Neill, Sam Filmography

• Drylands (2013)
• Mariah Mundi and the Midas Box (2013)
• A Long Way Down (2013)
• The Tomb (2013)
• A View from the Bridge (2012)
• The Vow (2012)
• The Hunter (2011)
• The Dragon Pearl (2011)
• Return to Jurassic Park: Making Prehistory (2011)
• Return to Jurassic Park: Dawn of a New Era (2011)
• Buck (2011)
• Return to Jurassic Park: The Next Step in Evolution (2011)
• Telepathy (2010)
• Video Nasties: Moral Panic, Censorship & Videotape (2010)
• Legend of the Guardians: The Owls of Ga'Hoole (2010)
• In Her Skin (2009)
• Under the Mountain (2009)
• Daybreakers (2009)
• The Last Dragon: Search for the Lost Pearl (2009)
• Skin (2008)
• Verity Lambert: Drama Queen (2008)
• Premio Donostia a Meryl Streep (2008)
• Reinventando Hollywood (2008)
• Dean Spanley (2008)
• Maquillando entre monstruos (2007)
• Angel (2007)
• Voyage of the Nautilus (2006)
• Merlin's Apprentice (2006)
• Working with a Master: John Carpenter (2006)
• Irresistible (2006)
• The Making of 'Event Horizon' (2006)
• Sci Fi Inside: 'The Triangle' (2005)
• Little Fish (2005)
• Gelibolu (2005)
• The Brush-Off (2004)
• The Brush-Off (2004)
• Stiff (2004)
• Yes (2004)
• Jessica (2004)
• Colin McCahon: I Am (2004)
• Making of 'Wimbledon: The Movie' (2004)
• The Making of 'Sleeping Dogs' (2004)
• Stiff (2004)
• Wimbledon (2004)
• Perfect Strangers (2003)
• Framed (2002)
• Doctor Zhivago (2002)
• Dirty Deeds (2002)
• Leunig Animated (2002)
• Leunig: How Democracy Actually Works (2002)
• Before Stardom (2002)
• The Special Effects of 'Jurassic Park III' (2001)
• Submerged (2001)
• The Dinosaurs of 'Jurassic Park III' (2001)
• Numero Bruno (2001)
• The Making of 'Jurassic Park III' (2001)
• Jurassic Park III (2001)
• Beyond Jurassic Park (2001)
• SuperCroc (2001)
• The Zookeeper (2001)
• Inside 'The Living Daylights' (2000)
• My Mother Frank (2000)
• The Magic Pudding (2000)
• The Dish (2000)
• Sally Hemings: An American Scandal (2000)
• Molokai: The Story of Father Damien (1999)
• Bicentennial Man (1999)
• The 56th Annual Golden Globe Awards (1999)
• The 50th Annual Primetime Emmy Awards (1998)
• The Horse Whisperer (1998)
• The Revengers' Comedies (1998)
• Snow White: A Tale of Terror (1997)
• Event Horizon (1997)
• The American Film Institute Salute to Steven Spielberg (1996)
• Children of the Revolution (1996)
• In Cold Blood (1996)
• Victory (1996)
• Cinema of Unease: A Personal Journey by Sam Neill (1995)
• Forgotten Silver (1995)
• The Celluloid Heroes (1995)
• Cinema of Unease: A Personal Journey by Sam Neill (1995)
• Restoration (1995)
• Forgotten Silver (1995)
• Cinema of Unease: A Personal Journey by Sam Neill (1995)
• Cinema of Unease: A Personal Journey by Sam Neill (1995)
• The Jungle Book (1994)
• In the Mouth of Madness (1994)
• Country Life (1994)
• The Making of Rudyard Kipling's 'The Jungle Book' (1994)
• Sirens (1993)
• The Rainbow Warrior (1993)
• Jurassic Park (1993)
• The Piano (1993)
• Family Pictures (1993)
• Hostage (1992)
• Memoirs of an Invisible Man (1992)
• Fever (1991)
• One Against the Wind (1991)
• Bis ans Ende der Welt (1991)
• Death in Brunswick (1990)
• Shadow of China (1990)
• The Hunt for Red October (1990)
• Dead Calm (1989)
• La révolution française (1989)
• Evil Angels (1988)
• Leap of Faith (1988)
• The Umbrella Woman (1987)
• Amerika (1987)
• Strong Medicine (1986)
• For Love Alone (1986)
• Kane & Abel (1985)
• Plenty (1985)
• Robbery Under Arms (1985)
• The 42nd Annual Golden Globe Awards (1985)
• Le sang des autres (1984)
• The Country Girls (1984)
• Enigma (1983)
• Ivanhoe (1982)
• Attack Force Z (1982)
• The Final Conflict (1981)
• From a Far Country (1981)
• Possession (1981)
• Lucinda Brayford (1980)
• My Brilliant Career (1979)
• Just Out of Reach (1979)
• The Journalist (1979)
• Surf Sail (1978)
• Flare: A Ski Trip (1977)
• Architect Athfield (1977)
• On the Road with Red Mole (1977)
• Sleeping Dogs (1977)
• The Sullivans (1976)
• Landfall (1975)
• Four Shorts on Architecture (1975)
• Four Shorts on Architecture (1975)
• Ashes (1975)
• Four Shorts on Architecture (1975)
• Telephone Etiquette (1974)
• Telephone Etiquette (1974)
• Telephone Etiquette (1974)
• Telephone Etiquette (1974)

Famous quotes by Sam Neill:

"I enjoy some physical stuff. But if I had a choice between playing a scene where it's raining, it's terribly cold, I'm wet and I'm being drowned and playing a scene with dinosaur eggs in a laboratory, I'd probably take the latter. It's warmer and generally more comfortable!"

"I don't think I really have the insight or the inquiring to be an astronomer, and I don't think I have the wherewithal to be an astronaut. But if I had to choose which one I'd like to be, it would be the astronaut. I think it would be a wonderful thing to try."

"There's part of me that loves traveling. And there's part of me that just loves staying home. It's a double-edged sword."

"I've worked all my life to shed myself of any character."

"The animatronics now are certainly more lifelike than before. They've advanced in exactly the same was as the CGI has. It is all really out of my area of expertise, but it definitely made my job a lot easier to act to something that was a lot more expressive, more real."

"Something to be said for silence,"

"It's fairly hard to find gay drug dealers that aren't locked up or dead, or 23, so it's fairly oblique research. But I have some good contacts, not in the gay drug world but in the legal world, who spun me in the right direction."

"I can tell you where I was when Kennedy was shot - which was in the common room at school. I heard about it on the old valve radio. At the time of Armstrong's landing, I was at university rehearsing a play."

"When you hear actors say, 'Oh, I did all my own stunts,' it is usually crap! It's one thing jumping into water or whatever, but the real stunts are more properly done by stunt men. And it is too financially risky to have actors risk their necks, isn't it?"

"I love the fact that you can't tell pinot noir what to do; it has to express itself. And it's always just beyond your grasp. If you do manage to get a hold of it, it's only for a fleeting moment."

"I go by the role pretty much. And I think the only genre I haven't gotten to do but I'd love to is a western, but no one has ever asked me to do that. Unfortunately they are very few and far between these days, but that is one type of film I'd love to do."

"I'm not big on Champagne, but I'd take along a bottle of Cristal to pop for when the boat comes to the rescue."

"When I started in films, it never really occurred to me that I could make a career out of acting."

"As much as possible, I try to encourage people to use stunt men because that is really their job."