Lonnie James Chapin (born May 7, 1970) was formerly the bass guitarist of Christian rock band Tait. His younger brother, Chad, is the current drummer of the band. His hometown is Bend, Oregon. He was also the bassist for the legendary Christian rock band Petra from 1997 to 2001 before joining Tait.
Lonnie joined Petra in 1997, replacing Ronny Cates. He helped record some of the bass for Petra's second praise album, Petra Praise 2: We Need Jesus. After that, he immersed with the band in the creation of their next studio album. Along with fellow newcomers to the band, Pete Orta and Kevin Brandow, he contributed (along with Petra's founder and songwriter, Bob Hartman) to the songwriting of Petra's album God Fixation in 1998. After Petra's 2000 album, Double Take he left to join TAIT. Lonnie won a Grammy award in 2001 for Gospel Rock Record of the Year with Petra and 3 nominations. He is also a inductee in the Hard Rock Cafe in Orlando Florida and Cape Town South Africa.
Lonnie was invited to audition for Tait by his brother, Chad. When Michael listened to him, he liked it so much that he asked him immediately to stay in the band. Tait would bring Lonnie another Grammy nomination and Dove award. He remained in the band until 2004.
Lonnie Liston Smith, Jr. (born December 28, 1940 in Richmond, Virginia) is an American jazz, soul, and funk musician who played with notable free jazz artists such as Pharoah Sanders and Miles Davis before forming Lonnie Liston Smith And The Cosmic Echoes, recording a number of albums widely regarded as classics in the fusion / Quiet Storm / smooth jazz and acid jazz genres.
Lonnie was born into a musical family; his father was a member of Richmond Gospel music group The Harmonizing Four, and Lonnie remembers groups such as the Swan Silvertones and the Soul Stirrers (then featuring a young Sam Cooke) as regular visitors to the house when he was a child. He learned piano, tuba and trumpet in High School and College, graduating from Morgan State University, Baltimore with a Bachelor of Science degree in music education. He has since cited Charlie Parker, John Coltrane and Miles Davis as major influences on his youth. While still a teenager at College, Lonnie became well known locally as a backing vocalist as well as pianist, and played in the Baltimore area with a number of his contemporaries, including Gary Bartz (alto), Grachan Moncur (trombone), and Mickey Bass (bass). He also backed a number of jazz singers such as Betty Carter and Ethel Ennis when, soon after graduating, he began playing live with the house band at the Royal Theater, Baltimore.
Lonnie Lee (born 18 September 1940) is an Australian singer. He was raised on sheep property in Rowena, New South Wales and has been performing since the mid 1950s. At the peak of his career, Lee had eight national #1 hits and produced five Gold Records. His last #1 hit was 'Sad Over Someone' (1969).
Lee got his first break in 1956 with a performance on radio 2UW's talent search, Alan Toohey's Amateur Hour where he came second. In February 1957, he won an MGM contest for 'Australia's own Elvis Presley' and in 1959 recorded his first record for Leedon Records called Ain't it so, which he wrote with Johnny O'Keefe and which became his first national hit. He also formed started Sydney's first Rockabilly trio. At this time, Lee made his first of many television appearances on the ABC's rock and roll television show Six O'Clock Rock as well as Bandstand compered by Brian Henderson.
Other hits were Starlight Starbright (1959), Yes Indeed I Do (1960), I Found A New Love, Defenceless (1960). In 1961 and 1962 he made Sit Around And Talk, When The Bells Stop Ringing, Sitting By The River and Don't You Know Pretty Baby.
Thomas Chapin (March 9, 1957 – February 13, 1998) was an American composer and saxophonist/multi-instrumentalist. Though primarily an alto saxophonist, he also played sopranino saxophone and various flutes.
Most of his recordings as a leader featured his trio with drummer Michael Sarin and bassist Mario Pavone, occasionally joined by guests.
Chapin studied with Jackie McLean and Paul Jeffrey. He played with Lionel Hampton.
Chapin died of leukemia three weeks before his 41st birthday. He last played two weeks before his death, at a benefit concert.
(all eight Knitting Factory discs are also included in the box set Alive)
Co-leader with Borah Bergman:
Anthony Braxton (born June 4, 1945) is an American composer, saxophonist, clarinettist, flautist, pianist, and philosopher. Braxton has released well over 100 albums since the 1960s. Among the array of instruments he plays are the flute; the sopranino, soprano, C-melody, F mezzo-soprano, E-flat alto, baritone, bass, and contrabass saxophones; and the E-flat, B-flat, and contrabass clarinets.
Braxton studied philosophy at Roosevelt University. He has taught at Mills College and as of 2012 is Professor of Music at Wesleyan University in Middletown, Connecticut, teaching music composition, music history, and improvisation.
Early in his career, Braxton led a trio with violinist Leroy Jenkins and trumpeter Wadada Leo Smith and was involved with The Association for the Advancement of Creative Musicians, the "AACM", founded in Chicago, Braxton's birthplace.
In 1968, Braxton recorded the double LP For Alto. There had been occasional unaccompanied saxophone recordings previously (notably Coleman Hawkins' "Picasso"), but For Alto was the first full-length album for unaccompanied saxophone. The album's songs were dedicated to Cecil Taylor and John Cage, among others. The album influenced other artists like Steve Lacy (soprano sax) and George Lewis (trombone), who would go on to record their own acclaimed solo albums.
can't take me apart!
see the light, a new day has arrived for us
genesis of our evolution
a linchpin holds within a means to an end
can't you see that we are one?
can't take me apart!
no you can't!
we see no end to the dream
we will never see the end
we will never be the end
all my life i've felt discarded
never feeling a part of it
no you can't!
without me you will fade, you will not remain
we are one, and of the same future machine!
a linchpin holds within a means to an end
can't you see that we are one?
can't take me apart!
no you can't!
we see no end to the dream!
we will never see the end
we will never be the end
all my life i've felt discarded
never feeling a part of it
no you can't take me apart
LINCHPIN
I've noticed that you can't even bare to look and see
Take out those drunken eyes and learn just how to be
I hear you calling but you will not let me speak
Can't hide it any more, your wall's about to leak
Chorus
You got to let me in, to pull the root,
You got to let me in, to find the truth and pull the linchpin
It's got to end now it has gone way too far
The sparkle robber overdosed in his car
They found a note that he left on the ground
It said yours was the strongest sparkle that he'd ever found
Chorus
And it's nearly over
And you're my lover
But it won't be over