- published: 08 Mar 2013
- views: 132
![Bruno Mars - Locked Out Of Heaven [OFFICIAL VIDEO]](http://web.archive.org./web/20130329212355im_/http://i.ytimg.com/vi/e-fA-gBCkj0/default.jpg "Bruno Mars - Locked Out Of Heaven [OFFICIAL VIDEO]")
1:59
Rhythm and Blues Band
St Hilda's School Rhythm and Blues Band perform a medley of songs which highlight the "Bac...
published: 08 Mar 2013
Rhythm and Blues Band
St Hilda's School Rhythm and Blues Band perform a medley of songs which highlight the "Back to the Future" theme of the House Musicals.
- published: 08 Mar 2013
- views: 132
13:53
Legendary Rhythm & Blues Cruise #20 2013
Legendary Rhythm & Blues Cruise #20 Caribbean | BluesCruise.com | Photos © Rosanne Olson ©...
published: 22 Feb 2013
Legendary Rhythm & Blues Cruise #20 2013
Legendary Rhythm & Blues Cruise #20 Caribbean | BluesCruise.com | Photos © Rosanne Olson © 2013 | www.rosanneolson.com
- published: 22 Feb 2013
- views: 533
6:06
Lionel Hampton / Rhythm and Blues Revue
Outstanding performances abound in this musical variety show filmed at Harlem's Apollo The...
published: 09 Sep 2008
Lionel Hampton / Rhythm and Blues Revue
Outstanding performances abound in this musical variety show filmed at Harlem's Apollo Theatre, New York City in 1954. It features a cast of popular African-American performers: Willie Bryant, Freddie Robinson, Lionel Hampton, Count Basie, Faye Adams, Bill Bailey, Herb Jeffries, Amos Milburn, Sarah Vaughan, Nipsey Russell, Big Joe Turner, Martha Davis, Little Buck, Nat 'King' Cole, Mantan Moreland, Cab Calloway and Ruth Brown. Presented in this clip is Hamp's rocking set.
You can download the entire movie here http://www.archive.org/details/rhythm_blues_review
MindsiMedia has a R&B; playlist featuring a number of vintage performers. http://www.youtube.com/view_play_list?p=1FB1F6BAED2E4BC8
- published: 09 Sep 2008
- views: 180012
9:45
Blues, Country Blues, Rhythm & Blues
3 fine slices of blues music. Got my mojo workin' - Muddy Waters, Frankie - Missisipi John...
published: 04 Jun 2010
Blues, Country Blues, Rhythm & Blues
3 fine slices of blues music. Got my mojo workin' - Muddy Waters, Frankie - Missisipi John Hurt, Crawling up a hill - John Mayall
- published: 04 Jun 2010
- views: 28219
71:26
Rhythm & Blues Revue (1955) full movie
http://www.bojazz.com/
http://bjazz.unblog.fr/
Rhythm and Blues Revue (1955) by Joseph Koh...
published: 02 Apr 2011
Rhythm & Blues Revue (1955) full movie
http://www.bojazz.com/
http://bjazz.unblog.fr/
Rhythm and Blues Revue (1955) by Joseph Kohn, Ben Frye, and Studio Films Inc. (public domain).
Musical variety show filmed at the Apollo Theatre in Harlem, New York City, featuring a cast of popular African-American performers:
Willie Bryant, Freddie Robinson, Lionel Hampton, Faye Adams, Bill Bailey, Herb Jeffries, Freddy & Flo, Amos Milburn, The Larks, Sarah Vaughan,
Count Basie, Joe Turner, Delta Rhythm Boys, Martha Davis, Little Buck, Nat King Cole, Mantan Moreland & Nipsy Russell, Cab Calloway, Ruth Brown, Paul Williams Band.
Bill Bailey appears at 11:22. He was the first person to be recorded doing the Moonwalk (at 12:53), although he referred to it as the "Backslide", in the film Cabin In the Sky (1943)
- published: 02 Apr 2011
- views: 212517
10:02
GUITAR STYLES: Memphis Style Rhythm & Blues
http://www.creativeguitarstudio.com/
Search Andrew Wasson.com for FREE lesson Handouts....
published: 21 Jun 2011
GUITAR STYLES: Memphis Style Rhythm & Blues
http://www.creativeguitarstudio.com/
Search Andrew Wasson.com for FREE lesson Handouts.
This Video: June 21, 2011 | Search Videos by Title/Date.
GO TO: http://www.andrewwasson.com/
Andrew Wasson of Creative Guitar Studio answers a viewers question...
Q: I am just getting heavy into Memphis guitar sounds. Steve Cropper is my favorite player for this style. I was wondering if you could do a lesson covering how the players in this style smoothly combine funky blues rhythms & licks. This seems like the main backbone to the style, but I'm having trouble combining the lead & rhythm together.
Daniel -- San Antonio
A: Memphis style has a few attributes that are very unique. Most notable are the two and three note licks that get added in around the rhythms. There are also technical ideas with string dampening, bends and slides that are vital to learn with this style as well.
The complete lesson article for this video will be available on the Creative Guitar Studio website shortly. Follow me on Twitter for lesson posting announcements:
http://twitter.com/andrewwasson
____________________________________
The NEW Zazzle Products page:
http://www.zazzle.com/creativeguitarstudio/gifts
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Andrew's Official Q & A Guitar Blog Website:
http://www.andrewwasson.com
(the weekly Podcast is posted here)
Andrew's "Video GuitarBlog" YouTube Channel:
http://www.youtube.com/guitarblogupdate
The Creative Guitar Studio Website:
http://www.creativeguitarstudio.com/
Follow Andrew on Blogspot:
http://creativeguitarstudio.blogspot.com/
Follow on Twitter for new lesson announcements:
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- published: 21 Jun 2011
- views: 24130
5:39
Garou i jego nowy album "Rhythm and Blues" / Dzień Dobry Bardzo w Radiu ZET
Kanadyjski wokalista Garou zakończył pracę nad swoim siódmym albumem studyjnym. Płyta „Rhy...
published: 13 Dec 2012
Garou i jego nowy album "Rhythm and Blues" / Dzień Dobry Bardzo w Radiu ZET
Kanadyjski wokalista Garou zakończył pracę nad swoim siódmym albumem studyjnym. Płyta „Rhythm & blues" zawiera covery i nowe interpretacje znanych przebojów wykonywanych przez angielsko i francuskojęzycznych artystów z kręgu muzyki soul i blues (m.in. Jean- Jacques Goldman, George Baker, Nina Simone, Alicia Keys).
Polecamy.
Wiecej o artyście na naszej stronie: http://www.radiozet.pl/Muzyka/Artysci/Garou
- published: 13 Dec 2012
- views: 2249
16:33
Basic secret to blues rhythm guitar
http://www.secretguitarteacher.com
Once we have learnt how to strum our way round a 12-ba...
published: 17 Nov 2012
Basic secret to blues rhythm guitar
http://www.secretguitarteacher.com
Once we have learnt how to strum our way round a 12-bar blues rhythm chart the next thing to get a handle on is how to play basic shuffle patterns.
Shuffle patterns have many varieties from the slow blues...
Straight 8 Rhythm n Blues...
The more complex rock n roll beat...
To the breakneck style of rockabilly...
Plus almost infinite variations on each of these.All based on the development of one simple idea.
The basic shuffle pattern is often called the added 6th shuffle pattern.
As we mentioned in the lesson on power chords all numbers used in chord symbols reference the Major scale. We start with the E major scale pattern as shown in this diagram. We isolate the key note E, and the fifth note B and play them together to make a two note power chord rooted on the open E string like this.Then on the second and fourth beat of the bar we Add the Sixth note of the scale.And that's how to play the basic added sixth shuffle pattern over an E chord. In TAB form it looks like this:
Although simple, technically there are a couple of details to observe that will really help you improve the sound of your shuffle pattern. Firstly, on the left hand. Allow your first finger to collapse lightly across the remaining strings to mute them so that they don't resonate or sound if you accidentally hit them
Meanwhile on the picking hand..
First, be absolutely certain that on all eight strokes you are hitting through both the E and the A strings, Then add a little palm muting by letting your picking hand encroach onto the strings from the bridge...
Once you have got that just right you can actually strike the strings a lot harder and that's what gives the shuffle its rhythmic power. It's a bit like driving with the brakes on!
OK so I am going to strongly suggest that you invest a fair amount of time just fine tuning the sound of that basic pattern before moving on. Next let's look at how we move this idea through a 12-bar progression.
First we play 4 bars on E. Then we move the whole idea across one string to play over A like this.Then back to E for two bars. When we come to the B chord, to make things easy to play we invert the idea like this
So the Tab for that looks like this:
Then we jump to a bar of A.Before returning to 2 bars of E to complete the 12-bar. Here's that last line one more time:
Now is a good time to click on the Printout tab In the toolbox to the right of the screen and print off a copy of the Tab sheet for you to follow as you practice this 12-bar sequence through a few times.
Now this is the basic added sixth shuffle which you want to make sure you master really well before making things more complex. Once you are on top of it here are some of the many variations you can experiment with:
Adding the major third note on the bass string... (Talk through -- used on the E and A but not B))
Adding the flatted third to that. Adding the flatted seventh.
So there you go -- a few basic ideas to act as primer -- from there I suggest experimenting using your ears to judge what works and what doesn't.
Later I might film a lesson on rockabilly technique which is a good way to develop these skills to their extreme!
Meanwhile Have fun! See you next lesson
- published: 17 Nov 2012
- views: 10044
47:25
Classic Rhythm & Blues Vol. 2
Ben Sidran presents the classic rhythm & blues performances of the 1980's with his persona...
published: 19 Sep 2011
Classic Rhythm & Blues Vol. 2
Ben Sidran presents the classic rhythm & blues performances of the 1980's with his personal insight into each song, the artist and the performance. Volume 2 features Long John Baldry, Nick Gravienties, John Mayall, Willie Murphy, John Sebastian, Bonnie Koloc and Lady Bianca.
- published: 19 Sep 2011
- views: 11063
3:56
Rhythm And Blues - Live Radio Session
The Wagon Wheels performing Rhythm And Blues at a live session with BBC Radio Lancashire....
published: 22 Feb 2013
Rhythm And Blues - Live Radio Session
The Wagon Wheels performing Rhythm And Blues at a live session with BBC Radio Lancashire.
- published: 22 Feb 2013
- views: 309
27:41
The Rhythm & Blues Band al teatro "A. Ristori" di Cividale (29/12/12)
Raccolta di filmati amatoriali, girati da Stefano Cuttini, durante il concerto della band ...
published: 01 Jan 2013
The Rhythm & Blues Band al teatro "A. Ristori" di Cividale (29/12/12)
Raccolta di filmati amatoriali, girati da Stefano Cuttini, durante il concerto della band cividalese "The Rhythm & Blues Band", presso il teatro "A. Ristori" di Cividale del Friuli, in data 29 dicembre 2012.
CUTTINI ONLINE: http://www.cuttinionline.it
SITO WEB DELLA BAND: http://www.rbband.net
- published: 01 Jan 2013
- views: 78
30:32
JOHN MAYALL with MICK TAYLOR ~ British Rhythm & Blues
*Disclaimer: All audio and visual parts in this video are the sole
property of their res...
published: 09 Apr 2012
JOHN MAYALL with MICK TAYLOR ~ British Rhythm & Blues
*Disclaimer: All audio and visual parts in this video are the sole
property of their respective owners.
The video is purely for entertainment and recreational purposes.
No Copyright infringement intended! All rights go to its rightful
owners.
I do not own the rights of the music.
Copyright of music by UMG.
Two Great Guitarists & Performers of British Rhythm & Blues.
- published: 09 Apr 2012
- views: 20078
Vimeo results:
1:55
CNTRL:R from Livid Instruments
CNTRL:R is a contemporary MIDI performance instrument for creative music production. House...
published: 03 Jan 2012
author: Livid Instruments
CNTRL:R from Livid Instruments
CNTRL:R is a contemporary MIDI performance instrument for creative music production. Housed in a lightweight aluminum body, this controller is ideal for live performance and studio production. Create rhythms, sequence and perform drums, launch clips, mix tracks, and have complete control over your performance with CNTRL:R’s advanced set of features.
Music by Blue courtesy of Minus
3:01
Ann-Margret - I Just Don't Understand (RCA Victor 7894)
fliped with ''I Don't Hurt Anymore'' issued on RCA Victor in 1961
http://www.ann-margret....
published: 05 Apr 2009
author: boogaludo
Ann-Margret - I Just Don't Understand (RCA Victor 7894)
fliped with ''I Don't Hurt Anymore'' issued on RCA Victor in 1961
http://www.ann-margret.com/
Born Ann-Margret Olsson, 28 April 1941, Stockholm, Sweden
Actress/singer/dancer/entertainer: best known for Bye Bye Birdie and Viva Las Vegas. Nominated for best supporting actress in Carnal Knowledge and best actress in Tommy
Born in Sweden but adopted by America
The family moved to Valsjobyn when A-M was still a little baby. This is a little village of about 150 people located in the mountains in the county of Jamtland. It is 4 miles east of the border of Norway. A-M is named after a Swedish swimming star her mother admired. She has no brothers or sisters
She came to the United States with her mother when she was five, settling in Wilmette, Illinois (north of Chicago). A-M's father who had come to America previously, greeted them
Ann-Margret has dazzled screen and stage audiences. With her film debut in Frank Capra's final classic, "Pocketful of Miracles" in 1962 to the recent Oliver Stone directed "On Any Sunday" with Al Pacino, Ann-Margret's film career has spanned four decades. Displaying a versatility that few actresses can match has earned her love and admiration, not just for her beauty and her legend but also for herself
Ann-Margret Olsson becomes Ann-Margret. George Burns propels her into national prominence in Las Vegas.
Her meteoric rise to stardom begins with a LIFE Magazine cover story from 11 January 1963
See http://www.geocities.com/Hollywood/Boulevard/5000/am-life630111.jpg
Her early film career incls. "Pocketful of Miracles," "State Fair," "Bye Bye Birdie," "Viva Las Vegas" with Elvis Presley, "Stagecoach," and "The Cincinnati Kid." Her fairytale marriage to Roger Smith. TV Specials, record releases, Las Vegas nightclub act, and national recognition as a "superstar sex symbol" punctuate Ann-Margret's life in the fast paced sixties
In '72, husband Roger started producing all of A-M's stage shows. At 12:30 at night while doing her 12th show (in 6 nights) at the Sahara Hotel in Lake Tahoe on Sunday, September 10th, A-M fell 22 feet on stage. Her injuries included numerous bones in the face above an eye which were broken or fractured; jaw broken in two places; left arm broken; knee injured. Dr. Frank Ashley performs a 5-hour operation at UCLA Medical Center. Roger gives A-M a 20-karat diamond ring. Reports say she lapsed into a 3-day coma
A-M does a remarkable comeback opening at the Las Vegas Hilton on Tuesday, November 28th with the 'AM/PM' show. A-M picks up the nickname of 'Slugger' since she proved her strength recovering from her accident.
The Seventies truly defined Ann-Margret as an actress with Academy Award nominations for her work in "Carnal Knowledge", and "Tommy." The accident was a near brush with death and it almost ended her career but following her live performances draw record crowds in the Orient, Las Vegas and Miami. Her body of work expands with more films, TV Specials and awards
This is the decade in which Ann-Margret grows up. The eighties begin with her winning her first Las Vegas Entertainer of the Year Award. She tours the country with her Vegas act. Her film career is full speed ahead and she stars in her first of several critically acclaimed TV Dramas, and is nominated for three Best Actress Emmy's. However, her husband Roger is stricken with Myasthenia Gravis, and Ann-Margret is thrust into the toughest role of her career... she's in charge of her career and Roger's battle to survive.
A new, mature Ann-Margret emerges in the nineties. Roger's health stabilizes and new opportunities abound. She performs live at the Radio City Music Hall. She tackles new characters in TV Film Dramas and receives renewed acclaim for her acting. She films two classics: "Grumpy Old Men," and its sequel, "Grumpier Old Men" with Walter Mathau, Jack Lemmon and Sophia Loren. Ann-Margret just gets better and better
In 2001 she starred in the touring production of The Best Little Whorehouse in Texas is playing the lead role of Miss Mona Stangley, indomitable madam of the multi-storied Chicken Ranch brothel
She really has made a whole raft of movies - and records. Add multi -TV appearances incl. mini-series. Here's a reminder of some of the best movie roles:
Emily Porter - State Fair - 62 Kim - Bye Bye Birdie - 63 Rusty Martin - Viva Las Vegas - 64 aka Love in Las Vegas Melba - The Cincinnati Kid - 65 Laurel - Bus Riley's Back in Town - 65 Dallas - Stagecoach - 66 Kelly Olsson - The Swinger - 66 Bobbie - Carnal Knowledge - 71 Nora Walker Hobbs - Tommy - 75
Oh, Jody Dvorak in Kitten with a Whip - 64 seems to have attracted a lot of attention
On TV in biopics, she's portrayed Pamela Harriman and Diane Borchardt, then the part of Blanche DuBois in A Streetcar Named Desire - 84. Appeared in the That's Dancing! compilation - 85
Examples of her recordings:
And Here She Is Ann-Margret's first long-player from RCA, 1961. Jazzy orchestra conducted by Marty Paich.
On The Way Up, her seco
19:40
Truth be told, "BETTER THAN HOLLYWOOD". Series`19 N0.1 bugalu's 60th. birthday concert
Check out http://www.jazzdrumlessons.com/ and stay tuned for Bugalu's new instructional vi...
published: 01 Jan 2010
author: Marvin Bugalu Smith
Truth be told, "BETTER THAN HOLLYWOOD". Series`19 N0.1 bugalu's 60th. birthday concert
Check out http://www.jazzdrumlessons.com/ and stay tuned for Bugalu's new instructional video!
Truth Be told, "BETTER THAN HOLLYWOOD ". Series`19 N0.2 bugalu's 60th.
Birthday concert
By Marvin Bugalu Smith
Steve Habib January 2 at 1:50pm
This performance is right down to THE TRUTH IN THE MOMENT. Nothing is held back as each of the three becomes "THE WHOLE" at any given moment.. This "TRUTH BE TOLD,BETTER THAN HOLLYWOOD SERIES 19 SONG #!" represents life which is ALWAYS "IN THE MOMENT" with nothing planned but PURE EMOTIONS being delivered with sound vibrations that create actual reds,blues,greens violets,oranges whites,blacks and precious moments of silence between the notes,where it's all happening and making this particular piece a "BU GA LU CLASSIC" and a MASTER PIECE OF SUPREME IMPROVISING". This is one of the most emotional pieces of music and it should be because it represents THE START OF 2010, a year year and a new begining for all. Each of these guys becomes part of the other and evolves into a oneness that can't be mistaken for anything but THE TRUTH and they're telling it here and it's being done in a REAL ENVIRONMENT with no HOLLYWOOD GLITTER and NONSENSE. THIS IS LOVE and PEACE communicated with the highest level of musicianship. Marvin is MASTER of DRUMS,Neil is MASTER of KEYS and MARK is MASTER of BASS. All three are MASTER COMPOSERS getting together and creating here exactly what Neil's reaction was :"WOW"!
It is WOW and I'll second that. I almost miniaturized myself and jumped into this computer while I was writing these liner notes because I know these guys so well and was moved so deeply at that moment I first started listening to this. Too bad I was so far away from the Newburgh , NY site where this was recorded but I'll tell you that the music was so powerful that it didn't matter where I was because I started playing it in my heart and joined in with these guys and entered another dimension. It's true. I'm in it and enjoyed it as if I were a fourth guy in this group. I also must admit that because it was Marvin's Birthday Evening, I actually did transfer myself into PURE SPIRIT and show up there. Can you hear it between the NOTES if you don't quite understand the dimension I'm talking from.Loud,soft, fire,rain,water,wind earth,mud,sand,waves,stillness,open sky,infinite space,mass of matter,lack of matter,breath,energy felt through warm love,energy felt through actual colors with sound moving rainbows.. A REAL STRONG EXAMPLE OF GIVING IT ALL AWAY FOR WORLD PEACE. THIS SERIES 19 SONG #! is The Bu GA LU Birthday PRESENT OF ALL TIME,especially THE PRESENT OF THE MOMENT!
STEVE HABIB
Jazz Didn’t Die in The history books, its still here in our hearts, Lorenzo Daughtry-Chambers Jazz 100 Professor Butter fielde
Attached is the paper we spoke about. What I have done is tried to consider some of the themes we spoke about it in class regarding jazz and stylistic principles, through the thread of my uncle's life. I wrote the piece in a series of stages, in which I give a biographical overview coupled with anecdotes, actual teachings of my uncle, an overview of the jam session and what it and he ultimately accomplish. I also try to give the larger significance of the story within a larger context, and explain why it is important to non-musicians. I hope you enjoy it. I found through writing this piece that it was to be and should be much more than I did here, and consequently forced me in a different direction than I initially intended, I feel with more anecdotes, and emphasis in certain areas, my uncles story would be a good book or movie I may consider writing (entertaining if nothing else). I wrote this as a surprise for my uncle. Thank you for this opportunity. I really enjoyed the class, and I will be talking with family and thinking of proposals for my independent study over the break.
Best,
Lorenzo
--
-Lorenzo D. Chambers
Franklin And Marshall College 2011
President Of I.M.P.A.C.T.
Franklin & Marshall College #425
PO Box 3220
Lancaster, PA 17604-3220
"We make a living by what we get, we make a life by what we give." -- Winston Churchill
Jazz Didn’t Die in The history books, its still here in our hearts,
Lorenzo Daughtry-Chambers
Jazz 100
Professor Butterfield
In life, it is the ultimate joy to develop a relationship with an individual so strikingly unique and utterly expressive, it leaves you in amazement. How does someone teach creativity? It starts with the self, It starts with the understanding of ones position within the spectrum of the universe, which is miniscule but infinite.
Born in Englewood New Jersey , Marvin “Bugalu” Smith began playing drums at age two under the tutelage of his older brother, Earl “Buster” Smith. In Marvin’s younger years, he witnessed his brother play with greats like Eric Dolphy, and studied his brother’s teachings. Marvin describes his early start in music as tough. His brother was a hard teacher, not allowing him to even sit on t
19:00
Truth be told, "BETTER THAN HOLLYWOOD". Series`19 N0.3 bugalu's 60th. birthday concert by Marvin Bugalu Smith
Be told, "BETTER THAN HOLLYWOOD ". Series`19 N0.2 bugalu's 60th.
Birthday concert
By Marvi...
published: 03 Jan 2010
author: Marvin Bugalu Smith
Truth be told, "BETTER THAN HOLLYWOOD". Series`19 N0.3 bugalu's 60th. birthday concert by Marvin Bugalu Smith
Be told, "BETTER THAN HOLLYWOOD ". Series`19 N0.2 bugalu's 60th.
Birthday concert
By Marvin Bugalu Smith
Steve Habib wrote:
This performance is right down to THE TRUTH IN THE MOMENT. Nothing is held back as each of the three becomes "THE WHOLE" at any given moment.. This "TRUTH BE TOLD,BETTER THAN HOLLYWOOD SERIES 19 SONG #!" represents life which is ALWAYS "IN THE MOMENT" with nothing planned but PURE EMOTIONS being delivered with sound vibrations that create actual reds,blues,greens violets,oranges whites,blacks and precious moments of silence between the notes,where it's all happening and making this particular piece a "BU GA LU CLASSIC" and a MASTER PIECE OF SUPREME IMPROVISING". This is one of the most emotional pieces of music and it should be because it represents THE START OF 2010, a year year and a new begining for all. Each of these guys becomes part of the other and evolves into a oneness that can't be mistaken for anything but THE TRUTH and they're telling it here and it's being done in a REAL ENVIRONMENT with no HOLLYWOOD GLITTER and NONSENSE. THIS IS LOVE and PEACE communicated with the highest level of musicianship. Marvin is MASTER of DRUMS,Neil is MASTER of KEYS and MARK is MASTER of BASS. All three are MASTER COMPOSERS getting together and creating here exactly what Neil's reaction was :"WOW"!
It is WOW and I'll second that. I almost miniaturized myself and jumped into this computer while I was writing these liner notes because I know these guys so well and was moved so deeply at that moment I first started listening to this. Too bad I was so far away from the Newburgh , NY site where this was recorded but I'll tell you that the music was so powerful that it didn't matter where I was because I started playing it in my heart and joined in with these guys and entered another dimension. It's true. I'm in it and enjoyed it as if I were a fourth guy in this group. I also must admit that because it was Marvin's Birthday Evening, I actually did transfer myself into PURE SPIRIT and show up there. Can you hear it between the NOTES if you don't quite understand the dimension I'm talking from.Loud,soft, fire,rain,water,wind earth,mud,sand,waves,stillness,open sky,infinite space,mass of matter,lack of matter,breath,energy felt through warm love,energy felt through actual colors with sound moving rainbows.. A REAL STRONG EXAMPLE OF GIVING IT ALL AWAY FOR WORLD PEACE. THIS SERIES 19 SONG #! is The Bu GA LU Birthday PRESENT OF ALL TIME,especially THE PRESENT OF THE MOMENT!
STEVE HABIB
Marvin bugalu Smith drums
Neil Alexander piano
Mark Hagan bass
Jazz Didn’t Die in The history books, its still here in our hearts, Lorenzo Daughtry-Chambers Jazz 100 Professor Butter fielde
Attached is the paper we spoke about. What I have done is tried to consider some of the themes we spoke about it in class regarding jazz and stylistic principles, through the thread of my uncle's life. I wrote the piece in a series of stages, in which I give a biographical overview coupled with anecdotes, actual teachings of my uncle, an overview of the jam session and what it and he ultimately accomplish. I also try to give the larger significance of the story within a larger context, and explain why it is important to non-musicians. I hope you enjoy it. I found through writing this piece that it was to be and should be much more than I did here, and consequently forced me in a different direction than I initially intended, I feel with more anecdotes, and emphasis in certain areas, my uncles story would be a good book or movie I may consider writing (entertaining if nothing else). I wrote this as a surprise for my uncle. Thank you for this opportunity. I really enjoyed the class, and I will be talking with family and thinking of proposals for my independent study over the break.
Best,
Lorenzo
--
-Lorenzo D. Chambers
Franklin And Marshall College 2011
President Of I.M.P.A.C.T.
Franklin & Marshall College #425
PO Box 3220
Lancaster, PA 17604-3220
"We make a living by what we get, we make a life by what we give." -- Winston Churchill
Jazz Didn’t Die in The history books, its still here in our hearts,
Lorenzo Daughtry-Chambers
Jazz 100
Professor Butterfield
In life, it is the ultimate joy to develop a relationship with an individual so strikingly unique and utterly expressive, it leaves you in amazement. How does someone teach creativity? It starts with the self, It starts with the understanding of ones position within the spectrum of the universe, which is miniscule but infinite.
Born in Englewood New Jersey , Marvin “Bugalu” Smith began playing drums at age two under the tutelage of his older brother, Earl “Buster” Smith. In Marvin’s younger years, he witnessed his brother play with greats like Eric Dolphy, and studied his brother’s teachings. Marvin describes his early start in music as tough. His brother was a hard teacher, not allowing him to even sit on the drums until he had watched for countless hours. M
Youtube results:
3:16
50 Rhythm & Blues Licks - #45 Sea Blues - R&B; Guitar Lessons
FULL COURSE, TAB & JAMS: http://truefire.at/50RBLicks
MORE RHYTHM & BLUES GUITAR LESSONS:...
published: 26 Sep 2011
50 Rhythm & Blues Licks - #45 Sea Blues - R&B; Guitar Lessons
FULL COURSE, TAB & JAMS: http://truefire.at/50RBLicks
MORE RHYTHM & BLUES GUITAR LESSONS: http://bit.ly/TrueFire
- published: 26 Sep 2011
- views: 15375
3:33
The Beatles A Shot Of Rhythm & Blues Let It Be Sessions 1969
Title: A Shot Of Rhythm & Blues recorded during the "Let It Be" rehearsals in Jan 1969.The...
published: 18 Jan 2013
The Beatles A Shot Of Rhythm & Blues Let It Be Sessions 1969
Title: A Shot Of Rhythm & Blues recorded during the "Let It Be" rehearsals in Jan 1969.The Beatles spent virtually the entire month filming and recording what would become the Let It Be movie and album.Besides rehearsing the songs that would eventually be released on "Let It Be",The Beatles jammed on some oldies and tried out newer material that would end up on "Abbey Road" later.A version of this song was released on "The Beatles Live At The BBC".
NOTE: I DO NOT own the copyright to this song. For entertainment purposes only.
- published: 18 Jan 2013
- views: 97
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