- published: 24 Mar 2009
- views: 3254
4:11
Watching Movie in CinemaScope, Letterbox vs conventional TV ratio
A wonderful presentation with example from different movie clips. Some famous movie direct...
published: 24 Mar 2009
Watching Movie in CinemaScope, Letterbox vs conventional TV ratio
A wonderful presentation with example from different movie clips. Some famous movie directors talks and give example how a cinemascope or letterbox content captures all the taste and flavor of a movie and why a TV or 4:3 ratio cuts some of the contents.
- published: 24 Mar 2009
- views: 3254
4:12
Raoul Coutard on Cinemascope
Legendary cinematographer Raoul Coutard describes using Cinemascope for Jean-Luc Godard 19...
published: 25 Oct 2012
Raoul Coutard on Cinemascope
Legendary cinematographer Raoul Coutard describes using Cinemascope for Jean-Luc Godard 1963 film CONTEMPT.
- published: 25 Oct 2012
- views: 2049
15:02
Roma Creative Contest 2012 - Quinte Attive - "CinemaScope"
"CINEMASCOPE" di Quinte Attive
Performance di apertura della manifestazione, andata in sc...
published: 28 Oct 2012
Roma Creative Contest 2012 - Quinte Attive - "CinemaScope"
"CINEMASCOPE" di Quinte Attive
Performance di apertura della manifestazione, andata in scena la prima serata del 16/09 del Roma Creative Contest 2012.
- Da un'idea di Francesco Marioni
- Regia: Angela Pepi e Silvia Vitale
- Con: Matteo Castellino, Ivano Salamida, Maurizio Montecchiesi, Gianni Parrella, Marta Franceschelli, Angela Pepi, Silvia Vitale, Barbara Petti, Matteo Cirillo, Helene Biard, Veronica Scudo, Alice Fratarcangeli, Angelica Ferraù, Francesco Lodato, Sebastiano Valentini, Veronica Pinna.
- Scenografie: Marina Palasciano
- Costumi: Silvia Gambardella
- Trucco: Irene Brinciotti
- Luci: Alessandro Pezza
- Suono: Raffaele Inno
QUINTE ATTIVE
http://www.quinteattiveteatro.it
ROMA CREATIVE CONTEST 2012
http://www.romacreativecontest.com
- 24 corti in gara;
- 3 sezioni competitive (Cacciatori d'Immagini; Corti d'Animazione, Mockumentaries);
- performances live;
- ospiti d'eccezione;
- dopo-festival @ ConteStaccio
PROCESSO CREATIVO
. . . C R E A T E . . .
- published: 28 Oct 2012
- views: 498
3:59
TODD AO vs CINEMASCOPE
TV Forced Changes on the Motion Picture Industry in the 1950s
and Rogers and Hammerstein ...
published: 25 Jan 2009
TODD AO vs CINEMASCOPE
TV Forced Changes on the Motion Picture Industry in the 1950s
and Rogers and Hammerstein rode the crest of the wave
- published: 25 Jan 2009
- views: 13743
3:50
HiFi Forum Vodcast 5 - 21:9, Cinemascope, Heimkino
Viele Heimkinobesitzer möchten mit Beamer und Leinwand Kinofeeling in ihr Heim bringen. „R...
published: 04 Dec 2011
HiFi Forum Vodcast 5 - 21:9, Cinemascope, Heimkino
Viele Heimkinobesitzer möchten mit Beamer und Leinwand Kinofeeling in ihr Heim bringen. „Richtige" Kinofilme sollen dabei der cineastische Höhepunkt sein. Doch gerade hier gibt es mit einem Standard-Beamer Einschränkungen und nur getrübten Genuss: Rund 80% aller Filme werden in 21:9 produziert und können auf einer 16:9 Leinwand nur verkleinert und mit schwarzen Balken wiedergegeben werden.
Im aktuellen Video-Podcast des Baiersdorfer HiFi Forums erläutert Heimkino-Experte Ralf Lulay, wie man sich mit einer Anamorphot-Linse und einer 21:9-Leinwand das echte Kino ins Haus holt. Der HiFi Forum-Mitarbeiter führt anschaulich vor, welchen enormen Gewinn an Projektionsfläche Heimkino-Freunde mit einem Anamorphoten erhalten.
Produktion: Markus Tischner, www.frisbee-marketing.de
- published: 04 Dec 2011
- views: 1299
13:21
Cinemascope in Premiere Cs5 & Cs5.5 - Tutorial (Deutsch)
Der KOSTENLOSE DOWNLOAD für die Vorlagen:
www.bit.ly/Cinemascope
In diesem Tutorial ...
published: 15 Dec 2011
Cinemascope in Premiere Cs5 & Cs5.5 - Tutorial (Deutsch)
Der KOSTENLOSE DOWNLOAD für die Vorlagen:
www.bit.ly/Cinemascope
In diesem Tutorial zeige ich wie man in Adobe Premiere Cs5 und Cs 5.5 Filmclips / Filme im Cinemascopeformat ohne Ränder exportieren kann.
- published: 15 Dec 2011
- views: 2420
4:01
Cinemascope - Better Days to Come
This is "Better Days to Come" from the debut Cinemascope album which will be out on late 2...
published: 27 Jul 2011
Cinemascope - Better Days to Come
This is "Better Days to Come" from the debut Cinemascope album which will be out on late 2011 / early 2012 from Other Voices Records (home of bands like Attrition, Rise and Fall of a Decade, In MY Rosary, Aerial FX, Speaking Silence etc).
- published: 27 Jul 2011
- views: 2441
21:29
San Francisco (1955 Cinemascope film)
Cinemascope homage to the city of San Francisco made by amateur filmmaker and inventor Tul...
published: 25 Dec 2011
San Francisco (1955 Cinemascope film)
Cinemascope homage to the city of San Francisco made by amateur filmmaker and inventor Tullio Pellegrini.
- published: 25 Dec 2011
- views: 15685
1:34
2.35:1 Cinemascope, Panavision, Anamorphic Aspect Ratio Tutorial
http://devowe.com/blog/2011/2-351-cinemascope-anamorphic-aspect-ratio-tutorial/ - A 90 sec...
published: 29 Aug 2011
2.35:1 Cinemascope, Panavision, Anamorphic Aspect Ratio Tutorial
http://devowe.com/blog/2011/2-351-cinemascope-anamorphic-aspect-ratio-tutorial/ - A 90 second tutorial on exporting 1080p widescreen (16:9) footage to Cinemascope aspect ratio (otherwise known as Panavision or Anamorphic Scope - 2.35:1 ratio).
In this example, I used 100 pixels on the top and bottom. TRUE 2.35:1 aspect ratio would be 132px on top, and 131px on bottom (or vice versa). The final output would be 817px tall.
Please bestow a ♥ like or leave a ✉ comment if you have questions!
☞ ASPECT RATIO CONVERSION METHOD:
To convert from any aspect ratio to a wider format (such as 2.35:1 or 1.85:1), all you have to do is
DIVIDE the WIDTH of your SOURCE footage (1920 in this example) by the final aspect ratio desired (2.35 in this example).
So,
1920
DIVIDED BY
2.35 = 817 pixels tall
Your final output would be 1920x817.
✏ To find the amount to crop off the top and bottom, subtract your pixel number (817px here) from your source footage height (1080px) and divide it by two. If it is a decimal number (such as 131.5), even it out to whole pixels (i.e. - crop 132px from top, 131px from bottom).
✏ Here are some examples of aspect ratio conversion methods. These are all assuming 1920x1080 footage. If your SOURCE footage is 1280x720, your width would be 1280; if your SOURCE footage is 720x480, your width would be 720; and so on.
☞ 16:9 to 2.35:1 / Cinemascope / Anamorphic / Panavision Aspect Ratio:
SOURCE footage width (1920) DIVIDED BY 2.35 = 817px tall
Crop 132px off top, 131px off bottom.
☞ 16:9 to 1.85:1 / Academy Flat / "Flat" Aspect Ratio:
SOURCE footage width (1920) DIVIDED BY 1.85 = 1038px tall
Crop 21px off top, 21px off bottom.
As a 'bonus', here is the method for converting your 4:3 aspect ratio video to regular 16:9 widescreen (assuming 640x480 footage):
☞ 4:3 to 16:9 Regular Widescreen Aspect Ratio:
SOURCE footage width (640) DIVIDED BY 1.778 = 360px tall
Crop 60px off top, 60px off bottom.
★Other Tutorials:★
Slow Motion from pictures tutorial! - http://www.youtube.com/watch?v=CJmhIQjPVKQ
Color Correction tutorial the RIGHT way! - http://www.youtube.com/watch?v=8EutVgTck6U
To learn more about aspect ratios, Panavision, Cinemascope, Anamorphic Scope, and much more - go to http://www.thedigitalbits.com/articles/anamorphic/aspectratios/widescreenorama.html
Audio: Zoom H4n and Redhead Windscreen
http://devowe.com
TRANSCRIPT:
Hey, it's Michael from devowe.com. Today we're going to do a quick tutorial on exporting your 16:9 widescreen footage to Panavision or otherwise known as Cinemascope or Anamorphic aspect ratio. So make sure your timeline is selected - I'm in Premiere here - and go to File , Export , Adobe Media Encoder. And then on the upper-left we're going to click this crop button here. This is 1080p so I'm going to crop the top and bottom 100 pixels. Go to the output tab. You can still see we have these bars - black bars, that's ugly. So since I'm cropping it 100 pixels on the top and bottom, it's going to be 880 instead of 1080. That looks worse, so we're going to Scale to Fit. And that's basically it - you're going to export it and so once that's done, you'll have true Anamorphic widescreen and you can upload it to Vimeo or what have you and it won't have any black borders. So there you go, and I hope you enjoyed it, and it was helpful. Thanks for watching!
- published: 29 Aug 2011
- views: 17061
Youtube results:
46:56
Cinema Scope TIFF Roundtable, 2012
Cinema Scope critics Jason Anderson, Robert Koehler, Adam Nayman, Mark Peranson, Kiva Rear...
published: 21 Sep 2012
Cinema Scope TIFF Roundtable, 2012
Cinema Scope critics Jason Anderson, Robert Koehler, Adam Nayman, Mark Peranson, Kiva Reardon, and John Semley discuss the 2012 Toronto International Film Festival.
- published: 21 Sep 2012
- views: 1001
4:49
Cinemascope - never understand (album version)
This is the album version of "Never Understand" from the debut Cinemascope album "Stains o...
published: 06 Jun 2012
Cinemascope - never understand (album version)
This is the album version of "Never Understand" from the debut Cinemascope album "Stains of Love" which will be out on 2012 from Other Voices Records (home of bands like Attrition, Rise and Fall of a Decade, In My Rosary, Aerial FX, Speaking Silence etc).
Digital Art created by Jopsu Ramu and Timo Huhtala.
Fan made video.
- published: 06 Jun 2012
- views: 1130
0:18
20th Century Fox CinemaScope (1956)
This is taken from "Bigger than Life" (1956)
All rights reserved to Fox.
I created this...
published: 04 Nov 2011
20th Century Fox CinemaScope (1956)
This is taken from "Bigger than Life" (1956)
All rights reserved to Fox.
I created this video with the YouTube Video Editor (http://www.youtube.com/editor)
- published: 04 Nov 2011
- views: 21699
4:26
Ed Motta - A Tijuca em Cinemascope (Ed Motta) - Instrumental SESC Brasil - 11/10/2010
Ed Motta despontou em fins dos anos 80, como o vigoroso cantor e um dos compositores e pro...
published: 08 Nov 2010
Ed Motta - A Tijuca em Cinemascope (Ed Motta) - Instrumental SESC Brasil - 11/10/2010
Ed Motta despontou em fins dos anos 80, como o vigoroso cantor e um dos compositores e produtores do Conexão Japeri. Hoje, é um cantor, compositor, multiinstrumentista, arranjador e produtor de trânsito internacional. Em seu estilo, tritura influências que vão do jazz à canção brasileira, das trilhas sonoras de Hollywood ao rock, da música clássica aos standards americanos, da bossa nova ao reggae. No Instrumental SESC Brasil, Ed mostra uma seleção de seus CDs instrumentais Dwitza e Aystelum.
Data da apresentação:
11/10/2010
Formação:
Ed Motta - piano
Cássio Ferreira - saxofone
Sidiel Vieira - baixo acústico
Leandro Cabral - piano
Vitor Cabral - bateria
Jessé Sadoc -- trompete
Mais informações:
http://www.sescsp.org.br/instrumental
- published: 08 Nov 2010
- views: 11655