Ricordi may refer to:

For the English tenor, see John Mitchinson (tenor). For the Bishop, see John Mitchinson (bishop).

John Mitchinson is the head of research for the British television panel game QI, and is also the managing director of Quite Interesting Limited. He is co-writer of the QI series of books with the show's creator John Lloyd. The two men are normally referred to as "The Two Johns" and are seen as the main controllers of QI, as they do most of the research of the show.

Mitchinson acted as an associate producer for the first series. For several years Mitchinson was also director of the QI Club, which was situated at 16 Turl Street, Oxford. Under his management the building consisted of a bookshop, a café-bar and a vodka bar, as well as a number of rooms devoted to use by the private members club.

After the success of the QI TV series, Mitchinson went on co-author with QI's creator John Lloyd the QI Annuals for 2008 and 2009,; as well the main QI books: These being The Book of General Ignorance,The Book of Animal Ignorance,Advanced Banter: The QI Book of Quotations, and The QI Book of the Dead.

Alfredo Catalani (19 June 1854 – 7 August 1893) was an Italian operatic composer. He is best remembered for his operas Loreley (1890) and La Wally (1892). La Wally was composed for a libretto by Luigi Illica, and features Catalani's most famous aria "Ebben? Ne andrò lontana." His other operas were less successful, partly hampered by inferior libretti.

Catalani was born in Lucca and trained at the Conservatory of Milan under Antonio Bazzini.

Despite the growing influence of the verismo style of opera during the 1880s Catalani chose to compose in a more traditional manner. As a result his operas have largely lost their place in the modern repertoire, even compared to those of Massenet and Puccini, whose style his works most closely resemble.

The influence of Amilcare Ponchielli can also be recognized in Catalani's work. Like Ponchielli, Catalani's reputation now rests almost entirely on one work. La Wally continues to enjoy occasional revivals in much the same way as Ponchielli's La Gioconda.

Gian Carlo Menotti (pronounced [dʒan ˈkarlo meˈnɔtːi]) (July 7, 1911 – February 1, 2007) was an Italian-American composer and librettist. Although he often referred to himself as an American composer, he kept his Italian citizenship. He wrote the classic Christmas opera, Amahl and the Night Visitors, among about two dozen other operas intended to appeal to popular taste. He won the Pulitzer Prize for two of them: The Consul (1950) and The Saint of Bleecker Street (1955). He founded the noted Festival dei Due Mondi (Festival of the Two Worlds) in 1958 and its American counterpart, Spoleto Festival USA, in 1977. In 1986 he commenced a Melbourne Spoleto Festival in Australia, but he withdrew after three years.

Born in Cadegliano-Viconago, Italy, near Lake Maggiore and the Swiss border, Menotti was the sixth of eight children of Alfonso and Ines Menotti, his father being a coffee merchant. Menotti began writing songs when he was seven years old, and at eleven wrote both the libretto and music for his first opera, The Death of Pierrot. He began his formal musical training at the Milan Conservatory in 1923.

Terius Youngdell Nash (Born September 20, 1977), better known by his stage name The-Dream, is an American singer-songwriter and record producer. He is known for co-writing chart topping hits such as "Baby" for Justin Bieber, "Umbrella" for Rihanna and "Single Ladies (Put a Ring on It)" for Beyoncé, as well as for his three solo albums, Love Hate, Love vs. Money, and Love King.

Terius Nash was born in Rockingham, North Carolina and moved with his mother, Reva Nash, to Atlanta at the age of 3. He played trumpet, drums, and guitar as a child. His mother died in 1992 when Nash was fifteen years old, an event which would inspire him to write songs. He states that the death of his mother gave him a "soft spot" for women, which he credits to his desire to write songs about female empowerment such as Rihanna's "Umbrella". He moved in with his grandfather, a concrete mason who instilled a strong work ethic in young Nash. Of his grandfather, Nash recalls "He came out of a bad time for blacks in the South, but even though we lived in the hood, we had a boat, some cars and a house that was paid for. So I’ve always had a different outlook on life. There’s nothing I can’t do."