Apted, Michael Filmography

• CinemAbility (2013)
• 56 Up (2012)
• 56 Up (2012)
• Chasing Mavericks (2012)
• 56 Up (2012)
• 56 Up (2012)
• 56 Up (2012)
• Hallelujah (2011)
• Broken Adonis (2011)
• Broken Adonis (2011)
• The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
• John Belushi: Dancing on the Edge (2010)
• España, plató de cine (2009)
• Cleanflix (2009)
• Treasures of the Academy: Guardians of History (2008)
• The Power of the Game (2007)
• How Sweet the Sound: The Story of Amazing Grace (2007)
• Black Autumn (2007)
• Married in America 2 (2006)
• 21 Up America (2006)
• AFI's 100 Years... 100 Cheers: America's Most Inspiring Movies (2006)
• Amazing Grace (2006)
• Married in America 2 (2006)
• The Official Film of the 2006 FIFA World Cup (TM) (2006)
• 49 Up (2005)
• Born in the USSR: 21 Up (2005)
• 49 Up (2005)
• 49 Up (2005)
• ITV 50 Greatest Shows (2005)
• 49 Up (2005)
• The 50 Greatest Documentaries (2005)
• 49 Up (2005)
• More Than Enough (2003)
• Married in America (2003)
• Happy Anniversary Mr. Bond (2002)
• Enough (2002)
• Lipstick (2002)
• James Bond: A BAFTA Tribute (2002)
• Best Ever Bond (2002)
• Enigma (2001)
• It's a Shame About Ray (2000)
• James Bond Down River (2000)
• Now Pay Attention 007! (2000)
• Nathan Dixon (1999)
• The Making of 'The World Is Not Enough' (1999)
• Me & Isaac Newton (1999)
• The Bond Cocktail (1999)
• The World Is Not Enough (1999)
• The James Bond Story (1999)
• And the Word Was Bond (1999)
• 42: Forty Two Up (1998)
• 14 Up in America (1998)
• 42: Forty Two Up (1998)
• 42: Forty Two Up (1998)
• 42: Forty Two Up (1998)
• Always Outnumbered (1998)
• A Personal History of British Cinema by Stephen Frears (1997)
• Inspirations (1997)
• Inspirations (1997)
• Extreme Measures (1996)
• Nell (1994)
• Moving the Mountain (1994)
• Blink (1994)
• Crossroads (1992)
• Thunderheart (1992)
• Crossroads (1992)
• Murder Without Motive: The Edmund Perry Story (1992)
• Incident at Oglala (1992)
• Intruders (1992)
• Dracula (1992)
• 35 Up (1991)
• 35 Up (1991)
• 35 Up (1991)
• Class Action (1991)
• Age 7 in the USSR (1991)
• Age 7 in America (1991)
• 35 Up (1991)
• Criminal Justice (1990)
• The Long Way Home (1989)
• Gorillas in the Mist: The Story of Dian Fossey (1988)
• Critical Condition (1987)
• Bring on the Night (1985)
• Spies Like Us (1985)
• Bring on the Night (1985)
• The River Rat (1984)
• Firstborn (1984)
• 28 Up (1984)
• 28 Up (1984)
• 28 Up (1984)
• Gorky Park (1983)
• The Making of 'Gorky Park' (1983)
• P'tang, Yang, Kipperbang. (1982)
• Continental Divide (1981)
• Coal Miner's Daughter (1980)
• Agatha (1979)
• The Squeeze (1977)
• 21 (1977)
• 21 (1977)
• 21 (1977)
• Stardust (1974)
• Haunted: Poor Girl (1974)
• High Kampf (1973)
• The Triple Echo (1972)
• Joy (1972)
• Buggins' Ermine (1972)
• 7 Plus Seven (1970)
• 7 Plus Seven (1970)
• 7 Plus Seven (1970)
• Haunted (1967)
• Seven Up! (1964)
• World in Action (1963)

Famous quotes by Michael Apted:

"? devotion to the craft of filmmaking and his wealth of head-and-heart knowledge about what we do and how we do it was a special gift to his fellow directors."

"Bob's devotion to the craft of filmmaking and his wealth of head-and-heart knowledge about what we do and how we do it was a special gift to his fellow directors. As president of the guild and as co-founder of the DGA Special Projects Committee, his decades of hands-on leadership were an inspiration to us all. We will deeply miss him."

"Bob's devotion to the craft of filmmaking and his wealth of head-and-heart knowledge about what we do and how we do it was a special gift to his fellow directors."

"Bob's devotion to the craft of filmmaking and his wealth of head-and-heart knowledge about what we do and how we do it was a special gift to his fellow directors,"

"This deal marks the first of many to come and illustrates how, by working together with producers, we will achieve agreements that are mutually beneficial."

"Peer-to-peer technology has benefits, but it also carries many dangers, the most egregious of which is the potential for widespread and unauthorized piracy. Without the permission of the author of the work, who will be able to tell when personal use ends and piracy begins? It is the fundamental question of what is fair and right for the creators and those who made that creation possible."

"It takes great skill to tell a compelling story in under 60 seconds. These five directors have mastered the format, using their talent, craft and imagination to provide us with some of the most innovative filmmaking out there today."

"Music video directors, who conceive, write and direct these works, enjoy no creative rights, receive no ongoing financial benefit from the sale of our work, and many times are not even credited,"

"Tough luck."

"[Among the demands attributed to Lopez in the gossip pages: a dressing room fitted out with white orchids, white walls, a white sofa and an endless stock of Evian-room-temperature only, thank you. So when Lopez went AWOL in winter 2000, the warnings seemed prophetic.] I lost track of her, ... It was a huge job, and all the meetings were either rescheduled or canceled. I thought, 'This is going to be very difficult.'"

"It was one of those great miracles of history that they managed to smuggle an Enigma machines out to Britain just before they were invaded by the Nazis."

"Anyway, that was the germ of the idea and of course... you know this was early days of sociology and whatever, especially on television."

"For behaviorist films, that's been much more useful - the change of technology - but for my kind of films, doing them on film is much better, because it's more beautiful."

"He wasn't, but producers are by definition annoying because they have a different agenda from you. They're trying to stop you spending money and you're trying to not spend money, but at the same time we're great artists."

"I've never much been interested in doing films that no one gets to see."

"It's still the same job, the same anxieties, but it did feel a lot different, that kind of budget, that schedule, and frankly, the slowness of it all, and also having a lot of other units working."

"Music video directors, who conceive, write and direct these works, enjoy no creative rights, receive no ongoing financial benefit from the sale of our work, and many times are not even credited."

"Now that I can edit the whole thing on AVID and edit the whole thing on tape, maybe I will do the next digitally, because maybe the quality will become less obvious between tape and film."

"One of the reasons to do documentaries is that. There's more sense of creating something, more sense of my own soul in the documentaries than in movies, because I don't write the movies I do."

"So I do tend to do documentaries where I can move in and out of them."