"Quarters of the news editor", one a group of four photos in the brochure Seattle and the Orient (1900) collectively captioned "The Seattle Daily Times—Editorial Department"

Editing is the process of selecting and preparing written, visual, audible, and film media used to convey information through the processes of correction, condensation, organization, and other modifications performed with an intention of producing a correct, consistent, accurate, and complete work.^[1]

The editing process often begins with the author's idea for the work itself, continuing as a collaboration between the author and the editor as the work is created. As such, editing is a practice that includes creative skills, human relations, and a precise set of methods.^[2][3]

Print media[link]

There are various editorial positions in publishing. Typically, one finds editorial assistants reporting to the senior-level editorial staff and directors who report to senior executive editors. Senior executive editors are responsible for developing a product to its final release. The smaller the publication, the more these roles overlap.

The title of the top editor at many publications may be known as the editor in chief, executive editor, or simply the editor. A frequent and esteemed contributor to a magazine may acquire a title of editor at-large or contributing editor. Mid-level newspaper editors often manage or help manage sections, such as business, sports and features. In U.S. newspapers, the level below the top editor is usually the managing editor.

In the book publishing industry, editors may organize anthologies and other compilations, produce definitive editions of a classic author's works (scholarly editor), and organize and manage contributions to a multiauthor book (symposium editor or volume editor). Obtaining manuscripts or recruiting authors is the role of an Acquisitions Editor or a commissioning editor for a publishing house.^[4] Finding marketable ideas and presenting them to appropriate authors are the responsibility of a sponsoring editor.

Copy editors correct spelling, grammar, and align writings to house style. Changes to the publishing industry since the 1980s have resulted in nearly all copy editing of book manuscripts being outsourced to freelance copy editors.^[4]

At newspapers and wire services, copy editors write headlines and work on more substantive issues, such as ensuring accuracy, fairness, and taste. In some positions, they design pages and select news stories for inclusion. At U.K. and Australian newspapers, the term is sub-editor. They may choose the layout of the publication and communicate with the printer—a production editor. These editors may have the title of layout or design editor or (more so in the past) makeup editor.

Executive editor[link]

The top editor sometimes has the title executive editor or editor-in-chief. This person is generally responsible for the content of the publication. An exception is large newspapers, who usually have a separate editor for the editorials and opinion pages to separate news reporting and editorial content.

The executive editor sets the publication standards for performance, and motivates and develops the staff. The executive editor is also responsible for developing and maintaining the publication budget. In concert with the publisher and the operating committee, the Executive Editor is responsible for strategic and operational planning. The Executive Editor is effectively the head of the newspaper and has considerable influence on its content.

Periodicals[link]

Editors at newspapers supervise journalists and improve their work. Newspaper editing encompasses a variety of titles and functions. These include:

• Chief or supervising editors, who may be called editor in chief, executive editor, or sometimes just editor
• Managing editors and assistant or deputy managing editors (the managing editor is often second in line after the top editor)
• News editors, who oversee the news desks
• Editorial page editor who oversees the coverage on the editorial page. This editor often sits on the editorial board and assigns writing of editorials. The editorial page editor may also oversee letters to the editor or to the op-ed page. Alternately, these duties are assigned to separate letters or op-ed editors.
• Department or section editors and their assistants, such as for business, features, and sports
• Photo or picture editors
• Copy editors
• Readers' editors or public editors, sometimes known as the ombudsman, who field complaints from readers and respond to them
• Wire editors, who choose and edit articles from various international wire services, and are usually part of the copy desk

The term city editor is used differently in North America and South America, where it refers to the editor responsible for the news coverage of a newspaper's local circulation area (also sometimes called metro editor), than in the United Kingdom, where it refers to the editor responsible for coverage of business in the City of London and, by extension, coverage of business and finance in general.^[5][6]

Scholarly books and journals[link]

Editors of scholarly books and journals are of three types, each with particular responsibilities: the acquisitions editor (or commissioning editor in Britain), who contracts with the author to produce the copy, the project editor or production editor, who sees the copy through its stages from manuscript through bound book and usually assumes most of the budget and schedule responsibilities, and the copy editor or manuscript editor, who performs the tasks of readying the copy for conversion into printed form.

The primary difference between copy editing scholarly books and journals and other sorts of copy editing lies in applying the standards of the publisher to the copy. Most scholarly publishers have a preferred style guide, usually a combination of Merriam-Webster's Collegiate Dictionary and: (a) either the Chicago Manual of Style, the MLA Style Manual, or the APA Publication Manual in the US; or (b) the New Hart's Rules in the UK. The New Hart's Rules are based the "Hart's Rules for Compositors and Readers" published by Oxford University Press in 1893. Since scholars often have strong preferences, very often a publisher will adopt different styles for different fields. For instance, psychologists prefer the APA style, while linguists might prefer the MLA style. These guidelines offer sound advice on making cited sources complete and correct and making the presentation scholarly.

Technical editing[link]

Technical editing involves reviewing text written on a technical topic, and identifying usage errors and ensuring adherence to a style guide.

Technical editing may include the correction of grammatical mistakes, misspellings, mistyping, incorrect punctuation, inconsistencies in usages, poorly structured sentences, wrong scientific terms, wrong units and dimensions, inconsistency in significant figures, technical ambivalence, technical disambiguation, correction of statements conflicting with general scientific knowledge, correction of synopsis, content, index, headings and subheadings, correcting data and chart presentation in a research paper or report, and correcting errors in citations.

In large companies, experienced writers are dedicated to the technical editing function. In organizations that cannot afford dedicated editors, experienced writers typically peer-edit text produced by their less experienced colleagues.

It helps if the technical editor is familiar with the subject being edited, but that is not always essential. The "technical" knowledge that an editor gains over time while working on a particular product or technology does give the editor an edge over another who has just started editing content related to that product or technology. But essential general skills are attention to detail, the ability to sustain focus while working through lengthy pieces of text on complex topics, tact in dealing with writers, and excellent communication skills.

Business editing[link]

Businesses and nonprofit organizations often use editors, who may be employees, individual contractors, or contractors from a specialized copywriting agency. Working with writers inside or outside the business, such editors provide services such as proofreading, copy editing, line editing, developmental editing, editing for search engine optimization (SEO), etc.

References[link]

See also[link]

• Editor (disambiguation)
• Audio editing
• Film editing
• Society for Editors and Proofreaders (in the UK)
• Video editing

Further reading[link]

• Stephen, Leslie (1898). "The Evolution of Editors" (in English). Studies of a Biographer. 1. London: Duckworth and Co.. pp. 37-73. //en.wikisource.org/wiki/Studies_of_a_Biographer/The_Evolution_of_Editors. 

External links[link]

Look up editing in Wiktionary, the free dictionary.

• American Copy Editors Society
• Blake Morrison "Black day for the blue pencil" The Guardian, 6 August 2005
• Editorial Freelancers Association (USA)
• Society for Editors and Proofreaders (UK)
• Technical Editing special interest group (SIG) of the Society for Technical Communication (STC)
• Writer Beware of Independent Editors and Manuscript Assessment Services Science Fiction and Fantasy Writers of America, 22 July 2010

Alan Rusbridger
Alan Rusbridger in 2007
Born	(1953-12-29) 29 December 1953 (age 58) Northern Rhodesia
Occupation	Editor
Notable credit(s)	Editor of The Guardian Deputy Editor of The Guardian
Salary	£455,000 (total renumeration)[1]
Children	2 daughters

Alan Charles Rusbridger (born 29 December 1953, Northern Rhodesia, now Zambia) is the editor of the British newspaper The Guardian. He has also been a reporter and a columnist.

Life and career[link]

Early life[link]

Rusbridger was born in Northern Rhodesia, the son of B.E. (née Wickham) and G.H. Rusbridger, the Director of Education of Northern Rhodesia (now Zambia). He was educated at Cranleigh School, a boys' independent school in Cranleigh, Surrey, and at Magdalene College, Cambridge, where he read English.

Career[link]

His first post in journalism was with the Cambridge Evening News. He joined The Guardian as a reporter in 1979 and subsequently wrote the paper's diary column and was a feature writer. He left to become The Observer's TV critic before moving to America to be the Washington editor of the London Daily News. On returning to The Guardian in 1987 he launched the "Weekend" supplement and the paper's "G2" section. As editor from 1995, he oversaw the launch and development of the Guardian Unlimited website. He defended the paper against a number of high-profile defamation suits, including from the Police Federation and the Conservative MPs, Neil Hamilton and Jonathan Aitken. In late 2005 The Guardian responded to the tabloid re-launches of The Times and The Independent by moving from a broadsheet format to the "Berliner" format, common in the rest of Europe.

He is a member of the board of Guardian News and Media, of the main board of the Guardian Media Group and of the Scott Trust, which owns The Guardian and The Observer, of which he is executive editor. Rusbridger received £471,000 in pay and benefits in 2008/9.^[2]

He has written three children's books as well as being the co-author (with Ronan Bennett) of a BBC drama, Fields of Gold.

Other activities[link]

He is visiting Fellow of Nuffield College, Oxford, and Visiting Professor of History at Queen Mary, University of London. Since 2004 he has been Chairman of the National Youth Orchestra of Great Britain. He is a governor of the Ditchley Foundation,^[3] an organisation which exists to promote international relations.

Rusbridger supports 10:10, a British climate change campaign for a 10% reduction in carbon emissions in 2010.

Personal life and honours[link]

In 1982, he married the educationalist Lindsay Mackie, who was educated at the private St Leonards School, in Islington. She helped found FILMCLUB. They have two daughters (born 1983 and May 1986), one of whom was briefly educated at the independent St Paul's Girls' School in London. In 2009 it was reported that one of his daughters, Isabella, had been working at The Guardian, but had been using her mother's surname as a nom de plume to avoid suspicion of having obtained the job through nepotism.^[4] His wife is good friends with Tessa Jowell, whom she knew at the University of Edinburgh, and he is good friends with her estranged husband, David Mills. They both own cottages near the same Gloucestershire village.^[5] He is Chairman of the National Youth Orchestra of Great Britain.^[6]

Rusbridger received an Honorary Doctorate of Letters from the University of Lincoln in September 2009^[7] and from the University of Kingston in January 2010.^[8]

In 2010 he was chosen to deliver the annual Andrew Olle Media Lecture in Australia.

Bibliography[link]

• The Guardian Year (1994) edited by Alan Rusbridger ISBN 1-85702-265-3
• The Coldest Day in the Zoo (2004) ISBN 0-14-131745-0
• The Wildest Day at the Zoo (2005) ISBN 0-14-131933-X
• The Smelliest Day at the Zoo (2007) ISBN 0-14-132068-0

References[link]

External links[link]

• Profile and column archive at The Guardian
• Alan Rusbridger on twitter
• Article archive at Journalisted
• Appearances on C-SPAN
• Alan Rusbridger on Charlie Rose
• Works by or about Alan Rusbridger in libraries (WorldCat catalog)
• Alan Rusbridger at the Notable Names Database
• Alan Rusbridger at Puffin Books

Articles

• Embracing Change, Frances Stead Sellers, American Journalism Review, October–November 2006
• What happened when the Guardian editor met Piers Morgan, The Independent, 2 April 2007
• Ombudsmen in the digital future, Alan Rusbridger, Organization of News Ombudsmen, 21 May 2007
• A Chill on 'The Guardian', Alan Rusbridger, The New York Review of Books, 15 January 2009
• The Ben Bradlee of Phone Hacking , Dylan Byers, Adweek, 14 July 2011

Melanie Phillips (born 4 June 1951) is a British journalist and author. She started on the left of the political spectrum, writing for The Guardian and New Statesman. In the 1990s she moved to the right, and she currently writes for the Daily Mail, covering political and social issues from a conservative perspective. She defines herself as a liberal who has "been mugged by reality".^[1]

Phillips has often appeared as a panelist on the BBC Radio 4 programme The Moral Maze and BBC One's Question Time. She has written a number of books, including most recently World Turned Upside Down. She was awarded the Orwell Prize for Journalism in 1996, while working at The Observer.^[2]

Early life[link]

Phillips' family was Jewish. Her father was a dress salesman and her mother ran a children's clothes shop. Both parents were committed Labour voters.^[1] She was educated at Putney High School, a girls' independent school in Putney, London, and later read English at St Anne's College, Oxford.

Career[link]

Phillips trained as a journalist on the Evening Echo, a local newspaper in Hemel Hempstead,^[1] as her probationary period in the provinces, then compulsory for the profession. After winning the Young Journalist of the Year award in 1976,^[1] she spent a short period at the New Society magazine, before joining The Guardian newspaper in 1977 and becoming its social services correspondent and social policy leader writer.

She was named in 1984^[1] the paper's news editor, and was reported to have fainted on her first day.^[3] She started her own opinion column in 1987. As a writer for The Guardian in 1982 she defended the Labour Party at the time of the split with the Social Democratic Party. While working for The Guardian, Phillips wrote a play called "Traitors" which was performed at The Drill Hall from January 1986. The play was set at the time of the 1982 Lebanon War and centred around the moral dilemmas of a Jewish journalist who as political editor of a liberal magazine has to decide whether to veto an article written in anti-semitic tones, and also whether she is right to publish a leaked document about the Falklands War. The play was reviewed by John Peter in The Sunday Times as "a play of blistering intelligence and fearless moral questioning", although he considered it bordering on implausible.^[4]

Phillips left The Guardian in 1993, saying that her relationship with the paper and its readers had become "like a really horrific family argument".^[1] She took her opinion column to the Guardian's sister-paper The Observer, then to the Sunday Times in 1998,^[3] before writing regularly for the Daily Mail in 2001. She also writes for the Jewish Chronicle and other periodicals. Since 2003, she has written a blog, once hosted by The Spectator, but now at her own website.^[5]

Personal life[link]

Phillips is married to Joshua Rozenberg, former legal affairs editor for the BBC.^[6] They have two children.^[7]

Views[link]

The BBC has said that Phillips "is regarded as one of the [British] media's leading right-wing voices" and a "controversial" columnist,^[8] although she defines herself as a progressive and a defender of liberal democracy.^{[citation needed]} She began her career on the liberal left^[7] with The Guardian. Her drift to the political right has been mirrored by her journalistic career: she now writes for the Daily Mail, and Nick Cohen wrote in 2011 that she has become vilified by The Guardian,^[9] while Phillips herself stated in 2006 that her views are often misrepresented by her former newspaper.^[7]

Israel[link]

She has said that she supports a two-state solution in theory but that it cannot work in practice, commenting: "I would have no problem with a Palestine that would live in peace alongside Israel [...] I respond to the evidence of what is actually happening. Israel is being demonised [...] If Israel were to leave the West Bank, it would turn Islamist overnight and become an Iranian proxy on Israel’s doorstep. That is why I cannot support a state of Palestine."^[10]

Phillips's criticisms of liberal Jews who disagree with her positions on Israel have been condemned by Jewish writers such as Jonathan Freedland, Alan Dershowitz, and Rabbi David Goldberg. Freedland criticised Phillips's labelling Independent Jewish Voices, a group of liberal Jews, as "Jews For Genocide". He wrote in The Jewish Chronicle: "Now, as it happens, I have multiple criticisms of IJV [...] but even their most trenchant opponents must surely blanch at the notion that these critics of Israel and of Anglo-Jewish officialdom are somehow in favour of genocide—literally, eager to see the murder and eradication of the Jewish people [...] it is an absurdity, one that drains the word 'genocide' of any meaning."^[11]

Alan Dershowitz has said that Phillips has committed lashon harah in her commentary about the Obama administration's policies towards the Middle East. More generally, he has also stated: "I support its liberal policies... if Israel were to turn against these values—if it were to become an oppressive theocracy, like all Muslim countries today, that subjugates women, discriminates against gays and subjects science to religious censorship—I would become extremely critical of any such nation. Israel will never become such a country because, fortunately, the vast majority of Israelis reject the extremist views of Melanie Phillips."^[10]

Education[link]

In All Must Have Prizes, published in 1996, Phillips offered a critique of the British education system, saying that an egalitarian and non-competitive ethos (progressivism; multicultural education) had led to a catastrophic fall in standards. She criticised John Dewey's "'disastrous influence." A subsequent paper said that "Phillips gets Dewey quite wrong," for example in claims that Dewey promoted ahistoric and cultureless education.^[12] Phillips criticized one academic paper—on primary-school children's constructions of British identity. Its authors responded with a follow-up study, showing that young adolescents, in common with their counterparts in primary schools, adopt a pluralist viewpoint with virtually no nationalist or racist comments.^[13]

Phillips has commented on the politicisation of education, particularly at Aberystwyth University. In 2005, she said there was an "anti-Jewish witch-hunt going on in our seats of learning" with particular focus on Aberystwyth University, based on an anonymous student's testimony.^{[citation needed]} In 2008, following further allegations (supported by documentary evidence) made by another anonymous student regarding the biased nature and reading list of a course on terrorism convened by politics lecturer Dr. Marie Breen Smyth, as well as allegations by the same student regarding bias against Israel by Breen Smyth and her colleague Dr. Richard Jackson, Phillips wrote to the Vice Chancellor of the University saying that Breen Smyth was a "subversive" who should not be allowed to teach. These accusations were denied by Breen Smyth.^[14]

In January 2011, Phillips objected to the British government's educational curriculum because she believed it promoted "the gay agenda."^[15] Philips called it "an abuse of childhood", part of a "ruthless campaign by the gay rights lobby to destroy the very ­concept of normal sexual behaviour".^[15]

Drugs[link]

In 2008, The UK Drugs Policy Commission called allegations Phillips made regarding its work, "an absolute travesty and a wilful misrepresentation".^[16]

Phillips in 2011 said there is no "war on drugs" in Britain, rather a "refusal to enforce the law against drug use in a coherent, consistent, and effective manner". She sees the result as a lax attitude to drug use that helps perpetuate drug use.^[17] In 2010 she cited the US as an example of strict enforcement, stating "consumption of cocaine has fallen by 75 per cent in the U.S. over the past 20 years — suggesting that the American ‘war on drugs’ has been rather successful."^[18]

Books[link]

• The Divided House: Women at Westminster, Sidgwick and Jackson, 1980, ISBN 0-283-98547-X.
• Doctors' Dilemmas: Medical Ethics and Contemporary Science by Melanie Phillips & John Dawson, Harvester Press, 1985, ISBN 0-7108-0983-2.
• All Must Have Prizes, Warner, 1998, ISBN 0-7515-2274-0.
• The Sex-Change Society: Feminised Britain and the Neutered Male, Social Market Foundation, 1999, ISBN 1-874097-64-X.
• America's Social Revolution, Civitas: Institute for the Study of Civil Society, 2001, ISBN 1-903386-15-2.
• The Ascent of Woman: A History of the Suffragette Movement and the Ideas Behind it, Little, Brown, 2003, ISBN 0-316-72533-1.
• Londonistan: How Britain Is Creating a Terror State Within, Gibson Square Books Ltd, 2006, ISBN 1-903933-76-5.
• The World Turned Upside Down: The Global Battle Over God, Truth and Power, New York, Encounter Books, 2010, ISBN 97811594033759.

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Melanie Phillips

• Phillips's personal website
• Her blog at The Spectator

In Battle is an extreme metal band from Sundsvall, Sweden. The main lyrical themes of the band focus on Norse mythology and war.

Biography[link]

The original line-up consisted of John Frölén on guitar and bass, John Odhinn Sandin on vocals, Håkan Sjödin on guitar and bass, and Otto Wiklund on drums.^[1] Håkan Sjödin left the band early so that he could play with Setherial full time. The band's first album, titled In Battle, was recorded at Sunlight Studio in Stockholm, Sweden and was released through Napalm Records in 1997.^[2] Their second release, called The Rage of the Northmen, came in March 1998. It was recorded at Ballerina Audio, Umeå, Sweden. In 1999 the only member left was Frölén, who started writing material for a third album. In 2002 he began rehearsing with Sandin (this time on drums), soon asking Hans Carlsson (guitar) of Diabolical to join the band.^[1] In 2003, Nils Fjellström of Aeon replaced Sandin on drums and Sandin went back to handling the vocals and the Soul Metamorphosis EP was recorded at Necromorbus Studio in Stockholm, Sweden. In 2004, their album Welcome to the Battlefield (which was recorded in three different studios) was released through Cold Records and Metal Blade Records.^[3] The album was mixed and mastered by Erik Rutan from the bands Morbid Angel and Hate Eternal.^[4] Rutan also donated a guitar solo to the album.^[5] In April 2005, the band parted ways with their label partner Cold Records after that album's release. In 2006, In Battle signed a contract with Nocturnal Art Productions and began working on their 4th full-length album, which turned out to be Kingdom of Fear. The album was released on September 3, 2007. In Battle are currently working on a fifth studio album with a working title of Flames & Death.^[6]

Line-up[link]

Current members[link]

^[2]

• John Odhinn Sandin - vocals (1996–1998, 2002–present)
• John Frölén - bass (formerly guitar) (1996–present)
• Hasse Karlsson - guitar (2002–present)
• Nils Fjellström - drums (2003–present)

Former members[link]

• Håkan Sjödin (aka Mysteriis) - guitar/bass (1996–1997)
• Otto Wiklund - drums/vocals (1996–1998)
• Marcus Edvardsson - bass (2003)

Discography[link]

• In Battle (full-length, 1997)
• The Rage of the Northmen (full-length, 1999)
• Soul Metamorphosis (EP, 2003)
• Welcome to the Battlefield (full-length, 2004)
• Kingdom of Fear (full-length, 2007)
• Flames & Death (full-length, TBA)

References[link]

Mary Elizabeth Thomas Peavey Brooks (November 1, 1907 - February 11, 2002) directed the United States Mint from September 1969 to February 1977.^[1]

Brooks was appointed by President Richard M. Nixon, the third woman named to the post. During her administration, she oversaw the initiation of the Eisenhower dollar coin, as well as the redesign of America’s quarter, half dollar and dollar coins for the country’s bicentennial.

She is also credited with saving the original San Francisco Mint building, known as the “Granite Lady,” by transferring it to the Treasury Department. The building, one of the few to survive the Great Earthquake of 1906, had been vacant since 1937 and fallen into disrepair. It is now both a National Historic Landmark and a California Historic Landmark. The city renovated it and located the Museum of the City of San Francisco in the building. Brooks received the “I Left My Heart In San Francisco” Award in 1974 from the San Francisco Convention and Visitors Bureau for her preservation efforts.

During Brooks' tenure as Director of the Mint, she famously led a tour of the United States Bullion Depository at Fort Knox, Kentucky for members of the United States Congress and the news media on September 23, 1974. This tour was, and to date still is the only time that the inside of the USBD has been seen by members of the public. ^[2]

In addition, Brooks was awarded the American Numismatic Association’s Medal of Merit in 1988, and was the first woman to receive the Alexander Hamilton Award, the U.S. Treasury Department's highest honor. She was inducted into the University of Idaho Alumni Association’s Hall of Fame in 1970. The university also conferred upon her an honorary doctorate in 1999.

Personal life[link]

Brooks was born to John and Florence Thomas on November 1, 1907, in Colby, Kansas. Her parents moved to Gooding, Idaho, when she was an infant. Her father, John W. Thomas, was appointed a U.S. Senator from Idaho twice (following the deaths of Gooding in 1928 and Borah in 1940).

After graduating from high school in 1925, she attended Mills College in Oakland, California, for two years before receiving her bachelor’s degree in economics from the University of Idaho in 1929.

Brooks took over her father’s Idaho sheep ranch after his death in 1945 and ran it until her son took it over in 1961. He said "She was just as much at home with rancher as she was with presidents." Her Idaho license plate read "MTN MARY."

The 1941 death of her first husband, Art Peavey, left her a widower. Her second husband, C. Wayland "Curly" Brooks, was a U.S. Senator from Illinois. They were married in 1945; he died a dozen years later in 1957.

She served in the Idaho State Senate from 1963 to 1969, when she was named to head the U.S. Mint. Her son, John Peavey, was appointed to her seat in the state senate and served for all but two of the next 25 years. (He lost the Republican primary in 1976, then won the seat back as a Democrat in 1978.) A failed attempt at lieutenant governor in 1994 marked the end of his political career.

Mary Brooks died in 2002 at age 94 in Twin Falls. She was survived by a son, John Peavey, of Carey, and a daughter, Elizabeth Ann "Betty" Eccles, of McCall, and six grandchildren and six great-grandchildren.

References[link]

External links[link]

Biography portal

• Coin World.com - photo of Mary Brooks
• Coin World.com - obituary - Mary Brooks
• Money.org - American Nuismatic Association - obituary - Mary Brooks
• US Mint.gov - list of U.S. Mint directors

v t e Directors of the United States Mint Rittenhouse de Saussure Boudinot R. Patterson Moore R. M. Patterson Eckert Pettit Snowden Pollock Millward Linderman Pollock Linderman Burchard Kimball Leech Preston Roberts Leach Andrew Roberts Woolley von Engelken Baker Scobey Grant Ross Brett Adams Brooks Hackel Sims Pope Ryder Diehl Johnson Fore Moy