Snatcher (スナッチャー^?) is a cyberpunk-themed graphic adventure game produced by Konami, originally released in Japan for the NEC PC-8801 and MSX 2 computer platforms in 1988. It was followed by a CD-ROM-based remake released for the PC Engine video game console in 1992, which was subsequently ported and localized into English for the Mega-CD/Sega CD in 1994. Snatcher was the second video game written and directed by Hideo Kojima, following the original Metal Gear for the MSX2.^[1] The game's story centers around an investigator named Gillian Seed, who is assigned to investigate a breed of bioroids known as "Snatchers", who are killing humans and taking their place in society. The game is known for its heavy influence from science fiction cult films such as Blade Runner, Akira and The Terminator.^[2]

Gameplay[link]

The game is set in a primarily first person perspective and uses a menu-based interface that allows the protagonist (Gillian Seed) to interact with his environment. The player can choose to "Look", "Investigate", "Talk", "Ask" and "Move" (in addition to other options) to acquire key items or receive vital information from other characters. The player can analyze items in Gillian's belongings or show it to other characters. The player uses Metal Gear (Gillian's robotic assistant) to communicate with other characters via a videophone or save their current progress. During key points of the game's story, the player must pass shooting sequences to defend Gillian from assailants. These shooting segments uses a 3x3 grid which the player can target to fire at enemies. A shooting trainer, called "Junker's Eyes", is accessible at Junker HQ that allows the player to measure their accuracy.

Story[link]

Plot and setting[link]

On June 6, 1996 (1991 in the Japanese versions),^[3] a biological weapon known as Lucifer-Alpha under development in Chernoton, Russia, is released into the atmosphere, resulting in the death of 80% of the Eurasian population which in turn results in the death of half of the world's population. The contaminated area becomes uninhabitable for a decade, when Lucifer-Alpha mutates into a non-lethal form. This tragic event later becomes known as "the Catastrophe".

Fifty years later, a breed of artificial life-forms or bioroids known as "snatchers" began appearing in the artificial island of Neo Kobe City, killing their victims and taking their place in society. Nobody knows exactly what they are or where they come from. As Gillian Seed, an amnesiac working for an Anti-Snatcher task force called J.U.N.K.E.R., the player's goal is to track down the source of the snatchers and discover Gillian's mysterious connections with them.

Characters[link]

Note: All spellings used are from the English-language Mega-CD/Sega CD version. Alternate spellings from other versions when they differ are provided in parenthesis.

Gillian Seed (ギリアン・シード^?, Gulian in the PC-88/MSX version.)

The protagonist. An amnesiac with mysterious ties to the "Snatcher" menace. He joins JUNKER as its newest "Runner" (a type of field operative).

Voiced by: Yusaku Yara (Japanese), Jeff Lupetin (English)

Metal Gear Mk. II (メタルギア Ｍｋ．Ⅱ^?)

Gillian's robotic sidekick. A "navigator" who serves as an on-site forensic analizer and has a built-in videophone. His designer Harry Benson claims that he designed Metal after the "Metal Gear threat from the late 20th century" (a bipedal tank from the eponymous video game).

Voiced by: Mami Koyama (Japanese), Lucy Childs (English)

Jamie Seed (ジェミー・シード^?, Jaime in all Japanese versions)

Gillian's estranged wife, who was found alongside him, with no recollection of her past. Employed at Neo Kobe Pharmaceuticals at the start of the game.

Voiced by: Kikuko Inoue (Japanese), Susan Mele (English)

Random Hajile (ランダム・ハジル^?, Randam in all Japanese versions)

A mysterious bounty hunter who assists Gillian during the course of the story. Rides a one-wheeled motorcycle known as the "Road Runner", and bears a strong resemblance to the character Roy Batty from the film Blade Runner, as well as Feyd-Rautha from the movie Dune.

Voiced by: Kaneto Shiozawa (Japanese), Jim Parks (English)

Mika Slayton (ミカ・スレイトン^?, Slaton in the PC-88/MSX version)

The receptionist at JUNKER HQ. A young attractive woman of Japanese and Jewish descent.

Voiced by: Mina Tominaga (Japanese), Kimberly Harne (English)

Katrina Gibson (カトリーヌ・ギブスン^?, Kathaline in the PC-88/MSX version, Katherine in later Japanese versions)

The young daughter of a JUNKER agent, who works as a model.

Voiced by: Mina Tominaga (Japanese), Lynn Foosaner (English)

Harry Benson (ハリー・ベンソン^?)

JUNKER's mechanic. He survived the Catastrophe when he was a child. Designer of the robotic navigators "Little John" and "Metal Gear Mk. II".

Voiced by: Ryuji Saikachi (Japanese), Ray Van Steen (English)

Benson Cunningham (ベンソン・カニンガム^?, Cunningum in all Japanese versions)

JUNKER's commanding chief. A special forces veteran.

Voiced by: Goro Naya (Japanese), Ray Van Steen (English)

Jean Jack Gibson (ジャン・ジャック・ギブスン^?)

Katrina's father and the only other living field operative of JUNKER at the start of the story. He has a robotic navigator of his own called Little John, which unlike Metal Gear, was not programmed with a voice.

Voiced by: Isao Inoguchi (Japanese), Jim Parks (English)

Napoleon (ナポレオン^?)

An informant who suffers from allergies.

Voiced by: Goro Naya (Japanese), Jim Parks (English)

Chin Shu Oh (陳 周鳳^?, Chin Syuuhou in the Japanese versions)

The Director of Queens Hospital.

Voiced by: Isao Inoguchi (Japanese), Ray Van Steen (English)

Elijah Modnar (エリア・マッドナー^?, Madnar in the Japanese versions)

A Russian scientist who was involved in a top secret Soviet project prior to the events of the Catastrophe.

Voiced by: Kaneto Shiozawa (Japanese), Jim Parks (English)

Release history[link]

Japanese versions[link]

Snatcher was first released in 1988 for the PC-8801 (on November 26) and MSX2 (December 13) computer platforms. The first versions were released on floppy disks and were entirely text-based, instead a unique sounding bleep occurred when a character spoke. Due to time constraints, the developers were forced to truncate the story at the end of Act 2, leaving out the originally planned ending. The MSX version came packaged with a proprietary audio cartridge to match the music and sound effects of the PC-88 version; the graphic screen is slightly smaller and has longer load-times but otherwise no changes from the PC-8801 version. Konami released a spinoff titled SD Snatcher for the MSX2 on April 27, 1990. SD Snatcher, a role-playing video game, features an alternate version of the original Snatcher storyline with its own ending.

Snatcher was remade as a Super CD-ROM² release for the PC Engine under the title of Snatcher: CD-ROMantic, released on October 23, 1992. This version, in addition to offering improved graphics and audio, added voice acting during key portions of the game, as well as Act 3, the planned ending that was not included in the early PC versions. Konami preceded release of Snatcher with a Pilot Disk (released on August 7) containing a playable portion of the game, a trailer-like preview, a database of characters and mechanics of the game, among other features. This was the last version of the game developed by the original team, including Hideo Kojima himself.

In 1996, Snatcher was ported to the PlayStation (February 12) and Sega Saturn (March 29). These two 32-bit versions added slightly redone graphics, a CG animated opening and other subtle changes (most of them derived from the English Mega-CD version). Most of the graphic violence were censored, the talking heads (when a character spoke) were completely redrawn, and the music was completely remixed.

English version[link]

An English localization of Snatcher was produced for the Mega-CD (or Sega CD) in North America, Europe and Australia, all three of those versions were released in December 1994. The Mega-CD port was produced specifically for the overseas market and was ported from the PC Engine version. The script was translated by Scott T. Hards, with Jeremy Blaustein (who would later translate Metal Gear Solid) supervising the localization. This version adds support for Konami's Justifier light gun peripheral for the shooting segments.

Several changes were made to conform with the different censorship standards outside Japan, mainly due to sexual content.^[4] Katrina's age was changed from 14 in the Japanese version to 18 in the English version (due to a nude shower scene she has in the game) and the exposed breast of a dead Snatcher was covered up. A scene featured in the PC Engine, which depicts a dying dog twitching with its internal organs exposed was redone so the dog is no longer twitching. The clientele at the Outer Heaven night club, which were originally parodies of popular sci-fi characters, were changed to Konami characters to avoid any potential copyright infringement. The naked Snatchers were also redesigned to lessen the resemblance with the Terminator robot: their endoskeletons were repainted with olive-colored body parts and their red eyes were changed to green, besides other minimal graphic changes.

The Sega CD version adds an extended opening intro (adapted from the introductory manga story featured in the manual) and Act 3 was revised to allow more interaction with the player. The ending is extended with the addition of Katrina and Mika in the game's final scene, as well as a cameo from Napoleon.

According to Blaustein, the Sega CD version of Snatcher only sold a "couple of thousand units" in North America. He attributes the game's commercial failure due to Sega's waning support of the add-on at the time of the game's release.^[5] Because such a small number of copies exist, Snatcher has become one of the rarest and most sought-after Sega CD games, with complete copies usually going for over $200 USD on marketplaces like eBay and Amazon.com.

Reception[link]

Snatcher has been critically acclaimed by reviewers. 1UP praised Snatcher for being an ambitious cyberpunk detective novel graphic adventure that pushed the boundaries of video game storytelling, cinematic cut scenes and mature content in its time.^[10] Electronic Gaming Monthly described it as "an awesome cyberpunk adventure game.^[7] Kurt Kalata of Gamasutra and Hardcore Gaming 101 praised the game for its graphics, soundtrack, high quality writing comparable to a novel, voice acting comparable to a film or radio drama, post-apocalyptic science fiction setting, light gun shooter segments, and in-game computer database with optional documents that flesh out the game world, though not its use of the amnesia theme. According to Kalata, the Sega CD version of Snatcher was for a long time the only major visual novel game to be released in America,^[11] where it gained a cult following.^[12]

RPG Fan gave the game a score of 95%, praising it for its "amazing story line," every character's "superb development and revelations," the "twists and turns in the plot," and the game's ending.^[9] Niall Macdonald of Console Obsession gave the game a score of 9/10, praising it for its "solid game world" as well as "excellent story, stylised visuals and deep concepts." He recommended the game to fans of film noir and cyberpunk, concluding that it is "not just an excellent interactive movie, but an example of gaming at its finest."^[8]

Prequel 'SDATCHER'[link]

SDATCHER is a seven episode bi-weekly radio play, airing as part of Hideo Kojima's Podcast, Hideradio. The prequel is written by Goichi Suda and directed by Shuyo Murata. A commercial CD release is planned for December 2011, including the music by Akira Yamaoka. The story revolves around Jean-Jack Gibson, a fellow junker from the original game. A fan translation is available at SDATCHER.net

Other Appearances[link]

• Ganbare Goemon 2: Kiteretsu Shogun Magginesu (1993)
• Speed King NEO KOBE 2045 (1996) (Sony Playstation)

See also[link]

• Policenauts
• Blade Runner

References[link]

Bibliography[link]

• HIPPON SUPER!編集部 (November 1992) (in Japanese). スナッチャーのすべて. JICC出版局. ISBN 4-7966-0535-5. 
• 月刊PCエンジン特別編集 (November 1992) (in Japanese). スナッチャー公式 ガイドブック. 小学館. ISBN 4-09-102409-2. 

External links[link]

• Snatcher at MobyGames
• Hardcore Gaming 101 - Article on the game and regional differences with photos
• The Snatcher Experience - Comparison between Snatcher and Blade Runner
• JUNKER HQ - Snatcher research, scans and information
• The Kremlin - A Snatcher fansite that mostly focuses on the SEGA CD version.
• Complete playthrough.

Donald Sutherland
Sutherland at the Mill Valley Film Festival, 2005
Born	Donald McNicol Sutherland[1] (1935-07-17) 17 July 1935 (age 76) Saint John, New Brunswick, Canada
Occupation	Actor
Years active	1962–present
Spouse	Lois Hardwick (1959–66) Shirley Douglas (1966–70) Francine Racette (1972–present)
Children	Kiefer, Rachel Rossif, Angus, Roeg

Donald McNichol Sutherland, OC (born 17 July 1935) is a Canadian actor whose film career spans nearly 50 years.^[1] Some of Sutherland's more notable movie roles included offbeat warriors in popular war movies such as The Dirty Dozen, MASH and Kelly's Heroes, as well as characters in other popular films such as Klute, Invasion of the Body Snatchers, JFK, Ordinary People and, more recently, The Hunger Games. He is the father of actor Kiefer Sutherland.^[2]

Early life[link]

Sutherland was born in Saint John, New Brunswick, the son of Dorothy Isobel (née McNichol; 1892–1956) and Frederick McLea Sutherland (1894–1983), who worked in sales and ran the local gas, electricity, and bus company.^[1][3] His ancestry includes Scottish, as well as German and English.^[4][5] His teenage years were spent in Nova Scotia.^[6] He got his first part time job at age 14 as a news correspondent for local radio station CKBW in Bridgewater, Nova Scotia. He then studied at Victoria College, University of Toronto, where he met his first wife Lois Hardwick (not the child star of the same name), and graduated with a double major in engineering and drama. He had at one point been a member of the "UC Follies" comedy troupe in Toronto. He changed his mind about becoming an engineer, and subsequently left Canada for England to study at the London Academy of Music and Dramatic Art.

Early work[link]

In the early-to-mid-1960s, Sutherland began to gain small parts in British films and TV. He featured alongside Christopher Lee in horror films such as Castle of the Living Dead (1964) and Dr. Terror's House of Horrors (1965), appeared in a 1967 episode of The Avengers entitled "The Superlative Seven" and twice appeared in the TV series The Saint, firstly in the 1965 episode "The Happy Suicide"^[7] and then, more auspiciously, in the episode "Escape Route" at the end of 1966.^[8] "Escape Route" was directed by the show's star, Roger Moore, who later recalled that Sutherland "asked me if he could show it to some producers as he was up for an important part... they came to view a rough cut at the studio and he got The Dirty Dozen".^[9] Sutherland was then on course for the first of the three war films which would make his name: as one of the The Dirty Dozen in 1967, alongside Lee Marvin and Charles Bronson; as the lead "Hawkeye" Pierce in Robert Altman's MASH in 1970; and, again in 1970, as hippy-like tank commander Sgt. Oddball in Kelly's Heroes, alongside Clint Eastwood and Telly Savalas.

Mid-career: 1972–2000[link]

During the filming of the Academy award-winning detective thriller Klute, Sutherland had an intimate relationship with co-star Jane Fonda.^[10] Sutherland and Fonda went on to co-produce and star together in the anti-Vietnam war documentary F.T.A. (1972), consisting of a series of sketches performed outside army bases in the Pacific Rim and interviews with American troops who were then on active service. A follow up to their teaming up in Klute, Sutherland and Fonda performed together in Steelyard Blues (1972), a "freewheeling, Age-of-Aquarius, romp-and-roll caper" from the writer David S. Ward. Also starring in this film was the late Peter Boyle (more recently known for his work in Everybody Loves Raymond).

Sutherland found himself in demand as a leading man throughout the 1970s in films such as the Venice-based psychological horror film Don't Look Now (1973), the war film The Eagle Has Landed (1976), Federico Fellini's Casanova (1976) and the thriller Eye of the Needle (which was filmed on location on the Isle of Mull, West Scotland) and as the ever-optimistic health inspector in the science fiction/horror film Invasion of the Body Snatchers (1978) alongside Brooke Adams and Jeff Goldblum. In 1975 he starred in Day of the Locust opposite Karen Black of Easy Rider and Five Easy Pieces fame; Sutherland played the lead character, Homer Simpson, in this drama based on the book by Nathanael West.

He helped launch the internationally popular Canadian television series Witness to Yesterday, with a performance as the Montreal doctor Norman Bethune, a physician and humanitarian, largely talking of Bethune's experiences in revolutionary China. Sutherland refused a script for this role, saying he knew Bethune's life so well they could ask him anything—and the interviewer ended up with enough material for two programs instead of the planned one.

Sutherland also had a small role as pot-smoking Professor Dave Jennings in National Lampoon's Animal House in 1978, making himself known to younger fans as a result of the movie's popularity. When cast, he was offered either US$40,000 up front or a percentage of the movie. Thinking the movie would certainly not be a big success, he chose the 40K upfront payment. The movie eventually grossed $141,600,000 (US).

He won acclaim for his performance in the Italian director Bernardo Bertolucci's 1976 epic film 1900 and as the conflicted father in the Academy award-winning family drama Ordinary People (1980) alongside Mary Tyler Moore and Timothy Hutton. In 1981 he narrated A War Story, an Anne Wheeler film. He played the part of physician-hero Norman Bethune in two separate biographical films in 1977 and 1990.

A prolific actor, some of Sutherland's better-known roles in the 1980s and 1990s were in the South African apartheid drama A Dry White Season (1989), alongside Marlon Brando and Susan Sarandon; as an incarcerated pyromaniac in the firefighter thriller Backdraft (1989) alongside Kurt Russell and Robert De Niro, Lock Up (1991) with Sylvester Stallone; and as the snobbish NYC art dealer in Six Degrees of Separation (1993), with Stockard Channing and Will Smith. In the 1991 Oliver Stone film JFK, Sutherland played a mysterious Washington intelligence officer, reputed to have been L. Fletcher Prouty, who spoke of links to the military–industrial complex in the assassination of U.S. President John F. Kennedy.^[11] He played psychiatrist and visionary Wilhelm Reich in the video for Kate Bush's 1985 single, "Cloudbusting".

In 1992, he played the part of Merrick in the movie Buffy the Vampire Slayer, with Kristy Swanson. He played a software company's scheming CEO in Barry Levinson's 1994 drama Disclosure opposite Michael Douglas and in 1995 was cast as the antagonistic Maj. Gen. Donald McClintock in Wolfgang Petersen's thriller Outbreak, also featuring Dustin Hoffman, Morgan Freeman, and Rene Russo.

Sutherland was later cast in 1997 (for only the second time) with his son Kiefer in Joel Schumacher's award-winning crime thriller A Time to Kill, based on the bestselling book of the same name, written by John Grisham. He played an aging yet ready-for-liftoff astronaut in 2000's Space Cowboys, co-starring with director Clint Eastwood.

Recent work[link]

Several famous Canadians, including Sutherland, carrying the Olympic flag at the 2010 Winter Olympics opening ceremony in Vancouver.

In more recent years, Sutherland was noted for his role as Reverend Monroe in the Civil War drama Cold Mountain (2003), in the remake of The Italian Job (2003), in the TV series Commander in Chief (2005–2006), in the movie Fierce People (2005) with Diane Lane and Anton Yelchin, and as Mr. Bennet in Pride and Prejudice (2005), starring alongside Keira Knightley. He earned an Emmy nomination in 2006 for his performance in the miniseries Human Trafficking.

Sutherland starred as Tripp Darling in the prime time serial Dirty Sexy Money for ABC. Sutherland's distinctive voice has also been used in many radio and television commercials, including those for Volvo automobiles. He is the spokesman for Simply Orange orange juice and recently he played multi-millionaire Nigel Honeycut in the Warner Bros. film Fool's Gold. He provided voice-overs and narration during the intro of 1st semifinal of Eurovision Song Contest 2009, and the Opening Ceremony of the 2010 Winter Olympics in Vancouver, and was also one of the Olympic flag bearers. He was also narrator of CTV's "I Believe" television ads in the lead up to the Games. During the games, Sutherland attended some of the events. In 2010 he starred alongside an ensemble cast in a TV adaptation of Ken Follett's novel The Pillars of the Earth.

Sutherland portrayed President Snow in the movie adaptation of The Hunger Games, released in March 2012. He is slated to reprise the role in its sequel Catching Fire.

Personal life[link]

Sutherland was made an Officer of the Order of Canada on 18 December 1978^[12] and was inducted into Canada's Walk of Fame in 2000.^[13] He maintains a home in Georgeville, in Quebec's Eastern Townships. Sutherland was a major fan of the Montreal Expos.^[14]

Son Kiefer Sutherland, an actor best known for his role as Jack Bauer on the TV action/thriller series 24, and his twin sister, Rachel, were born to Donald Sutherland and his second wife, Shirley Douglas, daughter of politician Tommy Douglas.^{[citation needed]}

Donald Sutherland met his current wife, French-Canadian actress Francine Racette, on the set of the Canadian pioneer drama Alien Thunder. They have three sons, including actor Rossif Sutherland, Angus Sutherland, and Roeg Sutherland.^{[citation needed]}

Sutherland became a blogger for the American news website The Huffington Post during the 2008 election campaign.^[15]

Awards and recognition[link]

Sutherland's star on Canada's Walk of Fame

• 1978: Order of Canada
• 1983: 4th Genie Awards, winner, Best Actor, Threshold
• 1995: Primetime Emmy Award for Outstanding Actor in a Supporting Role in a Miniseries or a Movie, Citizen X
• 1995: Golden Globe Award, winner, Best Supporting Actor – Series, Miniseries or Television Film, Citizen X
• 1998: Satellite Award for Best Supporting Actor – Drama, Without Limits
• 2000: Canada's Walk of Fame
• 2002: Golden Globe Award, winner, Best Supporting Actor – Series, Miniseries or Television Film, Path to War
• 2008: honorary Doctor of Letters (Humanities), Lakehead University
• 2011: Hollywood Walk Of Fame.^[16]

Filmography[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Donald Sutherland

• Donald Sutherland at the Internet Movie Database
• Donald Sutherland at the TCM Movie Database
• Donald Sutherland at the Internet Broadway Database
• Donald Sutherland at Yahoo! Movies
• On the Money (Carole Cadwalladr interview), The Guardian, 30 March 2008

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2011)

Bugs Bunny is an American animated character created in 1938 at Leon Schlesinger Productions, later Warner Bros. Cartoons.^[1] Bugs is an anthropomorphic gray hare or rabbit and is famous for his flippant, insouciant personality, a pronounced Brooklyn accent, and his portrayal as a trickster. He has primarily appeared in animated cartoons, most notably the Looney Tunes and Merrie Melodies series of theatrical short films. His popularity there led to his becoming a corporate mascot of the Warner Bros. company. Bugs has appeared in more films than any other cartoon character and is the ninth most portrayed film personality in the world.^[2]

According to Bugs Bunny: 50 Years and Only One Grey Hare, Bugs was born on July 27, 1940 in Brooklyn, New York in a warren under Ebbets Field, home of the Brooklyn Dodgers. In reality, he was created by many animators and staff, including Tex Avery, who directed A Wild Hare, Bugs' debut role, and Robert McKimson, who created the definitive "Bugs Bunny" character design. According to Mel Blanc, the character's original voice actor, Bugs has a Flatbush accent. Bugs has had numerous catchphrases, the most prominent being a casual "Eh... What's up, doc?", usually said while chewing a carrot.

History[link]

Bugs' precursor[link]

A rabbit with some of the personality of Bugs, though looking very different, first appears in the cartoon short Porky's Hare Hunt, released on April 30, 1938. Co-directed by Ben "Bugs" Hardaway and an uncredited Cal Dalton (who was responsible for the initial design of the rabbit), this short has an almost identical plot to Tex Avery's 1937 cartoon Porky's Duck Hunt, which had introduced Daffy Duck. Porky Pig is again cast as a hunter tracking a silly prey less interested in escape than in driving his pursuer insane. The latter short replaces the little black duck with a small white rabbit. The rabbit introduces himself with the odd expression "Jiggers, fellers", and Mel Blanc gave the character a voice and laugh almost like that he would later use for Woody Woodpecker. This cartoon also first uses the famous Groucho Marx line, "Of course you realize, this means war!" This rabbit was so popular with its audience that the Schlesinger staff decided to use it again.

The rabbit appears again in 1939's Prest-O Change-O, directed by Chuck Jones, where he is the pet rabbit of unseen character Sham-Fu the Magician. Two dogs, fleeing the local dogcatcher, enter his absent master's house. The rabbit harasses them, but is ultimately bested by the bigger of the two dogs.

His third appearance is in another 1939 cartoon, Hare-um Scare-um, directed by Dalton and Hardaway. This short, the first where he is depicted as a gray bunny instead of a white one, is also notable for the rabbit's first singing role. Charlie Thorson, lead animator on the short, gave the character a name. He had written "Bugs' Bunny" on the model sheet that he drew for Hardaway.^[3][4] In promotional material for the short, including a surviving 1939 presskit, the name on the model sheet was altered to become the rabbit's own name: "Bugs" Bunny (quotation marks only used at the very beginning).^[5] In his later years, Mel Blanc stated that a proposed name was "Happy Rabbit."^[6] Oddly, "Happy" was only used in reference to Bugs Hardaway. In the cartoon Hare-um Scare-um, a newspaper headline reads, "Happy Hardaway".^[7]

In Chuck Jones' Elmer's Candid Camera Happy first meets Elmer Fudd. This rabbit looks more like the present-day Bugs, taller and with a similar face. However, this rabbit, speaks with a rural drawl. The early version of Elmer is also different from the present-day one, much fatter and taller, although Arthur Q. Bryan's voice is the same as it would be later. In Robert Clampett's 1940 Patient Porky, a similar rabbit appears to trick the audience into thinking that 750 rabbits have been born.

Bugs Bunny emerges[link]

A Wild Hare, directed by Tex Avery and released on July 27, 1940, is the first cartoon where both Elmer Fudd and Bugs are shown in their fully developed forms as hunter and tormentor, respectively. In this cartoon Mel Blanc first uses what would become Bugs' standard voice; this cartoon also marks the first time that Bugs uses his catchphrase, "What's up, Doc?" Animation historian Joe Adamson counts A Wild Hare as the first "official" Bugs Bunny short.^[8] The short was a huge success in theaters and was nominated for an Academy Award for Best Animated Short Film.^[9]

Bugs's second appearance, in Jones' 1941 short Elmer's Pet Rabbit, introduces the audience to the name Bugs Bunny, which until then had only been used among the Termite Terrace employees. It was also the first short where he received billing under his now-famous name, but the card, "featuring Bugs Bunny", was just slapped on the end of the completed short's opening titles when A Wild Hare proved an unexpected success. However, Bugs' voice in this cartoon is noticibly different, and his design was slightly altered as well. For the next several cartoons produced afterwards, Bugs' original design from A Wild Hare would be re-used. Mel Blanc would also re-use the voice he had created in A Wild Hare for Bugs' subsequent appearances.

World War II[link]

By 1942, Bugs had become the number one star of Merrie Melodies. The series had originally been intended only for one-shot characters in shorts after several early attempts to introduce characters (Foxy, Goopy Geer and Piggy) failed under Harman–Ising. (In 1937, under Schlesinger, it had started introducing newer characters.) The 1942 short Bugs Bunny Gets the Boid shows a slight redesign of Bugs, with less-prominent front teeth and a rounder head. The character was reworked by Robert McKimson, then an animator in Robert Clampett's unit. The redesign at first was only used in the shorts created by Clampett's unit, but in time it would be taken up by the other directors, with Freleng and Frank Tashlin the first. When McKimson was himself promoted to director, he created yet another version, with more slanted eyes, longer teeth and a much larger mouth. He used this version until 1949 (as did Art Davis for the one Bugs Bunny cartoon he directed) when he started using the version he had designed for Clampett. Jones would come up with his own slight modification, and the voice had slight variations between the units.^[3] Bugs also made cameos in Tex Avery's final Warner Bros. short, Crazy Cruise.^[10]

Since Bugs' debut in A Wild Hare, he had appeared only in color Merrie Melodie cartoons (making him one of the few recurring characters created for that series in the Leon Schlesinger era prior to the full conversion to color), alongside Elmer predecessor Egghead, Inki, Sniffles, and Elmer himself. While he made a cameo appearance in the 1943 Porky and Daffy cartoon Porky Pig's Feat this was his only appearance in a black-and-white Looney Tune cartoon. He did not star in a cartoon in the Looney Tunes series until that series made its complete conversion to only color cartoons beginning with 1944 releases. Buckaroo Bugs was Bugs' first cartoon in the Looney Tunes series, and was also the last Warner Bros. cartoon to credit Leon Schlesinger.

Bugs' popularity soared during World War II because of his free and easy attitude, and began receiving special star billing in his cartoons by 1943. By that time Warner Bros. had become the most profitable cartoon studio in the United States. In company with cartoon studios such as Disney and Famous Studios, Warners put its characters against Adolf Hitler, Benito Mussolini, and the Japanese. The 1944 short Bugs Bunny Nips the Nips features Bugs at odds with a group of Japanese soldiers. This cartoon has since been pulled from distribution due to its racial stereotypes of Japanese people. He also faces off against Herman Goering and Hitler in the 1945 short Herr Meets Hare, which introduced his well-known reference to Albuquerque as he mistakenly winds up in the Black Forest of 'Joimany' instead of Las Vegas, Nevada. Bugs also appeared in the 1942 two-minute U.S. war bonds commercial film Any Bonds Today, along with Porky and Elmer.

At the end of the 1943 short Super-Rabbit, Bugs appears wearing a United States Marine Corps dress blue uniform. As a result, the Marine Corps made Bugs an honorary Marine Master Sergeant.^[11] From 1943 to 1946, Bugs was the official mascot of Kingman Army Airfield, Kingman, Arizona, where thousands of aerial gunners were trained during World War II. Some notable trainees included Clark Gable and Charles Bronson. Bugs also served as the mascot for 530 Squadron of the 380th Bombardment Group, 5th Air Force, U.S. Air Force, which was attached to the Royal Australian Air Force and operated out of Australia's Northern Territory from 1943 to 1945, flying B-24 Liberator bombers.^[12] Bugs riding an air delivered torpedo served as the squadron logo for Marine Torpedo/Bomber Squadron 242 in the Second World War.

In 1944, Bugs Bunny made a cameo appearance in Jasper Goes Hunting, a short produced by rival studio Paramount Pictures. In this cameo (animated by Robert McKimson, with Mel Blanc providing the voice), Bugs pops out of a rabbit hole, saying his usual catchphrase; Bugs then says, "Hey, I'm in the wrong picture!" and then goes back in the hole.^[13]

The post-war era[link]

After World War II Bugs appeared in numerous cartoon shorts in the Looney Tunes and Merrie Melodies series, making his last appearance in the theatrical cartoons in 1964 with False Hare. He was directed by Friz Freleng, Robert McKimson, Arthur Davis and Chuck Jones. The short Knighty Knight Bugs (1958), in which a medieval Bugs trades blows with Yosemite Sam and his fire-breathing dragon (which has a cold), won the Academy Award for Best Animated Short Film in 1959.^[14] Three of Chuck Jones' Bugs Bunny shorts — Rabbit Fire, Rabbit Seasoning, and Duck! Rabbit, Duck! — comprise what is often referred to as the "Duck Season/Rabbit Season" trilogy. Jones' 1957 classic, What's Opera, Doc?, cast Bugs and Elmer in a parody of Richard Wagner's Der Ring des Nibelungen. It has been deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry, the first cartoon short to receive this honor.^[15]

In the fall of 1960, ABC debuted the prime-time television program The Bugs Bunny Show. This show packaged many of the post-1948 Warners shorts with newly animated wraparounds. After two seasons, it was moved from its evening slot to reruns on Saturday mornings. The Bugs Bunny Show changed format and exact title frequently, but remained on network television for 40 years. The packaging was later completely different, with each short simply presented on its own, title and all, though some clips from the new bridging material were sometimes used as filler.

After the classic cartoon era[link]

Bugs Bunny did not appear in any of the post-1964 Looney Tunes shorts produced by DePatie-Freleng Enterprises or Format Films, nor did he appear in the lone Looney Tunes production produced by Filmation. He would not appear in new material on-screen again until How Bugs Bunny Won the West aired in 1978.

After Mel Blanc died in 1989, Jeff Bergman, Greg Burson, Billy West, and Joe Alaskey became the new voices of Bugs Bunny and many of the other Looney Tunes, each taking turns doing Bugs' voice for various projects over the years.

Bugs has made appearances in animated specials for network television, mostly composed of classic cartoons with bridging material added, including How Bugs Bunny Won the West, and The Bugs Bunny Mystery Special. Bugs Bunny's Busting Out All Over (1980) contained no vintage clips and featured the first new Bugs Bunny cartoons in 16 years. It opened with "Portrait Of The Artist As a Young Bunny", which features a flashback of Bugs as a child thwarting a young Elmer Fudd, while its third and closing short was "Spaced Out Bunny", with Bugs being kidnapped by Marvin the Martian to be a playmate for Hugo, an Abominable Snowman-like character. (A new Wile E. Coyote and Road Runner short filled out the half hour.) Compilation films included the independently produced Bugs Bunny: Superstar, using the vintage shorts then owned by United Artists; as well as Warner Bros. efforts The Bugs Bunny/Road Runner Movie, The Looney Looney Looney Bugs Bunny Movie, Daffy Duck's Fantastic Island, Bugs Bunny's 3rd Movie: 1001 Rabbit Tales and Daffy Duck's Quackbusters. He also made guest appearances in episodes of the 1990s television program Tiny Toon Adventures as the principal of Acme Looniversity and the mentor of Babs and Buster Bunny, and would later make occasional guest cameos on spinoffs Taz-Mania and Animaniacs.

Bugs has had several comic book series over the years. Western Publishing had the license for all the Warner Brothers cartoons, and produced Bugs Bunny comics first for Dell Comics, then later for their own Gold Key Comics. Dell published 58 issues and several specials from 1952 to 1962. Gold Key continued for another 133 issues. DC Comics, the sister/subsidiary company of Warner Bros., has published several comics titles since 1994 that Bugs has appeared in. Notable among these was the 2000 four-issue miniseries Superman & Bugs Bunny, written by Mark Evanier and drawn by Joe Staton. This depicted a crossover between DC's superheroes and the Warner cartoon characters.

Bugs Bunny's star on the Hollywood Walk of Fame

Like SpongeBob SquarePants for Nickelodeon and Mickey Mouse for Disney, Bugs has served as the mascot for Warner Bros. and its various divisions. He and Mickey are the first cartoon characters to have a star on the Hollywood Walk of Fame.

In the 1988 animated/live action movie Who Framed Roger Rabbit, Bugs was shown as one of the inhabitants of Toontown. However, since the film was being produced by Disney, Warner Bros. would only allow the use of their biggest star if he got an equal amount of screen time as Disney's biggest star, Mickey Mouse. Because of this, both characters are always together in frame when onscreen. For the same reasons, Bugs never calls Mickey by his name, only referring to him as "Doc," while Mickey calls him "Bugs."

Bugs made an appearance in the 1990 drug prevention special Cartoon All-Stars to the Rescue. This special is notable for being the first time that somebody other than Mel Blanc voiced Bugs Bunny and Daffy Duck. (In this special, both characters were voiced by Jeff Bergman.) Bugs was also featured in The Earth Day Special showing his displeasure on how man started mistreating the environment.

Bugs returned to the silver screen in Box Office Bunny in 1990 (1991 in the U.S.). This was the first Bugs Bunny cartoon short since 1964 to be released in theaters, and it was created for the Bugs Bunny 50th anniversary celebration. It was followed by (Blooper) Bunny, a short that was shelved from theaters, but later premiered on Cartoon Network in 1997 and has since gained a cult following among animation fans for its edgy humor.^[16]

In 1996, Bugs and other Looney Tunes characters appeared in the live-action/animated film, Space Jam. In the film, the Looney Tunes are in danger of being enslaved by a group of aliens. Due to the aliens' small stature, the Looney Tunes challenge the aliens to a basketball game, but the aliens (known as the Nerdlucks) steal the talent of the best NBA players such as Charles Barkley and Patrick Ewing and become hulking, talented players known as the Monstars. Because of this, Bugs (voiced by Billy West) calls upon the help of the greatest basketball player in the world, Michael Jordan, who is initially reluctant to help due to his having retired from the NBA to play baseball for the MLB. The film also introduced the character of Lola Bunny. The film received mostly mixed to negative reviews from critics, but was a box office success grossing over $230 million worldwide. The success of Space Jam led to the development of another live-action/animated film, Looney Tunes: Back in Action, released in 2003 and directed by Joe Dante. Unlike Space Jam, Back in Action was a box-office bomb, but received more positive reviews from film critics. The film marked the first time Joe Alaskey provided Bugs' voice.

In 1997, Bugs appeared on a U.S. postage stamp, the first cartoon to be so honored, beating the iconic Mickey Mouse. The stamp is number seven on the list of the ten most popular U.S. stamps, as calculated by the number of stamps purchased but not used. The introduction of Bugs onto a stamp was controversial at the time, as it was seen as a step toward the 'commercialization' of stamp art. The postal service rejected many designs, and went with a postal-themed drawing. Avery Dennison printed the Bugs Bunny stamp sheet, which featured "a special ten-stamp design and was the first self-adhesive souvenir sheet issued by the U.S. Postal Service."^[17]

A younger version of Bugs is the main character of Baby Looney Tunes, which debuted on Cartoon Network in 2002. In the action comedy Loonatics Unleashed, his definite descendant Ace Bunny is the leader of the Loonatics team and seems to have inherited his ancestor's Brooklyn accent and comic wit. Strangely, Bugs was one of the few Looney Tunes characters who never appeared in the 2003 Duck Dodgers series.

Bugs has appeared in numerous video games, including the Bugs Bunny's Crazy Castle series, Bugs Bunny Birthday Blowout, Bugs Bunny: Rabbit Rampage and the similar Bugs Bunny in Double Trouble, Looney Tunes B-Ball, Space Jam, Looney Tunes Racing, Looney Tunes: Space Race, Bugs Bunny Lost in Time, and its sequel, Bugs Bunny and Taz Time Busters, and Looney Tunes: Acme Arsenal.

[edit] The Looney Tunes Show

Bugs Bunny and the rest of the Looney Tunes gang returned to television in 2011 in the Cartoon Network sitcom The Looney Tunes Show, with Jeff Bergman returning to voice both Bugs and Daffy Duck. This series will also feature the characters singing original songs as well. A large difference between Bugs and Daffy's friendship in the show is that, whereas Bugs would hardly mind Daffy's flaws in the original cartoons, in the show Bugs is often and openly annoyed at Daffy's antics, sometimes to the point of aggression when Daffy becomes too obnoxious. He also dates Lola Bunny , but he found her to be "crazy" and a bit too talkative. Though later on as the series progressed they did rekindle their relationship. Unlike the original cartoons, Bugs lives in a regular home, which he shares with Daffy. However, in one episode, his old home (a hole in the ground) was seen. Bugs' income comes from having invented the carrot peeler.

Return to film[link]

On August 13, 2010, Warner Bros. Pictures announced that they were planning a live-action/CG-animated combo feature film based on the Looney Tunes character.^[18]

Personality and catchphrases[link]

Bugs Bunny is characterized as being clever and capable of outsmarting anyone who antagonizes him, including Elmer Fudd, Yosemite Sam, Willoughby the Dog, Marvin the Martian, Beaky Buzzard, Daffy Duck, Porky Pig, Tasmanian Devil, Cecil Turtle, Witch Hazel, Rocky and Mugsy, Wile E. Coyote, the Crusher, Gremlin, Count Blood Count and a host of others. Bugs almost always wins these conflicts, a plot pattern which recurs in Looney Tunes films directed by Chuck Jones. Concerned that viewers would lose sympathy for an aggressive protagonist who always won, Jones arranged for Bugs to be bullied, cheated, or threatened by the antagonists while minding his own business, justifying his subsequent antics as retaliation or self-defense. He's also been known to break the fourth wall by "communicating" with the audience, either by explaining the situation (e.g. "Be with you in a minute, folks!"), describing someone to the audience (e.g. "Feisty, ain't they?"), clueing in on the story (e.g. "That happens to him all during the picture, folks."), explaining that one of his antagonists' actions have pushed him to the breaking point ("Of course you know, this means war."), etc.

Bugs will usually try to placate the antagonist and avoid conflict, but when an antagonist pushes him too far, Bugs may address the audience and invoke his catchphrase "Of course you realize this means war!" before he retaliates, and the retaliation will be devastating. This line was taken from Groucho Marx and others in the 1933 film Duck Soup and was also used in the 1935 Marx film A Night at the Opera.^[20] Bugs would pay homage to Groucho in other ways, such as occasionally adopting his stooped walk or leering eyebrow-raising (in Hair-Raising Hare, for example) or sometimes with a direct impersonation (as in Slick Hare).

Other directors, such as Friz Freleng, characterized Bugs as altruistic. When Bugs meets other successful characters (such as Cecil Turtle in Tortoise Beats Hare, or, in World War II, the Gremlin of Falling Hare), his overconfidence becomes a disadvantage. Most of Bugs' antagonists are extremely dim-witted, and Bugs is easily able to outwit and torment them, though on occasion they will manage to get the best of Bugs. Daffy Duck, who is arguably more intelligent but less clever, is unaffected by Bugs' usual schemes, which usually results in the two trying to outsmart the other with Bugs always triumphing in the end. However, there are only three antagonists that successfully defeated Bugs in the end of the cartoon, such as the Gremlin from Falling Hare, the unnamed mouse from Rhapsody Rabbit, and the fly from Baton Bunny.

During the 1940s, Bugs starts off immature and wild, but starting in the 1950s his personality matured and his attitude was more refined. Though often shown as highly clever, Bugs is never actually malicious, and only acts as such in self-defense against his aggressors; the only two cartoons where Bugs ever served as an antagonist were Buckaroo Bugs and Duck Amuck; the latter cartoon depicts him as far more sadistic than usual, as he becomes the animator and abuses his newfound divine powers to torture Daffy.

Bugs Bunny's nonchalant carrot-chewing standing position, as explained by Chuck Jones, Friz Freleng, and Bob Clampett, originated in a scene in the film It Happened One Night, in which Clark Gable's character leans against a fence, eating carrots rapidly and talking with his mouth full to Claudette Colbert's character. This scene was well known while the film was popular, and viewers at the time likely recognized Bugs Bunny's behavior as satire.^[21]

The carrot-chewing scenes are generally followed by Bugs Bunny's most well-known catchphrase, "What's up, Doc?", which was written by director Tex Avery for his first Bugs Bunny short, 1940s A Wild Hare. Avery explained later that it was a common expression in his native Texas and that he did not think much of the phrase. When the short was first screened in theaters, the "What's up, Doc?" scene generated a tremendously positive audience reaction.^[22] As a result, the scene became a recurring element in subsequent films and cartoons. The phrase was sometimes modified for a situation. For example, Bugs says "What's up, dogs?" to the antagonists in A Hare Grows in Manhattan, "What's up, Duke?" to the knight in Knight-mare Hare and "What's up, prune-face?" to the aged Elmer in The Old Grey Hare. He might also greet Daffy with "What's up, Duck?" He used one variation, "What's all the hub-bub, bub?" only once, in Falling Hare. Another variation is used in Looney Tunes: Back In Action when he greets a lightsaber-wielding Marvin the Martian saying "What's up, Darth?"

Several Chuck Jones shorts in the late 1940s and 1950s depict Bugs travelling via cross-country (and, in some cases, intercontinental) tunnel-digging, ending up in places as varied as Mexico (Bully for Bugs, 1953), the Himalayas (The Abominable Snow Rabbit, 1960) and Antarctica (Frigid Hare, 1949) all because he "shoulda taken that left toin at Albukoikee." He first utters that phrase in Herr Meets Hare (1945), when he emerges in the Black Forest, a cartoon seldom seen today due to its blatantly topical subject matter. When Hermann Göring says to Bugs, "There is no Las Vegas in 'Chermany'" and takes a potshot at Bugs, Bugs dives into his hole and says, "Joimany! Yipe!", as Bugs realizes he's behind enemy lines. The confused response to his "left toin" comment also followed a pattern. For example, when he tunnels into Scotland in 1948's My Bunny Lies over the Sea, while thinking he's heading for the La Brea Tar Pits in Los Angeles, California, it provides another chance for an ethnic stereotype: "Therrre's no La Brrrea Tarrr Pits in Scotland!" (to which Bugs responds, "Uh...what's up, Mac-doc?"). A couple of late-1950s shorts of this ilk also featured Daffy Duck travelling with Bugs ("Since when is Pismo Beach inside a cave?!").

Bugs Bunny has some similarities to figures from mythology and folklore, such as Br'er Rabbit, Nanabozho, or Anansi, and might be seen as a modern trickster (for example, he repeatedly uses cross-dressing mischievously). Unlike most cartoon characters, however, Bugs Bunny is rarely defeated in his own games of trickery. One exception to this is the short Hare Brush, in which Elmer Fudd ultimately carries the day at the end; however, critics note that in this short, Elmer and Bugs assume each other's personalities—through mental illness and hypnosis, respectively—and it is only by becoming Bugs that Elmer can win. However, Bugs was beaten at his own game. In the short Duck Amuck he torments Daffy Duck as the unseen animator, ending with his line, "Ain't I a stinker?" Bugs feels the same wrath of an unseen animator in the short Rabbit Rampage where he is in turn tormented by Elmer Fudd. At the end of the clip Elmer gleefully exclaims, 'Well, I finally got even with that scwewy wabbit!"

Although it was usually Porky Pig who brought the WB cartoons to a close with his stuttering, "That's all, folks!", Bugs would occasionally appear, bursting through a drum just as Porky did, but munching a carrot and saying in his Bronx-Brooklyn accent, "And dat's de end!"

The name "Bugs" or "Bugsy" as an old-fashioned nickname means "crazy" (or "loopy"). Several famous people from the first half of the twentieth century had that nickname, like famous gangster, Benjamin "Bugsy" Siegel, who disliked the nickname. It is now out of fashion as a nickname, but survives in 1950s–1960s expressions like "you're bugging me", as in "you're driving me crazy".

Bugs wears white gloves, which he is rarely seen without, although he may remove one and use it for slapping an opponent to predicate a duel. Another glove-less example is the episode Long-Haired Hare, where Bugs pretends to be the famed conductor Leopold Stokowski and instructs opera star "Giovanni Jones" to sing and to hold a high note. As Giovanni Jones is turning red with the strain, Bugs slips his left hand out of its glove, leaving the glove hovering in the air in order to command Jones to continue to hold the high note. Bugs then nips down to the mail drop to order, and then to receive, a pair of ear defenders. Bugs puts on the ear defenders and then zips back into the amphitheater and reinserts his hand into his glove as singer Jones is writhing on the stage, still holding that same high note.

Bugs Bunny is also a master of disguise: he can wear any disguise that he wants to confuse his enemies: in Bowery Bugs he uses diverse disguises: fakir, gentleman, woman, baker and finally policeman. This ability of disguise makes Bugs famous because we can recognize him while at the same time realizing that his enemies are stumped. Bugs has a certain preference for the female disguise: Taz, Elmer Fudd, Yosemite Sam were fooled by this sexy bunny (woman) and in Hare Trimmed, Sam discovers the real face of "Granny" (Bugs's disguise) in the church where they attempt to get married. For all the gullible victims of all these disguises, however, for some reason, Daffy Duck and Cecil Turtle are among those who are never fooled.

Bugs Bunny may also have some mystical potential. In Knight-mare Hare he was able to return to his bunny form (after being transformed into a donkey) by removing his donkey form as if it were a suit. Merlin of Monroe (the wizard) was unable to do the same thing. Later Bugs Bunny defeated the Count Blood Count in a magical spell duel. However, the story was a dream and Bugs Bunny's victory over Count Blood Count was a result of his intellect, not innate magical power.

Rabbit or hare?[link]

The animators throughout Bugs' history have treated the terms rabbit and hare as synonymous. Taxonomically, they are not synonymous, being somewhat similar but observably different types of lagomorphs. Hares have much longer ears than rabbits, so Bugs might seem to be of the hare family, yet rabbits live in burrows, as Bugs is seen to do. Many more of the cartoon titles include the word "hare" rather than "rabbit," as "hare" lends itself easily to puns ("hair," "air," etc.) although Elmer Fudd has always referred to Bugs as a "wabbit".

Within the cartoons, although the term "hare" comes up sometimes, again typically as a pun—for example, Bugs drinking "hare tonic" to "stop falling hare" or being doused with "hare restorer" to bring him back from invisibility—Bugs as well as his antagonists most often refer to the character as a "rabbit." The word "bunny" is of no help in answering this question, as it is a synonym for both young hares and young rabbits.

In Nike commercials with Michael Jordan, Bugs had been referred to as "Hare Jordan."^[23][24]

Openings and closings of shorts[link]

In the opening of many of the Bugs Bunny cartoons, the Merrie Melodies and Looney Tunes irises contain Bugs Bunny's head after the Warner Bros. shield (generally from 1944 and 1949 onward). Others have Bugs Bunny relaxing on top of the Warner Bros. shield: He chews on his carrot, looks angrily at the camera and pulls down the next logo (Merrie Melodies or Looney Tunes) like a window shade (generally on cartoons between 1945 until early 1949). Then he lifts it back up, to now be seen lying on his own name, which then fades into the title of the specific short. In some other cases, the title card sometimes fades to him, already on his name and chewing his carrot then fade to the name of the short. At the finish of Hare Tonic and Baseball Bugs, Bugs breaks out of a drum (like Porky Pig) and says, "And that's the end". Also, at the end of Box Office Bunny, right after Daffy Duck and Elmer Fudd run out through the Looney Tunes "That's All Folks!" sequence, Bugs later comes in through the rings and says, "And that's all, folks!". He did the ending for the last time at the end of Space Jam but this time saying "Well, that's all, folks!".

Voice actors[link]

The following are the many voice actors who have voiced the character Bugs Bunny over the last seventy-one years:

Mel Blanc

Mel Blanc was the original voice of Bugs Bunny and would voice the character for nearly five decades.

Mel Blanc voiced the character for 49 years, from Bugs' 1940 debut in A Wild Hare until Blanc's death in 1989. Blanc described the voice as a combination of Bronx and Brooklyn accents; however, Tex Avery claimed that he asked Blanc to give the character not a New York accent per se, but a voice like that of actor Frank McHugh, who frequently appeared in supporting roles in the 1930s and whose voice might be described as New York Irish.^[3] In Bugs' second cartoon Elmer's Pet Rabbit, Blanc created a completely new voice for Bugs, which sounded like a Jimmy Stewart impression, but the directors decided the previous voice was better. Though his best-known character was the carrot-chomping rabbit, munching on the carrots interrupted the dialogue. Various substitutes, such as celery, were tried, but none of them sounded like a carrot. So for the sake of expedience, he would munch and then spit the carrot bits into a spittoon rather than swallowing them, and continue with the dialogue. One often-repeated story, possibly originating from Bugs Bunny: Superstar, is that Blanc was allergic to carrots and had to spit them out to minimize any allergic reaction — but his autobiography makes no such claim.^[6] In fact, in a 1984 interview with Tim Lawson, co-author of The Magic Behind The Voices: A Who's Who of Cartoon Voice Actors (University Press of Mississippi, 2004), Blanc emphatically denied being allergic to carrots.

Jeff Bergman

Jeff Bergman was the first to voice Bugs Bunny (and several other Looney Tunes characters) after Mel Blanc died in 1989. He got the job by impressing Warner Bros. higher-ups with a tape of himself re-creating the voices of several of Blanc's characters, including Bugs. He had rigged the tape player so that he could use a switch to instantly toggle back and forth between the original recording of Blanc and Bergman's recording of the same lines. Upon doing this, it was almost impossible for the producers to tell which voice was Blanc's and which voice was Bergman; thus his vocal ability was established and his career launched. Bergman first voiced Bugs during the 1990 Academy Awards, the television special Cartoon All-Stars to the Rescue, and the first season of Tiny Toon Adventures. Bergman also voiced Bugs in the 1990s Looney Tunes shorts Box Office Bunny, (Blooper) Bunny, and Invasion of the Bunny Snatchers. In 2011, Bergman returned to voice Bugs after an almost 20-year absence for Cartoon Network's new series, The Looney Tunes Show.

Greg Burson

Greg Burson first voiced Bugs Bunny in later episodes of Tiny Toon Adventures. He was then given the responsibility of voicing Bugs in 1995's Carrotblanca, a well-received Looney Tunes short originally shown in cinemas alongside The Amazing Panda Adventure (US) and The Pebble and the Penguin (non-US); it has since been released on video packaged with older Looney Tunes cartoons and was even included in the special edition DVD release of Casablanca, of which it is both a parody and an homage. Burson next voiced Bugs in the 1996 short From Hare to Eternity; the short is notable for being dedicated to the memory of the then-just deceased Friz Freleng, and for being the final Looney Tunes cartoon that Chuck Jones directed. Burson also voiced Bugs in the Animaniacs episodes "Video Revue," "Warner's 65th Anniversary," and "Back in Style," as well as in The Bugs and Daffy Show, which ran on Cartoon Network during the 1990s. He died in 2008.

Billy West

Billy West has been in television since the late 1980s. His first role was for the 1988 revived version of Bob Clampett's Beany and Cecil. West's breakthrough role then came almost immediately, as the voice of Stimpy and later Ren in John Kricfalusi's Ren & Stimpy. West has since been the voice talent for close to 120 different characters, including some of the most iconic animated figures in television history. Perhaps West's most notable film work came in the 1996 film Space Jam. Starring alongside Michael Jordan, West provided the voice of both Bugs Bunny and Elmer Fudd. West would go on to reprise the roles of Bugs in subsequent Looney Tunes productions, including his cameos on Histeria!, also he made a cameo appearance on Kid vs. Kat in "Class Act", the Kids' WB! promotional spots, and the 2006 Christmas-themed special Bah, Humduck! A Looney Tunes Christmas and the DVD compilations "Reality Check" and "Stranger Than Fiction", along with several Looney Tunes-centric CDs and video games.

Joe Alaskey

Joe Alaskey, like Jeff Bergman, is well-known for his ability to successfully impersonate many Looney Tunes characters. In fact, Alaskey voiced Yosemite Sam and Foghorn Leghorn in the 1988 film Who Framed Roger Rabbit, as original voice actor Mel Blanc had found it too hard on his vocal cords (which makes Sam and Foghorn two of the few voices created by Blanc to be voiced by someone else during his lifetime). Alaskey's first performance as Bugs Bunny came in the 2003 film Looney Tunes: Back in Action, although he had tested performing the role in a few earlier projects, such as Tweety's High-Flying Adventure. While still best known for providing the voice of Daffy Duck, Alaskey has also gone on to do Bugs' voice in several subsequent productions, including Daffy Duck for President (which was released on The Looney Tunes Golden Collection: Volume 2 and dedicated to the deceased Chuck Jones) and several recent video games and Looney Tunes cartoons, including Hare and Loathing in Las Vegas.

Samuel Vincent

Samuel Vincent served as the voice of Bugs in the Cartoon Network TV series Baby Looney Tunes.

Noel Blanc

Noel Blanc, Mel Blanc's son, voiced Bugs for the Tiny Toon Adventures special It's a Wonderful Tiny Toon Christmas Special. The elder Blanc claimed in his later years that Noel substituted for Mel in various cartoon studios, including doing Bugs at Warner Bros., while he was recovering from a near-fatal car wreck. Noel can also be seen doing Bugs' voice with his father in the documentary on the making of Who Framed Roger Rabbit.

Legacy and influence[link]

In 2002, TV Guide compiled a list of the 50 greatest cartoon characters of all time as part of the magazine's 50th anniversary. Bugs Bunny was given the honor of number 1.^[25][26] In a CNN broadcast on July 31, 2002, a TV Guide editor talked about the group that created the list. The editor also explained why Bugs pulled top billing: "His stock...has never gone down...Bugs is the best example...of the smart-aleck American comic. He not only is a great cartoon character, he's a great comedian. He was written well. He was drawn beautifully. He has thrilled and made many generations laugh. He is tops."^[27] Additionally, in Animal Planet's 50 Greatest Movie Animals (2004), Bugs was named #3, behind Mickey Mouse and Toto. In 2005 Bugs Bunny was voted the 10th greatest cartoon in Channel 4's 100 Greatest Cartoons behind The Simpsons, Tom and Jerry, South Park, Toy Story, Family Guy, Shrek, The Lion King, Spirited Away and The Incredibles. According to Time Warner, Bugs Bunny became the current official mascot for Six Flags theme parks beginning with their 45th anniversary. During an interview for Inside the Actors Studio, comedian Dave Chappelle cited him as one of his earliest influences, praising voice actor Mel Blanc.

Awards[link]

Academy Awards[link]

• Knighty Knight Bugs (1958)

Academy Award nominations[link]

• A Wild Hare (1940)
• Hiawatha's Rabbit Hunt (1941)

See also[link]

	Animation portal
	United States portal
	Film portal
	Biography portal

• Looney Tunes
• Merrie Melodies
• List of Bugs Bunny cartoons
• List of Looney Tunes feature films
• Golden Age of American animation

References[link]

Bibliography[link]

• Adamson, Joe (1990). Bugs Bunny: 50 Years and Only One Grey Hare. New York: Henry Holt. ISBN 0-8050-1855-7. 
• Beck, Jerry; Friedwald, Will (1989). Looney Tunes and Merrie Melodies. New York: Henry Holt. ISBN 0-8050-0894-2. 
• Blanc, Mel; Bashe, Philip (1989). That's Not All, Folks!. Clayton South, VIC, Australia: Warner Books. ISBN 0-446-39089-5. 
• Jones, Chuck (1989). Chuck Amuck: The Life and Times of an Animated Cartoonist. New York: Farrar, Straus and Giroux. ISBN 0-374-12348-9. 
• Maltin, Leonard (1987). Of Mice and Magic: A History of American Animated Cartoons (Revised ed.). New York: Plume Book. ISBN 0-452-25993-2. 

External links[link]

Wikimedia Commons has media related to: Bugs Bunny

Wikiquote has a collection of quotations related to: Bugs Bunny

• Bugs Bunny at the Internet Movie Database
• Bugs Bunny at Toonopedia
• Warner Bros. Studios

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (October 2011)

Billy Idol
Billy Idol at Bospop festival 2010, Weert, the Netherlands
Background information
Birth name	William Michael Albert Broad
Born	(1955-11-30) 30 November 1955 (age 56) Stanmore, Middlesex, England
Genres	Punk rock, hard rock, glam rock, dance rock, New Wave, post-punk
Occupations	Singer-songwriter, musician, actor
Instruments	Vocals, guitar, bass guitar
Years active	1972–present
Labels	Chrysalis, EMI, Sanctuary
Associated acts	Generation X, Digital Underground, Mister Pusha, Chelsea
Website	www.billyidol.net

William Michael Albert Broad (born 30 November 1955), better known by his stage name Billy Idol, is an English rock musician. A member of the Bromley Contingent of Sex Pistols fans, Idol first achieved fame in the punk rock era as a member of the band Generation X. He then embarked on a successful solo career, aided by a series of stylish^{[citation needed]} music videos, making him one of the first MTV stars. Idol continues to tour with guitarist Steve Stevens and has a worldwide fan base.^{[citation needed]}

Life and career[link]