• A British Picture
• Alma Mahler-Werfel
• Altered States
• Always on Sunday
• Andrew Faulds
• Angela Down
• Anna Mahler
• Anna von Mildenburg
• Anti-semitism
• Antonia Ellis
• Aria (film)
• Arnold Yarrow
• Bartok (film)
• Belgium
• Benny Lee
• Bernard Haitink
• Billion Dollar Brain
• Biographical film
• Catholicism
• Claire McClellan
• Composer
• Cosima Wagner
• Dana Gillespie
• David Collings
• David Trevena
• Dick Bush
• Dogboys
• Elaine Delmar
• Elgar (film)
• Faust (opera)
• Gary Rich
• George Coulouris
• Georgina Hale
• Gothic (film)
• Gustav Mahler
• Hugo Wolf
• Judaism
• Ken Russell
• Kenneth Colley
• Lake District
• Lee Montague
• Lisztomania (film)
• Mahler (film)
• Mefistofele
• Michael Southgate
• Mindbender (film)
• Miriam Karlin
• Otto Diamant
• Otto Mahler
• Peter Eyre
• Prisoner of Honor
• Richard Morant
• Richard Wagner
• Robert Powell
• Ronald Pickup
• Rosalie Crutchley
• Roy Baird
• Salome's Last Dance
• Sarah McClellan
• Savage Messiah
• Song of Summer
• Template Ken Russell
• The Debussy Film
• The Devils (film)
• The Music Lovers
• The Rainbow (film)
• Tommy (film)
• United Kingdom
• United States
• Whore (1991 film)
• Women in Love (film)
• 
  

• 
  Belgium
  Belgium (ⁱ/ˈbɛldʒəm/ BEL-jəm), officially the Kingdom of Belgium, is a federal state in Western Europe. It is a founding member of the European Union and hosts the EU's headquarters, and those of several other major international organisations such as NATO. Belgium covers an area of 30,528 square kilometres (11,787 sq mi), and it has a population of about 11 million people. Straddling the cultural boundary between Germanic and Latin Europe, Belgium is home to two main linguistic groups, the Dutch-speakers, mostly Flemish (about 60%), and the French-speakers, mostly Walloons (about 40%), plus a small group of German-speakers. Belgium's two largest regions are the Dutch-speaking region of Flanders in the north and the French-speaking southern region of Wallonia. The Brussels-Capital Region, officially bilingual, is a mostly French-speaking enclave within the Flemish Region. A German-speaking Community exists in eastern Wallonia. Belgium's linguistic diversity and related political conflicts are reflected in the political history and a complex system of government.
  
  wn.com/Belgium
• 
  Lake District
  The Lake District, also commonly known as The Lakes, is a mountainous region in North West England. A popular holiday destination, it is famous not only for its lakes and its mountains (or fells) but also for its associations with the early 19th century poetry and writings of William Wordsworth and the other Lake Poets.
  The majority of the area was designated as the Lake District National Park in 1951. It is the largest of the thirteen National Parks in England and Wales, and the second largest in the UK (after the Cairngorms). It lies entirely within the modern county of Cumbria, shared historically by the counties of Cumberland, Westmorland and Lancashire. All the land in England higher than three thousand feet above sea level lies within the National Park, including Scafell Pike, the highest mountain in England. It also contains the deepest and longest lakes in England, Wastwater and Windermere, respectively.
  The precise extent of the Lake District was not defined traditionally but is approximated by the boundary of the National Park, the total area of which is about 885 square miles (2,292 km²). The Park extends just over 32 miles (52 km) from east to west and nearly 40 miles (64 km) from north to south, with areas such as the Lake District Peninsulas to the south lying outside the National Park.
  
  wn.com/Lake_District
• 
  United Kingdom
  The United Kingdom of Great Britain and Northern Ireland (commonly known as the United Kingdom, the UK, or Britain) is a sovereign state located off the north-western coast of continental Europe. The country includes the island of Great Britain, the north-eastern part of the island of Ireland and many smaller islands. Northern Ireland is the only part of the UK that shares a land border with another sovereign state—the Republic of Ireland. Apart from this land border the UK is surrounded by the Atlantic Ocean, the North Sea, the English Channel and the Irish Sea.
  The United Kingdom is a unitary state governed under a constitutional monarchy and a parliamentary system, with its seat of government in the capital city of London. It is a country in its own right and consists of four countries: England, Northern Ireland, Scotland and Wales. There are three devolved administrations, each with varying powers, based in Belfast, Edinburgh and Cardiff, the capitals of Northern Ireland, Scotland, and Wales. Associated with the UK, but not constitutionally part of it, are three Crown Dependencies. The United Kingdom has fourteen overseas territories. These are remnants of the British Empire which, at its height in 1922, encompassed almost a quarter of the world's land surface and was the largest empire in history. British influence can still be observed in the language, culture and legal systems of many of its former territories.
  
  wn.com/United_Kingdom
• 
  United States
  The United States of America (commonly abbreviated to the United States, the U.S., the USA, America, and the States) is a federal constitutional republic comprising fifty states and a federal district. The country is situated mostly in central North America, where its forty-eight contiguous states and Washington, D.C., the capital district, lie between the Pacific and Atlantic Oceans, bordered by Canada to the north and Mexico to the south. The state of Alaska is in the northwest of the continent, with Canada to the east and Russia to the west, across the Bering Strait. The state of Hawaii is an archipelago in the mid-Pacific. The country also possesses several territories in the Pacific and Caribbean.
  At 3.79 million square miles (9.83 million km²) and with over 312 million people, the United States is the third or fourth largest country by total area, and the third largest by both land area and population. It is one of the world's most ethnically diverse and multicultural nations, the product of large-scale immigration from many countries. The U.S. economy is the world's largest national economy, with an estimated 2011 GDP of $15.1 trillion (22% of nominal global GDP and over 19% of global GDP at purchasing-power parity). Per capita income is the world's sixth-highest.
  
  wn.com/United_States

• Andrew Faulds
  Andrew Matthew William Faulds (1 March 1923 – 31 May 2000) was a British actor and politician.
  Born in Isoko, Tanganyika (now Tanzania), to missionary parents, Faulds married Bunty Whitfield in 1945. After graduating from the University of Glasgow, he joined the Royal Shakespeare Company in 1948 but first came to a wider public recognition playing Jet Morgan in Charles Chilton's radio drama Journey into Space on the BBC Light Programme.
  In 1959, Faulds and his wife played host to Paul Robeson who had travelled to England to appear at the Royal Shakespeare Theatre, Stratford upon Avon in Tony Richardson's production of Othello. Robeson had only recently been allowed to travel abroad again following the revocation of his passport. It was during this visit that Robeson inspired Faulds to take up political activism.
  In the UK general election, 1964, the Labour Foreign Secretary, Patrick Gordon Walker, had been defeated in controversial circumstances in the Smethwick constituency by Conservative candidate Peter Griffiths. Smethwick had been a focus of immigration from the Commonwealth in the economic and industrial growth of the years following World War II and Griffiths ran a campaign critical of the government's policy. There were rumours that his supporters had covertly circulated the slogan If you want a nigger for a neighbour, vote Liberal or Labour. Faulds defeated Griffiths in the UK general election, 1966 and was Labour Member of Parliament for the constituency until his retirement in 1997. (The constituency was renamed Warley East in 1974.) Smethwick remained the focus of much racial tension in England throughout Faulds' office, in particular following the Rivers of Blood Speech by Enoch Powell in 1968 which Faulds characterised as "... unchristian ... unprincipled, undemocratic and racialist".
  
  wn.com/Andrew_Faulds
• 
  Anna Mahler
  Anna Justine Mahler (15 June 1904 – 3 June 1988) was an Austrian sculptor.
  Born in Vienna, Anna Mahler was the second child of the composer Gustav Mahler and his wife Alma Schindler. They nicknamed her 'Gucki' on account of her big blue eyes (Gucken is German for 'peek' or 'peep'). Her childhood was spent in the shadow of her mother’s love affairs and famous salon. Anna also suffered the loss of her older sister Maria Mahler (1902–1907) died of scarlet fever when Anna was two—and her illustrious father, who died when she was six. The aftermath of both tragedies resulted in her mother's love affair with the German architect Walter Gropius and her stormy relationship with the Austrian Expressionist painter Oskar Kokoschka. Alma Mahler's second marriage to Gropius, however, provided some semblance of family life during Anna’s adolescence—as well as a half-sister, Manon Gropius (1916–1935).
  Anna was educated by tutors and also enjoyed the attention of her mother's friends, which included many of the important artistic figures in music, the visual arts, and literature. As the daughter of the legendary Gustav Mahler, Anna was expected to have a musical career. However, rather than being a professional musician, Anna fell in love with one, a rising young conductor, Rupert Koller.
  
  wn.com/Anna_Mahler
• 
  Anna von Mildenburg
  Anna von Mildenburg (November 29, 1872 – January 27, 1947) was an eminent Wagnerian soprano of Austrian nationality. Known as Anna Bahr-Mildenburg after her 1909 marriage, she had been a protege of the composer/conductor Gustav Mahler during his musical directorship at the Hamburg State Opera. In 1898, Mahler took her to the Vienna Opera, where she established herself as one of the great stars during his celebrated tenure there as music director.
  Anna Bellschau von Mildenburg, to give her full maiden name, was born in Vienna, the Austrian capital. She studied voice with Rosa Papier and Johannes Ress at the Conservatory of Gesellschaft der Musikfreunde in Vienna, and then privately with Cosima Wagner and Mahler. She had an affair with the latter which lasted until 1897.
  Von Mildenburg made her operatic debut in 1895 at Hamburg, singing the role of Brünnhilde in The Ring Cycle under Mahler's baton. Then, in 1897, she performed the role of Kundry in Parsifal at the Bayreuth Festival, and also took on the mezzo-soprano part of Ortrud in Tannhäuser. Cosima Wagner, the composer's widow, became her mentor at Bayreuth, and she proceeded to perform all the main Wagnerian soprano parts at the festival prior to the outbreak of World War I in 1914.
  
  wn.com/Anna_von_Mildenburg
• Benny Lee
  Benny Lee (11 August 1916 in Glasgow, Scotland — 9 December 1995) was a British comedy actor and singer.
  Lee began as a performer in radio comedy programmes including Breakfast with Braden (later Bedtime with Braden), in which he sang with Pearl Carr,Round the Bend with Michael Bentine (1957–60) and later It's a Square World. He also appeared in episodes of Are You Being Served?, critically acclaimed drama Minder and other series.
  
  wn.com/Benny_Lee
• 
  Bernard Haitink
  Bernard Johan Herman Haitink, CH, KBE (Dutch pronunciation: [ˈbɛrnɑrd ˈhaːi̯tɪŋk]) (born 4 March 1929) is a Dutch conductor and violinist.
  Haitink was born in Amsterdam, the son of Willem Haitink and Anna Haitink. He studied music at the conservatoire in Amsterdam. He played the violin in orchestras before taking courses in conducting under Ferdinand Leitner in 1954 and 1955.
  Haitink became second conductor of the Netherlands Radio Union Orchestra in 1955. He took the post of chief conductor of the Netherlands Radio Philharmonic in 1957. His conducting debut with the Concertgebouw Orchestra was on 7 November 1956, substituting for Carlo Maria Giulini. After the sudden death of Eduard van Beinum, Haitink was named first conductor of the Concertgebouw Orchestra on 1 September 1959. He became principal conductor of the Concertgebouw Orchestra in 1961, and shared that position jointly with Eugen Jochum until 1963, when Haitink became sole principal conductor. With the Concertgebouw Orchestra, Haitink made many recordings for the Philips label, and later Decca and EMI Classics, and toured widely with the orchestra.
  
  wn.com/Bernard_Haitink
• 
  Cosima Wagner
  Cosima Wagner, born Francesca Gaetana Cosima Liszt (24 December 1837 – 1 April 1930), was the illegitimate daughter of the Hungarian pianist and composer Franz Liszt and the French socialite Marie d'Agoult. In 1870 she became the second wife of the German composer Richard Wagner. She helped him to establish the Bayreuth Festival, and after the composer's death in 1883 became a fervent champion of his music and philosophy.
  Born at an early stage in her father's ascendant career, Cosima's childhood was spent under the care of her grandmother and with governesses. In 1857, at the age of 19, she married the conductor Hans von Bülow, himself a devotee of both Liszt and Wagner. It was largely a loveless union, and in 1863 Cosima began a relationship with Wagner. In the following six years she bore the composer three children before her final separation from von Bülow.
  After her marriage to Wagner, overcoming or ignoring the associated scandals, Cosima devoted her life to his works. Following Wagner's death she assumed direction of the Bayreuth Festival until illness forced her retirement in 1906. An unbending autocratic, throughout her directorship she maintained a rigid adherence to Wagner's original productions of his operas, such that Bernard Shaw pronounced her the "chief remembrancer". This traditional style was continued by her son Siegfried after Cosima's retirement.
  
  wn.com/Cosima_Wagner
• 
  Dana Gillespie
  Dana Gillespie (born Richenda Antoinette de Winterstein Gillespie, 30 March 1949, Woking, Surrey) is an English actress and singer.
  Gillespie was born to the Baron De Winterstein Gillespie, an Austrian radiologist, and his wife. She grew up in England and her family's villa in Maccagno, a village on Lake Maggiore, Italy. She was the British Junior Water Skiing Champion for four years, until an injury forced her retirement.^{[citation needed]}
  She recorded initially in the folk genre in the mid-1960s, touring with Mac MacLeod at one point, although she was more known at this time for being the girlfriend of Donovan. Some of her recordings as a teenager fell into the teen pop category, such as the 1966 single "Thank You Boy", produced by Jimmy Page. Her acting career got under way shortly afterwards, and it overshadowed her musical career in the late 1960s and 1970s. After performing backing vocals on the track "It Ain't Easy" from David Bowie's Ziggy Stardust and the Spiders from Mars, she recorded an album produced by Bowie and Mick Ronson in 1973, Weren't Born a Man. Subsequent efforts have been in the blues genre, appearing with her London Blues Band. She is notable for being the original Mary Magdalene in the first London production of Andrew Lloyd Webber and Tim Rice's Jesus Christ Superstar which opened at the Palace Theatre in late 1971. She also appeared on the Original London Cast album which was released the following year.
  
  wn.com/Dana_Gillespie
• David Collings
  David Collings (born 4 June 1940 in Brighton, East Sussex) is a British actor. He has played many different roles on various television programmes, including the leading dramatic role in Fyodor Dostoyevsky's Crime and Punishment in 1964.
  Collings has played historical characters such as Percy Grainger in Ken Russell's Song of Summer (1968), John Ruskin in The Love School (1975), a BBC series about the Pre-Raphaelites, and Sir Anthony Babington in Elizabeth R. He is also known for his roles in the long-running British science fiction television series Doctor Who including Vorus in Revenge of the Cybermen, Mawdryn in the serial Mawdryn Undead and Poul in The Robots of Death. He has also played an alternate Doctor in one of the audio plays by Big Finish Productions in the Doctor Who Unbound series,Full Fathom Five. His other notable science fiction appearances were as Deva in the final episode of Blake's 7 and as the character of 'Silver' in several of the Sapphire and Steel adventures. Collings also played the character of Bob Cratchit in the 1970 musical adaptation of Scrooge.
  
  wn.com/David_Collings
• Dick Bush
  Dick Bush was a prolific cinematographer whose career spanned over thirty years. He was born on 2 December 1931 and died on 4 August 1997 in Devon. In 1980, he was nominated for a BAFTA for Best Cinematography for Yanks. In 1982, he was nominated for a similar award by the British Society of Cinematographers for Victor Victoria. And in 1996, he was nominated for a Gemini Award for Best Photography in a Dramatic Program or Mini-Series for The Man in the Attic.
  
  
  
  wn.com/Dick_Bush
• Elaine Delmar
  
  Elaine Delmar (born 13 September 1939) is an English singer.
  She was born as Elaine Hutchinson in Harpenden, Hertfordshire. Her father was the jazz trumpeter Leslie 'Jiver' Hutchinson.
  She was educated at Rhodes Avenue and Trinity Grammar schools in Wood Green. She studied piano between the ages of six and eleven, reaching Grade VII of the Associated Board examinations.
  She made her first broadcast playing the piano on Children's Hour, aged 13 and she later sang with her father's band at American bases. In 1952/1953, she appeared in Finian's Rainbow in Liverpool. She sang with a group, "The Dominoes" briefly, before going solo. She performed in clubs and on overseas tours. She appeared in the Ken Russell film Mahler (1974).
  During 2010 she featured in concert with Wynton Marsalis's Lincoln Center Jazz Orchestra.
  She lives in Hadley Wood and has one daughter.
  
  wn.com/Elaine_Delmar
• George Coulouris
  George Coulouris (1 October 1903 – 25 April 1989) was an English film and stage actor.
  Coulouris was born in Manchester, Lancashire, England, the son of Abigail (née Redfern) and Nicholas Coulouris, a merchant of Greek origin. He was brought up both in Manchester and nearby Urmston and was educated at Manchester Grammar School. He attended London's Central School of Speech and Drama, in the company of fellow students Laurence Olivier and Peggy Ashcroft.
  Coulouris's stage debut was in 1926 with Henry V at the Old Vic, and by 1929 he made his first Broadway appearance, followed by his first Hollywood film role in 1933.
  A major impact on his life was Orson Welles, whom he met in 1936. He joined Welles' Mercury Theatre, and played Mark Antony in their opening modern dress production of Julius Caesar. "Even 'Friends, Romans, countrymen' sounds on his tongue as if it were a rabble-rousing harangue he is uttering for the first time," noted John Mason Brown in the New York Post. In Citizen Kane (1941), Coulouris played Walter Parks Thatcher, a financier similar to J.P. Morgan. George Coulouris won a National Board of Review 'Best Actor' award in 1941 for his performance in Citizen Kane. Orson Welles was the only other Citizen Kane actor to win the same award.
  
  wn.com/George_Coulouris
• 
  Georgina Hale
  Georgina Hale (born 4 August 1943) is an award-winning English actress notable for many stage, film and television appearances; often in the works of director Ken Russell and writer Simon Gray. She is perhaps best known for her BAFTA-winning performance as Alma Mahler in the 1974 film, Mahler.
  In 2010, Hale was featured in an article in the British newspaper The Guardian, where she was ranked third in a list of ten great character actors in British television.
  Hale was born in Ilford, England, to George Robert Hole and Dorothy (née Fordham). Poorly educated as a child, Hale was unable to read or write for many years. As a teenager, she worked as an apprentice hairdresser and studied acting at a Stanislavski Method studio in London, before being accepted into the Royal Academy of Dramatic Art.
  An accomplished stage actress, Hale made her professional debut at Stratford as a walk-on. She subsequently appeared in rep at Canterbury, Windsor and Ipswich; then at the Liverpool Playhouse in 1967, where her parts included the title role in Gigi, and Juliet in Romeo and Juliet. At the Thorndike Theatre in Leatherhead in October 1975 she played Liza Doolittle in Pygmalion, followed by an acclaimed portrayal of Nina in Chekhov's The Seagull at the Derby Playhouse in July 1976, making her West End debut in the production when it transferred to the Duke of York's Theatre in August 1976.
  
  wn.com/Georgina_Hale
• 
  Gustav Mahler
  Gustav Mahler (German pronunciation: [ˈɡʊstaf ˈmaːlɐ]; 7 July 1860 – 18 May 1911) was a late-Romantic Austrian composer and one of the leading conductors of his generation. He was born in the village of Kalischt, Bohemia, in what was then the Austrian Empire, now Kaliště in the Czech Republic. Then his family moved to nearby Iglau (now Jihlava) where Mahler grew up.
  As a composer, he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
  Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism from Judaism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner and Mozart. Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
  
  wn.com/Gustav_Mahler
• 
  Hugo Wolf
  Hugo Wolf (13 March 1860 – 22 February 1903) was an Austrian composer of Slovene origin, particularly noted for his art songs, or lieder. He brought to this form a concentrated expressive intensity which was unique in late Romantic music, somewhat related to that of the Second Viennese School in concision but utterly unrelated in technique.
  Though he had several bursts of extraordinary productivity, particularly in 1888 and 1889, depression frequently interrupted his creative periods, and his last composition was written in 1898, before he suffered a mental collapse caused by syphilis.
  Hugo Wolf was born in Windischgrätz (now Slovenj Gradec, Slovenia), then a part of the Austrian Empire. From his maternal side, he was related to Herbert von Karajan. He spent most of his life in Vienna, becoming a representative of "New German" trend in lieder, a trend which followed from the expressive, chromatic, and dramatic musical innovations of Richard Wagner.
  A child prodigy, Wolf was taught piano and violin by his father beginning at the age of four, and once in primary school studied piano and music theory with Sebastian Weixler. However, subjects other than music failed to hold his interest; he was dismissed from the first secondary school he attended as being "wholly inadequate", left another over his difficulties in the compulsory Latin studies, and after a falling-out with a professor who commented on his "damned music", quit the last. From there, he went to the Vienna Conservatory to the disappointment of his father, who had hoped Wolf would not try to make his living from music; again, however, he was dismissed for "breach of discipline", though the often-rebellious Wolf would claim he quit in frustration over the school's conservatism.
  
  wn.com/Hugo_Wolf
• 
  Ken Russell
  Henry Kenneth Alfred "Ken" Russell (3 July 1927 – 27 November 2011) was an English film director, known for his pioneering work in television and film and for his flamboyant and controversial style. He attracted criticism as being obsessed with sexuality and the church. His films often dealt with the lives of famous composers or were based on other works of art which he adapted loosely. Russell began directing for the BBC, where he made creative adaptations of composers' lives which were unusual for the time. He also directed many feature films independently and for studios.
  He is best known for his Oscar-winning film Women in Love (1969), The Devils (1971), The Who's Tommy (1975), and the science fiction film Altered States (1980). Classical musicians and conductors held him in high regard for his story-driven biopics of various composers, most famously Elgar, Delius, Liszt, Mahler and Tchaikovsky.
  British film critic Mark Kermode speaking in 2006, and attempting to sum up the director's achievement, called Russell, "somebody who proved that British cinema didn't have to be about kitchen-sink realism—it could be every bit as flamboyant as Fellini. Later in his life he turned to making experimental films such as Lion's Mouth and Revenge of the Elephant Man, and they are as edgy and 'out there' as ever".
  
  wn.com/Ken_Russell
• Kenneth Colley
  Kenneth Colley (born 7 December 1937) is an English actor. A long-time character actor, he came to wider prominence through his role as Admiral Piett in Star Wars Episode V: The Empire Strikes Back and Star Wars Episode VI: Return of the Jedi.
  Unlike the other ill-fated officers who appeared alongside him in The Empire Strikes Back, Colley was the only actor to play an Imperial officer more than 1 Star Wars film.
  Colley was born in Manchester, Lancashire. He played Jesus (very briefly indeed) in The Life of Brian, having also appeared in the earlier Monty Python-related production Ripping Yarns episode "The Testing of Eric Olthwaite" alongside Michael Palin. As a Shakespearean actor he played the Duke of Vienna in the BBC Television Shakespeare production of Measure for Measure in 1979.
  Colley also held an important role in the Clint Eastwood film Firefox, where he played a Soviet Colonel tasked with the protection of the Firefox and its secrets.
  Colley went on to play SS-Standartenführer Paul Blobel in the World War II drama War and Remembrance. His character was charged with hiding the evidence of the Holocaust, and putting dead victims through "Economic Processing".
  
  wn.com/Kenneth_Colley
• Lee Montague
  Lee Montague (born 16 October 1927 in London) is an English actor noted for his roles on film and television, usually playing tough guys.
  Film credits include: Moulin Rouge, The Camp on Blood Island, The Savage Innocents, Billy Budd, The Secret of Blood Island, Deadlier Than the Male, The Legacy and Brother Sun, Sister Moon.
  Television credits include: Danger Man, The Baron, The Troubleshooters, Department S, Dixon of Dock Green, The Sweeney, Holocaust, Space: 1999, Minder, The Chinese Detective, Bergerac, Bird of Prey, Dempsey & Makepeace, Casualty and Waking the Dead. In the sitcom Seconds Out he had a regular part as the manager of a boxer played by Robert Lindsay.
  He also holds the distinction of being the first storyteller on the BBC children's programme Jackanory in 1965.
  
  
  
  wn.com/Lee_Montague
• Miriam Karlin
  Miriam Karlin, OBE (23 June 1925 – 3 June 2011) was a British actress who worked on screen for over 60 years. She was best known for her role as Paddy in The Rag Trade, a 1960s BBC and 1970s LWT sitcom, especially for her catchphrase "Everybody out!". Her trademark throughout her career was her deep, husky voice and London accent.
  Born Miriam Samuels in Hampstead, North London, she was brought up in an Orthodox Jewish family; members of her extended family were among those who later died at Auschwitz. She was the daughter of Céline (née Aronowitz) and Harry Samuels, a Jewish barrister, who specialised in industrial and trade union law. Her brother was Michael Samuels, a historical linguist, responsible for the Historical Thesaurus of the Oxford English Dictionary. When she was doing one of her first radio shows, Terry-Thomas's Top of the Town, she based some of the zany characters she invented and played on people who had appeared before the rent tribunal chaired by her father.
  After training at RADA, Karlin made her stage debut for ENSA – the Forces Entertainment organisation – in wartime shows and subsequently appeared in repertory theatre and cabaret. She appeared in productions of The Diary of Anne Frank, The Bad Seed, The Egg, Fiddler on the Roof and Bus Stop, among others.
  
  wn.com/Miriam_Karlin
• Otto Mahler
  Otto Mahler (18 June 1873 – 6 February 1895) was a Bohemian-Austrian musician and composer who committed suicide at the age of twenty-one.
  The twelfth child of Bernard and Marie Mahler, Otto was born in Jihlava and resembled his elder brother Gustav Mahler in displaying a special talent for music at an early age.
  Gustav Mahler was already Director of the Royal Opera in Budapest when Otto Mahler entered the Vienna Conservatory in 1888 at the age of 15. Natalie Bauer-Lechner's memoirs describe Otto as having been "liberated from his father's business" by Gustav—who became head of the family, and financially responsible for Otto, upon the deaths of Bernard and Marie in 1889.
  Commentary on Otto's life tends to assert that he was a talented student. He appears to have been less diligent than his brother had been, however. After a few successful terms studying harmony and counterpoint with Anton Bruckner and piano with Ernst Ludwig, his marks declined, and the annual report for his first year shows that for some reason he took no final examination in composition. From that point on his academic performance was increasingly poor, and in April 1892, Otto Mahler left the Conservatory without a diploma.
  
  wn.com/Otto_Mahler
• Peter Eyre
  Peter Eyre (born 11 March 1942) is an American-born English actor.
  Eyre was born in New York City, New York, the son of Dorothy Pelline (née Acton) and Edward Joseph Eyre, a banker. He was sent to a public school in England at the age of twelve, and has been based in the country ever since. Although offered a place at the Royal Academy of Dramatic Art at the age of 18, he studied acting in Paris. His distinguished career in the theatre includes work with the Old Vic (where he made his professional debut), the Royal Shakespeare Company, and the Royal National Theatre.
  
  
  
  wn.com/Peter_Eyre
• Richard Morant
  Richard Morant (30 October 1945 – 9 November 2011) was an English actor.
  Morant was born in Shipston-on-Stour, Warwickshire. His father was the actor Philip Morant (1909–1993). He was also a nephew of actors Bill and Linden Travers, and a cousin of actress Penelope Wilton. He enjoyed a long television and theatre career, first creating an impression as the bully Flashman in a BBC adaptation of the Thomas Hughes novel, Tom Brown's Schooldays (1971), and followed this up with a regular role as Dr Dwight Enys in the popular BBC series of Poldark (1975).
  Morant also appeared in several BBC classic serials, including adaptations of Walter Scott's Woodstock (1973), as the future Charles II, and The Talisman (1980), as Conrade of Montserrat.
  He played Robespierre in The Scarlet Pimpernel (1982), and he later played Bunter, the valet of Lord Peter Wimsey, in the BBC's productions of Strong Poison, Have His Carcase and Gaudy Night (all based on Dorothy Sayers's original novels). In 1988 he played Theodore Dyke Acland in the serial Jack the Ripper.
  
  wn.com/Richard_Morant
• 
  Richard Wagner
  Wilhelm Richard Wagner ( /ˈvɑːɡnər/; German pronunciation: [ˈʁiçaʁt ˈvaːɡnɐ]; 22 May 1813 – 13 February 1883) was a German composer, conductor, theatre director and polemicist primarily known for his operas (or "music dramas", as he later called them). Wagner's compositions, particularly those of his later period, are notable for their complex texture, rich harmonies and orchestration, and the elaborate use of leitmotifs: musical themes associated with individual characters, places, ideas or plot elements. Unlike most other opera composers, Wagner wrote both the music and libretto for every one of his stage works. Perhaps the two best-known extracts from his works are the Ride of the Valkyries from the opera Die Walküre, and the Wedding March (Bridal Chorus) from the opera Lohengrin.
  Initially establishing his reputation as a composer of works such as The Flying Dutchman and Tannhäuser which were broadly in the romantic vein of Weber and Meyerbeer, Wagner transformed operatic thought through his concept of the Gesamtkunstwerk ("total work of art"). This would achieve the synthesis of all the poetic, visual, musical and dramatic arts and was announced in a series of essays between 1849 and 1852. Wagner realized this concept most fully in the first half of the monumental four-opera cycle Der Ring des Nibelungen. However, his thoughts on the relative importance of music and drama were to change again, and he reintroduced some traditional operatic forms into his last few stage works, including Die Meistersinger von Nürnberg.
  
  wn.com/Richard_Wagner
• Robert Powell
  Robert Powell (born 1 June 1944) is an English television and film actor, best known for the title role in Jesus of Nazareth (1977) and as the fictional secret agent Richard Hannay. His distinctive voice has become well known in advertisements and documentaries.
  He is also known for his role as Mark Williams in BBC One medical drama, Holby City, and in the sitcom The Detectives alongside Jasper Carrott.
  Powell was born in Salford, Lancashire the son of Kathleen (née Davis) and John Wilson Powell.
  Powell was educated at Manchester Grammar School, an independent school for boys in the city of Manchester in North West England, and later at the University of Salford. One of his classmates was Ben Kingsley, another famous actor, from nearby Pendlebury also in Salford.
  Powell took up acting while an undergraduate. He had aspired to become a lawyer and in 1963-4 attended an external London University LLB degree Course at the Manchester College of Commerce but at the same time quietly took acting roles under Trevor Nunn. At the College of Commerce he swapped roles with Bernard Brandon in a week long College Revue of Comedy Sketches to see which role gave him "the best laughs". This early comedy experience was later to be fulfilled with Jasper Carrot. After this he secured a post at a repetory theatre in Stoke on Trent. He had a small role in the original film version of The Italian Job (1969) playing one of the gang, but had to wait a few years for his first success, playing scientist Toby Wren in the BBC's science fiction series, Doomwatch in 1970. Having been killed off in the last episode of the original series, at his request, Powell became a pin-up and a household name, following up with starring roles in several BBC serials, including television adaptations of the novels Sentimental Education (1970) and Jude the Obscure (1971). He also appeared in the 1975 series Looking for Clancy, based on the Frederic Mullally novel Clancy.
  
  wn.com/Robert_Powell
• Ronald Pickup
  Ronald Alfred Pickup (born 7 June 1940) is an English actor who has been active in television and film since 1964.
  Pickup was born in Chester, England, the son of Daisy (née Williams) and Eric Pickup, who was a lecturer. Pickup was educated at the King's School, Chester, trained at the Royal Academy of Dramatic Art (RADA) in London, and became an Associate Member of RADA.
  His television work began with an episode during the second series of Doctor Who in 1964, for which he was paid £30. In 1973, he starred in the BBC drama series The Dragon's Opponent, playing a World War II bomb disposal expert.
  In 1982 Pickup had the starring role as composer Giuseppe Verdi in the acclaimed The Life of Verdi, written and directed by Renato Castellani.
  In 1983 he appeared opposite Penelope Keith in Moving. He was seen in the 1988 BBC miniseries The Lion, the Witch and the Wardrobe as the voice of Aslan, and in 1990 he starred in the short lived sit-com, Not with a Bang.
  More modern roles have included parts in Hornblower, Hustle, Foyle's War, Midsomer Murders, Waking the Dead, The Bill, Silent Witness, Sherlock Holmes, and Inspector Morse.
  
  wn.com/Ronald_Pickup
• Rosalie Crutchley
  Rosalie Crutchley (4 January 1920 – 28 July 1997) was an English actress. Trained at the Royal Academy of Music, Crutchley was best known for her television performances, but had a long and successful career in the theatre and in films, making her stage debut at least as early as 1932 and her screen debut in 1947. She continued acting up until her death in 1997.
  She had dark piercing eyes, and often played foreign characters, or rather sinister characters. She played many classical roles, including Juliet in Shakespeare's Romeo and Juliet, Hermione in The Winter's Tale and Goneril in King Lear.
  Her screen debut was as a violinist who is murdered in Take My Life (1947). She played Madame Defarge in both A Tale of Two Cities, the 1958 film, and in the 1965 television serialisation of the same story.
  She played Catherine Parr in the 1970 TV series, The Six Wives of Henry VIII, and played the same character its sequel, Elizabeth R (1971).
  Other roles included Mrs Sparsit in Hard Times (ITV, 1977), and Electra (1974). She is probably remembered best for her performances in the classic films Quo Vadis (1951) as Acte, Nero's confidante, and The Haunting (1963) as the sinister housekeeper Mrs. Dudley.
  
  wn.com/Rosalie_Crutchley

Mahler (1974)

Genres

• Biography
• Drama
• Music

Taglines:

Quotes:

Mahler: You've already wasted three minutes of my time! Now why don't you do what I do to keep the New York Philharmonic in time: beat it!

Max: [laughs] I can't remember - what religion are you?::Gustav Mahler: I... am a composer.

[last lines]::Gustav Mahler: [reminded of some medications he should take] They won't be needed! We're going to live forever!

• Symphony No. 1 in D: 1. Langsam. Schleppend
• Symphony No. 1 in D: 2. Kräftig Bewegt
• Symphony No. 1 in D: 3. Feierlich und gemessen, ohne zu schleppen
• Symphony No. 1 in D: 4. Stürmisch Bewegt

• Kindertotenlieder: I. "Nun will die Sonn' so hell aufgeh'n"
• Kindertotenlieder: II. "Nun seh' ich wohl, warum so dunkle Flammen"
• Kindertotenlieder: III. "Wenn dein Mütterlein"
• Kindertotenlieder: IV. "Oft denk' ich, sie sind nur ausgegangen"
• Kindertotenlieder: V. "In diesem Wetter"
• Quartettsatz
• Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht"
• Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld"
• Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer"
• Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz"
• Berceuse élégiaque

• Symphony No. 9 in D major: I. Andante comodo
• Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
• Symphony No. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig
• Symphony No. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend

• Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
• Das Lied von der Erde: II. Der Einsame im Herbst
• Das Lied von der Erde: III. Von der Jugend
• Das Lied von der Erde: IV. Von der Schönheit
• Das Lied von der Erde: V. Der Trunkene im Frühling
• Das Lied von der Erde: VI. Der Abschied

• Symphony No. 10 in F-sharp Major; I. Adagio: Andante - Adagio
• Symphony No. 10 in F-sharp Major; II. Scherzo I: In gemächlicher Bewegung. Ohne Hast
• Symphony No. 10 in F-sharp Major; III. Purgatorio: Unheimlich bewegt
• Symphony No. 10 in F-sharp Major; IV. Scherzo II: Kräftig, nicht zu schnell
• Symphony No. 10 in F-sharp Major; V. Finale. Langsam - Allegro moderato - Andante comodo, aber nicht schleppend

• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Veni, Creator Spiritus”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Imple superna gratia”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Infirma nostri corporis”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Accende lumen sensibus”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Veni, Creator Spiritus”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Gloria Patri Domino”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Poco adagio “Waldung, sie schwankt heran”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Ewiger Wonnebrand”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Wie Felsenabgrund mir zu Füssen”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Gerettet ist das edle Glied”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Uns bleibt ein Erdenrest”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Hier ist die Aussicht frei”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Höchste Herrscherin der Welt”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Dir, der Unberürbaren”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Bei der Liebe, die den Füssen”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Neige, neige, du Ohnegleiche”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Blicket auf zem Retterblick”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Alles Vergängliche”

• Des Knaben Wunderhorn: I. Rheinlegendchen
• Des Knaben Wunderhorn: II. Verlorne Müh'!
• Des Knaben Wunderhorn: III. Trost im Unglück
• Des Knaben Wunderhorn: IV. Wer hat dieses Liedel erdacht?
• Des Knaben Wunderhorn: V. Lob des hohen Verstands
• Des Knaben Wunderhorn: VI. Des Antonius von Padua Fischpredigt
• Des Knaben Wunderhorn: VII. Revelge
• Des Knaben Wunderhorn: VIII. Der Tamboursg'sell
• Des Knaben Wunderhorn: IX. Der Schildwache Nachtlied
• Des Knaben Wunderhorn: X. Lied des Verfolgten im Turm
• Des Knaben Wunderhorn: XI. Wo die schönen Trompeten blasen
• Des Knaben Wunderhorn: XII. Das irdische Leben
• Des Knaben Wunderhorn: XIII. Das himmlische Leben
• Des Knaben Wunderhorn: XIV. Urlicht

• Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso

• Symphony No. 2 in C minor “Resurrection”: I. Allegro maestoso

• Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
• Symphony No. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich

• Adagietto - Sehr langsam (aus "Symphonie Nr. 5 cis-Moll")
• Misterioso - Sehr langsam (aus "Symphonie Nr. 3 d-Moll" - Text: Friedrich Nietsche)
• Feierlich und gemessen (aus "Symphonie Nr. 1 D-Dur" - "Der Titan")
• "Urlicht" - Sehr feierlich aber schlicht (aus "Symphonie Nr. 2 c-Moll" - "Auferstehung" - Worte aus "Des Knaben Wunderhorn")
• Nachtmusik - Andante amoroso (aus "Symphonie Nr. 7")
• Adagio - Langsam - Ruhevoll - Empfunden (Schlußsatz aus "Symphonie Nr. 3 d-Moll")

• Symphony No. 10: I. Andante
• Symphony No. 10: II. Scherzo I
• Symphony No. 10: III. Purgatorio
• Symphony No. 10: IV. Scherzo II
• Symphony No. 10: V. Finale

• Symphony No. 4 in G major: I. Heiter Bedachtig, nicht eilen
• Symphony No. 4 in G major: II. In gemachlicher Bewegung, ohne Hast
• Symphony No. 4 in G major: III. Ruhevoll, poco adagio
• Symphony No. 4 in G major: IV. Sehr behaglich

• Symphony № 1 In D “Titan”: I. Langsam. Schleppend
• Symphony № 1 In D “Titan”: II. Kräftig Bewegt
• Symphony № 1 In D “Titan”: III. Feierlich Und Gemessen, Ohne Zu Schleppen
• Symphony № 1 In D “Titan”: IV. Stürmisch Bewegt

• Symphony No. 7: I. Langsam (Adagio) - Allegro Risoluto, Ma Non Troppo
• Symphony No. 7: II. Nachtmusik I. Allegro Moderato
• Symphony No. 7: III. Scherzo. Schattenhaft
• Symphony No. 7: IV. Nachtmusik II. Andante Amoroso
• Symphony No. 7: V. Rondo, Finale. Allegro Ordinario

• Symphony No. 9 in D Major; IV. Adagio (sehr langsam)

• Symphony no. 7 in E minor: I. Langsam - Allegro con fuoco
• Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato
• Symphony no. 7 in E minor: III. Scherzo: Schattenhaft
• Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso
• Symphony no. 7 in E minor: V. Rondo - Finale

• Symphony No. 4 in G major: I. Bedächtig. Nicht eilen
• Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
• Symphony No. 4 in G major: III. Ruhevoll (Poco adagio - Allegretto subito - Allegretto subito)
• Symphony No. 4 in G major: IV. Sehr behaglich ('Wir genießen die himmlischen Freuden')

• Bedächtig, nicht eilen
• In gemächlicher Bewegung, ohne Hast
• Ruhevoll, poco adagio
• Sehr behaglich (Das himmlische Leben)

• Symphony No. 5: I. Trauermarsch
• Symphony No. 5: II. Stuermisch Bewegt, Mit größter Vehemenz
• Symphony No. 5: III. Scherzo
• Symphony No. 5: IV. Adagietto
• Symphony No. 5: V. Rondo - Finale

• Symphony No. 8 in E-flat major: Part II: I. Poco Adagio
• Symphony No. 8 in E-flat major: Part II: II. Waldung, sie schwankt heran
• Symphony No. 8 in E-flat major: Part II: III. Ewiger Wonnebrand
• Symphony No. 8 in E-flat major; Part II: IV. Wie Felsenabgrund mir zu Füßen
• Symphony No. 8 in E-flat major: Part II: V. Gerettet ist das edle Glied
• Symphony No. 8 in E-flat major: Part II: VI. Hier ist die Aussicht frei
• Symphony No. 8 in E-flat major: Part II: VII. Dir, der Unberührbaren
• Symphony No. 8 in E-flat major: Part II: VIII. Du schwebst zu Höhen
• Symphony No. 8 in E-flat major: Part II: IX. Bei dem Bronn, zu dem schon weiland
• Symphony No. 8 in E-flat major: Part II: X. Komm! Hebe dich zu höhern Sphären!
• Symphony No. 8 in E-flat major: Part II: XI. Blicket auf
• Symphony No. 8 in E-flat major: Part II: XII. Alles Vergängliche

• Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso
• Symphony No. 2 in C minor "Resurrection": II. Andante moderato

• Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso
• Symphony No. 2 in C minor "Resurrection": II. Andante moderato
• Symphony No. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung
• Symphony No. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
• Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend

• Symphony No. 6 in A Minor: II. Andante moderato
• Symphony No. 6 in A Minor: III. Scherzo: Wuchtig
• Symphony No. 6 in A Minor: IV: Finale: Allegro moderato

• Symphony No. 9 in D major: I. Andante comodo
• Symphony No. 9 in D major: II. Im Tempo eines gemachlichen Landlers - Etwas tappisch und sehr derb
• Symphony No. 9 in D major: III. Rondo - Burleske: Allegro assai

• Symphony No. 6: I. Allegro energico, ma non troppo. Heftig, aber markig
• Symphony No. 6: II. Scherzo. Wuchtig
• Symphony No. 6: III. Andante moderato

• Symphony No. 3: I. Kräftig. Entschieden

• Symphony No. 7: I. Langsam - Allegro con fuoco
• Symphony No. 7: II. Nachtmusik I. Allegro moderato
• Symphony No. 7: III. Scherzo. Schattenhaft
• Symphony No. 7: IV. Nachtmusik II. Andante amoroso
• Symphony No. 7: V. Rondo-Finale. Allegro ordinario - Allegro moderato, ma energico

• Symphony No. 9 in D major: I. Andante comodo
• Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers - Etwas täppisch und sehr derb
• Symphony No. 9 in D major: III. Rondo-Burleske: Allegro assai - Sehr trotzig
• Symphony No. 9 in D major: IV. Adagio - Sehr langsam und noch zurückhaltend

• Symphony, No. 3 in, D minor: I. Kräftig. Entschieden
• Symphony, No. 3 in, D minor: II. Tempo di menuetto
• Symphony, No. 3 in, D minor: III. Comodo. Scherzando

• Symphony No. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": a. Veni, creator spiritus
• Symphony No. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": b. Imple superna gratia
• Symphony No. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": c. Infirma nostri corporis
• Symphony No. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": d. Tempo I (Allegro, etwas hastig)
• Symphony No. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": e. Infirma nostri corporis
• Symphony No. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": f. Accende lumen sensibus
• Symphony No. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": g. Qui paraclitus diceris
• Symphony No. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": h. Gloria patri domino
• Symphony No. 8 in E-flat major: II. Final Scene from "Faust II": a. Poco adagio
• Symphony No. 8 in E-flat major: II. Final Scene from "Faust II": b. Più mosso (Allegro moderato)
• Symphony No. 8 in E-flat major: II. Final Scene from "Faust II": c. Waldung, sie schwankt heran (Chor und Echo)
• Symphony No. 8 in E-flat major: II. Final Scene from "Faust II": d. Ewiger Wonnebrand (Pater Ecstaticus)
• Symphony No. 8 in E-flat major: II. Final Scene from "Faust II": e. Wie Felsenabgrund mir zu Füssen (Pater Profundus)
• Symphony No. 8 in E-flat major: II. Final Scene from "Faust II": f. Gerettet ist das edle Glied (Engel)
• Symphony No. 8 in E-flat major: II. Final Scene from "Faust II": g. Uns bleibt ein Erdenrest (Engel)
• Symphony No. 8 in E-flat major: II. Final Scene from "Faust II": h. Ich spür' soeben (Die jüngeren Engel)
• Symphony No. 8 in E-flat major: II. Final Scene from "Faust II": i. Höchste Herrscherin der Welt (Doctor Marianus)
• Symphony No. 8 in E-flat major: II. Final Scene from "Faust II": j. Dir, der Unberührbaren (Chor)
• Symphony No. 8 in E-flat major: II. Final Scene from "Faust II": k. Bei der Liebe, die den Füssen (Magna Peccatrix)
• Symphony No. 8 in E-flat major: II. Final Scene from "Faust II": l. Neige, neige, du Ohnegleiche (Una Poenitentium)
• Symphony No. 8 in E-flat major: II. Final Scene from "Faust II": m. Er überwächst uns schon (Chor seliger Knaben)
• Symphony No. 8 in E-flat major: II. Final Scene from "Faust II": n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor)
• Symphony No. 8 in E-flat major: II. Final Scene from "Faust II": o. Blicket auf zum Retterblick (Doctor Marianus und Chor)
• Symphony No. 8 in E-flat major: II. Final Scene from "Faust II": p. Alles Vergängliche (Chorus mysticus)
• Symphony No. 8 in E-flat major: II. Final Scene from "Faust II": q. Alles Vergängliche (Chorus mysticus)

• Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso: "Oh Mensch! Gib acht!"
• Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck: "Bimm bamm ... Es sungen drei Engel"
• Symphony No. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden
• Bach Suite: I. Overture
• Bach Suite: II. Rondeau - Badinerie
• Bach Suite: III. Air
• Bach Suite: IV: Gavottes I and II

• Symphony No. 3 in D minor: Part I: I. Kräftig, entschieden
• Symphony No. 3 in D minor: Part II: II. Tempo di menuetto. Sehr mässig
• Symphony No. 3 in D minor: Part II: III. Comodo. Scherzando. Ohne Hast

• Symphony No. 2 in C minor: I. Allegro maestoso

• Symphony No. 4 in G major: I. Bedächtig. Nicht eilen
• Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
• Symphony No. 4 in G major: III. Ruhevoll
• Symphony No. 4 in G major: IV. Sehr behaglich
• Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht"
• Lieder eines fahrenden Gesellen: II. "Ging heut' Morgen übers Feld"
• Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer in meiner Brust"
• Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz"

• Trauermarsch (In gemessenem Schritt - Streng - Wie ein Kondukt)
• Stuermisch bewegt, mit groesster Vehemenz
• Scherzo (Kräftig, nicht zu schnell)
• Adagietto (Sehr langsam)
• Rondo-Finale. Allegro - Allegro giocoso. Frisch

• Symphony No. 4 in G major: I. Bedächtig. Nicht eilen
• Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
• Symphony No. 4 in G major: III. Ruhevoll (Poco adagio)
• Symphony No. 4 in G major: IV. Sehr behaglich ("Wir genießen die himmlischen Freuden")

• Siegfried Idyll
• Symphony No. 9 in D minor: I. Andante comodo
• Symphony No. 9 in D minor: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb

• Das Trinklied Von Jammer Der Erde: The drinking song of Earth's Sorrow
• Der Einsame Im Herbst: The Lonely One in Autumn
• Von Der Jugend: Of Youth
• Von Der Schönheit: Of Beauty
• Der Trunkene Im Früling: The Drunkard in Spring
• Der Abscheid - The Farewell: Schwer
• Der Abscheid - The Farewell: Sehr Mässig
• Der Abscheid - The Farewell: Fliessend
• Der Abscheid - The Farewell: Schwer
• Der Abscheid - The Farewell: Nicht Eilen
• Der Abscheid - The Farewell: Sehr Mässig

• Sinfonie Nr. 2 in c-Moll : I. Allegro maestoso
• Sinfonie Nr. 2 in c-Moll : II. Andante moderato
• Sinfonie Nr. 2 in c-Moll : III. (Scherzo) In ruhig fließender Bewegung
• Sinfonie Nr. 2 in c-Moll : IV. Urlicht. Sehr feierlich, aber schlicht
• Sinfonie Nr. 2 in c-Moll : V. Im Tempo des Scherzo

• Symphony No. 2 in C Minor "Resurrection": 1. Allegro maestoso. Mit durchaus ernstem un feierlichem Ausdruck
• Symphony No. 2 in C Minor "Resurrection": 2. Andante moderato. Sehr gemächlich

• I. Bedächtig. Nicht eilen
• II. In gemälicher Bewegung. Ohne Hast
• III. Ruhevoll
• IV. Sehr behaglich (Soprano Solo: “Wir genießen die himmlischen Freuden”; from Des Knaben Wunderhorn)

• Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt)
• Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz
• Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell)
• Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam)
• Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro)

• Symphony No. 4 in G major: I. Bedächtig, nicht eilen
• Symphony No. 4 in G major: II. In gemächlicher Bewegung, ohne Hast
• Symphony No. 4 in G major: III. Ruhevoll, poco adagio
• Symphony No. 4 in G major: IV. Sehr behaglich

• Mit Durchaus Ernstem Und Feierlichem Ausdruck
• Sehr Mabig Und Zuruckhaltend
• Schnell
• Tempo I
• Tempo Sostenuto
• Sehr Gemachlich
• Nicht Eilen. Sehr Gemachlich
• In Tempo I Zuruckehren
• Energisch Bewegt
• Wieder Ins Tempo Zuruckgehen. Tempo I

• Symphony No. 8: I. Teil, Hymnus. Veni, creator spiritus

• Der Tod und das Mädchen, D. 531
• Quartet in D minor, D. 810 "Der tod und das Mädchen" : I. Allegro
• Quartet in D minor, D. 810 "Der tod und das Mädchen" : II. Andante con moto
• Quartet in D minor, D. 810 "Der tod und das Mädchen" : III. Scherzo (allegro molto)
• Quartet in D minor, D. 810 "Der tod und das Mädchen" : IV. Presto

• Symphony No. 1 in D major I. Langsam Schleppend - Im Anfang sehr gemächlich
• Symphony No. 1 in D major II. Kräftig bewegt, doch nicht zu schell
• Symphony No. 1 in D major III. Feierlich und gemessen, ohne zu schleppen
• Symphony No. 1 in D major IV. Stürmisch bewegt

• Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
• Das Lied von der Erde: II. Der Einsame im Herbst
• Das Lied von der Erde: III. Von der Jugend
• Das Lied von der Erde: IV. Von der Schönheit
• Das Lied von der Erde: V. Der Trunkene im Frühling
• Das Lied von der Erde: VI. Der Abschied

• Symphony No. 4 in G Major: I. Bedaechtig
• Symphony No. 4 in G Major: II. In gemaechlicher Bewegung
• Symphony No. 4 in G Major: III. Ruhevoll (Poco adagio)
• Symphony No. 4 in G Major: IV. Sehr behaglich
• 8 Songs: I. Erinnerung
• 8 Songs: II. Scheiden und Meiden
• 8 Songs: III. Nicht wiedersehen!
• 8 Songs: IV. Ich ging mit Lust durch einen gruenen Wald
• 8 Songs: V. Abloesung im Sommer
• 8 Songs: VI. Hans und Grete
• 8 Songs: VII. Fruehlingsmorgen
• 8 Songs: VIII. Starke Einbildungskraft

Born: 1860-07-07

Died: 1911-05-18

• timeline:
• 2012
• 2011
• 2010
• 2009
• 2008
• 2007
• 2006
• 2005
• 2004
• 2003
• 2002
• 2001

• timeline:
• 2012
• 2011
• 2010
• 2009
• 2008
• 2007
• 2006
• 2005
• 2004
• 2003
• 2002
• 2001