This article is about the public park in New York City. For other uses, see Central Park (disambiguation).

Central Park
Type	Urban park
Location	Manhattan in New York City, New York, United States
Coordinates	40°47′N 73°58′W / 40.783°N 73.967°W / 40.783; -73.967Coordinates: 40°47′N 73°58′W / 40.783°N 73.967°W / 40.783; -73.967
Area	843 acres (341 ha)
Created	1857
Operated by	Central Park Conservancy
Visitors	about 37.5 million annually[1][2]
Status	Open all year
U.S. National Register of Historic Places
U.S. National Historic Landmark
Architect:	Frederick Law Olmsted, Calvert Vaux
NRHP Reference#:	66000538
Significant dates
Added to NRHP:	October 15, 1966[3]
Designated NHL:	May 23, 1963

Central Park is a public park at the center of Manhattan in New York City, New York, United States. The park initially opened in 1857, on 843 acres (3.41 km²) of city-owned land. In 1858, Frederick Law Olmsted and Calvert Vaux won a design competition to improve and expand the park with a plan they entitled the Greensward Plan. Construction began the same year, continued during the American Civil War, and was completed in 1873.

Designated a National Historic Landmark in 1962, the park is currently managed by the Central Park Conservancy under contract with the city government. The Conservancy is a non-profit organization that contributes 83.5% of Central Park's $37.5 million dollar annual budget, and employs 80.7% of the park's maintenance staff.^[4]

Central Park today[link]

Central Park, which has been a National Historic Landmark since 1963, was designed by landscape designer and writer Frederick Law Olmsted and the English architect Calvert Vaux in 1858 after winning a design competition. They also designed Brooklyn's Prospect Park.^[5][6][7]

Central Park is bordered on the north by West 110th Street, on the south by West 59th Street, on the west by Eighth Avenue. Along the park's borders, these streets are known as Central Park North, Central Park South, and Central Park West respectively. Only Fifth Avenue along the park's eastern border retains its name.

Visitors[link]

The park, which receives approximately thirty-five million visitors annually,^[8] is the most visited urban park in the United States.^[9] It was opened on 770 acres (3.1 km²) of city-owned land and was expanded to 843 acres (3.41 km²; 1.317 sq mi). It is 2.5 miles (4 km) long between 59th Street (Central Park South) and 110th Street (Central Park North), and is 0.5 miles (0.8 km) wide between Fifth Avenue and Central Park West. Its size and cultural position has served as a model for many urban parks including San Francisco's Golden Gate Park, Tokyo's Ueno Park, Vancouver's Stanley Park, Youngstown's Mill Creek Park, and Munich's Englischer Garten, but the uniquely constrained geography of Manhattan, has made this park uniquely integral to the identity of its city.

Maintenance[link]

The park is maintained by the Central Park Conservancy, a private, not-for-profit organization that manages the park under a contract with the New York City Department of Parks and Recreation,^[4] in which the president of the Conservancy is ex officio Administrator of Central Park.

Today, the conservancy employs four out of five maintenance and operations staff in the park. It effectively oversees the work of both the private and public employees under the authority of the Central Park administrator, (publicly appointed), who reports to the parks commissioner, conservancy's president. As of 2007, the conservancy had invested approximately $450 million in the restoration and management of the park; the organization presently contributes approximately 85% of Central Park’s annual operating budget of over $37 million.^[4]

The system was functioning so well that in 2006 the conservancy created the Historic Harlem Parks initiative, providing horticultural and maintenance support and mentoring in Morningside Park, St. Nicholas Park, Jackie Robinson Park, and Marcus Garvey Park.^[10]

Landscaping and facilities[link]

While planting and land form in much of the park appear natural, it is in fact almost entirely landscaped. The park contains several natural-looking lakes and ponds that have been created artificially,^[11] extensive walking tracks, bridle paths, two ice-skating rinks (one of which is a swimming pool in July and August), the Central Park Zoo, the Central Park Conservatory Garden, a wildlife sanctuary, a large area of natural woods,^[12] a 106-acre (43 ha) billion-gallon reservoir with an encircling running track, and an outdoor amphitheater, the Delacorte Theater, which hosts the "Shakespeare in the Park" summer festivals. Indoor attractions include Belvedere Castle with its nature center, the Swedish Cottage Marionette Theatre, and the historic Carousel. In addition there are seven major lawns, the "meadows",^[13] and many minor grassy areas; some of them are used for informal or team sports and some set aside as quiet areas; there are a number of enclosed playgrounds for children.

The six miles (10 km) of drives within the park are used by joggers, bicyclists, skateboarders, and inline skaters, especially when automobile traffic is prohibited, on weekends and in the evenings after 7:00 pm.

The real estate value of Central Park was estimated by the property appraisal firm, Miller Samuel, to be $528,783,552,000 in December 2005.^[14]

Crime[link]

As crime has declined in the park and in the rest of New York City, many former negative perceptions have waned. The park has its own New York City Police Department precinct (Central Park Precinct), which employs both regular police and auxiliary officers. In 2005, safety measures held the number of crimes in the park to fewer than one hundred per year (down from approximately 1,000 in the early 1980s). New York City Parks Enforcement Patrol also patrols Central Park.

Panoramic view of Central Park from the Rockefeller Center.

History[link]

1857–1900[link]

Angel of the Waters, in Bethesda Fountain (sculpted 1873)

Central Park was not a part of the Commissioners' Plan of 1811; however, between 1821 and 1855, New York City nearly quadrupled in population. As the city expanded, people were drawn to the few existing open spaces, mainly cemeteries, to get away from the noise and chaotic life in the city.^[15]

New York City's need for a great public park was voiced by the poet and editor of the Evening Post (now the New York Post), William Cullen Bryant, and by the first American landscape architect, Andrew Jackson Downing, who began to publicize the city's need for a public park in 1844. A stylish place for open-air driving, similar to the Bois de Boulogne in Paris or London's Hyde Park, was felt to be needed by many influential New Yorkers, and, after an abortive attempt in 1850-51 to designate Jones's Wood, in 1853 the New York legislature settled upon a 700-acre (280 ha) area from 59th to 106th Streets for the creation of the park, at a cost of more than US$5 million for the land alone.^{[citation needed]}

The state appointed a Central Park Commission to oversee the development of the park, and in 1857 the commission held a landscape design contest. Frederick Law Olmsted and Calvert Vaux developed what came to be known as the Greensward Plan, which was selected as the winning design.

According to Olmsted, the park was "of great importance as the first real Park made in this country—a democratic development of the highest significance…," a view probably inspired by his stay and various trips in Europe during 1850.^[16] He visited several parks during these trips and was particularly impressed by Birkenhead Park and Derby Arboretum in England.

Several influences came together in the design. Landscaped cemeteries, such as Mount Auburn (Cambridge, Massachusetts) and Green-Wood (Brooklyn, New York) had set examples of idyllic, naturalistic landscapes. The most influential innovations in the Central Park design were the "separate circulation" systems for pedestrians, horseback riders, and pleasure vehicles. The "crosstown" commercial traffic was entirely concealed in sunken roadways, (today called "transverses"), screened with densely-planted shrub belts so as to maintain a rustic ambiance.

The Greensward plan called for some 36 bridges, all designed by Vaux, ranging from rugged spans of Manhattan schist or granite, to lacy neo-gothic cast iron; no two are alike. The ensemble of the formal line of the Mall's doubled allées of elms culminating at Bethesda Terrace, whose centerpiece is the Bethesda Fountain, with a composed view beyond of lake and woodland, was at the heart of the larger design.

Execution of the Greensward Plan was the responsibility of a number of individuals, including Jacob Wrey Mould (architect), Ignaz Anton Pilat (master gardener), George Waring (engineer), and Andrew Haswell Green (politician), in addition to Olmsted and Vaux.

Before the construction of the park could start, the area had to be cleared of its inhabitants,^[17] most of whom were quite poor and either free African Americans or residents of English or Irish origin. Most of them lived in small villages, such as Seneca Village, Harsenville, or the Piggery District; or else in the school and convent at Mount St. Vincent's Academy. Around 1,600 residents occupying the area at the time, were evicted under the rule of eminent domain during 1857. Seneca Village and parts of the other communities were razed to make room for the park.

A map of Central Park from 1875

During the construction of the park, Olmsted fought constant battles with the park commissioners, many of whom were appointees of the city's Democratic machine^{[citation needed]}. In 1860, he was forced out for the first of many times as Central Park's superintendent, and Andrew Haswell Green, the former president of New York City's board of education took over as the chairman of the commission.^{[citation needed]} Despite the fact that he had relatively little experience, he still managed to accelerate the construction, as well as to finalize the negotiations for the purchase of an additional 65 acres (260,000 m²) at the north end of the park, between 106th and 110th Streets, which would be used as the "rugged" part of the park, its swampy northeast corner dredged, and reconstructed as the Harlem Meer.^{[citation needed]}

Between 1860 and 1873, most of the major hurdles to construction were overcome, and the park was substantially completed. Construction combined the modern with the ageless: up-to-date steam-powered equipment and custom-designed wheeled tree moving machines augmented massive numbers of unskilled laborers wielding shovels. The work was extensively documented with technical drawings and photographs. During this period, more than 18,500 cubic yards (14,000 m³) of topsoil had been transported in from New Jersey, because the original soil was not fertile or substantial enough to sustain the various trees, shrubs, and plants called for by the Greensward Plan. When the park was officially completed in 1873, more than ten million cartloads of material had been transported out of the park, including soil and rocks. More than four million trees, shrubs and plants representing approximately 1,500 species were transplanted to the park.

More gunpowder was used to clear the area than was used at the battle of Gettysburg during the American Civil War.^[18]

Sheep grazed on the Sheep Meadow from the 1860s until 1934, when they were moved upstate as it was feared they would be used for food by impoverished Depression-era New Yorkers.^[19]

1900–1960[link]

From 1864 to 1934 a flock of pedigree Southdown and Dorset sheep grazed in the Sheep Meadow. They were removed to Prospect Park in Brooklyn in 1934

From 1864 to 1934 a flock of pedigree Southdown and Dorset sheep grazed in the Sheep Meadow. They were removed to Prospect Park in Brooklyn in 1934

A children's festival in Central Park, sponsored by the Federal Art Project in September 1938.

Following completion, the park quickly slipped into decline. One of the main reasons for this was the lack of interest of the Tammany Hall political machine, which was the largest political force in New York at the time. Around the turn of the 20th century, the park faced several new challenges. Cars were becoming commonplace, bringing with them their burden of pollution, and people's attitudes were beginning to change. No longer were parks to be used only for walks and picnics in an idyllic environment, but now also for sports, and similar recreation. Following the dissolution of the Central Park Commission in 1870 and Andrew Green's departure from the project, and the death of Vaux in 1895, the maintenance effort gradually declined, and there were few, if any, attempts to replace dead trees, bushes and plants, or worn-out lawn. For several decades, authorities did little or nothing to prevent vandalism and the littering of the park.

All of this changed in 1934, when Republican Fiorello La Guardia was elected mayor of New York City and unified the five park-related departments then in existence. Robert Moses was given the task of cleaning up the park. Moses, about to become one of the mightiest men in New York City, took over what was essentially, a relic, a leftover from a bygone era.

According to historian Robert Caro in his 1974 book The Power Broker:

Lawns, unseeded, were expanses of bare earth, decorated with scraggly patches of grass and weeds, that became dust holes in dry weather and mud holes in wet…. The once beautiful Mall looked like a scene of a wild party the morning after. Benches lay on their backs, their legs jabbing at the sky...

In a single year, Moses managed to clean up Central Park and other parks in New York City. Lawns and flowers were replanted, dead trees and bushes were replaced, walls were sandblasted, and bridges repaired. Another dramatic change was Moses's removal of the "Hoover Valley" shantytown, whose site was transformed into the 30 acres (12 ha) Great Lawn.^[20] Major redesigning and construction also was carried out: for instance, the Croton Lower Reservoir was filled in so the Great Lawn could be created. The Greensward Plan's purpose of creating an idyllic landscape was combined with Moses' vision of a park to be used for recreational purposes—19 playgrounds, 12 ball fields, and handball courts were constructed. Moses also managed to secure funds from the New Deal program, as well as donations from the public.

1960–1980[link]

Belvedere Castle, Central Park (built 1869)

The 1960s marked the beginning of an “Events Era” in Central Park that reflected the widespread cultural and political trends of the period. The Public Theater's annual Shakespeare in the Park festival was settled in the Delacorte Theater (1961), and summer performances were instituted on the Sheep Meadow, and then on the Great Lawn by the New York Philharmonic Orchestra and the Metropolitan Opera. Increasingly through the 1970s, the park became a venue for events of unprecedented scale, including political rallies and demonstrations, festivals, and massive concerts.

New York City was experiencing economic and social upheaval. Residents were fleeing the city and moving to the suburbs. Morale was low, and crime was high. The Parks Department, suffering from budget cuts and a lack of skilled management that rendered its workforce virtually ineffective, responded by opening the park to any and all activities that would bring people into it—regardless of their impact and without adequate management, oversight, or maintenance follow-up. Some of these events became important milestones in the social history of the park and the cultural history of the city.

By the mid-1970s, New York’s fiscal and social malaise had contributed to severe managerial neglect. "Years of poor management and inadequate maintenance had turned a masterpiece of landscape architecture into a virtual dustbowl by day and a danger zone by night," said the conservancy president.^[21] Time had hastened the deterioration of its infrastructure and architecture, and ushered in an era of vandalism, territorial use (as when a pick-up game of softball or soccer commandeered open space to the exclusion of others), and illicit activities.

Several citizen groups had emerged, intent upon reclaiming the park by fund raising and organizing volunteer initiatives. One of these groups, the Central Park Community Fund, commissioned a study of the park’s management. The study's conclusion was bi-linear;

• It called for the establishment of a single position within the parks department, responsible for overseeing both the planning and management of Central Park and
• for a board of guardians to provide citizen oversight.

In 1979 Parks Commissioner Gordon Davis established the Office of Central Park Administrator, appointing to the position the executive director of another citizen organization, the Central Park Task Force. The Central Park Conservancy was founded the following year, to support the office and initiatives of the administrator and to provide consistent leadership through a self-perpetuating, citizen-based board that also would include as ex-officio trustees, the parks commissioner, Central Park Administrator, and mayoral appointees.

Central Park in 2004

1980–2000[link]

The look-out point on the Lake in Central Park

Under the leadership of the Central Park Conservancy, the park's reclamation began with modest, but highly significant first steps, addressing needs that could not be met within the existing structure and resources of the parks department. Interns were hired, and a small restoration staff to reconstruct and repair unique rustic features, undertaking horticultural projects, and removing graffiti under the broken windows premise. Currently, "Graffiti doesn't last 24 hours in the park," according to Conservancy president Douglas Blonsky.^[22]

By the early 1980s the Conservancy was engaged in design efforts and long-term restoration planning, using both its own staff and external consultants. It provided the impetus and leadership for several early restoration projects funded by the city, preparing a comprehensive plan for rebuilding the park. On completion of the planning stage in 1985, the conservancy launched its first "capital" campaign, assuming increasing responsibility for funding the park's restoration, and full responsibility for designing, bidding, and supervising all capital projects in the park.

The restoration was accompanied by a crucial restructuring of management, whereby the park was subdivided into zones, to each of which a supervisor was designated, responsible for maintaining restored areas. Citywide budget cuts in the early 1990s, however, resulted in attrition of the park's routine maintenance staff, and the conservancy began hiring staff to replace these workers. Management of the restored landscapes by the conservancy’s "zone gardeners" proved so successful that core maintenance and operations staff were reorganized in 1996. The zone-based system of management was implemented throughout the park, which was divided into forty-nine zones. Consequently, every zone of the park has a specific individual accountable for its day-to-day maintenance. Zone gardeners supervise volunteers assigned to them, (who commit to a consistent work schedule) and are supported by specialized crews in areas of maintenance requiring specific expertise or equipment, or more effectively conducted on a park-wide basis.^[23]

Activities[link]

Boathouse Cafe

• Birding: A wooded section of the park called "The Ramble" is popular among birders. Many species of woodland birds, especially warblers, may be seen in The Ramble in Spring and Fall.
• Boating: Rowboats and kayaks are rented on an hourly basis at the Loeb Boathouse, which also houses a restaurant overlooking the Lake. As early as 1922, model power boating was popular on park waters.
• Carriage horses: the carriage horse industry, revived in New York City in 1935,^[24] has been featured in various films; the first female carriage driver, Maggie Cogan, appeared in a newsreel in 1967.^[25] The ethics of this tradition and the effects on horse health and well being have been questioned by various animal rights activists.^{[26][27][28][29][30][31][32]}
• Pedicabs: Pedicabs operate mostly in the southern part of the park, the same part as horse carriages.
• Sports: Park Drive, just over 6 miles (9.7 km) long, is a haven for runners, joggers, bicyclists, and inline skaters. Most weekends, races take place in the park, many of which are organized by the New York Road Runners. The New York City Marathon finishes in Central Park outside Tavern on the Green. Many other professional races are run in the park, including the recent, (2008), USA Men's 8k Championships. Baseball fields are numerous, and there are also courts for volleyball, tennis, and lawn bowling.
  • Rock Climbing: Central Park's glaciated rock outcroppings attract climbers, especially boulderers; Manhattan's bedrock, a glaciated schist, protrudes from the ground frequently and considerably in some parts of Central Park. The two most renowned spots for boulderers are Rat Rock and Cat Rock; others include Dog Rock, Duck Rock, Rock N' Roll Rock, and Beaver Rock, near the south end of the park.^[33]
  • Ice Skating: Central Park has two ice skating rinks, Wollman Rink and Lasker Rink, which converts to an outdoor swimming pool in summer.

Carousel

• Central Park Carousel: the current carousel, installed in 1951, is one of the largest merry-go-rounds in the United States. The fifty-eight hand-carved horses and two chariots were made by Solomon Stein and Harry Goldstein in 1908. The carousel originally was installed in Coney Island in Brooklyn.
• Playgrounds: Central Park has twenty-one playgrounds for children located throughout the park, the largest, at 3 acres (12,000 m²), is Heckscher Playground named for August Heckscher.
• Swedish Cottage Marionette Theatre: located in the Swedish Cottage. The building was originally a model schoolhouse built in Sweden. Made of native pine and cedar, it was disassembled and rebuilt in the U.S. as Sweden's exhibit for the 1876 Centennial Exposition in Philadelphia. Frederick Law Olmsted moved the cottage to its present site in 1877.
• Central Park Zoo: The Central Park Zoo is one of four zoos, and one aquarium, managed by the Wildlife Conservation Society (WCS), and is accredited by the Association of Zoos and Aquariums (AZA). The zoo is home to an indoor rainforest, a leafcutter ant colony, a chilled penguin house, and a Polar Bear pool.

• Entertainment
  • Each summer, the Public Theater presents free open-air theatre productions, often starring well-known stage and screen actors. The Delacorte Theater is the summer performing venue of the New York Shakespeare Festival. Most, although not all, of the plays presented are by William Shakespeare, and the performances are generally regarded as being of high quality since its founding by Joseph Papp in 1962.
  • The New York Philharmonic gives an open-air concert every summer on the Great Lawn, and the Metropolitan Opera presents two operas. Many concerts have been given in the park including Barbra Streisand, 1967; The Supremes, 1970; Carole King, 1973; Bob Marley & The Wailers, 1975; Elton John, 1980; the Simon and Garfunkel reunion, 1981; Diana Ross, 1983; Garth Brooks, 1997; the Dave Matthews Band, 2003; Bon Jovi, 2008;^[34] and Andrea Bocelli, 2011. Since 1992, local singer-songwriter David Ippolito has performed almost every summer weekend to large crowds of passers-by and regulars and has become a New York icon, often simply referred to as "That guitar man from Central Park." In the summer of 1985, Bruce Springsteen planned to hold a free outdoor concert on the Great Lawn; however, the idea was scrapped when it was purported that any free show held by Springsteen would bring an estimated 1.3 million people, crippling the park and the nearby neighborhoods.

Tavern on the Green, now a closed restaurant, it was originally built in the era of Tammany Hall to house Central Park's sheep.

• • Each summer, City Parks Foundation offers Central Park Summerstage, a series of free performances including music, dance, spoken word, and film presentations. SummerStage celebrated its twenty-fifth anniversary in 2010. Throughout its history Summerstage has welcomed emerging artists and world renowned artists, including Celia Cruz, David Byrne, Curtis Mayfield, Ladysmith Black Mambazo, George Clinton and the P-Funk All Stars, and Nobel Laureate and Pulitzer winner Toni Morrison, Femi Kuti, Seun Kuti, Pulitzer winner Junot Diaz, Vampire Weekend, Dayton Contemporary Dance Company, Morphoses/The Wheeldon Company, and many more.
  • With the revival of the city and the park in the new century, Central Park has given birth to arts groups dedicated to performing in the park, notably Central Park Brass, which performs an annual concert series and the New York Classical Theatre, which produces an annual series of plays.

Central Park was home to the famed New York City restaurant Tavern on the Green which was located on the park's grounds at Central Park West and West 67th Street. Tavern on the Green had its last seating on December 31, 2009 before closing its doors.

Central Park was home to the largest concert ever on record. Country Superstar Garth Brooks performed a free concert in August 1997. About 980,000 attended the event, according to the FDNY.^[35]

Panorama of Jacqueline Kennedy Onassis Reservoir at Central Park, looking North

Art[link]

Victory Leading Sherman

• Sculpture: A total of twenty-nine sculptures by sculptors such as Augustus Saint-Gaudens, John Quincy Adams Ward, and Emma Stebbins, have been erected over the years, most have been donated by individuals or organizations. Much of the first statuary placed was of authors and poets, in an area now known as Literary Walk. Some of the sculptures are:
  • "Angel of the Waters" at Bethesda Terrace by Emma Stebbins (1873), was the first large public sculpture commission for an American woman
  • Balto: a 1925 statue of the sled dog who became famous during the 1925 serum run to Nome
  • King Jagiello bronze monument on the east end of Turtle Pond
  • Alice in Wonderland
  • Duke Ellington: created by sculptor Robert Graham was dedicated in 1997 near Fifth Avenue and 110th Street, in the Duke Ellington Circle

• Cleopatra's Needle; is a red granite obelisk. The "Cleopatra's Needle" in Central Park is one of three; there also is one in Paris and one in London, which is one of a pair with the New York obelisk. Each obelisk is approximately 68–69 feet tall and weigh about 180 tons. They originally were erected at the Temple of Ra, in Heliopolis, in Ancient Egypt around 1450 B.C. by pharaoh Thutmose III. The hieroglyphs were inscribed about two hundred years later by pharaoh Rameses II to glorify his military victories. The obelisks were all moved during the reign of Roman emperor Augustus Caesar when Ancient Egypt was under the control of Rome. They were brought to Alexandria and erected as tribute to Julius Caesar, in front of the Caesarium, a temple originally built by Cleopatra VII of Egypt in honor of Mark Antony, thus the name "Cleopatra's Needle.^[36] There are two versions of how the Central Park Cleopatra's Needle made its way to Central Park: either it was a gift from the Khedive of Egypt, Isma'il Pasha, or it was stolen through the machinations of William H. Vanderbilt who paid the tab to have the obelisk shipped to New York and erected. The obelisk arrived in New York in July 1880; it took thirty-two horses hitched in sixteen pairs to pull the obelisk to the park. It was erected in an official ceremony on January 22, 1881.

• Strawberry Fields: On October 9, 1985, on what would have been John Lennon's 45th birthday, New York City dedicated 2.5 acres to his memory. Countries from all around the world contributed trees and Italy donated the iconic Imagine mosiac. It has since become the sight of impromptu memorial gatherings for other notables and, in the days following the September 11, 2001 attacks, candlelight vigils

• The Gates: For sixteen days in 2005 (February 12–27), Central Park was the setting for Christo and Jeanne-Claude's installation The Gates. Although the project was the subject of very mixed reactions (and it took many years for Christo and Jeanne-Claude to get the necessary approvals), it was nevertheless a major, if temporary, draw for the park.^[37]

Geology[link]

There are four different types of bedrock in Manhattan, two are exposed in various outcroppings in Central Park, Manhattan schist and Hartland schist (both are metamorphosed sedimentary rock); Fordham gneiss, an older deeper layer which does not surface in the park and Inwood marble (metamorphosed limestone) which overlays the gneiss are the others.^[38]

Fordham gneiss, which consists of metamorphosed igneous rocks, was formed a billion years ago, during what is known as the Grenville orogeny that occurred during the creation of an ancient super-continent. It is the oldest rock in the Canadian Shield, the most ancient part of the North American tectonic plate.

Manhattan schist and Hartland schist were formed in the Iapetus Ocean during the Taconic orogeny in the Paleozoic era, about 450 million years ago. During this period the tectonic plates began to move toward each other, which resulted in the creation of the supercontinent, Pangaea.^[39]

Cameron's Line is a fault zone that traverses Central Park on an east-west axis.^[40]

Various glaciers have covered the area of Central Park in the past, with the most recent being the Wisconsin glacier which receded about 12,000 years ago. Evidence of past glaciers are visible throughout the park in the form of glacial erratics (large boulders dropped by the receding glacier) and north-south glacial striations visible on stone outcroppings.

Flora[link]

Bracts of Flowering Dogwood, an understory tree native to Central Park

Central Park, home to over 25,000 trees, has a stand of 1,700 American Elms, one of the largest remaining stands of in the northeastern U.S., protected by their isolation from Dutch Elm Disease which devastated the tree throughout its native range.

A partial listing of the tree species found in Central Park, both natives and exotics:

Fauna[link]

Red-tailed hawk, one of the bird species found in Central Park

• Birds:

The first official list of birds observed in Central Park was drawn up by Augustus G. Paine, Jr.. Paine was an avid hobby ornithologist and, together with his friend Lewis B. Woodruff, drew up a list of birds counting over 100 species. This was regarded as the first official list and was published in Forest and Stream on June 10, 1886.^[41] An article in The New Yorker on 26 August 1974 calls attention to this early list.^[42] Over the decades the list has been updated and changed.

The park is frequented by various migratory species of birds during their Spring and Fall migration on the Atlantic Flyway. Over a quarter of all the bird species found in the United States have been seen in Central Park. One of these species is the Red-tailed hawk, which re-established a presence in the park when a male hawk known as Pale Male for his light coloration, nested on a building on Fifth Avenue, across the street from the park.^[when?] He became a local media celebrity and a prolific breeder.^{[citation needed]}

Central Park was the site of the misguided unleashing of European starlings in North America, a native of Eurasia which has become an invasive species. In April, 1890, eighty birds were released by Eugene Schieffelin, and the following March another eighty; these one hundred and sixty birds are the progenitors of the flocks which now span the United States and parts of Canada.

• Mammals
  • Raccoon (Procyon lotor): nocturnal tree dwellers that come down to ground level to feed at night, have become extremely common in Central Park in recent years, prompting the Parks Department to post rabies warnings around certain areas.
  • Eastern gray squirrel, or grey squirrel (Sciurus carolinensis), is a tree squirrel in the genus Sciurus native to the eastern and midwestern United States.
  • Eastern Chipmunk (Tamias striatus): although not commonly sighted, there are chipmunks in Central Park.
  • Virginia Opossum (Didelphis virginiana): a nocturnal marsupial that rests in trees during the day and searches for food on the ground at night.
• Arthropods: In 2002 a new genus and species of centipede (Nannarrup hoffmani) was discovered in Central Park. At about four-tenths of an inch (10 mm) long, it is one of the smallest centipedes in the world.

Miscellaneous[link]

Cleopatra's Needle, Central Park, carved c. 1450 B.C. for Thutmose III, hieroglyphs inscribed c. 1250 B.C. for Rameses II

Permission to hold issue-centered rallies in Central Park has been met with increasingly stiff resistance from the city. In 2004, the organization United for Peace and Justice wanted to hold a rally on the Great Lawn during the Republican National Convention. The city denied application for a permit, stating that such a mass gathering would be harmful to the grass and that such damage would make it harder to collect private donations to maintain the park. Courts upheld the refusal.

Since the 1960s, there has been a grassroots campaign^[43] to restore the park's loop drives to their original car-free state. Over the years, the number of car-free hours has increased,^[44] although a full closure currently is resisted by Mayor Bloomberg. The New York City Department of Transportation is now reportedly studying the issue.

The Central Park Medical Unit is an all-volunteer ambulance service that provides free emergency medical service to patrons of Central Park and the surrounding streets. It operates a rapid-response bicycle patrol, particularly during major events such as the New York City Marathon, the 1998 Goodwill Games, and concerts in the park.

Central Park constitutes its own United States census tract, number 143. According to Census 2000, the park's population is eighteen people, twelve male and six female, with a median age of 38.5 years, and a household size of 2.33, over 3 households.^[45]

Central Park is the most filmed location in the world.^[46] Over 305 films have been shot within the park. Memorable films include Hannah and Her Sisters, When Harry Met Sally, Remember Me, Home Alone 2, Kramer vs Kramer, Enchanted, Mr. Deeds, and Serendipity.

Gallery[link]

References[link]

Notes

Bibliography

• Kelly, Bruce, Gail T. Guillet, and Mary Ellen W. Hern. Art of the Olmsted Landscape. New York: City Landmarks Preservation Commission: Arts Publisher, 1981. ISBN 0-941302-00-8.
• Kinkead, Eugene. Central Park, 1857-1995: The Birth, Decline, and Renewal of a National Treasure. New York: Norton, 1990. ISBN 0-393-02531-4.
• Miller, Sara Cedar. Central Park, An American Masterpiece: A Comprehensive History of the Nation's First Urban Park. New York: Abrams, 2003. ISBN 0-8109-3946-0.
• Rosenzweig, Roy, and Elizabeth Blackmar. The Park and the People: A History of Central Park. Ithaca, NY: Cornell University Press, 1992. ISBN 0-8014-9751-5.
• Swerdlow, Joel L. Central Park - Oasis in the city. National Geographic Magazine May 1993
• Taylor, Dorceta E. The Environment and the People in American Cities, 1600s-1900s: Disorder, Inequality, and Social Change (Duke University Press, 2009), section 3; ISBN 978-0-8223-4451-3.

External links[link]

Wikimedia Commons has media related to: Central Park

Official websites

• NYC Department of Parks & Recreation
• Central Park Conservancy
• Central Park Police Precinct

Additional information

• Central Park in New York
• CentralPark.com: The complete guide to Central Park
• CentralParkHistory.com: The complete history of Central Park
• Forgotten-NY: Secrets of Central Park
• National Historic Landmarks Program: Central Park
• Lot83.com: Central Park Reservoir Project
• Elisabeth Barlow Rogers: The Central Park Story. Management and Restoration for a New Era of Public Use
• Central Park
• Virtual Tour of Central Park

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Ken Burns
Ken Burns, September 2007
Born	Kenneth Lauren Burns (1953-07-29) July 29, 1953 (age 58) Brooklyn, New York
Years active	1981–present
Spouse	Amy Stechler Burns (1982–1993) Julie Deborah Brown (2003–present)

Kenneth Lauren "Ken" Burns^[1] (born July 29, 1953)^[2] is an American director and producer of documentary films, known for his style of using archival footage and photographs. Among his productions are The Civil War (1990), Baseball (1994), Jazz (2001), The War (2007), The National Parks: America's Best Idea (2009) and Prohibition (2011).

Burns' documentaries have been nominated for two Academy Awards, and have won Emmy Awards, among other honors.

Biography[link]

Early life and career[link]

Ken Burns was born in 1953 in Brooklyn, New York City, New York, according to his official website,^[3] though some sources give Ann Arbor, Michigan,^[4] and some, including The New York Times, give both Brooklyn and Ann Arbor.^[1][5] The son of Lyla Smith (née Tupper) Burns,^[6] a biotechnician,^[7] and Robert Kyle Burns, at the time a graduate student in cultural anthropology at Columbia University, in Manhattan.^[6] Ken Burns' brother is the documentary filmmaker Ric Burns.

Burns' academic family moved frequently, and lived in Saint-Véran, France; Newark, Delaware; and Ann Arbor, where his father taught at the University of Michigan.^[7] Burns' mother was diagnosed with breast cancer when Burns was 3, and died when he was 11,^[7] a circumstance that he said helped shape his career; he credited his father-in-law, a psychologist, with a signal insight: "He told me that my whole work was an attempt to make people long gone come back alive.".^[7] Well-read as a child, he absorbed the family encyclopedia, preferring history to fiction. Upon receiving an 8 mm film movie camera for his 17th birthday, he shot a documentary about an Ann Arbor factory. Turning down reduced tuition at the University of Michigan, he attended the new Hampshire College, an alternative school in Amherst, Massachusetts with narrative evaluations rather than letter grades and self-directed academic concentrations instead of traditional majors.^[7] He worked in a record store to pay his tuition.^[7]

Studying under photographers Jerome Liebling and Elaine Mayes and others, Burns earned his Bachelor of Arts degree in film studies and design^[2] in 1975. At 22, upon graduation, he co-founded with two college friends Florentine Films^[2] in Walpole, New Hampshire.^[3][5] As of 2010, there is a Ken Burns Wing at the Jerome Liebling Center for Film, Photography and Video at Hampshire College.^[8] He worked as a cinematographer for the BBC, Italian television, and others, and in 1977, after having completed some documentary short films, he began work on adapting David McCullough's book The Great Bridge, about the construction of the Brooklyn Bridge.^[2] Developing a signature style of documentary filmmaking in which he "adopted the technique of cutting rapidly from one still picture to another in a fluid, linear fashion. He then pepped up the visuals with 'first hand' narration gleaned from contemporary writings and recited by top stage and screen actors",^[5] he made the feature documentary Brooklyn Bridge (1981) which earned an Academy Award nomination for Best Documentary and ran on PBS in the United States.

Following another documentary, The Shakers: Hands to Work, Hearts to God (1984), Burns was Oscar-nominated again for The Statue of Liberty (1985).

Later life and career[link]

He went on to a long, successful career directing and producing well-received television documentaries and documentary miniseries on subjects as diverse as politicians (Thomas Jefferson, 1997), sports (Baseball, 1994, updated with 10th Inning, 2010), music (Jazz, 2001), arts and letters (Thomas Hart Benton, 1988, Mark Twain, 2001), historical technology and mass media (Empire of the Air: The Men Who Made Radio, 1991), and war (the 15-hour World War II documentary The War, 2007, and the 11-hour The Civil War, 1990, which All Media Guide says "many consider his 'chef d'oeuvre'").^[5]

Personal life[link]

In 1982, Burns married Amy Stechler, with whom he had two daughters, Sarah and Lily,^[2] born circa 1983 and 1987, respectively.^[4] That marriage ended in divorce.^[9] As of 2011, Burns resides in Walpole, New Hampshire, with his second wife, Julie Deborah Brown, whom he married on October 18, 2003.^[9]

Politics[link]

Burns is a longtime supporter of the Democratic Party, with almost $40,000 in political donations.^[10] In 2008, the Democratic National Committee chose Burns to produce the introductory video for Senator Edward Kennedy's August 2008 speech to the Democratic National Convention, a video described by Politico as a "Burns-crafted tribute casting him [Kennedy] as the modern Ulysses bringing his party home to port."^[11][12] In August 2009 Kennedy died, and Burns produced a short eulogy video at his funeral. In endorsing Barack Obama for the U.S. presidency in December 2007, Burns compared Obama to Abraham Lincoln.^[13] He said he had planned to be a regular contributor to Countdown with Keith Olbermann on Current TV.^[14]

Awards and honors[link]

• 1982 nomination, Academy Award for Documentary Feature: Brooklyn Bridge (1981)
• 1986 nomination, Academy Award for Documentary Feature: The Statue of Liberty (1985)
• 1995 Emmy Award for Outstanding Informational Series: Baseball' (1994)
• 2010 Emmy Award for Outstanding Non-fiction Series: The National Parks: America's Best Idea (2009)

Burns is the recipient of more than 20 honorary degrees.^{[citation needed]}

The Civil War has received more than 40 major film and television awards,^{[citation needed]} including two Emmy Awards, two Grammy Awards, the Producer of the Year Award from the Producers Guild of America, a People's Choice Award, a Peabody Award, a duPont-Columbia Award, a D.W. Griffith Award, and the $50,000 Lincoln Prize.

Style[link]

Burns frequently incorporates simple musical leitmotifs or melodies. For example, The Civil War features a distinctive violin melody throughout, "Ashokan Farewell", which was performed for the film by the musician Jay Ungar. One critic noted, "One of the most memorable things about The Civil War was its haunting, repeated violin melody, whose thin, yearning notes seemed somehow to sum up all the pathos of that great struggle."^[15]

Burns often gives "life" to still photographs by slowly zooming in on subjects of interest and panning from one subject to another. For example, in a photograph of a baseball team, he might slowly pan across the faces of the players and come to rest on the player who is the subject of the narrator. This technique, possible in many professional and home software applications, is termed "The Ken Burns Effect" in Apple's iPhoto and iMovie software applications.

As a museum retrospective noted, "His PBS specials [are] strikingly out of step with the visual pyrotechnics and frenetic pacing of most reality-based TV programming, relying instead on techniques that are literally decades old, although Burns reintegrates these constituent elements into a wholly new and highly complex textual arrangement."^[2]

In a 2011 interview, Burns stated that he admires and is influenced by filmmaker Errol Morris.^[16]

Filmography[link]

• Brooklyn Bridge (1981)
• The Shakers: Hands to Work, Hearts to God (1984)
• The Statue of Liberty (1985)
• Huey Long (1985)
• The Congress (1988)
• Thomas Hart Benton (1988)
• The Civil War (1990)
• Empire of the Air: The Men Who Made Radio (1991)
• Baseball (1994), updated with the 10th Inning (2010)
• Thomas Jefferson (1997)
• Lewis & Clark: The Journey of the Corps of Discovery (1997)
• Frank Lloyd Wright (1998)
• Not For Ourselves Alone: Elizabeth Cady Stanton and Susan B. Anthony (1999)
• Jazz (2001)
• Mark Twain (2001)
• Horatio's Drive: America's First Road Trip (2003)
• Unforgivable Blackness: The Rise and Fall of Jack Johnson (2005)
• The War (2007)
• The National Parks: America's Best Idea (2009)
• Prohibition, with Lynn Novack (2011)^[17]

Future releases

• The Dust Bowl (scheduled for 2012)^[18]
• The Central Park Five (2013)^[19]
• The Roosevelts (2014)^[19]
• Jackie Robinson (2015)^[19]
• Vietnam (2016)^[20]
• Country Music (2018)^[20]
• Ernest Hemingway (2019)^[20]

Under Burns's name only

• The West (1996) (Executive producer; directed by Stephen Ives)

Short films

• William Segal (Biography) (1992)
• Vezelay (1996)
• In the Marketplace (2000)

Film roles

• Gettysburg (1993)—Hancock's staff officer

References[link]

External links[link]

Wikimedia Commons has media related to: Ken Burns

• Florentine Films—Ken Burns's production company
• Ken Burns at AllRovi
• Ken Burns at the Internet Movie Database
• Ken Burns at MyNorthwest.com
• Ken Burns on PBS
• Ken Burns bibliography
• Speaking Profile—Ken Burns's profile and lecture topics on the Random House Speakers Bureau

Interviews[link]

• Ken Burns interviewed on Conversations from Penn State
• Blue Ridge Country—Ken Burns: The Interview with Blue Ridge County Magazine
• "Ken Burns". WriteTV.org, The Oklahoma Center for Poets and Writers, Oklahoma State University–Tulsa. Undated. http://ra.okstate.edu/osu_tulsa/WritingOutLoud/KenBurns/video.htm. 
• "Ken Burns". Interview, Archive of American Television. October 19, 2007. Archived from the original on July 25, 2011. http://www.emmytvlegends.org/interviews/people/ken-burns. Retrieved September 23, 2011.