Coordinates	56°09′″N40°25′″N
Name	Cissy Houston
Background	solo_singer
Birth name	Emily Drinkard
Birth date	September 30, 1933
Origin	Newark, New Jersey, U.S.
Genre	Soul, gospel
Occupation	Singer
Years active	1969–present
Instrument	Vocals (Soprano)
Notable songs	"Deep River", "Think It Over", "I Know Him So Well"
Label	RCA, Commonwealth United, Private Stock, Motown
Associated acts	Whitney HoustonDionne WarwickDoris TroyElvis PresleyMahalia JacksonAretha FranklinLuther VandrossDee Dee Warwick }}

Emily "Cissy" Drinkard Houston (born September 30, 1933) is a Grammy Award–winning American soul and gospel singer. She led a very successful career as a backup singer for such artists as Elvis Presley, Mahalia Jackson, and Aretha Franklin, and is now primarily a solo artist. She is the mother of singer and actress Whitney Houston and aunt of Dionne Warwick and the late Dee Dee Warwick.

Early years

Born in Newark, New Jersey, Houston was the youngest of eight children of parents Nicholas (aka Nitch) and Delia Drinkard. In 1938 when Houston was 5 years old her mother, Delia, suffered a stroke and died of cerebral hemorrhage three years later. Her father later died of stomach cancer in 1951 when Houston was 18.

As a child, Houston joined her sister Anne and brothers Larry and Nicky in the gospel singing group the Drinkard Four in 1938. Houston's sister, Lee (who would later become the mother of singers Dee Dee and Dionne Warwick), later joined the group along with Ann Moss and Marie Epps, and the group was renamed The Drinkard Singers. Houston and the Drinkard Singers regularly performed at New Hope Baptist Church and later recorded a live album for RCA called ''A Joyful Noise''.

Private life

Shortly after her father's death, Houston married her first husband in 1954 at the age of 21. The two were divorced two years later while Houston was pregnant with her first son, Gary. Still pregnant, she met Army serviceman John Houston, and the two were married in 1959.

Career

In 1963, then about to give birth to daughter Whitney Houston, she formed the Sweet Inspirations with Doris Troy and niece Dee Dee Warwick. Later members (and the ones she recorded with on the Atlantic label) were Sylvia Shemwell, Estelle Brown and Myrna Smith. Throughout the mid-1960s, the group provided backup vocals for several artists, including Aretha Franklin, Wilson Pickett, Lou Rawls, Otis Redding, The Drifters, Dusty Springfield, Jimi Hendrix, and Van Morrison (for "Brown Eyed Girl"). Houston is the operatic soprano in the background on Franklin's hit, "Ain't No Way". The group also sang backup for Elvis Presley in Las Vegas on his return to live performances during July and August 1969, and for Cissy's niece Dionne Warwick.

Houston left the Sweet Inspirations in 1969 to pursue a solo career, although she continued to be in demand as a session singer. She was signed by Commonwealth United and in 1970 released a well-received album that contained several near-hit singles, including covers of "I'll Be There" and "Be My Baby". After her contract was sold to Janus Records, Houston recorded several more singles in the early 1970s and another album, which included the original recording of Jim Weatherly's "Midnight Train to Georgia", later a number one hit for Gladys Knight & The Pips. Houston later blamed poor promotion for the failure of her earlier version.

In 1977, Houston was signed by Private Stock, working with arranger/producer Michael Zager on three albums. The second included her big disco hit "Think It Over", which climbed to #32 on the Billboard R&B; chart and just missed the Hot 100 in 1979. She represented USA at the World Popular Song Festival in 1979 with a track called "You're the Fire", landing second place and winning the "Most Outstanding Performance Award". This also appeared on her 1980 disco-flavored album, "Step Aside for a Lady", again produced by Michael Zager, but released on Columbia (on EMI in the UK).

She has remained in demand as singer and has the ability to sing in several genres. She is featured on three tracks "Mexican Divorce", "All Kinds of People" and "One Less Bell to Answer" on Burt Bacharach's 1971 solo album. She worked with jazz flute-player Herbie Mann on two Atlantic albums ''Waterbed'' and ''Surprises'' (1975–76) featuring on three tracks "Violet Don't Be Blue", JJ Cale's "Cajun Moon" and "Easter Rising".

In addition to her work as choirmaster at New Hope Baptist Church in Newark, NJ, Cissy performed frequently at clubs in NYC including Mikell's, Sweetwaters, Seventh Avenue South, and Fat Tuesday from the late 1970s through the 1980s.

Among the many fine musicians who played with her (it was always clear that Cissy herself led the band) were many fantastic backup singers. One backup "constant" was her daughter, Whitney. As time went on, Cissy allowed Whitney a solo. At one point "Evergreen", the Streisand hit, was the preferred solo. To the surprise of the uninitiated, this slight, beautiful young woman would tear it up, bringing down the house: it was clear that Cissy was passing the torch. More than once they collaborated on "Ain't No Way" (originally a Cissy/Aretha masterpiece), wherein Cissy sang "Cissy" and Whitney sang "Aretha". Whitney's "coming out" performance took place at Sweetwaters (Amsterdam Avenue between 67th & 68th Streets - defunct as are the other cited venues), whereupon Whitney was signed by Clive Davis for Arista Records.

In 1985, the small UK independent label Glitter released a single, "With You I Could Have It All" and "Whatcha Gonna Do About Our Love". The 12-inch single featured both a ballad and a dance version of the song.

She returned to her gospel roots in the 1990s with substantial acclaim. In 1996 she received the Grammy Award for Best Traditional Soul Gospel Album for ''Face to Face'', an album that contained a gospelised version of "How Sweet It Is (To Be Loved by You)" and she won the award again in 1998 for her album ''He Leadeth Me''. In 1996 she also contributed one song to the gospel soundtrack album for the film ''The Preacher's Wife'', which starred her daughter Whitney Houston.

She has also continued to record infrequent secular material and in 1987, Houston and her daughter Whitney recorded a duet titled "I Know Him So Well", a cover of the original by Barbara Dickson and Elaine Paige from the Broadway show, ''Chess''. This song also became a single in early 1989 as the 6th and last single release (in selected European countries) from Whitney's album ''Whitney''. In 1992 she teamed up with Chuck Jackson for an album of solo and duet recordings entitled ''I'll Take Care of You''.

In 2006, she recorded the song "Family First" with niece Dionne Warwick and daughter Whitney Houston for the soundtrack to the movie ''Daddy's Little Girls''.

Cissy Houston broke her ankle in 2009. She was seen walking with a cane on whilst she attended the pre-Grammy party to watch her daughter Whitney Houston perform.

In 2010 Cissy was at the third annual BET Honors for her daughter Whitney, who got the entertainment award.

Discography

''Think It Over'' (1978)

''Step Aside For A Lady'' (1980)

''Face to Face'' (1996)

''He Leadeth Me'' (1998)

Soundtracks

''A Time to Kill'' (1996) ("Take My Hand Precious Lord")

''The Preacher's Wife: Original Soundtrack Album'' (1996) (performer: "The Lord Is My Shepherd")

''Late Show with David Letterman''

* Episode dated 23 December 1998 (1998) TV episode (performer: "Christmas (Baby Please Come Home)")

''Daddy's Little Girls (Original Movie Soundtrack)'' (2007) (performer: "Family First")

* aka ''Tyler Perry's Daddy's Little Girls'' (USA: complete title)

;Musical works:

''Angels'' (1976) (arranger and performer: vocals)

''Dangerously in Love'' (2003) (background vocals for Beyoncé)

Filmography

Movies

''The Wiz'' (1978) (voice) (uncredited) .... The Wiz Singers Adult Choir

''Taking My Turn'' (1984) (TV)

''The Vernon Johns Story'' (1994) (TV) .... Rose

* aka ''Freedom Road: The Vernon Johns Story'' (UK)

* aka ''The Road to Freedom: The Vernon Johns Story'' (USA: alternative title)

''The Preacher's Wife'' (1996) .... Mrs. Havergal

Shows

''The Tonight Show Starring Johnny Carson'' .... Herself (3 episodes, 1970)

* aka ''The Best of Carson'' (USA: rerun title)

* Episode dated 24 March 1970 (1970) TV episode .... Herself

* Episode dated 20 March 1970 (1970) TV episode .... Herself

* Episode dated 13 March 1970 (1970) TV episode .... Herself

''Gangsters'' (1979) .... Herself

* aka ''Hoodlums'' (USA: video title)

''Late Night with David Letterman'' .... Herself (1 episode, 1985)

* Episode dated 28 August 1985 (1985) TV episode .... Herself

''Ebony/Jet Showcase'' .... Herself (1 episode, 1986)

* Episode dated 10 October 1986 (1986) TV episode .... Herself

The 1st Annual Soul Train Music Awards (1987) (TV) .... Herself

The 15th Annual American Music Awards (1988) (TV) .... Herself/Performer

''Late Show with David Letterman'' .... Herself (1 episode, 1998)

* aka ''Late Show Backstage'' (USA: title for episodes with guest hosts)

* aka ''Letterman'' (Australia)

* aka ''The Late Show'' (USA: informal short title)

* Episode dated 23 December 1998 (1998) TV episode .... Herself

''Intimate Portrait'' .... Herself (1 episode, 2004)

* Dionne Warwick (2004) TV episode .... Herself

''This Time'' (2008) .... Herself

External links

Cissy Houston's oral history video excerpts at The National Visionary Leadership Project

Category:1933 births Category:Whitney Houston Category:Living people Category:African American singers Category:American female singers Category:American gospel singers Category:American soul singers Category:American rhythm and blues singers Category:Musicians from New Jersey Category:People from Newark, New Jersey Category:Grammy Award winners

de:Cissy Houston es:Cissy Houston nl:Cissy Houston no:Cissy Houston sv:Cissy Houston

Coordinates	56°09′″N40°25′″N
Name	Houston
Official name	City of Houston
Settlement type	City
Nickname	Space City (official), more. . .
Image seal	Seal of Houston, Texas.png
Map caption	Houston's location and city limits in Harris County, Texas
Pushpin map	USA2
Pushpin map caption	Location in the United States of America
Coordinates region	US-TX
Subdivision type	Country
Subdivision type1	State
Subdivision type2	Counties
Subdivision name	United States of America
Subdivision name1	Texas
Subdivision name2	Harris, Fort Bend, and Montgomery
Government type	Mayor–council
Leader title	Mayor
Leader name	Annise Parker
Area magnitude	1 E8
Area total sq mi	601.3
Area total km2	1558
Area land sq mi	579.4
Area land km2	1,501
Area water sq mi	22.3
Area water km2	57.7
Population as of	2010 US Census
Population total	2099451(4th U.S.)
Population urban	3822509 (10th U.S.)
Population metro	5946800 (6th U.S.)
Population density sq mi	3,623
Population density km2	1,505
Population blank1 title	Demonym
Population blank1	Houstonian
Timezone	CST
Utc offset	-6
Timezone dst	CDT
Utc offset dst	-5
Area code	713, 281, 832
Elevation m	13
Elevation ft	43
Established title	Incorporated
Established date	June 5, 1837
Blank name	FIPS code
Blank info	48-35000
Blank1 name	GNIS feature ID
Blank1 info	1380948
Website	houstontx.gov
Footnotes	}}

Houston () is the largest city in the state of Texas, and the city in the United States. According to the 2010 U.S. Census, the city had a population of 2.1 million people within an area of . Houston is the seat of Harris County and the economic center of , which is the metropolitan area in the United States, with nearly 6 million people.

Houston, known as the Bayou City, was founded in 1836 on land near the banks of Buffalo Bayou. It was incorporated as a city on June 5, 1837, and named after then-President of the Republic of Texas—former General Sam Houston—who had commanded at the Battle of San Jacinto, which took place east of where the city was established. The burgeoning port and railroad industry, combined with oil discovery in 1901, has induced continual surges in the city's population. In the mid-twentieth century, Houston became the home of the Texas Medical Center—the world's largest concentration of healthcare and research institutions—and NASA's Johnson Space Center, where the Mission Control Center is located.

Rated as a global city, Houston's economy has a broad industrial base in energy, manufacturing, aeronautics, and transportation. It is also leading in health care sectors and building oilfield equipment; only New York City is home to more Fortune 500 headquarters. The Port of Houston ranks first in the United States in international waterborne tonnage handled and second in total cargo tonnage handled. The city has a population from various ethnic and religious backgrounds and a large and growing international community. It is home to many cultural institutions and exhibits, which attract more than 7 million visitors a year to the Museum District. Houston has an active visual and performing arts scene in the Theater District and offers year-round resident companies in all major performing arts.

History

In August 1836, two real estate entrepreneurs—Augustus Chapman Allen and John Kirby Allen—from New York, purchased of land along Buffalo Bayou with the intent of founding a city. The Allen brothers decided to name the city after Sam Houston, the popular general at the Battle of San Jacinto, who was elected President of Texas in September 1836.

Houston was granted incorporation on June 5, 1837, with James S. Holman becoming its first mayor. In the same year, Houston became the county seat of Harrisburg County (now Harris County) and the temporary capital of the Republic of Texas. In 1840, the community established a chamber of commerce in part to promote shipping and waterborne business at the newly created port on Buffalo Bayou. By 1860, Houston had emerged as a commercial and railroad hub for the export of cotton. Railroad spurs from the Texas inland converged in Houston, where they met rail lines to the ports of Galveston and Beaumont. During the American Civil War, Houston served as a headquarters for General John Bankhead Magruder, who used the city as an organization point for the Battle of Galveston. After the Civil War, Houston businessmen initiated efforts to widen the city's extensive system of bayous so the city could accept more commerce between downtown and the nearby port of Galveston. By 1890, Houston was the railroad center of Texas.

In 1900, after Galveston was struck by a devastating hurricane, efforts to make Houston into a viable deepwater port were accelerated. The following year, oil discovered at the Spindletop oil field near Beaumont prompted the development of the Texas petroleum industry. In 1902, President Theodore Roosevelt approved a $1 million improvement project for the Houston Ship Channel. By 1910 the city's population had reached 78,800, almost doubling from a decade before. An integral part of the city were African Americans, who numbered 23,929 or nearly one-third of the residents. They were developing a strong professional class based then in the Fourth Ward.

President Woodrow Wilson opened the deepwater Port of Houston in 1914, seven years after digging began. By 1930, Houston had become Texas's most populous city and Harris the most populous county.

When World War II started, tonnage levels at the port decreased and shipping activities were suspended; however, the war did provide economic benefits for the city. Petrochemical refineries and manufacturing plants were constructed along the ship channel because of the demand for petroleum and synthetic rubber products during the war. Ellington Field, initially built during World War I, was revitalized as an advanced training center for bombardiers and navigators. The M.D. Anderson Foundation formed the Texas Medical Center in 1945. After the war, Houston's economy reverted to being primarily port-driven. In 1948, several unincorporated areas were annexed into the city limits, which more than doubled the city's size, and Houston proper began to spread across the region.

In 1950, the availability of air conditioning provided impetus for many companies to relocate to Houston resulting in an economic boom and producing a key shift in the city's economy toward the energy sector.

The increased production of the local shipbuilding industry during World War II spurred Houston's growth, as did the establishment in 1961 of NASA's "Manned Spacecraft Center" (renamed the Lyndon B. Johnson Space Center in 1973), which created the city's aerospace industry. The Astrodome, nicknamed the "Eighth Wonder of the World", opened in 1965 as the world's first indoor domed sports stadium.

During the late 1970s, Houston experienced a population boom as people from Rust Belt states moved to Texas in large numbers. The new residents came for the numerous employment opportunities in the petroleum industry, created as a result of the Arab Oil Embargo.

The population boom ended abruptly in the mid-1980s, as oil prices fell precipitously. The space industry also suffered in 1986 after the Space Shuttle Challenger disintegrated shortly after launch. The late 1980s saw a recession adversely affecting the city's economy.

Since the 1990s, as a result of the recession, Houston has made efforts to diversify its economy by focusing on aerospace and health care/biotechnology and by reducing its dependence on the petroleum industry. In 1997, Houstonians elected Lee P. Brown as the city's first African American mayor.

In June 2001, Tropical Storm Allison dumped up to of rain on parts of Houston, causing the worst flooding in the city's history; the storm cost billions of dollars in damage and killed 20 people in Texas. By December of that same year, Houston-based energy company Enron collapsed into the third-largest ever U.S. bankruptcy during an investigation surrounding fabricated partnerships that were allegedly used to hide debt and inflate profits.

In August 2005, Houston became a shelter to more than 150,000 people from New Orleans who evacuated from Hurricane Katrina. One month later, approximately 2.5 million Houston area residents evacuated when Hurricane Rita approached the Gulf Coast, leaving little damage to the Houston area. This was the largest urban evacuation in the history of the United States.

Geography

According to the United States Census Bureau, the city has a total area of ; this comprises of land and of water. Most of Houston is located on the gulf coastal plain, and its vegetation is classified as temperate grassland and forest. Much of the city was built on forested land, marshes, swamp, or prairie, which are all still visible in surrounding areas. Flatness of the local terrain, when combined with urban sprawl, has made flooding a recurring problem for the city. Downtown stands about above sea level, and the highest point in far northwest Houston is about in elevation. The city once relied on groundwater for its needs, but land subsidence forced the city to turn to ground-level water sources such as Lake Houston, Lake Conroe and Lake Livingston. The city owns surface water rights for 1.2 billion gallons of water a day in addition to 150 million gallons a day worth of groundwater.

Houston has four major bayous passing through the city. Buffalo Bayou runs through downtown and the Houston Ship Channel, and has three tributaries: White Oak Bayou, which runs through the Houston Heights community northwest of Downtown and then towards Downtown; Braes Bayou, which runs along the Texas Medical Center; and Sims Bayou, which runs through the south of Houston and downtown Houston. The ship channel continues past Galveston and then into the Gulf of Mexico.

Geology

Underpinning Houston's land surface are unconsolidated clays, clay shales, and poorly cemented sands up to several miles deep. The region's geology developed from river deposits formed from the erosion of the Rocky Mountains. These sediments consist of a series of sands and clays deposited on decaying organic marine matter, that over time, transformed into oil and natural gas. Beneath the layers of sediment is a water-deposited layer of halite, a rock salt. The porous layers were compressed over time and forced upward. As it pushed upward, the salt dragged surrounding sediments into salt dome formations, often trapping oil and gas that seeped from the surrounding porous sands. The thick, rich, sometimes black, surface soil is suitable for rice farming in suburban outskirts where the city continues to grow.

The Houston area has over 150 active faults (estimated to be 300 active faults) with an aggregate length of up to , including the Long Point–Eureka Heights fault system which runs through the center of the city. There have been no significant historically recorded earthquakes in Houston, but researchers do not discount the possibility of such quakes having occurred in the deeper past, nor occurring in the future. Land in some communities southeast of Houston is sinking because water has been pumped out from the ground for many years. It may be associated with slip along the faults; however, the slippage is slow and not considered an earthquake, where stationary faults must slip suddenly enough to create seismic waves. These faults also tend to move at a smooth rate in what is termed "fault creep", which further reduces the risk of an earthquake.

Climate

Houston's climate is classified as humid subtropical (''Cfa'' in Köppen climate classification system). While not necessarily part of "Tornado Alley" like much of the rest of Texas, Spring supercell thunderstorms do sometimes bring tornadoes to the area. Prevailing winds are from the south and southeast during most of the year, bringing heat across the continent from the deserts of Mexico and moisture from the Gulf of Mexico.

During the summer months, it is common for the temperature to reach over , with an average of 99 days per year above . However, the humidity results in a heat index higher than the actual temperature. Summer mornings average over 90 percent relative humidity and approximately 60 percent in the afternoon. Winds are often light in the summer and offer little relief, except near the immediate coast. To cope with the heat, people use air conditioning in nearly every vehicle and building in the city; in 1980 Houston was described as the "most air-conditioned place on earth". Scattered afternoon showers and thunderstorms are common in the summer. The hottest temperature ever recorded in Houston was on September 4, 2000

Winters in Houston are mild. The average high in January, the coldest month, is , while the average low is . Snowfall is very rare. Recent snow events in Houston include a storm on December 24, 2004 when one inch (2.5 cm) fell and more recent snowfalls on December 10, 2008. However, more recently on December 4, 2009 an inch of snow fell in the city. This was the earliest snowfall ever recorded in Houston. In addition, it set another milestone marking the first time in recorded history that snowfall has occurred in two consecutive years, and was the third accumulating snowfall occurring in the decade of 2000–2010. The coldest temperature ever recorded in Houston was on January 23, 1940. Houston receives a high amount of rainfall annually, averaging about 54 inches a year. These rains tend to cause floods over portions of the city.

Houston has excessive ozone levels and is ranked among the most ozone-polluted cities in the United States. Ground-level ozone, or smog, is Houston’s predominant air pollution problem, with the American Lung Association rating the metropolitan area's ozone level as the 8th worst in the United States in 2011. The industries located along the ship channel are a major cause of the city's air pollution.

Cityscape

Houston was incorporated in 1837 under the ward system of representation. The ward designation is the progenitor of the nine current-day Houston City Council districts. Locations in Houston are generally classified as either being inside or outside the Interstate 610 Loop. The inside encompasses the central business district and many residential neighborhoods that predate World War II. More recently, high-density residential areas have been developed within the loop. The city's outlying areas, suburbs and enclaves are located outside of the loop. Beltway 8 encircles the city another farther out.

Though Houston is the largest city in the United States without formal zoning regulations, it has developed similarly to other Sun Belt cities because the city's land use regulations and legal covenants have played a similar role. Regulations include mandatory lot size for single-family houses and requirements that parking be available to tenants and customers. Such restrictions have had mixed results. Though some have blamed the city's low density, urban sprawl, and lack of pedestrian-friendliness on these policies, the city's land use has also been credited with having significant affordable housing, sparing Houston the worst effects of the 2008 real estate crisis. The city issued 42,697 building permits in 2008 and was ranked first in the list of healthiest housing markets for 2009.

Voters rejected efforts to have separate residential and commercial land-use districts in 1948, 1962, and 1993. Consequently, rather than a single central business district as the center of the city's employment, multiple districts have grown throughout the city in addition to downtown which include Uptown, Texas Medical Center, Midtown, Greenway Plaza, Memorial City, Energy Corridor, Westchase, and Greenspoint.

Government and politics

The city of Houston has a strong mayoral form of municipal government. Houston is a home rule city and all municipal elections in the state of Texas are nonpartisan. The City's elected officials are the mayor, city controller and 16 members of the city council. The mayor of Houston is Annise Parker—a Democrat elected on a nonpartisan ballot who is serving her first term as of January 2010.

The original city council line-up of 14 members (nine district-based and five at-large positions) was based on a U.S. Justice Department mandate which took effect in 1979. At-large council members represent the entire city. Under the city charter, once the population in the city limits exceeded 2.1 million residents, two additional districts were to be added. The City of Houston's official 2010 census count was 600 shy of the required number; however, as the city was expected to grow beyond 2.1 million shortly thereafter, the two additional districts were added and the positions filled during the August 2011 elections. The districts are labeled A through K while the at-large positions are numbered 1 through 5.

The city controller is elected independently of the mayor and council. The controller's duties are to certify available funds prior to committing such funds and processing disbursements. The city's fiscal year begins on July 1 and ends on June 30. Ronald Green is the city controller, serving his first term as of January 2010.

As the result of a 1991 referendum in Houston, a mayor is elected for a two-year term, and can be elected to as many as three consecutive terms. The term limits were spearheaded by conservative political activist Clymer Wright. The city controller and city council members are also subject to the same two-year, three-term limitations.

Houston is considered to be a politically divided city whose balance of power often sways between Republicans and Democrats. Much of the city's wealthier areas vote Republican, while the city's middle class, working class, and minority areas vote Democratic. According to the 2005 Houston Area Survey, 68 percent of non-Hispanic whites in Harris County are declared or favor Republicans while 89 percent of non-Hispanic blacks in the area are declared or favor Democrats. About 62 percent Hispanics (of any race) in the area are declared or favor Democrats. The city has often been known to be the most politically diverse city in Texas, a state known for being generally conservative. |} Houston is recognized worldwide for its energy industry—particularly for oil and natural gas—as well as for biomedical research and aeronautics. Renewable energy sources—wind and solar—are also growing economic bases in Houston. The ship channel is also a large part of Houston's economic base. Because of these strengths, Houston is designated as a global city by the Globalization and World Cities Study Group and Network and by global management consulting firm A.T. Kearney.

The Houston area is a leading center for building oilfield equipment. Much of Houston's success as a petrochemical complex is due to its busy man-made ship channel, the Port of Houston. The port ranks first in the United States in international commerce, and is the tenth-largest port in the world. Unlike most places, high oil and gasoline prices are beneficial for Houston's economy as many of its residents are employed in the energy industry.

The Houston–Sugar Land–Baytown MSA's gross domestic product (GDP) in 2010 was $385 billion, larger than Austria's, Poland's or Saudi Arabia's GDP. Only 21 countries other than the United States have a gross domestic product exceeding Houston's regional gross area product. Mining, which in Houston consists almost entirely of exploration and production of oil and gas, accounts for 26.3% of Houston's GAP, up sharply in response to high energy prices and a decreased worldwide surplus of oil production capacity; followed by engineering services, health services, and manufacturing.

The University of Houston System's annual impact on the Houston-area's economy equates to that of a major corporation: $1.1 billion in new funds attracted annually to the Houston area, $3.13 billion in total economic benefit, and 24,000 local jobs generated. This is in addition to the 12,500 new graduates the UH System produces every year who enter the workforce in Houston and throughout Texas. These degree-holders tend to stay in Houston. After five years, 80.5 percent of graduates are still living and working in the region.

In 2006, the Houston metropolitan area ranked first in Texas and third in the U.S. within the Category of "Best Places for Business and Careers" by ''Forbes'' magazine. Foreign governments have established 92 consular offices in metropolitan Houston, the third highest in the nation. Forty foreign governments maintain trade and commercial offices here and 23 active foreign chambers of commerce and trade associations. Twenty-five foreign banks representing 13 nations operate in Houston, providing financial assistance to the international community.

In 2008, Houston received top ranking on Kiplinger's Personal Finance ''Best Cities of 2008'' list which ranks cities on their local economy, employment opportunities, reasonable living costs and quality of life. The city ranked fourth for highest increase in the local technological innovation over the preceding 15 years, according to ''Forbes'' magazine. In the same year, the city ranked second on the annual Fortune 500 list of company headquarters, ranked first for ''Forbes'' ''Best Cities for College Graduates'', and ranked first on Forbes list of ''Best Cities to Buy a Home''. In 2010, the city was rated the best city for shopping, according to Forbes.

Demographics

Houston is a multicultural city, in part because of its many academic institutions and strong industries as well as being a major port city. Over 90 languages are spoken in the city. The city has among the youngest populations in the nation, partly due to an influx of immigrants into Texas. An estimated 400,000 illegal aliens reside in the Houston area.

According to the 2010 Census, Whites made up 51% of Houston's population; 26% of the total population were non-Hispanic whites. Blacks or African Americans made up 24% of Houston's population. American Indians made up 0.7% of Houston's population. Asians made up 6% of Houston's population (1.7% Vietnamese, 1.3% Chinese, 1.3% Indian, 0.9% Pakistani, 0.4% Filipino, 0.3% Korean, 0.1% Japanese), while Pacific Islanders made up 0.1%. Individuals from some other race made up 15.2% of the city's population, of which 0.2% were non-Hispanic. Individuals from two or more races made up 3.3% of the city's population. People of Hispanic or Latino origin made up 44% of Houston's population; 32% of Houston's population is of Mexican heritage; the next five Hispanic groups are those of Salvadoran, Honduran, Guatemalan, Colombian and Puerto Rican heritage, respectively.

As of the 2000 Census, there were 1,953,631 people and the population density was 3,371.7 people per square mile (1,301.8/km²). The racial makeup of the city was 49.3% White, 25.3% African American, 5.3% Asian, 0.4% American Indian, 0.1% Pacific Islander, 16.5% from some other race, and 3.1% from two or more races. In addition, Hispanics and Latinos made up 37.4% of Houston's population while non-Hispanic whites made up 30.8%.

The median income for a household in the city was $37,000, and the median income for a family was $40,000. Males had a median income of $32,000 versus $27,000 for females. The per capita income for the city was $20,000. Nineteen percent of the population and 16 percent of families were below the poverty line. Out of the total population, 26% of those under the age of 18 and 14% of those 65 and older were living below the poverty line.

Culture

Houston is a diverse city with a large and growing international community. The metropolitan area is home to an estimated 1.1 million (21.4 percent) residents who were born outside the United States, with nearly two-thirds of the area's foreign-born population from south of the United States–Mexico border. Additionally, more than one in five foreign-born residents are from Asia. The city is home to the nation’s third-largest concentration of consular offices, representing 86 countries.

Many annual events celebrate the diverse cultures of Houston. The largest and longest running is the annual Houston Livestock Show and Rodeo, held over 20 days from late February to early March, which happens to be the largest annual Livestock Show and Rodeo anywhere in the world. Another large celebration is the annual night-time Houston Pride Parade, held at the end of June. Other annual events include the Houston Greek Festival, Art Car Parade, the Houston Auto Show, the Houston International Festival, and the Bayou City Art Festival, which is considered to be one of the top five art festivals in the United States.

Houston received the official nickname of "Space City" in 1967 because it is the location of NASA's Lyndon B. Johnson Space Center. Other nicknames often used by locals include "Magnolia City," and "H-Town."

Arts and theatre

The Houston Theater District, located downtown, is home to nine major performing arts organizations and six performance halls. It is the second-largest concentration of theater seats in a downtown area in the United States. Houston is one of few United States cities with permanent, professional, resident companies in all major performing arts disciplines: opera (Houston Grand Opera), ballet (Houston Ballet), music (Houston Symphony Orchestra), and theater (The Alley Theatre). Houston is also home to folk artists, art groups and various small progressive arts organizations. Houston attracts many touring Broadway acts, concerts, shows, and exhibitions for a variety of interests. Facilities in the Theater District include the Jones Hall—home of the Houston Symphony Orchestra and Society for the Performing Arts—and the Hobby Center for the Performing Arts.

The Museum District's cultural institutions and exhibits attract more than 7 million visitors a year. Notable facilities the include The Museum of Fine Arts, Houston Museum of Natural Science, the Contemporary Arts Museum Houston, the Station Museum of Contemporary Art, Holocaust Museum Houston, and the Houston Zoo. Located near the Museum District are The Menil Collection, Rothko Chapel, and the Byzantine Fresco Chapel Museum.

Bayou Bend is a facility of the Museum of Fine Arts that houses one of America's best collections of decorative art, paintings and furniture. Bayou Bend is the former home of Houston philanthropist Ima Hogg.

Venues across Houston regularly host local and touring rock, blues, country, dubstep, and Tejano musical acts. While Houston has never been a widely renowned for its music scene, Houston hip-hop has become a significant, independent music scene, producing some of most famed hip-hop artists and creating a sound which has become largely influential in the South as well as other hip-hop scenes.

Tourism and recreation

The Theater District is a 17-block area in the center of downtown Houston that is home to the Bayou Place entertainment complex, restaurants, movies, plazas, and parks. Bayou Place is a large multilevel building containing full-service restaurants, bars, live music, billiards and Sundance Cinema. The Houston Verizon Wireless Theater stages live concerts, stage plays, and stand-up comedy. Space Center Houston is the official visitors’ center of NASA's Lyndon B. Johnson Space Center. The Space Center has many interactive exhibits including moon rocks, a shuttle simulator, and presentations about the history of NASA's manned space flight program. Other tourist attractions include the Galleria (Texas's largest shopping mall located in the Uptown District), Old Market Square, the Downtown Aquarium, and Sam Houston Race Park. SplashTown Waterpark Houston is a water park located north of Houston. Earth Quest Adventures is a theme park planned to open in 2013/2014. Houston is home to 337 parks including Hermann Park, Terry Hershey Park, Lake Houston Park, Memorial Park, Tranquility Park, Sesquicentennial Park, Discovery Green, and Sam Houston Park. Within Hermann Park are the Houston Zoo and the Houston Museum of Natural Science. Sam Houston Park contains restored and reconstructed homes which were originally built between 1823 and 1905. There is a proposal to open the city's first botanic garden at Herman Brown Park.

Of the 10 most populous U.S. cities, Houston has the most total area of parks and green space, The city also has over 200 additional green spaces—totaling over that are managed by the city—including the Houston Arboretum and Nature Center. The Lee and Joe Jamail Skatepark is a public skatepark owned and operated by the city of Houston, and is one of the largest skateparks in Texas consisting of 30,000 (2,800 m2) square foot in-ground facility. The Gerald D. Hines Waterwall Park—located in the Uptown District of the city—serves as a popular tourist attraction, weddings, and various celebrations. A 2011 study by Walk Score ranked Houston the 23rd most walkable of the 50 largest cities in the United States.

Media

The Houston–Sugar Land–Baytown metropolitan area is served by one public television station and two public radio stations. KUHT (''HoustonPBS'') is a PBS member station and is the first public television station in the United States. Houston Public Radio is listener-funded and comprises two NPR member stations: KUHF (''KUHF News'') and KUHA (''Classical 91.7''). KUHF is news/talk radio and KUHA is a classical music station. The University of Houston System owns and holds broadcasting licenses to KUHT, KUHF, and KUHA. The stations broadcast from the Melcher Center for Public Broadcasting, located on the campus of the University of Houston.

Houston is served by the ''Houston Chronicle'', its only major daily newspaper with wide distribution. The Hearst Corporation, which owns and operates the ''Houston Chronicle'', bought the assets of the ''Houston Post''—its long-time rival and main competition—when ''Houston Post'' ceased operations in 1995. The ''Houston Post'' was owned by the family of former Lieutenant Governor Bill Hobby of Houston. The only other major publication to serve the city is the ''Houston Press''—a free alternative weekly with a weekly readership of more than 300,000.

Education

Seventeen school districts exist within the city of Houston. The Houston Independent School District (HISD) is the seventh-largest school district in the United States. HISD has 112 campuses that serve as magnet or vanguard schools—specializing in such disciplines as health professions, visual and performing arts, and the sciences. There are also many charter schools that are run separately from school districts. In addition, some public school districts also have their own charter schools.

The Houston area encompasses more than 300 private schools, many of which are accredited by Texas Private School Accreditation Commission recognized agencies. The Houston Area Independent Schools offer education from a variety of different religious as well as secular viewpoints. The Houston area Catholic schools are operated by the Archdiocese of Galveston-Houston.

Colleges and universities

Four distinct state universities are located in Houston. The University of Houston is a nationally recognized research university, and is the flagship institution of the University of Houston System. The institution ranks among the Top 50 American Research Universities. The university in Texas, UH has nearly 40,000 students on its 667 acre campus in southeast Houston. The University of Houston–Clear Lake and the University of Houston–Downtown are universities; they are not branch campuses of the University of Houston. Located in the historic community of Third Ward is Texas Southern University—one of the largest historically black colleges and universities in the United States.

Several private institutions of higher learning—ranging from liberal arts colleges to Rice University, the nationally recognized research university—are located within the city.

Three community college districts exist with campuses in and around Houston. The Houston Community College System serves most of Houston. The northwestern through northeastern parts of the city are served by various campuses of the Lone Star College System, while the southeastern portion of Houston is served by San Jacinto College. The Houston Community College and Lone Star College systems are within the 10 largest institutions of higher learning in the United States.

Healthcare

Houston is the seat of the internationally renowned Texas Medical Center, which contains the world's largest concentration of research and healthcare institutions. All 49 member institutions of the Texas Medical Center are non-profit organizations. They provide patient and preventive care, research, education, and local, national, and international community well-being. Employing more than 73,600 people, institutions at the medical center include 13 hospitals and two specialty institutions, two medical schools, four nursing schools, and schools of dentistry, public health, pharmacy, and virtually all health-related careers. It is where one of the first—and still the largest—air emergency service, Life Flight, was created, and a very successful inter-institutional transplant program was developed. More heart surgeries are performed at the Texas Medical Center than anywhere else in the world.

Some of the academic and research health institutions at the center include MD Anderson Cancer Center, Baylor College of Medicine, UT Health Science Center, Memorial Hermann Hospital, The Methodist Hospital, Texas Children's Hospital, and University of Houston College of Pharmacy.

The Baylor College of Medicine has annually been considered within the top ten medical schools in the nation; likewise, the MD Anderson Cancer Center has consistently ranked as one of the top two U.S. hospitals specializing in cancer care by ''U.S. News & World Report'' since 1990. The Menninger Clinic, a renowned psychiatric treatment center, is affiliated with Baylor College of Medicine and The Methodist Hospital System. With hospital locations nationwide and headquarters in Houston, the Triumph Healthcare hospital system is the third largest long term acute care provider nationally.

Transportation

Highways

The predominant form of transportation in Houston is the automobile with 71.7 percent of residents driving alone to work This is facilitated through Houston's freeway system, comprising of freeways and expressways in a ten-county metropolitan area. However, the Texas Transportation Institute's annual Urban Mobility Report found that Houston had the fourth-worst congestion in the country with commuters spending an average of 58 hours in traffic in 2009.

Houston's highway system has a hub-and-spoke freeway structure serviced by multiple loops. The innermost loop is Interstate 610, which encircles downtown, the medical center, and many core neighborhoods with around a diameter. Beltway 8 and its freeway core, the Sam Houston Tollway, form the middle loop at a diameter of roughly . A proposed highway project, State Highway 99 (Grand Parkway), would form a third loop outside of Houston. As of 2010, only two out of eleven segments of State Highway 99 have been completed. Houston is located along the route of the proposed Interstate 69 NAFTA superhighway that would link Canada, the U.S. industrial Midwest, Texas, and Mexico. Other spoke freeways either planned or under construction include the Fort Bend Parkway, Hardy Toll Road, Crosby Freeway, and the future Alvin Freeway.

Houston's freeway system is monitored by Houston TranStar—a partnership of four government agencies that are responsible for providing transportation and emergency management services to the region. Houston TranStar was the first center in the nation to combine transportation and emergency management centers, and the first to bring four agencies (Texas Department of Transportation, Harris County, Metropolitan Transit Authority of Harris County, and the City of Houston) together to share their resources.

Transit systems

The Metropolitan Transit Authority of Harris County (METRO) provides public transportation in the form of buses, light rail, and lift vans. METRO's various forms of public transportation still do not connect many of the suburbs to the greater city.

METRO began light rail service on January 1, 2004 with the inaugural track ("Red Line") running about from the University of (UHD), which traverses through the Texas Medical Center and terminates at Reliant Park. METRO is currently in the design phase of a 10-year expansion plan that will add five more lines to the existing system.

Amtrak, the national rail passenger system, provides service to Houston via the (Los Angeles–New Orleans), which stops at a train station on the north side of the downtown area. The station saw 14,891 boardings and alightings in fiscal year 2008.

Airports

Houston is served by three airports, two of which are commercial that served 52 million passengers in 2007 and managed by the Houston Airport System. The Federal Aviation Administration and the state of Texas selected the "Houston Airport System as Airport of the Year" for 2005, largely because of its multi-year, $3.1 billion airport improvement program for both major airports in Houston.

The primary city airport is George Bush Intercontinental Airport (IAH), the sixth-busiest in the United States for total passengers, and fourteenth-busiest worldwide. Bush Intercontinental currently ranks third in the United States for non-stop domestic and international service with 182 destinations. In 2006, the United States Department of Transportation named George Bush Intercontinental Airport the fastest-growing of the top ten airports in the United States. The Houston Air Route Traffic Control Center stands on the George Bush Intercontinental Airport grounds.

Houston was the headquarters of Continental Airlines until its 2010 merger with United Airlines with headquarters in Chicago; regulatory approval for the merger was granted in October of that year. Bush Intercontinental became United Airline's largest airline hub. The airline retained a significant operational presence in Houston while offering more than 700 daily departures from the city. In early 2007, Bush Intercontinental Airport was named a model "port of entry" for international travelers by U.S. Customs and Border Protection.

The second-largest commercial airport is William P. Hobby Airport (named Houston International Airport until 1967) which operates primarily small to medium-haul domestic flights. Houston's aviation history is showcased in the 1940 Air Terminal Museum located in the old terminal building on the west side of the airport. Hobby Airport has been recognized with two awards for being one of the top five performing airports in the world and for customer service by Airports Council International.

Houston's third municipal airport is Ellington Airport (a former U.S. Air Force base) used by military, government, NASA, and general aviation sectors.

Architecture

Houston has the third tallest skyline in North America and one of the top 10 in the world. A seven-mile (11 km) system of tunnels and skywalks link downtown buildings containing shops and restaurants, enabling pedestrians to avoid summer heat and rain while walking between buildings.

In the 1960s, Downtown Houston consisted of a collection of mid-rise office structures. Downtown was on the threshold of an energy industry led boom in 1970. A succession of skyscrapers were built throughout the 1970s—many by real estate developer Gerald D. Hines—culminating with Houston's tallest skyscraper, the 75-floor, -tall JPMorgan Chase Tower (formerly the Texas Commerce Tower), completed in 1982. It is the tallest structure in Texas, 10th tallest building in the United States and the 30th tallest skyscraper in the world, based on height to roof. In 1983, the 71-floor, -tall Wells Fargo Plaza (formerly Allied Bank Plaza) was completed, becoming the second-tallest building in Houston and Texas. Based on height to roof, it is the 13th tallest in the United States and the 36th tallest in the world. As of 2007, downtown Houston had over 43 million square feet (4,000,000 m²) of office space.

Centered on Post Oak Boulevard and Westheimer Road, the Uptown District boomed during the 1970s and early 1980s when a collection of mid-rise office buildings, hotels, and retail developments appeared along Interstate 610 west. Uptown became one of the most prominent instances of an edge city. The tallest building in Uptown is the 64-floor, -tall, Philip Johnson and John Burgee designed landmark Williams Tower (known as the Transco Tower until 1999). At the time of construction, it was believed to the be the world's tallest skyscraper outside of a central business district. The Uptown District is also home to buildings designed by noted architects I. M. Pei, César Pelli, and Philip Johnson. In the late 1990s and early 2000s decade, there was a mini-boom of mid-rise and high-rise residential tower construction, with several over 30 stories tall. In 2002, Uptown had more than 23 million square feet (2,100,000 m²) of office space with 16 million square feet (1,500,000 m²) of Class A office space.

Sports

Houston has sports teams for every major professional league, except the National Hockey League.

Minute Maid Park (home of the Astros) and Toyota Center (home of the Rockets and Aeros), are located in Downtown. Houston has the NFL's first retractable-roof stadium, Reliant Stadium (home of the Texans). In addition, Reliant Astrodome, the first domed stadium in the world. Other sports facilities include Robertson Stadium (home of the Houston Cougars football team), Hofheinz Pavilion (Houston Cougars basketball), Rice Stadium (Rice Owls football), and Reliant Arena. BBVA Compass Stadium, a soccer-specific stadium for the Dynamo—to be located just east of Downtown—is expected to be finished by 2012.

The city has hosted several major professional and college sporting events, including the annual Shell Houston Open golf tournament. Houston hosts the annual NCAA College Baseball Minute Maid Classic every February and NCAA football's Texas Bowl in December.

Crime

Houston's murder rate ranked 46th of U.S. cities with a population over 250,000 in 2005 (per capita rate of 16.3 murders per 100,000 population). In 2010, the city's murder rate (per capita rate of 11.8 murders per 100,000 population) was ranked sixth among U.S. cities with a population of over 750,000 (behind New York City, Chicago, Detroit, Philadelphia, and Los Angeles) according to the FBI.

Murders fell by 37 percent from January to June 2011, compared with the same period in 2010. Houston's total crime rate including violent and nonviolent crimes decreased by 11 percent.

Houston—due to its size and proximity to major illegal drug exporting nations—is a significant hub for trafficking of cocaine, marijuana, heroin, MDMA, and methamphetamine. In the early 1970s, Houston, Pasadena and several coastal towns were the site of the '' 'Houston Mass Murders' '' which at the time were the deadliest case of serial killing in American history.

Sister cities

Houston has 17 sister cities designated by Sister Cities International—a nonprofit citizen diplomacy network creating and strengthening partnerships between U.S. and international communities in an effort to increase global cooperation at the municipal level, to promote cultural understanding, and to stimulate economic development. Many of Houston's sister cities, including Abu Dhabi, Baku, Luanda, Stavanger, Tampico, and Tyumen are, like Houston, important cities in the oil industry.

{| cellpadding="10" style="margin: 0 auto;" |- valign="top" | Abu Dhabi, United Arab Emirates (2001) Baku, Azerbaijan (1976) Chiba, Japan (1973) Grampian Region, Scotland, United Kingdom (1979) Guayaquil, Ecuador (1987) Huelva, Spain (1969) Istanbul, Turkey (1986) Karachi, Pakistan (2008) Leipzig, Germany (1993) || || Luanda, Angola (2003) Nice, France (1973) Perth, Western Australia, Australia (1983) Shenzhen, People's Republic of China (1986) Stavanger, Norway (1980) Taipei, Taiwan (ROC) (1963) Tampico, Tamaulipas, Mexico (2003) Tyumen, Russia (1995) |}

References

Further reading

Houston, New York Has a Problem, ''City Journal,'' Summer 2008

174 Years of Historic Houston ''Houstonhistory.com''. 2007. Retrieved on 2007-01-13.

''A thumb-nail history of the city of Houston, Texas, from its founding in 1836 to the year 1912'', published 1912, hosted by the Portal to Texas History, republished 2007 by Copano Bay Press.

''True stories of old Houston and Houstonians: historical and personal sketches / by S. O. Young.'', published 1913, hosted by the Portal to Texas History, republished 2007 by Copano Bay Press.

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External links

City of Houston official website

Greater Houston Partnership

174 Years of Historic Houston

Greater Houston Convention & Visitors Bureau

Greater Houston Transportation and Emergency Management Center

Houston Public Library official website

Houston Downtown District

Uptown Houston District

Midtown Houston District

Houston Airport System

Greater Houston Preservation Alliance

Houston Wilderness Organization

Historical photos of Houston at the University of Houston Digital Library

Category:Cities in Texas Category:Populated coastal places in Texas Category:Populated places established in 1836 Category:Populated places in Fort Bend County, Texas Category:Populated places in Harris County, Texas Category:Populated places in Montgomery County, Texas Category:Populated places in the United States with Hispanic plurality populations Category:Port settlements in the United States

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Coordinates	56°09′″N40°25′″N
birth name	Whitney Elizabeth Houston
background	solo_singer
birth date	August 09, 1963
birth place
death date	February 11, 2012
death place
instrument	Vocals, piano
genre	R&B;, soul, pop, dance, gospel
occupation	Singer, actress, model, film producer, record producer, songwriter
years active	1977–2012
label	Arista, RCA
associated acts	Cissy Houston, Dionne Warwick, Aretha Franklin, Jermaine Jackson, Mariah Carey, Enrique Iglesias, Bobby Brown
website	130pxWhitney Houston's Autograph }}

Whitney Elizabeth Houston (August 9, 1963 – February 11, 2012) was an American recording artist, actress, producer, and model. In 2009, the ''Guinness World Records'' cited her as the most-awarded female act of all-time. Houston was also one of the world's best-selling music artists, having sold over 170 million albums, singles and videos worldwide. She released seven studio albums and three movie soundtrack albums, all of which have diamond, multi-platinum, platinum or gold certification. Houston's crossover appeal on the popular music charts, as well as her prominence on MTV, starting with her video for "How Will I Know", influenced several African-American female artists to follow in her footsteps.

Houston is the only artist to chart seven consecutive No. 1 ''Billboard'' Hot 100 hits. She is the second artist behind Elton John and the only female artist to have two number-one ''Billboard'' 200 Album awards (formerly "Top Pop Album") on the ''Billboard'' magazine year-end charts. Houston's 1985 debut album ''Whitney Houston'' became the best-selling debut album by a female act at the time of its release. The album was named ''Rolling Stone''s best album of 1986, and was ranked at number 254 on ''Rolling Stone''s list of the 500 Greatest Albums of All Time. Her second studio album ''Whitney'' (1987) became the first album by a female artist to debut at number one on the ''Billboard'' 200 albums chart.

Houston's first acting role was as the star of the feature film ''The Bodyguard'' (1992). The film's original soundtrack won the 1994 Grammy Award for Album of the Year. Its lead single "I Will Always Love You", became the best-selling single by a female artist in music history. With the album, Houston became the first act (solo or group, male or female) to sell more than a million copies of an album within a single week period under Nielsen SoundScan system. The album makes her the top female act in the top 10 list of the best-selling albums of all time, at number four. Houston continued to star in movies and contribute to their soundtracks, including the films ''Waiting to Exhale'' (1995) and ''The Preacher's Wife'' (1996). ''The Preacher's Wife'' soundtrack became the best-selling gospel album in history.

On February 11, 2012, Houston was found dead in her guest room at the Beverly Hilton Hotel, in Beverly Hills, California, of causes not immediately known. News of her death, the day before and after the 2012 Grammy Awards, featured prominently in American and international media.

Life and career

1963–1976: Early life

Whitney Houston was born in what was then a middle-income neighborhood in Newark, New Jersey, the second child of Army serviceman and entertainment executive John Russell Houston, Jr. (September 13, 1920 – February 2, 2003), and gospel singer Cissy Houston (née Emily Drinkard). She was of African American, Native American and Dutch descent. Her mother, along with cousins Dionne Warwick and Dee Dee Warwick, godmother Darlene Love and honorary aunt Aretha Franklin were all notable figures in the gospel, rhythm and blues, pop, and soul genres. She met her honorary aunt at age 8, or 9, when her mother took her to a recording studio. Houston was raised a Baptist, but was also exposed to the Pentecostal church. After the 1967 Newark riots, the family moved to a middle-class area in East Orange, New Jersey, when she was four.

At the age of 11, Houston began to follow in her mother's footsteps and started performing as a soloist in the junior gospel choir at the New Hope Baptist Church in Newark, where she also learned to play the piano. Her first solo performance in the church was "Guide Me, O Thou Great Jehovah". When Houston was a teenager, she attended Mount Saint Dominic Academy, a Catholic girls' high school in Caldwell, New Jersey, where she met her best friend Robyn Crawford, whom she described as the "sister she never had". While Houston was still in school, her mother continued to teach her how to sing. In addition to her mother, Franklin, and Warwick, Houston was also exposed to the music of Chaka Khan, Gladys Knight, and Roberta Flack, most of whom would have an impact on her as a singer and performer.

1977–1984: Early career

Houston spent some of her teenage years touring nightclubs where her mother Cissy was performing, and she would occasionally get on stage and perform with her. In 1977, at age 14, she became a backup singer on the Michael Zager Band's single "Life's a Party". In 1978, at age 15, Houston sang background vocals on Chaka Khan's hit single "I'm Every Woman", a song she would later turn into a larger hit for herself on her monster-selling ''The Bodyguard'' soundtrack album. She also sang back-up on albums by Lou Rawls and Jermaine Jackson.

In the early 1980s, Houston started working as a fashion model after a photographer saw her at Carnegie Hall singing with her mother. She appeared in ''Seventeen'' and became one of the first women of color to grace the cover of the magazine. She was also featured in layouts in the pages of ''Glamour'', ''Cosmopolitan'', ''Young Miss'', and appeared in a Canada Dry soft drink TV commercial. Her striking looks and girl-next-door charm made her one of the most sought after teen models of that time. While modeling, she continued her burgeoning recording career by working with producers Michael Beinhorn, Bill Laswell and Martin Bisi on an album they were spearheading called ''One Down'', which was credited to the group Material. For that project, Houston contributed the ballad "Memories", a cover of a song by Hugh Hopper of Soft Machine. Robert Christgau of ''The Village Voice'' called her contribution "one of the most gorgeous ballads you've ever heard". She also appeared as a lead vocalist on one track on a Paul Jabara album, entitled ''Paul Jabara and Friends'', released by Columbia Records in 1983.

Houston had previously been offered several recording agencies (Michael Zager in 1980, and Elektra Records in 1981), however her mother declined the offers stating her daughter must first complete high school. In 1983, Gerry Griffith, an A&R; representative from Arista Records, saw her performing with her mother in a New York City nightclub and was impressed. He convinced Arista's head Clive Davis to make time to see Houston perform. Davis too was impressed and offered a worldwide recording contract which Houston signed. Later that year, she made her national televised debut alongside Davis on ''The Merv Griffin Show''.

Houston signed with Arista in 1983, but did not begin work on her album immediately. The label wanted to make sure no other label signed the singer away. Davis wanted to ensure he had the right material and producers for Houston's debut album. Some producers had to pass on the project due to prior commitments. Houston first recorded a duet with Teddy Pendergrass entitled "Hold Me" which appeared on his album, ''Love Language''. The single was released in 1984 and gave Houston her first taste of success, becoming a Top 5 R&B; hit. It would also appear on her debut album in 1985.

1985–1986: Rise to international prominence

With production from Michael Masser, Kashif, Jermaine Jackson, and Narada Michael Walden, Houston's debut album ''Whitney Houston'' was released in February 1985. ''Rolling Stone'' magazine praised Houston, calling her "one of the most exciting new voices in years" while ''The New York Times'' called the album "an impressive, musically conservative showcase for an exceptional vocal talent". Arista Records promoted Houston's album with three different singles from the album in the US, UK and other European countries. In the UK, the dance-funk "Someone for Me", which failed to chart in the country, was the first single while "All at Once" was in such European countries as the Netherlands and Belgium, where the song reached the top 5 on the singles charts, respectively.

In the US, the soulful ballad "You Give Good Love" was chosen as the lead single from Houston's debut to establish her in the black marketplace first. Outside the US, the song failed to get enough attention to become a hit, but in the US, it gave the album its first major hit as it peaked at No. 3 on the US ''Billboard'' Hot 100 chart, and No. 1 on the Hot R&B; chart. As a result, the album began to sell strongly, and Houston continued promotion by touring nightclubs in the US. She also began performing on late-night television talk shows, which were not usually accessible to unestablished black acts. The jazzy ballad "Saving All My Love for You" was released next and it would become Houston's first No. 1 single in both the US and the UK. She was then an opening act for singer Jeffrey Osborne on his nationwide tour. "Thinking About You" was released as the promo single only to R&B-oriented; radio stations, which peaked at number ten on the US R&B; Chart. At the time, MTV had received harsh criticism for not playing enough videos by black, Latino, and other racial minorities while favoring white acts. The third US single, "How Will I Know", peaked at No. 1 and introduced Houston to the MTV audience thanks to its video. Houston's subsequent singles from this, and future albums, would make her the first African-American female artist to receive consistent heavy rotation on MTV.

By 1986, a year after its initial release, ''Whitney Houston'' topped the ''Billboard'' 200 albums chart and stayed there for 14 non-consecutive weeks. The final single, "Greatest Love of All", became Houston's biggest hit at the time after peaking No. 1 and remaining there for three weeks on the Hot 100 chart, which made her debut the first album by a female artist to yield three No. 1 hits. Houston was No. 1 artist of the year and ''Whitney Houston'' was the No. 1 album of the year on the 1986 ''Billboard'' year-end charts, making her the first female artist to earn that distinction. At the time, Houston released the best-selling debut album by a solo artist. Houston then embarked on her world tour, ''Greatest Love Tour''. The album had become an international success, and was certified 13× platinum (diamond) in the United States alone, and has sold a total of 25 million copies worldwide.

At the 1986 Grammy Awards, Houston was nominated for three awards including Album of the Year. She was not eligible for the Best New Artist category due to her previous hit R&B; duet recording with Teddy Pendergrass in 1984. She won her first Grammy award for Best Pop Vocal Performance, Female for "Saving All My Love for You". Houston's performance of the song during the Grammy telecast later earned her an Emmy Award for Outstanding Individual Performance in a Variety or Music Program.

Houston won seven American Music Awards in total in 1986 and 1987, and an MTV Video Music Award. The album's popularity would also carry over to the 1987 Grammy Awards when "Greatest Love of All" would receive a Record of the Year nomination. Houston's debut album is listed as one of ''Rolling Stone''s 500 Greatest Albums of All Time and on The Rock & Roll Hall of Fame's Definitive 200 list. Houston's grand entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to ''USA Today''. Following Houston's breakthrough, doors were opened for other African-American female artists such as Janet Jackson and Anita Baker to find notable success in popular music and on MTV.

1987–1991: ''Whitney'', ''I'm Your Baby Tonight'' and "The Star Spangled Banner"

With many expectations, Houston's second album, ''Whitney'', was released in June 1987. The album again featured production from Masser, Kashif and Walden as well as Jellybean Benitez. Many critics complained that the material was too similar to her previous album. ''Rolling Stone'' said, "the narrow channel through which this talent has been directed is frustrating". Still, the album enjoyed commercial success. Houston became the first female artist in music history to debut at number one on the ''Billboard'' 200 albums chart, and the first artist to enter the albums chart at number one in both the US and UK, while also hitting number one or top ten in dozens of other countries around the world. The album's first single, "I Wanna Dance With Somebody (Who Loves Me)", was also a massive hit worldwide, peaking at No. 1 on the ''Billboard'' Hot 100 chart and topping the singles chart in many countries such as Australia, Germany and the UK. The next three singles, "Didn't We Almost Have It All", "So Emotional", and "Where Do Broken Hearts Go" all peaked at number one on the US Hot 100 chart, which gave her a total of seven consecutive number one hits, breaking the record of six previously shared by The Beatles and The Bee Gees. Houston became the first female artist to generate four number-one singles from one album. ''Whitney'' has been certified 9× Platinum in the US for shipments of over 9 million copies, and has sold a total of 20 million copies worldwide.

At the 30th Grammy Awards in 1988, Houston was nominated for three awards, including Album of the Year, winning her second Grammy for Best Female Pop Vocal Performance for "I Wanna Dance With Somebody (Who Loves Me)". Houston also won two American Music Awards in 1988 and 1989, respectively, and a Soul Train Music Award. Following the release of the album, Houston embarked on the ''Moment of Truth World Tour'', which was one of the ten highest grossing concert tours of 1987. The success of the tours during 1986–87 and her two studio albums ranked Houston No. 8 for the highest earning entertainers list according to ''Forbes'' magazine. She was the highest earning African-American woman overall and the third highest entertainer after Bill Cosby and Eddie Murphy.

Houston was a supporter of Nelson Mandela and the anti-apartheid movement. During her modeling days, the singer refused to work with any agencies who did business with the then-apartheid South Africa. On June 11, 1988, during the European leg of her tour, Houston joined other musicians to perform a set at Wembley Stadium in London to celebrate a then-imprisoned Nelson Mandela's 70th birthday. Over 72,000 people attended Wembley Stadium, and over a billion people tuned in worldwide as the rock concert raised over $1 million for charities while bringing awareness to apartheid. Houston then flew back to the US for a concert at Madison Square Garden in New York City in August. The show was a benefit concert that raised a quarter of a million dollars for the United Negro College Fund. In the same year, she recorded a song for NBC's coverage of the 1988 Summer Olympics, "One Moment in Time", which became a Top 5 hit in the US, while reaching number one in the UK and Germany. With her world tour continuing overseas, Houston was still one of the top 20 highest earning entertainers for 1987–88 according to ''Forbes'' magazine.

In 1989, Houston formed The Whitney Houston Foundation For Children, a non-profit organization that has raised funds for the needs of children around the world. The organization cares for homelessness, children with cancer or AIDS, and other issues of self-empowerment. With the success of her first two albums, Houston was undoubtedly an international crossover superstar, the most prominent since Michael Jackson, appealing to all demographics. However, some black critics believed she was "selling out". They felt her singing on record lacked the soul that was present during her live concerts.

At the 1989 Soul Train Music Awards, when Houston's name was called out for a nomination, a few in the audience jeered. Houston defended herself against the criticism, stating, "If you're gonna have a long career, there's a certain way to do it, and I did it that way. I'm not ashamed of it". Houston took a more urban direction with her third studio album, ''I'm Your Baby Tonight'', released in November 1990. She produced and chose producers for this album and as a result, it featured production and collaborations with L.A. Reid and Babyface, Luther Vandross, and Stevie Wonder. The album showed Houston's versatility on a new batch of tough rhythmic grooves, soulful ballads and up-tempo dance tracks. Reviews were mixed. ''Rolling Stone'' felt it was her "best and most integrated album". while ''Entertainment Weekly'', at the time thought Houston's shift towards an urban direction was "superficial".

The album contained several hits: the first two singles, "I'm Your Baby Tonight" and "All the Man That I Need" peaked at number one on the ''Billboard'' Hot 100 chart; "Miracle" peaked at number nine; "My Name Is Not Susan" peaked in the top twenty; "I Belong to You" reached the top ten of the US R&B; chart and garnered Houston a Grammy nomination; and the sixth single, the Stevie Wonder duet "We Didn't Know", reached the R&B; top twenty. The album peaked at number three on the ''Billboard'' 200 and went on to be certified 4× platinum in the US while selling twelve million total worldwide.

In 1990, Houston was the spokesperson for a youth leadership conference hosted in Washington, D.C. She had a private audience with President George H. W. Bush in the Oval Office to discuss the associated challenges.

With America entangled in the Persian Gulf War, Houston performed "The Star Spangled Banner" at Super Bowl XXV at Tampa Stadium on January 27, 1991. Due to overwhelming response to her rendition, it was released as a commercial single and video of her performance, and reached the Top 20 on the US Hot 100, making her the only act to turn the national anthem into a pop hit of that magnitude (Jose Feliciano's version reached No. 50 in November 1968). Houston donated all her share of the proceeds to the American Red Cross Gulf Crisis Fund. As a result, the singer was named to the Red Cross Board of Governors.

Her rendition was considered the benchmark for singers and critically acclaimed. ''Rolling Stone'' commented that "her singing stirs such strong patriotism. Unforgettable", and the performance ranked No. 1 on the 25 most memorable music moments in NFL history list. VH1 listed the performance as one of the greatest moments that rocked TV. Following the attacks on 9/11, it was released again by Arista Records, all profits going towards the firefighters and victims of the attacks. This time it peaked at No. 6 in the Hot 100 and was certified platinum by the Recording Industry Association of America.

Later in 1991, Houston put together her ''Welcome Home Heroes'' concert with HBO for the soldiers fighting in the Persian Gulf War and their families. The free concert took place at Naval Station Norfolk in Norfolk, Virginia in front of 3,500 servicemen and women. HBO descrambled the concert so that it was free for everyone to watch. Houston's concert gave HBO its highest ratings ever. She then embarked on the ''I'm Your Baby Tonight World Tour''.

1992–1994: Marriage to Bobby Brown and ''The Bodyguard''

Throughout the 1980s, Houston was romantically linked to American football star Randall Cunningham and actor Eddie Murphy, whom she dated. She then met R&B; singer Bobby Brown at the 1989 Soul Train Music Awards. After a three-year courtship, the two were married on July 18, 1992. On March 4, 1993, Houston gave birth to their daughter Bobbi Kristina Houston Brown, her only child, and his fourth. Brown would go on to have several run-ins with the law, including some jail time.

With the commercial success of her albums, movie offers poured in, including offers to work with Robert De Niro, Quincy Jones, and Spike Lee; but Houston felt the time wasn't right. Houston's first film role was in ''The Bodyguard'', released in 1992 and co-starring Kevin Costner. Houston played Rachel Marron, a star who is stalked by a crazed fan and hires a bodyguard to protect her. ''USA Today'' listed it as one of the 25 most memorable movie moments of the last 25 years in 2007. Houston's mainstream appeal allowed people to look at the movie color-blind.

Still, controversy arose as some felt the film's advertising intentionally hid Houston's face to hide the film's interracial relationship. In an interview with ''Rolling Stone'' in 1993, the singer commented that "people know who Whitney Houston is – I'm black. You can't hide that fact." Houston received a Razzie Award nomination for Worst Actress. ''The Washington Post'' said Houston is "doing nothing more than playing Houston, comes out largely unscathed if that is possible in so cockamamie an undertaking", and ''The New York Times'' commented that she lacked passion with her co-star. Despite the film's mixed reviews, it was hugely successful at the box office, grossing more than $121 million in the U.S. and $410 million worldwide, making it one of the top 100 grossing films in film history at its time of release, though it is no longer in the top 100 due to rising ticket prices since the time the film was released.

The film's soundtrack also enjoyed big success. Houston executive produced and contributed six songs for the motion picture's adjoining soundtrack album. ''Rolling Stone'' said it is "nothing more than pleasant, tasteful and urbane". The soundtrack's lead single was "I Will Always Love You", written and originally recorded by Dolly Parton in 1974. Houston's version of the song was acclaimed by many critics, regarding it as her "signature song" or "iconic performance". ''Rolling Stone'' and ''USA Today'' called her rendition "the tour-de-force". The single peaked at number one on the ''Billboard'' Hot 100 for a then-record-breaking 14 weeks, number one on the R&B; chart for a then-record-breaking 11 weeks, and number one on the Adult Contemporary charts for five weeks, thus becoming the first single to top those three charts simultaneously for five weeks.

The single was certified 4× platinum by the RIAA, making Houston the first female artist with a single to reach that level in the RIAA history and becoming the best-selling single by a female artist in the US. The song also became a global success, hitting number-one in almost all countries, and one of the best-selling singles of all time with 12 million copies sold. The soundtrack topped the ''Billboard'' 200 chart and remained there for 20 non-consecutive weeks, the longest tenure by any album on the chart in the Nielsen SoundScan era, and became one of the fastest selling albums ever. During Christmas week of 1992, the soundtrack sold over a million copies within a week, becoming the first album to achieve that feat under Nielsen SoundScan system. With the follow-up singles "I'm Every Woman", a Chaka Khan cover, and "I Have Nothing" both reaching the top five, Houston became the first female artist to ever have three singles in the Top 11 simultaneously. The album was certified 17× platinum in the US alone, with worldwide sales of 44 million, making ''The Bodyguard'' the biggest-selling album by a female act on the list of the world's Top 10 best-selling albums, topping Shania Twain's 40 million sold for ''Come On Over''.

Houston won three Grammys for the album in 1994, including two of the Academy's highest honors, Album of the Year and Record of the Year. In addition, she won a record 8 American Music Awards at that year's ceremony including the Award of Merit, 11 Billboard Music Awards, 3 Soul Train Music Awards in 1993–94 including Sammy Davis, Jr. Award as Entertainer of the Year, 5 NAACP Image Awards including Entertainer of the Year, a record 5 World Music Awards, and a BRIT award. Following the success of the project, Houston embarked on another expansive global tour, ''The Bodyguard World Tour'', in 1993–94. Her concerts, movie, and recording grosses made her the third highest earning female entertainer of 1993–94, just behind Oprah Winfrey and Barbra Streisand according to ''Forbes'' magazine. Houston placed in the top five of ''Entertainment Weekly''s annual "Entertainer of the Year" ranking and was labeled by ''Premiere'' magazine as one of the 100 most powerful people in Hollywood.

In October 1994, Houston attended and performed at a state dinner in the White House honoring newly elected South African president Nelson Mandela. At the end of her world tour, Houston performed three concerts in South Africa to honor President Mandela, playing to over 200,000 people. This would make the singer the first major musician to visit the newly unified and apartheid free nation following Mandela's winning election. The concert was broadcast live on HBO with funds of the concerts being donated to various charities in South Africa. The event was considered the nation's "biggest media event since the inauguration of Nelson Mandela".

1995–1997: ''Waiting to Exhale'', ''The Preacher's Wife'', and ''Cinderella''

In 1995, Houston starred alongside Angela Bassett, Loretta Devine, and Lela Rochon in her second film ''Waiting to Exhale'', a motion picture about four African-American women struggling with relationships. Houston played the lead character Savannah Jackson, a TV producer in love with a married man. She chose the role because she saw the film as "a breakthrough for the image of black women because it presents them both as professionals and as caring mothers". After opening at number one and grossing $67 million in the US at the box office and $81 million worldwide, it proved that a movie primarily targeting a black audience can cross over to success, while paving the way for other all-black movies such as ''How Stella Got Her Groove Back'' and the Tyler Perry movies that have become popular in the 2000s. The film is also notable for its portrayal of black women as strong middle class citizens as opposed to stereotypes. The reviews were mainly positive for the ensemble cast. ''The New York Times'' said "Ms. Houston has shed the defensive hauteur that made her portrayal of a pop star in 'The Bodyguard' seem so distant." Houston was nominated for an NAACP Image Award for "Outstanding Actress In A Motion Picture", but lost to her co-star Bassett.

The film's accompanying soundtrack, ''Waiting to Exhale: Original Soundtrack Album'', was produced by Houston and Babyface. Though Babyface originally wanted Houston to record the entire album, she declined. Instead, she "wanted it to be an album of women with vocal distinction", and thus gathered several African-American female artists for the soundtrack, to go along with the film's strong women message. As a result, the album featured a range of contemporary R&B; female recording artists along with Houston, such as Mary J Blige, Aretha Franklin, Toni Braxton, Patti Labelle, and Brandy. Houston's "Exhale (Shoop Shoop)" peaked at No. 1, and then spent a record eleven weeks at the No. 2 spot and eight weeks on top of the R&B; Charts. "Count On Me", a duet with CeCe Winans, hit the US Top 10; and Houston's third contribution, "Why Does It Hurt So Bad", made the Top 30. The album debuted at No. 1, and was certified 7× Platinum in the United States, denoting shipments of seven million copies. The soundtrack received strong reviews as ''Entertainment Weekly'' said "the album goes down easy, just as you'd expect from a package framed by Whitney Houston tracks.... the soundtrack waits to exhale, hovering in sensuous suspense" and has since ranked it as one of the 100 Best Movie Soundtracks. Later that year, Houston's children's charity organization was awarded a VH1 Honor for all the charitable work.

In 1996, Houston starred in the holiday comedy ''The Preacher's Wife'', with Denzel Washington. She plays a gospel-singing wife of a pastor (Courtney B. Vance). It was largely an updated remake of the 1948 film "The Bishop's Wife" which starred Loretta Young, David Niven and Cary Grant. Houston earned $10 million for the role, making her one of the highest-paid actresses in Hollywood at the time and the highest earning African American actress in Hollywood. The movie, with its all African-American cast, was a moderate success, earning approximately $50 million at the U.S. box offices. The movie gave Houston her strongest reviews so far. ''The San Francisco Chronicle'' said Houston "is rather angelic herself, displaying a divine talent for being virtuous and flirtatious at the same time" and that she "exudes gentle yet spirited warmth, especially when praising the Lord in her gorgeous singing voice". Houston was again nominated for an NAACP Image Award and won for Outstanding Actress In A Motion Picture.

Houston recorded and co-produced, with Mervyn Warren, the film's accompanying gospel soundtrack. ''The Preacher's Wife: Original Soundtrack Album'' included six gospel songs with Georgia Mass Choir that were recorded at the Great Star Rising Baptist Church in Atlanta. Houston also duetted with gospel legend Shirley Caesar. The album sold six million copies worldwide and scored hit singles with "I Believe in You and Me" and "Step by Step", becoming the largest selling gospel album of all time. The album received mainly positive reviews. Some critics, such as that of ''USA Today'', noted the presence of her emotional depth, while ''The Times'' said "To hear Houston going at full throttle with the 35 piece Georgia Mass Choir struggling to keep up is to realise what her phenomenal voice was made for".

In 1997, Houston's production company changed its name to BrownHouse Productions and was joined by Debra Martin Chase. Their goal was "to show aspects of the lives of African-Americans that have not been brought to the screen before" while improving how African-Americans are portrayed in film and television. Their first project was a made-for-television remake of Rodgers & Hammerstein's ''Cinderella''. In addition to co-producing, Houston starred in the movie as the Fairy Godmother along with Brandy, Jason Alexander, Whoopi Goldberg, and Bernadette Peters. Houston was initially offered the role of Cinderella in 1993, but other projects intervened. The film is notable for its multi-racial cast and nonstereotypical message. An estimated 60 million viewers tuned into the special giving ABC its highest TV ratings in 16 years. The movie received seven Emmy nominations including Outstanding Variety, Musical or Comedy, while winning Outstanding Art Direction in a Variety, Musical or Comedy Special.

Houston and Chase then obtained the rights to the story of Dorothy Dandridge. Houston was to play Dandridge, who was the first African American actress to be nominated for an Oscar. She wanted the story told with dignity and honor. However, Halle Berry also had rights to the project and she got her version going first. Later that year, Houston paid tribute to her idols such as Aretha Franklin, Diana Ross, and Dionne Warwick by performing their hits during the three-night HBO Concert ''Classic Whitney'', live from Washington, D.C. The special raised over $300,000 for the Children's Defense Fund. Houston received The Quincy Jones Award for outstanding career achievements in the field of entertainment at the 12th Soul Train Music Awards.

1998–2000: ''My Love Is Your Love'' and ''Whitney: The Greatest Hits''

After spending much of the early and mid 1990s working on motion pictures and their soundtrack albums, Houston's first studio album in eight years, the critically acclaimed ''My Love Is Your Love'', was released in November 1998. Though originally slated to be a greatest hits album with a handful of new songs, recording sessions were so fruitful that a new full-length studio album was released. Recorded and mixed in only six weeks, it featured production from Rodney Jerkins, Wyclef Jean and Missy Elliott. The album debuted at number thirteen, its peak position, on the ''Billboard'' 200 chart. It had a funkier and edgier sound than past releases and saw Houston handling urban dance, hip hop, mid-tempo R&B;, reggae, torch songs, and ballads all with great dexterity.

From late 1998 to early 2000, the album spawned several hit singles: "When You Believe" (US No. 15, UK No. 4), a duet with Mariah Carey for 1998's ''The Prince of Egypt'' soundtrack, which also became an international hit as it peaked in the Top 10 in several countries and won an Academy Award for Best Original Song; "Heartbreak Hotel" (US No. 2, UK No. 25) featured Faith Evans and Kelly Price, received a 1999 MTV VMA nomination for Best R&B; Video, and number one on the US R&B; chart for seven weeks; "It's Not Right But It's Okay" (US No. 4, UK No. 3) won Houston her sixth Grammy Award for Best Female R&B; Vocal Performance; "My Love Is Your Love" (US No. 4, UK No. 2) with 3 million copies sold worldwide; and "I Learned from the Best" (US No. 27, UK No. 19). These singles became international hits as well, and all the singles, except "When You Believe", became number one hits on the ''Billboard'' Hot Dance/Club Play chart. The album sold four million copies in America, making it certified 4× platinum, and a total of eleven million copies worldwide.

The album gave Houston some of her strongest reviews ever. ''Rolling Stone'' said Houston was singing "with a bite in her voice" and ''The Village Voice'' called it "Whitney's sharpest and most satisfying so far". In 1999, Houston participated in VH-1's Divas Live '99, alongside Brandy, Mary J. Blige, Tina Turner, and Cher. The same year, Houston hit the road with her 70 date ''My Love Is Your Love World Tour''. The European leg of the tour was Europe's highest grossing arena tour of the year. In November 1999, Houston was named Top-selling R&B; Female Artist of the Century with certified US sales of 51 million copies at the time and ''The Bodyguard Soundtrack'' was named the Top-selling Soundtrack Album of the Century by the Recording Industry Association of America (RIAA). She also won The Artist of the Decade, Female award for extraordinary artistic contributions during the 1990s at the 14th Soul Train Music Awards, and an MTV Europe Music Award for Best R&B;.

In May 2000, ''Whitney: The Greatest Hits'' was released worldwide. The double disc set peaked at number five in the United States, reaching number one in the United Kingdom. In addition, the album reached the Top 10 in many other countries. While ballad songs were left unchanged, the album features house/club remixes of many of Houston's up-tempo hits. Included on the album were four new songs: "Could I Have This Kiss Forever" (a duet with Enrique Iglesias), "Same Script, Different Cast" (a duet with Deborah Cox), "If I Told You That" (a duet with George Michael), and "Fine", and three hits that had never appeared on a Houston album: "One Moment in Time", "The Star Spangled Banner", and "If You Say My Eyes Are Beautiful", a duet with Jermaine Jackson from his 1986 ''Precious Moments'' album. Along with the album, an accompanying VHS and DVD was released featuring the music videos to Houston's greatest hits, as well as several hard-to-find live performances including her 1983 debut on ''The Merv Griffin Show'', and interviews. The greatest hits album was certified 3× platinum in the US, with worldwide sales of 10 million.

2000–2005: ''Just Whitney'', and personal struggles

Though Houston was seen as a "good girl" with a perfect image in the 1980s and early 1990s, by the late 1990s, her behavior changed. She was often hours late for interviews, photo shoots and rehearsals, and canceling concerts and talk-show appearances. With the missed performances and weight loss, rumors about Houston using drugs with her husband circulated. On January 11, 2000, airport security guards discovered marijuana in both Houston's and husband Bobby Brown's luggage at a Hawaii airport, but the two boarded the plane and departed before authorities could arrive. Charges were later dropped against them, but rumors of drug usage between the couple would continue to surface. Two months later, Clive Davis was inducted into the Rock & Roll Hall of Fame. Houston had been scheduled to perform at the event, but failed to show up.

Shortly thereafter, Houston was scheduled to perform at the Academy Awards but was fired from the event by musical director and long time friend Burt Bacharach. Her publicist cited throat problems as the reason for the cancellation. In his book ''The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards'', author Steve Pond revealed that "Houston's voice was shaky, she seemed distracted and jittery, and her attitude was casual, almost defiant", and that while Houston was to sing "Over the Rainbow", she would start singing a different song. Houston later admitted to having been fired. Later that year, Houston's long-time executive assistant and friend, Robyn Crawford, resigned from Houston's management company.

In August 2001, Houston signed the biggest record deal in music history with Arista/BMG. She renewed her contract for $100 million to deliver six new albums, on which she would also earn royalties. She later made an appearance on ''Michael Jackson: 30th Anniversary Special''. Her extremely thin frame further spurred rumors of drug use. Houston's publicist said, "Whitney has been under stress due to family matters, and when she is under stress she doesn't eat." The singer was scheduled for a second performance the following night but canceled. Within weeks, Houston's rendition of "The Star Spangled Banner" would be re-released after the September 11 attacks, with the proceeds donated to the New York Firefighters 9/11 Disaster Relief Fund and the New York Fraternal Order of Police. The song peaked at No. 6 this time on the US Hot 100, topping its previous position.

In 2002, Houston became involved in a legal dispute with John Houston Enterprise. Although the company was started by her father to manage her career, it was actually run by company president Kevin Skinner. Skinner filed a breach-of-contract lawsuit and sued for $100 million (but lost), stating that Houston owed the company previously unpaid compensation for helping to negotiate her $100 million contract with Arista Records and for sorting out legal matters. Houston stated that her 81-year-old father had nothing to do with the lawsuit. Although Skinner tried to claim otherwise, John Houston never appeared in court. Houston's father later died in February 2003. The lawsuit was dismissed on April 5, 2004, and Skinner was awarded nothing.

Also in 2002, Houston did an interview with Diane Sawyer to promote her then-upcoming album. The interview was the highest-rated television interview in history. During the prime-time special, Houston spoke on topics including rumored drug use and marriage. She was asked about the ongoing drug rumors and replied, "First of all, let's get one thing straight. Crack is cheap. I make too much money to ever smoke crack. Let's get that straight. Okay? We don't do crack. We don't do that. Crack is wack." The line was from Keith Haring's mural which was painted in 1986 on the handball court at 128th Street and 2nd Avenue. Houston did, however, admit to using other substances at times, including cocaine.

In December 2002, Houston released her fifth studio album, ''Just Whitney...''. The album included productions from then-husband Bobby Brown, as well as Missy Elliott and Babyface, and marked the first time that Houston did not produce with Clive Davis as Davis had been released by top management at BMG. Upon its release, ''Just Whitney...'' received mixed reviews. The album debuted at number 9 on the ''Billboard'' 200 chart and it had the highest first week sales of any album Houston had ever released. The four singles released from the album, didn't fare well on the ''Billboard'' Hot 100, but became Hot Dance Club Play hits. ''Just Whitney...'' was certified platinum in the United States, and sold approximately three million worldwide.

On a June 2003 trip to Israel, Houston said of her visit, "I've never felt like this in any other country. I feel at home, I feel wonderful."

In late 2003, Houston released her first Christmas album ''One Wish: The Holiday Album'', with a collection of traditional holiday songs. Houston produced the album with Mervyn Warren and Gordon Chambers. A single titled "One Wish (for Christmas)" reached the Top 20 on the Adult Contemporary chart, and the album was certified gold in the US. Having always been a touring artist, Houston spent most of 2004 touring and performing in Europe, the Middle East, Asia, and Russia. In September 2004, she gave a surprise performance at the World Music Awards in a tribute to long time friend Clive Davis. After the show, Davis and Houston announced plans to go into studio to work on her new album.

In early 2004, husband Bobby Brown starred in his own reality TV program, ''Being Bobby Brown'' (on the Bravo network), which provided a view into the domestic goings-on in the Brown household. Though it was Brown's vehicle, Houston was a prominent figure throughout the show, receiving as much screen time as Brown. The series aired in 2005 and featured Houston in, what some would say, not her most flattering moments. The ''Hollywood Reporter'' said it was "undoubtedly the most disgusting and execrable series ever to ooze its way onto television." Despite the perceived train-wreck nature of the show, the series gave Bravo its highest ratings in its time slot and continued Houston's successful forays into film and television. The show was not renewed for a second season after Houston stated that she would no longer appear in it, and Brown and Bravo could not come to an agreement for another season.

2006–2012: Return to music, ''I Look to You'', tour and film comeback

After years of controversy and turmoil, Houston separated from Bobby Brown in September 2006, filing for divorce the following month. On February 1, 2007, Houston asked the court to fast track their divorce. The divorce was finalized on April 24, 2007, with Houston granted custody of the couple's daughter. On May 4, Houston sold the suburban Atlanta home featured in ''Being Bobby Brown'' for $1.19 million. A few days later, Brown sued Houston in Orange County, California court in an attempt to change the terms of their custody agreement. Brown also sought child and spousal support from Houston. In the lawsuit, Brown claimed that financial and emotional problems prevented him from properly responding to Houston's divorce petition. Brown lost at his court hearing as the judge dismissed his appeal to overrule the custody terms, leaving Houston with full custody and Brown with no spousal support. In March 2007, Clive Davis of Arista Records announced that Houston would begin recording a new album. In October 2007, Arista released another compilation ''The Ultimate Collection'' outside the United States.

Houston gave her first interview in seven years in September 2009, appearing on Oprah Winfrey's season premiere. The interview was billed as "the most anticipated music interview of the decade". Whitney admitted on the show to using drugs with former husband Bobby Brown, who "laced marijuana with rock cocaine". By 1996, she told Oprah, "[doing drugs] was an everyday thing... I wasn't happy by that point in time. I was losing myself."

Houston released her new album, ''I Look to You'', in August 2009. The album's first two singles are "I Look to You" and "Million Dollar Bill". The album entered the Billboard 200 at No. 1, with Houston's best opening-week sales of 305,000 copies, marking Houston's first number one album since '' The Bodyguard'', and Houston's first studio album to reach number one since 1987's ''Whitney''. Houston also appeared on European television programs to promote the album. She performed the song "I Look to You" on the German television show ''Wetten, dass..?''. Three days later, she performed the worldwide first single from I Look To You, Million Dollar Bill, on the French television show Le Grand Journal. Houston appeared as guest mentor on ''The X Factor'' in the United Kingdom. She performed "Million Dollar Bill" on the following day's results show, completing the song even as a strap in the back of her dress popped open two minutes into the performance. She later commented that she "sang [herself] out of [her] clothes".

The performance was poorly received by the British media, and was variously described as "weird" and "ungracious", "shambolic" and a "flop". Despite this reception, "Million Dollar Bill" jumped to its peak from 14 to number 5 (her first UK top 5 for over a decade), and three weeks after release "I Look to You" went gold. Houston appeared on the Italian version of ''The X Factor'', performing the same song "Million Dollar Bill" to excellent reviews. She was awarded the Gold Certificate for achieving over 50,000 CD sales of "I Look To You" in Italy. In November, Houston performed "I Didn't Know My Own Strength" at the 2009 American Music Awards in Los Angeles, California. Two days later, Houston performed both songs on the Dancing With The Stars season 9 finale. As of December 2009, "I Look to You" has been certified platinum by the RIAA for sales of more than one million copies in the United States. On January 26, 2010, her debut album was re-released in a special edition entitled ''Whitney Houston – The Deluxe Anniversary Edition''.

Houston later embarked on a world tour, entitled the Nothing but Love World Tour. It was her first world tour in over ten years and was announced as a triumphant comeback. However, some poor reviews and rescheduled concerts brought some negative media attention. Houston canceled some concerts due to illness and received widespread negative reviews from fans who were disappointed in the quality of her voice and performance. Some fans reportedly walked out of her concerts.

In January 2010, Houston was nominated for two NAACP Image Awards, one for Best Female Artist and one for Best Music Video. She won the award for Best Music Video for her single "I Look to You". On January 16, she received The BET Honors Award for Entertainer citing her lifetime achievements spanning over 25 years in the industry. The 2010 BET Honors award was held at the Warner Theatre in Washington, D.C. and aired on February 1, 2010. Jennifer Hudson and Kim Burrell performed in honor of her, garnering positive reviews. Houston also received a nomination from the Echo Awards, Germany's version of the Grammys, for Best International Artist. In April 2010, the UK newspaper ''The Mirror'' reported that Houston was thinking about recording her eighth studio album and wanted to collaborate with will.i.am (of The Black Eyed Peas), her first choice for a collaboration.

Houston also performed the song "I Look to You" on the 2011 BET ''Celebration of Gospel'', with gospel–jazz singer Kim Burrell, held at the Staples Center, Los Angeles. The performance aired on January 30, 2011. Early in 2011, she gave an uneven performance in tribute to cousin Dionne Warwick at music mogul Clive Davis' annual pre-Grammy gala. In May 2011, Houston enrolled in a rehabilitation center again, as an out-patient, citing drug and alcohol problems. A representative for Houston said that it was a part of Houston's "longstanding recovery process".

In September 2011, ''The Hollywood Reporter'' announced that Houston would produce and star alongside Jordin Sparks and Mike Epps in the remake of the 1976 film ''Sparkle''. In the film, Houston portrays Sparks' "not-so encouraging mother". Houston will have executive producer credits on top of acting credits according to Debra Martin Chase, producer of ''Sparkle''. She stated that Houston deserved the title considering she had been there from the beginning in 2001, when Houston obtained ''Sparkle'' production rights. R&B; singer Aaliyah - originally tapped to star as Sparkle – died in a 2001 plane crash. Her death derailed production, which would have begun in 2002. Houston's remake of ''Sparkle'' was filmed in the fall of 2011, and is set for release by TriStar Pictures in August 2012.

Death

On February 9, 2012, Houston visited singers Brandy and Monica, together with Clive Davis, at their rehearsals for Davis' pre-Grammy Awards party at the Beverly Hilton Hotel in Beverly Hills, CA. That same day, she made her last public performance, when she joined Kelly Price on stage in Hollywood, CA and sang "Jesus Loves Me".

On February 11, 2012, Houston was found dead in a suite at the Beverly Hilton Hotel, in Beverly Hills, California, submerged in the bathtub. The cause of death was not immediately known. Beverly Hills paramedics arrived at approximately 3:30 p.m. and found the singer unresponsive and performed CPR. Houston was pronounced dead at 3:55 p.m. PST. Local police said there were "no obvious signs of criminal intent."

Houston had an invitation-only memorial on Saturday, February 18, 2012, at the New Hope Baptist Church in Newark, New Jersey. The service was scheduled for two hours, but lasted for four hours. Among those who performed at the funeral were Stevie Wonder (rewritten version of "Ribbon in the Sky," and "Love's in Need of Love Today"), CeCe Winans ("Don't Cry" and "Jesus Loves Me"), Alicia Keys ("Send Me an Angel"), Kim Burrell (rewritten version of "A Change Is Gonna Come") and R. Kelly ("I Look to You"), interspersed with hymns by the church choir and remarks by Clive Davis, Houston’s record producer; Kevin Costner; Ricky Minor her music director; her cousin Dionne Warwick and Ray Watson, her security guard for the past 11 years. Aretha Franklin was listed on the program and was expected to sing, but was unable to attend the service. Bobby Brown, Houston's ex-husband, was also invited to the funeral but he left before the service began. Houston was buried on Sunday, February 19, 2012, in Fairview Cemetery, in Westfield, New Jersey next to her father, John Russell Houston, who died in 2003.

Reaction

The Clive Davis' pre-Grammy party that Houston was expected to attend, and that featured many of the biggest names in music and movies, went on as scheduled although it was quickly turned into a tribute to Houston. Davis spoke about Houston's death at the evening's start: "By now you have all learned of the unspeakably tragic news of our beloved Whitney's passing. I don't have to mask my emotion in front of a room full of so many dear friends. I am personally devastated by the loss of someone who has meant so much to me for so many years. Whitney was so full of life. She was so looking forward to tonight even though she wasn't scheduled to perform. Whitney was a beautiful person and a talent beyond compare. She graced this stage with her regal presence and gave so many memorable performances here over the years. Simply put, Whitney would have wanted the music to go on and her family asked that we carry on."

Tony Bennett spoke of Houston's death before performing at Davis' party. He said, "First, it was Michael Jackson, then Amy Winehouse, now, the magnificent Whitney Houston". Bennett sang "How Do You Keep the Music Playing?" and said of Houston, "When I first heard her, I called Clive Davis and said, 'You finally found the greatest singer I've ever heard in my life.'"

Some celebrities opposed Davis' decision to continue on the party while a police investigation was being conducted in Houston's hotel room and her body was still in the building. Chaka Khan, in an interview with CNN's Piers Morgan on February 13, 2012, shared that she felt the party should have been canceled, saying "I thought that was complete insanity. And knowing Whitney I don't believe that she would have said 'the show must go on.' She's the kind of woman that would've said 'Stop everything! Un-unh. I'm not going to be there.' [...] I don't know what could motivate a person to have a party in a building where the person whose life he had influenced so enormously and whose life had been affected by hers. They were like... I don't understand how that party went on." Sharon Osbourne, on February 15 episode of ''The Talk'', also condemned the Davis party, declaring "I think it was disgraceful that the party went on. I don't want to be in a hotel room when there's someone you admire who's tragically lost their life four floors up. I'm not interested in being in that environment and I think when you grieve someone, you do it privately, you do it with people who understand you. I thought it was so wrong."

Several other celebrities released statements responding to Houston's death. Dolly Parton, whose song "I Will Always Love You" was covered by Houston, said, "I will always be grateful and in awe of the wonderful performance she did on my song and I can truly say from the bottom of my heart, 'Whitney, I will always love you. You will be missed'." Aretha Franklin said, "It's so stunning and unbelievable. I couldn't believe what I was reading coming across the TV screen." Mariah Carey said, "Heartbroken and in tears over the shocking death of my friend ... She will never be forgotten as one of the greatest voices to ever grace the earth." Oprah Winfrey, who did an in-depth interview with Houston in 2009, wrote on Twitter "To me Whitney was THE VOICE. We got to hear a part of God every time she sang. Heart is heavy, spirit grateful for the GIFT of her." Quincy Jones said, "I am absolutely heartbroken at the news of Whitney’s passing. Ashford & Simpson first made me aware of Whitney when she was just sixteen, and I always regretted not having had the opportunity to work with her. She was a true original and a talent beyond compare. I will miss her terribly."

Moments after news of her death emerged, CNN, MSNBC and Fox News all broke from their regularly scheduled programming to dedicate time to non-stop coverage of Houston's death. All three featured live interviews with people who knew Houston including those that have worked with her, interviewed her along with some of her peers in the music industry. ''Saturday Night Live'' displayed a photo of a smiling Houston, alongside Molly Shannon, from her 1996 appearance. MTV and VH-1 interrupted their regularly scheduled programming on Sunday February 12 to air many of Houston's classic videos with MTV often airing news segments in between and featuring various reactions from fans and celebrities.

Houston's former husband, Bobby Brown, was reported to be "in and out of crying fits" since receiving the news. He did not cancel a scheduled performance and within hours of his ex-wife's sudden death, an audience in Mississippi observed as Brown blew kisses skyward, tearfully saying: "I love you, Whitney".

Ken Ehrlich, executive producer of the 54th Grammy Awards announced that Jennifer Hudson would perform a tribute to Houston at the February 12, 2012, awards. He said "event organizers believed Hudson – an Academy Award-winning actress and Grammy Award-winning artist – could perform a respectful musical tribute to Houston". Ehrlich went on to say: "It's too fresh in everyone's memory to do more at this time, but we would be remiss if we didn't recognize Whitney's remarkable contribution to music fans in general, and in particular her close ties with the Grammy telecast and her Grammy wins and nominations over the years". At the start of the awards ceremony, a footage of Houston performing "I Will Always Love You" from 1994 Grammys was shown following a prayer read by host, LL Cool J. Later in the program following a montage of photos of musicians who died in 2011 with Houston singing "Saving All My Love for You" at the 1986 Grammys, Hudson paid tribute to Houston and the other artists by performing "I Will Always Love You".

Houston was honored in the form of various tributes at the 43rd NAACP Image Awards, held on February 17. A image montage of Houston and important black figures who died in 2011 was followed by video footage from the 1994 ceremony, which depicted her accepting two Image Awards for outstanding female artist and entertainer of the year. Following the video tribute, Yolanda Adams delivered a rendition of "I Love the Lord" from ''The Preacher's Wife Soundtrack''. In the finale of the ceremony, Kirk Franklin and The Family started their performance with "Greatest Love of All." 2012 BRIT Awards, took place at London's O2 Arena on February 21, also paid tribute to Houston by playing a 30-second-video montage of her music videos with a snippet of "One Moment in Time" as the background music in the ceremony's first segment. New Jersey Governor Chris Christie said that all New Jersey state flags will be flown at half-staff on Tuesday, February 21 to honor Houston.

Artistry and legacy

Voice

Houston was a mezzo-soprano, and was commonly referred to as "The Voice" in reference to her exceptional vocal talent. Her vocal range extended from G below middle C (G₃) to high B-flat (B₅); she could belt out to treble F (F₅). She was third in MTV's list of 22 Greatest Voices, and sixth on ''Online Magazine COVE''s list of the 100 Best Pop Vocalists with a score of 48.5/50. In 2008, ''Rolling Stone'' listed Houston as the thirty-fourth of the 100 greatest singers of all time, stating, "Her voice is a mammoth, coruscating cry: Few vocalists could get away with opening a song with 45 unaccompanied seconds of singing, but Houston's powerhouse version of Dolly Parton's 'I Will Always Love You' is a tour de force." Matthew Perpetua from ''Rolling Stone'' also eulogized Houston's vocal, enumerating ten performances, including "How Will I Know" from the 1986 MTV VMAs and "The Star Spangled Banner" at the 1991 Super Bowl. "Whitney Houston was blessed with an astonishing vocal range and extraordinary technical skill, but what truly made her a great singer was her ability to connect with a song and drive home its drama and emotion with incredible precision," he stated. "She was a brilliant performer, and her live shows often eclipsed her studio recordings."

Jon Caramanica of ''The New York Times'' commented, "Her voice was clean and strong, with barely any grit, well suited to the songs of love and aspiration. [...] Hers was a voice of triumph and achievement, and it made for any number of stunning, time-stopping vocal performances." Mariah Carey stated, "Whitney has a really rich, strong mid-belt that very few people have. She sounds really good, really strong." While in her review of ''I Look to You'', music critic Ann Powers of the ''Los Angeles Times'' writes, "[Houston's voice] stands like monuments upon the landscape of 20th century pop, defining the architecture of their times, sheltering the dreams of millions and inspiring the climbing careers of countless imitators", adding "When she was at her best, nothing could match her huge, clean, cool mezzo-soprano".

Lauren Everitt from BBC News Magazine commented on melisma used in Houston's recording and its influence. "An early 'I' in Whitney Houston's 'I Will Always Love You' takes nearly six seconds to sing. In those seconds the former gospel singer-turned-pop star packs a series of different notes into the single syllable," stated Everitt. "The technique is repeated throughout the song, most pronouncedly on every 'I' and 'you'. The vocal technique is called melisma, and it has inspired a host of imitators. Other artists may have used it before Houston, but it was her rendition of Dolly Parton's love song that pushed the technique into the mainstream in the 90s. [...] But perhaps what Houston nailed best was moderation." Everitt said that "[i]n a climate of reality shows ripe with 'oversinging', it's easy to appreciate Houston's ability to save melisma for just the right moment".

Houston's vocal stylings have had a significant impact on the music industry. She has been called the "Queen of Pop" for her influence during the 1990s, commercially rivaling Mariah Carey and Celine Dion. Stephen Holden from ''The New York Times'', in his review of Houston's Radio City Music Hall concert on July 20, 1993, praised her attitude as a singer highly, writing, "Whitney Houston is one of the few contemporary pop stars of whom it might be said: the voice suffices. While almost every performer whose albums sell in the millions calls upon an entertainer's bag of tricks, from telling jokes to dancing to circus pyrotechnics, Ms. Houston would rather just stand there and sing." With regard to her singing style, he added: "Her [Houston's] stylistic trademarks – shivery melismas that ripple up in the middle of a song, twirling embellishments at the ends of phrases that suggest an almost breathless exhilaration – infuse her interpretations with flashes of musical and emotional lightning."

Elysa Gardner of the ''Los Angeles Times'' in her review for ''The Preacher's Wife Soundtrack'' praised Houston's vocal ability highly, commenting, "She is first and foremost a pop diva – at that, the best one we have. No other female pop star – not Mariah Carey, not Celine Dion, not Barbra Streisand – quite rivals Houston in her exquisite vocal fluidity and purity of tone, and her ability to infuse a lyric with mesmerizing melodrama."

Influence

During the 1980s, MTV was coming into its own and received harsh criticism for not playing enough videos by black artists. With Michael Jackson breaking down the color barrier for black male artists, Houston did the same for black female artists. She became the first black female artist to receive heavy rotation on the network following the success of the "How Will I Know" video. Following Houston's breakthrough, other African-American female artists, such as Janet Jackson and Anita Baker, were successful in popular music. Baker commented that "Because of what Whitney and Sade did, there was an opening for me... For radio stations, black women singers aren't taboo anymore."

Allmusic noted her contribution to the success of black artists on the pop scene, commenting, "Houston was able to handle big adult contemporary ballads, effervescent, stylish dance-pop, and slick urban contemporary soul with equal dexterity" and that "the result was an across-the-board appeal that was matched by scant few artists of her era, and helped her become one of the first black artists to find success on MTV in Michael Jackson's wake". ''The New York Times'' stated that "Houston was a major catalyst for a movement within black music that recognized the continuity of soul, pop, jazz and gospel vocal traditions". Richard Corliss of ''Time'' magazine commented on her initial success breaking various barriers:

Of her first album's ten cuts, six were ballads. This chanteuse [Houston] had to fight for air play with hard rockers. The young lady had to stand uncowed in the locker room of macho rock. The soul strutter had to seduce a music audience that anointed few black artists with superstardom. [...] She was a phenomenon waiting to happen, a canny tapping of the listener's yen for a return to the musical middle. And because every new star creates her own genre, her success has helped other blacks, other women, other smooth singers find an avid reception in the pop marketplace.

Stephen Holden of ''The New York Times'' said that Houston "revitalized the tradition of strong gospel-oriented pop-soul singing". Ann Powers of the ''Los Angeles Times'' referred to the singer as a "national treasure". Jon Caramanica, other music critic of ''The New York Times'', called Houston "R&B;'s great modernizer," adding "slowly but surely reconciling the ambition and praise of the church with the movements and needs of the body and the glow of the mainstream". He also drew comparisons between Houston's influence and other big names' on 1980s pop:

She was, alongside Michael Jackson and Madonna, one of the crucial figures to hybridize pop in the 1980s, though her strategy was far less radical than that of her peers. Jackson and Madonna were by turns lascivious and brutish and, crucially, willing to let their production speak more loudly than their voices, an option Ms. Houston never went for. Also, she was less prolific than either of them, achieving most of her renown on the strength of her first three solo albums and one soundtrack, released from 1985 to 1992. If she was less influential than they were in the years since, it was only because her gift was so rare, so impossible to mimic. Jackson and Madonna built worldviews around their voices; Ms. Houston’s voice was the worldview. She was someone more to be admired, like a museum piece, than to be emulated.

''The Independant''s music critic Andy Gill also wrote about Houston's influence on modern R&B; and singing competitions, comparing it to Michael Jackson's. "Because Whitney, more than any other single artist ― Michael Jackson included ― effectively mapped out the course of modern R&B;, setting the bar for standards of soul vocalese, and creating the original template for what we now routinely refer to as the 'soul diva'," stated Gill. "Jackson was a hugely talented icon, certainly, but he will be as well remembered (probably more so) for his presentational skills, his dazzling dance moves, as for his musical innovations. Whitney, on the other hand, just sang, and the ripples from her voice continue to dominate the pop landscape." Gill said that there "are few, if any, Jackson imitators on today's TV talent shows, but every other contestant is a Whitney wannabe, desperately attempting to emulate that wondrous combination of vocal effects – the flowing melisma, the soaring mezzo-soprano confidence, the tremulous fluttering that carried the ends of lines into realms of higher yearning".

Houston was considered by many to be a "singer's singer", who had an influence on countless other vocalists, both female and male. Similarly, Steve Huey from Allmusic wrote that the shadow of Houston's prodigious technique still looms large over nearly every pop diva and smooth urban soul singer – male or female – in her wake, and spawned a legion of imitators. ''Rolling Stone'', on her biography, stated that Houston "redefined the image of a female soul icon and inspired singers ranging from Mariah Carey to Rihanna". ''Essence'' ranked Houston the fifth on their list of 50 Most Influential R&B; Stars of all time, calling her "the diva to end all divas".

A number of artists have acknowledged Houston as an influence, including Celine Dion, Mariah Carey, Toni Braxton, Christina Aguilera, LeAnn Rimes, Jessica Simpson, Nelly Furtado, Kelly Clarkson, Britney Spears, Ciara, P!nk,Ashanti, Robin Thicke, Jennifer Hudson, Stacie Orrico, Amerie, and Destiny's Child. Mariah Carey, who was often compared to Houston, said, "Houston has been a big influence on me." She later told ''USA Today'' that "none of us would sound the same if Aretha Franklin hadn't ever put out a record, or Whitney Houston hadn't." Celine Dion who was the third member of the troika that dominated female pop singing in the 1990s, did a telephone interview with ''Good Morning America'' on February 13, 2012, telling "Whitney's been an amazing inspiration for me. I've been singing with her my whole career, actually. I wanted to have a career like hers, sing like her, look beautiful like her." Beyoncé told the ''Globe and Mail'' that Houston "inspired [her] to get up there and do what [she] did". She also wrote on her website on the day after Houston's death, "I, like every singer, always wanted to be just like [Houston]. Her voice was perfect. Strong but soothing. Soulful and classic. Her vibrato, her cadence, her control. So many of my life's memories are attached to a Whitney Houston song. She is our queen and she opened doors and provided a blueprint for all of us."

Mary J. Blige said that Houston inviting her onstage during VH1's ''Divas Live'' show in 1999 "opened doors for [her] all over the world". Brandy stated, "The first Whitney Houston CD was genius. That CD introduced the world to her angelic yet powerful voice. Without Whitney, half of this generation of singers wouldn't be singing." Kelly Rowland, in an ''Ebony'' feature article celebrating black music in June 2006, recalled that "[I] wanted to be a singer after I saw Whitney Houston on TV singing 'Greatest Love of All'. I wanted to sing like Whitney Houston in that red dress." She added that "And I have never, ever forgotten that song [Greatest Love of All]. I learned it backward, forward, sideways. The video still brings chills to me. When you wish and pray for something as a kid, you never know what blessings God will give you."

Alicia Keys, in an interview about her album ''The Element of Freedom'' with ''Billboard'' magazine, also said "Whitney is an artist who inspired me from [the time I was] a little girl". Oscar winner Jennifer Hudson cites Houston as her biggest musical influence. She told ''Newsday'' that she learned from Houston the "difference between being able to sing and knowing how to sing". Leona Lewis, who has been called "the new Whitney Houston", also cites her as an influence. Lewis stated that she idolized her as a little girl.

Awards and achievements

Houston was the most awarded female artist of all time, according to Guinness World Records, with two Emmy Awards, six Grammy Awards, 30 Billboard Music Awards, 22 American Music Awards, among a total of 415 career awards as of 2010. She held the all-time record for the most American Music Awards of any female solo artist and shared the record with Michael Jackson for the most AMAs ever won in a single year with eight wins in 1994. Houston won a record 11 Billboard Music Awards at its fourth ceremony in 1993. She also had the record for the most WMAs won in a single year, winning five awards at the 6th World Music Awards in 1994.

In May 2003, Houston placed at number three on VH1's list of "50 Greatest Women of the Video Era", behind Madonna and Janet Jackson. She was also ranked at number 116 on their list of the "200 Greatest Pop Culture Icons of All Time". In 2008, ''Billboard'' magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart's 50th anniversary, ranking Houston at number nine. Similarly, she was ranked as one of the "Top 100 Greatest Artists of All Time" by VH1 in September 2010. In November 2010, ''Billboard'' released its "Top 50 R&B;/Hip-Hop Artists of the Past 25 Years" list and ranked Houston at number three whom not only went on to earn eight number one singles on the R&B;/Hip-Hop Songs chart, but also landed five number ones on R&B;/Hip-Hop Albums.

Houston's debut album is listed as one of the 500 Greatest Albums of All Time by ''Rolling Stone'' magazine and is on Rock and Roll Hall of Fame's Definitive 200 list. In 2004, ''Billboard'' picked the success of her first release on the charts as one of 110 Musical Milestones in its history. Houston's entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to ''USA Today'' in 2007. It stated that she paved the way for Mariah Carey's chart-topping vocal gymnastics. In 1997, the Franklin School in East Orange, New Jersey was renamed to The Whitney E. Houston Academy School of Creative and Performing Arts. In 2001, Houston was the first artist ever to be given a BET Lifetime Achievement Award.

Houston was also one of the world's best-selling music artists, having sold over 200 million albums and singles worldwide. Although she released relatively few albums, she was ranked as the fourth best-selling female artist in the United States by the Recording Industry Association of America, with 55 million certified albums sold in the US alone.

She held an Honorary Doctorate in Humanities from Grambling State University, Louisiana.

Discography

''Whitney Houston'' (1985)

''Whitney'' (1987)

''I'm Your Baby Tonight'' (1990)

''My Love Is Your Love'' (1998)

''Just Whitney'' (2002)

''One Wish: The Holiday Album'' (2003)

''I Look to You'' (2009)

Filmography

+ Film roles
! Year	! Title	! Role	Notes and awards
	''The Bodyguard''	Rachel Marron	Nominated – 1993 MTV Movie Award for Best Female PerformanceNominated – 1993 MTV Movie Award for Best Breakthrough PerformanceNominated – 1993 MTV Movie Award for Best On-Screen Duo with co-star Kevin CostnerNominated – 1992 Golden Raspberry Award for Worst Actress
	''Waiting to Exhale''	Savannah Jackson	Nominated – 1996 NAACP Image Award for Outstanding Actress in a Motion Picture
	''The Preacher's Wife''	Julia Biggs
		Fairy Godmother	Made-for-television film, part of a revival of the ''Wonderful World of Disney''.Nominated – 1998 Emmy Award for Outstanding Variety, Music Or Comedy SpecialNominated – 1998 NAACP Image Award for Outstanding Television Movie/Mini-Series
		Emma	Posthumous release

+ Television roles	! Year	! Title	! Network	! Role	Notes
	''Gimme a Break!''	NBC	Rita	"Katie's College" (Season 3, Episode 20)
	''Silver Spoons''	NBC	Herself	"Head Over Heels" (Season 4, Episode 1, Air date: September 15, 1985)She performed the edited version of "Saving All My Love for You", changing some of the words.
	''Boston Public''	Fox	Herself	She performed "Try It On My Own" from the 2002 studio album ''Just Whitney''.

+ Commercials
! Year	! Company	! Promoting	! Country	Notes
	Dr Pepper/Seven Up	Canada Dry(soft drink beverage)	United States		* Houston appeared in this commercial before debut as a professional singer and sang the praises of sugar free Canada Dry Ginger Ale.
	Coca-Cola	Diet Coke(soft drink beverage)	United States		* Houston sang the Diet Coke theme song, "Just for the taste of it".
	Coca-Cola	Diet Coke(soft drink beverage)	United States		* Houston sang the other version of the Diet Coke advertising slogan at the time, "Just for the taste of it".	* Outside the United States, the second version of advertising was released, in which "Greatest Love of All" was used as background music.	1989 MTV Video Music Awards#Video of the Year>Video of the Year winning "This Note's for You" by Neil Young, parodied parts of this advertising to criticize pop/rock stars who make commercial endorsements, most notably Michael Jackson for Pepsi and Houston for Diet Coke, using look-alikes for them.
	Sanyo	Electronics(the stereo, TV)	Japan		Keith Thomas (producer)>Keith Thomas. It was released as a CD single in Japan and included in Japanese edition of ''I'm Your Baby Tonight''.	* Sanyo also sponsored Houston's 1990 Japan only Feels So Right Tour.
	AT&T;	Telephone services	United States		* Houston sang its theme song, "True Voice".
	Nissin	Consumer credit business	Japan		* Houstons appeared on both print advetisement and TV commercial for Nissin, a nonbank finance company that lends to consumers and small businesses in Japan, with then the company's slogan "Make it happen with Nissin"

+ Production
! Year	! Title	! Director	Notes and awards
1997		Robert Iscove	Executive producerNominated – 50th Primetime Emmy Awards
2001		[[Garry Marshall	ProducerWon – 2002 Young Artist Award for Best Family Feature Film – ComedyNominated – 2002 Broadcast Film Critics Association Award for Best Family Film (Live Action) Nominated – 2002 Phoenix Film Critics Society Award for Best Family FilmNominated – 2002 Teen Choice Award for Film – Choice Movie, Comedy
2003		Oz Scott	Producer
2004	''The Princess Diaries 2: Royal Engagement''	Garry Marshall	Producer
2006		Kenny Ortega	Co-executive producer

Tours

;World tours

''The Greatest Love World Tour'' (1986)

''Moment of Truth World Tour'' (1987–88)

''I'm Your Baby Tonight World Tour'' (1991)

''The Bodyguard World Tour'' (1993–94)

''My Love Is Your Love World Tour'' (1999)

''Nothing But Love World Tour'' (2010)

;Regional tours

''Feels So Right Tour'' (1990)

''Pacific Rim Tour'' (1997)

''The European Tour'' (1998)

''Soul Divas Tour'' (2004)

;Televised concerts

''Nelson Mandela 70th Birthday Tribute'' (1988)

''Welcome Home Heroes with Whitney Houston'' (1991)

''The Concert for a New South Africa'' (1994)

''Classic Whitney Live from Washington, D.C.'' (1997)

See also

American Music Award nominations for Whitney Houston

Grammy nominations for Whitney Houston

Honorific nicknames in popular music

List of artists who reached number one in the United States

List of artists who reached number one on the U.S. Dance chart

List of best-selling music artists

Melisma

References

Further reading

External links

Category:1963 births Category:2012 deaths Category:American people of Dutch descent Category:American people of Native American descent Category:Actors from New Jersey Category:African American female singers Category:African American film actors Category:African American record producers Category:African-American film producers Category:American dance musicians Category:American female models Category:American gospel singers Category:American mezzo-sopranos Category:American pop singers Category:American rhythm and blues singers Category:Arista Records artists Category:Articles with inconsistent citation formats Category:Baptists from the United States Category:Death in California Category:Emmy Award winners Category:English-language singers Category:Grammy Award winners Category:Musicians from New Jersey Category:Participants in American reality television series Category:People from East Orange, New Jersey Category:People from Newark, New Jersey Category:People self-identifying as alcoholics Category:People self-identifying as substance abusers

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Coordinates	56°09′″N40°25′″N
name	Ashford & Simpson
background	group_or_band
origin	New York City, New York, USA
instrument	piano
genre	R&B;, soul, pop, disco, gospel
years active	1964–2011
label	Motown, Warner Bros., Capitol
associated acts	Marvin Gaye and Tammi Terrell, Diana Ross, Stevie Wonder, Chaka Khan, Luther Vandross
past members	Nickolas AshfordValerie Simpson
notable instruments	}}

Nickolas Ashford (May 4, 1941 – August 22, 2011), and Valerie Simpson (born August 26, 1946), were a husband and wife songwriting/production team and recording artists.

Ashford was born Fairfield, South Carolina, and Simpson in Bronx, New York. They met at Harlem's White Rock Baptist Church in 1963. After having recorded unsuccessfully as a duo, they joined aspiring solo artist and former member of the Ikettes, Joshie Jo Armstead, at the Scepter/Wand label where their compositions were recorded by Ronnie Milsap ("Never Had It So Good"), Maxine Brown ("One Step At A Time"), as well as the Shirelles and Chuck Jackson. Another of the trio's songs, "Let's Go Get Stoned", gave Ray Charles a number one U.S. R&B; hit in 1966. That same year Ashford & Simpson joined Motown, where their best-known songs included "Ain't No Mountain High Enough", "You're All I Need To Get By", "Ain't Nothing Like the Real Thing", and "Reach Out and Touch (Somebody's Hand)". As performers, Ashford and Simpson's best-known song is "Solid" (1984 US and 1985 UK). The duo was inducted into the Songwriters Hall of Fame in 2002.

Career

Songwriters

The duo essentially had two careers: one as a successful writing and producing team and the other as singers and performers themselves. They started their career in the mid-1960s, writing for artists such as The 5th Dimension ("California Soul"), Aretha Franklin ("Cry Like A Baby"), and Ray Charles ("Let's Go Get Stoned" and "I Don't Need No Doctor"). Their work with Charles brought them to the attention of Motown chief Berry Gordy.

Upon joining the Motown staff in 1966, Ashford & Simpson were paired with the vocal duo Marvin Gaye and Tammi Terrell, and they wrote and/or produced all but one of the late-1960s Gaye/Terrell singles, including hits such as the original version of "Ain't No Mountain High Enough", "Your Precious Love", "Ain't Nothing Like the Real Thing", and "You're All I Need to Get By". According to Gaye in the book ''Divided Soul'', Simpson did most of the vocals on the last album he did with Terrell, ''Easy'', as a way for Terrell's family to have additional income as she was battling an ultimately fatal brain tumor. (Simpson is quoted as denying this in a book written by Terrell's sister Ludie Montgomery.)

Ashford & Simpson wrote and produced almost all the songs on three 1970s albums for former Supreme Diana Ross, including her first solo album ''Diana Ross'' ("Reach Out and Touch (Somebody's Hand)" and "Ain't No Mountain High Enough"), ''Surrender'' ("Remember Me"), and ''The Boss''.

Other Motown artists whom Ashford & Simpson worked with include Gladys Knight & The Pips ("Didn't You Know You'd Have to Cry Sometime", "The Landlord", "Bourgie, Bourgie", and "Taste of Bitter Love"), Smokey Robinson & The Miracles ("Who's Gonna Take the Blame"), The Marvelettes ("Destination:Anywhere"), The Supremes ("Some Things You Never Get Used To"), and The Dynamic Superiors ("Shoe, Shoe Shine").

Other artists with whom Ashford & Simpson had hits were Teddy Pendergrass ("Is It Still Good to You"), The Brothers Johnson ("Ride-O-Rocket"), Chaka Khan, both on her own ("I'm Every Woman" and "Clouds"), and Rufus ("Keep It Comin'" and "Ain't Nothin' But a Maybe").

Performers

Ashford & Simpson's career as recording artists began in the early 1960s as part of the gospel group The Followers, with whom they recorded the album ''Gospel Meeting'' (on Forum Circle), later issued as Meetin' The Followers (on Roulette Records). The LP contains their vocals and also four Ashford compositions. In 1964, they recorded "I'll Find You", as "Valerie & Nick" This was followed by several obscure singles recorded by Ashford on the Glover, Verve and ABC labels, such as "It Ain't Like That" (later recorded by Martha Reeves & The Vandellas), "California Soul", and "Dead End Kids", backed by his own version of "Let's Go Get Stoned". After concentrating on working with other artists, Simpson was the featured soloist on the songs "Bridge Over Troubled Water" and "What's Going On" on the Quincy Jones albums ''Gula Matari'' in 1970, and its follow-up, ''Smackwater Jack''. Simpson subsequently recorded two solo LPs for Motown: ''Valerie Simpson Exposed'' in 1971, and, the following year, ''Valerie Simpson'', which included the single "Silly, Wasn't I", which was later sampled on 50 Cent's "Best Friend" from the movie ''Get Rich or Die Tryin'''. The song was also sampled by 9th Wonder on Murs's "Silly Girl" in the album ''Murray's Revenge''. Ashford & Simpson were featured singing selections from Simpson's solo albums on the PBS TV show ''Soul!'', hosted by Ellis Haizlip in 1971. In 1973, they left Motown after the albums Simpson recorded for the label received poor promotion and the company refused to release an album of the duo recording a collection of their most famous songs for other artists.

In 1974, Ashford & Simpson married and resumed their career as a duo with the Warner Bros. album, ''Gimme Something Real''. This was followed by the hit singles, "Don't Cost You Nothin'" (1977), "It Seems To Hang On" (1978), "Is It Still Good to Ya" (1978), "Found a Cure" (1979), "Street Corner" (1982), and their biggest hit, "Solid", released in 1984.

In 1978, they were featured as vocalists, along with Chaka Khan, on the hit single "Stuff Like That" from Quincy Jones' ''Sounds... And Stuff Like That'' album and contributed to the writing of the soundtrack to ''The Wiz''.

Simpson appeared (with Melba Moorman) as part of the "Blood, Sweat & Tears Soul Chorus" on the band's Al Kooper lead debut, ''Child Is Father to the Man''.

On his own, Ashford (along with Frank Wilson), produced the mammoth hit "I'm Gonna Make You Love Me", which Diana Ross & the Supremes recorded in collaboration with the Temptations in 1968. He also appeared in the movie ''New Jack City'' (1991), as Reverend Oates, an ordained minister who was part of Nino Brown's entourage.

Simpson's brothers were in the record business as well: Ray Simpson replaced Victor Willis in the Village People and their brother Jimmy Simpson produced the group GQ (which had big hits with "Disco Nights" and "I Do Love You"), and was in great demand as a mixing engineer during the disco era.

Recent years and death

In recent times, Ashford & Simpson recorded and toured sporadically, and in 1996, they opened the restaurant and live entertainment venue, Sugar Bar in New York City, which has an open mic on Thursday nights, where performers have included Queen Latifah and Felicia Collins. They recorded the album ''Been Found'' with poet Maya Angelou in 1996. Around this time, they were also featured disc jockeys on New York's KISS-FM radio station.

On August 16, 2006, ''Playbill Online'' reported that they were writing the score for a musical based on E. Lynn Harris's novel ''Invisible Life''. In January 2007, they, along with Tina Turner, Mary J. Blige, Mariah Carey, Sidney Poitier, director Spike Lee, and comedian Chris Tucker accompanied Oprah Winfrey when she opened her Leadership Academy for Girls in South Africa.

They were given writing credit on Amy Winehouse's 2007 CD ''Back to Black'' for the single "Tears Dry On Their Own". The track is based on a sample of Marvin Gaye and Tammi Terrell's 1967 Motown classic hit "Ain't No Mountain High Enough". They had begun performing their act in small, intimate venues, such as Feinstein's at the Regency in New York and the Rrazz Room in San Francisco, and in January 2009, they released a CD and DVD of their live performances titled ''The Real Thing''. On June 22, 2009, they made a guest performance at a party at Tribeca Rooftop, New York, to celebrate Virgin Atlantic's birthday party. They also made their first appearance in Tokyo, Japan, in November 2009, and performed 8 shows in 4 days at Blue Note Tokyo.

Ashford died in a New York City hospital on August 22, 2011, of complications from throat cancer. Nick's publicist Liz Rosenberg said that he had undergone radiation therapy to treat his illness. Ashford is survived by Valerie Simpson and two daughters.

Personal life

Nick Ashford and Valerie Simpson have two daughters, Nicole (born in 1975), and Asia (born in 1987). Nicole graduated from Wesleyan University in 1997.

Discography

Albums

Valerie Simpson

Year	Album	Chart positions		Record label
		! width="40"	! width="40"
		—	—	rowspan="3"
		162	50
		—	—

Ashford & Simpson

Year	Album	Chart positions			UScertifications	Record label
		! width="40"	! width="40"	! width="40"
		156	18	—	—	rowspan="9"
		195	21	—	—
		189	35	—	—
		180	30	—	—
	52	10	—	Gold
		20	1	—	Gold
		23	3	—	Gold
		38	8	—	—
		125	45	—	—
		45	5	—	—	rowspan="5"
		84	14	—	—
		29	1	42	Gold
		74	12	—	—
		135	28	—	—
		—	49	—	—
		—	59	—	—

Singles

Valerie Simpson

1971: "Can't It Wait Until Tomorrow"

1972: "Silly Wasn't I" – US #63, R&B; #24

Ashford & Simpson

Year	Single	Chart positions					Album
		! width="40"	! width="40"	! width="40"	! width="40"	! width="40"
		117	—	—	—	—
	—	—	—	—	—
	—	—	—	—	—
		88	37	—	—	—
		—	77	—	—	—
	—	37	—	—	—
	—	53	—	—	—
		—	73	—	—	—
		—	96	—	—	—
	—	58	—	—	—
	—	—	9	—	—
	—	52	34	—	—
		—	27	—	—	—
	—	39	—	—	—
	—	15	—	—	—
		79	10	23	—	—
	—	35	—	—	—
	—	2	—	—	48
	—	12	—	—	—
		—	70	—	—	—
	36	2		—	—
	—	19	—	—
	—	—	—	—
		—	6	7	—	—
	—	35	—	—	—
		—	65	—	—	—
	—	34	—	—	—
	—	—	—	—	—
		56	9	11	—	—
	—	20	—	—	—
		—	—	—	—	—
	—	17	41	—	—
	—	45	—	—	—
		—	78	—	—	—
align="left"	12	1	15	34	3
		102	4	4	—	—
	102	29	—	—	56
		—	—	—	—	—
	84	4	—	—	79
	—	—	—	—	—
		—	—	—	—	—
		—	2	—	—	—
	—	—	—	—	—
		—	40	—	—	—
		—	80	—	—	—
		—	94	—	—	—
	align="left"	—	—	—	—	—

See also

List of Number 1 Dance Hits (United States)

List of artists who reached number one on the US Dance chart

References

External links

Nickolas Ashford Profile and Nickolas Ashford Song Catalog at Songwriters Hall of Fame

Valerie Simpson Profile and Valerie Simpson Song Catalog at Songwriters Hall of Fame

Ashford and Simpson information site

Sugar Bar official website

Billboard magazine review of Sugar Bar

Ashford & Simpson at Wenig-LaMonica Associates

Most Recent Photos Of Ashford And Simpson

Ashford and Simpson 2009 Interview at Soulinterviews.com

Category:African American musical groups Category:African American singer-songwriters Category:Musical groups from New York Category:Musical groups established in 1964 Category:American songwriters Category:American record producers Category:Motown artists Category:Family musical groups Category:American rhythm and blues musical groups Category:Disco groups Category:American dance music groups Category:Musical duos Category:Record production teams Category:Songwriting teams Category:Married couples Category:Deaths from esophageal cancer Category:2011 deaths Category:1941 births Category:1946 births Category:Living people

de:Ashford & Simpson es:Ashford & Simpson fr:Ashford & Simpson nl:Ashford & Simpson no:Nickolas Ashford pl:Nick Ashford sv:Ashford & Simpson uk:Ashford & Simpson

Coordinates	56°09′″N40°25′″N
name	Herbie Mann
background	non_vocal_instrumentalist
born	April 16, 1930Brooklyn, New York
death date	July 01, 2003
origin	United States
instrument	Flute, saxophone, bass clarinet
genre	Jazz, bossa nova, disco, world music
occupation	musician, record label executive
years active	1953–2003
label	Atlantic Records, Cotillion Records, Embryo Records, Kokopelli Records
associated acts	Antonio Carlos Jobim, João Gilberto
notable instruments	}}

Herbert Jay Solomon (April 16, 1930 – July 1, 2003), better known as Herbie Mann, was a Jewish American jazz flutist and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinets (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute and was perhaps jazz music's preeminent flutist during the 1960s. His most popular single was "Hijack," which was a Billboard Number-one dance hits of 1975 (USA) for 3 weeks.

Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was ''Memphis Underground'' or ''Push Push'', because the "rhythm section locked all in one perception."

Biography

Herbie Mann was born in Brooklyn, New York to Romanian and Russian parents. He attended Lincoln High School in Brighton Beach, failing a music class there. His first professional performance was playing the Catskills resorts at age 15. In the 1950s, Mann was primarily a bop flutist, playing in combos with artists such as Phil Woods, with occasional forays into bass clarinet, tenor sax and solo flute.

Mann was an early pioneer in the fusing of jazz and world music. He incorporated elements of African music in 1959 following a State Department sponsored tour of the continent, adding a conga player to his band, and the same year recorded ''Flutista'', an album of Afro-Cuban jazz. In 1961 Mann took a tour of Brazil and returned to the United States to record with Brazilian players including Antonio Carlos Jobim and guitarist Baden Powell. These albums helped popularize the bossa nova. Many of his albums throughout his career returned to Brazilian themes. He went on to record reggae in London (in 1974), Middle Eastern (1966 and 1967) (with oud and dumbek), and Eastern European styles. In the mid-1960s Mann hired a young Chick Corea to play in some of his bands. In the late 1970s, early 1980s Mann played duets at New York City's Bottom Line and the Village Gate to sold out crowds with the late Sarod virtuso Vasant Rai.

Following the 1969 hit album ''Memphis Underground'' a number of disco-style smooth jazz records in the 1970s, mainly on Atlantic records, brought some criticism from jazz purists but helped Mann remain active during a period of declining interest in jazz. The musicians on these recordings are some of the best-known session players in soul and jazz, including singer Cissy Houston (mother of Whitney Houston), guitarists Duane Allman and Larry Coryell, bassists Donald "Duck" Dunn and Chuck Rainey and drummers Al Jackson and Bernard Purdie, these last from the Muscle Shoals studio in Alabama. In this period Mann had a number of songs cross over to the pop charts — rather rare for a jazz musician. A 1998 interview reported that "At least 25 Herbie Mann albums have made the top 200 pop charts, success denied most of his jazz peers."

Mann provided the music for the 1978 National Film Board of Canada animated short'' Afterlife'', by Ishu Patel.

In the early 1970s he founded his own label, Embryo Records, distributed by Cotillion Records, a division of Atlantic Records. Embryo produced jazz albums, such as Ron Carter's ''Uptown Conversation'' (1970); Miroslav Vitous' first solo album, ''Infinite Search'' (1969); Phil Woods and his European Rhythm Machine at the Frankfurt Jazz Festival (1971); and Dick Morrissey and Jim Mullen's ''Up'' (1976), which featured the Average White Band as a rhythm section; and the 730 Series, with a more rock-oriented style, including ''Zero Time'' (1971) by TONTO's Expanding Head Band. He later set up Kokopelli Records after difficulty with established labels. In 1996, Mann collaborated with Stereolab on the song "One Note Samba/Surfboard" for the AIDS-Benefit album ''Red Hot + Rio'' produced by the Red Hot Organization. His last appearance was on May 3, 2003 at the New Orleans Jazz and Heritage Festival at age 73. He died at age 73 on July 1, 2003 after a long battle with prostate cancer.

Discography

References

External links

Official Site

Further Discography and Biography

National Public Radio's Jazz Profiles: Herbie Mann

Category:1930 births Category:2003 deaths Category:American dance musicians Category:American jazz flautists Category:American jazz composers Category:Bass clarinetists Category:American people of Romanian-Jewish descent Category:American people of Russian-Jewish descent Category:Jewish American composers and songwriters Category:People from Brooklyn Category:Musicians from New York City Category:American musicians of Russian descent Category:American musicians of Romanian descent Category:Deaths from prostate cancer Category:Atlantic Records artists Category:Savoy Records artists Category:Verve Records artists

cs:Herbie Mann de:Herbie Mann es:Herbie Mann fr:Herbie Mann it:Herbie Mann he:הרבי מאן nl:Herbie Mann no:Herbie Mann fi:Herbie Mann