The Mona Lisa, by Italian painter Leonardo da Vinci, is one of the most recognizable artistic paintings in the world.

Painting is the practice of applying paint, pigment, color or other medium^[1] to a surface (support base). The medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is also used outside of art as a common trade among craftsmen and builders. Paintings may have for their support such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper or concrete, and may incorporate multiple other materials including sand, clay, paper, gold leaf as well as objects.

Painting is a mode of creative expression, and the forms are numerous. Drawing, composition or abstraction and other aesthetics may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, be loaded with narrative content, symbolism, emotion or be political in nature.

A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas; examples of this kind of painting range from artwork depicting mythological figures on pottery to Biblical scenes rendered on the interior walls and ceiling of The Sistine Chapel, to scenes from the life of Buddha or other images of eastern religious origin.

Elements[link]

Chen Hongshou (1598–1652), Leaf album painting (Ming Dynasty)

Intensity[link]

What enables painting is the perception and representation of intensity. Every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity; by using just color (of the same intensity) one can only represent symbolic shapes. Thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization (perspective), and symbols. For example, a painter perceives that a particular white wall has different intensity at each point, due to shades and reflections from nearby objects, but ideally, a white wall is still a white wall in pitch darkness. In technical drawing, thickness of line is also ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters.

Color and tone[link]

Color and tone are the essence of painting as pitch and rhythm are of music. Color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, white is. Some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover the use of language is only a generalization for a color equivalent. The word "red", for example, can cover a wide range of variations on the pure red of the visible spectrum of light. There is not a formalized register of different colors in the way that there is agreement on different notes in music, such as C or C♯ in music. For a painter, color is not simply divided into basic and derived (complementary or mixed) colors (like red, blue, green, brown, etc.).

Painters deal practically with pigments, so "blue" for a painter can be any of the blues: phtalocyan, Paris blue, indigo, cobalt, ultramarine, and so on. Psychological, symbolical meanings of color are not strictly speaking means of painting. Colors only add to the potential, derived context of meanings, and because of this the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music (like "C") is analogous to light in painting, "shades" to dynamics, and coloration is to painting as specific timbre of musical instruments to music—though these do not necessarily form a melody, but can add different contexts to it.

Georges Seurat (1859–91), Circus Sideshow (1887–88)

Non-traditional elements[link]

Modern artists have extended the practice of painting considerably to include, for example, collage, which began with Cubism and is not painting in the strict sense. Some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer. There is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required.

Rhythm[link]

Rhythm is important in painting as well as in music. If one defines rhythm as "a pause incorporated into a sequence", then there can be rhythm in paintings. These pauses allow creative force to intervene and add new creations—form, melody, coloration. The distribution of form, or any kind of information is of crucial importance in the given work of art and it directly affects the esthetical value of that work. This is because the esthetical value is functionality dependent, i.e. the freedom (of movement) of perception is perceived as beauty. Free flow of energy, in art as well as in other forms of "techne", directly contributes to the esthetical value.

History[link]

Cave painting of aurochs, (Bos primigenius primigenius), Lascaux, France, prehistoric art

The oldest known paintings are at the Grotte Chauvet in France, claimed by some historians to be about 32,000 years old. They are engraved and painted using red ochre and black pigment and show horses, rhinoceros, lions, buffalo, mammoth, abstract designs and what are possibly partial human figures. However the earliest evidence of the act of painting has been discovered in two rock-shelters in Arnhem Land, in northern Australia. In the lowest layer of material at these sites there are used pieces of ochre estimated to be 60,000 years old. Archaeologists have also found a fragment of rock painting preserved in a limestone rock-shelter in the Kimberley region of North-Western Australia, that is dated 40 000 years old.^[2] There are examples of cave paintings all over the world—in India, France, Spain, Portugal, China, Australia, etc.

In Western cultures oil painting and watercolor painting have rich and complex traditions in style and subject matter. In the East, ink and color ink historically predominated the choice of media with equally rich and complex traditions.

The invention of photography had a major impact on painting. In 1829, the first photograph was produced. From the mid to late 19th century, photographic processes improved and, as it became more widespread, painting lost much of its historic purpose to provide an accurate record of the observable world. There began a series of art movements into the 20th century where the Renaissance view of the world was steadily eroded, through Impressionism, Post-Impressionism, Fauvism, Expressionism, Cubism and Dadaism. Eastern and African painting, however, continued a long history of stylization and did not undergo an equivalent transformation at the same time.

Modern and Contemporary Art has moved away from the historic value of craft and documentation in favour of concept; this led some to say in the 1960s that painting, as a serious art form, is dead. This has not deterred the majority of living painters from continuing to practice painting either as whole or part of their work. The vitality and versatility of painting in the 21st century belies the premature declarations of its demise. In an epoch characterized by the idea of pluralism, there is no consensus as to a representative style of the age. Important works of art continue to be made in a wide variety of styles and aesthetic temperaments, the marketplace being left to judge merit.

Among the continuing and current directions in painting at the beginning of the 21st century are Monochrome painting, Hard-edge painting, Geometric abstraction, Appropriation, Hyperrealism, Photorealism, Expressionism, Minimalism, Lyrical Abstraction, Pop Art, Op Art, Abstract Expressionism, Color Field painting, Neo-expressionism, Collage, Intermedia painting, Assemblage painting, Computer art painting, Postmodern painting, Neo-Dada painting, Shaped canvas painting, environmental mural painting, traditional figure painting, Landscape painting, Portrait painting, and paint-on-glass animation.

Aesthetics and theory[link]

Apelles or the Art of painting (detail), relief of the Giotto's Bell Tower in Florence, Italy, Nino Pisano, 1334–1336

Aesthetics is the study of art and beauty; it was an important issue for such 18th and 19th century philosophers as Kant or Hegel. Classical philosophers like Plato and Aristotle also theorized about art and painting in particular; Plato disregarded painters (as well as sculptors) in his philosophical system; he maintained that painting cannot depict the truth—it is a copy of reality (a shadow of the world of ideas) and is nothing but a craft, similar to shoemaking or iron casting. By the time of Leonardo painting had become a closer representation of the truth than painting was in Ancient Greece. Leonardo da Vinci, on the contrary, said that "Pittura est cousa mentale" (painting is a thing of the mind). Kant distinguished between Beauty and the Sublime, in terms that clearly gave priority to the former. Although he did not refer particularly to painting, this concept was taken up by painters such as Turner and Caspar David Friedrich.

Hegel recognized the failure of attaining a universal concept of beauty and in his aesthetic essay wrote that Painting is one of the three "romantic" arts, along with Poetry and Music for its symbolic, highly intellectual purpose.^[3][4] Painters who have written theoretical works on painting include Kandinsky and Paul Klee.^[5][6] Kandinsky in his essay maintains that painting has a spiritual value, and he attaches primary colors to essential feelings or concepts, something that Goethe and other writers had already tried to do.

Iconography is the study of the content of paintings, rather than their style. Erwin Panofsky and other art historians first seek to understand the things depicted, then their meaning for the viewer at the time, and then analyze their wider cultural, religious, and social meaning.

In 1890, the Parisian painter Maurice Denis famously asserted: "Remember that a painting—before being a warhorse, a naked woman or some story or other—is essentially a flat surface covered with colors assembled in a certain order."^[7] Thus, many 20th-century developments in painting, such as Cubism, were reflections on the means of painting rather than on the external world, nature, which had previously been its core subject. Recent contributions to thinking about painting has been offered by the painter and writer Julian Bell. In his book What is Painting?, Bell discusses the development, through history, of the notion that paintings can express feelings and ideas.^[8] In Mirror of The World Bell writes:

‘A work of art seeks to hold your attention and keep it fixed: a history of art urges it onwards, bulldozing a highway through the homes of the imagination.’^[9]

Painting media[link]

Honoré Daumier (1808–79), The Painter

Different types of paint are usually identified by the medium that the pigment is suspended or embedded in, which determines the general working characteristics of the paint, such as viscosity, miscibility, solubility, drying time, etc.

Oil[link]

Oil painting is the process of painting with pigments that are bound with a medium of drying oil—especially in early modern Europe, linseed oil. Often an oil such as linseed was boiled with a resin such as pine resin or even frankincense; these were called 'varnishes' and were prized for their body and gloss. Oil paint eventually became the principal medium used for creating artworks as its advantages became widely known. The transition began with Early Netherlandish painting in northern Europe, and by the height of the Renaissance oil painting techniques had almost completely replaced tempera paints in the majority of Europe.

Pastel[link]

Pastel is a painting medium in the form of a stick, consisting of pure powdered pigment and a binder.^[10] The pigments used in pastels are the same as those used to produce all colored art media, including oil paints; the binder is of a neutral hue and low saturation. The color effect of pastels is closer to the natural dry pigments than that of any other process.^[11] Because the surface of a pastel painting is fragile and easily smudged, its preservation requires protective measures such as framing under glass; it may also be sprayed with a fixative. Nonetheless, when made with permanent pigments and properly cared for, a pastel painting may endure unchanged for centuries. Pastels are not susceptible, as are paintings made with a fluid medium, to the cracking and discoloration that result from changes in the color, opacity, or dimensions of the medium as it dries.

Acrylic[link]

Acrylic paint is fast drying paint containing pigment suspension in acrylic polymer emulsion. Acrylic paints can be diluted with water, but become water-resistant when dry. Depending on how much the paint is diluted (with water) or modified with acrylic gels, media, or pastes, the finished acrylic painting can resemble a watercolor or an oil painting, or have its own unique characteristics not attainable with other media. The main practical difference between most acrylics and oil paints is the inherent drying time. Oils allow for more time to blend colors and apply even glazes over underpaintings. This slow drying aspect of oil can be seen as an advantage for certain techniques, but in other regards it impedes the artist trying to work quickly.

Watercolor[link]

Watercolor is a painting method in which the paints are made of pigments suspended in a water soluble vehicle. The traditional and most common support for watercolor paintings is paper; other supports include papyrus, bark papers, plastics, vellum or leather, fabric, wood, and canvas. In East Asia, watercolor painting with inks is referred to as brush painting or scroll painting. In Chinese, Korean, and Japanese painting it has been the dominant medium, often in monochrome black or browns. India, Ethiopia and other countries also have long traditions. Fingerpainting with watercolor paints originated in China.

Ink[link]

Ink paintings are done with a liquid that contains pigments and/or dyes and is used to color a surface to produce an image, text, or design. Ink is used for drawing with a pen, brush, or quill. Ink can be a complex medium, composed of solvents, pigments, dyes, resins, lubricants, solubilizers, surfactants, particulate matter, fluorescers, and other materials. The components of inks serve many purposes; the ink’s carrier, colorants, and other additives control flow and thickness of the ink and its appearance when dry.

Hot wax[link]

Encaustic painting, also known as hot wax painting, involves using heated beeswax to which colored pigments are added. The liquid/paste is then applied to a surface—usually prepared wood, though canvas and other materials are often used. The simplest encaustic mixture can be made from adding pigments to beeswax, but there are several other recipes that can be used—some containing other types of waxes, damar resin, linseed oil, or other ingredients. Pure, powdered pigments can be purchased and used, though some mixtures use oil paints or other forms of pigment. Metal tools and special brushes can be used to shape the paint before it cools, or heated metal tools can be used to manipulate the wax once it has cooled onto the surface. Other materials can be encased or collaged into the surface, or layered, using the encaustic medium to adhere it to the surface.

Fresco by Dionisius representing Saint Nicholas in a Ferapontov Monastery

Fresco[link]

Fresco is any of several related mural painting types, done on plaster on walls or ceilings. The word fresco comes from the Italian word affresco [afˈfresːko] which derives from the Latin word for "fresh". Frescoes were often made during the Renaissance and other early time periods. Buon fresco technique consists of painting in pigment mixed with water on a thin layer of wet, fresh, lime mortar or plaster, for which the Italian word for plaster, intonaco, is used. A secco painting, in contrast, is done on dry plaster (secco is "dry" in Italian). The pigments require a binding medium, such as egg (tempera), glue or oil to attach the pigment to the wall.

A Fresco "White Angel" from Mileševa, Serbia

Gouache[link]

Gouache is a water based paint consisting of pigment and other materials designed to be used in an opaque painting method. Gouache differs from watercolor in that the particles are larger, the ratio of pigment to water is much higher, and an additional, inert, white pigment such as chalk is also present. This makes gouache heavier and more opaque, with greater reflective qualities. Like all watermedia, it is diluted with water.^[12]

Enamel[link]

Enamels are made by painting a substrate, typically metal, with frit, a type of powdered glass. Minerals called color oxides provide coloration. After firing at a temperature of 750–850 degrees Celsius (1380–1560 degrees Fahrenheit), the result is a fused lamination of glass and metal. Enamels have traditionally been used for decoration of precious objects,^[13] but have also been used for other purposes. In the 18th century, enamel painting enjoyed a vogue in Europe, especially as a medium for portrait miniatures.^[14] In the late 20th century, the technique of porcelain enamel on metal has been used as a durable medium for outdoor murals.^[15]

Spray paint[link]

Aerosol paint (also called spray paint) is a type of paint that comes in a sealed pressurized container and is released in a fine spray mist when depressing a valve button. A form of spray painting, aerosol paint leaves a smooth, evenly coated surface. Standard sized cans are portable, inexpensive and easy to store. Aerosol primer can be applied directly to bare metal and many plastics.

Speed, portability and permanence also make aerosol paint a common graffiti medium. In the late 1970s, street graffiti writers' signatures and murals became more elaborate and a unique style developed as a factor of the aerosol medium and the speed required for illicit work. Many now recognize graffiti and street art as a unique art form and specifically manufactured aerosol paints are made for the graffiti artist. A stencil can be used to protect a surface except the specific shape that is to be painted. Stencils can be purchased as movable letters, ordered as professionally cut logos, or hand-cut by artists.

Tempera[link]

Tempera, also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigment mixed with a water-soluble binder medium (usually a glutinous material such as egg yolk or some other size). Tempera also refers to the paintings done in this medium. Tempera paintings are very long lasting, and examples from the first centuries AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by the invention of oil painting. A paint which is commonly called tempera (although it is not) consisting of pigment and glue size is commonly used and referred to by some manufacturers in America as poster paint.

Water miscible oil paint[link]

Water miscible oil paints (also called "water soluble" or "water-mixable") is a modern variety of oil paint which is engineered to be thinned and cleaned up with water, rather than having to use chemicals such as turpentine. It can be mixed and applied using the same techniques as traditional oil-based paint, but while still wet it can be effectively removed from brushes, palettes, and rags with ordinary soap and water. Its water solubility comes from the use of an oil medium in which one end of the molecule has been altered to bind loosely to water molecules, as in a solution.

Painting styles[link]

Style is used in two senses: It can refer to the distinctive visual elements, techniques and methods that typify an individual artist's work. It can also refer to the movement or school that an artist is associated with. This can stem from an actual group that the artist was consciously involved with or it can be a category in which art historians have placed the painter. The word 'style' in the latter sense has fallen out of favor in academic discussions about contemporary painting, though it continues to be used in popular contexts. Such movements or classifications include the following:

Western[link]

Modernism[link]

Modernism describes both a set of cultural tendencies and an array of associated cultural movements, originally arising from wide-scale and far-reaching changes to Western society in the late 19th century and early 20th century. Modernism was a revolt against the conservative values of realism.^[16][17] The term encompasses the activities and output of those who felt the "traditional" forms of art, architecture, literature, religious faith, social organization and daily life were becoming outdated in the new economic, social and political conditions of an emerging fully industrialized world. A salient characteristic of modernism is self-consciousness. This often led to experiments with form, and work that draws attention to the processes and materials used (and to the further tendency of abstraction).^[18]

Impressionism[link]

The first example of modernism in painting was impressionism, a school of painting that initially focused on work done, not in studios, but outdoors (en plein air). Impressionist paintings demonstrated that human beings do not see objects, but instead see light itself. The school gathered adherents despite internal divisions among its leading practitioners, and became increasingly influential. Initially rejected from the most important commercial show of the time, the government-sponsored Paris Salon, the Impressionists organized yearly group exhibitions in commercial venues during the 1870s and 1880s, timing them to coincide with the official Salon. A significant event of 1863 was the Salon des Refusés, created by Emperor Napoleon III to display all of the paintings rejected by the Paris Salon.

Abstract styles[link]

Abstract painting uses a visual language of form, color and line to create a composition which may exist with a degree of independence from visual references in the world.^[19] Abstract expressionism was an American post-World War II art movement which had a combination of the emotional intensity and self-denial of the German Expressionists with the anti-figurative aesthetic of the European abstract schools such as Futurism, the Bauhaus and Synthetic Cubism and the image of being rebellious, anarchic, highly idiosyncratic and, some feel, nihilistic.^[20]

Action painting, sometimes called "gestural abstraction", is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied.^[21] The resulting work often emphasizes the physical act of painting itself as an essential aspect of the finished work or concern of its artist. The style was widespread from the 1940s until the early 1960s, and is closely associated with abstract expressionism (some critics have used the terms "action painting" and "abstract expressionism" interchangeably).

Other modernist styles include:

• Expressionism
• Cubism
• Pop art

Other styles[link]

Outsider art[link]

The term outsider art was coined by art critic Roger Cardinal in 1972 as an English synonym for art brut (French: [aʁ bʁyt], "raw art" or "rough art"), a label created by French artist Jean Dubuffet to describe art created outside the boundaries of official culture; Dubuffet focused particularly on art by insane-asylum inmates.^[22] Outsider art has emerged as a successful art marketing category (an annual Outsider Art Fair has taken place in New York since 1992). The term is sometimes misapplied as a catch-all marketing label for art created by people outside the mainstream "art world," regardless of their circumstances or the content of their work.

Photorealism[link]

Photorealism is the genre of painting based on using the camera and photographs to gather information and then from this information, creating a painting that appears to be very realistic like a photograph. The term is primarily applied to paintings from the United States art movement that began in the late 1960s and early 1970s. As a full-fledged art movement, Photorealism evolved from Pop Art^[23][24][25] and as a counter to Abstract Expressionism.

Hyperrealism is a genre of painting and sculpture resembling a high-resolution photograph. Hyperrealism is a fully fledged school of art and can be considered an advancement of Photorealism by the methods used to create the resulting paintings or sculptures. The term is primarily applied to an independent art movement and art style in the United States and Europe that has developed since the early 2000s.^[26]

Surrealism[link]

Surrealism is a cultural movement that began in the early 1920s, and is best known for the visual artworks and writings of the group members. Surrealist artworks feature the element of surprise, unexpected juxtapositions and non sequitur; however, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost, with the works being an artifact. Leader André Breton was explicit in his assertion that Surrealism was above all a revolutionary movement.

Surrealism developed out of the Dada activities of World War I and the most important center of the movement was Paris. From the 1920s onward, the movement spread around the globe, eventually affecting the visual arts, literature, film and music of many countries and languages, as well as political thought and practice, philosophy and social theory.

Far Eastern[link]

• Chinese
  • Tang Dynasty
  • Ming Dynasty
  • Shan shui
  • Ink and wash painting
  • Hua niao
  • Southern School
    • Zhe School
    • Wu School
  • Contemporary
• Japanese
  • Yamato-e
  • Rimpa school
  • Emakimono
  • Kanō school
  • Shijō school
  • Superflat
• Korean

Islamic[link]

• Persian miniature
• Mughal miniature
• Ottoman miniature

Indian[link]

• Bengal school
• Kangra
• Madhubani
• Mysore
• Rajput
• Mughal
• Samikshavad
• Tanjore

African[link]

• Tingatinga
• Blue Rhino Maps

Contemporary art[link]

Idioms[link]

Allegory[link]

Allegory is a figurative mode of representation conveying meaning other than the literal. Allegory communicates its message by means of symbolic figures, actions or symbolic representation. Allegory is generally treated as a figure of rhetoric, but an allegory does not have to be expressed in language: it may be addressed to the eye, and is often found in realistic painting. An example of a simple visual allegory is the image of the grim reaper. Viewers understand that the image of the grim reaper is a symbolic representation of death.

Bodegón[link]

Bodegón or Still Life with Pottery Jars, by Francisco de Zurbarán. 1636, Oil on canvas; 46 x 84 cm; Museo del Prado, Madrid

In Spanish art, a bodegón is a still life painting depicting pantry items, such as victuals, game, and drink, often arranged on a simple stone slab, and also a painting with one or more figures, but significant still life elements, typically set in a kitchen or tavern. Starting in the Baroque period, such paintings became popular in Spain in the second quarter of the 17th century. The tradition of still life painting appears to have started and was far more popular in the contemporary Low Countries, today Belgium and Netherlands (then Flemish and Dutch artists), than it ever was in southern Europe. Northern still lifes had many sub-genres: the breakfast piece was augmented by the trompe-l'œil, the flower bouquet , and the vanitas. In Spain there were much fewer patrons for this sort of thing, but a type of breakfast piece did become popular, featuring a few objects of food and tableware laid on a table.

Body painting[link]

Body painting is a form of body art. Unlike tattoo and other forms of body art, body painting is temporary, painted onto the human skin, and lasts for only several hours, or at most (in the case of Mehndi or "henna tattoo") a couple of weeks. Body painting that is limited to the face is known as face painting. Body painting is also referred to as (a form of) temporary tattoo; large scale or full-body painting is more commonly referred to as body painting, while smaller or more detailed work is generally referred to as temporary tattoos.

Figure painting[link]

Figure painting is a form of the visual arts in which the artist uses a live model as the subject of a two-dimensional piece of artwork using paint as the medium. The live model can be either nude or partly or fully clothed and the painting is a representation of the full body of the model. It is analogous in most respects to figure drawing, which is usually done in crayon, ink, pencil, watercolor or mixed media on paper. Some artists well known for figure painting are Peter Paul Rubens, Edgar Degas, and Édouard Manet.

Two Lovers by Reza Abbasi, 1630.

Illustration painting[link]

Illustration paintings are those used as illustrations in books, magazines, and theater or movie posters and comic books. Today, there is a growing interest in collecting and admiring the original artwork. Various museum exhibitions, magazines and art galleries have devoted space to the illustrators of the past. In the visual art world, illustrators have sometimes been considered less important in comparison with fine artists and graphic designers. But as the result of computer game and comic industry growth, illustrations are becoming valued as popular and profitable art works that can acquire a wider market than the other two, especially in Korea, Japan, Hong Kong and USA.

Landscape painting[link]

Landscape painting is a term that covers the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, and especially art where the main subject is a wide view, with its elements arranged into a coherent composition. In other works landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. The two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases.

Portrait painting[link]

Portrait paintings are representations of a person, in which the face and its expression is predominant. The intent is to display the likeness, personality, and even the mood of the person. The art of the portrait flourished in Ancient Greek and especially Roman sculpture, where sitters demanded individualized and realistic portraits, even unflattering ones. One of the best-known portraits in the Western world is Leonardo da Vinci's painting titled Mona Lisa, which is a painting of an unidentified woman.

Still life[link]

A still life is a work of art depicting mostly inanimate subject matter, typically commonplace objects which may be either natural (food, flowers, plants, rocks, or shells) or man-made (drinking glasses, books, vases, jewelry, coins, pipes, and so on). With origins in the Middle Ages and Ancient Greek/Roman art, still life paintings give the artist more leeway in the arrangement of design elements within a composition than do paintings of other types of subjects such as landscape or portraiture. Still life paintings, particularly before 1700, often contained religious and allegorical symbolism relating to the objects depicted. Some modern still life breaks the two-dimensional barrier and employs three-dimensional mixed media, and uses found objects, photography, computer graphics, as well as video and sound.

Veduta[link]

A Veduta is a highly detailed, usually large-scale painting of a cityscape or some other vista. This genre of landscape originated in Flanders, where artists such as Paul Brill painted vedute as early as the 16th century. As the itinerary of the Grand Tour became somewhat standardized, vedute of familiar scenes like the Roman Forum or the Grand Canal recalled early ventures to the Continent for aristocratic Englishmen. In the later 19th century, more personal "impressions" of cityscapes replaced the desire for topographical accuracy, which was satisfied instead by painted panoramas.

See also[link]

Visual arts portal

• Index of painting-related articles
• Outline of painting

Notes[link]

References[link]

• A Treatise on Painting by Leonardo da Vinci (Kessinger Publishing)
• Alberti, Leone Battista, De Pictura (On Painting), 1435. On Painting, in English, De Pictura, in Latin
• Doerner, Max – The Materials of the Artist and Their Use in Painting: With Notes on the Techniques of the Old Masters
• Kandinsky – Concerning the Spiritual in Art (Dover Publications)
• The Journal of Eugene Delacroix (Phaidon Press)
• Masterpieces of painting.
• The Letters of Vincent van Gogh (Penguin Classics)
• Russian painters art in very high definition.
• Most famous painters art in very high definition.

Further reading[link]

Wikimedia Commons has media related to: Paintings

Look up painting in Wiktionary, the free dictionary.

• Daniel, H., (1971) "Encyclopedia of Themes and Subjects in Painting; Mythological, Biblical, Historical, Literary, Allegorical, and Topical". New York, Harry N. Abrams Inc.

Robert Norman "Bob" Ross (October 29, 1942 – July 4, 1995) was an American painter, art instructor, and television host.^[1] He is best known as the creator and host of The Joy of Painting, a television program that ran on PBS in the United States.

Personal life[link]

Ross was born in Daytona Beach, Florida, and attended school until the ninth grade.^[2] Raised in Orlando, Florida,^[3] Ross enlisted in the U.S. Air Force at age 18^[2] and was living in Florida early in his military career when the Air Force transferred him to Eielson AFB (in Alaska), where he first saw the snow and mountains that later became recurring themes in his artwork; he developed his quick-painting technique in order to be able to create art for sale in brief daily work breaks.^[4] Having held military positions that required him to be, in his own words, "mean" and "tough," "the guy who makes you scrub the latrine, the guy who makes you make your bed, the guy who screams at you for being late to work," Ross decided that if he ever moved on from the military, "it wasn't going to be that way any more," "vowing never to scream again".^[4] Ross discovered after beginning his sideline in painting that he was soon able to earn more from selling his work than from his Air Force position. After leaving the Air Force, he studied with Bill Alexander before becoming famous worldwide with his own television program, The Joy of Painting.^[1]

Ross had a son, Steven, from his first marriage to Lynda Brown. Steven occasionally appeared on The Joy of Painting and is a Bob Ross–certified instructor.^[1] Ross and Lynda's marriage ended in divorce in 1981. Ross married again, this time to Jane. Jane died of cancer in 1993,^[1] and Ross himself suffered from lymphoma in his later years. In early 1994, Ross cancelled The Joy of Painting to continue battling the disease, with his final show airing on May 17, 1994. On July 4, 1995, Ross died at home and was survived by his ex-wife Lynda, his son Steve, a half-brother, and a full brother.^[5][6] He is buried at Woodlawn Memorial Park in Gotha, Florida.^[7]

Ross had a brother Jim, whom he mentioned in passing on his show.^[8]

Television show[link]

Ross was the host of the public television series The Joy of Painting. The show ran from January 11, 1983 to May 17, 1994 and still^[update] appears in reruns in many broadcast areas and countries, including the PBS oriented Create. During each half-hour segment, Ross would instruct viewers in the art of oil painting using a quick-study technique that kept colors to a minimum and broke paintings down into simple steps that virtually anyone could follow. Art critic Mira Schor compared him to another PBS television host, noting that the softness of Ross's voice and the slow pace of his speech was similar to Fred Rogers.^[9]

Ross later founded his own successful line of art supplies and how-to books, and also offered painting classes taught by instructors trained in the "Bob Ross method," building a $15 million business.^[2] In a 1990 interview, Ross mentioned that all his programs were donated free of charge to PBS stations and that his earnings came instead from sales of his 20 books and 100 videotapes (the total to that date), as well as profits from some 150 Bob Ross-ATE teachers and a line of art materials sold through a national supplier.^[4] Ross also mentioned on the show "Towering Glacier" (#2341) that he donated all the paintings made on the show to PBS stations around the country to "help them out."^[10]

Ross also filmed wildlife footage, squirrels in particular, usually from his own garden. Small animals often appeared on his show, even during some of his trickier works, as he would often take in injured or abandoned squirrels and other assorted wildlife and look after them.^[4]

Painting[link]

Ross utilized the wet-on-wet oil painting technique, in which the painter continues adding paint on top of still wet paint rather than waiting a lengthy amount of time to allow each layer of paint to dry. Combining this method with the use of two inch and other types of brushes as well as painting knives allowed Ross to paint trees, water, clouds and mountains in a matter of seconds. Each painting would start with simple strokes that appeared to be nothing more than colored smudges. As he added more and more strokes, the blotches transformed into intricate landscapes.^[11][12] Ross dedicated the first episode of the second season of "The Joy of Painting with Bob Ross" to William Alexander, explaining that "years ago, Bill taught me this fantastic [wet-on-wet] technique, and I feel as though he gave me a precious gift, and I'd like to share that gift with you [the viewer]".^[13]

Ross noted that the landscapes he painted — typically mountains, lakes, snow, and log cabin scenes — were strongly influenced by his years living in Alaska, where he was stationed for the majority of his Air Force career. He repeatedly stated on the show his belief that everyone had inherent artistic talent and could become an accomplished artist given time, practice, and encouragement, and to this end was often fond of saying, "We don't have mistakes here, we just have happy accidents."^[14] Ross was well known for other catchphrases he used while painting as he crafted "happy little trees".^[15] In most episodes of The Joy of Painting, he noted that one of his favorite parts of painting was cleaning the brush, specifically his method of drying off a brush, which he had dipped in odorless thinner, by striking it against the thinner can and easel. He would smile and often laugh aloud as he "beat the devil out of it." He also used a palette which had been lightly sanded down which was necessary to avoid catching the reflections of strong studio lighting. At the end of each episode, Ross was known for saying, "so from all of us here, I'd like to wish you happy painting, and God bless my friend."

When asked about his laid-back approach to painting and eternally calm and contented demeanor, he once commented: "I got a letter from somebody here a while back, and they said, 'Bob, everything in your world seems to be happy.' That's for sure. That's why I paint. It's because I can create the kind of world that I want, and I can make this world as happy as I want it. Shoot, if you want bad stuff, watch the news."^[16]

Rivalry with William Alexander[link]

Bob Ross was a student of William Alexander, who hosted the public television series The Magic World of Oil Painting from the early 1970s until 1982. On his show, Alexander highlighted his mastery of the alla prima or wet-on-wet style of oil painting in order to promote his paint supply business, Alexander Art and his painting classes. Ross later became a Bill Alexander instructor. His series, The Joy of Painting, was picked up by many of the PBS stations that carried The Magic World of Oil Painting.^[17]

At the beginning of The Joy of Painting's second season in 1984, Ross dedicated the show to Alexander and Alexander filmed a promo for his former student: "I hand off my mighty brush to a mighty man, and that is Bob Ross."^[13][17] In 1987 someone from Alexander Art told Ross that they could not keep up with the demand generated by the The Joy of Painting and suggested that Ross start his own line of art supplies.^[17] As Bob Ross Incorporated grew into a $15 million a year business Alexander told the New York Times that he felt "betrayed" by his one-time student: "He betrayed me. I invented 'wet on wet.' I trained him and he is copying me -- what bothers me is not just that he betrayed me, but that he thinks he can do it better." ^[18]

In popular culture[link]

This "In popular culture" section may contain minor or trivial references. Please reorganize this content to explain the subject's impact on popular culture rather than simply listing appearances, and remove trivial references. (May 2012)

In "Derbez en Cuando" and "De Nuez en Cuando", two mexican comedy shows by Eugenio Dervez, who parodied this painter as "Bob Atroz"

Bob Ross was parodied in the Comedy Central program Tosh.0 in an episode where Tosh dressed up as Ross while conducting an interview with an artist from the web.

In 2006 a character loosely based off of Ross was featured in the popular comic based cartoon The Boondocks. In the episode an art teacher, Ross, takes Riley under his wing to help him improve his Graffitti.

Family Guy included a parody of Ross in the beginning of an episode.

An easter egg on homestarrunner.com features Marzipan dressed up as and painting like Ross.

He was also parodied by Benny Hill in a short gag, where his character is surrounded by wildlife and some animals end up attacking him. On a similar gag, parodied Ross is painting, then when he turns back to the camera a lady comes into scene and distracted Ross paints her buttocks in error, then she slaps him in the face.

During the Powerpuff Girls episode "Roughing It Up", Professor Utonium pays homage to Ross while he and the girls are painting in the woods, even using Ross's "happy little trees" catchphrase.

In season 2, episode 3 of Dilbert, "S02E03 - Art", a character sharing many traits of Ross named "Rusty Shanks" is shown demonstrating bizarre takes on abstract art, including painting using ones own head as the brush. The character is quickly hushed off-stage by men in black suits apparently sent as enforcers to collect outstanding debts from Rusty.

See also[link]

• Wet-on-wet

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Bob Ross

• Bob Ross Incorporated
• Bob Ross at the Internet Movie Database

For the defunct avant-garde metal band from Kristiansand, Norway, see In the Woods...

In the Woods
Cover of In The Woods
Author(s)	Tana French
Country	Ireland
Language	English
Series	Dublin Murder Squad
Genre(s)	Mystery
Publisher	Viking Adult
Publication date	30 January 2007
Media type	Print (Hardcover)
Pages	496
ISBN	978-0-670-03860-2
OCLC Number	191864570
Dewey Decimal	823/.92 22
LC Classification	PR6106.R457 I52 2007
Followed by	The Likeness: A Novel

In the Woods is a 2007 mystery novel by Tana French about a pair of Irish detectives and their investigation of the murder of a twelve year old girl. The novel won several awards such as the 2008 Edgar Award for Best First Novel By An American Author,^[1] the 2008 Barry Award for Best First Novel,^[2] the 2008 Macavity Award for Best First Mystery Novel,^[3] and the 2008 Anthony Award for Best First Novel.^[4]

Plot[link]

Twenty years prior to the novel's events, twelve year-old Adam and his two best friends failed to come home after playing in the familiar woods bordering their Irish housing estate. A search is called by the families, and the police find Adam shivering, clawing the bark of a nearby tree, blood on his shoes and slash marks on his back. He is unable to tell them what happened or where his friends are. His amnesia holds to the present day, where he goes by his middle name, Rob, to avoid the attention of the media to his famous case. His friends were never found.

The plot of the novel circles around the murder of a twelve year old girl, Katy Devlin, whose case Rob and his partner Cassie Maddox are given to investigate. The body is found in the same woods where Rob’s friends disappeared, at an archeological dig site, and the coincidence is enough to make Rob nervous, though he insists to his partner that he is fine.

Cassie and Rob have been partners for a few years and get along famously, teasing one another and completing one another’s thoughts. There are many rumors at the station that they are romantically involved, though both of them scoff at the idea, despite the fact that they live almost like a married couple, spending a lot of time at Cassie’s cooking dinner for one another, drinking wine, and having Rob crash on Cassie’s couch across the room.

Katy’s murder takes the pair along many lines of investigation. Her death might be related to her father’s protests against the new highway meant to go straight through the dig site, or one of the students on the dig might have attacked her. She might have been abused by her father or someone else (her mother, twin sister, or older sister) in the family. She might have been previously poisoned over time. Or it might be related to the disappearance of Rob’s friends, as a hair clip that one of his friends was wearing that day appeared near the crime scene.

These possibilities are investigated, but the detectives come up frustratingly empty-handed at every turn. The case messes with Rob’s psyche as he tries to remember details about the two previous disappearances in case it would help. He tries spending the night in the woods, but freaks out and calls Cassie to pick him up. He’s afraid to sleep again, thinking that he’ll just have nightmares, so Cassie allows him into her bed. Things escalate from there and they end up having sex.

Rob feels immensely awkward after and can’t go back to their normal jokey-insult ways, but also feels that he can’t start a relationship with her. Their partnership deteriorates just as they start to uncover new leads in the case and they are unable to discuss the case and get along the way they used to.

Rob goes back to the dig site alone, where all the students are frantically digging before the site is shut down for the construction of the highway. He comes to a realization and calls in the forensics team again, who discover the location of the murder in a shed to which only three people have the key. After some heavy interrogation, one of the suspects confesses, though his motive is far from clear.

It becomes clearer when the suspect contends that he had been dating Katy’s older sister, Rosalind. When questioned by Cassie, she denies it and any involvement in Katy’s death, but also makes a comment that Cassie is obviously sleeping with Rob. Cassie takes it in stride, but after the interrogation, she has an idea of how to get a confession out of Rosalind: Go to her and admit sleeping with Rob and promise to keep her updated on the case if she promises not to tell.

Rosalind’s psychopathic tendencies get the better of her, and once she knows that she has Cassie in her debt, she brags about the whole thing and how she got the murderer to come up with the idea by telling him that all three girls were being sexually abused by their father, but that Katy liked it and was therefore their father’s favorite. Rosalind also told him that Katy told their father lies to make him beat them and would watch and laugh, that if Katy was gone, then they would be happy. She also admitted to Cassie that Katy was strong-willed and wouldn’t always do as Rosalind told her, so she had poisoned her to make her sick. After this confession, recorded on a wire, Cassie arrests her and takes her in, but because Rosalind was a few months from turning 18 (though she had told Rob previously that she was already 18), the confession is invalid. She is released with a smug smile.

The Police Captain has learned that Rob is actually Adam Ryan and confines him to desk work. He never goes back to Detective work. Cassie starts dating someone else and gets engaged. Rob is heartbroken and calls her, but it’s too late. He goes to the dig site to see the highway construction has begun, and thinks that he’ll never regain his lost memories of that night.

Reception[link]

Thomas Gaughan of Booklist gave In the Woods a starred review and hailed it as “…a superior novel about cops, murder, memory, relationships, and modern Ireland. The characters of Ryan and Maddox, as well as a handful of others, are vividly developed… Equally striking is the picture of contemporary Ireland, booming economically and fixated on the shabbiest aspects of American popular culture. An outstanding debut and a series to watch for procedural fans.” ^[5] Publishers Weekly praised author French, saying she “… expertly walks the line between police procedural and psychological thriller in her debut” and that “Ryan and Maddox are empathetic and flawed heroes, whose partnership and friendship elevate the narrative beyond a gory tale of murdered children and repressed childhood trauma.” ^[5] Kirkus Reviews said of the novel, “When not lengthily bogged down in angst, a readable, non-formulaic police procedural with a twist. It’s ultimately the confession of a damaged man.” ^[6]

Awards and nominations[link]

• Edgar Award for Best First Novel By An American Author, 2008^[1]
• Barry Award for Best First Novel, 2008^[2]
• Macavity Award for Best First Mystery Novel, 2008^[3]
• Anthony Award for Best First Novel, 2008^[4]

References[link]

The Shore is an American rock group founded in Silver Lake, CA by frontman Ben Ashley. The Shore are heavily influenced by psychedelic bands like The Byrds, The Beatles, Coldplay,^[1] and The Beach Boys as well as Britpop groups Oasis and The Verve.

Biography[link]

In the spring of 2002, Ashley wrote a series of songs with producer Rick Parker. Parker assembled a group of local musicians, including Kyle Mullarky (bass), Cliff Magreta (guitar), and John Wilmer (drums), to record a series of demos. The demos came to Scott Austin, a Maverick A&R Executive, and the band was given a major contract only a few months after their initial recordings. The Shore returned to the studio with Parker to record their first album. The Shore recorded the album over a period of three months. The Shore EP was released on New Year's Day of 2003. Their full length album, The Shore, was released in August 2004.^[2] After guitarist Wayne Faler toured with the band, he was added as a permanent member in December 2005. It was about this time that The Shore parted ways with Maverick Records to pursue a better record deal.

The Shore released their second album, "Light Years," in October 2009 initially as a digital-only release on outlets such as Amazon, iTunes, eMusic, Napster, Rhapsody and a few other sites. A CD version was released the following year.

The band has also recently resumed touring, playing San Francisco and LA, most notably with another psych outfit, The Parties.

The Shore's song "Coming Down" was featured on the Long Way Round soundtrack, a documentary detailing the journey of Ewan McGregor and Charley Boorman from London to New York on motorcycles.

Style[link]

Filter magazine describes the band as having "rock solid songwriting" and credits it with a "passionate commitment to music."^[1] According to Spartan Daily, "the band portrays a very neo-psychedelic pop sound and mixes it up with lush keyboards to have a modern sound."^[3]

Discography[link]

Singles and EPs[link]

• 2003 - The Shore EP (Maverick)

Albums[link]

• 2004 - The Shore (Maverick)
• 2011 - Light Years (The New Black Records)

References[link]

External links[link]

This section is empty. You can help by adding to it.

External links[link]

• Official website
• Facebook page
• Myspace page