- published: 18 Nov 2011
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The Arno is a river in the Tuscany region of Italy. It is the most important river of central Italy after the Tiber.
The river originates on Mount Falterona in the Casentino area of the Apennines, and initially takes a southward curve. The river turns to the west near Arezzo passing through Florence, Empoli and Pisa, flowing into the Tyrrhenian Sea at Marina di Pisa.
With a length of 241 kilometres (150 mi), it is the largest river in the region. It has many tributaries: Sieve (60 kilometres (37 mi)), Bisenzio (49 kilometres (30 mi)), Era, Elsa, Pesa and Pescia. The drainage basin amounts to more than 8,200 square kilometres (3,200 sq mi) and drains the waters of the following sub-basins:
It crosses Florence, where it passes below the Ponte Vecchio and the Santa Trìnita bridge (built by Bartolomeo Ammanati, but inspired by Michelangelo). The river flooded this city regularly in historical times, the last occasion being the famous flood of 1966, with 4,500 m³/s after rainfall of 437.2 millimetres (17.21 in) in Badia Agnano and 190 millimetres (7.5 in) in Florence, in only 24 hours.
Arno Breker (July 19, 1900 – February 13, 1991) was a German sculptor, best known for his public works in Nazi Germany, which were endorsed by the authorities as the antithesis of degenerate art.
He was born in Elberfeld, now a part of Wuppertal and died in Düsseldorf.
Breker was born in Elberfeld, in the west of Germany, the son of stonemason Arnold Breker. He began to study architecture, along with stone-carving and anatomy. At age 20 he entered the Düsseldorf Academy of Arts where he concentrated on sculpture, studying under Hubert Netzer and Wilhelm Kreis. He first visited Paris in 1924, shortly before finishing his studies. There he met with Jean Cocteau, Jean Renoir, Pablo Picasso, Daniel-Henry Kahnweiler, and Alfred Flechtheim. In 1927 he moved to Paris, which he thereafter considered to be his home. He was quickly accepted by the art dealer Alfred Flechtheim. He also established close relationships with important figures in the art world, including Charles Despiau, Isamu Noguchi, Maurice de Vlaminck and André Dunoyer de Segonzac, all of whom he later portrayed. He travelled to North Africa, producing lithographs which he published under the title "Tunisian Journey". He also visited Aristide Maillol, who was later to describe Breker as "Germany's Michelangelo".