Le maschere (The Masks) is an opera in a Prologue and three acts by Pietro Mascagni to an Italian libretto by Luigi Illica.
The work was Mascagni's homage to Rossini and to the Italian opera buffa and commedia dell'arte traditions. It was premiered simultaneously in six Italian opera houses on 17 January 1901: La Scala (with Caruso as Florindo, Carelli as Rosaura, and Toscanini conducting); the Teatro Carlo Felice in Genoa; the Teatro Regio in Turin; the Teatro Costanzi in Rome; La Fenice in Venice; and the Teatro Filarmonico in Verona. Two days later, it premiered at the Teatro San Carlo in Naples.
Apart from the performance in Rome, conducted by Mascagni himself, Le maschere received a dismal reception, with the performance in Genoa suspended halfway through because of the audience's vociferous expressions of displeasure. The opera was sporadically performed in Italy over the next four years and then sank into obscurity. When Mascagni revised and represented the opera in 1931 it met with little lasting success. However, sporadic revivals in the late 20th century have been greeted with some critical interest.
Le maschere (The Masks) is an opera in a Prologue and three acts by Pietro Mascagni to an Italian libretto by Luigi Illica.
The work was Mascagni's homage to Rossini and to the Italian opera buffa and commedia dell'arte traditions. It was premiered simultaneously in six Italian opera houses on 17 January 1901: La Scala (with Caruso as Florindo, Carelli as Rosaura, and Toscanini conducting); the Teatro Carlo Felice in Genoa; the Teatro Regio in Turin; the Teatro Costanzi in Rome; La Fenice in Venice; and the Teatro Filarmonico in Verona. Two days later, it premiered at the Teatro San Carlo in Naples.
Apart from the performance in Rome, conducted by Mascagni himself, Le maschere received a dismal reception, with the performance in Genoa suspended halfway through because of the audience's vociferous expressions of displeasure. The opera was sporadically performed in Italy over the next four years and then sank into obscurity. When Mascagni revised and represented the opera in 1931 it met with little lasting success. However, sporadic revivals in the late 20th century have been greeted with some critical interest.
WorldNews.com | 11 Sep 2018
WorldNews.com | 11 Sep 2018
WorldNews.com | 11 Sep 2018
DNA India | 11 Sep 2018
WorldNews.com | 11 Sep 2018
International Business Times | 11 Sep 2018
WorldNews.com | 11 Sep 2018
International Business Times | 11 Sep 2018