Look up stick in Wiktionary, the free dictionary.

Stick may refer to:

• A tree branch

Music[link]

• The Sticks, a British band
• Sticks (album), by Led Zeppelin
• Chapman Stick, an electric musical instrument in the guitar family
• Clapstick, a type of percussion mallet traditionally accompanying the didgeridoo
• Drum stick, an object used to strike drums
• Stick, part of a bow used to play a string instrument

Sports[link]

• Hockey stick
• Lacrosse stick
• Mzwandile Stick (born 1984), South African rugby player
• Stephen Kernahan (born 1963), Australian footballer, nicknamed "Sticks"
• Gene Michael (born 1938), American baseball player, nicknamed "Stick"

Other uses[link]

• Stick (comics), a blind martial arts master from Marvel Comics who served as a teacher for both Daredevil and Elektra.
• Stick (film)
• Stick (measurement)
• Stick (punishment)
• Staff (stick)
• Walking stick
• StickMUD, a text-based online role-playing game
• Stick shift, a type of vehicle transmission
• Joystick, an input device commonly used for video games, aircraft and large machinery
• Pointing stick, a computer input device commonly found on laptops
• Gold Stick and Silver Stick, bodyguard positions in the British Royal Household
• Stick-Eastlake, a type of architecture
• Boondocks, also called "the sticks," a remote area
• Candlestick Park, a stadium, nicknamed "The Stick"
• A group of paratroopers

See also[link]

• Sticky (disambiguation)
• Styx (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article. Note: This page may need to be cleaned up to meet Wikipedia's quality standards. Further information might be found on the talk page. Tools: DabFix

Jeff Dunham
Dunham and his character "Achmed the Dead Terrorist", February 2009
Birth name	Jeffrey Dunham
Born	(1962-04-18) April 18, 1962 (age 50) Dallas, Texas, U.S.
Medium	Stand-up
Nationality	American
Genres	Ventriloquism, observational comedy, black comedy
Influences	Edgar Bergen[1]
Spouse	Paige Dunham (1994-2008)
Notable works and roles	Jeff Dunham: Arguing with Myself Jeff Dunham: Spark of Insanity Jeff Dunham's Very Special Christmas Special The Jeff Dunham Show Jeff Dunham: Controlled Chaos
Website	jeffdunham.com

Jeff Dunham (born April 18, 1962) is an American ventriloquist and stand-up comedian who has also appeared on numerous television shows, including Late Show with David Letterman, Comedy Central Presents, The Tonight Show and Sonny With a Chance. He has four specials that run on Comedy Central: Jeff Dunham: Arguing with Myself, Jeff Dunham: Spark of Insanity, Jeff Dunham's Very Special Christmas Special, and Jeff Dunham: Controlled Chaos. Dunham also starred in The Jeff Dunham Show, a series on the network in 2009.^[1] His style has been described as "a dressed-down, more digestible version of Don Rickles with multiple personality disorder".^[2] Describing his characters, Time observes, "All of them are politically incorrect, gratuitously insulting and ill tempered."^[3] Dunham has been credited with reviving ventriloquism,^[4] and doing more to promote the art form than anyone since Edgar Bergen.^[1]

Dunham has been called "America's favorite comedian" by Slate.com, and according to the concert industry publication Pollstar, he is the top-grossing standup act in North America, and is among the most successful acts in Europe as well. As of November 2009, he has sold over four million DVDs, an additional $7 million in merchandise sales,^[5] and received more than 350 million hits on YouTube as of October 2009 (his introduction of Achmed the Dead Terrorist in Spark of Insanity was ranked as the ninth most watched YouTube video at the time).^[1] A Very Special Christmas Special was the most-watched telecast in Comedy Central history, with its DVD going quadruple platinum (selling over 400,000) in its first two weeks.^[6] Forbes.com ranked Dunham as the third highest-paid comedian in the United States behind Jerry Seinfeld and Chris Rock,^[5] and reported that he was one of the highest-earning comics from June 2008 to June 2009, earning approximately $30 million during that period.^[7]

Early life[link]

Dunham was born in Dallas, Texas on April 18, 1962.^[8][9][10] When he was three months old he was adopted by real estate appraiser Howard Dunham, and his homemaker wife Joyce, who raised him in a devoutly Presbyterian household^[10] in an affluent Dallas neighborhood as an only child.^[11] He began ventriloquism in 1970 at age eight, when his parents gave him a Mortimer Snerd dummy for Christmas, and an accompanying how-to album.^[9] The next day he checked out a how-to book on ventriloquism from the library,^[1][10] and explained in 2011 that he still had it, remarking that he was "a thief in the third grade". By the fourth grade, Dunham decided he not only wanted to be a professional ventriloquist, but the best one ever.^[10] Dunham began practicing for hours in front of a mirror, studying the routines of Edgar Bergen, and the how-to record Jimmy Nelson's Instant Ventriloquism,^[1] finding ventriloquism to be a learned skill, similar to juggling, that anyone with a normal speaking voice can acquire.^[12] Dunham explains that as an only child, he enjoyed being alone, likening his solitude to a "warm blanket" with which he could explore his own thoughts and ideas, which prepared him for the solitude of living alone when he later moved to Los Angeles as a struggling comedian.^[10]

When Dunham was in the sixth grade, he began attending the Vent Haven ConVENTion in Fort Mitchell, Kentucky, an annual international meeting of ventriloquists that includes competitions, where he met Jimmy Nelson in person. Dunham has missed only one ConVENTion since then, in 1977. The organizers of the ConVENTion eventually declared Dunham a "retired champion", ineligible from entering any more competitions, as other attendees were too intimidated to compete against him. The Vent Haven Museum devotes a section to Dunham, alongside Señor Wences and his idol, Edgar Bergen.^[1]

Career[link]

Career beginnings and move to Los Angeles[link]

Dunham began performing for audiences as a teenager,^[9] in various venues such as school, church, and during his job at Six Flags. By his middle school years, he began to perform for banquets attended by local celebrities such as Dallas Cowboys quarterback Roger Staubach, having developed his style of lampooning those he performed for, using the puppets to say things too risque for him to say without them.^[1] Dunham's television debut came in 1976 when the still prepubescent performer caught the attention of Dallas reporters like Bill O'Reilly, who interviewed Dunham for a local news story.^[10] Dunham later did commercials for Datsun dealerships in Dallas and Tyler while in high school.^[1][10] While emceeing a high school talent show, he dealt with a heckler, and won over the rest of the audience.^[10] During this period he became so associated with his craft that he and one of his dummies "cowrote" a column in the school paper, and he would pose with his dummies for yearbooks^[1] as an inexpensive way to acquire professional photos of his act for promotional purposes.^[13] He was voted Most Likely to Succeed, and in 1980, after he graduated from high school, Dunham gave himself a career goal of obtaining, within ten years, an appearance on The Tonight Show with Johnny Carson, which was seen as the "holy grail" for comedians.^[10]

That year Dunham began attending Baylor University, hoping to graduate with a degree in communications, while performing around campus.^[10] He would also fly around the country on weekends,^[1] doing up to 100 private shows a year,^[10] entertaining corporate customers such as General Electric, whose CEO, Jack Welch, he mocked during his routine.^[1] By his junior year in college (1983–1984), Dunham was making $70,000 a year, and as word spread of his act, he landed featured spots opening for Bob Hope and George Burns, though he still perceived his act as raw, as he did not have any knowledge of standup comedy beyond his Bill Cosby albums.^[10] He caught a break in 1985 when he was asked to join the Broadway show Sugar Babies with Mickey Rooney and Ann Miller, replacing the outgoing variety act. For the naive and devoutly-raised Dunham, Broadway was a new world filled with beautiful showgirls and crusty stagehands, and his first taste of entertainment industry egos came when Rooney called Dunham into his dressing room, and told him he was there for one reason alone: so that Rooney could change his costumes.^[10] Dunham also performed at the Westbury Music Fair on Long Island. These early experiences, in which he used characters like José Jalapeño on a Stick, taught him the value of modifying his act regionally, as the jalapeño jokes that worked well in Texas were not as well received by audiences in Long Island.^[2]

After graduating from Baylor University in 1986,^[12] he continued honing his act in comedy clubs in the Southwest with new characters such as Peanut and Jose Jalapeño, but struggled against the perception he relates from fellow comedians that he was not a true a comedian because he relied on props. His experience at Catch a Rising Star in New York City served as a bitter confirmation of where ventriloquists stood in the comedic food chain, as the emcee at that club gave Dunham little respect. According to Dunham, after he arrived at the club in the evening and informed the emcee that he was a ventriloquist, the emcee reacted with derision, telling Dunham that he would be given a late time slot, and after that time slot came and passed, kept postponing Dunham's stage time until Dunham left the club.^[10] By the end of 1988, Dunham felt his career went as far as it could go in Texas, and he moved to Los Angeles, California,^[9][10] never having, as he has commented, "a real job",^[2][14] much to the concern of his parents, who assumed he would relegate his act to local venues such as church groups. When he first arrived in Los Angeles, the comedy in his act bombed. Dunham attributes to his underdeveloped comedy, explaining that while the characters' personalities were developed at that point, his jokes were not. In addition to this, the comedy world was not welcoming to ventriloquists, and his manager, Judi Brown-Marmel, did not use the word "ventriloquist" when finding bookings for him, choosing to present him as a comedy duo. After Dunham became friends with Mike Lacey, the owner of The Comedy & Magic Club in Hermosa Beach, Lacey gave Dunham a steady slot at the club, where Dunham sharpened his act by observing the techniques of comedians like Jerry Seinfeld, and taking the advice of colleague Bill Engvall, moving away from his G-Rated material toward edgier, more adult themes.^[10]

[edit] The Tonight Show and beyond

At the end of 1988, Dunham was told by James McCawley, a talent booker for The Tonight Show with Johnny Carson, that Dunham would be given a spot on the coveted program. Though the 26-year-old Dunham was elated that his 10-year goal was arriving two years early, McCawley later cancelled Dunham's appearance after attending, with Roseanne Barr, a public performance of Dunham's the day before Dunham's scheduled Tonight Show taping. McCawley informed Dunham on the day of the scheduled taping that he had been wrong in his initial assessment of Dunham, whom he now said was not ready for The Tonight Show. His dreams dashed, the humiliated Dunham continued to tighten his act in Los Angeles clubs, performing same six minute segment with Peanut a total of nine times for McCawley over the next few months. Finally at the Ice-House in Pasadena in April 1990, after Dunham did the same segment, McCawley informed Dunham that he would finally get his Tonight Show appearance. Dunham and Peanut appeared on The Tonight Show with Johnny Carson on April 6, 1990, alongside guests Bob Hope and B.B. King.^[10] Following his bit, he was invited to sit on Johnny Carson’s couch, a mark of approval that only three comedians had ever garnered during their first Carson appearance.^[2][10] Upon sitting down next to Carson's desk, Dunham pulled out Walter, who told Carson sidekick Ed McMahon, "Stop sending me all your damn mail." At the time, Dunham saw his Tonight Show appearance as his big break, but was frustrated at his parents' initial disapproval over Walter's use of the words "hell" and "damn",^[10] and he would toil in obscurity for another twelve years, continuing his stand up at venues such as The Improv chain, and appearing in small roles on TV.^[5] One of these was such as a 1996 episode of Ellen, in which he appeared with Walter.^[1] Dunham also appeared with Walter in a TV commercial for Hertz.^[15] Dunham would appear on The Tonight Show a total of four times, as well as similar TV venues such as Hot Country Nights, appearing in one segment on that show with singer Reba McEntire. This exposure helped make Dunham a large theater headliner, a rare accomplishment for a ventriloquist, but by the mid 1990s, his television appearances had dwindled, and with them, so did his stage audiences.^[10]

Dunham moved back to clubs, more than 200 appearances a year. To maintain a connection with his fan base, he would use question cards that he had audiences fill out for his performances to build a database, which was tailor-made for the burgeoning World Wide Web. Though he was voted Funniest Male Standup at the American Comedy Awards in 1998, his club work kept him away from his wife and daughters between two and three weeks each month, which put a strain on his marriage, and made paying bills for his expanded family difficult. By 2002, Dunham was hoping to obtain more TV work to raise his profile and ease his standup schedule. Such exposure was elusive until a successful appearance on The Best Damn Sports Show Period, where Dunham and Walter made jokes at the expense of co-hosts Tom Arnold, Michael Irvin, John Salley and John Kruk, generating laughter from them, and giving Dunham much-needed exposure. In 2003, Dunham was the frontrunner to replace Jimmy Kimmel on Fox NFL Sunday, but hosts Howie Long and Terry Bradshaw were not amenable to the idea of being upstaged by a puppet, and, as Dunham tells it, did not provide a welcoming atmosphere to Dunham, nor allow him to get a word in edgewise during his appearance.^[10]

Finding stardom: Dunham's first Comedy Central specials[link]

On July 18, 2003, Dunham appeared on Comedy Central Presents, his first solo appearance on Comedy Central. During his half hour piece, he showcased José Jalapeño on a Stick, Walter, an early version of Melvin the Superhero Guy and Peanut, whom Dunham had begun to merchandise into a line of dolls. The appearance was successful, but Comedy Central resisted giving Dunham more airtime, feeling that he was not a good fit for them.^[1] By 2005 Dunham decided to gamble on financing his own comedy DVD, Jeff Dunham: Arguing with Myself, which was taped in Santa Ana, California.^[10] Dunham’s manager, Judi Brown-Marmel, lobbied the network to air it, pointing to Dunham's drawing power and merchandising profits, and arguing that the network needed more diverse content. Surprised by the high ratings of the first Blue Collar Comics concert movie that same year, the network began to reconsider its brand. In late 2006, Comedy Central aired Arguing with Myself, drawing two million viewers when it aired,^[1] and selling two million DVDs.^[10]

In 2007, Dunham appeared as The Amazing Ken with José Jalapeño on a Stick in the Larry the Cable Guy feature film Delta Farce.

His second special, Jeff Dunham: Spark of Insanity, was taped at the Warner Theater in Washington, D.C. that same year. It served not only to cement Dunham's stardom, but to introduce his most controversial character, Achmed the Dead Terrorist, which became a viral Internet sensation. A clip of Achmed from Insanity attracted over 140 million hits on YouTube,^[10] making it the ninth most watched clip on that website as of October 2009.^[1] By 2008, Dunham's characters had crossed language barriers, with his specials dubbed for audiences in various countries such as France, and Dunham attracting requests for performances in South Africa, Australia, Norway, Denmark, China and the Middle East.^[10] Jeff Dunham's Very Special Christmas Special was taped at the Pabst Theater in Milwaukee, Wisconsin that same year, and premiered on Comedy Central on November 16, 2008, watched by 6.6 million people.^[1] It became available on DVD and Blu-ray on November 18, 2008.^[16] The special's premiere was the highest rated telecast in Comedy Central's history.^[3][17]

In September 2008, Dunham's career reached new heights as he began performing in arenas filled with tens of thousands of people. Dunham was somewhat wary of such large venues, but adapted by adjusting the timing of his often rapid exchanges with the puppets so that audience members farthest from the stage could have time to react.^[10]

In addition to his comedy specials, Dunham also released his first music album, Don't Come Home for Christmas, on November 4, 2008.^[18] It contains original Christmas songs as well as a parody of "Jingle Bells" by Achmed entitled "Jingle Bombs". All the songs, with the exception of "Jingle Bombs", were written and accompanied by Brian Haner, who joined Dunham's act as "Guitar Guy". His first onscreen appearance was in Jeff Dunham's Very Special Christmas Special.

2009 – present[link]

In March 2009, Dunham signed a multi-platform deal with Comedy Central. It included a fourth stand-up special to air in 2010, DVDs, a consumer products partnership, a 60-city tour beginning in September 2010, and an order for a television series called The Jeff Dunham Show that premiered on October 22, 2009.^[6][19] Despite having the most-watched premiere in Comedy Central history, and higher average ratings than other shows on that network initially, the show was canceled after only one season, amid poor reviews, dwindling ratings and higher production costs than other Comedy Central shows.^{[20] [21]}

Dunham appeared in a guest role with Bubba J on NBC's sictom 30 Rock, playing a ventriloquist named Rick Wayne and his dummy Pumpkin from Stone Mountain, Georgia.^[22] In November 2009 Dunham also appeared with Walter in "Hart to Hart", an episode of the Disney Channel series Sonny With a Chance, as two security guards.

Dunham appeared in the 2010 Steve Carell/Paul Rudd comedy, Dinner for Schmucks, as Lewis, with a new puppet named Diane.^[23]

His fourth special, Jeff Dunham: Controlled Chaos, premiered on September 25, 2011 on Comedy Central.

Critical praise and controversy[link]

In January 2008, Dunham was voted by fans the Top Comic in Comedy Central's “Stand-Up Showdown.” He is the only person ever to win the "Ventriloquist of the Year" Award twice, was nominated "Comedian of the Year" by the TNN Music City News Country Awards,^[14] and has drawn praise from the Dallas Morning News for his technique and timing.^[14]

Some have accused Dunham's characters of being racist caricatures, sexist, and homophobic.^[5][24] In 2008, a TV commercial for a ringtone featuring Dunham's character Achmed the Dead Terrorist (see Characters below) was banned by the South African Advertising Standards Authority after a complaint was filed by a citizen stating that the ad was offensive to Muslims, and portrayed all Muslims as terrorists. Dunham responded that "Achmed makes it clear in my act that he is not Muslim." However, the Advertising Standards Authority noted that the name Achmed was of Arab origin and was one of the names of Muhammad. Dunham responded, "I've skewered whites, blacks, Hispanics, Christians, Jews, Muslims, gays, straights, rednecks, addicts, the elderly, and my wife. As a standup comic, it is my job to make the majority of people laugh, and I believe that comedy is the last true form of free speech." He further commented, "I'm considering renaming Achmed, 'Bill.'"^[25][26] Dunham has conceded that he does exhibit particular sensitivity to the "conservative country crowd," or those characterized by "basic Christian values," as they are one of his largest constituencies, and part of his upbringing.^[1]

Dunham was heckled and criticized for mocking TV critics during a July 2009 press tour to promote his then-upcoming Comedy Central TV series, The Jeff Dunham Show, as well as Comedy Central programming chief Lauren Correo.^[1][27] In October 2009 The Jeff Dunham Show enjoyed good initial ratings, but was not well liked by critics,^[28] who did not find it funny, and either questioned the wisdom of translating his act into a series, or conceded a prejudice against Dunham, his previous specials, or ventriloquism itself.^{[29][30][31][32]}

J.P. Williams, the producer of the Blue Collar Comedy Tour, has opined that Dunham's act is not funny on its own merits, and that his material gets a greater reaction because of the puppet characters that it would otherwise not garner by itself.^[1] Blue Collar veteran Bill Engvall, a friend of Dunham's insists otherwise, saying that Dunham is inherently funny with or without the puppets.^[10]

Books[link]

In 2003, BRASMA Publications released Dear Walter, a collection of questions asked of Dunham's fictional curmudgeon at live performances, authored by Dunham, and Walter Cummings.^[33]

Dunham's autobiography, All By My Selves: Walter, Peanut, Achmed and Me, was published by Dutton in November 2010.^[13]

Characters[link]

Walter[link]

Dunham with Walter, in a shot from a 2007 performance.

Walter is a retired, grumpy old man with arms always crossed in discontent. Dunham was inspired to create Walter when he watched Bette Davis' final appearance on The Tonight Show with Johnny Carson, giving her honest, unfiltered candor to Walter, and patterning Walter's frown on Dunham's own.^[10] He has a brash, negative and often sarcastic view on today's world. He is a Vietnam War veteran and a former welder, and "doesn't give a damn" about anyone, especially his own wife and certain audience members. Walter has appeared in all four Comedy Central specials. He's been married for several decades, and when Dunham asks him if he remembers the happiest moment of his life after Walter tells him he has been married for forty-six years, Walter responds, "Forty-seven years ago!" Dunham created the Walter puppet himself, including both the initial sculpture and the silicon mold, though he eventually began using professional effects companies for the latter stages with his subsequent puppets.^[34]

Peanut[link]

Peanut is a hyperactive,^[1] purple-skinned "woozle"^[35] with white fur covering most of his body, a tuft of green hair on the top of his head, and one sneaker on his left foot. Dunham explains in Arguing with Myself that Peanut is from a small Micronesian island, and that they met in Florida. Peanut's humor is not based on a particular motif or stereotype, as those of the other characters, and has been described as "the bad kid".^[3] He often makes fun of Dunham, and torments and mocks José Jalapeño on a Stick. Touching upon his unusual appearance and personality, he asks Dunham in Arguing with Myself, after Dunham denies ever having done drugs, "Then how the hell did you come up with me?"

José Jalapeño on a Stick[link]

José is a talking jalapeño pepper on a stick who wears a small sombrero. José, who speaks with a thick Spanish accent, is typically paired with Peanut, who often makes fun of José, uses appeals to Latino stereotypes when doing so, and makes fun of his being on a stick.^[36] Although José was not Dunham's first puppet, it was the first that Dunham made himself.^[37]

Bubba J[link]

Bubba J is a beer-drinking redneck that Dunham describes in Arguing with Myself and A Very Special Christmas Special as "white trash trailer park", and whom Dunham uses for humor centered on such stereotypes. To this end, he frequently does jokes involving Bubba J's love of drinking beer and NASCAR, and his low intelligence. Touching upon such stereotypes, Bubba mentions in Arguing with Myself that he met his wife at a family reunion, and remembers seeing her with a corn dog in one hand, a beer in another, and leaning against a ferris wheel, "making it tilt".^[36] Although he does not appear onstage, Bubba has a prominent role as the backstage security guard in Controlled Chaos.

Sweet Daddy Dee[link]

Dunham introduces Sweet Daddy Dee in Arguing with Myself as his "new manager". He calls himself a "pimp", which he says stands for "Player In the Management Profession." According to Sweet Daddy, because he is a pimp, that makes Jeff the "ho". When Dunham objects, Daddy Dee points out that Dunham makes people laugh and feel good for a living. When Dunham agrees that this is the case, Daddy Dee says, "You a ho." When Dunham asks what he would say if he told him that he was a comedian only because he enjoyed it, Daddy Dee responds, "You a dumb ho."^[36]

Melvin the Superhero Guy[link]

Melvin wears a blue superhero costume, and is used to poke fun at superheroes. When asked about his superhuman powers, he indicates that he has X-ray vision, adding, "I love looking at boobies!" He appears to have no other powers, however: When Dunham asks how far he can fly, he responds, "How far can you throw me?", and when asked if he can stop a bullet like Superman, he responds, "Yeah. Once." Dunham portrays Melvin as unimpressed with other superheroes: When told Superman can leap tall buildings in a single bound, Melvin dismisses him as a "showoff," arguing that he can simply walk around them, observes that Aquaman has the same powers as SpongeBob SquarePants, asserts that the Flash's super speed is derived from methamphetamine, that the Hulk's vaunted ability to get stronger as he gets angrier merely mirrors "every white trash guy on COPS," and makes innuendo about the questionable relationship between Batman and the underage Robin. Melvin's first onscreen appearance was in the July 2003 Comedy Central Presents episode, in which he had small, black, beady eyes. By his next appearance, in Spark of Insanity, he had been modified to have large, blue, crossed eyes. He also has an enormous nose, which he claims is his symbol, and whose similarity in shape to that of a penis is alluded to in the act. Dunham sculpted the current version of Melvin's head himself, and hired an effects company called Renegade Effects Groups to create the rubber mold and complete the puppet, before then installing the mechanics himself.^[34]

Achmed the Dead Terrorist[link]

Achmed is the skeletal corpse of an incompetent suicide bomber, whom Dunham uses to satirize the contemporary issue of terrorism. He is known for yelling, "Silence! I kill you!" to Dunham and people laughing in the audience. Achmed first appeared in Spark of Insanity, and later made an appearance in the Very Special Christmas Special, singing a song called "Jingle Bombs". He also dubs the so-called Guitar Guy "You racist bastard"! for warming up with typical Arab chords. Most of the humor Dunham expresses with Achmed centers on this motif. When mentioning that Achmed appears to be dead because he's a skeleton, Achmed responds, "It's a flesh wound." When Dunham inquires as to how he died, Achmed explains his incompetence with explosives, while also casting aspersions on Dunham's sexual prowess, by saying that they both suffer from "premature detonation." Although he frequently mentions working for Osama Bin Laden, Achmed claims he does not think he's a Muslim ("look at my ass! It says 'Made in China'"). As of June 2009, the sketch in which Dunham introduced Achmed is the fourth most watched online video ever, having amassed nearly 200 million views.^[3][38] The large, round, articulated eyes of puppets such as Achmed and Achmed Junior are constructed by the same effects artist who created the dinosaur eyes for the Jurassic Park films.^[10]

Diane[link]

Diane first appeared with Dunham in the 2010 film Dinner for Schmucks as "Debbie", his character's "wife". She made her stand-up debut in Dunham's Identity Crisis Tour 2010.^[39]

Achmed Junior[link]

Achmed Junior is the estranged son of Achmed. He first appeared during the Identity Crisis Tour 2010, and makes his first onscreen appearance in Dunham's fourth special, Jeff Dunham: Controlled Chaos. Like his father, Achmed Junior is the victim of a bomb, which resulted in the destruction of the half of his face and body. He speaks with a British accent, and does not wish to be a suicide bomber.

Others[link]

Other characters that Dunham has voiced include a miniature puppet of Peanut's, which turns out to be a small version of Dunham himself, and an unseen worm inside a bottle of tequila, both of which he has used, for example, in his appearance on A&E's An Evening at The Improv.^[40] The miniature Dunham puppet was also used in Dunham's 2011 Comedy Central special, Controlled Chaos.

Personal life[link]

Dunham met his first wife, Paige Brown, at the Comedy Corner in West Palm Beach, Florida. They began dating in December 1992. In May 1994, Dunham married Brown and adopted her one and a half year-old daughter, Bree. Their daughters Ashlyn and Kenna were born in 1995 and 1997, respectively. Dunham's time away while performing proved a strain on the marriage,^[10] and in November 2008 he filed for divorce.^{[1][3][10][13]} By mid-2009, Dunham was in a relationship with fellow Texan Audrey Murdick, a certified nutritionist, personal trainer and competition bodybuilder,^[10][13] and on December 25, 2011 they became engaged.^[41]

In addition to building the dummies he uses in his act, Dunham also restores antique ones as a hobby, such as The Umpire, a 6-foot-tall (1.8 m) mechanized dummy built in 1941 to work the plate at a girl's softball game, but which went unused and packed away for 50 years, before Dunham acquired it in early 2008.^[1]

Dunham has harbored a love of helicopters since childhood and is fond of building and flying his own kit helicopters from Rotorway helicopter kits. At the time he finished writing his autobiography in June 2010, he was beginning to build his fourth kit.^[10][11][13] He is also an aficionado of muscle cars and Apple Computer products.^[13]

References[link]

External links[link]

Wikimedia Commons has media related to: Jeff Dunham

Wikiquote has a collection of quotations related to: Jeff Dunham

• Jeff Dunham's official website
• Jeff Dunham at Comedy Central
• Jeff Dunham at the Internet Movie Database

Bryan Ferry
Ferry performing in February 2011
Background information
Birth name	Bryan Ferry
Born	(1945-09-26) 26 September 1945 (age 66)
Origin	Washington, Tyne & Wear, England
Genres	Pop rock, glam rock, art rock, new wave
Occupations	Singer-songwriter, musician
Instruments	Vocals, keyboards, harmonica, guitar
Years active	1971–present
Labels	UK: Island, E.G., Polydor,, Virgin, EMI Records, Reprise, Warner Bros. Records, Atco, Atlantic, Astralwerks Records
Associated acts	Roxy Music
Website	BryanFerry.com

Bryan Ferry CBE (born 26 September 1945) is an English singer, musician, and songwriter. Ferry came to prominence in the early 1970s as lead vocalist and principal songwriter with the band Roxy Music, who enjoyed a highly successful career with three number one albums and ten singles entering the top ten charts in the United Kingdom. Ferry began his solo career in 1973, while still a member of Roxy Music, which continues to the present day.

Early life[link]

Born in Washington, Tyne & Wear, England into a working class family (his father, Fred Ferry, was a farmer who also looked after pit ponies),^[1] Ferry attended Washington Grammar-Technical School (now called Washington School) on Spout Lane from 1957 and achieved nine O levels, then studied fine art at the University of Newcastle upon Tyne under Richard Hamilton.^[2][3] His contemporaries included Tim Head^[4] and Nick de Ville.^[5] Ferry became a pottery teacher at Holland Park School in London.^[6] Ferry formed the band The Banshees, and later, together with Graham Simpson, the band the Gas Board.^[7]

Career[link]

Roxy Music and solo years (1971–1983)[link]

Ferry formed Roxy Music with a group of friends and acquaintances, beginning with Graham Simpson, in November 1970. The line-up expanded to include saxophonist/oboist Andy Mackay and his acquaintance Brian Eno, who owned tape recorders and played Mackay's synthesiser. Other early members included timpanist Dexter Lloyd and ex-Nice guitarist David O'List, who were replaced respectively by Paul Thompson and Phil Manzanera before the band recorded its first album (early Peel Sessions for the UK's BBC Radio 1 feature O'List's playing).^[8]

Roxy Music's first hit, "Virginia Plain", made the UK Top 5 in 1972, and was followed up with several hit singles and albums, with Ferry as vocalist and occasional instrumentalist (he taught himself piano in his mid-twenties) and Eno contributing synthesiser backing.

For many years, Ferry has collaborated with fashion designer Antony Price for clothing and image consultations. Price is famous for his shop on London's Kings Road. He created suits recognised worldwide for their elegance, and gained fame when celebrities and rock stars dressed in his designs.^[9] Indeed, one comment by Nicky Haslam about Ferry was that he was more likely to redecorate a hotel room than to trash it as a typical rock star might.^[10]

After their second album, Brian Eno left Roxy Music, leaving Ferry its undisputed leader. Ferry had already started a parallel solo career in 1973, initially performing cover versions of old standards on albums such as These Foolish Things (1973) and Another Time, Another Place (1974), both of which reached the UK Top 5. After the concert tour in support of their fifth studio album, Siren, Roxy Music temporarily disbanded in 1976 though bandmembers Paul Thompson, Phil Manzanera and Eddie Jobson took part in recording Ferry's subsequent solo material. In 1976 Ferry covered a song by The Beatles, “She's Leaving Home” for the transitory musical documentary All This and World War II. He went on to release three solo albums during this period, Let's Stick Together (1976), In Your Mind (1977) and The Bride Stripped Bare (1978). All three albums reached the UK Top 20, but by this time his career had begun to wane.

Roxy Music reconvened in 1979, with Ferry, Manzanera, Thompson and Mackay (Jobson was no longer a member). The band recorded the albums Manifesto (1979), Flesh + Blood (1980) and Avalon (1982), the latter two reaching number one in the UK album charts.^[11] The band also achieved their first and only UK number one single, "Jealous Guy", released in 1981 as a posthumous tribute to its author John Lennon who had been murdered some months earlier. It was the only one of their singles not to be written or co-written by Ferry.

After lengthy tours to promote the Avalon album in 1982, Ferry decided to put Roxy Music on hold and continue as a solo artist.

After Roxy Music (1984–2001)[link]

Ferry continued to record, and released his sixth solo album, Boys and Girls, in 1985. The album reached number one in the UK, his first and only solo recording to do so, and also became his biggest selling album in the US.

In July 1985 Ferry performed at the London Live Aid show, accompanied by David Gilmour of Pink Floyd.^[12] He was hit with technical difficulties on sound, the drummer's drumstick broke at the start of the first song "Sensation" and Gilmour's Fender Stratocaster went dead, so he had to switch to his candy-apple red Stratocaster for the rest of the performance.^[13] The difficulties in sound were overcome for "Slave to Love" (featured on the soundtrack to 9½ Weeks) and "Jealous Guy". As with other successful Live Aid acts, his current album, Boys and Girls, remained in the UK chart for almost a year.

After the Avalon promotional tours, Ferry was rather reluctant to return to life on the road; however, a change of management persuaded him to try touring again in 1988 to promote the previous year's Bête Noire release. Following the tour, Ferry teamed up again with Brian Eno for Mamouna (collaborating with Robin Trower on guitar and as producer). The album took more than five years to produce, and was created under the working title Horoscope. During production, Ferry simultaneously recorded and released another covers album, Taxi in 1993, which proved to be a greater commercial and critical success than Mamouna would be when it was finally released in 1994. In 1996 Ferry performed the song "Dance With Life" for the Phenomenon soundtrack, which was written by Bernie Taupin and Martin Page. In 1999 Ferry appeared with Alan Partridge (played by Steve Coogan) on BBC's Comic Relief.

After taking some time off from music, Ferry returned in 1999. He began to perform a mix of 1930s songs and songs of his own, including several from the Roxy collection, and recorded them on the album As Time Goes By, which was nominated for a Grammy award.^[14]

Roxy Music reunion 2001 and after[link]

Ferry on tour in the Netherlands, 2006

Ferry, Manzanera, Mackay and Thompson re-reformed Roxy Music in 2001 and toured extensively for a couple of years, though the band did not record any new material. In 2002 with the help of Manzanera and Thompson, Ferry returned with his next studio album, Frantic, which featured several tracks written by David A. Stewart as well as a collaboration with Brian Eno. The album was a mix of new original material and covers - something that Ferry had not attempted on a solo album since The Bride Stripped Bare in 1978.

In 2003 Ferry provided the entertainment for the Miss World election.^[15] In 2004, Ferry starred in the short film The Porter. In 2005 it was confirmed^[16] that Roxy Music (Ferry, Eno, Mackay, Manzanera and Thompson) would be performing further shows at that year's Isle Of Wight festival and that they would also be recording a further album of new and original songs, with no indication of when such a project would reach completion.^[17] Brian Eno confirmed^[18] that he has worked in the studio with Roxy Music once more and has co-written songs for the new album. However, Ferry later debunked the idea of a new Roxy Music album and stated that the material from these sessions will most likely be released as part of his next solo album,^[19] and that "I don't think we'll record as Roxy again."^[20]

In October 2006 Ferry signed a contract with the British retailer Marks and Spencer to model their "Autograph" men's clothing range. In March 2007 he released the album Dylanesque, a tribute album to Bob Dylan. The album charted in the UK Top 10, and Ferry undertook a UK tour. On 7 October 2008 Ferry was honoured as a BMI Icon at the annual BMI London Awards. He joined past Icons including Peter Gabriel, Ray Davies, Steve Winwood, and Van Morrison, amongst others.^[21]

In 2009 Ferry provided vocals on DJ Hell's record, U Can Dance. A new version of the track was recorded for Ferry's new studio album, Olympia, released in October 2010. The album contained the material he had been recorded with his former Roxy Music band members, and also featured an impressive cast of other musicians such as Nile Rodgers, David A. Stewart, Scissor Sisters, Groove Armada, Michael "Flea" Balzary, Johnny Greenwood and David Gilmour, and also featured model Kate Moss on the front cover. Despite this, and being released in multiple "deluxe" editions (one including a large format hardback book), the album was not a commercial success in comparison to Ferry's previous studio albums, barely making the UK Top 20 and dropping out of the chart altogether after only three weeks.

Ferry also provided vocals for the song Shameless on Groove Armada's 2010 album Black Light. The album received a nomination for the 53rd Grammy Awards in the category Best Electronic/Dance Album.

Ferry performing onstage at the London O2 Arena during the 2011 Roxy Music "For Your Pleasure" Tour

In June 2011 Ferry was made a CBE in the Queen's Birthday Honours for his contribution to the British music industry.^[22]

Personal life[link]

Several of the women Ferry had been involved with have appeared as cover models on the Roxy Music albums. Ferry dated the French singer and model Amanda Lear, who was photographed with a black jaguar for the cover of the For Your Pleasure album. She later went on to date David Bowie.^[23]

Ferry then began a relationship with model Jerry Hall. Ferry first met Hall when she posed for the Roxy Music album cover for Siren in Wales during the summer 1975. Hall's autobiography Tall Tales (1985) describes the photo session, and she elaborates on how the blue body paint she wore to look like a mythical siren would not wash off; Hall says that Ferry took her back to his house, claiming he would help her to remove the paint.^[24] Her stay at Ferry's Holland Park (London) home, following the album cover photo shoot, marked the start of their affair. Hall and Ferry lived together, sharing homes in London and in the ritzy Bel Air district of Los Angeles, and Hall also appeared in some of Ferry's music videos, including "Let's Stick Together" and "The Price of Love" (both 1976). Their relationship ended when she left him for Mick Jagger in late 1977. To this day, Ferry rarely speaks about Hall, but fans often speculate that his song "Kiss and Tell" from the Bête Noire album (1987) was Ferry's response to Hall's tell-all book about their relationship published a couple of years earlier.^[25] Additionally, Ferry's 1978 solo album The Bride Stripped Bare is widely believed^[26] to contain allusions to his break-up with Hall - particularly the song "When She Walks in the Room". Ferry's original songs on the album were in fact written some time before the relationship ended, although it was recorded afterwards.

On 26 June 1982 Ferry married London socialite and model Lucy Helmore (14 years his junior), who had become pregnant with their child Otis (b. 1 November 1982). Although her face is not seen, Helmore was the model on the front cover of Roxy Music's 1982 album Avalon, released a month before their wedding.^[27] The couple went on to have three more sons, Isaac, Tara and Merlin. After they married, Helmore helped Ferry to kick a prevailing cocaine habit, though herself attended Alcoholics Anonymous and Narcotics Anonymous in the mid-1990s.^[27] In recent years Otis Ferry has become known in the British media for his pro-hunting political activities. He has been arrested and charged several times for activities relating to hunting, one of which led to a conviction.^[28] Ferry's second son, Isaac, was suspended from Eton College for sending abusive e-mails to an anti-hunting campaigner.^[27] By 2008, Tara was performing in a rock band called Rubber Kiss Goodbye and was about to start studying at Chelsea College of Art and Design.^[29] By 2008, Merlin was studying for "A" Levels at Marlborough College,^[29] and now plays guitar in his band Voltorb. Ferry's children have also contributed to his 2010 album Olympia. Tara played drums on several tracks, Merlin played guitar on one track, and Isaac was the producer of the album's artwork.^[30] Tara also toured with Ferry (and Roxy Music) on the band's 2011 For Your Pleasure tour, performing additional drums.^[31]

In 2000 the whole Ferry family were on a British Airways flight to Nairobi when a deranged passenger forced his way into the cockpit, attacked the pilot and caused the plane to lurch downward. Maintaining his composure in a frantic situation, Ferry took the time to berate one of his sons for using bad language during the incident. A crash was prevented when the assailant was eventually overcome.^[27]

Ferry and Helmore split in the early 2000s following an affair she had had, and were divorced in 2003.^[27] After their separation, British newspapers photographed Ferry with Katie Turner, 35 years his junior, naming her as his new 'girlfriend'.^[32] Ferry and Turner met while she worked as one of the dancers on Roxy Music's concert tour in 2001 (and is featured on the DVD of the 2001 Hammersmith Odeon Show). She went on to appear with Ferry on several TV shows to promote the Frantic album, and also performed on the Frantic tour in 2002. After their break-up, Ferry had a relationship with British socialite Lady Emily Compton.^[33] In 2006 he resumed his relationship with Katie Turner for some time.

Ferry began a relationship with Amanda Sheppard, one of his son's ex-girlfriends. Sheppard worked in public relations until she quit her job in 2009 after Ferry offered to support her financially.^[34] In early January 2012, Ferry married Sheppard in a private ceremony on the Turks and Caicos Islands.^[35]

Ferry was estimated to have a fortune of £30 million in the Sunday Times Rich List of 2010.^[36]

Nazi controversy[link]

In 2007 a controversy arose after Ferry praised the imagery and iconography of the Nazi régime in an interview with the German newspaper, Welt Am Sonntag. Ferry stated "the way that the Nazis staged themselves and presented themselves, my Lord!...I'm talking about the films of Leni Riefenstahl...And the buildings of Albert Speer and the mass marches and the flags—just fantastic. Really beautiful." In the same interview Ferry was also reported to have referred to his West London recording studio as "The Führerbunker" (Adolf Hitler's bunker during World War II).^[37][38][39]

Ferry's comments caused considerable controversy in the media and, the following month he made a public apology, stating "I apologise unreservedly for any offence caused by my comments on Nazi iconography, which were solely made from an art history perspective. I, like every right-minded individual, find the Nazi régime, and all it stood for, evil and abhorrent."^{[40][41][42][43][44][45]} At the time of the controversy, Ferry was contracted to the British retailer Marks and Spencer to model their "Autograph" menswear line. However, despite Ferry's public apology for his comments, Marks and Spencer opted to sever their ties with him.^[46]

Political views[link]

In 2008 Ferry alluded to support for the Conservative Party, referring to himself as "conservative by nature," but essentially apolitical. Without elaborating, he stated he was "proud" of his son Otis and declared the ban on fox hunting "futile." He also alluded to an opposition to "left-wing bitterness" and the spectre of "political correctness," but the model of free speech he cited was the anarchic 1970s and not the Thatcher era or a more distant past.^[47] In a 2009 interview, Ferry stated: “I would support a Cameron government. I have met him, and he’s a bright guy. I hope they do well. I don’t like the way the present Government has done things, most of all putting my son in prison for four and a half months, totally unlawfully ... and that’s not just my opinion: judges, all sorts, have said it was a stitch-up. It was politically motivated. The poor lad just wants to live the traditional country life.”^[48]

Ferry is a supporter of the Countryside Alliance and has played concerts to raise funds for the organisation.^[49]

In other media[link]

In 1985 Ferry contributed the song "Is Your Love Strong Enough" to the Ridley Scott-Tom Cruise film Legend. The song (featuring guitar work by David Gilmour) plays during the end credits of the U.S. theatrical release, and was released with the Tangerine Dream version of the soundtrack on CD (although this is out of print and rare). A promotional music video was created, integrating Ferry and Gilmour into scenes from the film; this is included as a bonus in the 2002 "Ultimate Edition" DVD release. The song was later covered by How To Destroy Angels for the soundtrack to the 2011 US version of The Girl with the Dragon Tattoo.

In 2005 Ferry appeared in Neil Jordan's movie, Breakfast on Pluto, starring Cillian Murphy as a young Irish transvestite who goes to London in the glam 1970s to find his mother. Ferry, appearing in a bit part as Mr. Silky String, played a suave but creepy punter who picks up the sexually ambiguous young man and, after a short conversation, attempts to strangle him in the front seat of his car.

Ferry is referenced in the comedy show The Mighty Boosh in the episode "Hitcher", as Vince Noir's adopted father and King of the Forest. At the end of the episode, it is revealed that 'Brian Ferry' actually resembles Terry Wogan.

Ferry is mentioned in Farkas Berci széjjelfagy, a paraphrase-parody of the Hungarian folk tale A kismalac és a farkasok, the plot of which is very similar to Three Little Pigs. Little pig, the hero of the tale, who is portrayed as a music fan in the parody, claims he wouldn't let the wolf enter his house, even if he were Bryan Ferry himself.

Ferry is mentioned in the musical comedy "Glee." Blaine Anderson is seen dancing to Roxy Music before making a comment about how he'd like to build a time machine, visit the 1970s, and give Ferry a high-five.

Ferry is also in a H&M Holiday 2011 campaign series with his son, Tara. The campaign also features supermodel Karen Elson with her twin sister Kate, bombshell Jerry Hall with her daughter Georgia May Jagger and models Sui He and Ming Xi. Musicians also were included as well. Singer Lykke Li with her sister Zara, and top model Abbey Lee Kershaw with her musician boyfriend Matthew Hutchinson.

Discography[link]

Studio albums[link]

• These Foolish Things (October 1973, UK #5)
• Another Time, Another Place (July 1974, UK #4)
• Let's Stick Together (September 1976, UK #19, US #160)
• In Your Mind (February 1977, UK #5, US #126, Aust.#1)
• The Bride Stripped Bare (April 1978, UK #13, US #159)
• Boys and Girls (May 1985, UK #1, US #63)
• Bête Noire (October 1987, UK #9, US #63)
• Taxi (13 April 1993, UK #2, US #79)
• Mamouna (5 September 1994, UK #11, US #94)
• As Time Goes By (15 October 1999, UK #16, US #199)
• Frantic (18 May 2002, UK #6, US #189)
• Dylanesque (5 March 2007, UK #5, US #117)
• Olympia (26 October 2010, UK #19, US #71)

Sources[link]

• Bracewell, Michael Roxy Music: Bryan Ferry, Brian Eno, Art, Ideas, and Fashion (Da Capo Press, 2005) ISBN 0-306-81400-5
• Buckley, David The Thrill of It All: The Story of Bryan Ferry & Roxy Music (Chicago Review Press, 2005) ISBN 1-55652-574-5
• Rigby, Jonathan Roxy Music: Both Ends Burning (Reynolds & Hearn, 2005; revised edition 2008) ISBN 1-903111-80-3
• Stump, Paul Unknown Pleasures: A Cultural Biography of Roxy Music (Quartet Books, 1998) ISBN 0-7043-8074-9

See also[link]

• Julian Barratt
• Rogue's Gallery: Pirate Ballads, Sea Songs, and Chanteys

References[link]

External links[link]

Wikimedia Commons has media related to: Bryan Ferry

Wikiquote has a collection of quotations related to: Bryan Ferry

• Official website

Pantha du Prince
Pantha du Prince at Rocket Bar, Boston on May 31, 2007
Background information
Birth name	Hendrik Weber
Also known as	Panthel, Glühen 4
Origin	Germany
Genres	Electronic Minimal Techno Microhouse Dark ambient
Years active	2002–present
Labels	Dial Records Rough Trade
Website	http://www.panthaduprince.com

Hendrik Weber, better known as Pantha du Prince, Panthel and Glühen 4 is a German electronic music producer and DJ affiliated with Hamburg's Dial music label^[1][2] and British label Rough Trade.^[3]

Career[link]

Weber's style as Pantha du Prince evolved from the harder end of the house music spectrum^[1] and minimal techno to something the artist himself describes as 'Sonic House', incorporating acoustic elements, electronically altered field recordings,^[4] and shoegazing references.^[5] He launched his Pantha du Prince identity in 2002, with the four-track 12" "Nowhere".^[6] His first full-length CD/double LP, Diamond Daze (2004), featured hard-edged club songs,^[1] with Weber sampling The Chills’ "Pink Frost"^[7] on the track "Circle Glider".^[6] Writing for allmusic, Jason Birchmeier also detected an affinity for shoegaze bands such as My Bloody Valentine and Slowdive as well as for the stylings of Detroit Techno producer Carl Craig.^[6] Weber’s 2005 remix 12" "Butterfly Girl Versions" and the 2006 "Lichten/Walden" 12" were again published on the German Dial label.^[6]. In 2007, Weber released This Bliss^[3] in which he explored travel, time, and the joy of forward motion.^[1] Commenting on the album’s juxtaposition of ethereal melodic elements and a dance music backbone, Tim Finney gave it 7.7 out of 10 in a review for Pitchfork.^[8] The New York Times critic Jon Caramanica described This Bliss as Pantha du Prince's "high-water mark", "a pensive, slender and tough album".^[9] In 2010, Weber switched labels to Rough Trade Records before releasing his third album Black Noise.^[9]

Discography[link]

As Pantha du Prince[link]

Albums[link]

• Diamond Daze (2004)
• This Bliss (2007)
• Black Noise (2010)

Singles[link]

• Nowhere (2002)
• Butterfly Girl Versions (2005)
• Lichten/Walden (2006)
• Behind The Stars (2009)

As Glühen 4[link]

Albums[link]

• Das Schweigen der Sirenen (2003)

References[link]