing with the Stars on 17 November 2009.^[27] On 15 March 2010, Barry and Robin inducted the Swedish group ABBA into the Rock and Roll Hall of Fame.^[28] On 26 May 2010, the two made a surprise appearance on the ninth season finale of American Idol.

In October 2010, Robin Gibb was interviewed by the Daily Mail, and confirmed that the story of the Bee Gees is to be made into a Hollywood movie by Steven Spielberg. The Oscar-winning director believes the group's journey from unknowns in Manchester to worldwide fame will prove box-office gold. Robin told the Daily Mail: "The movie is going to be done by some very important people. It will be our life story. Barry and I will be involved in the technical side". One of the challenges for Spielberg will be replicating the brothers' distinctive three-part harmonies and Barry's falsetto voice. Robin said: "I'd like our original recordings to be used because it's very hard to emulate them."^[29]

On 13 February 2012, Robin joined British military trio The Soldiers for the Coming Home charity concert at the London Palladium, in support of injured servicemen. It was his first public appearance for almost five months, and his final.

On 20 November 2011 it was announced that Robin Gibb, at 61 years old, was diagnosed with liver cancer, a condition he became aware of several months earlier. He had become noticeably thinner in previous months and had to cancel several appearances due to issues with severe abdominal pain.^[30] On 14 April 2012, it was reported that Gibb had contracted pneumonia^[31] in a Chelsea hospital and was in a coma.^[32] Gibb came out of his coma on 20 April 2012.^[33] He died on 20 May 2012.^[34] With Robin's death, Barry became the last surviving Gibb brother.

Songwriting success[link]

The Bee Gees have sold in excess of 200 million records worldwide.^[35] At one point in 1978, the Gibb brothers were responsible for writing and/or performing nine of the songs in the Billboard Hot 100.^[36] In all, the Gibbs placed 13 singles onto the Hot 100 in 1978, with 12 making the Top 40. The Gibb brothers are fellows of the British Academy of Songwriters, Composers and Authors (BASCA).^[37]

At least 2,500 artists have recorded their songs.^[38] Their most popular composition is "How Deep Is Your Love", with 400 versions by other artists in existence.^[39] Among the artists who have covered their songs are Ardijah, Michael Bolton, Boyzone, Eric Clapton, Billy Corgan, Destiny's Child, Faith No More, Feist, The Flaming Lips, Al Green, Jinusean, Elton John, Tom Jones, Janis Joplin, Lulu, Elvis Presley, Nina Simone, Percy Sledge, Robert Smith, Take That, and John Frusciante (who has covered "How Deep Is Your Love" during Red Hot Chili Peppers concerts). The band's music has also been sampled by dozens of hip hop artists.

Songs written by the Gibbs, but largely better known through versions by other artists, include:

• "Ain't Nothing Gonna Keep Me From You" by Teri DeSario
• "Buried Treasure" by Kenny Rogers (backing vocals The Gatlin Brothers)
• "Chain Reaction" by Diana Ross
• "Come on Over" by Olivia Newton-John
• "Emotion" by Samantha Sang
• "Gilbert Green" by Gerry Marsden
• "Grease" by Frankie Valli
• "Guilty" and "Woman in Love" by Barbra Streisand
• "Heartbreaker" & "All the Love in the World" by Dionne Warwick
• "Hold On to My Love" by Jimmy Ruffin
• "I Will Be There" by Tina Turner
• "If I Can't Have You" by Yvonne Elliman
• "Immortality" by Celine Dion
• "Islands in the Stream" by Kenny Rogers and Dolly Parton
• "Morning of My Life" by Abi and Esther Ofarim
• "Only One Woman" by The Marbles
• "Rest Your Love on Me" by Conway Twitty
• "Sacred Trust" by One True Voice
• "Warm Ride" by Graham Bonnet

The Bee Gees' major non-UK/US breakthrough hit "Spicks and Specks"—a 1966 chart success in Australia (top five) and New Zealand (number one), and in Holland (top five) in 1967—was covered by British rock-pop band Status Quo for their 1968 debut album. And Al Green's 1972 non-single cover of the Bee Gees' massive 1971 North American number one "How Can You Mend a Broken Heart" enjoys a certainly critical and popular following, particularly in the UK.

Awards and recognition[link]

Bee Gees for the television special Billboard No. 1 Music Awards (November 1977) Top to bottom: Barry, Robin and Maurice.

Inductions[link]

• 1979 Hollywood Walk of Fame
• 1994 Songwriters Hall of Fame
• 1995 Florida's Artists Hall of Fame
• 1997 Rock and Roll Hall of Fame
• 1997 ARIA (Australian Recording Industry Association) Hall of Fame
• 2001 Vocal Group Hall of Fame
• 2004 Dance Music Hall of Fame
• 2005 London's Walk of Fame

Grammy Awards[link]

• 1978 Best Pop Vocal Performance By A Group – "How Deep Is Your Love"
• 1979 Best Pop Vocal Performance By A Duo Or Group – "Saturday Night Fever"
• 1979 Best Arrangement Of Voices – "Stayin' Alive"
• 1979 Album Of The Year – "Saturday Night Fever"
• 1979 Producer Of The Year – "Saturday Night Fever"
• 1981 Best Pop Performance By A Duo Or Group With Vocal – "Guilty" (Barry Gibb with Barbra Streisand)
• 2000 Lifetime Achievement Award
• 2003 Legend Award
• 2004 Hall Of Fame Award – "Saturday Night Fever"

World Music Awards[link]

• 1997 Legend Award

American Music Awards[link]

• 1979 Favorite Pop / Rock Band, Duo Or Group
• 1979 Favorite Soul / R&B Album – "Saturday Night Fever"
• 1980 Favorite Pop / Rock Band, Duo Or Group
• 1980 Favorite Pop / Rock Album – "Spirits Having Flown"
• 1997 International Artist Award

BRIT Awards[link]

• 1997 Outstanding Contribution To Music

BMI Awards[link]

• On 15 May 2007, the Bee Gees were named BMI Icons at the 55th annual BMI Pop Awards. Collectively, Barry, Maurice and Robin Gibb have earned 109 BMI Pop, Country and Latin Awards.^[40]

Commemorative stamps[link]

In October 1999 the Isle of Man Post Office unveiled a set of 6 stamps honouring their native sons' music. The official launch took place at the London Palladium where the stage show of Saturday Night Fever was playing. A similar launch was held in New York shortly after to coincide with the show opening across the Atlantic. The songs depicted on the stamps are "Massachusetts", "Words", "I've Gotta Get A Message To You", "Night Fever", "Stayin' Alive" and "Immortality".

Civic honours[link]

In 1978, following the success of Saturday Night Fever, and the single "Night Fever" in particular, Reubin Askew, the Governor of the US state of Florida, named the Bee Gees honorary citizens of the state, since they resided in Miami at the time.^[41]

All three brothers (including Maurice, posthumously) were appointed Commanders in the Order of the British Empire in December 2001 with the ceremony taking place at Buckingham Palace on 27 May 2004.^[42][43]

On 10 July 2009, the Isle of Man's capital bestowed the Freedom of the Borough of Douglas honour on Barry and Robin, as well as posthumously on Maurice.^[44] On 20 November 2009, Douglas Borough Council released a limited edition commemorative DVD to mark their naming as Freemen of the Borough.^[45]

Discography[link]

Studio albums[link]

Live albums[link]

Soundtrack releases[link]

Catalogue reissue[link]

The Gibbs recently gained ownership rights to their back catalogue, and set up a new distribution arrangement with Warner/Rhino/Reprise Records where they have since reissued digitally remastered versions of Saturday Night Fever, their later Bee Gees Greatest album, and a new boxed set: The Studio Albums: 1967–1968.

Additionally, more recent titles such as Still Waters and This Is Where I Came In were among the first batch of re-releases. The band's three Warner Bros. releases, E. S. P., One and High Civilisation were also made available on iTunes for the first time since the albums went out of print in North America in the mid-90s.

According to Robin Gibb's website, three more reissues were planned for the 2008 holiday season: Best of Bee Gees, Best of Bee Gees, Volume 2 and Love Songs. The double album Odessa was released on 13 January 2009 in a special 3-disc deluxe edition complete with the original red velvet cover with remastered stereo and mono versions of the album as well as alternate versions and unreleased tracks.

Since the remastered release of Odessa, Rhino has stopped reissuing original Bee Gees albums and there has not been any announcement as to when the remaining albums will be remastered.

Limited edition[link]

Ellan Vannin was recorded in 1997 as a 1,000 quantity limited edition single for Isle of Man charities. The song was featured in the Bee Gees World Tour and on ITV's "An Evening With ..." but to date has not been released generally. The single was subsequently also available as part of the 1999 Bee Gees Stamp issue.

50th anniversary collections[link]

In conjunction with the 50th anniversary of the Bee Gees (when they started calling themselves "Bee Gees" in 1959), Rhino Records have released two new collections. Mythology is a four-disc collection highlighting each brother, including Andy, with tracks personally selected by Barry, Robin, Maurice's wife Yvonne (with his children Adam and Samantha), and Andy's daughter Peta. Maurice's disc contains two unreleased tracks called "Angel Of Mercy" and "The Bridge". Andy's disc contains the unreleased track "Arrow Through The Heart". Mythology also features a scrapbook of family photos, many never-before published, along with tributes from artists such as George Martin, Brian Wilson, Elton John, Graham Nash and the band's longtime manager Robert Stigwood.

The second collection, The Ultimate Bee Gees, is a more modest two-disc 40-track collection highlighting their biggest hits and includes a bonus DVD of unreleased videos, previously unreleased television appearances, live performances, and promo videos. Each disc is themed, with the first disc being the more upbeat songs called "A Night Out" and the second disc being more ballad-focused called "A Night In".^[46]

Band instrumentalists[link]

Barry Gibb played rhythm guitar.

During the early 1970s, Robin Gibb played piano and violin occasionally, but most of the time he only sang. Although he kept on playing strings and keyboards privately, he had not played any instrument on stage since mid-'70s.

Maurice Gibb played bass guitar, rhythm and lead guitar, piano, organ, harpsichord, electric piano, mellotron, and electronic keyboards, synthesisers and drum tracks. From 1966 to 1972 he played multiple instruments on many records. During the late 1970s he played mainly bass guitar. From about 1986 onward he usually played keyboards and guitars. Maurice was credited by the brothers as being the most technologically savvy member of the band, and had built his own home studio. The bootleg CD ESP Demos allegedly includes rough versions of tracks from the album of the same name that were recorded at that studio.^{[citation needed]}

These musicians were considered members of the band:^{[citation needed]}

• Colin Petersen – drums (1967–1969)
• Vince Melouney – lead guitar (1967–1968)
• Geoff Bridgford – drums (1969–1972)
• Alan Kendall – lead guitar (1971–1980, 1987–2001)
• Dennis Bryon – drums (1974–1980)
• Blue Weaver – keyboards (1975–1980)

Filmography[link]

• 1969: Cucumber Castle
• 1978: Sgt. Pepper's Lonely Hearts Club Band
• 1979: The Bee Gees Special
• 1990: One For All Tour
• 1997: Keppel Road
• 1998: One Night Only
• 2001: This Is Where I Came In
• 2002: Live By Request
• 2010: In Our Own Time

References[link]

External links[link]

	Book: Bee Gees
Wikipedia books are collections of articles that can be downloaded or ordered in print.

Wikimedia Commons has media related to: Bee Gees

• Bee Gees – official website
• Barry Gibb – official website
• Robin Gibb – official website
• Bee Gees at Rolling Stone
• Bee Gees at Allmusic
• Bee Gees' Vocal Group Hall of Fame webpage
• Bee Gees at bmi.com
• Robin Gibb sadly passes away after losing his battle with cancer
• Bee Gees interviewed on the Pop Chronicles (1969).

Kenneth Donald "Kenny" Rogers^[1] (born August 21, 1938) is an American singer-songwriter, photographer, record producer, actor, and entrepreneur. Though he has been most successful with country audiences, he has charted more than 120 hit singles across various music genres and topping the country and pop album charts for more than 200 individual weeks in the United States alone.

Two of his albums, The Gambler and Kenny, are featured in the About.com poll of "The 200 Most Influential Country Albums Ever".^[2] He was voted the "Favorite Singer of All-Time" in a 1986 joint poll by readers of both USA Today and People.^[3] He has received numerous such awards as the AMAs, Grammys, ACMs and CMAs, as well as a lifetime achievement award for a career spanning six decades in 2003.^[4]

Later success includes the 2006 album release, Water & Bridges, an across the board hit, that peaked at #5 in the Billboard Country Albums sales charts, also charting high in the Billboard 200. The first single from the album, "I Can't Unlove You," was also a chart hit. Remaining a popular entertainer around the world, the following year he completed a tour of the United Kingdom and Ireland, telling BBC Radio 2 DJ Steve Wright his favorite hit was "The Gambler". He has also acted in a variety of movies and television shows, most notably the title roles in Kenny Rogers as The Gambler and the MacShayne series as well as his appearance on The Muppet Show.^[5][6]

Personal life[link]

Rogers was born in Houston, Texas, in 1938, the fourth of seven children born to Lucille (née Hester; d. 1991), a nurse, and Edward Floyd Rogers (d. 1975), a carpenter.^[7] Rogers graduated from Jefferson Davis High School in Houston.

Career[link]

Early career[link]

His career began in the mid 1950s when he recorded with a doo-wop group called The Scholars, who had some success with a single called "Poor Little Doggie." Rogers was not the lead singer of the group and after two more singles they disbanded when their leader went solo.

Now on his own, Kenneth Rogers (as he was billed then) followed the breakup with his own single, a minor solo hit called "That Crazy Feeling" (1958). After sales slowed down, Rogers joined a jazz group called The Bobby Doyle Trio, who got a lot of work in clubs thanks to a reasonable fan following and also recorded for Columbia Records. The group disbanded in 1965, and a 1966 jazzy rock single Rogers recorded for Mercury Records, called "Here's That Rainy Day" failed. Rogers also worked as a producer, writer and session musician for other performers; including country artists Mickey Gilley and Eddy Arnold. In 1966 he joined The New Christy Minstrels as a singer and double bass player.

Feeling that the Minstrels were not offering the success they wanted, Rogers and fellow members Mike Settle, Terry Williams, and Thelma Camacho left the group. They formed The First Edition in 1967 (later renamed "Kenny Rogers and The First Edition"). They chalked up a string of hits on both the pop and country charts, including "Something's Burning", "Ruby, Don't Take Your Love to Town", "Reuben James" and "Just Dropped In (To See What Condition My Condition Was In)." In his First Edition days, Rogers had something of a hippie image, sporting long brown hair, an earring, and pink sunglasses.

When the group split in 1976, Rogers launched his solo career. Rogers soon developed a more middle of the road sound, with a somewhat rough but tuneful voiced style that sold to both pop and country audiences; to date, he has charted more than 60 top 40 hit singles (including upwards of 25 #1's) and 50 of his albums have charted. His music has also been featured in top selling movie soundtracks, such as Convoy, Urban Cowboy and The Big Lebowski.^[8][9]

Solo career[link]

Rogers in 1981.

After leaving The First Edition in 1976, after almost a decade with the group, Rogers signed a solo deal with United Artists. Butler and Rogers began a partnership that would last four years.

Rogers first outing for his new label was Love Lifted Me. The album charted and two singles "Love Lifted Me" and "While the Feeling's Good" were minor hits. The song "Runaway Girl" was featured in the motion picture Trackdown. Later in 1976, Rogers issued his second album, the self-titled Kenny Rogers, whose first single "Laura (What's He Got That I Ain't Got)", was another solo hit.

The single "Lucille" (1977) was a major hit, reaching number one on the pop charts in 12 countries, selling over five million copies, and firmly establishing Rogers' post-First Edition career. On the strength of "Lucille", the album Kenny Rogers reached #1 in the Billboard Country Album Chart. More success was to follow, including the multi-million selling album The Gambler and another international Number 1 single, "Coward of the County", taken from the equally successful album, Kenny. In 1980, the Rogers/Butler partnership came to an end, though they would occasionally reunite: in 1987 on the album I Prefer the Moonlight and again in 1993 on the album If Only My Heart Had a Voice.

In the late 1970s, Rogers teamed up with close friend and country singer Dottie West for a series of albums and duets. Together the duo had three hit albums, selling out stadiums and arenas while on tour. Their hits together "Every Time Two Fools Collide", "Anyone Who Isn't Me Tonight" and "What Are We Doin' in Love" became Country standards. Of West, Rogers stated in a 1995 TNN interview "She, more than anybody else I ever worked with, sang with such emotion that you actually believed what she sang." Rogers was with West when she died after sustaining injuries in a 1991 car accident. In 1995 he starred opposite Michele Lee in the CBS biopic Big Dreams and Broken Hearts: The Dottie West Story.^{[citation needed]}

In 1980, his duet with Kim Carnes "Don't Fall in Love with a Dreamer" became a major hit. Later in 1980 came his partnership with Lionel Richie who wrote and produced Rogers' #1 hit "Lady". Richie went on to write and produce Rogers' 1981 album Share Your Love, a chart topper and commercial favorite featuring hits such as "I Don't Need You" (Pop #3), "Through the Years" (Pop #13), and "Share Your Love with Me" (Pop #14). His first Christmas album was also released that same year. In 1982, Rogers released the album Love Will Turn You Around. The Love Will Turn You Around (song) reached #13 on the Billboard Hot 100 and topped the country and AC charts. due to its exposure as the theme song of Rogers' 1982 film Six Pack. Shortly after he started working with producer David Foster in 1983 recording the smash Bob Seger cover "We've Got Tonight", a duet with Sheena Easton.

He went on to work with the Bee Gees to record and produce his 1983 hit album Eyes That See in the Dark, featuring the title track and yet another #1 hit "Islands in the Stream", a duet with Dolly Parton. The Gibbs originally wrote the song for Marvin Gaye in an R&B style, only later to change it for the Kenny Rogers album.^[10] The partnership with Bee Gees only lasted one album, which was not a surprise considering that Rogers' original intentions were to work with Barry Gibb in only one song but Barry insisted on them doing the entire album.

"Islands in the Stream", Rogers' duet with Dolly Parton, was the first single to be released from Eyes That See in the Dark in the United States, and it quickly went to #1 in the Billboard Hot 100 (it would prove to be the last country single to reach #1 on that chart until "Amazed" by Lonestar did so in 2000), as well as topping Billboard's country and adult contemporary singles charts; it was certified Platinum by the Recording Industry Association of America for shipping two million copies in the United States. Rogers would reunite with Parton in 1984 for a holiday album and TV special, Once Upon a Christmas, as well as a 1985 duet "Real Love", which also topped the U.S. country singles chart.^{[citation needed]}

Despite the "Islands in the Stream"s success, however, RCA insisted on releasing Eyes' title track as the first UK single, and the song stalled at a disappointing #61 there, although it did stay in the top 100 for several weeks (when it was eventually released in the United States, it was more successful, charting high on the Adult Contemporary chart and making the country top 30). "Islands in the Stream" was issued as a followup single in Britain and sold well, making #7. The album itself reached #1 on the country charts on both sides of the Atlantic and enjoyed multi-million sales. "Buried Treasure," "This Woman" and "Evening Star"/"Midsummer Nights" were also all successful singles from the album.

Shortly after came the album What About Me?, a hit whose title track, a trio performance with James Ingram and Kim Carnes, was nominated for a Grammy award; the single "Crazy" (not to be confused with the Willie Nelson-penned Patsy Cline hit) topped the country charts. David Foster was to work again with Rogers in his 1985 album The Heart of the Matter, although this time Foster was playing backing music rather than producing, a role given to George Martin. This album was another success, going to #1, with the title track making to the top ten category in the singles charts.

The next few years saw Rogers scoring several top country hits on a regular basis, including "Twenty Years Ago," "Morning Desire," "Tomb of the Unknown Love", among others. On January 28, 1985 Rogers was one of the 45 artists who recorded the worldwide charity song "We Are the World" to support hunger victims in Africa. The following year he played at Giants Stadium.^{[citation needed]}

In January 1987, Rogers co-hosted the American Music Awards at the Shrine Auditorium in Los Angeles. In 1988 Rogers won a grammy "Best Country Collaboration with Vocals" with Ronnie Milsap — "Make No Mistake, She's Mine". In the 1990s Rogers continued to chart with singles such as "Crazy In Love", "If You Want To Find Love" and "The Greatest". His second Christmas album entitled "Christmas in America" was released in 1989 for Reprise Records. From 1991-94, Rogers hosted The Real West on A&E, and on The History Channel since 1995 (Reruns only on The History Channel). He visited Miller's during this time period. From 1992-95, Rogers co-owned and headlined Branson, Missouri's 4,000 seat Grand Palace Theatre. In 1994, Rogers released his "dream" album titled Timepiece on Atlantic Records. It consisted of 1930s/40s jazz standards; it was the type of music he performed in his early days with The Bobby Doyle Three in Houston.^{[citation needed]}

In 1996 he released an album Vote For Love where the public requested their favorite love songs and Rogers performed the songs (several of his own hits were in there). The album was the first for the TV shopping channel QVC's record label, onQ Music. The album, sold exclusively by QVC, was a huge success and was later issued in stores under a variety of different titles. It reached #1 in the UK country charts under the title Love Songs (a title also used for various compilations) and also crossed over into the mainstream charts.

In 1999 Rogers scored with the single "The Greatest", a song about life from a child's point of view (looked at through a baseball game). The song reached the top 40 of Billboard's Country singles chart and was a Country Music Television Number One video. It was on Rogers' album She Rides Wild Horses the following year (itself a top 10 success). In 1999, Rogers also produced a song, "We've Got It All", specifically for the series finale of the ABC show Home Improvement. Not on any album, the recording sells for a high sum at auction.^{[citation needed]}

Beyond the 1990s[link]

Kenny Rogers in 2004

In the 21st century, Rogers was back at #1 for the first time in more than a decade with the 2000 single "Buy Me a Rose". In doing so, he broke a 26-year-old record held by Hank Snow (who, in April 1974, was 59 years and 11 months old when he scored with "Hello Love"). Rogers held the record until 2003, when then 70-year-old Willie Nelson became the oldest artist to have a No. 1 on the country charts with his duet with Toby Keith, "Beer for My Horses".

Although Rogers did not record new albums for a couple of years, he continued to have success in many countries with more greatest hits packages. In 2004 42 Ultimate Hits, which was the first hits collection to span his days with the First Edition to the present, reached Number 6 on the American country charts and went gold. It also featured two new songs, "My World Is Over" with Whitney Duncan and "We Are the Same". "My World Is Over" was released as a single and was a minor hit. In 2005 The Very Best of Kenny Rogers, a double album, sold well in Europe. It was the first new solo Kenny Rogers hits album to reach the United Kingdom for over a decade, despite many compilations there that were not true hits packages.

Rogers also signed with Capitol Records and had more success with the TV advertised release 21 Number Ones in January 2006. Although this CD did contain 21 chart-toppers as the title claims (recorded between 1976 and the present day), this was not a complete collection of Rogers' #1 singles, omitting such singles as "Crazy in Love" and "What About Me?"

Much of his success was during the period from 1976 to 1983, when he was signed to United Artists and later Liberty. It is very rare for an artist of Rogers' age to be signed to a major label. Capitol followed 21 Number Ones with Rogers' new studio album, Water And Bridges, in March 2006 on the Capitol Nashville Records label. The first single from the album was "I Can't Unlove You" which peaked at # 1 7 on the country charts, after spending over 6 months on the hit list, more than 50 years after he formed his first group and 38 years after his first major hit as leader of The First Edition; the song remains in recurrent airplay on some radio stations today. "I Can't Unlove You" was followed up with the second single from the album, "The Last Ten Years (Superman)", in September 2006. The third single, "Calling Me," which features Don Henley, became popular in early 2007, and was nominated for a Grammy Award at the 2007 Grammy Awards. Also in 2007, the 1977 "Kenny Rogers" album was re-issued as a double play CD, also featuring the 1979 "Kenny" album and this once again put Rogers' name into the sales charts worldwide. The following year, another compilation album ("A Love Song Collection") also charted. He currently lives in Atlanta.

As of 2011 Rogers has recorded 65 albums and sold over 190 million records.^[11][12]

On August 26, 2008, Rogers released "50 Years"^[13] exclusively at Cracker Barrel stores. The album includes some of Rogers' greatest hits, plus 3 new songs. The release is designed to celebrate Rogers' 50th year in the music business. However, it should be noted Rogers has been in the music business for more than 50 years including his releases with The Scholars, who recorded for a local label in Houston. 1958 was the year he signed his first recording deal with a major label. In 2007 the England national rugby union team team adopted Rogers song "The Gambler" as their unofficial 2007 Rugby World Cup anthem,^[14] after hearing prop Matt Stevens playing it in the team hotel. Before the Semi-final against France and the Final against South Africa, Rogers sent video messages of support to the team in light of them choosing his song. He offered to come to England and party with the team if they won the World Cup.

In 2008 Rogers toured with his Christmas Show. He split the show up, making the first half his "best of" and the second half his Christmas songs. One such show was at Mohegan Sun Casino^[15] in Uncasville, Connecticut.

In 2009 he toured the United Kingdom. In 2009, Rogers embarked on his 50th Anniversary Tour. The tour went around the United States, Britain and Ireland.

On April 10, 2010, a TV special was taped, Kenny Rogers: The First 50 Years. Dolly Parton and Lionel Richie were among those set to perform with Kenny during a show celebrating his contribution to country, blues and pop music, It took place at the MGM Grand in Foxwoods. This special is set debut on March 8, 2011 on Great American Country.^{[dated info]}

Outside music[link]

Rogers also had success as an actor. His 1982 movie Six Pack, in which he played a race-car driver, took more than $20 million at the United States box office, while made-for-TV movies such as The Gambler, Christmas in America, and Coward of the County (based on hit songs of his) topped ratings lists.

As an entrepreneur, he collaborated with former Kentucky Fried Chicken CEO John Y. Brown, Jr. in 1991 to start up the restaurant chain Kenny Rogers Roasters. The chicken and ribs chain, which is similar to Boston Market, was famously featured in an episode of the NBC sitcom Seinfeld called "The Chicken Roaster". On the November 27, 1997, broadcast of Late Night with Conan O’Brien, Rogers could not pick his chicken out in a taste test, claiming he preferred "greasy burgers."^{[citation needed]}

Rogers and his restaurant were subjects of comedy from MADtv, especially the impersonation done by Will Sasso; the sketch of the faux-Rogers hosting Jackass became popular on the Internet.

Rogers put his name to the Gambler Chassis Co., a Sprint car racing manufacturer started by C. K. Spurlock in Hendersonville, Tennessee. The company used the name from Rogers hit song The Gambler. During the 1980s/90s, Gambler was one of the fastest and widely used Sprintcars with such drivers as Steve Kinser, Sammy Swindell and Doug Wolfgang driving the cars to victory in the World of Outlaws and the famous Knoxville Nationals. Gambler sprintcars were also successful in Australia with drivers such as Garry Rush and Steve Brazier using Gamblers to win multiple Australian Sprintcar Championships.

Rogers appeared in a 2004 episode of Reno 911 as himself being subjected to incompetent security provided by starstruck sheriff's deputies to comical effect.

Marriages[link]

• Wanda Miller, June 1, 1997 – present; 2 children
• Marianne Gordon, October 1, 1977 – 1993, divorced; 1 child
• Margo Anderson, October 1964 – 1976, divorced; 1 child
• Jean Rogers, October 1960 – 1963, divorced
• Janice Gordon, May 15, 1958 – April 1960, divorced; 1 child^[16]

Discography[link]

Awards/Honors[link]

Record labels[link]

The following is a list of record labels to which Rogers signed:

• Cue (1957, with the band The Scholars and also as a solo singer)
• Carlton (1958, solo deal)
• KenLee (one single, label owned by Rogers and his brother Lelan)
• Columbia (1960s, with jazz combo, The Bobby Doyle Three)
• Reprise (1967, with The First Edition, all material recorded during this time has since been acquired by Universal Music)
• Jolly Rogers (1973, with The First Edition, label was owned by Rogers)
• United Artists (1975, solo deal)
• Liberty (1980, United Artists merged into EMI/Capitol in 1980; some pressings of albums were issued on Capitol's imprint labels, EMI, EMI America, and EMI Manhattan.)
• RCA (1983, solo deal)
• Reprise (1989, solo deal)
• Giant (1993, one solo album)
• Atlantic (1994, one solo album)
• onQ Music (1996, one solo album; onQ Music was created by the QVC Network to release exclusive albums for sale only on QVC. The first onQ release was Rogers' Vote for Love, a two-disc set that would later become available in standard retail stores.)
• Magnatone (1996, solo deal)
• Dreamcatcher (1998, solo deal; Dreamcatcher was owned and run by Rogers and Jim Mazza for the purpose of releasing Rogers albums and certain reissues of Rogers' catalog. Other artists such as Marshall Dyllon and Randy Dorman were released on Dreamcatcher Records, also. The label closed in 2004)
• Capitol Nashville (2004, solo deal)

See also[link]

• Brady Hawkes

References[link]