Robert Hans van Gulik (Chinese: 髙羅佩; pinyin: Gāo Luópèi, August 9, 1910, Zutphen – September 24, 1967, The Hague) was a highly educated orientalist, diplomat, musician (of the guqin), and writer, best known for the Judge Dee mysteries, the protagonist of which he borrowed from the 18th-century Chinese detective novel Dee Goong An.

Life[link]

Robert van Gulik was the son of a medical officer in the Dutch army of what was then called the Dutch East Indies (modern-day Indonesia). He was born in the Netherlands, but from the age of three till twelve he lived in Batavia (now Jakarta), where he was tutored in Mandarin and other languages. He went to the University of Leyden in 1934 and obtained his Ph.D in 1935. His talents as a linguist suited him for a job in the Dutch Foreign Service, which he joined in 1935; and he was then stationed in various countries, mostly in East Asia (Japan and China).

He was in Tokyo when Japan declared war on the Netherlands in 1941, but he, along with the rest of the Allied diplomatic staff, was evacuated in 1942. He spent most of the rest of World War II as the secretary for the Dutch mission to Chiang Kai-shek's Nationalist government in Chongqing. While in Chongqing, he married a Chinese woman (Shui Shifang), the daughter of an Imperial mandarin (under the Manchu Dynasty). Together they had four children.

After the war ended, he returned to the Netherlands, then went to the United States as the councillor of the Dutch embassy in Washington D.C. He returned to Japan in 1949 and stayed there for the next four years. While in Tokyo, he published his first two books, the translation Celebrated Cases of Judge Dee and a privately published book of erotic colored prints from the Ming dynasty. Later postings took him all over the world, from New Delhi, Kuala Lumpur, and Beirut (during the 1958 Civil War) to The Hague. From 1965 until his early death from cancer in 1967, he was the Dutch ambassador to Japan.

Judge Dee mysteries[link]

During World War II van Gulik translated the 18th-century detective novel Dee Goong An into English under the title Celebrated Cases of Judge Dee (first published in Tokyo in 1949). The main character of this book, Judge Dee, was based on the real statesman and detective Di Renjie, who lived in the 7th century, during the Tang Dynasty (AD 600–900), though in the novel itself elements of Ming Dynasty China (AD 1300–1600) were mixed in. ^[1]

Thanks to his translation of this largely forgotten work, van Gulik became interested in Chinese detective fiction. To the translation he appended an essay on the genre in which he suggested that it was easy to imagine rewriting some of the old Chinese case histories with an eye toward modern readers. Not long afterward he himself tried his hand at creating a detective story along these lines. This became the book The Chinese Maze Murders (completed around 1950). As van Gulik thought the story would have more interest to Japanese and Chinese readers, he had it translated into Japanese by a friend (finished in 1951), and it was sold in Japan under the title Meiro-no-satsujin. With the success of the book, van Gulik produced a translation into Chinese, which was published by a Singapore book publisher in 1953. The reviews were good, and van Gulik wrote two more books (The Chinese Bell Murders and The Chinese Lake Murders) over the next few years, also with an eye toward Japanese and then Chinese editions. Next, van Gulik found a publisher for English versions of the stories, and the first such version was published in 1957. Later books were written and published in English first; the translations came afterwards. ^[1]

Van Gulik's intent in writing his first Judge Dee novel was, as he wrote in remarks on The Chinese Bell Murders, "to show modern Chinese and Japanese writers that their own ancient crime-literature has plenty of source material for detective and mystery-stories".^[2] In 1956, he published a translation of the T'ang-yin-pi-shih ("Parallel Cases from Under the Pear Tree"), a 13th-century casebook for district magistrates. He used many of the cases as plots in his novels (as he states in the postscripts of the novels).

Van Gulik's Judge Dee mysteries follow in the long tradition of Chinese detective fiction, intentionally preserving a number of key elements of that writing culture. Most notably, he had Judge Dee solve three different (and sometimes unrelated) cases in each book, a traditional device in Chinese mysteries. The whodunit element is also less important in the Judge Dee stories than it is in the traditional Western detective story, though still more so than in traditional Chinese detective stories. Nevertheless, van Gulik's fiction was adapted to a more Western audience, avoiding the supernatural and religious traditions of Buddhism and Daosim in favour of rationality.^[3]

Other works[link]

"Gibbons at play", painting by the Xuande Emperor (1427)

Robert van Gulik studied Indisch Recht (Dutch Indies law) and Indologie (Indonesian culture) at Leiden University from 1929 until 1934, receiving his doctorate for a dissertation on the horse cult in Northeast Asia. Though he made his career in the Dutch diplomatic service, he kept up his studies. During his life he wrote twenty-odd essays and monographs on various subjects, mainly but not exclusively on aspects of Chinese culture. Typically, much of his scholarly work was first published outside the Netherlands. In his lifetime van Gulik was recognized as a European expert on Imperial Chinese jurisprudence.

Van Gulik was quite interested in Chinese painting. For example, in his book The Gibbon in China (1967), he devotes quite a few pages to the gibbon-themed paintings in China in Japan, from the Northern Song Dynasty on. Analyzing the portrayal of these apes throughout history, he notes how the realism of the pictures deteriorated as the gibbon population in most of China was extirpated. As an art critic, he greatly admired the portrayal of the apes by such renowned painters as Yi Yuanji and Muqi Fachang. Commenting on one of Ming Emperor Xuande's works, "Gibbons at Play", van Gulik says that while it is "not a great work of art", it is "ably executed". The lifelike images of the apes make one surmise that the emperor painted from the live models that could have been kept in the palace gardens.^[4][5]

Bibliography[link]

Judge Dee[link]

Judge Dee mysteries in order written and published[link]

• Celebrated Cases of Judge Dee, translation of the Chinese Dee Goong An (1941–1948)
• The Chinese Maze Murders (written 1950, published in Japanese in 1951, published in English in 1956)^[6]
• The Chinese Bell Murders (written 1953–1956, published 1958)
• The Chinese Lake Murders (written 1953–1956, published 1960)
• The Chinese Gold Murders (written 1956,^[7] published 1959)
• The Chinese Nail Murders (written 1958,^[7] published 1961)
• The Haunted Monastery (written 1958–1959,^[7] published 1961)
• The Red Pavilion (written 1958–1959,^[7] published 1961)
• The Lacquer Screen (written 1958–1959,^[7] published 1962}
• The Emperor's Pearl (1963)
• Vier vingers (1964), written in Dutch as Boekenweekgeschenk (= present for the Week of the Book); short story, as "The Morning of the Monkey" included in The Monkey and the Tiger
• The Monkey and the Tiger, short stories (1965)
• The Willow Pattern (1965)
• Murder in Canton (1966)
• The Phantom of the Temple (1966)
• Judge Dee at Work, short stories (1967)
• Necklace and Calabash (1967)
• Poets and Murder (1968)

Judge Dee mysteries in internal order[link]

Van Gulik's autograph in Chinese

Judge Dee at Work contains a "Judge Dee Chronology" telling of Dee's various posts, in which van Gulik places the mysteries—both books and short stories—in the context of Dee's career and provides other information about the stories. On the basis of this chronology, the works can be arranged in the following order:

• 663 – Judge Dee is a magistrate of Peng-lai, a fictional district on the northeast coast of China.
  • The Chinese Gold Murders
  • The Lacquer Screen
  • "Five Auspicious Clouds", a short story in Judge Dee at Work
  • "The Red Tape Murders", a short story in Judge Dee at Work
  • "He Came with the Rain", a short story in Judge Dee at Work

• 666 – Judge Dee is the magistrate of Han-yuan, a fictional district on a lakeshore near the capital of Chang-An.
  • The Chinese Lake Murders
  • "The Morning of the Monkey", a short story in The Monkey and the Tiger
  • "The Murder on the Lotus Pond", a short story in Judge Dee at Work

• 666 – Judge Dee, while traveling, is forced to take shelter in a monastery.
  • The Haunted Monastery

• 668 – Judge Dee is the magistrate of Poo-yang, a fictional wealthy district through which the Grand Canal of China runs (part of modern-day Jiangsu province).
  • The Chinese Bell Murders
  • "The Two Beggars", a short story in Judge Dee at Work
  • "The Wrong Sword", a short story in Judge Dee at Work
  • The Red Pavilion
  • The Emperor's Pearl
  • Poets and Murder
  • Necklace and Calabash

• 670 – Judge Dee is the magistrate of Lan-fang, a fictional district at the western frontier of Tang China.
  • The Chinese Maze Murders
  • The Phantom of the Temple
  • "The Coffins of the Emperor", a short story in Judge Dee at Work
  • "Murder on New Year's Eve", a short story in Judge Dee at Work

• 676 – Judge Dee is the magistrate of Pei-chow, a fictional district in the far north of Tang China.
  • The Chinese Nail Murders
  • "The Night of the Tiger", a short story in The Monkey and the Tiger

• 677 – Judge Dee is Lord Chief Justice in the imperial capital of Chang-An.
  • The Willow Pattern

• 681 – Judge Dee is Lord Chief Justice for all of China.
  • Murder in Canton

Two books, Poets and Murder and Necklace and Calabash, were not listed in the chronology (which was published before those two books were written); both were set during the time when Judge Dee was magistrate in Poo-yang.

Selected scholarly works[link]

• A Blackfoot-English Vocabulary Based on Material from the Southern Peigans, with Christianus Cornelius Uhlenbeck. (Amsterdam, 1934)
• The Lore of the Chinese Lute: An Essay in Ch'in Ideology (1941)
• Hsi K'ang and His Poetical Essay on the Lute (1941)
• Erotic Colour Prints of the Ming Period (Privately printed, Tokyo, 1951)
• Siddham: An Essay on the History of Sanskrit Studies in China and Japan (1956)
• Chinese Pictorial Art, as Viewed by the Connoisseur (Limited edition of 950 copies, Rome, 1958)
• Sexual Life in Ancient China: A Preliminary Survey of Chinese Sex and Society from ca. 1500 B.C. Till 1644 A.D. (1961). (In spite of its titillating title, this book deals with the social role of sex, such as the institutions of concubinage and prostitution.)
• The Gibbon in China: An Essay in Chinese Animal Lore (Leiden, 1967)

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (April 2009)

References[link]

External links[link]

• Janwillem van de Wetering; Robert van Gulik: Zijn Leven Zijn Werk; Loeb, Amsterdam, ISBN 90-6213-899-3 (Hardback, First edition 1989)
• Janwillem van de Wetering; Robert van Gulik: His Life His Work; Soho Press, Inc.; ISBN 1-56947-124-X
• C.D. Barkman, H. de Vries-van der Hoeven; Een man van drie levens (A man of three lives); Forum, Amsterdam, ISBN 90-225-1650-4 (1993)
• John Thompson's collected anecdotes on van Gulik's Guqin artistry
• Judge Dee website
• The Dutch language Rechter Tie website

Michael Richard "Micky" Swart (born 1 October 1982) is an Australian cricketer for the Bootle Cricket Team who plays as an opening batsman.

Swart was a member of the Western Australian Under-19 teams in 2000^[1] and 2001 that were captained by Brett Jones and Shaun Marsh.^[2] However, he did not make his senior debut for the Warriors until January 2010, despite years of scoring heavily for his grade-cricket side Joondalup.^[3] Whilst he made a duck in his first List A game, a few weeks later he made an impressive 83 runs in his debut Sheffield Shield match against Tasmania.^[4] In May 2010 he was awarded a contract with the Warriors for the 2010–11 season.^[5] He scored his maiden century in October 2010 against Victoria at the WACA Ground.^[6]

In February 2011 it was reported that Swart was to be called up to represent the Netherlands at the 2011 Cricket World Cup following an injury to the team's captain Peter Borren.^[7] His father was born in the Netherlands, enabling Swart to hold a Dutch passport and being eligible to represent the country. He had previously rejected an offer to join the team at the Twenty20 World Cup, preferring to concentrate on maintaining his position in the Western Warriors team.^[8] However in the following days it appeared that he was unlikely to play at the World Cup, with both Borren's injury being less severe than first thought and a Dutch selector denying that Swart had been approached.^[9]

The previous week Swart had been dropped from the Warriors squad after being charged with assaulting an opponent,^[10] Billy Godleman, in a grade cricket match between Joondalup and Bayswater-Morley. He was later found guilty by the WACA tribunal and suspended for three matches,^[9] with the tribunal rejecting his defence that he was only acting in self-defence.^[11] The following week the conviction and suspension was overturned upon appeal.^[12]

Swart's contract with the Warriors was not renewed for the 2011/2012 season ^[13], instead signing with Bootle Cricket Club in England ^[14]

References[link]

External links[link]

• Player profile: Michael Swart from ESPNcricinfo
• Cricket Archive Profile of Michael Swart
• Michael Swart on Twitter