- published: 09 Sep 2011
- views: 51290
56:38
Vienna Philharmonic Orchestra (Bernard Haitink) Richard Strauss's Alpine Symphony PROMS 2012
Bernard Haitink conducts the Vienna Philharmonic in Strauss's An Alpine Symphony
Eine Alpe...
published: 09 Sep 2012
Vienna Philharmonic Orchestra (Bernard Haitink) Richard Strauss's Alpine Symphony PROMS 2012
Bernard Haitink conducts the Vienna Philharmonic in Strauss's An Alpine Symphony
Eine Alpensinfonie - Op. 64, is a tone poem by German composer Richard Strauss in 1915
"......Strauss's Alpine Symphony: a dawn to dusk Alpine ascent. From the spine-chilling opening evoking the hours before dawn and the richness of sunrise, through to the euphoria of the summit and the drama of the mountain tempest, this is Strauss at his most colourful" - Source Wales site (BBC)
Richard Strauss
An Alpine Symphony
Vienna Philharmonic Orchestra
Bernard Haitink conductor
BBC PROMS 2012
London - Royal Albert Hall
- published: 09 Sep 2012
- views: 30650
30:36
Richard Strauss - Also sprach Zarathustra, Op. 30
Also sprach Zarathustra, Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a to...
published: 13 Jun 2011
Richard Strauss - Also sprach Zarathustra, Op. 30
Also sprach Zarathustra, Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed during 1896 and inspired by Friedrich Nietzsche's philosophical treatise of the same name.
The piece is divided into nine sections played with only three definite pauses. Strauss named the sections after selected chapters of the Nietzsche's book:
1. "Einleitung" (Introduction): according to the interpretations, it should represent the Creation or the coming of the new age of the Overman and so, because of its evocative and declaimed aspect, it is led back to the Overman's motto.
2. "Von den Hinterweltlern" (Of the Hereaftergo'ers): here the brass quote the gregorian cento "Credo in unum Deum" or "I believe in one God" to represent faith at the top synthesis.
3. "Von der großen Sehnsucht" (Of the Great Longing): maybe it represents the age of "Sturm und Drang"; here there's a liturgical quotation from "Magnificat".
4. "Von den Freuden und Leidenschaften" (Of the Joys and Passions): the word to the strings, at the top tension; the trombones expose the theme of "Taedium Vitae".
5. "Das Grablied" (The Grave-Song): part where the strings prevail.
6. "Von der Wissenschaft" (Of Science): it is a fugue whose subject all only the twelve notes to represent scientism, positivism and maybe, to ridicule the rising dodecaphony.
7. "Der Genesende" (The Convalescent): it completes the tension of the previous movement, then, after a rough pause determined by a rip of the strings in the bass register, it starts again from the mystery to go to the atmosphere of the following movement.
8. "Das Tanzlied" (The Dance Song): the theme of "Taedium Vitae" is taken again trasfigured in a waltz.
9. "Nachtwandlerlied" (Song of the Night Wanderer): coda where the finale is suspended avoiding the cadence on the tonic.
Paintings by J.M.W. Turner and Caspar Friedrich.
Conductor: Georg Solti & Chicago Symphony Orchestra.
- published: 13 Jun 2011
- views: 240564
25:02
Richard Strauss - Tod und Verklärung, Op.24
"Tod und Verklärung" (Death and Transfiguration), Op. 24, is a tone poem for large orchest...
published: 06 Jul 2011
Richard Strauss - Tod und Verklärung, Op.24
"Tod und Verklärung" (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on November 18, 1889. The work is dedicated to the composer's friend Friedrich Rosch.
Unusual for a composer of 25 years of age, the music depicts the death of an artist. At Strauss's request, this was described in a poem by the composer's friend Alexander Ritter as an interpretation of Death and Transfiguration, after it was composed. As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the infinite reaches of heaven".
There are four parts (with Ritter's poetic thoughts condensed):
1. Largo (The sick man, near death)
2. Allegro molto agitato (The battle between life and death offers no respite to the man)
3. Meno mosso (The dying man's life passes before him)
4. Moderato (The sought-after transfiguration)
Conductor: David Zinman & Zurich Tonhalle Orchestra
Painting: "Der Wanderer über dem Nebelmeer" by Caspar Friedrich
- published: 06 Jul 2011
- views: 15900
42:03
Richard Strauss - Aus Italien, Op. 16
Aus Italien, Op. 16 (From Italy) is a tone poem for full orchestra composed by Richard Str...
published: 05 Nov 2011
Richard Strauss - Aus Italien, Op. 16
Aus Italien, Op. 16 (From Italy) is a tone poem for full orchestra composed by Richard Strauss in 1886. It was inspired by the composer's visit to Italy in the summer of the same year, where he travelled to Rome, Bologna, Naples, Sorrento, Salerno, and Capri. He began to sketch the work while still on the journey.
The full score of the work, Strauss's first tone poem, was completed in Munich on September 12, 1886. The work is named by the composer as "Symphonic Fantasy", and is dedicated to his mentor Hans von Bülow. It is the only work by Richard Strauss for which he himself wrote a specific program.
The first performance of the work took place in Munich on March 2, 1887, by the Court Orchestra, which was conducted by the composer himself. As Richard Strauss's sister Johanna later recalled, the first three movements were received with applause, but the last movement was not well-approved and derisory whistles came from various quarters. Norman Del Mar's biography of the composer tells a different story: the first three movements were not well received, and the final was accorded booing and applause. Strauss himself found the work itself as new and revolutionary, and he was satisfied despite the critical responses for the première.
The works comprises four sections:
1. Auf dem Land
2. Ruinen von Rom
3. Am Strande von Sorrent
4. Neapolitanisches Volksleben
- published: 05 Nov 2011
- views: 8131
6:02
Jessye Norman: Strauss - Four Last Songs, 'Beim Schlafengehen'
Jessye Norman (born September 15, 1945) is an American opera singer. Norman is a well-know...
published: 19 Jun 2012
Jessye Norman: Strauss - Four Last Songs, 'Beim Schlafengehen'
Jessye Norman (born September 15, 1945) is an American opera singer. Norman is a well-known contemporary opera singer and recitalist, and is among some of the most highly successful performers in classical music. A dramatic soprano, Norman is associated in particular with the Wagnerian repertoire, and with the roles of Sieglinde, Ariadne, Alceste, and Leonore... http://en.wikipedia.org/wiki/Jessye_Norman
Lyrics & English Translation
Now that I am wearied of the day,
my ardent desire shall happily receive
the starry night
like a sleepy child.
Hands, stop all your work.
Brow, forget all your thinking.
All my senses now
yearn to sink into slumber.
And my unfettered soul
wishes to soar up freely
into night's magic sphere
to live there deeply and thousandfold.
Please Enjoy!
I send my kind and warm regards,
- published: 19 Jun 2012
- views: 4171
10:00
Strauss - Also Sprach Zarathustra (1/4) - Pappano & Santa Cecilia
Richard Strauss - Also Sprach Zarathustra, op. 30
l'Orchestra Nazionale di Santa Cecili...
published: 02 Jan 2009
Strauss - Also Sprach Zarathustra (1/4) - Pappano & Santa Cecilia
Richard Strauss - Also Sprach Zarathustra, op. 30
l'Orchestra Nazionale di Santa Cecilia
c. Antonio Pappano
(Part 1 of 4)
- published: 02 Jan 2009
- views: 920349
1:47
Richard Strauss - Also Sprach Zarathustra / 2001 Space Odyssey opening theme
The music from 2001, a Space Odyssey by Stanley Kubrick
Richard Strauss - Also Sprach Z...
published: 13 Jul 2007
Richard Strauss - Also Sprach Zarathustra / 2001 Space Odyssey opening theme
The music from 2001, a Space Odyssey by Stanley Kubrick
Richard Strauss - Also Sprach Zarathustra / Thus Spoke Zarathustra
2001 Space Odyssey opening theme
- published: 13 Jul 2007
- views: 2269757
19:10
Richard Strauss - Don Juan op. 20 (Karajan - Osaka 1984)
Richard Strauss
Don Juan, Symphonic Poem Op. 20
Herbert von Karajan
Osaka, Japan 1984...
published: 03 Jul 2011
Richard Strauss - Don Juan op. 20 (Karajan - Osaka 1984)
Richard Strauss
Don Juan, Symphonic Poem Op. 20
Herbert von Karajan
Osaka, Japan 1984
- published: 03 Jul 2011
- views: 95523
34:57
Richard Strauss: Also sprach Zarathustra - Jansons/BRSO(2007Live)
Richard Strauss (1864-1949)
Also sprach Zarathustra op.30
Mariss Jansons
Symphonieorche...
published: 01 Nov 2011
Richard Strauss: Also sprach Zarathustra - Jansons/BRSO(2007Live)
Richard Strauss (1864-1949)
Also sprach Zarathustra op.30
Mariss Jansons
Symphonieorchester des Bayerischen Rundfunks
Herkulessaal, München, 27 4/2007
- published: 01 Nov 2011
- views: 247125
14:39
R. Strauss: Salome (Finale) - Nadja Michael - 1/2
Richard Strauss: Salome (Finale)
Nadja Michael, Soprano
The Orchestra of the Royal Opera H...
published: 28 Sep 2010
R. Strauss: Salome (Finale) - Nadja Michael - 1/2
Richard Strauss: Salome (Finale)
Nadja Michael, Soprano
The Orchestra of the Royal Opera House
Philippe Jordan, Conductor
David McVicar, Stage Director
I do not own copyright to this video, if you like it, buy it here:
http://www.amazon.com/Salome-Thomas-Moser/dp/B001E08TDK/ref=sr_1_1?s=dvd&ie;=UTF8&qid;=1285673399&sr;=1-1
- published: 28 Sep 2010
- views: 24839
20:23
Richard Strauss - Eine Alpensinfonie, Op. 64 Part 1
"Eine Alpensinfonie" (An Alpine Symphony), Op. 64, is a tone poem written by German compos...
published: 06 Jun 2011
Richard Strauss - Eine Alpensinfonie, Op. 64 Part 1
"Eine Alpensinfonie" (An Alpine Symphony), Op. 64, is a tone poem written by German composer Richard Strauss in 1915. Though labelled as a symphony by the composer, this piece forgoes the conventions of the traditional multi-movement symphony and consists of twenty-two continuous sections of music. The story of An Alpine Symphony depicts the experiences of eleven hours (from twilight just before dawn to the following nightfall) spent climbing an Alpine mountain.
One point of influence comes from Strauss's love of nature. As a boy, Strauss experienced an Alpine adventure similar to the one described in his "An Alpine Symphony": he and a group of climbers lost their way heading up a mountain and were caught in a storm and soaked on the way down. Strauss loved the mountains so much that in 1908 he built a home in Garmisch-Partenkirchen, Bavaria that boasted stunning views of the Alps. This interest in nature can also point to Strauss's followings of the philosopher Friedrich Nietzsche.
Sections:
1. Nacht (Night)
2. Sonnenaufgang (Sunrise)
3. Der Anstieg (The Ascent)
4. Eintritt in den Wald (Entry into the Wood)
5. Wanderung neben dem Bache (Wandering by the Brook)
6. Am Wasserfall (At the Waterfall)
7. Erscheinung (Apparition)
8. Auf blumigen Wiesen (On Flowering Meadows)
9. Auf der Alm (On the Alpine Pasture)
10. Durch Dickicht und Gestrüpp auf Irrwegen (Wrong Path Through the Thicket and Undergrowth)
11. Auf dem Gletscher (On the Glacier)
12. Gefahrvolle Augenblicke (Dangerous Moments)
13. Auf dem Gipfel (On the Summit)
14. Vision (Vision)
15. Nebel steigen auf (Mists Rise)
16. Die Sonne verdüstert sich allmählich (The Sun Gradually Becomes Obscured)
17. Elegie (Elegy)
18. Stille vor dem Sturm (Calm Before the Storm)
19. Gewitter und Sturm, Abstieg (Thunder and Tempest, Descent)
20. Sonnenuntergang (Sunset)
21. Ausklang (Waning Tones/Dying Away of Sound)
22. Nacht (Night)
Conductor: Andrè Previn & Vienna Philharmonic Orchestra
- published: 06 Jun 2011
- views: 43888
27:13
Eugene Ormandy conducts Richard Strauss' Metamorphosen for 23 solo strings
Eugene Ormandy conducts the strings of the Philadelphia Orchestra...
published: 26 Jan 2011
Eugene Ormandy conducts Richard Strauss' Metamorphosen for 23 solo strings
Eugene Ormandy conducts the strings of the Philadelphia Orchestra
- published: 26 Jan 2011
- views: 12369
Youtube results:
2:55
Jonas kaufmann - Allerseelen - Richard Strauss
Gravação retirada do álbum editado pelo selo harmonia mundi,o acompanhamento é de Helmut D...
published: 18 Jan 2009
Jonas kaufmann - Allerseelen - Richard Strauss
Gravação retirada do álbum editado pelo selo harmonia mundi,o acompanhamento é de Helmut Deutsch!
Musica : Richard Strauss (1864-1949)
Poesia : Hermann von Gilm (1812-1864)
Allerseelen
Stell auf den Tisch die duftenden Reseden,
Die letzten roten Astern trag herbei,
Und laß uns wieder von der Liebe reden,
Wie einst im Mai.
Gib mir die Hand, daß ich sie heimlich drücke
Und wenn man's sieht, mir ist es einerlei,
Gib mir nur einen deiner süßen Blicke,
Wie einst im Mai.
Es blüht und duftet heut auf jedem Grabe,
Ein Tag im Jahr ist ja den Toten frei,
Komm an mein Herz, daß ich dich wieder habe,
Wie einst im Mai.
- published: 18 Jan 2009
- views: 52591
9:55
Charlotte Margiono - Im Abendrot - Richard Strauss - Vier Letzte Lieder - Edo de Waart
Concertgebouw Amsterdam 1991
other perfomances:
Frühling:
http://www.youtube.com/wa...
published: 29 Jan 2010
Charlotte Margiono - Im Abendrot - Richard Strauss - Vier Letzte Lieder - Edo de Waart
Concertgebouw Amsterdam 1991
other perfomances:
Frühling:
http://www.youtube.com/watch?v=fZNaGBCwcr8
September
http://www.youtube.com/watch?v=oFZCVfRv_HA
Beim Schlafengehen:
http://www.youtube.com/watch?v=H8s1ZbbDolM
Im Abendrot
http://www.youtube.com/watch?v=3DvrK3alWIk
Charlotte Margionos performance radiates selflessness, a spiritual beauty that is profoundly moving. She sings with brilliance and strength.
Charlotte Margiono
Im Abendrot
Richard Strauss
Vier Letzte Lieder
Edo de Waart
Radio Filharmonisch Orkest
- published: 29 Jan 2010
- views: 10536
2:44
Richard Strauss Conducting
This is a clip from the 1994 documentary "The Art of Conducting: Great Conductors of the P...
published: 06 Apr 2010
Richard Strauss Conducting
This is a clip from the 1994 documentary "The Art of Conducting: Great Conductors of the Past." Richard Strauss is conducting the Vienna Philharmonic in a performance of Till Eulenspiegel. It's amusing that he could be conducting such great music while looking so extremely bored.
- published: 06 Apr 2010
- views: 61933