Person-to-person and person to person can refer to:

• Person-to-person call; see Operator assistance
• Person-to-person lending
• Person to Person (1953–1961), a TV program
• Person To Person: Live at the Blue Note, a Ben E. King album
• Person To Person (album), a 2009 album by American folk rock band Foreign Born
• Person to Person, a song by Screamin' Jay Hawkins

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

A person is a being, such as a human, that has certain capacities or attributes constituting personhood, the precise definition of which is the subject of much controversy.^{[vague language]} The common plural of "person", "people", is often used to refer to an entire nation or ethnic group (as in "a people"), so the plural "persons" is often used in contexts which require precision such as philosophical and legal writing.

Etymology[link]

In ancient Rome, the word "persona" (Latin) or "prosopon" (πρόσωπον: Greek) originally referred to the masks worn by actors on stage. The various masks represented the various "personae" in the stage play, while the masks themselves helped the actor's voice resonate and made it easier for the audience to hear.^[1]

In Roman law, the word "persona" became used to refer to a role played in court, and it became established that it was the role rather than the actor that could have rights, powers, and duties, because different individuals could assume the same roles, the rights, powers, and duties followed the role rather than the actor, and each individual could act in more than one role, each a different "person" in law.^{[tortured english][citation needed]}

The concept of a "person" was further developed during the Trinitarian and Christological debates of the first through sixth centuries. Since then, a number of important changes to the word's meaning and use have taken place, and attempts have been made to redefine the word with varying degrees of adoption and influence.

Many modern speakers of colloquial English conflate the meanings of role and actor, which can result in some confusion when they try to enter into legal discourse.^{[citation needed]}

Personhood[link]

An abstract painting of a person by Paul Klee. The concept of a person can be very challenging to define.

Personhood is the status of being a person. Defining personhood is a controversial topic in philosophy and law, and is closely tied to legal and political concepts of citizenship, equality, and liberty. According to law, only a natural person or legal personality has rights, protections, privileges, responsibilities, and legal liability. Personhood continues to be a topic of international debate. Historically, personhood was questioned during the abolition of slavery, the fight for women's rights and animal rights, debates about abortion, fetal rights and reproductive rights as well as debates about corporate personhood.^[2]

Various specific debates have focused and continue to focus on questions about the personhood of different classes of entities. Historically, the personhood of animals, women, and slaves has been a catalyst of social upheaval. Today, most living adult humans are usually considered persons, but depending on the context, theory or definition, the category of "person" may be taken to include such non-human entities as animals, corporations, sovereign states or other polities, estates in probate, artificial intelligences, or extraterrestrial life; and may exclude some human entities in prenatal development or those with extreme mental impairments or injuries. A deceased person may be considered a person or property, depending on jurisdiction.

Personal identity[link]

What does it take for individuals to persist from moment to moment — or in other words, for the same individual to exist at different moments?

Personal identity is the unique numerical identity of persons through time. That is to say, the necessary and sufficient conditions under which a person at one time and a person at another time can be said to be the same person, persisting through time. In the modern philosophy of mind, this concept of personal identity is sometimes referred to as the diachronic problem of personal identity. The synchronic problem is grounded in the question of what features or traits characterize a given person at one time.

Identity is an issue for both continental philosophy and analytic philosophy. A key question in continental philosophy is in what sense we can maintain the modern conception of identity, while realizing many of our prior assumptions about the world are incorrect.

Proposed solutions to the problem of personal identity include continuity of the physical body, continuity of an immaterial mind or soul, continuity of consciousness or memory, the bundle theory of self, and proposals that there are actually no persons or selves which persist over time at all.

See also[link]

References[link]

Further reading[link]

• Lukes, Steven; Carrithers, Michael; Collins, Steven, eds. (1987). The category of the person: Anthropology, philosophy, history. Cambridge: Cambridge University Press. ISBN 0-521-27757-4. 
• Cornelia J.de Vogel The concept of personality in Greek and Christian thought. In Studies in philosophy and the history of philosophy. Vol. 2. Edited by J. K. Ryan, Washington: Catholic University of America Press 1963. pp. 20–60
• Puccetti, Roland (1968). Persons: A Study of Possible Moral Agents in the Universe. London: Macmillan and Company. 
•  "Person". Catholic Encyclopedia. New York: Robert Appleton Company. 1913. 
• Korfmacher, Carsten (May 29, 2006). "Personal Identity". The Internet Encyclopedia of Philosophy. http://www.iep.utm.edu/p/person-i.htm. Retrieved 2011-03-09. 

External links[link]

Look up person in Wiktionary, the free dictionary.

• Rights of Non-Human Persons Program (Institute for Ethics and Emerging Technologies)

Wim Wenders
Wim Wenders (2008)
Born	Ernst Wilhelm Wenders (1945-08-14) 14 August 1945 (age 66) Düsseldorf, Germany
Occupation	Film director
Years active	1967–present
Spouse	Edda Köchl (1968–74) Lisa Kreuzer (1974–78) Ronee Blakley (1979–81) Isabelle Weingarten (1981–82) Donata Wenders (1993–)
Awards	Golden Lion for The State of Things (1982) Golden Palm for Paris, Texas (1984) Cannes Film Festival Grand Jury Prize for Faraway, So Close! (1993) Silver Bear Jury Prize for The Million Dollar Hotel (2000)
Website
www.wim-wenders.com

Ernst Wilhelm "Wim" Wenders (born 14 August 1945) is a German film director, playwright, author, photographer and producer. Since 1996, Wenders has been the president of the European Film Academy in Berlin.

Early life[link]

Wenders was born in Düsseldorf into a traditional Catholic family. His father, Heinrich Wenders, was a surgeon. Use of the Dutch name, "Wim", a shortened version of the baptismal name "Wilhelm/Willem", reflected his mother's Dutch provenance, but the Dutch version was rejected by the civil registration authorities in 1945 as "unGerman".^[1] He graduated from high school in Oberhausen in the Ruhr area. He then studied medicine (1963–64) and philosophy (1964–65) in Freiburg and Düsseldorf. However, he dropped out of university studies and moved to Paris in October 1966 to become a painter. Wenders failed his entry test at France's national film school IDHEC (now La Fémis), and instead became an engraver in the studio of Johnny Friedlander, an American artist, in Montparnasse. During this time, Wenders became fascinated with cinema, and saw up to five movies a day at the local movie theater.

Set on making his obsession also his life's work, Wenders returned to Germany in 1967 to work in the Düsseldorf office of United Artists. That fall, he entered the "Hochschule für Fernsehen und Film München" (University of Television and Film Munich). Between 1967 and 1970 while at the "HFF", Wenders also worked as a film critic for FilmKritik, then the Munich daily newspaper Süddeutsche Zeitung, Twen magazine, and Der Spiegel.

Wenders completed several short films before graduating from the Hochschule with a feature-length 16mm black and white film, Summer in the City.

Career[link]

Wenders began his career during the New German Cinema era of the late 1960s, making his feature directorial debut with Summer in the City (1970). Much of the distinctive cinematography in his movies is the result of a highly productive long-term collaboration with Dutch cinematographer Robby Müller. Some of his more successful and critically acclaimed movies, Paris, Texas and Wings of Desire, for example, have been the result of fruitful collaborations with avant-garde authors Peter Handke and Sam Shepard. Handke's novel, The Goalie's Anxiety at the Penalty Kick was adapted for Wenders' second feature film, The Goalkeeper's Fear of the Penalty. Handke co-wrote the script for Wings of Desire and Until the End of the World, both featuring Solveig Dommartin.

Wenders has directed several highly acclaimed documentaries, most notably Buena Vista Social Club (1999), about Cuban musicians, and The Soul of a Man (2003), on American blues.

He has also directed many music videos for groups such as U2 and Talking Heads, including "Stay (Faraway, So Close!)" and "Sax and Violins". His television commercials include a UK advertisement for Carling Premier Canadian beer.

Wim Wenders at Cannes (2002)

Wenders' book, Emotion Pictures, a collection of diary essays written while a film student, was adapted and broadcast as a series of plays on BBC Radio 3, featuring Peter Capaldi as Wenders, with Gina McKee, Saskia Reeves, Dennis Hopper, Harry Dean Stanton and Ricky Tomlinson, dramatised by Neil Cargill.

Wenders was collaborating with artist/journalist and longtime friend Melinda Camber Porter on a documentary feature about his body of work, Wim Wenders - Visions on Film, when Porter passed away - the film remains incomplete.

Wenders is a member of the advisory board of World Cinema Foundation. The project was founded by Martin Scorsese and aimed at finding and reconstructing world cinema films that have been long neglected. He serves as a Jury Member for the digital studio Filmaka, a platform for undiscovered filmmakers to show their work to industry professionals.^[2]

In 2011 he was selected to stage the 2013 cycle of Richard Wagner's Ring der Nibelungen at the Bayreuth Festival,^[3] a reflection of his capacity to produce imaginative tributes to great works of art.^[4] The project fell through when he insisted on filming in 3-D, which the Wagner family found too costly and disruptive.^[5]

While promoting his 3-D dance film, Pina, Wenders told the Documentary channel Blog in December 2011 that he has already begun work on a new 3-D documentary, this one about architecture.^[6] He also has said that he will only be working in the 3-D film format from now on.^[7]

Selected exhibitions[link]

2006

Wim Wenders: Immagini dal pianeta terra, Scuderie del Quirinale, Rome, Italy Journey to Onomichi – Photos by Wim and Donata Wenders, Omotesando Hills, Tokyo, Japan Pictures from the Surface of the Earth, images from touring exhibition, Salon of the Museum of Contemporary Art, Belgrade, Yugoslavia Dark Places, curated by Joshua Decter, Santa Monica Museum of Art, Santa Monica, CA

2005

The Forest: Politics, Poetics, and Practice, Nasher Museum of Art at Duke University, Durham, NC Through the Lens, group exhibition, C. Grimaldis Gallery, Baltimore, MD

2004–05

Pictures from the Surface of the Earth, ARoS Aarhus Kunstmuseum, Århus C, Denmark

2004

Pictures from the Surface of the Earth, Australia and Japan, James Cohan Gallery, New York, NY Between The Lines, group exhibition, James Cohan Gallery, New York, NY Images of Time and Place: Contemporary Views of Landscape, group exhibition, Lehman College Art Gallery, Bronx, NY Wim Wenders, Galleria Marabini, Bologna, Italy Through the Lens: Eight Photographers, group exhibition, C. Grimaldis Gallery, Baltimore, Maryland.

2003

Wim Wenders, James Cohan Gallery, New York, NY Wim Wenders, Galerie Judin Belot, Zurich, Switzerland

2000–04

Pictures from the Surface of the Earth, touring exhibition: Hamburger Bahnhof, Berlin (2001), Guggenheim Museum, Bilbao (2002), Haunch of Venison, London (2003); Museum of Contemporary Art, Sydney (2003); City Art Gallery, Wellington, New Zealand; Millennium Art Museum, Beijing, China; Shanghai Museum of Art, Shanghai, China; Guangdong Museum of Art, Guangzhou, China (2004)

2000

Buena Vista Social Club, Rose Gallery, Bergamot Station, Santa Monica, CA

1996

Wim Wenders: Landscape and Memory, Gallery of Contemporary Photography, Santa Monica Wim Wenders: Photos, in conjunction with the publication, Wim Wenders: Photos, Munich Goethe Institute (1996), Goethe Institutes worldwide

1995

Wim Wenders: Landscape and Memory, Gallery of Contemporary Photography, Santa Monica, CA

1993–95

Wim Wenders Photo Exhibition, in conjunction with the publication, Once, Munich: Schirmer/ Mosel (2001), touring exhibition: Palazzo delle Esposizioni, Rome (1993); Villa delle Rose, Bologna (1994); FNAC, Paris (1994); Parco, Tokyo (1994); FNAC, Berlin (1995); Villa Rufolo, Ravello (1995)

Wim Wenders (2005)

1989–94

Wim Wenders Photographs, touring exhibition: Galerie F. C Gundlach, Hamburg (1989); Galerie Marie-Louise Wirth, Zürich (1990); Hochschule für Fernsehen und Film, Munich (1991); Fahey/Klein Gallery, Los Angeles (1991); Shibuya Seibu Dept. Store, Tokyo (1992); Kiyomizu

1989–94

Temple, Kyoto (1992); Musée de L'Elysée, Lausanne (1992); Amerika Haus, Berlin (1992); Venice Biennale (1993); Louisiana Museum of Modern Art, Humlebaek (1993); Sala Parpallo Palau Dels Scala, Valencia (1994); San Telmo Museum, San Sebastian (1994)

1986–92

Written in the West, in conjunction with the publication, Written in the West, Munich: Schirmer/Mosel (1987), touring exhibition: Centre Georges Pompidou, Paris (1986); Encontros de Fotografia, Coimbra (1987); Palazzo della Triennale di Milano (1988); Film Society of Miami (1988); Goethe Institut, Stockholm (1988); Goethe Institut, Copenhagen (1988); Saint-Yrieix-La-Perche (1990); Städtische Galerie Schwarzes Kloster, Freiburg (Breisgau) (1992)

Legacy and honors[link]

Wenders has already received many awards, including the Golden Lion for The State of Things at the Venice Film Festival (1982); the Palme d'Or at the 1984 Cannes Film Festival for his movie Paris, Texas; and Best Direction for Wings of Desire in the 1987 Bavarian Film Awards^[8] and the 1987 Cannes Film Festival. In 1993 he won the Bavarian Film Awards for Best Director for Faraway, So Close!.^[8] In 2004, he received the Master of Cinema Award of the International Filmfestival Mannheim-Heidelberg. He was awarded the Leopard of Honour at the Locarno International Film Festival in 2005. In 2012 his dance film Pina was nominated for the Best Documentary Feature of the 84th Academy Awards.^[9]

He has been awarded honorary doctorates at the Sorbonne in Paris in 1989 and at the Université Catholique de Louvain, Belgium in 2005.

Filmography[link]

Selected bibliography[link]

• Wenders, Wim (1984), Paris, Texas, Nördlingen: Greno, ISBN 978-3-921568-11-8 
• Wenders, Wim (1986), Emotion pictures: Essays und Filmkritiken, 1968-1984, Frankfurt: Verlag der Autoren, ISBN 978-3-88661-078-5 
• Wenders, Wim (1989), Emotion pictures: reflections on cinema, London: Faber and Faber, ISBN 978-0-571-15271-1 
• Shepard, Sam; Wenders, Wim (1991), Paris, Texas: Screenplay, New York: Ecco Press, ISBN 978-0-88001-266-9 
• Wenders, Wim; Hofmann, Michael (1992), The logic of images: essays and conversations, London: Faber and Faber, ISBN 978-0-571-16517-9 
• Wenders, Wim; Handke, Peter (1998) (in German), Der Himmel über Berlin: Ein Filmbuch von Wim Wenders und Peter Handke, Berlin: Suhrkamp Verlag, ISBN 978-3-518-02406-5 
• Wenders, Wim; Wenders, Donata (2000), The heart is a sleeping Beauty: the Million Dollar Hotel - a film book, New York: teNeues, ISBN 978-3-8238-5468-5 
• Wenders, Wim; Hofmann, Michael (2000), My time with Antonioni: the diary of an extraordinary experience, London: Faber and Faber, ISBN 978-0-571-20076-4 
• Wenders, Wim (2001), Written in the West, New York: teNeues, ISBN 978-3-8238-5469-2 
• Wenders, Wim (2001), Once: pictures and stories, New York: D.A.P./Schirmer/Mosel, ISBN 978-1-891024-25-2 
• Wenders, Wim; Hofmann, Michael (2001), On film: essays and conversations, London: Faber and Faber, ISBN 978-0-571-20718-3 
• Lindbergh, Peter; Wenders, Wim (2002), Peter Lindbergh: stories, Santa Fe: Arena Editions, ISBN 978-1-892041-64-7 
• Steinhilber, Berthold; Wenders, Wim (2003), Ghost towns of the American West, New York: Harry N. Abrams, ISBN 978-0-8109-4508-1 
• Wenders, Wim; Tawada, Yoko (2007), Where Europe begins, New York: New Directions Publishers, ISBN 978-0-8112-1702-6 

Quotes[link]

• "Sex and violence was never really my cup of tea; I was always more into sax and violins."
• "I consider Ozu my all time grand master."
• "I want to make personal films, not private films."

See also[link]

• James Cohan Gallery

References[link]

External links[link]

Wikimedia Commons has media related to: Wim Wenders

• Official website
• Wim Wenders at the Internet Movie Database
• Senses of Cinema: Great Directors Critical Database
• filmportal.de including biography, filmography and photos
• Wenders Bibliography (via UC Berkeley)
• Wim Wenders Interview (portuguese subtitles; Flash/HTML5)
• Interview with Wim Wenders (in three parts; Flash/HTML5)
• Interview with Wim Wenders (German)
• CNN interview with Wim Wenders
• Wim Wenders's Cinématon - A 4 minutes portrait by Gérard Courant (1982) (Flash)

v t e Cinema of Germany Film chronology German Empire 1895–1918 Weimar Germany 1919–1933 Nazi Germany 1933–1945 East Germany (1945–1990) (West) Germany 1945–present 1945-1959 1960s 1970s 1980s 1990s 2000s 2010s Actors Directors Films A–Z Cinematographers Festivals Producers Composers Screenwriters

Rebecca Black
Rebecca Black in November 2011
Background information
Birth name	Rebecca Renee Black
Born	(1997-06-21) June 21, 1997 (age 15) Irvine, California, U.S.[1]
Genres	Pop
Occupations	Singer
Instruments	Vocals
Years active	2011–present
Labels	RB Records
Website	www.rebeccablackonline.com

Rebecca Renee Black^[2] (born June 21, 1997) is an American pop singer and dancer who gained extensive media attention with the 2011 single "Friday". Her mother paid $4,000 to have the single and an accompanying music video put out as a vanity release^[3] through the record label ARK Music Factory.^[4] The song was co-written and produced by Clarence Jey and Patrice Wilson of Ark Music Factory. After the video went viral on YouTube and other social media sites, "Friday" was derided by many music critics and viewers, who dubbed it "the worst song ever."^[5][6][7] The music video received around 167 million views, causing Black to gain international attention as a "viral star", before being removed from the site on June 16. Black re-uploaded it in her own channel three months later.

Biography[link]

Personal life[link]

Rebecca Black was born on June 21, 1997,^[8] in Irvine, California.^[1] She is the daughter of John Jeffery Black and Georgina Marquez Kelly, both veterinarians.^[4][9] She is of Mexican, Spanish, Italian, English, and Polish descent.^[10][11] An honor student, Black studied dance, auditioned for school shows, attended music summer camps, and began singing publicly in 2008 after joining the patriotic group Celebration USA.^{[citation needed]} In 2011 Black left public school in favor of homeschooling, both in response to constant verbal bullying at school and in order to focus more of her time on her career.^[12] Black later said that her main reason for the move to homeschooling was more for career reasons rather than the bullying.^[13]

Career[link]

Ark Music Factory and "Friday" (2010–2011)[link]

In late 2010, a classmate of Black and music-video client of ARK Music Factory, a Los Angeles label, told her about the company.^[14] Black's mother paid $4,000 for Ark Music to produce the music video while the Blacks retained ownership of both the master and the video.^[4][15] The single, "Friday", written entirely by Ark, was released on YouTube and iTunes. The song's video was uploaded to YouTube on February 10, 2011, and received approximately 1,000 views in the first month. The video went viral on March 11, 2011, acquiring millions of views on YouTube in a matter of days, becoming the most-talked-about topic on social networking site Twitter,^[16] and garnering mostly negative media coverage.^[17] As of June 14, 2011, the video had received more than 3,190,000 "dislikes" on YouTube compared to more than 451,000 "likes".^[18] As of March 22, 2011, first-week sales of her digital single were estimated to be around 40,000 by Billboard.^[19] On March 22, 2011, Black appeared on The Tonight Show with Jay Leno, during which she performed the single and discussed the negative reaction to it.^[20] The song has peaked on the Billboard Hot 100 and the New Zealand Singles Chart at number 58 and 33, respectively.^[21][22] In the UK, the song debuted at number 61 on the UK Singles Chart.^[23]

Black teamed up with Funny or Die on April Fool's Day (the site was renamed Friday or Die) for a series of videos, including one which addresses the controversy about the driving kids in her music video, stating "We so excited about safety."^[24]

She has stated that she is a fan of Justin Bieber, and expressed interest in performing a duet with him.^[25]

In response to the YouTube video of "Friday", Black began to receive death threats in late February 2011, specifically by phone and email.^[26] These threats are being investigated by the Anaheim Police Department.^[27]

In March 2011, Ryan Seacrest reportedly helped sign Rebecca to manager Debra Baum's DB Entertainment.^[28]

MTV selected Rebecca to host its first online awards show, the O Music Awards Fan Army Party in April 2011.^[29] As an homage to "Friday", Black appears in the music video for Katy Perry's "Last Friday Night (T.G.I.F.)",^[30] in which Black plays alongside Perry as the hostess of a party Perry attends. "Friday" was also performed on the second season of Glee in the episode, "Prom Queen", which originally aired May 10, 2011. When asked about why the song was covered on Glee, show creator Ryan Murphy replied, "The show pays tribute to pop culture and, love it or hate it, that song is pop culture."^[31]

RB Records and upcoming album (2011–present)[link]

After the fallout with Ark Music Factory, Black announced she would start an independent record label named RB Records. Black released a self-produced single titled "My Moment" on July 18 by her own label RB Records, with an accompanying music video, publishing it to her YouTube channel; the video as of November 27 has received, approximately, 590,000 "dislikes" against 340,000 "likes."^[32] In the "My Moment" music video, director Morgan Lawley features real life video of Black's life from both before and after her fame.^[33]

Black is planning to release her official debut album around 2012, which she said will include "a bunch of different kinds of stuff."^[34] It is being recorded at a studio belonging to music producer Charlton Pettus.^[35] In an interview with The Sun, Black said that the songs will be "appropriate and clean".

Black appears as herself in the music video of Katy Perry's single "Last Friday Night (T.G.I.F.)". She appears as the host of a party in the house next door to that of "Kathy Beth Terry". At the end of the video Perry attempts to blame the excesses of the party (which had subsequently moved to her own house) on Black, only for her parents (Corey Feldman and Debbie Gibson) to disbelieve her.^[36] Later on, Perry (in character as Kathy Beth Terry) and Black hosted a livestream on Tinychat.com after weeks of Black being mentioned on Terry's Twitter.^[37] Perry, who performs Friday routinely on stage as part of California Dreams Tour, also brought Black on stage to perform the song as a duet during her show at the Nokia Theater on August 5, 2011.^[38]

On August 10, 2011, Black was featured in an ABC Primetime Nightline: Celebrity Secrets special entitled Underage and Famous: Inside Child Stars' Lives.^[39]

On Friday, September 16, Black re-uploaded "Friday" on YouTube.^[40] In late September 2011, she was brought to Australia by Telstra to promote the launch of their 4G service.^[41]

On October 25, Black announced she started filming her upcoming music video which she first identified as 'POI' and later identified as "Person of Interest".^[42] Black said, "The basis of it is that it's a love song but it's not a love song. It's about almost teenage crushes — when you're not in love yet but you really like a guy — which I'm really excited about because I don't think there are too many out like that. It's very much a dance type song. It will make you get up and dance and sing along in your car."^[43] A teaser of the official music video was posted on November 3, 2011.^[44] Black released another teaser including a snippet of the song on November 10, 2011 on her YouTube channel. The single and its accompanying music video were released on November 15, 2011.^[45]

On December 20, 2011, "Friday" was revealed as the #1 video of the year by YouTube and Black hosted a short video called "YouTube Rewind".^[46]

Zeitgeist sorted billions of Google searches to capture the year's 10 fastest-rising global queries and the rest of the spirit of 2011. Rebecca Black #1 Most Searched Google. The searches for the teen singer topped even those of pop icon Lady Gaga and Adele.^[47]

On May 8, 2012, Black released her fourth official single, "Sing It".^[48] The music video premiered on Black's YouTube the same day.

Philanthropy[link]

Black features NOH8 Campaign a silent protest photo project against California Proposition 8. It features photographs portraying people in front of a white backdrop wearing white t-shirts, their mouths taped shut and "NOH8" painted on their cheek.

Rebecca has pledged to donate profits from the sales of her song "Friday" towards her school, El Rancho Charter, and shortly after the 2011 Japan Earthquake, to emergency relief in the country.^[49]

Discography[link]

Singles[link]

Music videos[link]

Filmography[link]

Awards and nominations[link]

• In April 2011, the MTV O Music Awards, one of the annual awards established by MTV to honor the art, creativity, personality and technology of music into the digital space nominated "Which Seat Can I Take?" for "Favorite Animated GIF" that included footage by Rebecca Black featuring 50 Cent and Bert.^[55]
• Black was named "Choice Web Star" at the 2011 Teen Choice Awards in August 2011.^[56]

References[link]

External links[link]

• Official website
• Official YouTube Channel
• Rebecca Black at the Internet Movie Database