Walter may refer to:

People[link]

• Walter (name)
• [[Walter (alias) for Josip Broz Tito]]

Television[link]

• Walter (TV movie)
• W*A*L*T*E*R, a pilot for a spin-off of the TV series M*A*S*H

Astronomy[link]

• Walter (crater), on the Moon, more commonly known as Diophantus
• Walther (crater), also on the Moon

Businesses[link]

• Walter Engines, Czech manufacturer of aero-engines
• Hellmuth Walter Kommanditgesellschaft, German manufacturer of rocket engines

Places[link]

Italy

• Gualtieri, Italy

United States

• Walter Township, Minnesota

Characters[link]

• Walter, a puppet of ventriloquist Jeff Dunham
• Walter, a fictional character from The Beano comic strip, Dennis and Gnasher
• Walter, a Muppet introduced in The Muppets.

See also[link]

• Gautier (disambiguation)
• Walters (disambiguation)
• Walther (disambiguation)
• Wolter

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Jeff Dunham
Dunham and his character "Achmed the Dead Terrorist", February 2009
Birth name	Jeffrey Dunham
Born	(1962-04-18) April 18, 1962 (age 50) Dallas, Texas, U.S.
Medium	Stand-up
Nationality	American
Genres	Ventriloquism, observational comedy, black comedy
Influences	Edgar Bergen[1]
Spouse	Paige Dunham (1994-2008)
Notable works and roles	Jeff Dunham: Arguing with Myself Jeff Dunham: Spark of Insanity Jeff Dunham's Very Special Christmas Special The Jeff Dunham Show Jeff Dunham: Controlled Chaos
Website	jeffdunham.com

Jeff Dunham (born April 18, 1962) is an American ventriloquist and stand-up comedian who has also appeared on numerous television shows, including Late Show with David Letterman, Comedy Central Presents, The Tonight Show and Sonny With a Chance. He has four specials that run on Comedy Central: Jeff Dunham: Arguing with Myself, Jeff Dunham: Spark of Insanity, Jeff Dunham's Very Special Christmas Special, and Jeff Dunham: Controlled Chaos. Dunham also starred in The Jeff Dunham Show, a series on the network in 2009.^[1] His style has been described as "a dressed-down, more digestible version of Don Rickles with multiple personality disorder".^[2] Describing his characters, Time observes, "All of them are politically incorrect, gratuitously insulting and ill tempered."^[3] Dunham has been credited with reviving ventriloquism,^[4] and doing more to promote the art form than anyone since Edgar Bergen.^[1]

Dunham has been called "America's favorite comedian" by Slate.com, and according to the concert industry publication Pollstar, he is the top-grossing standup act in North America, and is among the most successful acts in Europe as well. As of November 2009, he has sold over four million DVDs, an additional $7 million in merchandise sales,^[5] and received more than 350 million hits on YouTube as of October 2009 (his introduction of Achmed the Dead Terrorist in Spark of Insanity was ranked as the ninth most watched YouTube video at the time).^[1] A Very Special Christmas Special was the most-watched telecast in Comedy Central history, with its DVD going quadruple platinum (selling over 400,000) in its first two weeks.^[6] Forbes.com ranked Dunham as the third highest-paid comedian in the United States behind Jerry Seinfeld and Chris Rock,^[5] and reported that he was one of the highest-earning comics from June 2008 to June 2009, earning approximately $30 million during that period.^[7]

Early life[link]

Dunham was born in Dallas, Texas on April 18, 1962.^[8][9][10] When he was three months old he was adopted by real estate appraiser Howard Dunham, and his homemaker wife Joyce, who raised him in a devoutly Presbyterian household^[10] in an affluent Dallas neighborhood as an only child.^[11] He began ventriloquism in 1970 at age eight, when his parents gave him a Mortimer Snerd dummy for Christmas, and an accompanying how-to album.^[9] The next day he checked out a how-to book on ventriloquism from the library,^[1][10] and explained in 2011 that he still had it, remarking that he was "a thief in the third grade". By the fourth grade, Dunham decided he not only wanted to be a professional ventriloquist, but the best one ever.^[10] Dunham began practicing for hours in front of a mirror, studying the routines of Edgar Bergen, and the how-to record Jimmy Nelson's Instant Ventriloquism,^[1] finding ventriloquism to be a learned skill, similar to juggling, that anyone with a normal speaking voice can acquire.^[12] Dunham explains that as an only child, he enjoyed being alone, likening his solitude to a "warm blanket" with which he could explore his own thoughts and ideas, which prepared him for the solitude of living alone when he later moved to Los Angeles as a struggling comedian.^[10]

When Dunham was in the sixth grade, he began attending the Vent Haven ConVENTion in Fort Mitchell, Kentucky, an annual international meeting of ventriloquists that includes competitions, where he met Jimmy Nelson in person. Dunham has missed only one ConVENTion since then, in 1977. The organizers of the ConVENTion eventually declared Dunham a "retired champion", ineligible from entering any more competitions, as other attendees were too intimidated to compete against him. The Vent Haven Museum devotes a section to Dunham, alongside Señor Wences and his idol, Edgar Bergen.^[1]

Career[link]

Career beginnings and move to Los Angeles[link]

Dunham began performing for audiences as a teenager,^[9] in various venues such as school, church, and during his job at Six Flags. By his middle school years, he began to perform for banquets attended by local celebrities such as Dallas Cowboys quarterback Roger Staubach, having developed his style of lampooning those he performed for, using the puppets to say things too risque for him to say without them.^[1] Dunham's television debut came in 1976 when the still prepubescent performer caught the attention of Dallas reporters like Bill O'Reilly, who interviewed Dunham for a local news story.^[10] Dunham later did commercials for Datsun dealerships in Dallas and Tyler while in high school.^[1][10] While emceeing a high school talent show, he dealt with a heckler, and won over the rest of the audience.^[10] During this period he became so associated with his craft that he and one of his dummies "cowrote" a column in the school paper, and he would pose with his dummies for yearbooks^[1] as an inexpensive way to acquire professional photos of his act for promotional purposes.^[13] He was voted Most Likely to Succeed, and in 1980, after he graduated from high school, Dunham gave himself a career goal of obtaining, within ten years, an appearance on The Tonight Show with Johnny Carson, which was seen as the "holy grail" for comedians.^[10]

That year Dunham began attending Baylor University, hoping to graduate with a degree in communications, while performing around campus.^[10] He would also fly around the country on weekends,^[1] doing up to 100 private shows a year,^[10] entertaining corporate customers such as General Electric, whose CEO, Jack Welch, he mocked during his routine.^[1] By his junior year in college (1983–1984), Dunham was making $70,000 a year, and as word spread of his act, he landed featured spots opening for Bob Hope and George Burns, though he still perceived his act as raw, as he did not have any knowledge of standup comedy beyond his Bill Cosby albums.^[10] He caught a break in 1985 when he was asked to join the Broadway show Sugar Babies with Mickey Rooney and Ann Miller, replacing the outgoing variety act. For the naive and devoutly-raised Dunham, Broadway was a new world filled with beautiful showgirls and crusty stagehands, and his first taste of entertainment industry egos came when Rooney called Dunham into his dressing room, and told him he was there for one reason alone: so that Rooney could change his costumes.^[10] Dunham also performed at the Westbury Music Fair on Long Island. These early experiences, in which he used characters like José Jalapeño on a Stick, taught him the value of modifying his act regionally, as the jalapeño jokes that worked well in Texas were not as well received by audiences in Long Island.^[2]

After graduating from Baylor University in 1986,^[12] he continued honing his act in comedy clubs in the Southwest with new characters such as Peanut and Jose Jalapeño, but struggled against the perception he relates from fellow comedians that he was not a true a comedian because he relied on props. His experience at Catch a Rising Star in New York City served as a bitter confirmation of where ventriloquists stood in the comedic food chain, as the emcee at that club gave Dunham little respect. According to Dunham, after he arrived at the club in the evening and informed the emcee that he was a ventriloquist, the emcee reacted with derision, telling Dunham that he would be given a late time slot, and after that time slot came and passed, kept postponing Dunham's stage time until Dunham left the club.^[10] By the end of 1988, Dunham felt his career went as far as it could go in Texas, and he moved to Los Angeles, California,^[9][10] never having, as he has commented, "a real job",^[2][14] much to the concern of his parents, who assumed he would relegate his act to local venues such as church groups. When he first arrived in Los Angeles, the comedy in his act bombed. Dunham attributes to his underdeveloped comedy, explaining that while the characters' personalities were developed at that point, his jokes were not. In addition to this, the comedy world was not welcoming to ventriloquists, and his manager, Judi Brown-Marmel, did not use the word "ventriloquist" when finding bookings for him, choosing to present him as a comedy duo. After Dunham became friends with Mike Lacey, the owner of The Comedy & Magic Club in Hermosa Beach, Lacey gave Dunham a steady slot at the club, where Dunham sharpened his act by observing the techniques of comedians like Jerry Seinfeld, and taking the advice of colleague Bill Engvall, moving away from his G-Rated material toward edgier, more adult themes.^[10]

[edit] The Tonight Show and beyond

At the end of 1988, Dunham was told by James McCawley, a talent booker for The Tonight Show with Johnny Carson, that Dunham would be given a spot on the coveted program. Though the 26-year-old Dunham was elated that his 10-year goal was arriving two years early, McCawley later cancelled Dunham's appearance after attending, with Roseanne Barr, a public performance of Dunham's the day before Dunham's scheduled Tonight Show taping. McCawley informed Dunham on the day of the scheduled taping that he had been wrong in his initial assessment of Dunham, whom he now said was not ready for The Tonight Show. His dreams dashed, the humiliated Dunham continued to tighten his act in Los Angeles clubs, performing same six minute segment with Peanut a total of nine times for McCawley over the next few months. Finally at the Ice-House in Pasadena in April 1990, after Dunham did the same segment, McCawley informed Dunham that he would finally get his Tonight Show appearance. Dunham and Peanut appeared on The Tonight Show with Johnny Carson on April 6, 1990, alongside guests Bob Hope and B.B. King.^[10] Following his bit, he was invited to sit on Johnny Carson’s couch, a mark of approval that only three comedians had ever garnered during their first Carson appearance.^[2][10] Upon sitting down next to Carson's desk, Dunham pulled out Walter, who told Carson sidekick Ed McMahon, "Stop sending me all your damn mail." At the time, Dunham saw his Tonight Show appearance as his big break, but was frustrated at his parents' initial disapproval over Walter's use of the words "hell" and "damn",^[10] and he would toil in obscurity for another twelve years, continuing his stand up at venues such as The Improv chain, and appearing in small roles on TV.^[5] One of these was such as a 1996 episode of Ellen, in which he appeared with Walter.^[1] Dunham also appeared with Walter in a TV commercial for Hertz.^[15] Dunham would appear on The Tonight Show a total of four times, as well as similar TV venues such as Hot Country Nights, appearing in one segment on that show with singer Reba McEntire. This exposure helped make Dunham a large theater headliner, a rare accomplishment for a ventriloquist, but by the mid 1990s, his television appearances had dwindled, and with them, so did his stage audiences.^[10]

Dunham moved back to clubs, more than 200 appearances a year. To maintain a connection with his fan base, he would use question cards that he had audiences fill out for his performances to build a database, which was tailor-made for the burgeoning World Wide Web. Though he was voted Funniest Male Standup at the American Comedy Awards in 1998, his club work kept him away from his wife and daughters between two and three weeks each month, which put a strain on his marriage, and made paying bills for his expanded family difficult. By 2002, Dunham was hoping to obtain more TV work to raise his profile and ease his standup schedule. Such exposure was elusive until a successful appearance on The Best Damn Sports Show Period, where Dunham and Walter made jokes at the expense of co-hosts Tom Arnold, Michael Irvin, John Salley and John Kruk, generating laughter from them, and giving Dunham much-needed exposure. In 2003, Dunham was the frontrunner to replace Jimmy Kimmel on Fox NFL Sunday, but hosts Howie Long and Terry Bradshaw were not amenable to the idea of being upstaged by a puppet, and, as Dunham tells it, did not provide a welcoming atmosphere to Dunham, nor allow him to get a word in edgewise during his appearance.^[10]

Finding stardom: Dunham's first Comedy Central specials[link]

On July 18, 2003, Dunham appeared on Comedy Central Presents, his first solo appearance on Comedy Central. During his half hour piece, he showcased José Jalapeño on a Stick, Walter, an early version of Melvin the Superhero Guy and Peanut, whom Dunham had begun to merchandise into a line of dolls. The appearance was successful, but Comedy Central resisted giving Dunham more airtime, feeling that he was not a good fit for them.^[1] By 2005 Dunham decided to gamble on financing his own comedy DVD, Jeff Dunham: Arguing with Myself, which was taped in Santa Ana, California.^[10] Dunham’s manager, Judi Brown-Marmel, lobbied the network to air it, pointing to Dunham's drawing power and merchandising profits, and arguing that the network needed more diverse content. Surprised by the high ratings of the first Blue Collar Comics concert movie that same year, the network began to reconsider its brand. In late 2006, Comedy Central aired Arguing with Myself, drawing two million viewers when it aired,^[1] and selling two million DVDs.^[10]

In 2007, Dunham appeared as The Amazing Ken with José Jalapeño on a Stick in the Larry the Cable Guy feature film Delta Farce.

His second special, Jeff Dunham: Spark of Insanity, was taped at the Warner Theater in Washington, D.C. that same year. It served not only to cement Dunham's stardom, but to introduce his most controversial character, Achmed the Dead Terrorist, which became a viral Internet sensation. A clip of Achmed from Insanity attracted over 140 million hits on YouTube,^[10] making it the ninth most watched clip on that website as of October 2009.^[1] By 2008, Dunham's characters had crossed language barriers, with his specials dubbed for audiences in various countries such as France, and Dunham attracting requests for performances in South Africa, Australia, Norway, Denmark, China and the Middle East.^[10] Jeff Dunham's Very Special Christmas Special was taped at the Pabst Theater in Milwaukee, Wisconsin that same year, and premiered on Comedy Central on November 16, 2008, watched by 6.6 million people.^[1] It became available on DVD and Blu-ray on November 18, 2008.^[16] The special's premiere was the highest rated telecast in Comedy Central's history.^[3][17]

In September 2008, Dunham's career reached new heights as he began performing in arenas filled with tens of thousands of people. Dunham was somewhat wary of such large venues, but adapted by adjusting the timing of his often rapid exchanges with the puppets so that audience members farthest from the stage could have time to react.^[10]

In addition to his comedy specials, Dunham also released his first music album, Don't Come Home for Christmas, on November 4, 2008.^[18] It contains original Christmas songs as well as a parody of "Jingle Bells" by Achmed entitled "Jingle Bombs". All the songs, with the exception of "Jingle Bombs", were written and accompanied by Brian Haner, who joined Dunham's act as "Guitar Guy". His first onscreen appearance was in Jeff Dunham's Very Special Christmas Special.

2009 – present[link]

In March 2009, Dunham signed a multi-platform deal with Comedy Central. It included a fourth stand-up special to air in 2010, DVDs, a consumer products partnership, a 60-city tour beginning in September 2010, and an order for a television series called The Jeff Dunham Show that premiered on October 22, 2009.^[6][19] Despite having the most-watched premiere in Comedy Central history, and higher average ratings than other shows on that network initially, the show was canceled after only one season, amid poor reviews, dwindling ratings and higher production costs than other Comedy Central shows.^{[20] [21]}

Dunham appeared in a guest role with Bubba J on NBC's sictom 30 Rock, playing a ventriloquist named Rick Wayne and his dummy Pumpkin from Stone Mountain, Georgia.^[22] In November 2009 Dunham also appeared with Walter in "Hart to Hart", an episode of the Disney Channel series Sonny With a Chance, as two security guards.

Dunham appeared in the 2010 Steve Carell/Paul Rudd comedy, Dinner for Schmucks, as Lewis, with a new puppet named Diane.^[23]

His fourth special, Jeff Dunham: Controlled Chaos, premiered on September 25, 2011 on Comedy Central.

Critical praise and controversy[link]

In January 2008, Dunham was voted by fans the Top Comic in Comedy Central's “Stand-Up Showdown.” He is the only person ever to win the "Ventriloquist of the Year" Award twice, was nominated "Comedian of the Year" by the TNN Music City News Country Awards,^[14] and has drawn praise from the Dallas Morning News for his technique and timing.^[14]

Some have accused Dunham's characters of being racist caricatures, sexist, and homophobic.^[5][24] In 2008, a TV commercial for a ringtone featuring Dunham's character Achmed the Dead Terrorist (see Characters below) was banned by the South African Advertising Standards Authority after a complaint was filed by a citizen stating that the ad was offensive to Muslims, and portrayed all Muslims as terrorists. Dunham responded that "Achmed makes it clear in my act that he is not Muslim." However, the Advertising Standards Authority noted that the name Achmed was of Arab origin and was one of the names of Muhammad. Dunham responded, "I've skewered whites, blacks, Hispanics, Christians, Jews, Muslims, gays, straights, rednecks, addicts, the elderly, and my wife. As a standup comic, it is my job to make the majority of people laugh, and I believe that comedy is the last true form of free speech." He further commented, "I'm considering renaming Achmed, 'Bill.'"^[25][26] Dunham has conceded that he does exhibit particular sensitivity to the "conservative country crowd," or those characterized by "basic Christian values," as they are one of his largest constituencies, and part of his upbringing.^[1]

Dunham was heckled and criticized for mocking TV critics during a July 2009 press tour to promote his then-upcoming Comedy Central TV series, The Jeff Dunham Show, as well as Comedy Central programming chief Lauren Correo.^[1][27] In October 2009 The Jeff Dunham Show enjoyed good initial ratings, but was not well liked by critics,^[28] who did not find it funny, and either questioned the wisdom of translating his act into a series, or conceded a prejudice against Dunham, his previous specials, or ventriloquism itself.^{[29][30][31][32]}

J.P. Williams, the producer of the Blue Collar Comedy Tour, has opined that Dunham's act is not funny on its own merits, and that his material gets a greater reaction because of the puppet characters that it would otherwise not garner by itself.^[1] Blue Collar veteran Bill Engvall, a friend of Dunham's insists otherwise, saying that Dunham is inherently funny with or without the puppets.^[10]

Books[link]

In 2003, BRASMA Publications released Dear Walter, a collection of questions asked of Dunham's fictional curmudgeon at live performances, authored by Dunham, and Walter Cummings.^[33]

Dunham's autobiography, All By My Selves: Walter, Peanut, Achmed and Me, was published by Dutton in November 2010.^[13]

Characters[link]

Walter[link]

Dunham with Walter, in a shot from a 2007 performance.

Walter is a retired, grumpy old man with arms always crossed in discontent. Dunham was inspired to create Walter when he watched Bette Davis' final appearance on The Tonight Show with Johnny Carson, giving her honest, unfiltered candor to Walter, and patterning Walter's frown on Dunham's own.^[10] He has a brash, negative and often sarcastic view on today's world. He is a Vietnam War veteran and a former welder, and "doesn't give a damn" about anyone, especially his own wife and certain audience members. Walter has appeared in all four Comedy Central specials. He's been married for several decades, and when Dunham asks him if he remembers the happiest moment of his life after Walter tells him he has been married for forty-six years, Walter responds, "Forty-seven years ago!" Dunham created the Walter puppet himself, including both the initial sculpture and the silicon mold, though he eventually began using professional effects companies for the latter stages with his subsequent puppets.^[34]

Peanut[link]

Peanut is a hyperactive,^[1] purple-skinned "woozle"^[35] with white fur covering most of his body, a tuft of green hair on the top of his head, and one sneaker on his left foot. Dunham explains in Arguing with Myself that Peanut is from a small Micronesian island, and that they met in Florida. Peanut's humor is not based on a particular motif or stereotype, as those of the other characters, and has been described as "the bad kid".^[3] He often makes fun of Dunham, and torments and mocks José Jalapeño on a Stick. Touching upon his unusual appearance and personality, he asks Dunham in Arguing with Myself, after Dunham denies ever having done drugs, "Then how the hell did you come up with me?"

José Jalapeño on a Stick[link]

José is a talking jalapeño pepper on a stick who wears a small sombrero. José, who speaks with a thick Spanish accent, is typically paired with Peanut, who often makes fun of José, uses appeals to Latino stereotypes when doing so, and makes fun of his being on a stick.^[36] Although José was not Dunham's first puppet, it was the first that Dunham made himself.^[37]

Bubba J[link]

Bubba J is a beer-drinking redneck that Dunham describes in Arguing with Myself and A Very Special Christmas Special as "white trash trailer park", and whom Dunham uses for humor centered on such stereotypes. To this end, he frequently does jokes involving Bubba J's love of drinking beer and NASCAR, and his low intelligence. Touching upon such stereotypes, Bubba mentions in Arguing with Myself that he met his wife at a family reunion, and remembers seeing her with a corn dog in one hand, a beer in another, and leaning against a ferris wheel, "making it tilt".^[36] Although he does not appear onstage, Bubba has a prominent role as the backstage security guard in Controlled Chaos.

Sweet Daddy Dee[link]

Dunham introduces Sweet Daddy Dee in Arguing with Myself as his "new manager". He calls himself a "pimp", which he says stands for "Player In the Management Profession." According to Sweet Daddy, because he is a pimp, that makes Jeff the "ho". When Dunham objects, Daddy Dee points out that Dunham makes people laugh and feel good for a living. When Dunham agrees that this is the case, Daddy Dee says, "You a ho." When Dunham asks what he would say if he told him that he was a comedian only because he enjoyed it, Daddy Dee responds, "You a dumb ho."^[36]

Melvin the Superhero Guy[link]

Melvin wears a blue superhero costume, and is used to poke fun at superheroes. When asked about his superhuman powers, he indicates that he has X-ray vision, adding, "I love looking at boobies!" He appears to have no other powers, however: When Dunham asks how far he can fly, he responds, "How far can you throw me?", and when asked if he can stop a bullet like Superman, he responds, "Yeah. Once." Dunham portrays Melvin as unimpressed with other superheroes: When told Superman can leap tall buildings in a single bound, Melvin dismisses him as a "showoff," arguing that he can simply walk around them, observes that Aquaman has the same powers as SpongeBob SquarePants, asserts that the Flash's super speed is derived from methamphetamine, that the Hulk's vaunted ability to get stronger as he gets angrier merely mirrors "every white trash guy on COPS," and makes innuendo about the questionable relationship between Batman and the underage Robin. Melvin's first onscreen appearance was in the July 2003 Comedy Central Presents episode, in which he had small, black, beady eyes. By his next appearance, in Spark of Insanity, he had been modified to have large, blue, crossed eyes. He also has an enormous nose, which he claims is his symbol, and whose similarity in shape to that of a penis is alluded to in the act. Dunham sculpted the current version of Melvin's head himself, and hired an effects company called Renegade Effects Groups to create the rubber mold and complete the puppet, before then installing the mechanics himself.^[34]

Achmed the Dead Terrorist[link]

Achmed is the skeletal corpse of an incompetent suicide bomber, whom Dunham uses to satirize the contemporary issue of terrorism. He is known for yelling, "Silence! I kill you!" to Dunham and people laughing in the audience. Achmed first appeared in Spark of Insanity, and later made an appearance in the Very Special Christmas Special, singing a song called "Jingle Bombs". He also dubs the so-called Guitar Guy "You racist bastard"! for warming up with typical Arab chords. Most of the humor Dunham expresses with Achmed centers on this motif. When mentioning that Achmed appears to be dead because he's a skeleton, Achmed responds, "It's a flesh wound." When Dunham inquires as to how he died, Achmed explains his incompetence with explosives, while also casting aspersions on Dunham's sexual prowess, by saying that they both suffer from "premature detonation." Although he frequently mentions working for Osama Bin Laden, Achmed claims he does not think he's a Muslim ("look at my ass! It says 'Made in China'"). As of June 2009, the sketch in which Dunham introduced Achmed is the fourth most watched online video ever, having amassed nearly 200 million views.^[3][38] The large, round, articulated eyes of puppets such as Achmed and Achmed Junior are constructed by the same effects artist who created the dinosaur eyes for the Jurassic Park films.^[10]

Diane[link]

Diane first appeared with Dunham in the 2010 film Dinner for Schmucks as "Debbie", his character's "wife". She made her stand-up debut in Dunham's Identity Crisis Tour 2010.^[39]

Achmed Junior[link]

Achmed Junior is the estranged son of Achmed. He first appeared during the Identity Crisis Tour 2010, and makes his first onscreen appearance in Dunham's fourth special, Jeff Dunham: Controlled Chaos. Like his father, Achmed Junior is the victim of a bomb, which resulted in the destruction of the half of his face and body. He speaks with a British accent, and does not wish to be a suicide bomber.

Others[link]

Other characters that Dunham has voiced include a miniature puppet of Peanut's, which turns out to be a small version of Dunham himself, and an unseen worm inside a bottle of tequila, both of which he has used, for example, in his appearance on A&E's An Evening at The Improv.^[40] The miniature Dunham puppet was also used in Dunham's 2011 Comedy Central special, Controlled Chaos.

Personal life[link]

Dunham met his first wife, Paige Brown, at the Comedy Corner in West Palm Beach, Florida. They began dating in December 1992. In May 1994, Dunham married Brown and adopted her one and a half year-old daughter, Bree. Their daughters Ashlyn and Kenna were born in 1995 and 1997, respectively. Dunham's time away while performing proved a strain on the marriage,^[10] and in November 2008 he filed for divorce.^{[1][3][10][13]} By mid-2009, Dunham was in a relationship with fellow Texan Audrey Murdick, a certified nutritionist, personal trainer and competition bodybuilder,^[10][13] and on December 25, 2011 they became engaged.^[41]

In addition to building the dummies he uses in his act, Dunham also restores antique ones as a hobby, such as The Umpire, a 6-foot-tall (1.8 m) mechanized dummy built in 1941 to work the plate at a girl's softball game, but which went unused and packed away for 50 years, before Dunham acquired it in early 2008.^[1]

Dunham has harbored a love of helicopters since childhood and is fond of building and flying his own kit helicopters from Rotorway helicopter kits. At the time he finished writing his autobiography in June 2010, he was beginning to build his fourth kit.^[10][11][13] He is also an aficionado of muscle cars and Apple Computer products.^[13]

References[link]

External links[link]

Wikimedia Commons has media related to: Jeff Dunham

Wikiquote has a collection of quotations related to: Jeff Dunham

• Jeff Dunham's official website
• Jeff Dunham at Comedy Central
• Jeff Dunham at the Internet Movie Database

Walter Cronkite
Cronkite in 2004
Born	Walter Leland Cronkite, Jr. (1916-11-04)November 4, 1916[1] Saint Joseph, Missouri, U.S
Died	July 17, 2009(2009-07-17) (aged 92) New York, New York, U.S.
Cause of death	Cerebrovascular disease
Residence	Kansas City, Missouri, US, New York City, New York, US
Nationality	American
Other names	Old Ironpants, Uncle Walter, King of the anchormen
Citizenship	United States
Alma mater	University of Texas at Austin
Occupation	Television and radio broadcaster, news anchor
Years active	1935–2009
Notable credit(s)	CBS Evening News
Home town	Kansas City, Missouri, US
Religion	Episcopalian
Spouse	Mary Elizabeth "Betsy" Maxwell (m. 1940–2005) «start: (1940)–end+1: (2006)»"Marriage: Mary Elizabeth "Betsy" Maxwell to Walter Cronkite" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Walter_Cronkite), her death
Children	Nancy Elizabeth Cronkite (b. 1948) Kathy Cronkite (b. 1950) Walter Cronkite III ("Chip")
Family	4 Grandchildren, Deborah Rush (In-Law)

Walter Leland Cronkite, Jr. (November 4, 1916 – July 17, 2009)^[2][3][4] was an American broadcast journalist, best known as anchorman for the CBS Evening News for 19 years (1962–81). During the heyday of CBS News in the 1960s and 1970s, he was often cited as "the most trusted man in America" after being so named in an opinion poll.^[5][6][7] Although he reported many events from 1937 to 1981, including bombing in World War II, the Nuremberg trials, combat in the Vietnam War,^[8] Watergate, the Iran Hostage Crisis, and the murders of President John F. Kennedy, civil rights pioneer Martin Luther King, Jr., and The Beatles musician John Lennon, he was known for extensive TV coverage of the U.S. space program, from Project Mercury to the Moon landings to the Space Shuttle. He was the only non-NASA recipient of a Moon-rock award. Cronkite is well known for his departing catchphrase "And that's the way it is," followed by the date on which the appearance is aired.

Early life[link]

Cronkite was born in Saint Joseph, Missouri, the son of Helen Lena (née Fritsche, August 1892 - November 1993), and Dr. Walter Leland Cronkite (September 1893 - May 1973), a dentist.^[9][10][11] He had remote Dutch ancestry on his father's side, the family surname originally being Krankheyt.^[12]

Cronkite lived in Kansas City, Missouri, until he was ten, when his family moved to Houston, Texas.^[10] He attended junior high school at Lanier Junior High School (now Lanier Middle School) and high school at San Jacinto High School, where he edited the high school newspaper.^[1] He was a member of the Boy Scouts. He attended college at the University of Texas at Austin (UT), entering in the Fall term of 1933,^[13] where he worked on the Daily Texan and became a member of the Nu chapter of the Chi Phi Fraternity.^[1][14] He also was a member of the Houston chapter of DeMolay, a Masonic fraternal organization for boys.^{[citation needed]} While attending UT, Cronkite had his first taste of performance, appearing in a play with fellow students Eli Wallach and Ann Sheridan.^{[citation needed]}

Religion[link]

Cronkite's family was Protestant and changed their denomination three times while he was a child.^{[citation needed]}Cronkite joined the Episcopal church as a youth, explaining in a 1994 interview: "I got into a Boy Scout troop that met in an Episcopal church. The church had a wonderful minister who was also the scoutmaster. And I suppose you can say he proselytized me. At any rate, I was much involved with the church, and became Episcopalian - and an acolyte. Later, when I worked for a paper in Houston, I was church editor for a while. The Episcopal House of Bishops met in Houston one year, and I became intrigued by the leaders of the church — fascinated by their discussions and their erudition."^{[citation needed]}

Cronkite has also for many years been the recorded voice of the owl at the "Cremation of Care" ritual at Bohemian Grove.^[15]

Career[link]

He dropped out of college in his junior year, in the Fall term of 1935,^[13] after starting a series of newspaper reporting jobs covering news and sports.^[3] He entered broadcasting as a radio announcer for WKY in Oklahoma City, Oklahoma. In 1936, he met his future wife, Mary Elizabeth Maxwell (known by her nickname "Betsy"), while working as the sports announcer for KCMO (AM) in Kansas City, Missouri.^[3][10] His broadcast name was "Walter Wilcox".^[16] He would explain later that radio stations at the time did not want people to use their real names for fear of taking their listeners with them if they left.^{[citation needed]} In Kansas City, he joined the United Press in 1937.^[3] He became one of the top American reporters in World War II, covering battles in North Africa and Europe.^[10] He was one of eight journalists selected by the United States Army Air Forces to fly bombing raids over Germany in a B-17 Flying Fortress part of group called the Writing 69th.^[17] He also landed in a glider with the 101st Airborne in Operation Market-Garden and covered the Battle of the Bulge. After the war, he covered the Nuremberg trials and served as the United Press main reporter in Moscow for two years.^{[citation needed]}

Early years at CBS[link]

In 1950, Cronkite joined CBS News in its young and growing television division, recruited by Edward R. Murrow, who had previously tried to hire Cronkite from UP during the war. Cronkite began working at WTOP-TV, the CBS affiliate in Washington, D.C.. He originally served as anchor of the network's 15-minute late-Sunday-evening newscast Up To the Minute, which followed What's My Line? at 11:00pm ET from 1951 through 1962.

Although it is widely reported that the term "anchor" was coined to describe Cronkite's role at both the Democratic and Republican National Conventions, marking the first nationally televised convention coverage, other news presenters bore the title before him.^[5] Cronkite anchored the network's coverage of the 1952 presidential election as well as later conventions. In 1964 he was temporarily replaced by the team of Robert Trout and Roger Mudd; this proved to be a mistake, and Cronkite returned to the anchor chair for future political conventions.^{[citation needed]}

From 1953 to 1957, Cronkite hosted the CBS program You Are There, which reenacted historical events, using the format of a news report.^[9] His famous last line for these programs was: "What sort of day was it? A day like all days, filled with those events that alter and illuminate our times ... and you were there." In 1971, the show was revived and redesigned to attract an audience of teenagers and young adults on Saturday mornings. He also hosted The Twentieth Century, a documentary series about important historical events of the century comprised almost exclusively of newsreel footage and interviews. It became a long-running hit (it was renamed The 21st Century in 1967). Cronkite also hosted It's News to Me, a game show based on news events.^[18]

Another of his network assignments was The Morning Show, CBS' short-lived challenge to NBC's Today in 1954.^[3] His on-air duties included interviewing guests and chatting with a lion puppet named Charlemane about the news.^[19] He considered this discourse with a puppet as "one of the highlights" of the show. He added, "A puppet can render opinions on people and things that a human commentator would not feel free to utter. I was and I am proud of it."^[20] Cronkite also angered the R. J. Reynolds Tobacco Company, the show's sponsor, by grammatically correcting its advertising slogan. Instead of saying "Winston tastes good like a cigarette should" verbatim, he substituted "as" for "like."^[18]

He was the lead broadcaster of the network's coverage of the 1960 Winter Olympics, the first-ever time such an event was televised in the United States. He replaced Jim McKay, who had suffered a mental breakdown.^[21]

The CBS Evening News[link]

On April 16, 1962, Cronkite succeeded Douglas Edwards as anchorman of the CBS Evening News (initially Walter Cronkite with the News), a job in which he became an American icon.^[10] The program expanded from 15 to 30 minutes on September 2, 1963, making Cronkite the anchor of American network television's first nightly half-hour news program.^{[citation needed]}

During the early part of his tenure anchoring the CBS Evening News, Cronkite competed against NBC's anchor team of Chet Huntley and David Brinkley, who anchored the Huntley-Brinkley Report. For most of the 1960s, the Huntley-Brinkley Report had more viewers than Cronkite's broadcast. This began to change in the late 1960s, as RCA made a corporate decision not to fund NBC News at the levels CBS funded CBS News. Consequently, CBS News acquired a reputation for greater accuracy and depth in its broadcast journalism. This reputation meshed nicely with Cronkite's wire service experience, and in 1967 the CBS Evening News began to surpass The Huntley-Brinkley Report in viewership during the summer months.^{[citation needed]}

In 1969, during the Apollo 11 (with co-host and former astronaut Wally Schirra) and Apollo 13 moon missions, Cronkite received the best ratings and made CBS the most-watched television network for the missions.^[1] In 1970, when Huntley retired, the CBS Evening News finally dominated the American TV news viewing audience. Although NBC finally settled on the skilled and well-respected broadcast journalist John Chancellor, Cronkite proved to be more popular and continued to be top-rated until his retirement in 1981.^[10]

One of Cronkite's trademarks was ending the CBS Evening News with the phrase "...And that's the way it is," followed by the date.^[9] Keeping to standards of objective journalism, he omitted this phrase on nights when he ended the newscast with opinion or commentary.^[10] Beginning with January 16, 1980, Day 50 of the Iran hostage crisis, Cronkite added the length of the hostages' captivity to the show's closing to remind the audience of the unresolved situation, ending only on Day 444, January 20, 1981.^[22][23]

Historic moments as anchor[link]

Kennedy assassination[link]

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Cronkite is vividly remembered by many Americans for breaking the news of the death of President John F. Kennedy on Friday, November 22, 1963. Cronkite had been standing at the United Press International wire machine in the CBS newsroom as the bulletin of the President's shooting broke and he clamored to get on the air to break the news. However, since the cameras and lights of the time period required time to set and warm up, a camera was not available for Cronkite to use and the network would be forced to improvise in order to report the story.^[24]

While the news was breaking, CBS was approximately ten minutes into its live broadcast of the soap opera As the World Turns (ATWT), which had begun at the very minute of the shooting. A "CBS News Bulletin" bumper slide abruptly broke in to the broadcast at 1:40 pm EST. Over the slide, Cronkite began reading what was the first of three audio-only bulletins that were filed in the next twenty minutes:^[25]

A second bulletin arrived as Cronkite was reading the first one, which detailed the severity of President Kennedy's wounds:

Just before the bulletin cut out, a CBS News staffer was heard saying "Connally too," apparently having just heard the news that Texas Governor John Connally had also been shot while riding in the Presidential limousine with his wife Nellie and Mr. and Mrs. Kennedy.

CBS then rejoined the telecast of ATWT during a commercial break. A commercial for Instant Nescafe coffee and a sponsor bumper (for Best Foods) for the first half of the show that had just completed were then aired, followed by a bumper for the scheduled episode of Route 66 to air that night and a twenty-second station identification break for the CBS affiliates. Just as ATWT was set to return from break, with show announcer Dan McCullough set to announce the sponsor of the second half of the program (Carnation), CBS News broke in with the bumper slide a second time. This bulletin saw Cronkite report in greater detail about the assassination attempt on the President, while also breaking the news of Governor Connally's shooting.

Cronkite then recapped the events as they had happened: that the President and Governor Connally had been shot and were in the emergency room at Parkland Hospital, and no one knew their condition as yet. He then reminded the viewers that CBS News would continue to provide updates as more information came in.

CBS then decided to return to ATWT, which was now midway through its second segment. The cast had continued to perform live while Cronkite's bulletins broke into the broadcast, unaware of the unfolding events in Dallas (the episode, while being broadcast live in the Eastern and Central time zones, was also being recorded for play in the Mountain and Pacific time zones due to their being two and three hours behind the East Coast; after the episode was completed the cast was informed of what happened). ATWT then took another scheduled commercial break. The segment before the break would be the last anyone would see of a CBS program - or any network's programming, for that matter- until Tuesday, November 26.

In the middle of a Friskies pet food commercial, the "CBS News Bulletin" bumper slide broke in for the third time. Once again, Cronkite filed an audio-only report:

This particular bulletin went into even more detail than the other two, as for the first time Cronkite detailed where the shooting victims were wounded (Kennedy had been shot in the head, Connally in the chest). At the conclusion of the bulletin, Cronkite told viewers to stay tuned for further details, perhaps implying that the network would be returning to regular programming. However, Cronkite remained on the air for the next ten minutes, continuing to read bulletins as they were handed to him, followed by recapping the events as they were known and interspersing the new information he had received where appropriate. He also brought up recent instances of assassination attempts against sitting Presidents (including the murder of Mayor of Chicago Anton Cermak in a botched assassination attempt on then-President-elect Franklin Roosevelt), as well as a recent attack on United Nations ambassador Adlai Stevenson in Dallas, which had resulted in extra security measures being taken for Kennedy's visit to the city. He also received word that Congressman Albert Thomas of Texas had been told that for the moment the President and Governor were still alive, which was the first report that gave any indication of their condition.

By 2:00 EST, Cronkite was informed that the camera was ready, and he told the viewers over the air that CBS would be taking a station identification break so that affiliates could join the network. Within twenty seconds, all the CBS affiliates (with the exception of KRLD in Dallas, which was covering the tragedy locally) joined the network's coverage. Cronkite appeared on-air in shirt and tie but without his suit coat, given the urgent nature of the story, and opened with this:

However, the connection was not available at the time and the camera stayed trained on Cronkite in the newsroom. After a few seconds, Cronkite started speaking again, but shortly after he had begun, the broadcast abruptly cut into the meeting, where Barker, KRLD's news director, was reporting (a director could be heard on-air saying "Okay, go ahead. Switch it" while Cronkite was talking). Just before the feed switched to the Dallas Trade Mart meeting, Cronkite informed the viewers that the members of the Trade Mart had just been informed of the President's shooting and that Congressman Jim Wright was telling reporters that both the President and Governor were alive, but both were in serious condition.

The feed then switched to Dallas, with Barker reporting about the incident and the meeting that was to take place. A few minutes after they switched, Barker was told by a fellow reporter, Dick Wheeler, at the meeting that Kennedy was in very critical condition. The scene returned to Cronkite shortly after that, who relayed some more information, but returned to Dallas as a prayer was being said for Kennedy. After the prayer was said, Barker said that there was an unofficial report circulating that President Kennedy had in fact died from his wounds.

After several minutes, Cronkite reported that the President had been given blood transfusions and two priests had been called into the room. He also played an audio report by KRLD's Jim Underwood, recounting that someone had been arrested in the assassination attempt at the Texas School Book Depository. After Underwood's report, Cronkite was told that KRLD was reporting that the President was dead, which had been heard in Barker's previous report. The coverage went back to Dallas, where Barker reiterated his previous report- that there was an unconfirmed statement that Kennedy was dead, but the source, a doctor at Parkland Hospital who said this to Barker directly, "would normally be a good one." Approximately three minutes later, Barker declared the assassination to be confirmed, although neither the Associated nor the United Presses had done so. Barker retracted the statement moments later, saying that there was no absolute confirmation. Shortly thereafter CBS stopped showing KRLD's coverage and returned to its own coverage of the incident, and as he had been doing Cronkite reported the events as they were known. At 2:27 EST, Cronkite reported that Father Oscar Huber, one of the priests called into the room, had administered the Last Rites to the President, but as far as anyone knew the President was still alive and no official source had confirmed the reports from Barker.

Within ten seconds of that report, word reached Cronkite of another report that had been given by Dallas-based correspondent Dan Rather to CBS Radio. At 2:22 EST, while CBS' news coverage was still focused at the Dallas Trade Mart, Rather called executive Mort Dank and said, in regards to Kennedy's condition, "I think he's dead." While this was not an official confirmation of the death of the President, which had yet to be relayed, CBS radio newscaster Allan Jackson was handed a sheet of paper saying that Kennedy was in fact dead and reported as if the incident was officially confirmed. Five minutes later, after some debate over whether or not to mention it, Cronkite relayed the following information to the viewing audience:

Since Rather's report, as he had delivered it, only theorized that the President was dead, and no word to that effect had come from any wire service, Cronkite stressed that the report was not an official confirmation of the President's death and continued to report on the incident as if the President was still alive, relaying that Father Huber, who had told reporters on the scene that he had to pull back a sheet covering Kennedy's body to perform the Last Rites on him, didn't believe that the President was dead at the time he entered the room.

Less than two minutes later, Cronkite received a report that the two priests who were with Kennedy were now saying that he was dead, and declared that that was as close to official as they could get. However, he continued to stress that there was no official confirmation from the hospital of Kennedy's death, although through the tone of his voice Cronkite seemed to resign himself to that being the most likely outcome. Cronkite continued to await official word from Parkland Hospital while recapping the events, including receiving word that government sources were now saying that the President was dead. (It should be noted that the same report reached all three major networks, but only ABC took it as official word of the assassination.) After briefly speaking about what Kennedy had done earlier that day, Cronkite noted that it was now apparent that the President was dead (even though the official bulletin had, of course, not arrived yet), saying that his plane from Fort Worth "flew him to his rendezvous with death, apparently, in Dallas, Texas."

Immediately after that, at approximately 2:38 p.m. EST, Cronkite was remarking on the increased security presence in Dallas for the President's visit for fear of protests, again bringing up the assault on Adlai Stevenson. While he was speaking, one of two news editors who had been standing by the newsroom's two wire machines pulled a bulletin from the Associated Press machine and began walking toward Cronkite's desk with it.

Just as he had said that, the editor handed Cronkite the bulletin. Cronkite stopped speaking, put on his eyeglasses, looked over the bulletin sheet for a moment, took off his glasses, and made the official announcement:

After making that announcement, Cronkite paused briefly, put his glasses back on, and swallowed hard to maintain his composure. With noticeable emotion in his voice he intoned the next sentence of the news report:^[28]

With emotion still in his voice and eyes watering, Cronkite once again recapped the events after collecting himself, incorporating some wire photos of the visit and explaining the significance of the pictures now that Kennedy was dead. After that, Cronkite reminded the viewers one final time that it had now been confirmed that the President was dead, that Vice President Johnson was now the President and was to be sworn in (which had occurred just as Cronkite received the bulletin confirming the President's death), that Governor Connally's condition was still unknown but many reports said that he was still alive, and that there was no report of whether the assassin had been captured (despite the earlier reports of arrests at the Texas School Book Depository). He then tossed coverage of the events to colleague Charles Collingwood and left the newsroom.

Less than 45 minutes later, at about 3:30 PM EST, Cronkite returned to the anchor position, this time in his jacket, to replace Collingwood. The highlights of new details included the swearing-in ceremony of the new President, Lyndon B. Johnson, the arrest of the accused assassin, Lee Harvey Oswald, and the first new bits of news from Dallas, during which time his reports were interspersed with new information from Dan Rather and Eddie Barker at KRLD's studio. After Cronkite left the anchor desk again he was replaced by Collingwood; Cronkite's next appearance came nearly two hours later, when he took over for Harry Reasoner at the desk so he could anchor The CBS Evening News as scheduled.

Two days later, at 2:33 PM EST on November 24, Cronkite broke into CBS's coverage of the memorial services in Washington to inform the viewers of the death of Oswald, who had been shot earlier that day (the news that Reasoner had broken into the funeral coverage to report only seconds after the incident):

The following day, on the day of Kennedy's funeral, as he was concluding the CBS Evening News, Cronkite provided the following commentary about the events of the last four dark days:

Referring to his coverage of Kennedy's assassination, in a 2006 TV interview with Nick Clooney, Cronkite recalled:

"I choked up, I really had a little trouble...my eyes got a little wet...[what Kennedy had represented] was just all lost to us. Fortunately, I grabbed hold before I was actually [crying]."^[29]

In a 2003 CBS special commemorating the 40th anniversary of the assassination, Cronkite said that he was standing at the United Press wire machine when the bulletin broke and was clamoring to get on the air as fast as was possible. Recalling his reaction upon having the death confirmed to him, he said:

Vietnam War[link]

Cronkite reported on location during the Vietnam War.

In mid-February 1968, on the urging of his executive producer Ernest Leiser, Cronkite and Leiser journeyed to Vietnam to cover the aftermath of the Tet Offensive. They were invited to dine with General Creighton Abrams, the current commander of all forces in Vietnam, whom Cronkite knew from World War II. According to Leiser, Abrams told Cronkite, "we cannot win this Goddamned war, and we ought to find a dignified way out."^[31]

Upon return, Cronkite and Leiser wrote separate editorial reports based on that trip. Cronkite, an excellent writer, preferred Leiser's text over his own.^[31] On February 27, 1968, Cronkite closed "Report from Vietnam: Who, What, When, Where, Why?" with that editorial report:^[32]

We have been too often disappointed by the optimism of the American leaders, both in Vietnam and Washington, to have faith any longer in the silver linings they find in the darkest clouds. They may be right, that Hanoi's winter-spring offensive has been forced by the Communist realization that they could not win the longer war of attrition, and that the Communists hope that any success in the offensive will improve their position for eventual negotiations. It would improve their position, and it would also require our realization, that we should have had all along, that any negotiations must be that -- negotiations, not the dictation of peace terms. For it seems now more certain than ever that the bloody experience of Vietnam is to end in a stalemate. This summer's almost certain standoff will either end in real give-and-take negotiations or terrible escalation; and for every means we have to escalate, the enemy can match us, and that applies to invasion of the North, the use of nuclear weapons, or the mere commitment of one hundred, or two hundred, or three hundred thousand more American troops to the battle. And with each escalation, the world comes closer to the brink of cosmic disaster. To say that we are closer to victory today is to believe, in the face of the evidence, the optimists who have been wrong in the past. To suggest we are on the edge of defeat is to yield to unreasonable pessimism. To say that we are mired in stalemate seems the only realistic, yet unsatisfactory, conclusion. On the off chance that military and political analysts are right, in the next few months we must test the enemy's intentions, in case this is indeed his last big gasp before negotiations. But it is increasingly clear to this reporter that the only rational way out then will be to negotiate, not as victors, but as an honorable people who lived up to their pledge to defend democracy, and did the best they could.^[33]

Following Cronkite's editorial report, President Lyndon Johnson is reported to have said, "If I've lost Cronkite, I've lost Middle America."^[8][34] This account has been questioned in a recent publication on journalistic accuracy.^[35] Several weeks later, Johnson announced he would not seek reelection.

During the 1968 Democratic National Convention in Chicago, Cronkite was anchoring the CBS network coverage as violence and protests occurred outside the convention, as well as scuffles inside the convention hall. When Dan Rather was punched to the floor (on camera) by security personnel, Cronkite commented, "I think we've got a bunch of thugs here, Dan."

Other historic events[link]

The first publicly transmitted, live trans-Atlantic program, was broadcast via the Telstar satellite on July 23, 1962 at 3:00 p.m. EDT, and Cronkite was one of the main presenters in this multinational broadcast.^[36][37] The broadcast was made possible in Europe by Eurovision and in North America by NBC, CBS, ABC, and the CBC.^[36] The first public broadcast featured CBS's Cronkite and NBC's Chet Huntley in New York, and the BBC's Richard Dimbleby in Brussels.^[36] Cronkite was in the New York studio at Rockefeller Plaza as the first pictures to be transmitted and received were the Statue of Liberty in New York and the Eiffel Tower in Paris.^[36] The first segment included a televised major league baseball game between the Philadelphia Phillies and the Chicago Cubs at Wrigley Field.^[36] From there, the video switched first to Washington, D.C.; then to Cape Canaveral, Florida; then to Quebec City, Quebec, and finally to Stratford, Ontario.^[36] The Washington segment included a press conference with President Kennedy, talking about the price of the American dollar, which was causing concern in Europe.^[36] This broadcast inaugurated live, intercontinental news coverage, which was perfected later in the sixties with Early Bird and other Intelsat satellites.

General of the Army Dwight D. Eisenhower returned to his former Supreme Headquarters Allied Expeditionary Force (SHAEF) headquarters for an interview by Cronkite on the CBS News Special Report D-Day + 20, telecast on June 6, 1964.^{[citation needed]}

Cronkite is also remembered for his coverage of the United States space program, and at times was visibly enthusiastic, rubbing his hands together on camera with a smile and uttering, "Whew...boy" on July 20, 1969, when the Apollo 11 lunar landing mission put the first men on the Moon. Cronkite later criticized himself for being at a loss for journalistic words at that moment.^{[citation needed]}

According to the 2006 PBS documentary on Cronkite, there was "nothing new" in his reports on the Watergate affair;^[8] however, Cronkite brought together a wide range of reporting, and his credibility and status is credited by many with pushing the Watergate story to the forefront with the American public, ultimately resulting in the resignation of President Richard M. Nixon on August 9, 1974.^[1] Cronkite had anchored the CBS coverage of Nixon's address, announcing his impending resignation, the night before.^{[citation needed]}

Cronkite also was one of the first to receive word of former President Lyndon B. Johnson's death, receiving the information during the January 22, 1973, broadcast of the CBS Evening News.^[38] While a videotaped report by Peter Kalischer about the apparently successful Vietnam war peace talks was being shown to the nation, Johnson's press secretary Tom Johnson (no relative of Lyndon Johnson) telephoned Cronkite to inform him of Johnson's death. CBS cut abruptly from the report at 6:38 p.m. Eastern Standard Time to Cronkite, who was still speaking to Johnson on the phone. After being made aware he was again on camera, Cronkite held up a finger to let the crew and audience know he was still gathering information. After he allowed Johnson to finish his sentence and informed Johnson he was back on the air and that he needed to hold the call for a second, Cronkite turned to the camera and began to speak:

^[39] During the final ten minutes of that broadcast, Cronkite reported on the death, giving a retrospective on the life of nation's 36th president, and announced that CBS would air a special on Lyndon Johnson later that evening. This story was re-told on a 2007 CBS-TV special honoring Cronkite's 90th birthday. Tom Johnson later became president of CNN.^{[citation needed]}

NBC-TV's Garrick Utley, anchoring NBC Nightly News that evening, also interrupted his newscast in order to break the story, doing so about three minutes after Cronkite on CBS. ABC, however, did not cover the story at all, since, at the time, that network fed its evening newscast to local stations at 6 p.m. Eastern Time, even though many affiliates tape-delayed the broadcast to air at 6:30 or 7:00 p.m.

In December 1963, Cronkite introduced The Beatles to the United States by airing a four-minute story on band on the CBS Evening News.^[40]

Retirement[link]

On February 14, 1980, Cronkite announced that he intended to retire from the CBS Evening News; at the time, CBS had a policy of mandatory retirement by age 65.^[41] Although sometimes compared to a father figure or an uncle figure, in an interview about his retirement he described himself as being more like a "comfortable old shoe" to his audience. His last day in the anchor chair at the CBS Evening News was on March 6, 1981; he was succeeded the following Monday by Dan Rather.^[42]

Cronkite's farewell statement:^[43]

Other activities[link]

Cronkite meets with President Ronald Reagan at the White House, 1981

Reporting[link]

As he had promised on his last show as anchor in 1981, Cronkite continued to broadcast occasionally as a special correspondent for CBS, CNN, and NPR into the 21st century; one such occasion was Cronkite anchoring the second space flight by John Glenn in 1998 as he had Glenn's first in 1962. In 1983, he reported on the British General Election for the ITV current affairs series World In Action, interviewing, among many others, the victorious Prime Minister, Margaret Thatcher.^[45] Cronkite hosted the annual Vienna New Year's Concert on PBS from 1985 to 2008, succeeded by Julie Andrews in 2009.^[46] For many years, until 2002, he was also the host of the annual Kennedy Center Honors.

In 1998, Cronkite hosted the 90-minute documentary, Silicon Valley: A 100 Year Renaissance, produced by the Santa Clara Valley Historical Association. The film documented Silicon Valley's rise from the origin of Stanford University to the current high-technology powerhouse. The documentary was broadcast on PBS throughout the United States and in 26 countries. Prior to 2004, he could also be seen in the opening movie 'Back to Neverland' shown in the Walt Disney World attraction, The Magic of Disney Animation, interviewing Robin Williams as if he is still on the CBS News channel, ending his on-camera time with his famous catchphrase. In the featurette, Cronkite describes the steps taken in the creation of an animated film, while Robin Williams becomes an animated character (and even becomes Walter Cronkite, impersonating his voice). He also was shown inviting Disney guests and tourists to the Disney Classics Theater.

On May 21, 1999, Walter Cronkite participated in a panel discussion on Integrity in the Media with Ben Bradlee and Mike McCurry at the Connecticut Forum in Hartford, Connecticut. Cronkite provided a particularly funny anecdote about taking a picture from a house in Houston, Texas where a newsworthy event occurred and being praised for getting a unique photograph, only to find out later that the city desk had provided him with the wrong address.^[47]

Voice-overs[link]

Cronkite narrated the IMAX film about the Space Shuttle, The Dream is Alive, released in 1985. From May 26, 1986 to August 15, 1994, he was the narrator's voice in the EPCOT Center attraction, Spaceship Earth, at Walt Disney World. He provided the pivotal voice of Captain Neweyes in the 1993 animated film We're Back: A Dinosaur's Story, delivering his trademark line at the end. In 1995, he made an appearance on Broadway, providing the voice of the titular book in the 1995 revival of How to Succeed in Business Without Really Trying.^{[citation needed]}

Cronkite was a finalist for NASA's Journalist in Space program, which mirrored the Teacher in Space Project, an opportunity that was suspended after the Challenger disaster in 1986. He recorded voice-overs for the 1995 film Apollo 13, modifying the script he was given to make it more "Cronkitian." In 2002, Cronkite was the voice of Benjamin Franklin in all 40 episodes of the educational television cartoon Liberty's Kids, which included a news segment ending with "And that's the way it is on...[a historic date]." His distinctive voice provided the narration for the television ads of the University of Texas at Austin, his alma mater, with its 'We're Texas' ad campaign.^[48]

Cronkite voiced Tim's grandpa in the BrainPOP episode about aging.^[49]

He held amateur radio operator license KB2GSD and narrated a 2003 American Radio Relay League documentary explaining amateur radio's role in disaster relief. Unusually, Cronkite was a Novice-class licensee—the entry level license—for his entire, and long, tenure in the hobby.^{[citation needed]}

On February 15, 2005, he went into the studio at CBS to record narration for WCC Chatham Radio, a documentary about Guglielmo Marconi and his Chatham station, which became the busiest ship-to-shore wireless station in North America from 1914 to 1994. The documentary was directed by Christopher Seufert of Mooncusser Films and premiered at the Chatham Marconi Maritime Center^[50] in April 2005. In 2006, Cronkite hosted the World War One Living History Project, a program honoring America's final handful of veterans from the First World War. The program was created by Treehouse Productions and aired on NPR on November 11, 2006. In May 2009, Legacy of War, produced by PBS, was released. Cronkite chronicles, over archive footage, the events following World War II that resulted in America's rise as the dominant world power.^[51]

Prior to his death, "Uncle Walter" hosted a number of TV specials and was featured in interviews about the times and events that occurred during his career as America's "most trusted" man.^[8][52] In July 2006, the 90-minute documentary Walter Cronkite: Witness to History aired on PBS. The special was narrated by Katie Couric, who assumed the CBS Evening News anchor chair in September 2006. Cronkite provided the voiceover introduction to Couric's CBS Evening News, which began on September 5, 2006. Cronkite's voiceover was notably not used on introducing the broadcast reporting his funeral - no voiceover was used on this occasion.^{[citation needed]}

TV and movie appearances[link]

Cronkite made a cameo appearance on The Mary Tyler Moore Show, in which he met with Lou Grant in his office. Ted Baxter, who at first tried to convince Cronkite that he (Baxter) was as good a newsman as Eric Sevareid, pleaded with Cronkite to hire him for the network news, at least to give sport scores, and gave an example: "The North Stars 3, the Kings Oh!" Cronkite turned to Lou and said, "I'm gonna get you for this!" Cronkite later said that he was disappointed that his scene was filmed in one take, since he had hoped to sit down and chat with the cast.

In the late 1980s and again in the 1990s, Cronkite appeared on the news-oriented situation comedy Murphy Brown as himself. Both episodes were written by the Emmy-award winning team of Tom Seeley and Norm Gunzenhauser. In 1995, he narrated the World Liberty Concert held in the Netherlands.

Cronkite appeared briefly in the 2005 dramatic documentary The American Ruling Class written by Lewis Lapham, Thirteen Days, reporting on the Cuban missile crisis and provided the opening synopsis of the American Space Program leading to the events in Apollo 13 for the Ron Howard film of the same name.

Political activism[link]

Walter Cronkite speaks at a NASA ceremony in February 2004

Cronkite wrote a syndicated opinion column for King Features Syndicate. In 2005 and 2006, he contributed to The Huffington Post.^[53] Cronkite was the chairman of The Interfaith Alliance.^[54] In 2006, he presented the Walter Cronkite Faith and Freedom Award to actor and activist George Clooney on behalf of his organization at its^[55] annual dinner in New York.

Cronkite was a vocal advocate for free airtime for political candidates.^[8] He worked with the Alliance for Better Campaigns^[8] and Common Cause,^[9] for instance, on an unsuccessful lobbying effort to have an amendment added to the McCain-Feingold-Shays-Meehan Campaign Finance Reform Act of 2001 that would have required TV broadcast companies to provide free airtime to candidates. Cronkite criticized the present system of campaign finance which allows elections to "be purchased" by special interests, and he noted that all the European democracies "provide their candidates with extensive free airtime."^[56] "In fact," Cronkite pointed out, "of all the major nations worldwide that profess to have democracies, only seven — just seven — do not offer free airtime"^[56] This put the United States on a list with Ecuador, Honduras, Malaysia, Taiwan, Tanzania, Trinidad and Tobago. Cronkite concluded that "The failure to give free airtime for our political campaigns endangers our democracy."^[56] During the elections held in 2000, the amount spent by candidates in the major TV markets approached $1 billion. "What our campaign asks is that the television industry yield just a tiny percentage of that windfall, less than 1 percent, to fund free airtime."^[57]

He was a member of the Constitution Project's bipartisan Liberty and Security Committee.^[58][59] He also supported the nonprofit world hunger organization Heifer International.

In 1998, he supported President Bill Clinton during Clinton's impeachment trial. He was also a proponent of limited world government on the American federalist model, writing fund-raising letters for the World Federalist Association (now Citizens for Global Solutions). In accepting the 1999 Norman Cousins Global Governance Award at the ceremony at the United Nations, Cronkite said:^[60]

"It seems to many of us that if we are to avoid the eventual catastrophic world conflict we must strengthen the United Nations as a first step toward a world government patterned after our own government with a legislature, executive and judiciary, and police to enforce its international laws and keep the peace. To do that, of course, we Americans will have to yield up some of our sovereignty. That would be a bitter pill. It would take a lot of courage, a lot of faith in the new order. But the American colonies did it once and brought forth one of the most nearly perfect unions the world has ever seen."^[61]

Cronkite contrasted his support for accountable global government with the opposition to it by politically active Christian fundamentalists in the United States:^[62]

"Even as with the American rejection of the League of Nations, our failure to live up to our obligations to the United Nations is led by a handful of willful senators who choose to pursue their narrow, selfish political objectives at the cost of our nation’s conscience.They pander to and are supported by the Christian Coalition and the rest of the religious right wing. Their leader, Pat Robertson, has written that we should have a world government but only when the messiah arrives. Any attempt to achieve world order before that time must be the work of the Devil! Well join me… I'm glad to sit here at the right hand of Satan."^[63]

In 2003, Cronkite, who owned property on Martha's Vineyard,^[52] became involved in a long-running debate over his opposition to the construction of a wind farm in that area. In his column, he repeatedly condemned President George W. Bush and the 2003 invasion of Iraq. Cronkite appeared in the 2004 Robert Greenwald film Outfoxed, where he offered commentary on what he said were unethical and overtly political practices at the Fox News Channel. Cronkite remarked that when Fox News was founded by Rupert Murdoch, "it was intended to be a conservative organization — beyond that; a far-right-wing organization". In January 2006, during a press conference to promote the PBS documentary about his career, Cronkite said that he felt the same way about America's presence in Iraq as he had about their presence in Vietnam in 1968 and that he felt America should recall its troops.^[64]

Cronkite spoke out against the War on Drugs in support of the Drug Policy Alliance, writing a fundraising letter and appearing in advertisements on behalf of the DPA.^[65] In the letter, Cronkite wrote: "Today, our nation is fighting two wars: one abroad and one at home. While the war in Iraq is in the headlines, the other war is still being fought on our own streets. Its casualties are the wasted lives of our own citizens. I am speaking of the war on drugs. And I cannot help but wonder how many more lives, and how much more money, will be wasted before another Robert McNamara admits what is plain for all to see: the war on drugs is a failure."^[65]

Personal life[link]

Cronkite at the helm of the USS Constitution in July 1997.

Cronkite was married for nearly sixty-five years to Mary Elizabeth 'Betsy' Maxwell Cronkite (January 25, 1916 - March 15, 2005),^[66] from March 30, 1940 until her death from cancer.^[67] They had three children: Nancy Cronkite, Mary Kathleen (Kathy) Cronkite, and Walter Leland (Chip) Cronkite III (who is married to actress Deborah Rush);^[2][52] and four grandchildren: Will Ikard, John Ikard, Peter Cronkite, and Walter Cronkite IV. Peter and Walter are alumni of St. Bernard's School.^[68] Peter Cronkite is currently attending Horace Mann School. Walter attends Hamilton College, having graduated from the same school.

In late 2005 Cronkite began dating opera singer Joanna Simon, Carly Simon's older sister. Of their relationship Cronkite stated in an interview for the New York Post in January 2006: "We are keeping company, as the old phrase used to be."^[69]

Cronkite was an avid sailor and a member of the United States Coast Guard Auxiliary, with the honorary rank of commodore.^[70][71] Throughout the 1950s, he was an aspiring sports car racer, even racing in the 1959 12 Hours of Sebring.^[72]

Cronkite was reported to be a fan of the game Diplomacy, which was John F. Kennedy's and Henry Kissinger's favorite game.^[73]

Death[link]

In late June 2009, Cronkite was reported to be terminally ill.^[74] He died on July 17, 2009, at his home in New York City, at the age of 92. He is believed to have died from cerebrovascular disease.^[75] Cronkite's funeral took place on July 23, 2009 at St. Bartholomew's Church in midtown Manhattan, New York City.^[76] At his funeral, his friends noted his love of music, including, recently, drumming.^[71] He was cremated and his remains buried next to his wife, Betsy, in the family plot at a cemetery in Kansas City.

Legacy[link]

Public credibility and trustfulness[link]

For many years, until a decade after he left his post as anchor,^[77] Cronkite was considered one of the most trusted figures in the United States.^[52] For most of his 19 years as anchor, he was the "predominant news voice in America."^[77] Affectionately known as "Uncle Walter," he covered many of the important news events of the era so effectively that his image and voice are closely associated with the Cuban missile crisis, the assassination of President John F. Kennedy, the Vietnam War, the Apollo 11 Moon landing, and the Watergate scandal.^[1][4] USA Today wrote that "few TV figures have ever had as much power as Cronkite did at his height."^[77] Enjoying the cult of personality surrounding Cronkite in those years, CBS allowed some good-natured fun-poking at its star anchorman in some episodes of the network's popular situation comedy All in the Family, during which the lead character Archie Bunker would sometimes complain about the newsman, calling him "Pinko Cronkite."