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Decorative exterior wall, Mexico City, Mexico, 2008.

A wall (from Old English weall) is a vertical structure, usually solid, that defines and sometimes protects an area. Most commonly, a wall delineates a building and supports its superstructure, separates space in buildings into rooms, or protects or delineates a space in the open air. There are three principal types of structural walls: building walls, exterior boundary walls, and retaining walls.

A brick wall

Building walls have one main purpose: to support roofs and ceilings. Such walls most often have three or more separate components. In today's construction, a building wall will usually have the structural elements (such as 2×4 studs in a house wall), insulation, and finish elements or surface (such as drywall or panelling). In addition, the wall may house various types of electrical wiring or plumbing. Electrical outlets are usually mounted in walls.

Building walls frequently become works of art externally and internally, such as when featuring mosaic work or when murals are painted on them; or as design foci when they exhibit textures or painted finishes for effect.

On a ship, the walls separating compartments are termed "bulkheads", whilst the thinner walls separating cabins are termed "partitions".

In architecture and civil engineering, the term curtain wall refers to the facade of a building which is not load-bearing but functions as decoration, finish, front, face, or history preservation.

Partition wall[link]

A partition wall is a wall for the purpose of separating rooms, or dividing a room. Partition walls are usually not load-bearing.

Partition walls may be constructed with bricks or blocks from clay, terra-cotta or concrete, reinforced, or hollow. Glass blocks may also be used.

They may also be constructed from sheet glass. Glass partition walls are a series of individual toughened glass panels, which are suspended from or slide along a robust aluminium ceiling track. The system does not require the use of a floor guide, which allows easy operation and an uninterrupted threshold.

Timber may be used. This type of partition consists of a wooden framework either supported on the floor below or by side walls. Metal lath and plaster, properly laid, forms a reinforced partition wall. Partition walls constructed from fibre cement sheeting are popular as bases for tiling in kitchens or in wet areas like bathrooms. Galvanized sheet fixed to wooden or steel members are mostly adopted in works of temporary character. Plain or reinforced partition walls may also be constructed from concrete, including pre-cast concrete blocks.

Metal framed partitioning is also available. This partition consists of track (used primarily at the base and head of the partition) and stud (vertical sections fixed at 600mm centres).

Internal wall partitions also known as office partitioning is made using plasterboard (drywall), or varieties of glass. Toughened glass is a common option as it is feasible however there is also low iron glass better known as opti-white glass which increases light and solar heat transmission.

Wall partitions are constructed using beads and tracking which are either hung from the ceiling or fixed into the ground. The panels are inserted into the tracking and fixed.

There are variations of wall partitions which include the level of fire resistance they have, and their acoustic performance rating.

Movable partitions[link]

Movable partitions are used where the walls of a room are frequently opened to form one large floor area. In this system, there are several types of partitions:

• Sliding: Sliding partitions consists of series of panels that slide in tracks fixed to the floor and ceiling. The machine if the partition is similar to those of sliding doors.
• Sliding & folding: Sliding and folding partitions operate in a similar manner to sliding folding doors. They are normally used for smaller spans.
• Screens: Screens are usually constructed of a metal or timber frame. It is fixed with plywood and chipboard inside. The screen supported with legs for free standing and easy movement.
• Pipe and drape: Fixed or telescopic uprights and horizontals provide a ground supported drape system with removable panels.

Boundary walls[link]

Stone wall of an English barn

Boundary walls include privacy walls, boundary-marking walls on property, and town walls. These intergrade into fences; the conventional differentiation is that a fence is of minimal thickness and often is open in nature, while a wall is usually more than a nominal thickness and is completely closed, or opaque. More to the point, if an exterior structure is made of wood or wire, it is generally referred to as a fence, while if it is made of masonry, it is considered a wall. A common term for both is barrier, convenient if it is partly a wall and partly a fence, for example the Berlin Wall. Another kind of wall/fence ambiguity is the ha-ha which is set below ground level, so as not to interrupt a view yet acting as a barrier to cattle for example.

Before the invention of artillery, many of the world's cities and towns, particularly in Europe and Asia, had protective walls (also called town walls or city walls). In fact, the English word "wall" is derived from Latin vallum, which was a type of fortification wall. Since they are no longer relevant for defense, such cities have grown beyond their walls, and many of the walls, or portions thereof, have been torn down, for example in Rome, Italy and in Beijing, China. Examples of protective walls on a much larger scale include the Great Wall of China and Hadrian's Wall.

Separation walls[link]

Some walls are designed to formally separate one population from another. An example was the Berlin Wall, which divided East and West Berlin.

Retaining walls[link]

Dry-stone wall - Grendon

Ashlar wall - Inca wall at Machu Picchu, Peru

View of the western enclosing wall of the Great Mosque of Kairouan (also called the Mosque of Uqba) in the city of Kairouan in Tunisia.

In areas of rocky soils around the world, farmers have often pulled large quantities of stone out of their fields to make farming easier and have stacked those stones to make walls that either mark the field boundary, or the property boundary, or both.

Retaining walls are a special type of wall, that may be either external to a building or part of a building, that serves to provide a barrier to the movement of earth, stone or water. The ground surface or water on one side of a retaining wall will be noticeably higher than on the other side. A dike is one type of retaining wall, as is a levee, a load-bearing foundation wall, and a sea wall.

Shared walls[link]

Special laws often govern walls shared by neighbouring properties. Typically, one neighbour cannot alter the common wall if it is likely to affect the building or property on the other side. A wall may also separate apartment or hotel rooms from each other. Each wall has two sides and breaking a wall on one side will break the wall on the other side.

Portable walls[link]

Portable walls, such as room dividers or portable partitions, are used to take a large open space and effectively divide it into smaller rooms. Portable walls can be static such as cubicle walls, or they can be wall panels mounted on casters to provide an easy way to reconfigure assembly space. They are often found inside schools, churches, convention centers, hotels and corporate facilities.

Etymology[link]

It is notable that English uses the same word to refer to an external wall, and the internal sides of a room. This is by no means universal, and many languages distinguish between the two. In German, some of this distinction can be seen between Wand and Mauer, in Spanish between pared and muro.

Walls in popular culture[link]

Walls are often seen in popular culture representing barriers preventing progress or entry. For example, the progressive/psychedelic rock band Pink Floyd used a metaphorical wall to represent the isolation felt by the protagonist of their 1979 concept album The Wall. American poet laureate Robert Frost describes a pointless rock wall as a metaphor for the myopia of the culture-bound in his poem Mending Wall. In a real-life example, the Berlin Wall, constructed by the Soviet Union to divide Berlin into NATO and Warsaw Pact zones of occupation, became a worldwide symbol of oppression and isolation.

In some cases, a wall may refer to an individual's debilitating mental or physical condition, seen as an impassable barrier.

Another common usage is as a communal surface to write upon. For instance the social networking site Facebook uses an electronic "wall" to log the scrawls of friends.

Physiological wall[link]

In marathon running a runner can 'hit' 'the wall'. A point where the human brain and body feels like it cannot be pushed further or continue. Runners find this incredibly hard to break through and continue.

A wall can also refer to something that the human mind is blocking or hiding from memory but this is debatable.

See also[link]

• List of walls
• Ashlar
• Curtain wall
• Dry-stone wall
• Fence
• Load-bearing wall
• Sleeper wall
• Stone wall
• Wallpaper

External links[link]

The Wiktionary entry for wall Media related to Walls at Wikimedia Commons

Roger Waters
Roger Waters in The O2 Arena (London) in 2008
Background information
Birth name	George Roger Waters
Born	(1943-09-06) 6 September 1943 (age 68) Great Bookham, Surrey, England, United Kingdom
Genres	Progressive rock, psychedelic rock, art rock, hard rock, opera
Occupations	Musician, songwriter, composer, producer
Instruments	Bass guitar, vocals, guitar, synthesiser, clarinet, trumpet
Years active	Since 1964
Labels	Capitol, Columbia, Sony, Harvest
Associated acts	Pink Floyd, The Bleeding Heart Band, Sigma 6
Website	roger-waters.com
Notable instruments
Fender Precision Bass Rickenbacker 4001 Martin acoustic guitars

George Roger Waters (born 6 September 1943) is an English musician, singer-songwriter and composer. He was a founder member of the progressive rock band Pink Floyd, serving as bassist and co-lead vocalist. Following the departure of bandmate Syd Barrett in 1968, Waters became the band's lyricist, principal songwriter and conceptual leader. The band subsequently achieved worldwide success in the 1970s with the concept albums The Dark Side of the Moon, Wish You Were Here, Animals and The Wall. Although Waters' primary instrument in Pink Floyd was the bass guitar, he also experimented with synthesisers and tape loops and played rhythm guitars in recordings and in concerts. Amid creative differences within the group, Waters left Pink Floyd in 1985 and began a legal battle with the remaining members over their future use of the group's name and material. The dispute was settled out of court in 1987, and nearly eighteen years passed before he performed with Pink Floyd again. It is estimated that as of 2010, the group have sold over 200 million albums worldwide, including 74.5 million units sold in the United States.

Waters' solo career includes three studio albums: The Pros and Cons of Hitch Hiking (1984), Radio K.A.O.S. (1987) and Amused to Death (1992). In 1986, he contributed songs and a score to the soundtrack of the animated movie When the Wind Blows based on the Raymond Briggs' book of the same name. In 1990, he staged one of the largest and most elaborate rock concerts in history, The Wall – Live in Berlin, with an official attendance of 200,000. In 1996, he was inducted into the US and the UK Rock and Roll Hall of Fame as a member of Pink Floyd. He has toured extensively as a solo act since 1999 and played The Dark Side of the Moon in its entirety for his world tours of 2006–2008. In 2005, he released Ça Ira, an opera in three acts translated from Étienne and Nadine Roda-Gils' libretto based on the early French Revolution. On 2 July 2005, he reunited with Pink Floyd bandmates Nick Mason, Richard Wright and David Gilmour for the Live 8 global awareness event; it was the group's first appearance with Waters in 24 years.

In 2010, he began The Wall Live, a worldwide tour that features a complete performance of The Wall. During this tour, at The O2 Arena in London on 12 May 2011, Gilmour and Mason once again appeared with Waters, Gilmour performing "Comfortably Numb", and Gilmour and Mason joining Waters for "Outside the Wall".

He has been married four times and has three children. In 2004 he became engaged to actress and filmmaker Laurie Durning; the pair married in 2012.

Early years (1943–1964)[link]

George Roger Waters was born on 6 September 1943, the younger of two boys,^[1] to Mary and Eric Fletcher Waters, in Great Bookham, Surrey.^[2] His father, the son of a coal miner and Labour Party activist, was a schoolteacher, a devout Christian, and a Communist Party member.^[3] In the early years of the Second World War, his father was a conscientious objector who drove an ambulance during the Blitz.^[3] He later changed his stance on pacifism and joined the British Army, and as an officer of the 8th Royal Fusiliers was killed at Anzio in Italy, declared missing or presumed dead on 18 February 1944,^[4] when Roger was five months old.^[5] Following her husband's death, Mary, also a teacher, moved with her two sons to Cambridge, and raised them there.^[6] His earliest memory is of the VJ Day celebrations.^[7] Mary died in 2009 at the age of 96.

Waters attended Morley Memorial Junior School in Cambridge, and later the Cambridgeshire High School for Boys (now Hills Road Sixth Form College) with Roger Barrett (later to be known as Syd),^[8] while his future musical partner, David Gilmour, lived nearby on the city's Mill Road, and attended The Perse School.^[9] At 15 Waters was chairman of the Cambridge Youth Campaign for Nuclear Disarmament (YCND),^[10] having designed its publicity poster and participated in its organisation.^[11] Though he was a keen sportsman and a highly regarded member of the high school's cricket and rugby teams,^[12] his educational experience was lacking; according to Waters, "I hated every second of it, apart from games. The regime at school was a very oppressive one ... the same kids who are susceptible to bullying by other kids are also susceptible to bullying by the teachers."^[13] Whereas Waters knew Barrett and Gilmour from his youth in Cambridge, he met future Pink Floyd founder members Nick Mason and Richard Wright in London at the Regent Street Polytechnic (later the University of Westminster) school of architecture, where he enrolled in 1962,^[1] after a series of aptitude tests indicated he was well-suited to that field, though he had initially considered a career in mechanical engineering.^[14]

Subsequent personal life[link]

In 1969, Waters married his childhood girlfriend and "girl next door"^[7] Judy Trim, a successful potter; she was shown on the gatefold sleeve of the original release of Ummagumma, but excised from subsequent CD reissues.^[15] They had no children together and were divorced in 1975.^[2] She later remarried; and died on 9 January 2001.^[16] In 1976 he married Lady Carolyne Christie,^[2] the niece of the Marquess of Zetland. His marriage to Christie produced a son, Harry Waters, a musician who has played keyboards with his father's touring band since 2006,^[17] and a daughter, the model India Waters.^[18] Through Harry, he has grandchildren.^[7] Christie and Waters were divorced in 1992.^[2] In 1993 he married Priscilla Phillips;^[19] their marriage ended in 2001. In 2004 he became engaged to actress and filmmaker Laurie Durning, and the two wed on 14 January 2012.^[20]

Pink Floyd (1965–1985)[link]

Pink Floyd portal

Formation and Barrett-led period[link]

Waters performing with Pink Floyd at Leeds University in 1970

By September 1963, Waters and Mason were losing interest in their studies^[21] and they moved into the lower flat of Stanhope Gardens, owned by Mike Leonard, a part-time tutor at the Regent Street Polytechnic.^[22] Waters, Mason and Wright first played music together in the autumn of 1963,^[23] in a group formed by vocalist Keith Noble and bassist Clive Metcalfe.^[24] The group usually called themselves Sigma 6, but they also used the name the Meggadeaths.^[11] Waters played rhythm guitar and Mason played drums, Wright played on any keyboard he could arrange to use,^[25] and Noble's sister Sheilagh provided an occasional vocal accompaniment.^[23] In the early years the band performed during private functions and rehearsed in a tearoom in the basement of Regent Street Polytechnic.^[26]

When Metcalfe and Noble left to form their own group in September 1963,^[27] the remaining members asked Barrett and guitar player Bob Klose to join.^[28] By January 1964, the group became known as the Abdabs, or the Screaming Abdabs.^[28] During the autumn of 1964, the band used the names Leonard's Lodgers, Spectrum Five, and eventually, the Tea Set.^[29] Sometime during the autumn of 1965, the Tea Set began calling itself the Pink Floyd Sound, later, the Pink Floyd, and by early 1966,^[30] Pink Floyd.^[31]

By early 1966 Barrett was Pink Floyd's front-man, guitarist, and songwriter.^[32] He wrote or co-wrote all but one track of their debut LP The Piper at the Gates of Dawn, released in August 1967.^[33] Waters contributed the song "Take Up Thy Stethoscope and Walk" (his first sole writing credit) to the album.^[34] However, by late 1967, Barrett's deteriorating mental health and increasingly erratic behaviour,^[35] rendered him "unable or unwilling"^[36] to continue in his capacity as Pink Floyd's singer-songwriter and lead guitarist.^[33] Working with Barrett eventually proved too difficult, so in early March 1968 Pink Floyd met with managers Peter Jenner and Andrew King of Blackhill Enterprises to discuss the band's future. Barrett agreed to leave Pink Floyd, and the band "agreed to Blackhill's entitlement in perpetuity" with regard to "past activities".^[37] The band's new manager Steve O'Rourke made a formal announcement about the departure of Barrett and the arrival of David Gilmour in April 1968.^[38]

Waters-led period[link]

A live performance of The Dark Side of the Moon at Earls Court, shortly after its release in 1973. (l-r) David Gilmour, Nick Mason, Dick Parry, Roger Waters.

Filling the void left by Barrett's departure in March 1968, Waters began to chart Pink Floyd's artistic direction. He became the principal songwriter, lyricist, and co-lead vocalist (along with Gilmour, and at times, Wright), and would remain the band's dominant creative figure until his departure in 1985.^[39] He wrote the lyrics to the five Pink Floyd albums preceding his own departure, starting with The Dark Side of the Moon (1973) and ending with The Final Cut (1983), while exerting progressively more creative control over the band and its music. Every Roger Waters studio album since The Dark Side of the Moon has been a concept album^[40] With lyrics written entirely by Waters, The Dark Side of the Moon was one of the most commercially successful rock albums of all time. It spent 736 straight weeks on the Billboard 200 chart until July 1988 and sold over 40 million copies worldwide. It was continuing to sell over 8,000 units every week as of 2005.^[41] According to Pink Floyd biographer Glen Povey, Dark Side is the world's second best-selling album, and the United States' 21st best-selling album of all time.^[42]

Waters produced thematic ideas that became the impetus for the Pink Floyd concept albums The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), and The Wall (1979)—written largely by Waters—and The Final Cut (1983)—written entirely by Waters.^[43] He referred or alluded to the cost of war and the loss of his father throughout his work, from "Corporal Clegg" (A Saucerful Of Secrets, 1968) and "Free Four" (Obscured By Clouds, 1972) to "Us and Them" from The Dark Side of the Moon, "When the Tigers Broke Free", first used in the feature film, The Wall (1982), later included with "The Fletcher Memorial Home" on The Final Cut, an album dedicated to his father.^[44] The theme and composition of The Wall was influenced by his upbringing in an English society depleted of men after the Second World War.^[45]

The double album The Wall was written almost entirely by Waters and is largely based on his life story,^[47] and having sold over 23 million RIAA certified units in the US as of 2010, is one of the top three best-selling albums of all-time in America, according to RIAA.^[48] Pink Floyd hired Bob Ezrin to co-produce the album, and cartoonist Gerald Scarfe to illustrate the album's sleeve art.^[49] The band embarked on The Wall Tour of LA, New York, London and Dortmund. The last band performance of The Wall was on 16 June 1981, at Earls Court London, and this was Pink Floyd's last appearance with Waters until the band's brief reunion at 2 July 2005 Live 8 concert in London's Hyde Park, 24 years later.^[50]

In March 1983, the last Waters–Gilmour–Mason collaboration, The Final Cut, was released. The album was subtitled: "A requiem for the post-war dream by Roger Waters, performed by Pink Floyd".^[51] Waters is credited with writing all the lyrics as well as all the music on the album. His lyrics to the album were critical of the Conservative Party government of the day and mention Prime Minister Margaret Thatcher by name.^[52] At the time Gilmour did not have any material for the album, so he asked Waters to delay the recording until he could write some songs, but Waters refused.^[53] According to Mason, after power struggles within the band and creative arguments about the album, Gilmour's name "disappeared" from the production credits, though he retained his pay.^[54] Rolling Stone magazine gave the album five stars, with Kurt Loder calling it "a superlative achievement"^[55] and "art rock's crowning masterpiece".^[56] Loder viewed the work as "essentially a Roger Waters solo album".^[57]

Amidst creative differences within the group, Waters left Pink Floyd in 1985, and began a legal battle with the remaining band members regarding their continued use of the name and material.^[58] In December 1985 Waters "issued a statement to EMI and CBS invoking the 'Leaving Member' clause" on his contract. In October 1986, he initiated High Court proceedings to formally dissolve the Pink Floyd partnership. In his submission to the High Court he called Pink Floyd a "spent force creatively".^[59] Gilmour and Mason opposed the application and announced their intention to continue as Pink Floyd. Waters claims to have been forced to resign much like Wright some years earlier, and he decided to leave Pink Floyd based on legal considerations, stating " ... because, if I hadn't, the financial repercussions would have wiped me out completely."^[60] In December 1987, an agreement between Waters and Pink Floyd was reached.^[58] According to Mason:

Waters was released from his contractual obligation with O'Rourke, and he retained the copyrights to The Wall concept and his trademarked inflatable pig.^[62] The Gilmour-led Pink Floyd released two studio albums: A Momentary Lapse of Reason (1987), and The Division Bell (1994). As of 2006, it is estimated that Pink Floyd have sold over 200 million albums worldwide,^[63] including 74.5 million RIAA certified units sold in the US.^[64]

Solo career (1984 on)[link]

1984–1996[link]

Waters performing The Wall – Live in Berlin, Germany, on 21 July 1990

The Wall – Live in Berlin, 21 July 1990

Following the release of The Final Cut, Waters embarked on a solo career that produced three concept albums and a movie soundtrack. In 1984, he released his first solo album, The Pros and Cons of Hitch Hiking, a project about a man's dreams across one night that dealt with Waters' feelings about his failed marriage to Judy Trim, sex, and the pros and cons of monogamy and family life versus "the call of the wild".^[65] In the end the character, Reg, chooses love and matrimony over promiscuity. The album featured guitarist Eric Clapton, jazz saxophonist David Sanborn, and artwork by Scarfe.^[65] Rolling Stone's Kurt Loder described The Pros And Cons of Hitch Hiking as a "strangely static, faintly hideous record",^[66] Rolling Stone rated the album a "rock bottom" one star."^[65] Years later, Mike DeGagne of Allmusic praised the album for its, "ingenious symbolism" and "brilliant use of stream of consciousness within a subconscious realm", rating it four out of five stars.^[67] Waters began touring the new album aided by Clapton, a new band, new material, and a selection of Pink Floyd favourites. Waters débuted his tour in Stockholm on 16 June 1984. Poor ticket sales plagued the tour,^[68] and some of the larger venues had to be cancelled. By his own estimate, he lost £400,000 on the tour.^[69] In March 1985, Waters went to North America to play smaller venues with the Pros and Cons Plus Some Old Pink Floyd Stuff — North America Tour 1985. The Pros and Cons of Hitch Hiking has been certified Gold by the RIAA.^[70]

In 1986, Waters contributed songs and a score to the soundtrack of the animated movie When the Wind Blows, based on the Raymond Briggs book of the same name. His backing band featuring Paul Carrack was credited as The Bleeding Heart Band.^[71] In 1987, Waters released Radio K.A.O.S., a concept album based on a mute man named Billy from an impoverished Welsh mining town who has the ability to physically tune into radio waves in his head. Billy first learns to communicate with a radio DJ, and eventually to control the world's computers. Angry at the state of the world in which he lives, he simulates a nuclear attack. Waters followed the release with a supporting tour also in 1987.^[72]

In November 1989, the Berlin Wall fell, and in July 1990 Waters staged one of the largest and most elaborate rock concerts in history,^[73] The Wall – Live in Berlin, on the vacant terrain between Potsdamer Platz and the Brandenburg Gate. The show reported an official attendance of 200,000, though some estimates are as much as twice that, with approximately one billion television viewers.^[74] Leonard Cheshire asked him to do the concert to raise funds for charity. Waters' group of musicians included Joni Mitchell, Van Morrison, Cyndi Lauper, Bryan Adams, Scorpions, and Sinéad O'Connor. Waters also used an East German symphony orchestra and choir, a Soviet marching band, and a pair of helicopters from the US 7th Airborne Command and Control Squadron. Designed by Mark Fisher, the Wall was 25 metres tall and 170 metres long and was built across the set. Scarfe's inflatable puppets were recreated on an enlarged scale, and although many rock icons received invitations to the show, Gilmour, Mason, and Wright, did not.^[75] Waters released a concert double album of the performance which has been certified platinum by RIAA.^[70]

In 1990, Waters hired manager Mark Fenwick and left EMI for a worldwide deal with Columbia. He released his third studio album, Amused to Death, in 1992. The record is heavily influenced by the events of the Tiananmen Square protests of 1989 and the Gulf War, and a critique of the notion of war becoming the subject of entertainment, particularly on television. The title was derived from the book Amusing Ourselves to Death by Neil Postman. Patrick Leonard, who had also worked on A Momentary Lapse of Reason, co-produced the album. Jeff Beck played lead guitar on many of the album's tracks, which were recorded with an impressive cast of musicians at ten different recording studios.^[76] It is Waters' most critically acclaimed solo recording, garnering some comparison to his previous work with Pink Floyd.^[77] Waters described the record as a, "stunning piece of work", ranking the album with Dark Side Of The Moon and The Wall as one of the best of his career.^[78] The album had one hit, the song "What God Wants, Pt. 1", which reached number 35 in the UK in September 1992 and number 5 on Billboard's Mainstream Rock Tracks chart in the US.^[79] Amused to Death was certified Silver by the British Phonographic Industry.^[80] Sales of Amused to Death topped out at around one million and there was no tour in support of the album. Waters would first perform material from it seven years later during his In the Flesh tour.^[81] In 1996, Waters was inducted into the US and UK Rock and Roll Hall of Fame as a member of Pink Floyd.^[82]

1999–2004[link]

In 1999, after a nearly 12-year hiatus from touring, and a 7-year absence from the music industry, Waters embarked on the In the Flesh Tour, performing both solo and Pink Floyd material. The tour was a financial success in the US and though Waters had booked mostly smaller venues, tickets sold so well that many of the concerts were upgraded to larger ones.^[83] The tour eventually stretched across the world and would span three years. A concert film was released on CD and DVD, named In the Flesh Live. During the tour, he played two new songs "Flickering Flame" and "Each Small Candle" as the final encore to many of the shows. In June 2002, he completed the tour with a performance in front of 70,000 people at the Glastonbury Festival of Performing Arts, playing 15 Pink Floyd songs and five songs from his solo catalogue.^[83]

Miramax announced in mid-2004 that a production of The Wall was to appear on Broadway with Waters playing a prominent role in the creative direction. Reports stated that the musical contained not only the original tracks from The Wall, but also songs from Dark Side of the Moon, Wish You Were Here and other Pink Floyd albums, as well as new material.^[84] On the night of 1 May 2004, recorded extracts from the opera, including its overture, were played on the occasion of the Welcome Europe celebrations in the accession country of Malta. Gert Hof mixed recorded excerpts from the opera into a continuous piece of music which was played as an accompaniment to a large light and fireworks display over Grand Harbour in Valletta.^[85] In July 2004, Waters released two new tracks on the Internet: "To Kill the Child", inspired by the 2003 invasion of Iraq, and "Leaving Beirut", "inspired by his travels in the Middle East as a teenager".^[86] The lyrics to "Leaving Beirut" are highly critical of former US President George W. Bush and British Prime Minister Tony Blair.

2005–present[link]

Waters (far right) performing with Pink Floyd at Live 8, 2 July 2005

Waters playing "In the Flesh" on his Dark Side of the Moon Tour at Viking Stadion, Stavanger, 26 June 2006

In July 2005, Waters reunited with Mason, Wright, and Gilmour for what would be their final performance together at the 2005 Live 8 concert in London's Hyde Park, Pink Floyd's only appearance with Waters since their final performance of The Wall at Earls Court London 24 years earlier.^[87] They played a 23-minute set consisting of "Speak to Me/Breathe"/"Breathe (Reprise)", "Money", "Wish You Were Here", and "Comfortably Numb". Waters told the Associated Press that while the experience of playing with Pink Floyd again was positive, the chances of a bona fide reunion would be "slight" considering his and Gilmour's continuing musical and ideological differences.^[88] Though Waters had differing ideas about which songs they should play, he "agreed to roll over for one night only",^[89] Gilmour told the Associated Press, "The rehearsals convinced me it wasn't something I wanted to be doing a lot of. There have been all sorts of farewell moments in people's lives and careers which they have then rescinded, but I think I can fairly categorically say that there won't be a tour or an album again that I take part in. It isn't to do with animosity or anything like that. It's just that ... I've been there, I've done it."^[90] In November 2005, Pink Floyd were inducted into the UK Music Hall of Fame by Pete Townshend of The Who.^[91]

In September 2005, he released Ça Ira (pronounced [sa iˈʁa], French for "it will be fine"; Waters added the subtitle, "There is Hope"), an opera in three acts translated from the late Étienne Roda-Gil's French libretto based on the historical subject of the French Revolution.^[92] Ça Ira was released as a double CD album, featuring baritone Bryn Terfel, soprano Ying Huang and tenor Paul Groves.^[93] Set during the early French Revolution, the original libretto was co-written in French by Roda-Gil and his wife Nadine Delahaye. Waters had begun rewriting the libretto in English in 1989,^[94] and said about the composition: "I've always been a big fan of Beethoven's choral music, Berlioz and Borodin ... This is unashamedly romantic and resides in that early 19th-century tradition, because that's where my tastes lie in classical and choral music."^[95] Waters appeared on television to discuss the opera, but the interviews often focused instead on his relationship with Pink Floyd, something Waters would "take in stride", a sign Pink Floyd biographer Mark Blake believes to be, "a testament to his mellower old age or twenty years of dedicated psychotherapy".^[95] Ça Ira reached number 5 on the Billboard Classical Music Chart in the United States.^[96]

In June 2006, he commenced The Dark Side of the Moon Live tour, a two-year, world-spanning effort that began in Europe in June and North America in September. The first half of the show featured both Pink Floyd songs and Waters' solo material, while the second half included a complete live performance of the 1973 Pink Floyd album The Dark Side of the Moon, the first time in over three decades that Waters had performed the album. The shows ended with an encore from the third side of The Wall. He utilised elaborate staging by concert lighting designer Marc Brickman complete with laser lights, fog machines, flame throwers, psychedelic projections, and inflatable floating puppets (Spaceman and Pig) controlled by a "handler" dressed as a butcher, and a full 360-degree quadraphonic sound system was used. Nick Mason joined Waters for The Dark Side of the Moon set and the encores on select 2006 tour dates.^[97] Waters continued touring in January 2007 in Australia and New Zealand, then Asia, Europe, South America, and back to North America in June.

In March 2007, the Waters song, "Hello (I Love You)" was featured in the science fiction film The Last Mimzy. The song plays over the film's end credits. He released it as a single, on CD and via download, and described it as, "a song that captures the themes of the movie, the clash between humanity's best and worst instincts, and how a child's innocence can win the day".^[98] He performed at California's Coachella Festival in April 2008 and was to be among the headlining artists performing at Live Earth 2008 in Mumbai, India in December 2008,^[99] but that concert was cancelled in light of the 26 November terrorist attacks in Mumbai.^[100]

Roger Waters in Barcelona, during The Wall Live in 2011

He confirmed the possibility of an upcoming solo album which "might be called" Heartland, and has said he has numerous songs written (some already recorded) that he intends to release when they are a complete album.^[101] In June 2010, Waters released a cover of "We Shall Overcome", a protest song derived from the refrain of a gospel hymn published by Charles Albert Tindley in 1901. He performed with David Gilmour at the Hoping Foundation Benefit Evening in July 2010.^[102] The four-song set included: "To Know Him Is to Love Him", which was played in early Pink Floyd sound checks, followed by "Wish You Were Here", "Comfortably Numb", and "Another Brick in the Wall (Part Two)".^[103]

In September 2010, he commenced The Wall Live tour, an updated version of the original Pink Floyd shows, featuring a complete performance of The Wall.^[104] According to Cole Moreton of the Daily Mail, "The touring version of Pink Floyd's The Wall is one of the most ambitious and complex rock shows ever ...",^[105] and it is estimated that the tour cost £37 million to stage.^[105] Waters told the Associated Press that The Wall Tour will likely be his last, stating: "I'm not as young as I used to be. I'm not like B.B. King, or Muddy Waters. I'm not a great vocalist or a great instrumentalist or whatever, but I still have the fire in my belly, and I have something to say. I have a swan song in me and I think this will probably be it."^[106] At the O2 Arena in London on 12 May 2011, Gilmour and Mason once again appeared with Waters and Gilmour performing "Comfortably Numb", and Gilmour and Mason joining Waters for "Outside the Wall".^[107]

Activism[link]

After the 2004 Indian Ocean Earthquake and subsequent tsunami disaster, Waters performed "Wish You Were Here" with Eric Clapton during a benefit concert on the American network NBC.^[108] He was outspoken against the Hunting Act of 2004, and performed a concert for, and attended marches supporting, the Countryside Alliance. Waters explained:

I've become disenchanted with the political and philosophical atmosphere in England. The anti-hunting bill was enough for me to leave England. I did what I could, I did a concert and one or two articles, but it made me feel ashamed to be English. I was in Hyde Park for both the Countryside Alliance marches. There were hundreds of thousands of us there. Good, honest English people. That's one of the most divisive pieces of legislation we've ever had in Great Britain. It's not a case of whether or not I agree with fox hunting, but I will defend to the hilt their right to take part in it.^[86]

Waters performing "Comfortably Numb" during The Wall Live in Kansas City, 30 October 2010

In October 2005, he clarified: "I come back to the UK quite often. I didn't leave as a protest against the hunting ban; I was following a child in the wake of a divorce."^[109] After leaving Britain, he moved to Long Island in New York with his fiancé Laurie Durning.^[110] In July 2007, he played on the American leg of the Live Earth concert, an international multi-venue concert aimed at raising awareness about global climate change, featuring the Trenton Youth Choir and his trademarked inflatable pig. Waters told David Fricke why he thinks The Wall is still relevant today:

The loss of a father is the central prop on which [The Wall] stands. As the years go by, children lose their fathers again and again, for nothing. You see it now with all these fathers, good men and true, who lost their lives and limbs in Iraq for no reason at all. I've done Bring The Boys Back Home in my encore on recent tours. It feels more relevant and poignant to be singing that song now than it did in 1979.^[111]

In 2007, Waters became a spokesman for Millennium Promise, a non-profit organisation that helps fight extreme poverty and malaria. He wrote an opinion piece for CNN in support of the topic.^[112] Waters has been outspoken about Middle Eastern politics and in June 2009, he openly opposed the Israeli separation barrier, calling it an "obscenity" that "should be torn down".^[113] In December 2009, Waters pledged his support to the Gaza Freedom March^[114] and in March 2011, he announced that he had joined the Boycott, Divestment and Sanctions (BDS) movement against Israel.^[115]

Equipment and instruments[link]

Waters' primary instrument in Pink Floyd was the electric bass guitar. He briefly played a Höfner bass but replaced it with a Rickenbacker RM-1999/4001S,^[28] until 1970 when it was stolen along with the rest of the band's equipment in New Orleans. He began using Fender Precision Basses in 1968, originally alongside the Rickenbacker, and then exclusively after the Rickenbacker was lost in 1970. First seen at a concert in Hyde Park, London in July 1970, the black P-Bass was rarely used until April 1972 when it became his main stage guitar and as of 2 October 2010, the basis for a Fender Artist Signature model.^[116] Waters endorses RotoSound Jazz Bass 77 flat-wound strings.^[117] Throughout his career he has used Selmer, WEM, Hiwatt and Ashdown amplifiers but has recently settled on using Ampeg for the last few major tours, also employing delay, tremolo, chorus, stereo panning and phaser effects in his bass playing.^[118]

Waters experimented with the EMS Synthi A and VCS 3 synthesisers on Pink Floyd pieces such as "On the Run",^[119] "Welcome to the Machine",^[120] and "In the Flesh?"^[121] He played electric and acoustic guitar on Pink Floyd tracks using Fender, Martin, Ovation and Washburn guitars.^[118] He played electric guitar on the Pink Floyd song "Sheep", from Animals,^[122] and acoustic guitar on several Pink Floyd recordings, such as "Pigs on the Wing 1 & 2", also from Animals,^[123] "Southampton Dock" from The Final Cut,^[124] and on "Mother" from The Wall.^[125] A Binson Echorec 2 echo effect was used on his bass-guitar lead track "One of These Days".^[126] Waters has also played clarinet and trumpet during concert performances of "Outside the Wall".^[127]

Discography[link]

• Music from The Body (with Ron Geesin) (1970)
• The Pros and Cons of Hitch Hiking (1984)
• When the Wind Blows (various artists soundtrack) (1986)
• Radio K.A.O.S. (1987)
• The Wall – Live in Berlin (1990)
• Amused to Death (1992)
• In the Flesh – Live (2000)
• Flickering Flame: The Solo Years Volume 1 (2002)
• Ça Ira (2005)

Citations[link]

Sources[link]

Further reading[link]

External links[link]

Wikiquote has a collection of quotations related to: Roger Waters

Media related to Roger Waters at Wikimedia Commons

• Roger Waters Official website
• Roger Waters Facebook page to support The Wall live tour 2010–2012
• Roger Waters Tour and Tickets 2012
• Roger Waters Blog
• Roger Waters companies grouped at OpenCorporates

Bat for Lashes
Bat for Lashes performing at the PLUG Awards in New York City on 6 March 2008
Background information
Birth name	Natasha Khan
Born	(1979-10-25) 25 October 1979 (age 32) London, England
Genres	Indie pop, folktronica, dream pop, baroque pop, Synthpop
Occupations	Singer-songwriter, musician
Instruments	Vocals, piano, bass, guitar, synthesiser, harpsichord, autoharp, percussion, xylophone[1]
Years active	2006–present
Labels	She Bear, Echo, Parlophone, Manimal Vinyl, Caroline, Astralwerks
Associated acts	New Young Pony Club
Website	www.batforlashes.com

Natasha Khan (born 25 October 1979), better known by her stage name Bat for Lashes, is an English singer-songwriter and musician. She sings and plays the piano, bass, guitar, harpsichord and the autoharp.

Khan's debut album, Fur and Gold, released in 2006, peaked at number forty-eight on the UK Albums Chart and was shortlisted for the 2007 Mercury Prize. In 2008, Khan received two BRIT Award nominations for Best Breakthrough Artist and Best Female Solo Artist.

Khan's second album, Two Suns, released in 2009, reached number five on the UK Album Chart and number seventeen on the Irish Album Chart. It produced her first UK top forty single, "Daniel", and was shortlisted for the 2009 Mercury Prize. Khan was nominated for Best Female Solo Artist at 2010 BRIT Awards.

History[link]

Early life[link]

Khan was born in London on 25 October 1979.^[2] Until the age of five she was raised in Wembley where her parents had met and married several years before. She was born to a Pakistani father, Rehmat Khan (a former professional squash player from Peshawar) and to an English mother. Her father decided to relocate the family to the commuter town of Rickmansworth in Hertfordshire to help with his coaching of future squash world open winner Jahangir Khan, Natasha's cousin.^[3]

As a child Khan, along with her sister Suraya and brother Tariq, attended her uncle's squash matches. In an interview with The Daily Telegraph, Khan reflected that seeing her uncle helped inspire her. "The roar of the crowd is intense; it is ceremonial, ritualistic, I feel like the banner got passed to me but I carried it on in a creative way. It is a similar thing, the need to thrive on heightened communal experience." With her father's abandonment of the family Khan turned to the piano. Deciding to play improvised pieces instead of attending lessons, Khan felt the piano became an outlet for her emotions. "You need to find a channel to express things, to get them out", she said.^[3]

During her teens Khan was also a victim of racism. Speaking about her time in after-school clubs she claimed "the kids there totally ripped me to shreds." This rejection led Khan to rebel, making the decision to "bunk off" school and stay at home listening to music. "My mum would take me to the train station and I pretended to get the train; she'd drive to work and I would go home and play a tape of Nirvana all day".^[3] With the completion of her GCSEs and A-Levels she decided to embark on a road trip through America with her boyfriend at the time, using the money earned from her part time job at a local card-making factory.^[3]

After spending three months touring through the US and Mexico, Khan returned to the UK and settled in Brighton to study a degree in music and visual arts at the University of Brighton.^[3][4][5] While at university her experimental work was influenced by artists such as Steve Reich and Susan Hiller, and she produced multi-media work centred on sound installations, animations and performance.

[edit] 2006–08: Fur and Gold

Following graduation, Khan worked as a nursery school teacher, and it was during this period that she began writing the material for her first album.

Khan playing New York City's Bowery Ballroom in support of Fur and Gold

Khan's debut single, "The Wizard", was released digitally through Drowned in Sound records and on seven-inch vinyl through Khan's own imprint, She Bear Records. She then signed to the record label Echo, alongside Feeder and former Moloko singer Róisín Murphy, and released her debut album, Fur and Gold, in September 2006. In 2007, Bat for Lashes parted company with Echo and signed to Parlophone Records, which re-released Fur and Gold with the addition of bonus material. A limited vinyl version was released by Los Angeles indie label Manimal Vinyl in May 2007. Fur and Gold reached number forty-eight on the UK Albums Chart and has since been certified Silver by the BPI for sales exceeding 60,000 copies. In 2007, Khan appeared at the Glastonbury Festival and toured the United States.^[6]

Critics likened Khan's music to the work of Siouxsie Sioux,^[7] Björk, Kate Bush, Cat Power, PJ Harvey, Annie Lennox, Tori Amos and Fiona Apple.^[8] Both her albums were described by MTV Iggy as "at once haunting and way danceable."^[9] Fur and Gold was one of the albums nominated for the 2007 Mercury Prize, losing out to Klaxons' Myths of the Near Future despite being a favourite of British media to win the award.^[10] Also in 2007, the American Society of Composers, Authors and Publishers (ASCAP) awarded her with the ASCAP Vanguard Award and chose her to perform at their "ASCAP Presents..." showcase at South by Southwest in Austin, Texas. In 2008, Khan was nominated for British Breakthrough Act and British Female Solo Artist at the BRIT Awards.

Radiohead's 2008 tour featured several shows with Bat for Lashes as their opening act. Her version of the The Cure's "A Forest" appeared on a charity album called Perfect as Cats on Manimal Vinyl in late 2008.

[edit] 2009: Two Suns

Khan's second album, Two Suns, was released in April 2009 and produced by Natasha Khan and David Kosten.^[11] In preparation for the album, Khan journeyed to the Joshua Tree Desert in California to gain inspiration, before returning to New York and London to write and record the finished material for release.^[11]

A concept album,^[12] Two Suns focuses on Khan's desert-born alter ego Pearl, whose personality she adopted while staying in New York to gain a better understanding of the character. She revealed to the BBC's Newsbeat, "I really just did it as an experiment of dressing up myself with quite garish extreme feminine make-up. I wanted to photograph myself in that situation and just see what it made me feel.”^[13] Khan believed that living in Brooklyn when bands such as TV on the Radio, MGMT and Gang Gang Dance were emerging on the music scene had an influence on the album's musical style. In an interview with MTV she said, "I experienced that whole thing coming out, in terms of beats and like going out dancing and checking out all this new music it was really inspiring."^[12] During the album's production, she also collaborated with Brooklyn artist Yeasayer for the bass and beat programming.^[11]

Two Suns debuted at number five on the UK Albums Chart,^[14] and has been certified Gold by the BPI for sales of 100,000 copies. The first single from the album, "Daniel", became Khan's first hit, peaking at number thirty-six on the UK Singles Chart;^[15] it later won the Ivor Novello Award for Best Contemporary Song and was nominated for the MTV Video Music Award for Breakthrough Video of the Year. The following singles were "Pearl's Dream" and a double A-side of "Sleep Alone" and "Moon and Moon", the latter of which was featured in a high profile advertising campaign for children's charity Barnardo's in late 2009.^[16]

Bat for Lashes at the Primavera Sound 2009

Critical response to the album was generally favourable, generating a score of 77 on the review aggregator Metacritic.^[17] In their review for Two Suns NME awarded it 8 out of 10 describing the album as "epic in scope and ambition and requires a similarly epic patience to unravel its charms."^[18] Rolling Stone also rated it favourably stating, "Khan proves she's a powerhouse under her billowy sleeves. She could be the next Kate Bush."^[19] However some critics such as Popmatters found problems, reviewing the album they claimed, "While the weaker songs are definitely not throwaways, they miss the mark in more than one way."^[20] Blender magazine also felt the album was average, awarding it 3 out 5 stars, claiming "The contrast between Pearl and Natasha isn't always crisply drawn".^[21] As with Fur and Gold, Khan was nominated for the Mercury Prize for Two Suns.^[22] In 2010, she won Best Alternative Act at the UK Asian Music Awards and received a second BRIT Award nomination for British Female Solo Artist.

As part of the 2009 summer festival season, Khan played at Glastonbury, Somerset House and the iTunes Festival. In September 2009, a special edition of Two Suns was released in the United Kingdom ahead of Khan's October tour. The special edition, which includes a cover version of Kings of Leon's single "Use Somebody", was released simultaneously in the United States. Later in 2009, the cover artwork for Two Suns was nominated for Best Art Vinyl.^[23]