- published: 14 Jan 2013
- views: 13
2:55
RBQ Dance Orchestra
Music: Franklin,
RBQ Dance. Dedicated to Ernestine and Sergio for their wedding.
RBQ, R...
published: 14 Jan 2013
RBQ Dance Orchestra
Music: Franklin,
RBQ Dance. Dedicated to Ernestine and Sergio for their wedding.
RBQ, Rebecca, from the Semitic root r.b.q. 'to tie, couple, or join.'
This is an orchestral version of the previous RBQ Dance. I also took a melody from the cello and elaborated it and put is as a solo for the violin. I thought it was a shame to have that melody wasted there only as a second voice. I also modified some parts I thought were a kid of boring in the previous version.
- published: 14 Jan 2013
- views: 13
1:50
RBQ Dance
Music: Franklin.
Dedicated to Sergio and Ernestine.
RBQ Dance, read Rebecca Dance.
Rebec...
published: 09 Jan 2013
RBQ Dance
Music: Franklin.
Dedicated to Sergio and Ernestine.
RBQ Dance, read Rebecca Dance.
Rebecca, from the Semitic root r.b.q, 'to tie, couple, or join'.
- published: 09 Jan 2013
- views: 15
3:14
Word Bee 1/6
The Exodus account of Israel's forty years wandering in the wilderness, (midvar), is the s...
published: 01 Mar 2012
Word Bee 1/6
The Exodus account of Israel's forty years wandering in the wilderness, (midvar), is the starting point for our etymological journey into the conceptual connection between a word and a bee, and with some deduction, to arrive at the place where these words are understood to be describing the stars of the Pleiades. The next paragraph is from the website Ancient Hebrew Research Centers entitled Hebrew Lexicon -- Word Studies.
And I quote," For forty years God had Israel wander in the wilderness, Insights into why God had chosen the wilderness for their wanderings can be found in the roots of this word. The root word is davar and is most frequently translated as a thing or a word. The original picture painted by this word to the Hebrews is the arrangement of things to create order. Speech is an ordered arrangement of words. In the ancient Hebrew mind words are things and are just as real as food or other things. When a word is spoken to another it is placed in the ears no different to when food is given to another it is placed in the mouth. The Hebrew name Devorah, (Deborah), means bee and is the feminine form of the word davar. Bees are a community of insects which live in a perfectly arranged order as its ecosystem is in harmony and balance. By placing Israel in this environment God is teaching them balance, order, and harmony." End quotes.
According to Bill Casselman's web sit entitled A Swarm of Bee Words, deborah is named after the sting of the bee, i.e. deborah translates as a stinging bee. Casselman traces the word Deborah back to the Semitic root dbr and one of its related forms dabar, meaning word, sting, and goad. Casselman also sites the Arabic and Proto- Semitic dabar as meaning a sting and an ox goad.
The connection of the stinging bee and an ox goad can be alternatively construed as the bee stinging the ox. Because the constellation of Scorpio is the image of a flower and the ecliptic antipodal position of the Pleiades constellation is the image of a bee alighting onto the flower, we should also focus attention on the fact that the Pleiades are on the ox constellation of Taurus. If the Pleiades are a bee image and found on the ox constellation, it is within the realm of imagination that the ox may be stung.
The modern scientific name of the bee is Apis Melliferus, and its etymology is from the two Latin words Mellifferus, meaning honey producing, and Apis meaning a bee. Apis was the Egyptian ox that contained the Ka, or life force, of Osiris. The Pleiades were held to be the seeds of the life force and they are in the ox constellation of Taurus. According to Bill Casselman, like the Hebrew deborah, meaning both a word and a sting, the Latin for word is verbum, the root being verb- to whip, lash, sting and the cattle goad.
In chapter three I noted the Greek symbolism of Io being harassed by the gadfly was representing Io as Taurus and the gadfly as the bite of the Pleiades. Clearly the Greeks cast the Pleiades in a stinging like role for their mythology. While Melissa is the Greek word for bee, meaning honey bee, they made a very subtle reference to their knowledge of the association between the bee and the similarly Hebrew concept of a word by using gemetria. As we covered in chapter two, the "word" of God uses gemetria in the very first seven words of the Bible to form a geometrical image related to the seven Pleiades. This geometrical formation is contingent on the base number being 73, which has a mete in the base with the number 37. If you multiply the two numbers you arrive at the total count for the geometrical image of the first seven words of the Bible, i.e. 37 x 73 = 2701. Well, the Greeks had the word logos to mean a word, which has a gemetria value of 373, an allusion to the key numbers of Genesis 1:1.
So, Hebrew, Greek, and Latin all have allusions between a bee and its association to the concept of a word, but with the Greek and Latin we have also made the connection to the Pleiades. Let's find the connection between the Hebrew deborah and the Pleiades.
- published: 01 Mar 2012
- views: 622
9:06
(ЯR) The Fallen Angel's & Nephilim Hybrid Offspring (HD)
The Nephilim were the offspring of the "sons of God" and the "daughters of men" according...
published: 11 Oct 2012
(ЯR) The Fallen Angel's & Nephilim Hybrid Offspring (HD)
The Nephilim were the offspring of the "sons of God" and the "daughters of men" according to Genesis 6:4; and gigantic men who inhabited Canaan according to Numbers 13:33. A similar biblical Hebrew word with different vowel-sounds is used in Ezekiel 32:27 to refer to dead Philistine warriors.
"Nephilim" (נְפִילִים) probably derives from the Semitic root npl (נָפַל), "to fall" which also includes "to cause to fall" and "to kill, to ruin".[citation needed] The Brown-Driver-Briggs Lexicon gives the meaning as "giants"[1] Robert Baker Girdlestone[2] argued the word comes from the Hiphil causative stem. Adam Clarke took it as passive, "fallen", "apostates". Ronald Hendel states that it is a passive form "ones who have fallen", equivalent grammatically to paqid "one who is appointed" (i.e. overseer), asir, "one who is bound", (i.e. prisoner) etc.[3][4]
In the Hebrew Bible
The term "Nephilim" occurs just twice in the Hebrew Bible, both in the Torah. The first is Genesis 6:1--4, immediately before the story of Noah's ark:
1. When men began to increase in number on the earth and daughters were born to them,
2. The sons of God saw that the daughters of men were beautiful, and they married any of them they chose.
3. Then the LORD said, "My Spirit will not contend with man forever, for he is mortal; his days will be a hundred and twenty years."
4. The Nephilim were on the earth in those days—and also afterward—when the sons of God went to the daughters of men and had children by them. They were the heroes of old, men of renown.
The second is Numbers 13:32--33, where The Twelve Spies report that they have seen fearsome giants in Canaan:
32. And they spread among the Israelites a bad report about the land they had explored. They said, "The land we explored devours those living in it. All the people we saw there are of great size.
33. We saw the Nephilim there (the descendants of Anak come from the Nephilim). We seemed like grasshoppers in our own eyes, and we looked the same to them."
The nature of the nephilim is complicated by the ambiguity of Genesis 6:4, "the sons of God joined with the daughters of mankind, who bore them children—they were the heroes of old, the men of renown", which leaves it unclear whether they are the "sons of God" or their offspring who are the "ancient warriors". Richard Hess in The Anchor Bible Dictionary takes it as read that the nephilim are the offspring,[5] as does P. W. Coxon in Dictionary of deities and demons in the Bible.
Genesis 6—two interpretations
There are effectively two views[7] regarding the identity of the nephilim, which follow on from alternative views about the identity of the sons of God:
Offspring of Seth—The Qumran (Dead Sea Scroll) fragment 4Q417 (4QInstruction) contains the earliest known reference to the phrase "children of Seth", stating that God has condemned them for their rebellion. Other early references to the offspring of Seth rebelling from God and mingling with the daughters of Cain, are found in rabbi Shimon bar Yochai, Augustine of Hippo, Julius Africanus, and the Letters attributed to St. Clement. It is also the view expressed in the modern canonical Amharic Ethiopian Orthodox Bible.
Offspring of angels—A number of early sources refer to the "sons of heaven" as "Angels". The earliest such references[8] seem to be in the Dead Sea Scrolls, the Greek, and Aramaic Enochic literature, and in certain Ge'ez manuscripts of 1 Enoch (mss A--Q) and Jubilees[9] used by western scholars in modern editions of the Old Testament Pseudepigrapha.[10] Also some Christian apologists shared this opinion, like Tertullian and especially Lactantius. However, "angels" in this context has sometimes been considered to be a sarcastic epithet for the offspring of Seth who rebelled.[citation needed] The earliest statement in a secondary commentary explicitly interpreting this to mean that angelic beings mated with humans, can be traced to the rabbinical Targum Pseudo-Jonathan, and it has since become especially commonplace in modern-day Christian commentaries.
- published: 11 Oct 2012
- views: 2593
7:58
The Roots of AntiSemitism
Joseph Atwill, author of Caesars Messiah describes the war between the Romans and the Jews...
published: 20 Mar 2007
The Roots of AntiSemitism
Joseph Atwill, author of Caesars Messiah describes the war between the Romans and the Jews and the invention of Christianity as a means to overwrite the history of the messianic Jewish movement of Judea by the Roman Flavian Caesars as post war propoganda.
For more information see:
http://www.caesarsmessiah.com
or
http://www.rodephemet.org
- published: 20 Mar 2007
- views: 9572
7:12
Eli= Eloi = Elohim= Allah; God has One name!.flv
The word Allah comes from the same root word that forms the basis for the words used for G...
published: 18 Nov 2011
Eli= Eloi = Elohim= Allah; God has One name!.flv
The word Allah comes from the same root word that forms the basis for the words used for God in the Bible: "Elohim," "ha Elohim," and "ha Eloh." "Allah" also comes from the same root word as the Aramaic (the language of Christ) word for God, which is "Alaha."
Uploaded by ikhwanarrasul on 11 Aug 2011
The overwhelming majority of Muslims call this God by the Arabic name "Allah." This has prompted some to claim (absurdly) that this "Allah" is the pagan moon god, to which the Prophet Muhammad (peace be upon him) wanted his followers to pray. "Allah" is the Creator and Sustainer of the Universe, the God of Adam, Seth, Noah, Abraham, Isaac, Ishmael, Jacob, Joseph, Moses, Aaron, and Jesus. He is the "Elohim" of the Old Testament, and "Eloi" in the New Testament. The word Allah comes from the same root word that forms the basis for the words used for God in the Bible: "Elohim," "ha Elohim," and "ha Eloh." "Allah" also comes from the same root word as the Aramaic (the language of Christ) word for God, which is "Alaha."
"Elohim," the Hebrew word for God, is derived from the word "eloh," which means "god." The "im" is a plural of abstraction, appended at the end for respect. "Allah" is also related to the word "ilah," which is Arabic for "god." Thus, these three words - "eloh," "alah," "ilah" - are etymologically equivalent, just as "Deus," "Dios," and "Dio" are equivalent names for God in Latin, Spanish, and Italian respectively. The proto-Semitic root for "eloh," "alah," and "ilah" is "'LH," which means "to worship." Therefore, the literal meaning of "Elohim," "Alaha," and "Allah" is "the one whom is worshiped."
"Eloi," the name Jesus cried out on the cross in the account according to Mark, comes from this very same root word for God. Thus, "Allah" is not some foreign god whom the Muslims worship, but the very same God that Jesus called upon during his ministry on earth. If you were to pick up a copy of an Arabic translation of the Bible, you will find the word used for God is none other than "Allah."
Category:
- published: 18 Nov 2011
- views: 124
10:00
9 11 Ritual Exposed - Freemasons 'As above, So below'
Uploaded by axis4peace3 on Jan 29, 2011
9/11 was a Satanic Occult Ritual performed by the...
published: 12 Oct 2012
9 11 Ritual Exposed - Freemasons 'As above, So below'
Uploaded by axis4peace3 on Jan 29, 2011
9/11 was a Satanic Occult Ritual performed by the Secret Societies behind all the power structures whose hand played a part in the nasty black ops false flag terror attack on September, the 11th 2001. ** This video series was snagged from '1killuminati' on YouTube, so please visit his channel, subscribe, rate/comment - thanks **
Psalm 19:1-6 (King James Version)Psalm 19 1The heavens declare the glory of God; and the firmament sheweth his handywork. 2Day unto day uttereth speech, and night unto night sheweth knowledge. 3There is no speech nor language, where their voice is not heard. 4Their line is gone out through all the earth, and their words to the end of the world. In them hath he set a tabernacle for the sun, 5Which is as a bridegroom coming out of his chamber, and rejoiceth as a strong man to run a race. 6His going forth is from the end of the heaven, and his circuit unto the ends of it: and there is nothing hid from the heat thereof.
ECLIPTIC:
http://en.wikipedia.org/wiki/Ecliptic
AS ABOVE, SO BELOW: BOPHOMAT as taught by Helena Blavatsky:
http://www.blavatsky.net/newsletters/...
Goes much deeper and incorporates "Egyptology"
Moloch, Molech, Molekh, Molok, Molek, Molock, or Moloc (representing Semitic מלך m-l-k, a Semitic root meaning "king") is the name of an ancient Semitic god, in particular a god of the Phoenicians, and the name of a particular kind of child sacrifice associated with that god. Moloch was historically affiliated with cultures throughout the Middle East, including the Ammonite, Hebrew, Canaanite,[1] Phoenician and related cultures in North Africa and the Levant.In modern English usage, "Moloch" can refer derivatively to any person or thing which demands or requires costly sacrifices.
http://en.wikipedia.org/wiki/Moloch
READ THIS: Saturn: A New Look at an Old Devil By Liz Greene: Google it.
HEXAGRAM: SATURN: STAR OF DAVID: [SYMBOL], PENTAGRAM, Hinduism, Mormons, Christianity, Judaism, Rastafarianism, Zionism, Islam, Freemasonry, and OCCULTISM:
http://en.wikipedia.org/wiki/Hexagram
Amos 5:26- But ye have born the tabernacle of your Moloch, and Chiun (Remphan) your images, the STAR OF YOUR GOD, which ye made to yourselves.
The mark of Cain was worshipped by the Israelites in the wilderness as the star of Remphan, which Strong's Concordance identifies as Chiun:
Strong's #4481 - Rhemphan {hrem-fan'} by incorrect transliteration for a word of Hebrew origin 3594; n pr m AV - Remphan 1; 1 Remphan = "the shrunken (as lifeless)" 1) the name of an idol worshipped secretly by the Israelites in the wilderness
Strong's #3594 - Kiyuwn {kee-yoon'} from 3559; n pr dei AV - Chiun 1; 1 Chiun = "an image" or "pillar" 1) probably a statue of the Assyrian-Babylonian god of the planet Saturn and used to symbolise Israelite apostasy. Both Chiun and Saturn are identified as Cain. "The god of time was Chium in Egypt, or Saturn...and Chium is the same as Cain." - Blavatsky, The Secret Doctrine (897:390)
N.B. Chium is an alternative spelling of Chiun: "...Chium, Chiun kiyyun, khiyun (Hebrew)..." - Theosophical Glossary (898)
"Chiun is sometimes called Kaiwan, or spelled Khiun, and means star. The star of Saturn was a god... Sakkuth and Kaiwan or Chiun are objects of idolatrous worship and are Assyrian gods. In Akkadian texts both names mean the planet or star, Saturn." (Graham, The Six-Pointed Star, pp. 28-29)
Since Chiun and Cain are linked with Saturn, the planetary name for Satan, the mark of Cain was the mark of Saturn, a six-pointed star.
Strong's #7014 - Qayin {kah'-yin} the same as 7013 (with a play upon the affinity to 07069); TWOT - 2017,2016 AV - Cain 17, Kenite 1; 18 n pr m Cain = "possession" 1) eldest son of Adam and Eve and the first murderer having murdered his brother Abel n pr gent Kenite = "smiths" 2) the tribe from which the father-in-law of Moses was a member and which lived in the area between southern Palestine and the mountains of Sinai
4. The Kenites who claim to have descended from Cain wore the mark of the Tau Cross, the letter of Saturn, on their foreheads.
"In this overlapping form [the Star of David] is the mark of the double messiah: the priestly ... messiah and the kingly...messiah. As such it is the only true sign of Jesus, and it carries the extra meaning as being the representative of the BRIGHT STAR OF DAVID'S LINE THAT AROSE IN THE MORNING. If the Star of David is a symbol of the unified messiah-ship of Jesus, it should be the mark of Christianity. Then the question has to be, what is the symbol of Judaism? The answer is the cross. This is the mark of the 'TAU' and it is this shape of cross upon which Jesus was crucified. The TAU was the mark of Yahweh...the Kenites bore ON THEIR FOREHEADS long before Moses came across them in the wilderness... " - The Hiram Key (162:140-141)
"TAU... [is the] letter of Saturn..." Israel Regardie, The Golden Dawn (153:215
- published: 12 Oct 2012
- views: 91
2:22
Ethiopian KITFO Recipe - How To Cook Great
http://www.howtocookgreatethiopian.com
Mitmita, best mince high end beef, niter kibosh b...
published: 19 Jun 2012
Ethiopian KITFO Recipe - How To Cook Great
http://www.howtocookgreatethiopian.com
Mitmita, best mince high end beef, niter kibosh butter, salt. www.howtocookgreatethiopian.com
Kitfo, sometimes spelled ketfo, is a traditional dish. Kitfo consists of minced raw beef, marinated in mitmita (a chili powder based spice blend) and niter kibosh infused with herbs and spices). The word comes from theEthio Semitic root k-t-f, meaning "to chop finely; mince." Kitfo cooked lightly rare is known as kitfo leb leb. Kitfo may be served alongside, or mixed with, mild cheese and cooked greens (gomen). In many parts of Ethiopia, kitfo is served with injera, a flatbread made from teff. steak tartare.
http://www.howtocookgreatethiopian.com
- published: 19 Jun 2012
- views: 2590
1:57
What is "Antisemitism" - the root
Defamation (documentary): http://wideeyecinema.com/?p=7208
"Anti-Semitism will act as...
published: 10 Mar 2010
What is "Antisemitism" - the root
Defamation (documentary): http://wideeyecinema.com/?p=7208
"Anti-Semitism will act as a propelling force which, like the wave of the future, would bring the Jews into the promised land." Theodore Herzl
It is essential that the sufferings of Jews. . . become worse. . . this will assist in realization of our plans. . .I have an excellent idea. . . I shall induce anti-Semites to liquidate Jewish wealth. . .The anti-Semites will assist us thereby in that they will strengthen the persecution and oppression of Jews. The anti-Semites shall be our best friends. - Theodor Herzl, Founder of Zionism in 1897.
Neither the religious nor the lay leaders of the many Jewish organizations wish to lose this potent weapon. Remove prejudice and lose adherents to the faith... This is the conspiracy of the rabbinate, Jewish nationals and other leaders of organized Jewry to keep the problems of prejudice alive. - Alfred M. Lilienthal, in The Other Side of the Coin
never to forget that it is a chauvinist Zionist ambition that is edging mankind toward the brink of another global catastrophe, and that its most potent weapon is the mind-paralyzing lie of antisemitism. - Ivor Benson, writing in The Zionist Factor
"Anti-Semitism is nothing but the antagonistic attitude produced in the non-Jew by the Jewish group. The Jewish group has thrived on oppression and on the antagonism it has forever met in the world." - Albert Einstein ( Collier's Magazine - 26th November 1938)
"Deep down, I believe that a little anti-Semitism is a good thing for the Jews - reminds us who we are."
- Jay Lefkowitz New York Times Magazine - 12th February 1995
Even Arabs can be labeled anti-Semitic, although they are in fact Semites and do not have to link any claim to the Holy Land to descent from seventh century converts to Judaism, as do the Ashkenazi Jews of Europe from whom half the Israelis and most American Jews, including this writer, are descended. - Dr. Alfred Lilienthal (The Washington Report on Middle East Affairs April 1998)
.
- published: 10 Mar 2010
- views: 1542
0:49
Beautiful Naked Woman: Eve
Michelangelo: The Downfall of Adam and Eve and their expulsion from the Garden of Eden.
...
published: 24 Sep 2012
Beautiful Naked Woman: Eve
Michelangelo: The Downfall of Adam and Eve and their expulsion from the Garden of Eden.
Michelangelo combines two contrasting scenes into one panel,that of Adam and Eve taking fruit from the forbidden tree, Eve trustingly taking it from the hand of the Serpent and Adam eagerly picking it for himself; and their banishment from the Garden of Eden, where they have lived in the company of God, to the world outside where they have to fend for themselves and experience death
Eve (Hebrew: חַוָּה, Ḥawwāh in Classical Hebrew, Khavah in Modern Israeli Hebrew, Arabic: حواء, Syriac: , Tigrinya: Hiywan) was, according to the creation myth of Abrahamic religions, the first woman created by God.
In the Bible, Eve (Hebrew: חַוָּה, Ḥawwāh; Arabic: حواء, Hawwa'; Ge'ez: Hiywan; "living one" or "source of life", related to ḥāyâ, "to live"; ultimately from the Semitic root ḥyw; Greek: Εὕα, heúā) is Adam's wife. Her name occurs only four times; the first being Genesis 3:20: "And Adam called his wife's name Ḥawwāh; because she was the mother of all living" (a title previously held by the Babylonian creatrix Tiamat). In Vulgate she appears as "Hava" in the Old Testament, but "Eva" in the New Testament. The name may actually be derived from that of the Hurrian Goddess Kheba, who was shown in the Amarna Letters to be worshipped in Jerusalem during the Late Bronze Age. It has been suggested that the name Kheba may derive from Kubau, a woman who reigned as the first king of the Third Dynasty of Kish Another name of Asherah in the first millennium BCE was Chawat, Hawwah in Aramaic, (Eve in English).
The name Eve (חַוָּה) bears resemblance to an Aramaic word for "snake" (O.Arb. חוה; J.Arm. חִוְיָא). ] In Genesis, Eve is associated with the snake.
Eve is the first woman mentioned in the Bible. Here it was Adam who gave her the name Eve. Eve lived with Adam in the Garden of Eden during the time which Adam was described as having walked with God. Eventually, however, with Fall of man, the pair were removed from the garden because she was encouraged by the serpent to eat the fruit of the Tree of the Knowledge of Good and Evil and, with the temptation, led Adam to eat of the forbidden fruit.
In the Tyndale Bible Adam's wife is called "Heua" in accordance with the Greek form Ἕυα (although in Genesis 3:20 the Septuagint says that Adam called her Ζωή).
Though Eve is not a saint's name, the traditional name day of Adam and Eve has been celebrated on December 24 since the Middle Ages in many European countries, e.g. Germany, Hungary, Scandinavia, Estonia.
- published: 24 Sep 2012
- views: 3730
14:56
Teesri Aankh (1982) Release Date -23 April 1982 (India) Part 11-Shalom Song !
http://en.wikipedia.org/wiki/Shalom
In the Gospels, Jesus often uses the greeting "Peace ...
published: 02 Dec 2010
Teesri Aankh (1982) Release Date -23 April 1982 (India) Part 11-Shalom Song !
http://en.wikipedia.org/wiki/Shalom
In the Gospels, Jesus often uses the greeting "Peace be unto you," a translation of shalom aleichem.
Shalom (שָׁלוֹם) is a Hebrew word meaning peace, completeness, and welfare and can be used idiomatically to mean both hello and goodbye.As it does in English, it can refer to either peace between two entities (especially between man and God or between two countries), or to the well-being, welfare or safety of an individual or a group of individuals. The word is also found in many other expressions and names. Its equivalent cognate in Arabic is salaam, sliem in in Syriac-Assyrian and sälam in Ethiopian Semitic languages from the Proto-Semitic root S-L-M.
In Hebrew, the root of the word (usually in a three or occasionally four letter format), and depending on the vowels that are used, has several meanings (that are relevant to the general meaning of the word Shalom); as for example: One meaning is "Whole", another could be the actual verb "Pay" usually in command form. The conjugated verb has other spins that are worth noting, such as: "Hishtalem" meaning "it was worth it" or "Shulam" as "it was paid for" or "Meshulam" as in "paid in advance." Hence one can jokingly say that, "when it's paid-for then there is peace," as in PEACE HAS A PRICE.
Shalom, in the liturgy and in the transcendent message of the Christian scriptures, means more than a state of mind, of being or of affairs. Derived from the Hebrew root shalam -- meaning to be safe or complete, and by implication, to be friendly or to reciprocate. Shalom, as term and message, seems to encapsulate a reality and hope of wholeness for the individual, within societal relations, and for the whole world. To say joy and peace, meaning a state of affairs where there is no dispute or war, does not begin to describe the sense of the term. Completeness seems to be at the center of shalom as we will see in the meaning of the term itself, in some derivatives from its root, shalam, in some examples of its uses in Jewish and Christian Scriptures, and in some homophone terms from other Semitic languages.
The noun shalom means safe, for example, well and happy. On a more abstract application, its use points to welfare, for example, health, prosperity, and, peace. It the verb form shalam, though, that provides a deeper understanding of this term in theology, doctrine, and liturgy. Literally translated, shalam signals to a state of safety, but figuratively it points to completeness.
In Judaism, Shalom (peace), is one of the underlying principle of the Torah. "Her ways are pleasant ways and all her paths are shalom (peace)"[4]." The Talmud explains, "The entire Torah is for the sake of the ways of shalom"[5]. Maimonides comments in his Mishneh Torah: "Great is peace, as the whole Torah was given in order to promote peace in the world, as it is stated, 'Her ways are pleasant ways and all her paths are peace. '"
As the name for events
The 1982 Lebanon War is known in Hebrew as Milhemeth Shlom Hagalil (Hebrew: מלחמת שלום הגליל), which means in English, "The War for the Shalom (or Well-Being) of the Galilee".
SS Shalom, an ocean liner operated by Zim Lines, Israel 1964-1967.
Şalom is a Jewish weekly newspaper published in İstanbul, Turkey in Turkish and one page in Ladino (Judaeo-Spanish).
Shalom is a song by Voltaire, on the CD The Devil's Bris.
- published: 02 Dec 2010
- views: 5404
2:02
Protection symbols | Guarding amulet | Blessing Home Israel | The Hamsa - your talisman.
Sign up to Bluenoemi Newsletter and get a coupon valued 10 USD for your first purchase fro...
published: 08 Jul 2012
Protection symbols | Guarding amulet | Blessing Home Israel | The Hamsa - your talisman.
Sign up to Bluenoemi Newsletter and get a coupon valued 10 USD for your first purchase from Bluenoemi site http://www.bluenoemi-jewelry.com/newsletter.html
Get your FREE good luck and protection RED STRING BRACELET with a hamsa, star of David or Chai charm with your order of 50 USD and more at http://www.bluenoemi-jewelry.com
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http://www.bluenoemi-jewelry.com/hamsa-jerusalem-home-blessing-english.html
About the Jewish talisman - the Israeli Hamsa jewelry
The hamsa is a Middle Eastern symbol dating back to prehistoric times designed to give protection from the evil eye, bad luck that results from the attention or jealousy of others.
Today it is used both by Jewish and Muslim culture. The hamsa consists of a hand, usually pointing fingers down with an eye in the middle.
Most commonly, the Hamsa is made in the shape of a hand with five fingers outstretched. There is, however, the unique Cohanim Hamsa. In this position, the forefinger and third finger are joined from one side, and the ring finger and the little finger are joined from the other side. This forms the Hebrew letter "shin" and is the position of a Cohen's fingers when he blesses the congregation.
http://www.bluenoemi-jewelry.com/ishaje.html
A filigree silver hamsa
The name "Hamsa" ("Hansa" in Sanskrit, or "Al Khamsa" in Arabic) is from the Semitic root word for five, and is a very ancient symbol in the Middle East. Although it is an ancient symbol, the Hamsa is still popular today and is believed to possess magical powers of protection, happiness and prosperity.
http://www.bluenoemi-jewelry.com/blje1.html
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Singing: Gabi Berlin. The Blue scarf. Israeli songs from Gabi Berlin Triple Album
- published: 08 Jul 2012
- views: 393
1:27
Chapter 1 : The Opening
The Recitation - Chapter 1 : The Opening
In Islam Sura Al-Fatiha (Arabic: سورة الفاتحة),...
published: 25 Jul 2012
Chapter 1 : The Opening
The Recitation - Chapter 1 : The Opening
In Islam Sura Al-Fatiha (Arabic: سورة الفاتحة), (Sūratul-Fātihah, "The Opener") is the first chapter of the Qur'an. Its seven verses are a prayer for Allah's guidance, and stress His Lordship and Mercy. This chapter has an essential role in Salaat (daily prayer); Muslims should recite the Surah Al-Fatiha seventeen times a day in Fard (Compulsory) Salaat, at the start of each unit of prayer.
The first verse, transliterated as "Bismillāhir Rahmānir Rahīm", may be familiar to non-Arabic speakers and non-Muslims because of its ubiquity in Arabic and Muslim societies. This verse appears at the start of every chapter in the Qur'an with the exception of the ninth chapter. The verse is normally said before reciting a chapter or part of a chapter during daily prayer, and also before public proclamations and indeed before many personal and everyday activities in many Arabic and Muslim societies as a way to invoke God's blessing and proclaim one's motives before an undertaking.
The two words "ar Rahmān" and "ar Rahīm" are often translated in English as "the Beneficent" and "the Merciful" or "the Generous." They are often also translated as superlatives, for example, "the Most Generous" and "the Most Merciful". Grammatically the two words "Rahmaan" and "Raheem" are different linguistic forms of the triconsonantal root R-H-M, connoting "mercy". (For more information, see the section on root forms in Semitic languages). The form "Rahmaan" denotes degree or extent, i.e., "Most Merciful," while "Raheem" denotes time permanence, i.e., "Ever Merciful".
The second verse's "الحمد الله" ranks as one of the most popular phrases in all of Arabic, being used to express one's well-being, general happiness, or even consolation in a disaster (see Alhamdulillah). The verse is also significant in that it includes a relationship between the two most common names for God in Arabic "الله" and "رب". The first word is a ubiquitous name for God, and the second roughly translates to "Lord." It shares the same root with the Hebrew "Rabbi". In some printings of the Qur'an, both words appear in red everywhere in the Qur'an.
The first word of the fourth verse varies as between variant recitation versions of the Qur'an. The most widely preferred of those differ on whether it is "Maliki" with a short "a," which means "king" (Warsh, from Nafi'; Ibn Kathir; Ibn Amir; Abu 'Amr; Hamza), or rather "Māliki" with a long "a," meaning "master" or "owner" (Hafs, from Asim, and al-Kisa'i). "Maliki" and "Māliki" are distinct words of inconsistent precise meaning deriving from the same triconsonantal root in Arabic, M-L-K.
- published: 25 Jul 2012
- views: 58
8:43
72 Surah Jinn (Full) with Kanzul Iman Urdu Translation Complete Quran
Jinn (Arabic: جن ǧinn, singular جني ǧinnī ; variant spelling djinn) or genies are superna...
published: 13 Nov 2011
72 Surah Jinn (Full) with Kanzul Iman Urdu Translation Complete Quran
Jinn (Arabic: جن ǧinn, singular جني ǧinnī ; variant spelling djinn) or genies are supernatural creatures in Arab folklore and Islamic teachings that occupy a parallel world to that of mankind. Together, jinn, humans and angels make up the three sentient creations of Allah. Religious sources say barely anything about them; however, the Qur'an mentions that Jinn are made of smokeless flame or "scorching fire".[1] Like human beings, the Jinn can also be good, evil, or neutrally benevolent.[2]
The jinn are mentioned frequently in the Qur'an, and there is a surah entitled Sūrat al-Jinn in the Qur'an. In many modern cultures, a Genie is portrayed as a magical being that grants wishes. The earliest of such Jinn stories in folklore originate in the book of the One Thousand and One Nights.[3]
Jinn is a word of the collective number in Arabic, derived from the Arabic root ǧ-n-n meaning 'to hide' or 'be hidden'. Other words derived from this root are maǧnūn 'mad' (literally, 'one whose intellect is hidden'), ǧunūn 'madness', and ǧanīn 'embryo, fetus' ('hidden inside the womb').[4]
The Arabic root ǧ-n-n means 'to hide, conceal'. A word for garden or Paradise, جنّة ǧannah, is a cognate of the Hebrew word גן gan 'garden', derived from the same Semitic root. In arid climates, gardens have to be protected against desertification by walls; this is the same concept as in the word "paradise" from pairi-daêza, an Avestan word for garden that literally means 'having walls built around'. Thus the protection of a garden behind walls implies its being hidden from the outside. Arabic lexicons such as Edward William Lane's Arabic-English Lexicon define ǧinn not only as spirits, but also anything concealed through time, status, and even physical darkness.[5]
The word genie in English is derived from Latin genius, which meant a sort of tutelary or guardian spirit thought to be assigned to each person at their birth. English borrowed the French descendant of this word, génie; its earliest written attestation in English, in 1655, is a plural spelled "genyes." The French translators of The Book of One Thousand and One Nights used génie as a translation of jinnī because it was similar to the Arabic word in sound and in meaning. This use was also adopted in English and has since become dominant.
Many cultural interpretations noted the Jinn as having distinct male and females, they would often appear wearing vests and sashes, various interpretations note that they tied their hair long vertically and most probably had some or no facial hair. According to various stories Jinn could exist independently or bound to any particular object.
In Arabic, the word ǧinn is in the collective number, translated in English as plural (e.g., "several genies"); ǧinnī is in the singulative number, used to refer to one individual, which is translated by the singular in English (e.g., "one genie"). Therefore, the word 'jinn' in English writing is treated as a plural.
Amongst archaeologists dealing with ancient Middle Eastern cultures, any spirit lesser than angels is often referred to as a jinni, especially when describing stone carvings or other forms of art.
Kanzul Itman is the name of the 1910 Urdu translation of the Qur'an by Ahmad Raza Khan. It was subsequently translated into English by Professor Shah Faridul Haque. Recently, it has been translated into many other regional languages and become popular on the internet.
Kanzul Iman has been translated into the English language by many Islamic scholars.
This task was first of this was published by Professor Fatimi of the University of Kuwait, in Karachi, Pakistan. The second translation was completed by Professor Shah Fareed al Haq of Pakistan[when?] and was published in India and Pakistan. The commentary notes on Kanz al Imaan by Sadr al Faadhil, Mawlana Na'eem al-Din Muradabadi has been translated into the English language by Dr. Professor Majeedullah of Lahore, Pakistan.
Kanzul Imaan has also been translated into the Sindhi language by Mufti Muhammad Raheem Sikandari. In the nation of Mauritius Kanzul Iman has been translated into the Creole language, by the combined effort of Mawlana Mansoor and Mawlana Najeeb both of Mauritius. This translation of the Qur'an was first published on January 17, 1996 under the supervision of Shameem Ashraf Azhari, the khatib (resident Imam) of the Jaame Masjid, Mauritius. He was assisted by many ulema and politicians in this task.
- published: 13 Nov 2011
- views: 19295
Vimeo results:
88:49
THE KING'S SON & THE EMPEROR'S DAUGHTER complete (90 minutes)
a 90 minute collage of text, music and images, based on the lives of rabbi nachman of bre...
published: 04 Aug 2010
author: franklyn wepner
THE KING'S SON & THE EMPEROR'S DAUGHTER complete (90 minutes)
a 90 minute collage of text, music and images, based on the lives of rabbi nachman of breslav and salon hostess rahel varnhagen. the lives of these two historical persons overlapped during the first decade of the 19th century. rabbi nachman of breslav founded the breslav hassidic sect in the ukraine, and rahel varnhagen was a salon hostess of the jewish enlightenment movement, known as the "haskalah", in berlin. i combined their biographies and imagined what might have happened in reality and in fantasy if nachman showed up at rahel's salon and attempted to bring the assimilating jews there back to the fold of orthodox judaism. the 90 minute show begins in the style of naturalism and evolves into an expressionistic fantasy being woven by the two main characters, in which nachman projects onto rahel the role of "the shekhinah" ( female aspect of god and also the jewish people in relation to god), while rahel projects onto nachman the role of messiah. so we end up at the end of the show with a fantasy marriage of the jewish people and the jewish messiah at the end of days, without forgetting for a moment that in real life these two never met and as a matter of fact rahel converted to christianity and married the german protestant nobleman august varnhagen.
IN THE ESSAYS THAT FOLLOW THE SHOW HAS ITS ORIGINAL NAME, "RAHEL! RAHEL!". I CHANGED THE NAME AFTER I DISCOVERED ON THE NET THAT PAUL NEWMAN MADE A MOVIE WITH THAT NAME BACK IN THE 1960'S.
TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner.com. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: franklynwepner@gmail.com. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT.
APPRECIATING MY MUSICAL SHOW
"RAHEL! RAHEL!"
1. GENERAL THEORY
Of course, the best way to begin to appreciate most works of art is just to experience
them a few times and form your own conclusions. The opinions of the creator of an
artwork are merely incidental at that stage of the process. And certainly once an
artwork is created it takes on a life of its own, just like a child more and more slips out
of the control of its parents. Nevertheless, I think we will agree that this particular
artwork is unique in its form, what it seeks to accomplish, and the demands it makes on
its audience. "Rahel! Rahel!" is an ambitious project which reaches out beyond the
realm of art and grapples with major issues of religion and philosophy. Whether I as
the author have succeeded in my project is for you the audience to decide, but since
my artwork is intended to operate on several different levels I feel it appropriate for me
to lay out for you the plan of what might be there for you if I have succeeded in carrying
out my original goals. Just as I did not compromise in creating the piece, I will not
compromise here in discussing the piece. If you don't "get it", maybe I failed and there
ain't nothing there to "get" in the first place. Or if you don't "get it", maybe you need to
do some homework on your own, or just give up on it and go do something else more
appropriate for your talents.
Nachman of Breslav wrote "my Torah is entirely 'b'hinot' ". "B'hinot", in Hebrew, means
"aspects of", "associations", "points of view". For example, if I think of vanilla ice cream
then I can associate to that idea chocolate ice cream, or cows, or a forest of vanilla
beans somewhere in Madagascar. In other words, there is no limit to the range of
possible associations I might get. Nachman might have said instead, "my Torah is
entirely induction", and then we would contrast inductive logic to deductive logic.
Deductive logic begins with a single idea and like an upside down tree follows the
ramifications of that idea out into the myriad subdivisions and corollaries of that idea.
Scientific textbooks usually are written deductively. Inductive logic begins with the vast
realm of concrete living awareness experiences and step by step moves up the upside
down tree back to a single encompassing idea that strives to somehow include all of
the original experiences in its breadth. Francis Bacon in the 14th century championed
inductive logic. Theologically speaking, Breslav kabbalah is inductive thinking, while Chabad kabbalah is deductive thinking. Nachman begins with a wide range of Torah
texts and trusts in associative links to get to his main points, while Shneur Zalman,
author of the Chabad "Tanya", writes an orderly textbook in which he systematically
lays out his major and minor premisses. But both authors are using the same tree style
thinking. Nachman moves up the upside down tree, while Shneur Zalman moves
down the upside down tree, the kabbalistic tree of life on which the "sefirot" (points of
view) are hanging like Christmas tree ornaments. For philosophy in general, this tree
is th
15:45
THE KING'S SON & THE EMPEROR'S DAUGHTER part 3 "rahel betrayed"
a 90 minute collage of text, music and images, based on the lives of rabbi nachman of bres...
published: 11 Aug 2010
author: franklyn wepner
THE KING'S SON & THE EMPEROR'S DAUGHTER part 3 "rahel betrayed"
a 90 minute collage of text, music and images, based on the lives of rabbi nachman of breslav and salon hostess rahel varnhagen. the title, "the king's son & the emperor's daughter", is from one of the three nachman stories which are included in the show. the other two are "the lost princess" and "the heart of the world and the spring".
TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner.com. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: franklynwepner@gmail.com. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT.
PART 3 "rahel betrayed"
SCENE 9: Rahel relates a dream. She is standing in the stone ruins of a castle, high on a cliff. An angry mob demands that Finkenstein (their king and the person by whose side Rahel now is standing) allow them to throw her over the cliff. Terrified, Rahel in her dream screams to Finkenstein for his protection, but he hands her over to the mob. As she falls over the cliff she awakens, only to find Finkenstein standing by her side and giving her a "dear John" rejection message. Rahel is furious and humiliated. She blames all her misfortunes, once again, on the fact of her "infamous" (Jewish) birth.
SCENE 10: Menachem expresses his sympathy for the sufferings of Rahel, which he regards as the sufferings of the Shekhinah. The time has come, he concludes, for his own major project to begin. He shares with the audience his belief that he himself is the Messiah. Not just the Messiah of the seed of David is he, but also the Messiah of the seed of Joseph - the warrior Messiah whose sword prepares the way for the final Day of Judgment. Menachem now asks his disciples (the audience) to choose, each one for himself, whether or not he wishes to accompany him on this dangerous mission to the Holy Land. With those few that decide to remain with him, he shares his Messianic teachings. This small band is to be the vanguard which prepares the way for an exodus of the Jews from Europe and Czar Alexander's Russia to the Holy Land. To those that falter in their resolve for the task, Menachem gives advice. "Then you must sing and dance and clap your hands many times! Above all, do not despair!" One's joyous side must dance to force his own melancholy side to join in the struggle, just like dancers in a group grab a hesitant onlooker and encourage him to join their dance. These are basic principles of the Breslaver sect of Hassidim which Nachman of Breslav (i.e., Menachem in this play) is founding. Then Menachem does a full-scale dance of theurgy to mobilize the divine powers (and the audience) for the coming journey.
SCENE 11: Rebbe Mordecai Daniel sends the sheriff (who happens to have a Texas accent, 10-gallon hat, six-gun and star) to bring Menachem before the "beyt din" (religious court). Mid much Kafka-esque ritualistic chanting and tribal drumming, witnesses confirm every charge the Rebbe makes and then the sheriff hauls Menachem off to the hoosgow. The sheriff warns the audience (Menachem's disciples): "Ah siggest yiz make easel's scare 'roun these parts a while". As the sheriff demands, an intermission follows.
PHILOSOPHICAL OVERVIEW
The author is of the opinion that the true "history" that Rahel "would not now have missed at any price" is:
(1) what Hegel calls "the phenomenology of the spirit", or an "objective history" rather an everyday ego dominated, illusionary "subjective history",
(2) which is what therapists call working through the blocks to our awareness and the "games we play" to get to authentic action in our lives,
(3) which is what literary critics call a complete dramatic action, in this case spread out over the events enacted by both Rahel and Menachem rather than combined in the life of just one character,
(4) which is what neo-Platonic thinkers such as Philo call the path of the logos embodying pure Platonic ideas,
(5) which is what Christians call the "stations of the cross" as embodied ideally in the life of Jesus,
(6) which is what Maimonides in his "Guide For The Perplexed", and in the tradition of Aristotle, calls the system of concentric spheres or heavens leading down from and back up to God (God being conceived as the Unmoved Mover or Active Intellect),
(7) and which is what Jewish kabbalists call emanation of the "Word of God" or "hish'tal'sh'lut", from the Hebrew: "to make a chain". The chaining is a chain of "sefirot", from the Hebrew "to count" pure numbers (like Pythagoras) or to enumerate a sequence of pure ideas or different points of view (like the Greek "logos" or account). The "hish'tal'sh'lut" is a descent down the chain and an ascent back up the chain - from the highest sefirah ("Keter") down to the lowest sefirah ("Malchut") and then back up again. The ascent or "t'shuvah"
19:19
THE KING'S SON & THE EMPEROR'S DAUGHTER part 1 "the lost princess"
a 90 minute collage of text, music and images, based on the lives of rabbi nachman of bres...
published: 12 Aug 2010
author: franklyn wepner
THE KING'S SON & THE EMPEROR'S DAUGHTER part 1 "the lost princess"
a 90 minute collage of text, music and images, based on the lives of rabbi nachman of breslav and salon hostess rahel varnhagen. the title, "the king's son & the emperor's daughter", is from one of the three nachman stories which are included in the show. the other two are "the lost princess" and "the heart of the world and the spring".
TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner.com. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: franklynwepner@gmail.com. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT.
APPRECIATING MY MUSICAL SHOW
"RAHEL! RAHEL!"
1. GENERAL THEORY
Of course, the best way to begin to appreciate most works of art is just to experience
them a few times and form your own conclusions. The opinions of the creator of an
artwork are merely incidental at that stage of the process. And certainly once an
artwork is created it takes on a life of its own, just like a child more and more slips out
of the control of its parents. Nevertheless, I think we will agree that this particular
artwork is unique in its form, what it seeks to accomplish, and the demands it makes on
its audience. "Rahel! Rahel!" is an ambitious project which reaches out beyond the
realm of art and grapples with major issues of religion and philosophy. Whether I as
the author have succeeded in my project is for you the audience to decide, but since
my artwork is intended to operate on several different levels I feel it appropriate for me
to lay out for you the plan of what might be there for you if I have succeeded in carrying
out my original goals. Just as I did not compromise in creating the piece, I will not
compromise here in discussing the piece. If you don't "get it", maybe I failed and there
ain't nothing there to "get" in the first place. Or if you don't "get it", maybe you need to
do some homework on your own, or just give up on it and go do something else more
appropriate for your talents.
Nachman of Breslav wrote "my Torah is entirely 'b'hinot' ". "B'hinot", in Hebrew, means
"aspects of", "associations", "points of view". For example, if I think of vanilla ice cream
then I can associate to that idea chocolate ice cream, or cows, or a forest of vanilla
beans somewhere in Madagascar. In other words, there is no limit to the range of
possible associations I might get. Nachman might have said instead, "my Torah is
entirely induction", and then we would contrast inductive logic to deductive logic.
Deductive logic begins with a single idea and like an upside down tree follows the
ramifications of that idea out into the myriad subdivisions and corollaries of that idea.
Scientific textbooks usually are written deductively. Inductive logic begins with the vast
realm of concrete living awareness experiences and step by step moves up the upside
down tree back to a single encompassing idea that strives to somehow include all of
the original experiences in its breadth. Francis Bacon in the 14th century championed
inductive logic. Theologically speaking, Breslav kabbalah is inductive thinking, while Chabad kabbalah is deductive thinking. Nachman begins with a wide range of Torah
texts and trusts in associative links to get to his main points, while Shneur Zalman,
author of the Chabad "Tanya", writes an orderly textbook in which he systematically
lays out his major and minor premisses. But both authors are using the same tree style
thinking. Nachman moves up the upside down tree, while Shneur Zalman moves
down the upside down tree, the kabbalistic tree of life on which the "sefirot" (points of
view) are hanging like Christmas tree ornaments. For philosophy in general, this tree
is the tree of dialectical thinking, whether we are forking from one branch to two or from
two branches to one. Both types of forking involve moving logically from thesis to
antithesis to synthesis in one way or another. Dialectical thinking underlies much of
world culture, whether in religion, philosophy, healing or the arts.
Turning now to "Rahel! Rahel!", this work is offered as an example of dialectical
thinking, especially in the inductive tradition which we find in the work in Nachman of
Breslav. It is therefore one more chapter to be added to Nachman's own "Likutei
Moharan" ("Collected Essays"). I do in this piece what he does in Likutei Moharan, with
the addition that I insert the man Nachman himself into the same dialectical process he
uses. I begin with Nachman's biography and writings. Then I work by associations and
trust that somehow you as audience will have the intelligence, motivation and patience
to "get it" when it all comes together at the end. Or if you don't get it on your own,
perhaps you will get it once I show you what I am driving at. You might not agree with
my interpretation, but at lea
17:16
THE KING'S SON & THE EMPEROR'S DAUGHTER part 2 "nachman at rahel's salon"
a 90 minute collage of text, music and images, based on the lives of rabbi nachman of bres...
published: 12 Aug 2010
author: franklyn wepner
THE KING'S SON & THE EMPEROR'S DAUGHTER part 2 "nachman at rahel's salon"
a 90 minute collage of text, music and images, based on the lives of rabbi nachman of breslav and salon hostess rahel varnhagen. the title, "the king's son & the emperor's daughter", is from one of the three nachman stories which are included in the show. the other two are "the lost princess" and "the heart of the world and the spring".
TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner.com. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: franklynwepner@gmail.com. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT.
PART 2 "nachman at rahel's salon"
SCENE 4: Menachem (Nachman) is present at the salon of Rahel, i.e., at what he sees as the palace of the devil, in an effort to bring the Jews that are there back to traditional Judaism before they intermarry with the gentile aristocrats and artists who also attend the salon. Rahel and the Protestant Count Karl Gustav von Finkenstein sing a passionate Mozart style love duet, amid antisemitic gossip directed against Rahel.
SCENE 5: Count Genz taunts Menachem, who is playing chess, with the fact that he saw Rahel in the park on the Sabbath riding in a carriage. In a song, Rahel strongly defends her right "to say no to remembering my Jewish race".
SCENE 6: Rahel invokes the writings of Fichte, who advocates freeing children from the heavy hand of tradition and developing in them instead the free use of their natural reason. In this way they will grow up to be "cultivated personalities", such as the glorious free spirits present in this salon now
SCENE 7: This scene is a Brechtian formalist style theatrical caricature of those "cultivated personalities" imagined by Fichte and worshipped by Rahel.
SCENE 8: Menachem is talking to God, pouring out his heart about his triumphs and failures. He sings "Comfort Ye". The text of the song states that the Jewish people (the "Shekhinah" or "Divine Presence" here on earth which is represented by Rahel) have already received from God a double portion of punishment, and they therefore should return to God their father, who now will be compassionate. Menachem gives us an example of how he uses a Talmudic text as a basis for spiritually inspired free interpretation. His meditations lead him to a deeper sense of his own mission as "tzaddik ha-dor", the "righteous man of his generation". He sees himself as the contemporary embodiment of the Messianic soul, which reappears in each generation. First this soul was that of Moses, now it is his, and soon it will be that of the Messiah.
PHILOSOPHICAL OVERVIEW
The author is of the opinion that the true "history" that Rahel "would not now have missed at any price" is:
(1) what Hegel calls "the phenomenology of the spirit", or an "objective history" rather an everyday ego dominated, illusionary "subjective history",
(2) which is what therapists call working through the blocks to our awareness and the "games we play" to get to authentic action in our lives,
(3) which is what literary critics call a complete dramatic action, in this case spread out over the events enacted by both Rahel and Menachem rather than combined in the life of just one character,
(4) which is what neo-Platonic thinkers such as Philo call the path of the logos embodying pure Platonic ideas,
(5) which is what Christians call the "stations of the cross" as embodied ideally in the life of Jesus,
(6) which is what Maimonides in his "Guide For The Perplexed", and in the tradition of Aristotle, calls the system of concentric spheres or heavens leading down from and back up to God (God being conceived as the Unmoved Mover or Active Intellect),
(7) and which is what Jewish kabbalists call emanation of the "Word of God" or "hish'tal'sh'lut", from the Hebrew: "to make a chain". The chaining is a chain of "sefirot", from the Hebrew "to count" pure numbers (like Pythagoras) or to enumerate a sequence of pure ideas or different points of view (like the Greek "logos" or account). The "hish'tal'sh'lut" is a descent down the chain and an ascent back up the chain - from the highest sefirah ("Keter") down to the lowest sefirah ("Malchut") and then back up again. The ascent or "t'shuvah" (Hebrew: "returning") is the pathway back to our lost unity with God. The different one sided points of view which Rahel and Menachem embody along this pathway are incomplete versions of the Name of God, while the play as a whole seeks to approach - but only asymptotically - the Great Name (or Naming) of God. As the Jewish prayer service tells us, "On that day will God and His Name be One".
(8) Menachem embodies the soul of the Messiah, the possibility of God in human experience as symbolized by the notion of the complete Name. Rahel, on the other hand, embodies the Shekhinah, a
Youtube results:
59:17
Friedrich Kittler. From Consonants to Vowels: From Semitic and Indo-European to Greek. 2011
http://www.egs.edu Friedrich Kittler, German media philosopher, historian and theorist, le...
published: 19 Dec 2012
Friedrich Kittler. From Consonants to Vowels: From Semitic and Indo-European to Greek. 2011
http://www.egs.edu Friedrich Kittler, German media philosopher, historian and theorist, lecturing on the history of writing. In this lecture he talks about the history of handwriting, of ècriture and schrift, more specifically, the Semitic consonantic script, the importance of scripts to nomadic cultures, the material lightness of books, Egyptian hieroglyphs vs the Jewish and Arabic consonantic alphabet, three-consonant signs as the bones of writing with the flesh of writing as the three vowels a-i-u, how the Semitic consonantic alphabet is the origin of writing systems around the world, the alphabetic system of writing as discovered in the excavation of Ugarit -- such as the abcedaria of the Linear B writing system -- found as well on the island of Crete, the difference between the Semitic and the Indo-European writing systems, the three consonants k-t-b (writing reading library, book), the consonants k-t-l-b (student, talib; students, Taliban), j-h-w-h (the four consonants of the name of god), the ambiguous h as both consonant and vowel (hebros, hebron, Hebrew) , Linear B as the oldest syllabary, Greek as the oldest spoken language (Linear B as an archaic form of Greek), Linear A and Linear B as uncovered in labyrinth at Knossos, architect and archaeologist Michael Ventris and Sir Arthur Evans, Carl Blegen and the sequence of tiripodi, a tablet found in Thebes, the Greek vocalic alphabet, the island of Crete and Mycenaean culture, Homer as first historian, length of syllables and poetics, the introduction of vowels a-e-i-o-u from the Indo-European root system, the 'o' in Homeric Greece, Greek letters ε-α-ω, the difference between Semitic consonant system and Indo European vocalizations, the first two lines of the Iliad, the emphasis of vocalic syllables in Greek.
Public open lecture for the students and faculty of the European Graduate School (EGS), Media and Communication Studies department program Saas-Fee Switzerland, Europe. 2011. Friedrich Kittler.
Friedrich Adolf Kittler (1943 -2011) was a post-Structuralist philosopher, as well as historian and theorist of media communications and technology. Kittler studied German Studies, Romance Languages and Philosophy at Albert-Ludwigs-Universität in Freiburg/Breisgau. In 1976, he earned his Ph.D. with a dissertation on Conrad Ferdinand Meyer. His work was heavily influenced by both Michel Foucault and Jacques Lacan. Kittler became a Professor of German at Freiburg in the early eighties. During the decade he held positions as a visiting lecturer and professor at the University of California, in Berkeley and Santa Barbara, and later at the University of Stanford and the University of Basel. In 1984, he completed his Habilitation at the University of Freiburg/Breisgau, and from 1986-1990 headed the DFG's Literature and Media Analysis project in Kassel. Kittler was a Membre associé of the Collège international de philosophie, Paris from 1983-1986. In 1987, Kittler was appointed Professor of Modern German Studies, at Ruhr University and began working as Professor of German at the University of Bochum.
In 1993, he received the media arts prize for theory from the ZKM Karlsruhe (Zentrums für Kunst und Medientechnologie); from 1995 to 1997, he headed a Federal Research Group on Theory and History of Media. Kittler was also a member of the Hermann von Helmholtz Centre for Culture and the Bild Schrift Zahl research group.
In 1996, Friedrich Kittler was recognized as a Distinguished Scholar by Yale University, and in 1997 as Distinguished Visiting Professor by Columbia University.
Kittler died on October 18, 2011 in Berlin.
Among his far reaching and eclectic bibliography,his best known books in English are Discourse Networks 1800 / 1900 and Gramophone, Film, Typewriter.
- published: 19 Dec 2012
- views: 307
2:02
אותיות השורש Root Letters
http://hebrewtuts.blogspot.com/2010/11/roots.html
In Indo-European languages such as Engl...
published: 26 Jul 2012
אותיות השורש Root Letters
http://hebrewtuts.blogspot.com/2010/11/roots.html
In Indo-European languages such as English, the infinitive is usually the basic from of the verb of which the rest of the forms are derived.
For example, the infinitive "to talk" is the source of many derived words:
Talk Infinitive
Talking Present participle
Talk Present simple
Talked Past simple
Talk Noun
We see that the main stem of the infinitive stays preserved, while the inflection works by affixing other parts to the stem. At least it is so most of the time.
In Semitic languages things are a little bit more complex than that.
In Hebrew, the basic source of all the forms of a verb is called the "root" of the verb - שורש (shoresh)
The root is not a real word, rather it is a sequence of three consonants that can be found in all words that are related to it.
The consonants of the root are separated by different vowels in different words. They can also be separated by other extra consonants that do not belong to the root.
The root is used to make all the forms of a verb. It is used to make nouns as well.
Each root pertains to a certain meaning, e.g. K T B ك ت ب (Arabic), K T B כ ת ב (Hebrew) pertains to "writing".
See the following examples:
[note that when it comes to the roots of the verbs, the letters בּ (Beit [b]) and ב (Veit [v]) are considered the same letter. The same happens to כּ (Kaf [k]) and כ (Khaf [kh])]
(he) wrote katab كَتَبَ
(he) wrote Katav כַּתָב
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writing kitaaba كِتابَة
writing ktiva כְּתִיבָה
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writen maktub مَكْتوب
writen katuv כַּתוּב
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booklet kutayyib كُتَيِّب
letter(mail) Mikhtav מִכְתָב
- published: 26 Jul 2012
- views: 220
17:09
Rasiadonis Explains Ancient Ethiopic TORAH, Hebraic Etymology & Root of the Amharic ORIT [Ar'aya]
RASTAFARI BLACK JEWS Ras Iadonis Tafari rasiadonis ANCIENT TORAH wisdom ETHIOPIC ORIT Maso...
published: 30 Jun 2011
Rasiadonis Explains Ancient Ethiopic TORAH, Hebraic Etymology & Root of the Amharic ORIT [Ar'aya]
RASTAFARI BLACK JEWS Ras Iadonis Tafari rasiadonis ANCIENT TORAH wisdom ETHIOPIC ORIT Masoretic Levitical Septuagint LXX the Samaritans Jews Beta Israel Hebrews Israelites Ethiopian christianity educational africa south haiti instructions spirituality Rastafari Haile Selassie Hashem gospel religion amharic arabic hebrew commentary preaching vlog "video log" roots
- published: 30 Jun 2011
- views: 421
4:23
A History of Hebrew Part 10: The Hebrew Root System
A History of Hebrew DVD available through Amazon.Com - http://www.amazon.com/History-Hebre...
published: 26 Jul 2009
A History of Hebrew Part 10: The Hebrew Root System
A History of Hebrew DVD available through Amazon.Com - http://www.amazon.com/History-Hebrew-Its-Language-Philosophy/dp/1621370593
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This is a segment of a much larger video production that I am working on and am looking for feedback (positive and negative) on the layout and content.
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Like a tree with its roots, trunk, branches and leaves, the Hebrew language is a system of roots and words, where one word, and its meaning is the foundation to a number of other words whose spelling and meaning are related back to that one root.
As an example, the root M-L-K (melekh) means "rule." This root can be used as a verb meaning to rule, or as a noun meaning a ruler, or king. Other nouns are created out of this root by adding other letters. By adding the letter Hey to the end of the root, the word malkah is formed which is a female ruler, a queen. By adding a Vav to this feminine noun, the word malukhah is formed meaning "royalty." By adding the letters vav-tav to the end of the root, the noun malkut is formed meaning the area ruled by the ruler, the kingdom.
By studying the relationship between words and their roots we can better understand the meanings of these words within their original context. Let's take 3 English words found in English translations of the Bible; Maiden, Eternity and Secret. These three words are, from our interpretation, three very unrelated words. But let us examine the Hebrew words behind these translations. The Hebrew word for maiden is Almah, for eternity is Olam and the word for secret is Tealmah. Each of these words share the same three letters; The Ayin, the Lamed and the Mem.
Each of these words are related as they come from the same root A-L-M. Rather than perceiving them as different and independent words, we need to recognize that there meanings are related. By interpreting these words in context of their root relationship, we are able to uncover their original meanings.
The root A-L-M literally means beyond the horizon, that hazy distance that is difficult to see. By extension it means to be out of sight, hidden from view. Almah is the young woman that is hidden away (protected) in the home. Olam is a place or time that is in the far distance and is hidden to us. Tealmah is a something that is hidden away.
Besides being able to find the common meaning in different words of the same root, we are also able to distinguish between different meanings of words that come from different roots. There are two Hebrew words translated as "moon." One is yere'ahh which comes from a root meaning "to follow a prescribed path" and is therefore used for the motion of the moon. The other is lavanah which comes from a root meaning "to be white" and is therefore used for its bright appearance.
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Narrator: Jeff A. Benner
Graphics: Jeff A. Benner
Music: Callen Clark, Desert City by Kevin MacLeod (incompetech.com)
Photos: Merritt College, Arizona-Sonora Desert Museum, Gerrit Gillespie
- published: 26 Jul 2009
- views: 23176