White
— Common connotations —
purity, nobility, softness, East Asia, emptiness, God, sickness, ghosts, lack, snow, ice, heaven, Caucasian, peace, clean, air, sunlight, light, life, surrender, clouds, frost, milk, cream, good, cotton, angels, weakness, bones, protagonist, winter, innocence, amphetamine, Monarchism, methamphetamine, cocaine, heroin, fentanyl
— Color coordinates —
Hex triplet		#FFFFFF
RGBB	(r, g, b)	(255, 255, 255)
HSV	(h, s, v)	(-°, 0%, 100%)
Source		By definition
B: Normalized to [0–255] (byte)

White is a color, the perception of which is evoked by light that stimulates all three types of color sensitive cone cells in the human eye in nearly equal amounts and with high brightness compared to the surroundings. A white visual stimulation will be void of hue and grayness.^[1]

White light can be generated in many ways. The sun is such a source, electric incandescence is another. Modern light sources are fluorescent lamps and light-emitting diodes. An object whose surface reflects back most of the light it receives and does not alter its color will appear white, unless it has very high specular reflection.

Since white is the extreme end of the visual spectrum (in terms of both hue and shade), and since white objects - such as clouds, snow and flowers - appear often in nature, it has frequent symbolism. Human culture has many references to white, often related to purity and cleanness, whilst the high contrast between white and black is often used to represent opposite extremes.

Etymology[link]

The word white continues Old English hwīt, ultimately from a Common Germanic *χ^wītaz also reflected in OHG (h)wîz, ON hvítr, Goth. ƕeits. The root is ultimately from Proto-Indo-European language *k^wid-, surviving also in Sanskrit śveta "to be white or bright"^[2] and Slavonic světŭ "light".^[3][4] The Icelandic word for white, hvítur, is directly derived from the Old Norse form of the word hvítr. Common Germanic also had the word *blankaz ("white, bright, blinding"), borrowed into Late Latin as *blancus, which provided the source for Romance words for "white" (French blanc, Spanish blanco, Italian bianco, etc.). The root survives in English in the word black.^[5]

Light[link]

White light refracted in a prism revealing the color components.

Artist's conception of the debris disk of G29-38, courtesy NASA

Until Newton's work became accepted, most scientists believed that white was the fundamental color of light; and that other colors were formed only by adding something to white. Newton demonstrated this was not true by passing white light through a prism, then through another prism. If the colors were added by the prism, the second prism should have added further colors to the single-colored beam. Since the single-colored beam remained a single color, Newton concluded that the prism merely separated the colors already present in the light. White light is the effect of combining the visible colors of light in suitable proportions (the same present in solar light).

Since the impression of white is obtained by three summations of light intensity across the visible spectrum, the number of combinations of light wavelengths that produce the sensation of white is practically infinite. There are a number of different white light sources such as the midday sun, incandescent lamps, fluorescent lamps and white LEDs; due to the phenomenon of metamerism, such sources can appear similar whilst having quite different spectra. The impression of white light can also be created by mixing appropriate intensities of the primary colors of light, red, green and blue (RGB), a process called additive mixing, as seen in many display technologies.

Color temperature[link]

The best known way to generate white light is by the process called incandescence, or black body radiation where bodies of atoms with a certain temperature emit a certain type of radiation. For example, the color of a black body at a temperature of 2,848 kelvins. This is closely matched by incandescent light bulbs. The correlated color temperature of such a light bulb is 2,848 K. Daylight can vary from a cool red up to a bluish 5,600 K. Not all black body radiation can be considered white light: the background radiation of the universe, to name an extreme example, is only a few kelvins hot, and is not visible.

In astronomy the stellar class of stars are determined by the color temperature. For instance are white dwarfs small dense stars thought to be the final evolutionary state.

Computer displays often have a color temperature control, allowing the user to select the color temperature (usually from a small set of fixed values) of the light emitted when the computer produces the electrical signal corresponding to white. The RGB coordinates of white are (1.0, 1.0, 1.0). When light hits another object it bends.

Objects[link]

Foam of a transparent and reflecting liquid, turning white when the size of the bubbles decreases.

Newly commissioned officers all in white, celebrate their new positions by throwing their midshipmen covers into the air as part of the U.S. Naval Academy class of 2005 graduation and commissioning ceremony.

White light reflected off objects can be seen when no part of the light spectrum is reflected significantly more than any other and the reflecting material has a degree of diffusion. People see this when transparent fibers, particles, or droplets are in a transparent matrix of a substantially different refractive index. Examples include classic "white" substances such as sugar, foam, pure sand or snow, cotton, clouds, and milk. Crystal boundaries and imperfections can also make otherwise transparent materials white, as in the milky quartz or the microcrystalline structure of a seashell. This is also true for artificial paints and pigments, where white results when finely divided transparent material of a high refractive index is suspended in a contrasting binder. Typically paints contain calcium carbonate or synthetic rutile with no other pigments if a white color is desired.

While the color of a light source can be reasonably measured by its correlated color temperature, a different approach is required for objects since different samples may appear white without a reference. Thus, assessment of whiteness requires a comparison. The International Commission on Illumination (CIE) prescribes one such method.

In painting, white can be crafted by reflecting ambient light from a white pigment, although the ambient light must be white light, or else the white pigment will appear the color of the light. White when mixed with black produces gray. In watercolor painting, white areas mark the absence of paint on the paper.

In nature[link]

Mont Blanc in the Alps

Snow and ice are normally white due to the diffusing structure of transparent water ice crystals. The same is true for many types of clouds where droplets of water diffuse the white light from the Sun. Many mountains with winter or year-round snow cover are named accordingly: Mauna Kea means white mountain in Hawaiian, Mont Blanc means white mountain in French. Changbai Mountains literally meaning 'Perpetually White' Mountains, marks the border between China and Korea and Mount Kilimanjaro's name could originate from Swahili meaning little white hill. The White Sea, an inlet of the Barents Sea on the northwest coast of Russia is undoubtedly named so due to the icy environment.

Beaches with sand containing high amounts of quartz also appear white, which may explain the number of islands called White Island around the world.

Cultural meaning[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (January 2008)

White materials show colored stains and dirt very clearly, due to the high contrast. This is the likely reason it is associated with purity and cleanness, and very often within a religious context. In Chinese, Vietnamese, Korean, Indian tradition, white is the color of mourning and death (or rebirth). However, white can also represent purity and enlightenment, as such, spiritual teachers in India often wear white as a sign of wisdom. White is also often coupled with red in some Indian garments.^{[citation needed]}

Symbolic dualism with black[link]

Black and white dualism in office spaces

White and black has the biggest visual contrast, this can easily be associated to other opposite concepts such as day and night or good and evil. White often represents purity or innocence in Western Civilization,^[6] particularly as white clothing or objects are easy to stain. In most Western countries white is the color worn by brides at weddings. Angels are typically depicted as clothed in white robes. Healing or "good" magic is called White magic.^[7] In early film Westerns the stereotypically "good guy" wore a white hat (earning them the name "White Hats") while the "bad guy" wore black (earning them the name "Black Hats"). This has given rise to the use of the names black hat and white hat for people who abuse and counter abuse of computer systems respectively. In popular culture this idea is sometimes reversed to play on reversal of stereotypes.

In taoism which has great influence in Eastern culture Yin and yang is usually depicted in black and white, depicting the two colors as opposites. The two opponents in board games of abstract strategy often has one as white, such as go, chess, and checkers.

Government and politics[link]

White Ribbon

White is often associated with Monarchism as opposed to other forms of government. This originated from Royalist rebellions against the French Revolution (see Revolt in the Vendée), known as the White terror. It re-emerged in the years following World War I, with civil wars fought between Reds and Whites, for instance the Civil War in Russia and the Civil War in Finland. A similar use is seen in the naming of the White Revolution (Persian: Enghelâb-e-Sefid‎),a far-reaching series of reforms launched in 1963 by the last Shah of Iran. If a strong leader emerges during a time of crisis, he is often referred to as a man on a white horse; this term is often associated with dictatorships.

White is also associated with peace. The white ribbon is worn by movements denouncing violence against women and the White Rose was a non-violent resistance group in Nazi Germany. This symbolism has long roots as seen by the white dove originating from the story of Noah. A white flag is an international sign of either surrender, or truce, that is, it is a sign of peaceful intent, typically at time of war. To show the white feather is to display cowardice. White is the purest of all colors. In Victorian Britain, a purported coward would be presented with a white feather.^{[citation needed]}

White as symbol of purity is seen in the expression Whitewash, which figuratively, means an attempt to obscure unpleasant facts by issuing a blanket of lies or misrepresentations. See propaganda. A white paper on the other hand will often be an authoritative report on a major issue, as by a team of experts; a government report outlining policy; or a short treatise whose purpose is to educate industry customers. Associating a paper with white may signify clean facts and unbiased information. White is known for its calming abilities.

Religion[link]

The association of white with purity and peace is used by many religions.

Boys supplicating whilst wearing the Ihram clothing during arafat

Wedding kimono

Mountain hare in winter camouflage

Surrender of Lord Cornwallis, by John Trumbull

Ihram clothing (also spelt Ahram clothing) includes men's and women's garments worn by Muslim people during the Ihram pilgrimage (Hajj). Men's garments often consist of two white un-hemmed sheets (usually towelling material) and are universal in appearance. The top (the riḍā) is draped over the torso and the bottom (the izār) is secured by a belt; plus a pair of sandals. Women's clothing, however, varies considerably and reflects regional as well as religious influences. Ihram is typically worn during Dhu al-Hijjah, the last month in the Islamic calendar.

Where liturgical robes of priests are often white, for instance the Roman Catholic Pope's cassock is white. White is the liturgical color in the Roman Catholic Church for the Easter season until Pentecost and (usually with gold) for the Christmas and Epiphany season, as well as for all solemnities and feasts commemmorating the Lord (e.g., Corpus Christi Sunday, Trinity Sunday, Feast of Christ the King) which are not sacrificial in nature and for the feasts of Saint John the Apostle (who was not martyred), the Birth of Saint John the Baptist, and all Saints who are not Confessors or Martyrs. It is also used in diaconal or priestly Ordinations and episcopal consecrations and installations, the abbatial blessing, the administration of the minor orders in the seminary and the reception of vows of religious men and women, the consecration of virgins, the dedication of a church, altar, or school, at Nuptial Masses, and (in modern times) at Requiem Masses. Only white clothing is worn inside Mormon Temples once they have been officially dedicated, due to white symbolizing purity.^[8] Many images dealing with God and heaven portray it as existing in the clouds, where everything is white. This phenomenon is not limited to western culture; in Yoruba religion, the orisha Obatala in the Ifá tradition is represented by white. Obatala is associated with calmness, morality, old age, and purity. Also more recently founded religions incorporate symbolism surrounding white. In Theosophy and similar religions, the deities called the Great White Brotherhood are said to have white auras.^[9]

A white light is often claimed to be seen by those who have had near death experiences. This, however, is probably caused by the brain being depraved of oxygen rather than a paranormal event.

White is the traditional color of bridal dress in both western (European) and Japanese weddings. In Western weddings, a white dress is thought to be symbolic of purity (the bride has not engaged in pre-marital sex). This is also said to be the symbolism of the veil. In Japanese weddings, white is to symbolize the "death"^{[citation needed]} of their former family and their introduction into their new family.

In some Asian and Slavic cultures, white is considered to be a color that represents death.^[10] White also represented death in ancient Egypt, representing the lifeless desert that covered much of the country; black was held to be the color of life, representing the mud-covered fertile lands created by the flooding of the Nile and giving the country its name (Kemet, or "black land").

Clothing[link]

White clothing can be practically used as camouflage in snowy environments, or for reflecting harsh sunlight. However, most uniforms with white elements are used as a sign of authority - dissociating the wearer from manual labor or a dirty environment. In a highly formal social function, the traditional dress for men attending is white tie, or white tie and tails, a white bow tie and a swallowtail coat. Physicians and scientists are known for wearing white coats both as a practical measure as protecting from and showing spills and stains, and as a sort of uniform showing authority.

Many traditional sports use white uniforms for players, such as Wimbledon tennis, cricket, and baseball and basketball, where white is the color typically used for uniforms worn by the home team. This may be a result of the sports being played outside exposing players to direct sunlight for prolonged periods of time.

Ethnography[link]

The term white is often used to denote the race of pale-skinned Caucasoids people of European descent perceived as being colored varying tones of pale off white to "white" skin color, whose actual skin color can also vary from pale pink to pale brown; it has been suggested that the colors beige or peach could also be used to represent the average color of most Caucasians. See White people.

Vexillology and heraldry[link]

Vatican City has a flag of yellow and white, although in normal European heraldry one is not supposed to use these two colors together adjacently because both represent metals--yellow represents gold and white represents silver), to deliberately show that the Church is not bound by secular rules.^[11] In English heraldry, white or silver signified brightness, purity, virtue, and innocence.^[12]

See also[link]

• Color realism (art style)
• List of colors
• Variations of white

References[link]

External links[link]

Wikimedia Commons has media related to: White

Look up white in Wiktionary, the free dictionary.

"A Whiter Shade of Pale" is the debut song by the British band Procol Harum, released 12 May 1967. The single reached number one in the UK Singles Chart^[1] on 8 June 1967, and stayed there for six weeks. Without much promotion, it reached #5 on the US charts, as well. It is one of the fewer than 30 all-time singles to have sold 10 million (or more) copies worldwide.^{[citation needed]}

With its haunting Bach-flavoured instrumental melody, soulful vocals, and unusual lyrics—by the song's co-authors Gary Brooker, Keith Reid,^[2] and Matthew Fisher-- "A Whiter Shade of Pale" reached #1 in several countries when released in 1967. In the years since, it has become an enduring classic. It was the most played song in the last 75 years in public places in the UK (as of 2009),^[3] and the United Kingdom performing rights group Phonographic Performance Limited in 2004 recognised it as the most-played record by British broadcasting of the past 70 years.^[4] Also in 2004, Rolling Stone placed "A Whiter Shade of Pale" #57 on its list of the 500 Greatest Songs of All Time.

More than 1000 recorded cover versions by other artists are known.^[5] The song has been included in many music compilations over the decades and has also been used in the soundtracks of numerous films, including The Big Chill, Purple Haze, Breaking the Waves, The Boat That Rocked and notably in Martin Scorsese's segment of New York Stories. Cover versions of the song have also been featured in many films, for example by King Curtis in Withnail and I and by Annie Lennox in The Net.

The original writing credits were for Brooker and Reid only. On 30 July 2009, Matthew Fisher won co-writing credit for the music in a unanimous ruling from the Law Lords.

Recording and personnel[link]

The song was performed and recorded at Olympic Studios in London, England with Gary Brooker providing the vocals and piano, Matthew Fisher on a Hammond M-102 organ, David Knights on bass and Ray Royer on guitar. Drums were by session drummer Bill Eyden. A few days later, the song was re-recorded with the band's then newly-recruited drummer Bobby Harrison. That version, though, was considered inferior^{[citation needed]} and one of the original mono recordings was chosen for release.

Producer for the record was Denny Cordell and Keith Grant was the sound engineer.^[6]

The song was included on the original U.S. release of the Procol Harum album, but not on the UK version.

Lyrics[link]

Reid got the title and the starting point for the song at a party. He overheard someone at the party saying to a woman, "You've turned a whiter shade of pale," and the phrase stuck in his mind.^[7][8] The original lyrics had four verses, of which only two are heard on the original recording. The third verse has been heard in live performances by Procol Harum, and more seldom also the fourth.^[9] The author of Procol Harum: beyond the pale, Claes Johansen, suggests that the song "deals in metaphorical form with a male/female relationship which after some negotiation ends in a sexual act."^[8] This is supported by Tim de Lisle in Lives of the Great Songs, who remarks that the lyrics concern a drunken seduction, which is described through references to sex as a form of travel, usually nautical, using mythical and literary journeys.^[10] Other observers have also commented that the lyrics concern a sexual relationship.^[7]

Structurally and thematically, the song is unusual in many respects. While the recorded version is 4:03 long, it is composed of only two verses, each with chorus. The piece is also more instrument-driven than most songs of the period, and with a much looser rhyme scheme. Its unusually allusive and referential lyrics are much more complex than most lyrics of the time (for example, the chorus focuses on Chaucer's The Miller's Tale). Thus, this piece can be thought of as a forerunner to the progressive rock that would reach its zenith about ten years later.

The phrase a whiter shade of pale has since gained widespread use in the English language, noticed by several dictionaries.^[11][12][13] As such, the phrase is today often used in contexts independent of any consideration of the song. (See ^[14] for many annotated examples complete with links to original sources.) It has also been heavily paraphrased, in forms like an Xer shade of Y--this to the extent that it has been recognised^[15][16] as a snowclone – a type of cliché and phrasal template.

Composition[link]

The song is in moderate time, in C major, and is characterised by the bassline moving stepwise downwards in a repeated pattern throughout. In classical music this is known as a ground bass. The harmonic structure is identical for the organ melody, the verse and the chorus, except that the chorus finishes with a cadence. The main organ melody appears at the beginning and after each verse/chorus. But it is also heard throughout, playing variations of its theme and counterpointing the vocal line. Both the vocal and the organ accompaniment reach a crescendo at the beginning of the chorus "And so it was, and later ..."; where the organist rapidly runs his finger down and up the entire keyboard. The final instrumental fades out to silence - a common device in pop music of the time.

The Hammond organ line of "A Whiter Shade of Pale" was inspired by Johann Sebastian Bach's "Sleepers, Wake!" and "Air on the G String" - both of which use a similar stepwise bass motion. But contrary to popular belief, the song is not a direct copy or paraphrase of any music by Bach,^[17] although it makes clear references to both pieces. This similarity is referred to in the 1982 play The Real Thing by Tom Stoppard and the 1991 film The Commitments. A yet closer melodic influence that is seldom cited can arguably^{[weasel words]} be found in the organ choral prelude "O Mensch bewein dein' Sünde groß" (O Man, Lament Your Sin So Great), BWV 622, from Bach's Orgelbüchlein (Little Organ Book). The music also borrows ideas from "When a Man Loves a Woman" by Percy Sledge.^[18]

Reception[link]

The single was released on 12 May 1967 by Deram Records and entered the UK charts on 25 May. In two weeks it reached number one where it stayed for six weeks, and on the UK chart for a total of 15 weeks. A May 1972 re-release on Fly Records stayed in the UK charts for a total of 12 weeks, and reached number 13 as highest. In the US, it reached #5 and sold over one million copies. In the Netherlands it entered the chart at number one in June 1967 and again reached number one in July 1972.

Chart positions: # 1 (UK), # 1 (the Netherlands), # 1 (Germany), # 1 (Ireland), # 1 (Australia), # 1 (World), # 3 (Norway VG-lista), # 5 (USA Hot 100). "A Whiter Shade of Pale" also managed to peak at number twenty-two on the soul charts in the U.S.^[19]

Over time, "A Whiter Shade of Pale" has earned extensive critical acclaim:

• John Lennon was a great fan of the song and was known to have played it repeatedly in his Rolls Royce. When it was released in England, Lennon (and friends in his circle) reportedly confused Brooker's soulful vocals with Steve Winwood, who had popularity at the time with The Spencer Davis Group.
• It was named joint winner (along with Queen's "Bohemian Rhapsody", which also uses the word 'fandango') of the Best British Pop Single 1952–1977 at the BRIT Awards, part of Elizabeth II's Silver Jubilee.
• #57 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time in 2004.
• British TV station Channel 4 placed the song at #19 in its chart of the 100 greatest number one singles.^[20]

Authorship lawsuit[link]

In 2005, former Procol Harum organist Matthew Fisher filed suit in the High Court against Gary Brooker and his publisher, claiming that he co-wrote the music for the song.^[21]

Fisher won the case on 20 December 2006 but was awarded 40% of the composers' share of the music copyright, rather than the 50% he was seeking and was not granted royalties prior to 2005.^[22]

Gary Brooker and publisher Onward Music were granted leave to appeal, and a hearing on the matter was held before a panel of three judges during the week of 1 October 2007. The decision, on 4 April 2008, by Lord Justice Mummery, in the Court of Appeal upheld Fisher's co-authorship^[23] but ruled that he should receive no royalties as he had taken too long (38 years) to bring his claim to litigation. Full royalty rights were returned to Brooker.^[24]

On 5 November 2008, Matthew Fisher was granted permission to appeal this decision to the House of Lords.^[25] Lawyers say it is the first time the Law Lords have been asked to rule on a copyright dispute involving a song.^[26] The appeal was heard in the House of Lords on 22–23 April 2009.^[27]

On 30 July 2009 the Law Lords unanimously ruled in Fisher's favour. They noted that the delay in bringing the case had not caused any harm to the other party; on the contrary they had benefited financially from it. They also pointed out that there were no time limits to copyright claims under English law. The right to future royalties was therefore returned to Fisher.^[28][29] The musicological basis of the judgment, and its effect on the rights of musicians who contribute composition to future works, has drawn some attention in the music world.^[30]

Video[link]

The first video for the song was shot in the ruins of Witley Court in Worcestershire, England.^[31] The Witley Court video features four of the five musicians who played on the hit single: Gary Brooker, Matthew Fisher, David Knights and Ray Royer, in performance and walking through the ruins. Only the drummer in the video isn't on the record: early band member Bobby Harrison is seen miming to session man Bill Eyden's drumming. According to Shindig! Magazine's Procol Harum cover story by Alan Robinson (November–December 2009 issue – page 55), the video was directed by Peter Clifton whose insertion of Vietnam War newsreel footage caused it to be banned from airplay on the "Top of the Pops" TV show. The band subsequently made another video using "Scopitone" technology, but by this time, Robin Trower and B.J. Wilson had replaced Royer and Harrison in the band, so only three of the five musicians on the recording are represented, and no performance footage included – only the five musicians cavorting around London, running across fields, etc. This lineup, with Fisher in a monk's cowl, also mimed to the song on Top of the Pops, (though Gary Brooker sang live) and black and white footage of this performance has been shown online, perhaps constituting the third video of the song from 1967. (See also its inclusion on the 'Top of the Pops 40th Anniversary 1964–2004 DVD'.)

There was also a video shot as part of Joel Gallen's Deja-View music video series.^[32] Originally airing on various networks in late 1985 through 1986, this video starred Harry Dean Stanton and Bernie Taupin, but featured no member of the band. It has also aired on VH1 Classic, and has recently surfaced online.^[33][34]

References[link]

External links[link]

• Bill Eyden Obituary
• Procol Harum — A Whiter Shade Of Pale, live video from Eagle Rock Entertainment's official channel on YouTube
• A Whiter Shade of Pale: authorised lyrics of all four verses

Chris Rock
Rock at the 2012 premiere of What to Expect When You're Expecting
Birth name	Christopher Julius Rock III
Born	(1965-02-07) February 7, 1965 (age 47) Andrews, South Carolina, U.S.
Medium	comedy, television, film
Nationality	American
Years active	1984–present
Genres	Black humor, musical comedy, observational comedy, political satire, satire
Subject(s)	African-American culture, American politics, current events, human sexuality, marriage, pop culture, race relations, racism
Influences	Bill Cosby, Redd Foxx, Dick Gregory, Flip Wilson, Richard Pryor, Steve Martin, Pigmeat Markham, Woody Allen, Eddie Murphy,[1] Sam Kinison, George Carlin, Mort Sahl,[2] Rodney Dangerfield,[3] Bill Hicks
Influenced	Dave Chappelle,[2] Christian Finnegan,[4] George Lopez[5]
Spouse	Malaak Compton-Rock (November 23, 1996 – present; 2 children)
Website	ChrisRock.com
Emmy Awards
Outstanding Writing for a Variety or Music Program 1997 Chris Rock: Bring the Pain 1999 The Chris Rock Show Outstanding Variety, Music or Comedy Special 1997 Chris Rock: Bring the Pain Outstanding Writing For Variety, Music or Comedy Special 2009 Chris Rock: Kill the Messenger
Grammy Awards
Best Spoken Comedy Album 1998 Roll with the New 2000 Bigger & Blacker Best Comedy Album 2006 Never Scared
American Comedy Awards
Funniest Male Performer in a TV Special 2000 Chris Rock: Bigger & Blacker

Christopher Julius "Chris" Rock III^[6] (born February 7, 1965)^[7][8] is an American comedian, actor, screenwriter, television producer, film producer, and director.

After working as a standup comic and appearing in small film roles, Rock came to wider prominence as as a cast member of Saturday Night Live in the early 1990s. He went on to more prominent film roles, and a series of acclaimed comedy specials for HBO.

He was voted in the US as the 5th greatest stand-up comedian of all time by Comedy Central.^[9] He was also voted in the UK as the 9th greatest stand-up comic on Channel 4's 100 Greatest Stand-Ups in 2007, and again in the updated 2010 list as the 8th greatest stand-up comic.

Early life[link]

Rock was born in Andrews, South Carolina. Shortly after his birth, his parents moved to Crown Heights, Brooklyn, New York. A few years later, they relocated and settled in the working-class area of Bedford-Stuyvesant, Brooklyn.^[6] His mother, Rosalie (née Tingman), was a teacher and social worker for the mentally handicapped; his father, Julius Rock, was a former truck driver and newspaper deliveryman.^[10] Julius died in 1988 after ulcer surgery.^[11] His younger brothers Tony, Kenny^[12] and Jordan^[13] are also in the entertainment business. His older half-brother, Charles, died in 2006 after a long struggle with alcoholism.^[14][15] Rock has said that he was influenced by the performing style of his paternal grandfather, Allen Rock, a preacher.^[6][16]