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Latin American music, found throughout Latin America, is a number of musical styles and genres mixing influences from Spanish, African and native Latin American sources which has become popular worldwide.

Popular music styles by country[link]

Argentina[link]

The tango is perhaps Argentina's best-known musical genre, famous worldwide. Others styles include the Chacarera, Milonga, Zamba and Chamamé. Modern rhythms include Cuarteto (music from the Cordoba Province) and Electrotango.

Argentine rock (known locally as rock nacional) was most popular during the 1980s, and remains Argentina's most popular music. Rock en Español was first popular in Argentina, then swept through other Latin American countries and Spain. The movement was known as the "Argentine Wave."

Belize[link]

The music of Belize has a combination of Kreol, Mestizo, Garifuna, and Mayan influences. The music is generally rewritten in English. After many centuries of Maya habitation Spanish (and then British) colonists arrived in the area, the latter keeping Belize as its only colony in Spanish-dominated Central America. More influential than either European power's arrival, however, was the importation of African slaves. Europeans brought polkas, waltzes, schottisches and quadrilles, and Africans brought instruments and percussion-based music. The Mayans made the first diatonic marimba, which was also popularin Belize. African culture resulted in the creation of music in the logging camps played by banjos, guitars, drums, bells, accordions and an ass's jawbone (played by running a stick up and down the teeth). Among the most popular musical styles created by Kriol musicians is brukdown. Brukdown evolved from the music and dance of loggers, especially a form known as buru. Punta and Punta rock-jazz-hiphop are the most popular dances in Garifuna culture, performed around holidays and at parties and other social events. Punta lyrics are usually composed by women. Chumba and hunguhungu are round dances with a three-beat rhythm, often combined with punta.

Bolivia[link]

Bolivian music is perhaps the most strongly-linked to its native population among the national styles of South America. After the nationalistic period of the 1950s Aymara and Quechuan culture became more widely accepted, and their folk music evolved into a more pop-like sound. Los Kjarkas played a pivotal role in this fusion. Other forms of native music (such as huayños and caporales) are also widely played. Cumbia is another popular genre. There are also lesser-known regional forms, such as the music from Santa Cruz and Tarija (where styles such as Cueca and Chacarera are popular).

Brazil[link]

	Atraente Choro "Atraente", composed by Chiquinha Gonzaga, recorded by Pixinguinha (saxophone) and Benedito Lacerda (flute). Choro is a genre of Brazilian instrumental music
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Brazil is a large, diverse country with a long history of popular-musical development, ranging from the early-20th-century innovation of samba to the modern Música Popular Brasileira. Bossa nova is internationally well-known, and Forró (pronounced [foˈʁɔ]) is also widely known and popular in Brazil.

Chile[link]

Many musical genres are native to Chile; one of the most popular was the Chilean Romantic Cumbia, exemplified by artists such as Americo and Leo Rey. The Nueva Canción originated in the 1960s and 1970s and spread in popularity until the 1973 Chilean coup d'état, when most musicians were arrested, killed or exiled.

In Central Chile, several styles can be found: the Cueca (the national dance), the Tonada, the Refalosa, the Sajuriana, the Zapateado, the Cuando and the Vals. In the Norte Grande region traditional music resembles the music of southern Perú and western Bolivia, and is known as Andean music. This music, which reflects the spirit of the indigenous people of the Altiplano, was an inspiration for the Nueva canción. The Chiloé Archipelago has unique folk-music styles, due to its isolation from the culture centres of Santiago and Lima.

Music from Chilean Polynesia, Rapa Nui music, is derived from Polynesian culture rather than colonial society or European influences.

Cuba[link]

Cuba has produced many of the world's best-known musical genres, and a number of renowned musicians in a variety of styles. Blended styles range from the danzón to the rumba.

Colombia[link]

Colombian music can be divided into four musical zones: the Atlantic coast, the Pacific coast, the Andean region and Los Llanos. The Atlantic music features rhythms such as the cumbia, porros and mapalé. Music from the Pacific coast, with drums predominating (such as the currulao) is tinged with Spanish influence. Colombian Andean has been strongly influenced by Spanish rhythms and instruments, and differs noticeably from the Indian music of Peru or Bolivia. Typical forms include the bambuco, pasillo guabina and torbellino, played with pianos and string instruments such as the tiple guitarra. The music of Los Llanos, música llanera, is usually accompanied by a harp, a cuatro (a type of four-string guitar) and maracas. It has much in common with the music of the Venezuelan Llanos.

Apart from these traditional forms, two newer musical styles have conquered large parts of the country: la salsa, which has spread throughout the Pacific coast and the vallenato, which originated in La Guajira and César (on the northern Caribbean coast). The latter is based on European accordion music. Merengue music is heard as well. More recently, musical styles such as reggaeton and bachata have also become popular.

Dominican Republic[link]

Merengue típico and Orchestra merengue have been popular in the Dominican Republic for many decades, and is widely regarded as the national music. Bachata is a more recent arrival, taking influences from the bolero and derived from the country's rural guitar music. Bachata has evolved and risen in popularity over the last 40 years in the Dominican Republic and other areas (such as Puerto Rico) with the help of artists such as Antony Santos, Luis Segura, Luis Vargas, Teodoro Reyes, Yoskar Sarante, Alex Bueno, and Aventura. Bachata, merengue and salsa are now equally popular among Spanish-speaking Caribbean people. When the Spanish conquistadors sailed across the Atlantic they brought with them a type of music known as hesparo, which contributed to the development of Dominican music. A romantic style is also popular in the Dominican Republic from vocalists such as Angela Carrasco, Anthony Rios, Dhario Primero, Maridalia Hernandez and Olga Lara.

Ecuador[link]

Traditional Ecuadorian music can be classified as mestizo, Indian and black music. Mestizo music evolved from the interrelation between Spanish and Indian music. It has rhythms such as pasacalles, pasillos, albazos and sanjuanitos, and is usually played by stringed instruments. There are also regional variations: coastal styles, such as vals (similar to Vals Peruano (Waltz)) and montubio music (from the coastal hill country).

Indian music in Ecuador is determined in varying degrees by the influence of quichua culture. Within it are sanjuanitos (different from the meztizo sanjuanito), capishkas, danzantes and yaravis. Non-quichua indigenous music ranges from the Tsáchila music of Santo Domingo (influenced by the neighboring Afro-marimba) to the Amazonian music of groups such as the Shuar.

Black Ecuadorian music can be classified into two main forms. The first type is black music from the coastal Esmeraldas province, and is characterized by the marimba. The second variety is black music from the Chota Valley in the northern Sierra (primarily known as Bomba del Chota), characterized by a more-pronounced mestizo and Indian influence than marimba esmeraldeña. Most of these musical styles are also be played by wind ensembles of varying sizes at popular festivals around the country. Like other Latin American countries, Ecuadorian music includes local exponents of international styles: from opera, salsa and rock to cumbia, thrash metal and jazz.

El Salvador[link]

Salvadorian music may be compared with the Colombian style of music known as cumbia. Popular styles in modern El Salvador (in addition to cumbia) are salsa, Bachata and Reggaeton. "Political chaos tore the country apart in the early 20th century, and music was often suppressed, especially those with strong native influences. In the 1940s, for example, it was decreed that a dance called "Xuc" was to be the "national dance" which was created and led by Paquito Palaviccini's and his Orquestra Internacional Polio".^{[citation needed]} In recent years reggaeton and hip hop have gained popularity, led by groups such as Pescozada and Mecate. Salvadorian music has a musical style influenced by Mayan music (played on the El Salvador-Guatemala border, in Chalatenango). Another popular style of music not native to El Salvador is known as Punta, a Belizean and Honduran style.

One of the leading classical composers from El Salvador is Carlos Colón-Quintana.

Guatemala[link]

Guatemala has a long musical tradition.

Haiti[link]

Haiti has a rich blend of African and European music; Cuban and Dominican influences also blend to create Haiti's diverse music. The most notable styles are Kompa and méringue. Evolving in Haiti during the 1850s, the Haitian merengue (known as the mereng in Haitiean Creole and méringue in French) is regarded as the oldest surviving form of merengue performed today and is a national symbol. According to Jean Fouchard, mereng evolved from the fusion of slave music genres (such as the chica and calenda) with ballroom forms related to the French contredanse. Mereng's name, he says, derives from the mouringue music of the Bara, a Bantu people of Madagascar. That few Malagasies came to the Americas casts doubt on this etymology, but it is significant because it emphasizes what Fouchard (and most Haitians) consider the African-derived nature of their music and national identity. Dominican merengue, Jean Fouchard suggests, developed directly from Haitian mereng.

Dominicans are not inclined to highlight African and Haitian influences on their culture. As ethno-musicologist Martha Davis points out, many Dominican scholars "have, at the least, ignored African influence in Santo Domingo. At the worst, they have bent over backwards to convince themselves and their readers of the one hundred percent Hispanic content of their culture. This is not an uncommon Latin American reaction to the inferiority complex produced by centuries of Spanish colonial domination".^{[citation needed]}

Honduras[link]

The music of Honduras varies from Punta (the local genre of the Garifunas) to Caribbean music such as salsa, merengue, reggae and reggaeton (all widely heard, especially in the north). Mexican ranchera music has a large following in the rural interior of the country. The country's ancient capital of Comayagua is an important center for modern Honduran music, and is home to the College for Fine Arts.

Mexico[link]

Mexico is perhaps one of the most musically-diverse countries in the world. Each of its 31 states, its capital city and each of Mexico City's boroughs claim unique styles of music. The most representative genre is mariachi music. Although commonly misportrayed as buskers, mariachis musicians play extremely technical, structured music or blends such as jarabe. Most mariachi music is sung in verses of prose poetry. Ranchera, Mexico's country music, differs from mariachi in that it is less technical and its lyrics are not sang in prose. Other regional music includes: son jarocho, son huasteco, Veracruzan danzón, Mexican mambo, bolero, Trio, cha-cha-chá, cumbia sonidera, Mexican pop, rock en español, Mexican rock and canto nuevo. There is also music based on sounds made by dancing (such as the zapateada) which some believe gave origin to flamenco after the Conquistadores brought it back to Spain and claimed it as their own.

Northeastern Mexico is home to another popular style called norteña, which assimilates Mexican ranchera with Colombian cumbia and is typically played with Bavarian accordions and Bohemian polka influence. Variations of norteña include duranguense, tambora sinaloense, corridos and nortec (norteño-techno). The eastern part of the country makes heavy use of the harp, typical of the son arocho style. The music in southern Mexico is particularly represented by its use of the marimba, which has its origins in the Soconusco region between Mexico and Guatemala.

Mambo music is generally associated with Cuba; however, Mexico's role in the development and expansion of the genre is often overlooked due to the fact that the Gulf states of Mexico popularized mambo, but in Cuba it was popular throughout the country. One of mambo's major composers was Perez Prado, who composed successfully in Mexico City. Mexican mambo is said to be more technical and refined; its use of brass is less aggressive than its Caribbean counterpart.

The north-central states have recently spawned a Tecktonik-style music, combining electro and other dance genres with more traditional music.

Nicaragua[link]

The most popular style of music in Nicaragua is palo de Mayo, which is both a type of dance music and a festival where the dance (and music) originated. Other popular music includes marimba, punta, Garifuna music, son nica, folk music, merengue, bachata and salsa.

Panama[link]

A popular style of music in Panama is Spanish reggae. Spanish reggae originated in Panama in 1977 and competes with reggaeton (which was created in Puerto Rico), having strong Puerto Rican influences such as bomba and plena soca. Salsa, bachata, and merengue can be heard as well throughout the nation. Other Hispanic and Latino styles are also heard, as well as Caribbean, salsa and West Indian music.

Paraguay[link]

Paraguayan music depends largely upon two instruments: the guitar and the harp, which were brought by the conquistadors and found their own voices in the country. Polka Paraguaya, which adopted its name from the European dance, is the most popular type of music and has different versions (including the galopa, the krye’ÿ and the canción Paraguaya, or "Paraguayan song"). The first two are faster and more upbeat than a standard polka; the third is a bit slower and slightly melancholy. Other popular styles include the purahéi jahe’o and the compuesto (which tell sad, epic or love stories). The polka is usually based on poetic lyrics, but there are some emblematic pieces of Paraguayan music (such as "Pájaro Campana", or "Songbird", by Félix Pérez Cardozo).

Guarania is the second-best-known Paraguayan musical style, and was created by musician José Asunción Flores in 1925.

Peru[link]

Peruvian music is made up of indigenous, Spanish and West African influences. Coastal Afro-Peruvian music is characterized by the use of the cajón peruano. Amerindian music varies according to region and ethnicity. The best-known Amerindian style is the huayño (also popular in Bolivia), played on instruments such as the charango and guitar. Mestizo music is varied and includes popular valses and marinera from the northern coast.

Puerto Rico[link]

Of all Puerto Rico's musical exports, the best-known are salsa music and reggaeton. Bomba and plena have long been popular, while reggaetón is a relatively-recent invention. It is a form of urban contemporary music, often combining other Latin musical styles, Caribbean and West Indies music (such as reggae, soca, Spanish reggae, salsa, merengue and bachata. Malianteo is a blend of rap, reggaeton and rapcore music.

Venezuela[link]

Llanera is Venezuelan popular music originating in the llanos plains, although a more upbeat and festive gaita version is heard western Venezuela (particularly in Zulia State). There are also African-influenced styles which emphasize drumming and dance, and such diverse styles as music from the Guayana region (influenced by neighboring English-speaking countries) and Andean music from Mérida.

Uruguay[link]

Uruguayan music has similar roots to that of Argentina. Uruguayan tango and milonga are both popular styles, and folk music from along the River Plate is indistinguishable from its Argentine counterpart. Uruguay rock and cancion popular (Uruguayan versions of rock and pop music) are popular local forms. Candombe, a style of drumming descended from African slaves in the area, is quintessentially Uruguayan (although it is played to a lesser extent in Argentina).^[1] It is most popular in Montevideo, but may also be heard in a number of other cities.

Popular styles[link]

Nueva canción[link]

Salsa[link]

Based on Cuban music (especially Cuban son and son montuno) in rhythm, tempo, bass line, riffs and instrumentation, Salsa represents an amalgamation of musical styles including rock, jazz, and other Latin American (and Puerto Rican) musical traditions. Modern salsa (as it became known worldwide) was forged in the pan-Latin melting pot of New York City in the late 1960s and early 1970s.

Tejano music[link]

Tejano music may be categorized as a blend of country music, rock, and R&B born in Texas and performed in both Spanish and English with a variety of cultural influences.

Most Tejanos today reside in South Texas and have a form of folk and popular music, greatly influenced by (yet quite distinctive from) both traditional genres of Mexican music and mainstream genres of American music. Texan star Selena is credited with bringing Tejano music to the forefront of popular music.

Reggaetón[link]

Reggaeton has become a Latin American phenomenon and is no longer classifiable as a Panamanian (or even a Puerto Rican) genre. It blends the Jamaican musical influences of reggae and dancehall and Trinidadian soca with Latin American music (such as the Puerto Rican bomba and plena) and American hip hop and rap. The music is also combined with rapping, generally in Spanish.

Latin ballad[link]

The Latin (or romantic) ballad is a Latin musical genre which originated in the 1960s. This ballad is very popular in Latin America and Spain, and is characterized by a sensitive rhythm. A descendant of the bolero, it has several variants (such as salsa and cumbia). Since the mid-20th century a number of artists have popularized the genre, such as Julio Iglesias, Luis Miguel and Cristian Castro.

Imported styles[link]

Imported styles of popular music with a distinctively Latin flavor include Latin jazz, Argentine and Chilean rock and Cuban and Mexican hip hop, all influenced by styles from the United States (jazz, rock and roll and hip hop). Music from non-Latin parts of the Caribbean are also popular throughout Latin America, especially Jamaican reggae and dub, Trinidadian calypso music and soca. Flamenco, rumba, pasodoble and fados from the Iberian peninsula are well-known due to the Iberian heritage in Latin America.

See also[link]

Latin American music portal

• Opera in Latin America

References[link]

• Morales, Ed (2003). The Latin Beat. Da Capo Press. ISBN 0-306-81018-2. 
• Nettl, Bruno (1965). Folk and Traditional Music of the Western Continents. Prentice-Hall, Inc. ISBN 0-13-323247-6. 
• Stevenson, Robert (1952). Music in Mexico. Thomas Y. Crowell Company. ISBN 1-199-75738-1. , cited in Nettl, p. 163.

External links[link]

• Latin American Music on the Open Directory Project
• Greatest Latin Contemporary Albums of AllTime
• South American Music and Culture Magazine

Further reading[link]

• Blackburn, Manuella. "Electroacoustic Music Incorporating Latin American Influences: A consideration of implications, reception and borrowing." eContact! 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l'œuvre électroacoustique (August 2010). Montréal: CEC.

Mia Martina (born Martine Johnson, January 14, 1984) is a Canadian artist signed to CP Records.

Musical career[link]

At age 18, she moved to Ottawa to go to Carleton University.^[1] While at university, she saw an ad for an intern position at a local label, CP Records and after a year working, offered to perform backup dancing.^[1]

She released her debut album titled Devotion, in August 2011. Her first single release was a cover version of Edward Maya and Vika Jigulina's "Stereo Love". It reached number 10 in the Billboard Canadian Hot 100 in November 2010 and also reached platinum sales.^[2] In late 2010, Don Omar collaborated with Mia Martina to release a remix version of "Stereo Love".

Discography[link]

Studio albums[link]

Singles[link]

References[link]

External links[link]

• Mia Martina

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Don Omar
Omar at Hard Rock Live in Orlando, Florida, October 4, 2008
Background information
Birth name	William Omar Landrón Rivera
Also known as	El Rey
Born	(1978-02-10) February 10, 1978 (age 34)
Origin	Puerto Rico
Genres	Reggaeton, pop, rap, R&B
Occupations	Singer-songwriter, composer, CEO, actor, rapper
Years active	1999–present
Labels	Orfanato Music Group (His Label) VI Music Universal Music Latino Machete Music
Website	Don Omar

Don Omar (born William Omar Landrón Rivera; February 10, 1978 ^[1]), a Puerto Rican reggaeton singer-rapper and actor. He is sometimes referred to by his nickname El Rey (Spanish: "The King").

Early life[link]

William Omar Landrón Rivera is the oldest son of William Landrón and Luz Antonia Rivera. He was raised in Santurce, a barrio in the Villa Palmeras area of San Juan, Puerto Rico. From an early age, he showed interest in the music of Vico C and Brewley MC.^{[citation needed]} During his youth, he became an active member of a Protestant church, Iglesia Evangélica Restauración en Cristo in Bayamón where he occasionally offered sermons. However, after four years, he left the church to dedicate himself to singing.^[2]

Career[link]

His first public performance in a night club was accompanied by disc jockey Eliel Lind Osorio. Afterwards he appeared regularly on compilation albums from popular DJs and producers including Luny Tunes, Noriega, and DJ Eric. He also worked as a backup singer for the duo Héctor & Tito. One of the members, Héctor Delgado, helped him produce his first solo album.^[2]

Don Omar's career rose to stardom with the release of his first studio album, The Last Don. Both the studio version and its live edition have been certified platinum by the Recording Industry Association of America. Worldwide, The Last Don: Live [CD & DVD] has sold over one million copies, according to his official website. He earned awards for Latin Pop Album of the Year and New Artist & Latin Rap/Hip-Hop Album of the Year by the Billboard Latin Music Awards in 2003. The Last Don: Live [CD & DVD] was also nominated for Urban Music Album at the 2005 Latin Grammy Awards.

Omar's May 2006 album King of Kings, became history's highest ranking reggaeton LP in the top 10 US charts, with its debut at #1 on the Latin sales charts and the #1 spot on the Billboard Latin Rhythm Radio Chart with his single “Angelito”.^[3] Omar was also able to beat the in-store appearance sales record at Disney World's Virgin music store previously set by pop star Britney Spears.

With the highest charting debut by a reggaeton artist, Don Omar's King of Kings entered at No. 7 with 74,000, beating Daddy Yankee's No. 24 entry with 2005's "Barrio Fino En Directo". In April 2007, Don Omar received the Latin Billboard award for Reggaeton Album Of The Year for King of Kings.^[4] Billboard recognized that King of Kings was the most successful album of the decade in Latin America, besides being the most successful in the history of the genre of reggaeton. Billboard estimated that the album sold over 4.1 million copies by the end of 2009.^[5]

The album's track "Salió El Sol" is featured in the video game Grand Theft Auto IV. The songs "Los Bandoleros" and "Conteo" were featured in the movie The Fast and the Furious: Tokyo Drift in the ending credits.

Don Omar participated in Gilberto Santa Rosa's presentation in an event titled "Concierto del Amor", presented in the Madison Square Garden on February 9, 2008. He closed the event and performed reggaeton themes.^[6]

Don Omar's third studio album, iDon, was released on April 28, 2009. This album was dedicated to his cousin Cordell Brown. "Virtual Diva" became the most requested song on Latin radio stations.^[7][8] The second official single, titled "Sexy Robotica", was released on July 6, 2009.

The album Don Omar Presents: Meet The Orphans was released on November 16, 2010. The album features the artists under Don Omar's Orfanato Music Group label and other reggaeton artists. The album includes the promotional single Hasta Abajo and the album's lead single Danza Kuduro featuring Portuguese-French singer Lucenzo, as well as collaborations from Orfanato Music Group artists including Kendo Kapponi, Syko, Plan B, Zion & Lennox, Yaga & Mackie and Danny Fornaris. He is signed to VI Music and Machete Music through Universal Music Latino.

The album Don Omar Presents MTO2: The New Generation was released on May 1, 2012. The album features newly signed to Orfanato Music Group Natti Natasha as well as many other signed artists and other reggaeton artists like Zion Y Lennox. The album includes the singles Hasta Que Salga El Sol and Dutty Love featuring Natti Natasha. The album also features collaborations with Juan Magan, Mims, Syko, Vinny el Vendito, and Yunel Cruz. The album has been well received^{[citation needed]} and is a top seller on iTunes.^{[citation needed]}

Personal life[link]

William Omar Landrón is the father of four children. He married forecaster/journalist Jackie Guerrido on April 18, 2008.^[9] Divorce rumors surrounded the couple two years into the marriage and were compounded by comments Landrón made via Twitter.^[10] In March 2011, it was revealed they had divorced.^[11]

Controversies and legal issues[link]

On September 18, 2007, Don Omar was briefly detained in Santa Cruz de la Sierra, Bolivia due to a legal dispute. A Bolivian concert promotor sued him and some of his management after he canceled a concert scheduled for earlier that year in La Paz as part of the international tour Up Close.^[12][13][14] The organization claimed that he had defrauded US$70,000 due to the cancellation.^[14] Landrón responded that he canceled the concert because the company did not provide air tickets in time.^[14] After the case was presented before a local judge, both parties reached an agreement.^[14] Landrón was allowed to leave the country in order to comply with a previously scheduled appearance in Buenos Aires on Argentine television and returned the next day to hold his concert in Santa Cruz's Tahuichi Aguilera soccer stadium.^{[citation needed]}

Landrón is banned from Univision.^{[citation needed]} After Univision became involved in his marriage and its end, he is no longer allowed to attend any award shows from Univision.^{[citation needed]}

Discography[link]

Studio albums[link]

• 2003: The Last Don
• 2006: King of Kings
• 2009: iDon
• 2010: Meet the Orphans
• 2012: Don Omar Presents-Meet The Orphans 2: New Generation

Live / special edition albums[link]

• 2004: The Last Don Live
• 2006: The Last Don: The Gold Series
• 2006: King of Kings: Armageddon Edition
• 2007: King of Kings Live
• 2012: Don Omar Present MTO 2 - New Generatio

Compilation albums[link]

• 2005: Don Omar Presenta: Los Bandoleros
• 2005: Da Hitman Presents Reggaetón Latino
• 2006: Don Omar Presenta: Los Bandoleros Reloaded
• 2007: Don Omar Presenta: El Pentágono

Filmography[link]

See also[link]

	Puerto Rico portal
	Biography portal
	Music portal

• List of famous Puerto Ricans
• List of Puerto Rican songwriters

References[link]

External links[link]

Wikimedia Commons has media related to: Don Omar

• Official website
• Official website for iDon album
• Official page at MySpace
• Official page at Facebook

Edward Bello Pou, better known by his stage name El Cata,^[1] is a Dominican rapper, songwriter, record producer, who emerged in the music scene in 1999,^[2] born and raised in Barahona, Dominican Republic.

Early life[link]

Bello is the second son of Maria Luisa Pou. He has four sisters. At five, he emigrated to USA, where he stayed 20 years and then returned to the country. In New York, he worked at a furniture store in the department of Medicare and a bank. He studied music at the Bronx Community College.^[3] He attended Miami Beach Senior High School from 1993 to 1995. While at Miami Beach Senior High, Bello spent most of his time in class writing and composing songs. He would walk down the hallways of his high school singing the songs he would write during class. His sister, Elizabeth, also attended high school during those years.

Career[link]

He has recorded several promotional albums, since 1999 when he started his career but are not considered official albums from El Cata's discography and are no longer available. In 2009 he release his official debut studio album El Malo through Allegro/Planet Records, which includes the singles "Loca Con Su Tiguere", "Pa' la Esquinita" and "El Que Brilla Brilla".^[4] This year he also recorded a remix of "Loca Con Su Tiguere", featuring Voltio and Ñejo & Dalmata, also the remix of "Ella Quiere Coro Conmigo" featuring Yenz and shared credits on Pitbull's smash single "I Know You Want Me (Calle Ocho)" as co-writer of the song.^[5] As of 2010, he collaborated again on Pitbull's track "Watagatapitusberry" from Pitbull's album Armando.^[6] The song also featured Rapper record-producer Lil Jon, Sensato and Black Point.

In 2010, Colombian singer-songwriter Shakira covered his single as "Loca", in which he also raps.^[7] He is also featured on the Spanish version of the track "Rabiosa" from Shakira's album Sale el Sol.^[8]

Discography[link]

Studio albums[link]

Singles[link]

Featured singles[link]

References[link]

External links[link]

• El Cata's official website
• El Cata on Twitter
• El Cata on Myspace

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (May 2010)

The Basics
The Basics at the Oxford Art Factory, 2010
Background information
Origin	Melbourne, Australia
Genres	Rock
Years active	2002–present
Labels	Independent, Albert Records
Associated acts	Gotye, Down Hills Home, Dog With Wheels, Blood Red Bird
Website	The Basics Official Website
Members
Wally De Backer Kris Schroeder Tim Heath
Past members
Michael Hubbard
Notable instruments
Lead guitar, drums, bass guitar.

The Basics ( /ˈbæzɪtʃ/ BAZZ-ich) are a three-piece band from Melbourne, Australia, formed by Wally De Backer and Kris Schroeder in 2002. Their style has been described as anything from 'indie-pop' to 'rock'n'roll' to 'pop-rock', though their records show they span a wide range of genres, including reggae, ska, country, and electro-pop. They are "recognised as one of Australia's hardest-working bands".^[1]

With close to 1000 shows in their ten-year career, their live performances are well-known for their sense of humour and energy.^[2]

Formation[link]

The Basics were formed after Kris met Wally at a party in Melbourne.^[3] The event was to see off the young aspiring producer, who was about to depart for Los Angeles, and together with a number of musician friends, the two jammed on some blues-rock standards. Later that night, they bonded over a mutual love of The Beatles, 70s and 80s cartoon theme songs and old Sierra adventure games.

Initially, they played around Melbourne as an acoustic guitar/drums combo, starting at The Opposition in Frankston and the House of Fools in Footscray, where in late 2002 they met Michael Hubbard and later invited him to join them on electric guitar.^[4] Though lacking any real experience with the instrument, Kris willingly purchased his first bass guitar, and the trio was born. During this time, the group start performing songs with more complicated three-part harmony.

During late 2002 and early 2003, The Basics recorded and released an album called Get Back through MGM Distribution. They began what was to become regular tours of the East and West coasts of Australia.

2004-2005: Current lineup[link]

Tim Heath joined the group in June 2004, after Michael decided to pursue his solo career, which has included being one half of Down Hills Home.^[4] Tim was reportedly the only person to reply to an advertisement in Melbourne's Beat Magazine looking for a new guitarist. Tim apparently answered the advertisement - which said the applicant "must have a love of 50s and 60s rock'n'roll" - thinking that he would be meeting "a couple of old guys to play with on the weekends over some beers". They soon recorded For Girls Like You.

The Basics in 2005 continued to tour and play small festivals, and after releasing For Girls Like You through MGM Distribution, they departed for a national tour of Australia, which lasted for two months and took them to every Australian state and territory. Stuart Padbury, a young Melbourne sound engineer, joined them on much of this tour. On returning, the band began demonstrating songs for a new album.

2006-2009: Touring and soundtracks[link]

In 2006, The Basics began recording what was to become known as Stand Out/Fit In. Taking several months, it was not completed until the end of the year, despite intentions to have it released in June. Instead, they held a successful 'album preview', where each of the tracks was demonstrated in 'rough form' accompanied by a music video for each (produced by Melbourne photographic artist James Bryans). The band also talked about the origins of the songs. This event brought a lot of attention to the band for the idea's originality. They pre-released a radio single 'Just Hold On' from the album. The band were invited to play the hugely popular Homebake Festival in Sydney, where they received a great response, after being introduced onto the stage by a short stocky Asian guy with big calves ("one of the highlights" wrote The Daily Telegraph).

In 2007, the band departed on a tri-state residency which saw them play Melbourne, Sydney and Brisbane every week for the month of April - a bold move which brought further attention to the band for its original idea.^[5] Riding on the wave of this tour, Schroeder, De Backer and Heath departed on their first overseas tour which saw them performing 26 shows around Japan, Norway and the United Kingdom.^[6] They also toured twice more up the East Coast, one of which was with popular Japanese band The Bawdies. Their song 'Rattle My Chain' was used in a series of commercials for Volvo Australia. The song 'Hey There!' featured in the British film The Bank Job - starring Jason Statham - and was used as the backing for a February 2007 short film directed by Tim Longhurst called The Rip. Their song 'Better' was featured in a surfing documentary about the invention of the shortboard in 1967.

In 2008, the band appeared on Australia's Channel 9 for Australia Day celebrations, performing two of their songs - 'Just Hold On' and 'Hey There!' - to an estimated audience of 2 million. Securing an Australian Government grant, they embarked on a two-month tour of Australia, specifically targeting "culturally underprivileged groups" in rural and regional schoolchildren and Indigenous communities. The programme had them holding masterclasses and performing alongside Indigenous groups in the remote Northern Territory and Queensland.^[7][8] Their initiative also had them raising money for the charity Lifeline^{[disambiguation needed ]}, their contribution to which was recognised with a plaque at the end of the tour. Season two of Californication starring David Duchovny featured their cover of the classic 'Have Love, Will Travel', most famously covered by 'The Sonics'.

In 2009, The Basics for the first time enjoyed the support of Australian radio network Triple J, which had reportedly snubbed the band's previous material.^[9] The singles 'With This Ship' and 'Like A Brother' were added to the station's playlist, and momentum carried The Basics overseas for a second tour of the United Kingdom and Norway, and also a series of shows in Dublin, Ireland. They were joined by the longtime front-of-house engineer Stuart Padbury, who had been mixing them since 2005. The band was often seen in the Grafton Street Mall in Dublin, busking to promote their concerts there. Their second show in Oslo, Norway, saw the band perform with Hot Tub, one of the members of the Norwegian boy band "Boyzvoice", in his first performance for several years. Season Eight of Scrubs featured the song 'Lookin' Over My Shoulder'.

Despite all this promise, the band's album Keep Your Friends Close - produced and part-recorded by Peter Cobbin at London's Abbey Road Studios - though enjoying many favourable reviews,^{[10][11][12][13]} failed to impress Richard Kingsmill, music director of Triple J. This effectively ended the band's apparent upward spiral and the resulting album launch tour was reportedly "trying".

2010: Hiatus and live album[link]

In 2010, following the band's fourth stint at the Tamworth Country Music Festival, and the recording of a yet-unreleased live album, an indefinite hiatus was announced on the band's websites. This was in part due to the impending release of a new album produced by Wally for his Gotye project, and also to reported tensions within the band following the previous year's disappointments.

However, this hiatus was soon broken with a two-month residency at the Northcote Social Club in Melbourne, which saw an apparent return to form.^[14] The band's EP "Wait For You" enjoys airplay on Triple J.^[15] The Basics also played a one-off show at Sydney's Oxford Art Factory.^[16]

On 20 August 2010, The Basics released their fourth LP /ðəˈbæzɪtʃ/, available free and exclusively from their website for digital download^[17]. The band had reportedly moved to expand their listenership through this free giveaway, though 300 "Deluxe" CD/vinyl versions have been printed. /ðəˈbæzɪtʃ/ was recorded at the Northcote Social Club on 6 February, "in front of a live studio audience", and like the previous record, was mixed by Peter Cobbin at Abbey Road Studios. Technically a self-titled album, the phonetics spell out the accurate pronunciation of the band’s name. Kris Schroeder: "For years we’ve worked at bringing our live energy into the studio and thus far it’s been a bit hit-and-miss. Our trick this time was to pull a switcheroo and bring the studio to us instead; the result is the best and closest to us we’ve sounded yet."

Melbourne thespian and Dog With Wheels bassist David Bramble - friends with Heath from university days - has occasionally joined the band on tour, playing keys, often while sporting a large moustache. Other guests have included Jake Mason (saxophone), also of Cookin' on 3 Burners and The Bamboos^{[disambiguation needed ]}, Gideon Brazil (saxophone, flute), Simon Imrei (guitar and vocals) and Monty MacKenzie (saxophone).

Covers have often made an appearance from various sources: to date, some of the bands covered have been Cream, The Kinks, The Rolling Stones, The Police, Neil Young, Bob Dylan, New Kids on the Block, Richard Berry, Sonny Curtis and The Crickets, JJ Cale, Harry Nilsson, Bill Scott, Ryan Adams and The Coasters (via The Beatles for their cover of Three Cool Cats).

Members[link]

Current

• Wally De Backer - drums, vocals (2002-present)
• Kris Schroeder - bass, vocals (2002-present)
• Tim Heath - guitar, vocals (2004-present)

Former

• Michael Hubbard - guitar, vocals (2002-2004)

Discography[link]

Albums[link]

• Get Back (15 January 2004)
• Stand Out/Fit In (5 May 2007)
• Keep Your Friends Close (25 September 2009)
• /ðəˈbæzɪtʃ/ (20 August 2010)

EP[link]

• For Girls Like You (11 July 2005)
• Lookin' Over My Shoulder (10 February 2007)
• Like A Brother (5 June 2009)
• Wait For You (21 May 2010)

Singles[link]

• Call It Rhythm & Blues (20 August 2004)
• Just Hold On
• With This Ship (22 February 2009)

Upcoming projects[link]

The band is taking a three year hiatus, with an announced return to the stage together in early 2014. Wally De Backer launched Making Mirrors under his Gotye act in August 2011, Tim Heath will be touring and recording with Blood Red Bird, and Kris Schroeder recorded a solo EP titled, Patience in the Face of Control, before leaving Australia to work with the Red Cross in Kenya for a two year sabbatical.

References[link]

External links[link]

• Official Website
• Myspace Website