Auditorio de Tenerife (Canary Islands, Spain)

An auditorium is a room built to enable an audience to hear and watch performances at venues such as theatres. For movie theaters, the number of auditoriums is expressed as the number of screens.

Etymology[link]

The term is taken from Latin (from audītōrium, from audītōrius (“‘pertaining to hearing’”)); the concept is taken from the Greek auditorium, which had a series of semi-circular seating shelves in the theatre, divided by broad 'belts', called diazomata, with eleven rows of seats between each.

The auditorium of the Municipal Theatre, Regensburg, Germany

Modern examples[link]

The audience in a modern theatre are usually separated from the performers by the proscenium arch, although other types of stage are common.

The price charged for seats in each part of the auditorium (known in the industry as the house) usually varies according to the quality of the view of the stage. The seating areas can include some or all of the following:

• Stalls or arena: the lower flat area, usually below or at the same level as the stage.
• Balconies or galleries: one or more raised seating platforms towards the rear of the auditorium. In larger theatres, multiple levels are stacked vertically above or behind the stalls. The first level is usually called the dress circle or grand circle. The highest platform, or upper circle is sometimes known as the gods, especially in large opera houses, where the seats can be very high and a long distance from the stage.
• Boxes: typically placed immediately to the front, side and above the level of the stage. They are often separate rooms with an open viewing area which typically seat only a handful of people. These seats are typically considered the most prestigious of the house. A state box or royal box is sometimes provided for dignitaries.

See also[link]

• Auditorium Building
• List of concert halls
• Music venue
• Noise mitigation
• Smoking ban

External links[link]

• Concert hall acoustics on-line exhibition

Mos Def
Mos Def at YBCA in San Francisco on December 31, 2008
Background information
Birth name	Dante Terrell Smith
Also known as	Yasiin Bey
Born	(1973-12-11) December 11, 1973 (age 38) Brooklyn, New York, U.S.
Genres	East Coast hip hop, alternative hip hop
Occupations	Rapper, actor, singer, activist
Years active	1996 – present
Labels	Rawkus, Priority, Geffen, Downtown, GOOD Music, DD172
Associated acts	Soulquarians, Black Star, Talib Kweli, Native Tongues Posse, Kanye West, Gorillaz, Massive Attack, Pharoahe Monch, Eminem, Blakroc, Robert Glasper Experiment

Dante Terrell Smith (born December 11, 1973) is an American actor and MC, known by the stage names Mos Def ( /ˌmoʊsˈdɛf/) and Yasiin Bey. He started his hip hop career in a group called Urban Thermo Dynamics, after which he appeared on albums by Da Bush Babees and De La Soul. With Talib Kweli, he formed the duo Black Star, which released the album Black Star in 1998. He was a major force in late 1990s underground hip hop while with Rawkus Records. As a solo artist he has released the albums Black on Both Sides in 1999, The New Danger in 2004, True Magic in 2006, and The Ecstatic in 2009.^[1]

Although he was initially recognized for his musical output, since the early 2000s, Mos Def's screen work has established him as one of only a handful of rappers who has garnered critical acclaim for his acting work. He is well known for his portrayal of Brother Sam in the American drama series Dexter. Mos Def has also been active in several social and political causes.

Early life[link]

He was born Dante Terrell Smith in Brooklyn, New York City, the son of Sheron Smith and Abdul Rahman.^[2] He was raised by his mother in Brooklyn; his father lived in New Jersey. While his father was initially a member of the Nation of Islam and later an active member in the community of Imam Warith Deen Mohammed, who merged into mainstream Islam from the Nation, Mos Def was not exposed to Islam until the age of 13. At 19, he took his shahada, the Muslim declaration of faith. He is friends with Ali Shaheed Muhammad and Q-Tip of A Tribe Called Quest.^[2]

Career[link]

Music[link]

In 1996, Mos Def emerged as a solo artist and worked with De La Soul and Da Bush Babees, before he released his own first single, "Universal Magnetic".

Mos Def in 1999

Mos Def signed with Rawkus Records and formed the group Black Star with Talib Kweli. They released an album, Mos Def & Talib Kweli are Black Star, in 1998.^[3] Mostly produced by Hi-Tek, the album featured the hit singles, "Respiration" and "Definition", which would go on to be featured in VH1's 100 Greatest Songs of Hip-Hop.^[4] Mos Def released his solo debut album Black on Both Sides in 1999, also through Rawkus.^[5] Around this time he also contributed to the Scritti Politti album Anomie & Bonhomie and Rawkus compilations Lyricist Lounge and Soundbombing.

Def performing at Rock the Bells (New York).

After the collapse of Rawkus, he signed to Interscope/Geffen Records, which released his second solo album The New Danger in 2004.^[6] The New Danger contained a mix of several musical genres, including soul, blues, and rock and roll, performed with his rock band Black Jack Johnson, which contained members of the bands Bad Brains and Living Colour. The singles included "Sex, Love & Money" and the B-side "Ghetto Rock"; the latter went on to receive several Grammy Award nominations in 2004.

Mos Def's final solo album for Geffen Records, True Magic, was released in 2006.

The song "Crime & Medicine" is essentially a cover of GZA's 1995 single "Liquid Swords", though it contains different verses. Also, the track "Undeniable" samples a version of the Barrett Strong/Norman Whitfield composition "Message from a Black Man". The song "Dollar Day" uses the same beat as Juvenile's "Nolia Clap".^[7]

On November 7, 2007, Mos Def performed live in San Francisco at a venue called The Mezzanine. This performance was recorded for an upcoming "Live in Concert" DVD. During this performance Mos Def announced that he would be releasing a new album to be called The Ecstatic. He sang a number of new tracks; in later shows, Def previewed tracks produced by Madlib and was rumored to be going to Kanye West for new material. Producer and fellow Def Poet Al Be Back stated that he would be producing as well.^[8] The album was released on June 9, 2009; upon its release, only Madlib's production had made the cut, along with tracks by Preservation, The Neptunes, Mr. Flash, Madlib's brother Oh No, a song by J. Dilla, and Georgia Anne Muldrow.

Mos Def appears alongside Kanye West on the track "Two Words" from The College Dropout album, the track "Drunk And Hot Girls" and the bonus track "Good Night" off West's third major album, Graduation. In 2002, he released the 12" single Fine, which was featured in the Brown Sugar Motion Picture Soundtrack.^[9]

Mos Def also appears on the debut album from fellow New Yorkers Apollo Heights on a track titled, "Concern." In October, he signed a deal with Downtown Records and appeared on a remix to the song "D.A.N.C.E." by Justice.^[10] Mos Def appeared on Stephen Marley's debut album Mind Control on the song "Hey Baby." In 2009, Mos Def worked together with Somali rapper K'naan to produce the track "America" for K'naan's album Troubadour.^[11]

In April 2008 he appeared on the title track for a new album by The Roots entitled Rising Down. The new single, Life In Marvelous Times, was made officially available through iTunes on November 4, 2008, and is available for stream on the Roots' website Okayplayer.

April 2009 saw him traveling to South Africa for the first time where he performed accompanied by The Robert Glasper Experiment at the renowned Cape Town International Jazz Festival. He enticed his bemused African following with an encore introduced by his own rendition of John Coltrane's "Love Supreme" followed by a sneak preview of the track "M.D. (Doctor)", much to the delight of the fans.^[12]

Mos Def also designed two pairs of limited edition Converse shoes. The shoes were released to Foot Locker stores on August 1, 2009 in very limited amounts.^[13]

In late 2009, Mos Def created a brand of clothing line with UNDRCRWN called the "Mos Def Cut & Sew Collection." All clothing items will be sold in select stores located around the U.S. and almost exclusively on the UNDRCRWN website.^[14] 2009 also found Mos Def among the MCs collaborating with the Black Keys on the first Blakroc album, a project headed by the Black Keys and Damon Dash. Mos Def appeared with Jim Jones and the Black Keys on the Late Show with David Letterman to perform the Blakroc track "Ain't Nothing Like You (Hoochie Coo)".

In March 2010, Mos Def's song Quiet Dog Bite Hard was featured in Palm's "Life moves fast. Don't miss a thing." campaign.^[15]

Mos Def features on the first single, "Stylo", from the third Gorillaz album, Plastic Beach, alongside soul legend Bobby Womack. He also appears on the track titled "Sweepstakes".

In September 2010, after appearing on Kanye West's G.O.O.D. Friday track "Lord Lord Lord", Mos Def confirmed his signing with GOOD Music.^[16]

Mos Def has been an active contributor to the recovery of the oil spill in the Gulf, performing concerts and raising money towards the repair of the damages. In June 2010, he recorded a cover of the classic New Orleans song originally by Smokey Johnson, "It Ain't My Fault" with the Preservation Hall Jazz Band, Lenny Kravitz and Trombone Shorty.

In September 2011, Mos Def announced that he planned to use the name Yasiin instead of Mos Def beginning in 2012.^[17]

In January 2012, it was reported that Mos Def and Talib Kweli had begun "to resurrect" Black Star.^[18]

Acting[link]

He began his professional acting career at the age of fourteen, appearing in the TV movie God Bless the Child, starring Mare Winningham. He then played the oldest child in the short-lived family sitcom, You Take the Kids, starring Nell Carter and Roger E. Mosley. His most notable acting role before his music career was that of Bill Cosby's sidekick on the short-lived detective show, The Cosby Mysteries. He also starred in a 1996 Visa check card commercial featuring Deion Sanders. In 1997 he had a small role alongside Michael Jackson in his short film and music video "Ghosts".

After brief appearances in Bamboozled^[19] and Monster's Ball,^[20] Mos re-invigorated his acting career with his performance as a talented rapper who is reluctant to sign to a major label in Brown Sugar.^[21] He was nominated for an Image Award and a Teen Choice Award.^[22]

In 2001, he took a supporting role to Beyoncé Knowles and Mehki Phifer in the MTV movie Carmen: A Hip Hopera as Lt. Miller, a crooked cop.

In 2002, he played the role of Booth in Suzan-Lori Parks' Topdog/Underdog, a Tony-nominated and Pulitzer-winning Broadway play. He and co-star Jeffrey Wright won a Special Award from the Outer Critics Circle Award for their joint performance.^[23] He also received positive notices as the quirky Left Ear in the blockbuster hit, The Italian Job in 2003.^[24] He also appeared in 2003 in the music video You Don't Know My Name of the song by Alicia Keys.

In television, Mos Def has appeared on NYPD Blue,^[25] on Comedy Central's Chappelle's Show,^[26] and has hosted the award-winning HBO spoken word show, Def Poetry since its inception.^[27] The show's sixth season aired in 2007. He also appeared on the sitcom My Wife And Kids as the disabled friend of Michael Kyle (Damon Wayans).

Mos Def won Best Actor, Independent Movie at the 2005 Black Reel Awards for his portrayal of Detective Sgt. Lucas in The Woodsman.^[28] For his portrayal of Vivien Thomas in HBO's film Something the Lord Made,^[29] he was nominated for an Emmy Award^[30] and a Golden Globe, and won the Image Award. He also played a bandleader in HBO's Lackawanna Blues. He then landed the role of Ford Prefect in the 2005 movie adaptation of The Hitchhiker's Guide to the Galaxy.^[31]

Def and Bruce Willis on the set of 16 Blocks, filmed on location in Chinatown, Manhattan on Pell Street.

In 2006, Mos Def appeared in Dave Chappelle's Block Party alongside fellow Black Star companion Talib Kweli, while also contributing to the film's soundtrack.^[32] Also, Mos Def was featured as the black banjo player in the infamous "Pixie Sketch" from Chappelle's Show: The Lost Episodes. He was later edited out of it on the DVD. Additionally, Mos Def starred in the action film 16 Blocks alongside Bruce Willis and David Morse.^[33] He has a recurring guest role on Boondocks, starring as "Gangstalicious". He is also set to be in Toussaint, a film about Haitian revolutionary Toussaint Louverture, opposite Don Cheadle and Wesley Snipes. He made a cameo appearance — playing himself — in the movie Talladega Nights: The Ballad of Ricky Bobby.^[34]

In 2007, Mos Def narrated the PBS-broadcast documentary Prince Among Slaves.

In 2008, Mos Def starred in the Michel Gondry movie Be Kind Rewind, playing a video rental store employee whose best friend is played by co-star Jack Black.^[35] He also portrayed Chuck Berry in the film Cadillac Records,^[36] for which he was nominated for a Black Reel Award and an Image Award.

In 2009, he appeared in the House episode entitled "Locked In" as a patient suffering from locked-in syndrome. His performance was well-received, with E! saying that Mos Def "delivers an Emmy-worthy performance."^[37] He was also in the 2009 film Next Day Air.

In 2010, he appeared on the children's show Yo Gabba Gabba! as Super Mr. Superhero. He also appeared in A Free Man of Color, John Guare's play at the Vivian Beaumont Theatre.^[38]

In 2011, he began a multi-episode appearance on the Showtime television series Dexter. He played Brother Sam, an ex-con who has supposedly found religion despite finding himself in violent situations.^[39]

Social and political views[link]

In 2000, Mos Def performed a benefit concert for death row inmate Mumia Abu-Jamal.^[40]

In September 2005, Mos Def released the single "Katrina Clap," renamed "Dollar Day" for True Magic, (utilizing the instrumental for New Orleans rappers UTP's "Nolia Clap"). The song is a criticism of the Bush administration's response to Hurricane Katrina. On the night of the MTV Video Music Awards, Mos Def pulled up in front of Radio City Music Hall on a flatbed truck and began performing the "Katrina Clap" single in front of a crowd that quickly gathered around him. He was subsequently arrested despite having a public performance permit in his possession.^[41]

On September 7, 2007, Mos Def appeared on Real Time with Bill Maher where he spoke about racism against African Americans, citing the government response to Hurricane Katrina, the Jena Six and the murder conviction of Mumia Abu-Jamal. He appeared on Real Time again on March 27, 2009, and spoke about the risk of nuclear weapons.^[42] Mos Def said that he did not listen to any of Osama Bin Laden's messages because he did not trust the translations.^[43]

Personal life[link]

In 1996, Def married Maria Yepes. After having two daughters, Chandani and Jauhara Smith, he filed for divorce in 2005.^[44]

In October 2006 Mos Def appeared on 4Real, a documentary television series.^[45] Appearing in the episode "City of God," he and the 4Real crew traveled to City of God, a slum in Rio de Janeiro, Brazil, to meet Brazilian MC MV Bill and learn about the crime and social problems of the community.^[46]

Nominations[link]

• Black Movie Awards
  • 2006 Source Awards
• Black Reel Awards
  • 2008, Best Supporting Actor: Cadillac Records
  • 2003, Best Actor- Independent: Civil Brand
  • 2004, Best Supporting Actor: The Italian Job
  • 2005, Best Actor TV Movie/Mini-Series: Something the Lord Made
  • 2005, Best Indie Actor: The Woodsman (won)
• Emmy Award
  • 2004, Best Actor in a Television Movie or Mini-Series: Something the Lord Made
• Golden Globes
  • 2005, Best Actor in a Television Movie or Mini-Series: Something the Lord Made
• Grammy Awards
  • 2005, Best Urban/Alternative Performance: "Sex, Love & Money"
  • 2006, Best Urban/Alternative Performance: "Ghetto Rock"
  • 2007, Best Rap Solo Performance: "Undeniable"
  • 2010, Best Rap Solo Performance: "Casa Bey"
  • 2010, Best Rap Album: "The Ecstatic"
  • 2011, Best Short Form Music Video: "Stylo" (with Bobby Womack and Gorillaz)
• Image Awards
  • 2009, Outstanding Supporting Actor in a Motion Picture: Cadillac Records
  • 2003, Outstanding Supporting Actor in a Motion Picture: Brown Sugar
  • 2005, Outstanding Actor in a Television Movie or Mini-Series: Something the Lord Made

Discography[link]

• Black on Both Sides (1999)
• The New Danger (2004)
• True Magic (2006)
• The Ecstatic (2009)
• Yasiin Bey Presents (TBA)^[47]

Collaborations

• Mos Def & Talib Kweli are Black Star (1998) (with Talib Kweli as Black Star)
• Black Star Aretha (2012) (with Talib Kweli as Black Star)^[47]
• Cruel Summer (2012) (with GOOD Music)^[48]

Filmography[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Mos Def

• Mos Def / Dante Smith discographies at Discogs.
• Mos Def at Geffen Records.
• Mos Def at MTV
• Mos Def at the Internet Movie Database
• Mos Def at Emmys.com

Slick Rick
Slick Rick performing at the 2009 Fresh Fest concert in Los Angeles, California
Background information
Birth name	Richard Walters
Born	(1965-01-14) 14 January 1965 (age 47) London, England
Origin	The Bronx, New York City
Genres	Hip hop
Occupations	Rapper, record producer
Years active	1982–present
Labels	Def Jam, Columbia, CBS Records, PolyGram, Universal
Associated acts	Doug E. Fresh, Nas, Prince Paul, Dana Dane

Richard Walters (born January 14, 1965), better known by his stage name Slick Rick, is a Grammy-nominated British American rapper. He has also been known as MC Ricky D and Rick the Ruler. He began his career in late 1983, in the hip hop genre, where he recorded a series of acclaimed recordings such as "La Di Da Di" and "Children's Story". Walters is best known for his storytelling innovations in this genre. His music has been frequently sampled and interpolated by other artists such as TLC, Black Star, The Notorious B.I.G. and Snoop Dogg, with many of these songs later becoming hit singles. Slick Rick rose to stardom in an era known to fans as the Golden age of hip hop.

Career[link]

Born and brought up in the south-west London suburb of Wimbledon, Walters later moved with his British Jamaican family to The Bronx in 1977 where he met Dana Dane with whom he later formed a hip hop duo known as the Kangol Crew. Walters received his characteristic eye patch after being blinded in the right eye by broken glass as an infant.^[1] Once he gained a degree of wealth, Walters earned a reputation for wearing the eye patch over his right eye, and a significant amount of gold and diamond jewelry.

He first gained success in the rap industry by joining Doug E. Fresh's Get Fresh Crew, using the stage name MC Ricky D. He was featured on the single "The Show" and its popular B-side "La Di Da Di". "La Di Da Di" featured Walters' rapping over Doug E. Fresh's beatbox. Both tracks gained some mainstream attention. In 1988 Walters' solo debut The Great Adventures of Slick Rick came out on Def Jam Records. The album was very successful, reaching the #1 spot on Billboard's R&B/Hip-Hop chart. It also featured three charting singles: "Children's Story", "Hey Young World", and "Teenage Love". These are now some of Walters' best known songs.

In 1990, Walters shot a bystander and his cousin whom he had hired as a bodyguard and who later admitted to having Walters shot outside a club. Walters was indicted on two counts of attempted murder and pled guilty to all charges, which included assault, use of a firearm, and criminal possession of a weapon. He spent five years in prison, two for the second degree attempted murder charges he received for the shooting, and three for his struggle with the Immigration and Naturalization Services over his residency in the US. He was bailed out by Russell Simmons, head of Def Jam Records. After being bailed out Walters recorded his second album, The Ruler's Back. The album got mixed reviews and wasn't as commercially successful as his debut. In the documentary film, The Show, Russell Simmons interviews Walters while he was imprisoned on Rikers Island.^[2]

Walters' third studio album Behind Bars was released while he was still incarcerated. It was met with lukewarm sales and reviews. After being released from prison in 1996, Walters remained with the Def Jam label and on May 25, 1999, released a fourth album entitled The Art of Storytelling. Generally considered the authentic follow up to his 1988 debut, The Art of Storytelling was an artistically successful comeback album that paired him with prolific MCs like Nas, OutKast, Raekwon, and Snoop Dogg among others. On October 6, 2008, Rick was honoured on the VH1 Hip Hop Honors show.

"La Di Da Di", "Mona Lisa" and "Children's Story" are among Walters most well known songs, with "La Di Da Di" being covered nearly word-for-word by Snoop Dogg on his 1993 album Doggystyle. Lines from "La Di Da Di" were borrowed by other multiple high profile artists. "Children's Story" was sampled by Montell Jordan for his 1995 hit, "This Is How We Do It", and rapper Everlast covered the song for his album Eat at Whitey's. Rapper Eminem also borrowed from the song extensively in his diss track "Can-I-Bitch". "Children's Story" was covered with similar lyrics by the MC duo Black Star on their 1998 album Mos Def and Talib Kweli are Black Star, as well as by Tricky on the album Nearly God. It was also paid tribute to by A Tribe Called Quest on their song "8 Million Stories". With a similar backing and very similar lyrics, rapper The Game also made a similar song which was named "Compton Story". "Compton Story" was on the Mixtape BWS Radio 5 made in 2008. The chorus of Notorious B.I.G.'s song "Hypnotize" is also derived from "La Di Da Di". The opening track on Jay Z's Blueprint albumn is also a cover of Slick Rick's "The Rulers Back" and borrows heavily from the original lyrics.

Slick Rick and the Soul Rebels Brass Band are scheduled to collaborate on June 21, 2012 in Washington DC at the historic Howard Theatre which re-opened in April 2012.^[3]

Slick Rick has been referenced in numerous songs:

• The Nicki Minaj song "Super Bass": "...slicker than the guy with the thing on his eye"
• The D12 video from their mixtape, Return of the Dozen Volume 2, where Bizarre raps in the track "Outro": "...patch on my eye, I'm the new Slick Rick".
• In the Keri Hilson song Knock You Down, Kanye West raps: "Hey young world, I'm the new Slick Rick/They say I move too quick..."
• In the Amy Winehouse song "Me and Mr Jones", Winehouse sings: "You made me miss the Slick Rick gig..."
• In the R.A. the Rugged Man song "Supa", R.A. raps: "...specifically wordplay Slick Ricky I'm slicker than Slick Ricky"
• In the Junior M.A.F.I.A. song "Player's Anthem" B.I.G. raps: "This type of s*** happens everyday!"
• In the Kanye West song "Touch the Sky" Kanye West raps: "Back when Slick Rick got the shit to pop, "
• In the MC Ren song "Same Old Shit" sampled Slick Rick: "This type of shit happens everyday!"
• In the CunninLynguists song "Old School" Deacon the Villain raps: "Before [...] Slick Rick had his rings"
• The Insane Clown Posse song "Fearless" features the lyrics: "...I'll sneak up to Slick Rick, and snatch off his eyepatch..."
• The Gorillaz, Andre 3000, & James Murphy song "DoYaThing" where Andre repeats: "...Is you really Slick Rick? No, you Dana Dane."

Rapping style[link]

Slick Rick’s style is commended by music critics. Music journalist Peter Shapiro says, “'Children's Story' was important because of its narrative structure and Rick’s understanding of how crucial little sonic details—such as his use of a female voice and his yawning rap—were to hip hop style.”^[4]

He is largely known for his story raps, such as ‘Children’s Story’ and ‘La Di Da Di'. Shapiro writes that he "largely introduced the art of narrative into hip hop… none of the spinners of picaresque rhymes who followed did it with the same grace or humor.”^[5] Allmusic states that he has the “reputation as hip hop's greatest storyteller.”^[6] In the book Check the Technique, Slick Rick says, “I was never the type to say freestyle raps, I usually tell a story, and to do that well I’ve always had to work things out beforehand.”^[7] Kool Moe Dee comments, “Slick Rick raised the lost art of hip hop storytelling to a level never seen again.”^[8] Devin the Dude notes that Slick Rick’s ‘Indian Girl’ is a good example of the type of humor that existed in hip hop’s golden era,^[9] and Peter Shapiro says that “he was funnier than Rudy Ray Moore or Red Foxx.”^[4]

Slick Rick uses very clear enunciation and raps with the “Queen’s English”.^[4] O.C. states: “The Great Adventures of Slick Rick is one of the greatest albums ever… the stuff he was just saying on there, it was so clear… the [clear] syllable dude was Slick Rick for me”.^[10] He is also renowned for his unique “smooth, British-tinged flow”^[7] which contains distinct structures. In the book How to Rap, it is noted that on the song ‘I Own America’, he “puts a rest on almost every other 1 beat so that each set of two lines begins with a rest.”^[11] Kool Moe Dee stated that, “Rick accomplished being totally original at a time when most MCs were using very similar cadences.”^[12] He has what is described as “singsong cadences”;^[6] Andy Cat of Ugly Duckling mentions that Slick Rick uses a melodic delivery on the track ‘Hey Young World’.^[13] Slick Rick is also known to extensively use punch ins, especially in his story rhymes as different characters;^[14] Kool Moe Dee says Rick used “multi-voices to portray multiple characters.”^[8]

Personal life[link]

Rumours suggested that Walters planned to release a new album, "The Adventure Continues," in 2007. However, in a recent XXL Magazine interview, he denied the claim.^[15] Rick is supposedly "waiting for a market to open up for a mature audience."

Legal issues[link]

After performing on a Caribbean cruise ship in June 2001, Walters was arrested by the Immigration and Naturalization Service (INS) as he re-entered the United States through Florida. He was promptly told that he was being deported because he was a British citizen since he had been born in London and moved to the States as a child. Rick was continuously refused bail, but after 17 months in prison he was released on November 7, 2003.^[16][17] In October 2006, the Department of Homeland Security began a new attempt to deport Walters,^[18] moving the case from the United States Court of Appeals for the Second Circuit based in New York to the more conservative Eleventh Circuit. The court is based in Atlanta, Georgia but the trial was expected to proceed in Florida, where immigration agents originally arrested Walters.

On May 23, 2008, New York Governor David Paterson granted Slick Rick a full and unconditional pardon on the attempted murder charges.^[19] The governor was pleased with his behavior since the mishap. Slick Rick has volunteered his time to mentor kids about violence.^[20]

Discography[link]

Albums[link]

• The Great Adventures of Slick Rick
  • Released: November 3, 1988
  • Billboard 200 chart position: #31
  • R&B/Hip-Hop chart position: #1
  • Last RIAA Certification: Platinum^[21]
  • Singles: "Teenage Love", "Children's Story" & "Hey Young World"

• The Ruler's Back
  • Released: July 2, 1991
  • Billboard 200 chart position: #29
  • R&B/Hip-Hop chart position: #18
  • Last RIAA Certification: None
  • Singles: " A Woman in Love With Other Men", "It's A Boy" & "I Shouldn't Have Done It"

• Behind Bars
  • Released: November 22, 1994
  • Billboard 200 chart position: #51
  • R&B/Hip-Hop chart position: #11
  • Last RIAA Certification: None
  • Singles: "Behind Bars" & "Sittin' In My Car"

• The Art of Storytelling
  • Released: May 25, 1999
  • Billboard 200 chart position: #8
  • R&B/Hip-Hop chart position: #1
  • Last RIAA Certification: Platinum^[21]
  • Singles: "Street Talkin'"

Singles[link]

Featured singles[link]

Appearances[link]

• 1986: "The Show (Oh My God! Remix)" (from the Doug E Fresh album Oh My God!)
• 1989: "If I'm Not Your Lover (12" remix from the Al B. Sure! album In Effect Mode)
• 1991: "Get Bizzy" (from the Greyson & Jaysun album Livin Like a Troopa)
• 1994: "Let's All Get Down" (from the Nice & Smooth album Jewel of the Nile)
• 1994: "Move On..." (from the compilation The Show (Original Soundtrack))
• 1996: I Like (From the Montell Jordan album More)
• 1996: "Got To Give It Up" (from the Aaliyah album One in a Million)
• 1997: "Just Another Case" (from the CRU album Da Dirty 30)
• 1998: "Fresh" (from the Jermaine Dupri album Life In 1472)
• 1998: "Faces Of Def" (bonus track on Jayo Felony's Whatcha Gonna Do)
• 1998: "Unify" (from the Kid Capri album Soundtrack to the Streets)
• 1998: "Pimpin' Ain't Easy" (from WWF Aggression with Ice-T & Charles Wright)
• 1999: "If We Give You A Chance" (from the Warren G album I Want It All)
• 1999: "Your Moms House"
• 1999: "Night Riders" (from the Rahzel album Make The Music 2000)
• 1999: "So Fresh" (from the Will Smith album Willennium)
• 1999: "Don't Come My Way" (from the Whiteboys soundtrack with Common)
• 1999: "Da Art of Storytellin' (Pt. 1)" (from the OutKast album Aquemini)
• 2000: "Why Not" (from the Erick Sermon album Def Squad Presents Erick Onasis)
• 2001: "What We Do (For Love)" (from the De La Soul album AOI: Bionix)
• 2001: "Pie" (from WWF The Music, Vol. 5 with The Rock)
• 2001: "Girls, Girls, Girls" (from the Jay-Z album The Blueprint)
• 2001: "Guidance Counselor"(from the Little-T And One Track Mike album Fome Is Dape)
• 2001: "Hey Young World, Part 2" (from the Macy Gray album The Id)
• 2002: "Women Lose Weight" (from the Morcheeba album Charango)
• 2004: "The Return (Remix)" (from the Jay-Z/R. Kelly album Unfinished Business)
• 2005: Performs live for Vox Entertainment @ Club Strata NYC
• 2005: "The Sun" (from the Ghostface Killah album Put It on the Line)
• 2005: "Irresistible Delicious" (from the Missy Elliott album The Cookbook)
• 2006: "Vows" (from the Juggaknots album Use Your Confusion)
• 2007: "Hip Hop Police" (from the Chamillionaire album Ultimate Victory)
• 2008: "VH1 Hip Hop Honors" (Honoree)
• 2009: "Y.O.U." (from the Asher Roth album Asleep in the Bread Aisle - UK bonus track)
• 2009: "Auditorium" (from the Mos Def album The Ecstatic)
• 2009: "We Will Rob You" (from the Raekwon album Only Built 4 Cuban Linx... Pt. II)
• 2009: "Family Jewels" (from the Dynas album The Apartment)
• 2010: "Rock The Bells 2010" (from album The Great Adventures of Slick Rick)

Filmography[link]

• Backstage appearance on Jay-Z's Fade to Black DVD.
• Cameo in Ludacris's music video for the single, "Number One Spot".
• Cameo, wearing his excessive jewelry in the New York Shit music video (2:56) by Busta Rhymes featuring Swizz Beatz.
• Himself in the game Def Jam: Fight for NY.
• Drug kingpin in the 1999 movie Whiteboyz, co-starring fellow rappers Doug E. Fresh, Dr. Dre, Snoop Dogg, Fat Joe, Dead Prez and Mic Geronimo.
• Cameo in the film Brown Sugar, which starred Taye Diggs and Sanaa Lathan.
• Himself in the seminal Run DMC film Tougher Than Leather, performing the song "Treat Her Like a Prostitute".
• Interviewee in 1995 documentary The Show
• Opened Chris Rock's Apollo Theatre comedy Show Bigger & Blacker
• Featured in the 2011 film Rhyme and Punishment, which documented his time in prison.

References[link]

External links[link]

• Slick Rick on Myspace
• Slick Rick at the Internet Movie Database
• Slick Rick on Facebook

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Oscar Niemeyer
Niemeyer in the 1950s
Born	(1907-12-15) December 15, 1907 (age 104) Rio de Janeiro, Brazil
Nationality	Brazilian
Awards	1988 Pritzker Prize
Work
Buildings	Edifício Copan National Congress of Brazil
Projects	United Nations headquarters City of Brasília
Design	Cathedral of Brasília

Oscar Ribeiro de Almeida Niemeyer Soares Filho (born December 15, 1907) is a Brazilian architect specializing in international modern architecture. In the 1940s, '50s and '60s "he established himself as one of Modernism's greatest luminaries," while he “reshaped Brazil’s identity in the popular imagination and mesmerized architects around the globe." ^[1] During the 1950s while Brasilia was starting to develop, Oscar Niemeyer made incredible amounts of contributions to the country by designing many important buildings in Brasilia. He is a pioneer in exploring the formal possibilities of reinforced concrete solely for their aesthetic impact. He is currently 104 years old and still working.

Niemeyer is most famous for his use of abstract forms and curves that specifically characterize every one of his works; he didn’t stick to traditional straight lines, for he is not attracted to straight angles or lines but rather he is captured by ”free-flowing, sensual curves… [like that] on the body of the beloved woman.”^[2] He was able to design and build curved architecture through his revolutionary useage of concrete. His designs are daring: mixing innovation and courage, plastic freedom and invention. His buildings are often characterized by being spacious and exposed, mixing volumes and empty space to create unconventional patterns and often propped up by piloti. His work with concrete is described as elegant and harmonious. Oscar Niemeyer was able to connect the baroque style with modern architecture leading to a new form of architecture, which had never been built in Brazil before.

Both lauded and criticized for being a "sculptor of monuments",^[3] he has been praised for being a great artist and one of the greatest architects of his generation by his supporters.^[4] He claims his architecture was strongly influenced by Le Corbusier, but in an interview conducted by Fritz Uteri, he assures that, “didn’t prevent [his] architecture from going in a different direction”.^[5] He is unique; he creates all of his designs in his mind and claims not to need to put his ideas on paper to imagine what he wants to achieve.

Some of his most famous works include the Cathedral in Brasilia, the National Congress of Brazil and the Modern Art Museum in Niteroi. His works include public buildings designed for the city of Brasília, and the United Nations Headquarters in New York City (with others). He has also designed private houses, private buildings, churches and buildings for education. Though Niemeyer hasn’t stopped there, he has also built monuments and designed furniture.

Early life[link]

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Oscar Niemeyer was born in the city of Rio de Janeiro on December 15, 1907.^[5] He took his German surname from a German Brazilian grandmother with roots in Hanover, Germany. Niemeyer explained, “my name ought to have been Oscar Ribeiro de Almeida de Niemeyer Soares, or simply Oscar de Almeida Soares, but the foreign surname prevailed and I am known simply as Oscar Niemeyer”.^[6] He spent his youth as a typical young Carioca of the time: bohemian and relatively unconcerned with his future. In 1928, at age 21, Niemeyer left school (Santa Antonio Maria Zaccaria Priory school) and married Annita Baldo,^[5] daughter of Italian immigrants from Padua. They have one daughter, Ana Maria, five grandchildren who are the photographer Carlos Eduardo "Kadu" Niemeyer, Ana Lúcia and Ana Elisa (from Anna Maria's marriage to Walter da Silva Attademo), Carlos Oscar Niemeyer and Ana Cláudia (from Anna Maria's relationship with Carlos Magalhães Silveira., thirteen great-grandchildren and seven great-great grandchildren.

He pursued his passion at the National School of Fine Arts in Rio de Janeiro (Escola Nacional de Belas Artes) and graduated with a BA in architecture in 1934.^[5] After graduating, he started to work in his father's typography house. At the time he had financial difficulties but decided to work without payment in the architecture studio of Lúcio Costa, Gregori Warchavchik and Carlos Leão. Niemeyer was inspired by his dissatisfaction with the architecture he saw in the streets, and believed he could find a career there. In 1937, Niemeyer, “built a military clinic for the “Obra do Berco”, Rio de Janeiro, his first executed work”.^[7] However, Niemeyer has claimed that his architecture really began in Pampulha, Minas Gerais, and as he explained in an interview, “Pampulha was the starting point of this freer architecture full of curves which I still love even today. It was in fact, the beginning of Brasilia…”.^[5] Pampulha was a revolutionary church for Brazil; it holds true to the usage of curves and free space, which Oscar Niemeyer has become so famous for. In 1936, he met Le Corbusier, who became a strong influence and teacher for Niemeyer, “His work was like a catechism for us. But what a difference to see him work and hear him talk about architecture”.^[6] Eventually, Niemeyer “traveled with Lucio Costa to New York in 1939 to work on the Brazilian Pavilion at the World’s Fair”.^[5] Then during the 40’s he continued traveling and designed buildings in Rio, Sao Paulo and Belo Horizonte.

In 1945, he joined the Brazilian Communist Party, and in 1992 he would become president of that party. Niemeyer was a boy at the time of the Russian Revolution of 1917, and by the Second World War he became a young idealist. During the military dictatorship of Brazil his office was raided and he was forced into exile in Europe. The Minister of Aeronautics of the time reportedly said that "the place for a communist architect is Moscow." He visited the USSR, met with diverse socialist leaders and became a personal friend of some of them. Fidel Castro once said: "Niemeyer and I are the last Communists of this planet."^{[cite this quote]}

First works[link]

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In 1936, at 29, Lúcio Costa was appointed by Education Minister Gustavo Capanema as the architect of the new headquarters for the Ministry of Education and Public Health in Rio de Janeiro. In 1939, Niemeyer assumed the leadership of the team of architects (Lúcio Costa, Carlos Leão, Affonso Eduardo Reidy, Jorge Moreira, Ernani Vasconcellos and Niemeyer, with Le Corbusier acting as a consultant) responsible for the Ministry that had assumed the task of shaping the ‘novo homem, Brasileiro e moderno’ (new man, Brazilian and modern).

Following Niemeyer's request, the headquarters were renamed Palácio Gustavo Capanema in 1985. It was the first state-sponsored modernist skyscraper in the world, and of a much larger scale than anything Le Corbusier had built until then. Completed in 1943, when he was 36, the building which housed the regulator and manager of Brazilian culture and cultural heritage developed the elements of what was to become recognized as Brazilian modernism. It employed local materials and techniques, like the azulejos linked to the Portuguese tradition; the revolutionized Corbusian brises-soleil, made adjustable and related to the Moorish shading devices of colonial architecture; bold colors; the tropical gardens of Roberto Burle Marx; the Imperial Palm (Roystonea oleracea), known as the Brazilian order; further allusions to the icons of the Brazilian landscape; and specially commissioned works by Brazilian artists.

In 1939, at 32, Niemeyer with Lúcio Costa designed the Brazilian pavilion at the New York World's Fair (executed in collaboration with Paul Lester Wiener). Impressed by the executed Pavilion, Mayor Fiorello La Guardia awarded Niemeyer the keys to the city of New York. Costa explained that the Brazilian Pavilion adopted a language of ‘grace and elegance’, lightness and spatial fluidity, open plan, curves and free walls, which he termed ‘Ionic’, contrasting it to the contemporaneous stern Modernist architecture, which he termed ‘Doric’. By mid-twentieth century, Brazilian architectural Modernism had been recognized as the first national style in modern architecture by Reyner Banham. The international architectural periodicals of the 1940s and 1950s dedicated hundreds of dithyrambic pages to the ‘chosen land of the most original and most audacious contemporary architecture’, followed by monographs on individual architects like Niemeyer and Affonso Eduardo Reidy.

The Pampulha project[link]

São Francisco de Assis Church, Belo Horizonte City, Minas Gerais, Brazil

In 1940, at 33, Niemeyer met Juscelino Kubitschek, who was at the time the mayor of Belo Horizonte, capital of the state of Minas Gerais. He and Minas Gerais Governor Benedito Valadares wanted to develop a new suburb to the north of the city called Pampulha, and commissioned Niemeyer to design a series of buildings to be known as the "Pampulha complex". Brazil’s first listed modern monument was Niemeyer’s Pampulha Church of São Francisco de Assis (English:  Church of Saint Francis of Assisi). The Pampulha complex included a casino, a dance hall and restaurant, a yacht club, and a golf club distributed around the artificial lake. A weekend retreat for the mayor was also constructed near the lake.

The buildings were completed in 1943, and provoked some controversy. They received international acclaim following the 1943 ‘Brazil Builds’ exhibition, at the New York Museum of Modern Art (MoMA). The conservative Church authorities of Minas Gerais refused to consecrate the church until 1959, in part because of its unorthodox form, in part because of the altar mural painted by Candido Portinari. The mural depicts Saint Francis of Assisi as the savior of the ill, the poor and, most importantly, the sinner.

Pampulha, says Niemeyer, offered him the opportunity to 'challenge the monotony of contemporary architecture, the wave of misinterpreted functionalism that hindered it, and the dogmas of form and function that had emerged, counteracting the plastic freedom that reinforced concrete introduced. I was attracted by the curve – the liberated, sensual curve suggested by the possibilities of new technology yet so often recalled in venerable old baroque churches. […] I deliberately disregarded the right angle and rationalist architecture designed with ruler and square to boldly enter the world of curves and straight lines offered by reinforced concrete. […] This deliberate protest arose from the environment in which I lived, with its white beaches, its huge mountains, its old baroque churches, and the beautiful suntanned women.'^[2]

The 1940s and 1950s[link]

Ministries Esplanade with several of Niemeyer's buildings: the National Congress, the Cathedral, the National Museum and the National Library, Brasilia, D.F., 2006

National Congress of Brazil, Brasília

Cathedral of Brasília, hyperboloid structure

In 1947, at 40, his worldwide recognition was confirmed when Niemeyer traveled to the United States to be part of the international team working on the design for the headquarters of the United Nations in New York. Niemeyer's 'scheme 32' was approved by the Board of Design, but he eventually gave in to pressure by Le Corbusier, and together they submitted project 23/32 (developed with Bodiansky and Weissmann), which combined elements from Niemeyer's and Le Corbusier's schemes, but was primarily based on Niemeyer's scheme. Despite Le Corbusier’s insistence to remain involved, the conceptual design for the United Nations Headquarters (scheme 23/32), approved by the Board, was carried forward by the Director of Planning, Wallace Harrison, and Max Abramovitz, then a partnership. In the previous year Niemeyer had received an invitation to teach at Yale University; however, his visa was denied. In 1950 the first book about his work was published in the USA by Stamo Papadaki. In 1953, at 46, Niemeyer was selected for the position of dean of the Harvard Graduate School of Design. His Communist Party membership meant that, for the second time, he was refused a visa to enter the United States.

In Brazil, he designed São Paulo's Ibirapuera Park (for the celebrations of the city's 400th anniversary) 1951, the Copan apartment building (1953–66), and the JK Building in Belo Horizonte (1951). In 1952–53, he built his own house in Rio de Janeiro, the House at Canoas (Casa das Canoas), and, in 1954–60, the Niemeyer luxury apartment building in Belo Horizonte. In 1955, at 48, Niemeyer designed the Museum of Modern Art of Caracas (MAM Caracas). According to him, this project marked a new direction his work was beginning to take, exemplified by his government buildings for Brasilia.

It was at the Canoas House that Juscelino Kubitschek visited Niemeyer one September morning of 1956, soon after he assumed the Brazilian presidency. While driving back to the city, the politician ‘eagerly’ spoke to the architect about his most audacious scheme: ‘I am going to build a new capital for this country and I want you to help me […] Oscar, this time we are going to build the capital of Brazil.’^[8]

Niemeyer organized a competition for the lay-out of Brasília, the new capital, and the winner was the project of his old master and great friend, Lúcio Costa. Niemeyer would design the buildings, Lucio the plan of the city.

In the space of a few months, Niemeyer designed a large number of residential, commercial and government buildings. Among them were the residence of the President (Palácio da Alvorada), the House of the deputy, the National Congress of Brazil, the Cathedral of Brasília (a hyperboloid structure), diverse ministries, and residential buildings. Viewed from above, the city can be seen to have elements that repeat themselves in every building, giving it a formal unity.

Behind the construction of Brasília lay a monumental campaign to construct an entire city in the barren center of the country, hundreds of kilometers from any major city. The brainchild of Kubitschek, Niemeyer had as aims included stimulating the national industry, integrating the country's distant areas, populating inhospitable regions, and bringing progress to a region where only cattle ranching had a foothold. Niemeyer and Lúcio Costa used it to test new concepts of city planning: streets without transit, buildings floating off the ground supported by columns and allowing the space underneath to be free and integrated with nature.

The project also had a socialist ideology: in Brasília all the apartments would be owned by the government and rented to its employees. Brasília did not have "nobler" regions, meaning that top ministers and common laborers would share the same building. Of course, many of these concepts were ignored or changed by other presidents with different visions in later years. Brasília was designed, constructed, and inaugurated within four years. After its completion, Niemeyer was nominated head chief of the college of architecture of the University of Brasília. In 1963, he became an honorary member of the American Institute of Architects in the United States; the same year, he received the Lenin Peace Prize from the USSR.

Niemeyer and his contribution to the construction of Brasília are portrayed in the 1964 French movie L'homme de Rio (The Man From Rio), starring Jean-Paul Belmondo.

In 1964, at 57, after being invited by Abba Hushi, the mayor of Haifa, Israel, to plan the campus of the University of Haifa, he came back to a completely different Brazil. In March President João Goulart, who succeeded President Jânio Quadros in 1961, was deposed in a military coup. General Castello Branco assumed command of the country, which would remain a dictatorship until 1985.

Exile and projects overseas[link]

Mondadori headquarters near Milan, Italy

The leftist position of Niemeyer (he was a staunch stalinist^[9]) cost him much during the military dictatorship. His office was pillaged, the headquarters of the magazine he coordinated was destroyed, his projects mysteriously began to be refused and clients disappeared. In 1965, two hundred professors, Niemeyer among them, asked for their resignation from the University of Brasília, in protest against the government treatment of universities. In the same year he traveled to France for an exhibition in the Louvre museum.

The following year, Niemeyer moved to Paris. Also in 1966, at 59, he travelled to the city of Tripoli, Lebanon to design the International Permanent Exhibition Centre.^[10] Despite completing construction, the start of the civil war in Lebanon prevented it from achieving its full utility.

He opened an office on the Champs-Élysées, and had customers in diverse countries, especially in Algeria where he designed the University of Science and Technology-Houari Boumediene. In Paris he created the headquarters of the French Communist Party, Place du Colonel Fabien, and in Italy that of the Mondadori publishing company. In Funchal on Madeira, a 19th-century hotel was removed to build a casino by Niemeyer. Another prominent design of his was the Penang State Mosque in George Town the state capital of Penang, Malaysia in the 1970s.

While in Paris, Niemeyer began designing furniture which was produced by Mobilier International. He created an easy chair and ottoman composed of bent steel and leather in limited numbers for private clients. Later, in 1978, this chair and other designs including the "Rio" chaise-longue were produced in Brazil by the Japanese company Tendo, then Tendo Brasileira. The easy chairs and ottomans were made of bent wood and were placed in different Communist party headquarters around the world. Much like his architecture, Niemeyer's furniture designs were meant to evoke the beauty of Brazil, with curves mimicking the female form and the hills of Rio de Janeiro.

1980s to 2000[link]

Casino in Funchal, Madeira

In 1988, at 81, Niemeyer was awarded the Pritzker Architecture Prize, the most prestigious award in architecture, for the Cathedral of Brasília (1958).

From 1992 to 1996, Niemeyer was the president of the Brazilian Communist Party (PCB). As a lifelong activist, Niemeyer was chosen as a powerful public figure that could be linked to the party at a time when it appeared to be in its death throes after the demise of the USSR. Although not active as a political leader, his image helped the party to survive through its crisis, after the 1992 split and to remain as a political force in the national scene, which eventually led to its reconstruction. He was replaced by Zuleide Faria de Mello in 1996.

He designed at least two more buildings in Brasilia, small ones, the Memorial dos Povos Indigenas^[11] ("Memorial for the Indigenous People") and the Catedral Militar, Igreja de N.S. da Paz.^[12]

In 1996, at the age of 89, he created the Niterói Contemporary Art Museum in Niterói, a city next to Rio de Janeiro. The building is cantilevered out from sheer rock face, giving a view of the Guanabara Bay and the city of Rio de Janeiro.

2002 to present[link]

Oscar Niemeyer, December 2010

The Niterói Contemporary Art Museum

Oscar Niemeyer Museum (NovoMuseu), Curitiba, Brazil

Brazilian National Museum, Brasilia, D.F.

Municipal Library in city center, Duque de Caxias, RJ, Brasil

Óscar Niemeyer International Cultural Centre Asturias, Spain

The Brazilian dictatorship lasted until 1985. Under João Figueiredo's rule it softened and gradually turned into a democracy. At this time Niemeyer decided to return to his country. During that decade he made the Memorial Juscelino Kubitschek (1980), the Pantheon (Panteão da Pátria e da Liberdade Tancredo Neves Pantheon of the Fatherland and Freedom, 1985) and the Latin America Memorial (1987) (dubbed by The Independent of London to be "...an incoherent and vulgar construction"^[13]). The memorial sculpture represents the wounded hand of Jesus, whose wound bleeds in the shape of Central and South America.

In 2002, at 95 the Oscar Niemeyer Museum complex was inaugurated in the city of Curitiba, Paraná. The building is locally known as "Niemeyer's Eye".

In 2003, at 96, Niemeyer was called to design the Serpentine Gallery Summer Pavilion in Hyde Park London, a gallery that each year invites a famous architect who has never previously built in the UK, to design this temporary structure. A publication of Niemeyer's structure called Serpentine Gallery Pavilion 2003 was published by Trolley Books later that year, ISBN 978-1-904563-13-6.

In 2004, Niemeyer, at 97 designed the tombstone for Communist Carlos Marighella in Salvador da Bahia, to commemorate the 35th anniversary of his death. He was widowed after 76 years of marriage to Annita, Annita died at 93 years old. Also his brother Paulo Niemeyer died.

In 2005, at 98, a building entitled "Estação, Ciência, Cultura e Artes" (Science, Culture and Arts Station) was approved for construction at João Pessoa, the easternmost point of the Americas.^[14]

In 2006, Niemeyer at the age of 99 wed longtime aide Vera Lucia Cabreira. They married at his apartment in Rio de Janeiro's Ipanema district a month after fracturing his hip in a fall.

2007 saw Niemeyer turn 100 and still involved in diverse projects, mainly sculptures and readjustments of old works of his that, protected by national (and some cases international) historic heritage regulations, can only be modified by him. He is currently designing a statue showing a tiger with its mouth open and a man fighting it raising the Cuban flag against the US blockade of Cuba.On Niemeyer's 100th birthday, Russia's president Vladimir Putin awarded him the Order of Friendship.^[15] Grateful for the Prince of Asturias Award of Arts received in 1989, he collaborated on the 25th anniversary of these awards with the donation to Asturias of the design of a cultural centre. The actual Óscar Niemeyer International Cultural Centre (also known in Spain as Centro Niemeyer), is located in Avilés (Asturias) in Northern Spain. These modern buildings were described by himself as “a big square open to all men and women of the world, a big loge between the river and the ancient town". The Niemeyer Center was inaugurated during the spring of 2011.

In December 2008 when he turned 101, Niemeyer was recovering in hospital from December 16 to December 27. While in hospital he was as quoted saying that being hospitalized is 'a very lonely thing; I needed to keep busy, keep in touch with friends, maintain my rhythm of life.'

In December 2009, after he turned 102, Niemeyer was again hospitalized, this time for 4 days, in the same hospital with an intestinal tumor, which was surgically removed. In December 2010 he turned 103 and opened a museum of his work. The Oscar Niemeyer Foundation outside Rio de Janeiro houses drawings and models from the modernist architect's 70-year career. "My friends have come to see me, how nice," Mr Niemeyer told reporters at the inauguration of his foundation in the city of Niteroi, outside Rio de Janeiro.

The Holoteca, a library specialized on consciousness and the paranormal, in the Cognopolis neighborhood of Iguassu Falls is one of his latest projects.

Criticism[link]

Nicolai Ouroussoff, the architecture critic of the New York Times published an article questioning if his recent work is being affected by old age. He considers the "Niterói Contemporary Art Museum" to be of significantly lower quality than his previous works. Most notably, he argues that "the greatest threat to Mr. Niemeyer’s remarkable legacy may not be the developer’s bulldozer or insensitive city planners, but Mr. Niemeyer himself." He considers iconic works at "Esplanada dos Ministérios" to "have been marred by the architect’s own hand".^[16]

See also[link]

• List of Oscar Niemeyer works

References[link]