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In electrical transmission lines, the term loading means the insertion of impedance into a circuit to change the characteristics of the circuit.

The loading of a communication channel may be expressed as (a) the equivalent mean power and the peak power as a function of the number of voice channels or (b) the equivalent power of a multichannel complex or signal composite referred to zero transmission level point (0TLP).

Non electrical[link]

Chemically, loading is the process by which insoluble small suspended particles are made heavier by adding alum in order to increase the rate of sedimentation of particles.

Computers and electronic devices take time to save or open files, which is commonly tracked with a 'loading bar, or progress bar as it is officially named. They show progress with visual representation, i.e. filling a box, and may include amount processed or percentage processed. These bars help the user understand how much time they have to wait. Most have the word "Loading..." somewhere on the bar, hence the term "Loading bar".

See also[link]

• Electric load
• Loading coil
• Electrical lengthening

Non electrical[link]

• Dynamic loading
• Loaded language
• Loading gauge
• Progress bar

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Text file created with gedit and viewed with a hex editor
Besides the text objects there are only EOL markers
with the hexadecimal value 0A.

In computing, a newline,^[1] also known as a line break or end-of-line (EOL) marker, is a special character or sequence of characters signifying the end of a line of text. The name comes from the fact that the next character after the newline will appear on a new line—that is, on the next line below the text immediately preceding the newline. The actual codes representing a newline vary across operating systems, which can be a problem when exchanging text files between systems with different newline representations.

There is also some confusion whether newlines terminate or separate lines. If a newline is considered a separator, there will be no newline after the last line of a file. The general convention on most systems is to add a newline even after the last line, i.e. to treat newline as a line terminator. Some programs have problems processing the last line of a file if it is not newline terminated. Conversely, programs that expect newline to be used as a separator will interpret a final newline as starting a new (empty) line.

In text intended primarily to be read by humans using software which implements the word wrap feature, a newline character typically only needs to be stored if a line break is required independent of whether the next word would fit on the same line, such as between paragraphs and in vertical lists. See hard return and soft return.

Representations[link]

Software applications and operating systems usually represent a newline with one or two control characters:

• Systems based on ASCII or a compatible character set use either LF (Line feed, '\n', 0x0A, 10 in decimal) or CR (Carriage return, '\r', 0x0D, 13 in decimal) individually, or CR followed by LF (CR+LF, '\r\n', 0x0D0A). These characters are based on printer commands: The line feed indicated that one line of paper should feed out of the printer thus instructed the printer to advance the paper one line, and a carriage return indicated that the printer carriage should return to the beginning of the current line. Some rare systems, such as QNX before version 4, used the ASCII RS (record separator, 0x1E, 30 in decimal) character as the newline character.
  • LF:    Multics, Unix and Unix-like systems (GNU/Linux, Mac OS X, FreeBSD, AIX, Xenix, etc.), BeOS, Amiga, RISC OS and others.
  • CR+LF: Microsoft Windows, DEC TOPS-10, RT-11 and most other early non-Unix and non-IBM OSes, CP/M, MP/M, DOS (MS-DOS, PC-DOS, etc.), Atari TOS, OS/2, Symbian OS, Palm OS
  • LF+CR: Acorn BBC and RISC OS spooled text output.
  • CR:    Commodore 8-bit machines, Acorn BBC, TRS-80, Apple II family, Mac OS up to version 9 and OS-9
  • RS:    QNX pre-POSIX implementation.
• EBCDIC systems—mainly IBM mainframe systems, including z/OS (OS/390) and i5/OS (OS/400)—use NEL (Next Line, 0x15) as the newline character. Note that EBCDIC also has control characters called CR and LF, but the numerical value of LF (0x25) differs from the one used by ASCII (0x0A). Additionally, there are some EBCDIC variants that also use NEL but assign a different numeric code to the character.
• Operating systems for the CDC 6000 series defined a newline as two or more zero-valued six-bit characters at the end of a 60-bit word. Some configurations also defined a zero-valued character as a colon character, with the result that multiple colons could be interpreted as a newline depending on position.
• ZX80 and ZX81, home computers from Sinclair Research Ltd used a specific non-ASCII character set with code NEWLINE (0x76, 118 decimal) as the newline character.
• OpenVMS uses a record-based file system, which stores text files as one record per line. In most file formats, no line terminators are actually stored, but the Record Management Services facility can transparently add a terminator to each line when it is retrieved by an application. The records themselves could contain the same line terminator characters, which could either be considered a feature or a nuisance depending on the application.
• Fixed line length was used by some early mainframe operating systems. In such a system, an implicit end-of-line was assumed every 80 characters, for example. No newline character was stored. If a file was imported from the outside world, lines shorter than the line length had to be padded with spaces, while lines longer than the line length had to be truncated. This mimicked the use of punched cards, on which each line was stored on a separate card, usually with 80 columns on each card. Many of these systems added an carriage control character to the start of the next record, this could indicate if the next record was a continuation of the line started by the previous record, or a new line, or should overprint the previous line (similar to a CR). Often this was a normal printing character such as '#' that thus could not be used as the first character in a line. Some early line printers interpreted these characters directly in the records sent to them.

Most textual Internet protocols (including HTTP, SMTP, FTP, IRC and many others) mandate the use of ASCII CR+LF (0x0D 0x0A) on the protocol level, but recommend that tolerant applications recognize lone LF as well. In practice, there are many applications that erroneously use the C newline character '\n' instead (see section Newline in programming languages below). This leads to problems when trying to communicate with systems adhering to a stricter interpretation of the standards; one such system is the qmail MTA that actively refuses to accept messages from systems that send bare LF instead of the required CR+LF.^[2]

FTP has a feature to transform newlines between CR+LF and LF only when transferring text files. This must not be used on binary files. Usually binary files and text files are recognised by checking their filename extension.

Unicode[link]

The Unicode standard defines a large number of characters that conforming applications should recognize as line terminators:^[3]

 LF:    Line Feed, U+000A
 VT:    Vertical Tab, U+000B
 FF:    Form Feed, U+000C
 CR:    Carriage Return, U+000D
 CR+LF: CR (U+000D) followed by LF (U+000A)
 NEL:   Next Line, U+0085
 LS:    Line Separator, U+2028
 PS:    Paragraph Separator, U+2029

This may seem overly complicated compared to an approach such as converting all line terminators to a single character, for example LF. However, Unicode was designed to preserve all information when converting a text file from any existing encoding to Unicode and back. Therefore, Unicode should contain characters included in existing encodings. NEL is included in ISO-8859-1^{[citation needed]} and EBCDIC (0x15). The approach taken in the Unicode standard allows round-trip transformation to be information-preserving while still enabling applications to recognize all possible types of line terminators.

Recognizing and using the newline codes greater than 0x7F is not often done. They are multiple bytes in UTF-8 and the code for NEL has been used as the ellipsis ('…') character in Windows-1252. For instance:

• YAML^[4] no longer recognizes them as special in order to be compatible with JSON.
• ECMAScript^[5] accepts LS and PS as line breaks, but considers U+0085 (NEL) white space, not a line break.
• Microsoft Windows 2000 does not treat any of NEL, LS or PS as line-break in the default text editor Notepad
• In Linux, a popular editor "gedit" treats LS and PS as newlines but does not for NEL.

History[link]

ASCII was developed simultaneously by the ISO and the ASA, the predecessor organization to ANSI. During the period of 1963–1968, the ISO draft standards supported the use of either CR+LF or LF alone as a newline, while the ASA drafts supported only CR+LF.

The sequence CR+LF was in common use on many early computer systems that had adopted Teletype machines, typically a Teletype Model 33 ASR, as a console device, because this sequence was required to position those printers at the start of a new line. On these systems, text was often routinely composed to be compatible with these printers, since the concept of device drivers hiding such hardware details from the application was not yet well developed; applications had to talk directly to the Teletype machine and follow its conventions.

Most minicomputer systems from DEC used this convention. CP/M used it as well, to print on the same terminals that minicomputers used. From there MS-DOS (1981) adopted CP/M's CR+LF in order to be compatible, and this convention was inherited by Microsoft's later Windows operating system.

The separation of the two functions concealed the fact that the print head could not return from the far right to the beginning of the next line in one-character time. That is why the sequence was always sent with the CR first. In fact, it was often necessary to send extra characters (extraneous CRs or NULs, which are ignored) to give the print head time to move to the left margin. Even many early video displays required multiple character times to scroll the display.

The Multics operating system began development in 1964 and used LF alone as its newline. Multics used a device driver to translate this character to whatever sequence a printer needed (including extra padding characters), and the single byte was much more convenient for programming. The seemingly more obvious choice of CR was not used, as a plain CR provided the useful function of overprinting one line with another, and thus it was useful to not translate it. Unix followed the Multics practice, and later systems followed Unix.

In programming languages[link]

To facilitate the creation of portable programs, programming languages provide some abstractions to deal with the different types of newline sequences used in different environments.

The C programming language provides the escape sequences '\n' (newline) and '\r' (carriage return). However, these are not required to be equivalent to the ASCII LF and CR control characters. The C standard only guarantees two things:

1. Each of these escape sequences maps to a unique implementation-defined number that can be stored in a single char value.
2. When writing a file in text mode, '\n' is transparently translated to the native newline sequence used by the system, which may be longer than one character. When reading in text mode, the native newline sequence is translated back to '\n'. In binary mode, no translation is performed, and the internal representation produced by '\n' is output directly.

On Unix platforms, where C originated, the native newline sequence is ASCII LF (0x0A), so '\n' was simply defined to be that value. With the internal and external representation being identical, the translation performed in text mode is a no-op, and text mode and binary mode behave the same. This has caused many programmers who developed their software on Unix systems simply to ignore the distinction completely, resulting in code that is not portable to different platforms.

The C library function fgets() is best avoided in binary mode because any file not written with the UNIX newline convention will be misread. Also, in text mode, any file not written with the system's native newline sequence (such as a file created on a UNIX system, then copied to a Windows system) will be misread as well.

Another common problem is the use of '\n' when communicating using an Internet protocol that mandates the use of ASCII CR+LF for ending lines. Writing '\n' to a text mode stream works correctly on Windows systems, but produces only LF on Unix, and something completely different on more exotic systems. Using "\r\n" in binary mode is slightly better.

Many languages, such as C++, Perl,^[6] and Haskell provide the same interpretation of '\n' as C.

Java, PHP,^[7] and Python^[8] provide the '\r\n' sequence (for ASCII CR+LF). In contrast to C, these are guaranteed to represent the values U+000A and U+000D, respectively.

The Java I/O libraries do not transparently translate these into platform-dependent newline sequences on input or output. Instead, they provide functions for writing a full line that automatically add the native newline sequence, and functions for reading lines that accept any of CR, LF, or CR+LF as a line terminator (see BufferedReader.readLine()). The System.getProperty() method can be used to retrieve the underlying line separator.

Example:

  String eol = System.getProperty( "line.separator" );
  String lineColor = "Color: Red" + eol;

Python permits "Universal Newline Support" when opening a file for reading, when importing modules, and when executing a file.^[9]

Some languages have created special variables, constants, and subroutines to facilitate newlines during program execution.

Common problems[link]

The different newline conventions often cause text files that have been transferred between systems of different types to be displayed incorrectly. For example, files originating on Unix or Apple Macintosh systems may appear as a single long line on some Windows programs. Conversely, when viewing a file originating from a Windows computer on a Unix system, the extra CR may be displayed as ^M at the end of each line or as a second line break.

The problem can be hard to spot if some programs handle the foreign newlines properly while others do not. For example, a compiler may fail with obscure syntax errors even though the source file looks correct when displayed on the console or in an editor. On a Unix system, the command cat -v myfile.txt will send the file to stdout (normally the terminal) and make the ^M visible, which can be useful for debugging. Modern text editors generally recognize all flavours of CR / LF newlines and allow the user to convert between the different standards. Web browsers are usually also capable of displaying text files and websites which use different types of newlines.

The File Transfer Protocol can automatically convert newlines in files being transferred between systems with different newline representations when the transfer is done in "ASCII mode". However, transferring binary files in this mode usually has disastrous results: Any occurrence of the newline byte sequence—which does not have line terminator semantics in this context, but is just part of a normal sequence of bytes—will be translated to whatever newline representation the other system uses, effectively corrupting the file. FTP clients often employ some heuristics (for example, inspection of filename extensions) to automatically select either binary or ASCII mode, but in the end it is up to the user to make sure his or her files are transferred in the correct mode. If there is any doubt as to the correct mode, binary mode should be used, as then no files will be altered by FTP, though they may display incorrectly.

Conversion utilities[link]

This article contains instructions, advice, or how-to content. The purpose of Wikipedia is to present facts, not to train. Please help improve this article either by rewriting the how-to content or by moving it to Wikiversity or Wikibooks. (June 2010)

Text editors are often used for converting a text file between different newline formats; most modern editors can read and write files using at least the different ASCII CR/LF conventions. The standard Windows editor Notepad is not one of them (although Wordpad and the MS-DOS Editor are).

Editors are often unsuitable for converting larger files. For larger files (on Windows NT/2000/XP) the following command is often used:

TYPE unix_file | FIND "" /V > dos_file

On many Unix systems, the dos2unix (sometimes named fromdos or d2u) and unix2dos (sometimes named todos or u2d) utilities are used to translate between ASCII CR+LF (DOS/Windows) and LF (Unix) newlines. Different versions of these commands vary slightly in their syntax. However, the tr command is available on virtually every Unix-like system and is used to perform arbitrary replacement operations on single characters. A DOS/Windows text file can be converted to Unix format by simply removing all ASCII CR characters with

tr -d '\r' < inputfile > outputfile

or, if the text has only CR newlines, by converting all CR newlines to LF with

tr '\r' '\n' < inputfile > outputfile

The same tasks are sometimes performed with awk, sed, Tr_(Unix) or in Perl if the platform has a Perl interpreter:

awk '{sub("$","\r\n"); printf("%s",$0);}' inputfile > outputfile  # UNIX to DOS  (adding CRs on Linux and BSD based OS that haven't GNU extensions)
awk '{gsub("\r",""); print;}' inputfile > outputfile              # DOS to UNIX  (removing CRs on Linux and BSD based OS that haven't GNU extensions)
sed -e 's/$/\r/' inputfile > outputfile              # UNIX to DOS  (adding CRs on Linux based OS that use GNU extensions)
sed -e 's/\r$//' inputfile > outputfile              # DOS  to UNIX (removing CRs on Linux based OS that use GNU extensions)
cat inputfile | tr -d "\r" > outputfile              # DOS  to UNIX (removing CRs using tr(1). Not Unicode compliant.)
perl -pe 's/\r?\n|\r/\r\n/g' inputfile > outputfile  # Convert to DOS
perl -pe 's/\r?\n|\r/\n/g'   inputfile > outputfile  # Convert to UNIX
perl -pe 's/\r?\n|\r/\r/g'   inputfile > outputfile  # Convert to old Mac

To identify what type of line breaks a text file contains, the file command can be used. Moreover, the editor Vim can be convenient to make a file compatible with the Windows notepad text editor. For example:

[prompt] > file myfile.txt
myfile.txt: ASCII English text
[prompt] > vim myfile.txt
  within vim :set fileformat=dos
             :wq
[prompt] > file myfile.txt
myfile.txt: ASCII English text, with CRLF line terminators

The following grep commands echo the filename (in this case myfile.txt) to the command line if the file is of the specified style:

grep -PL $'\r\n' myfile.txt # show UNIX style file (LF terminated)
grep -Pl $'\r\n' myfile.txt # show DOS style file (CRLF terminated)

For Debian-based systems, these commands are used:

egrep -L $'\r\n' myfile.txt # show UNIX style file (LF terminated)
egrep -l $'\r\n' myfile.txt # show DOS style file (CRLF terminated)

The above grep commands work under Unix systems or in Cygwin under Windows. Note that these commands make some assumptions about the kinds of files that exist on the system (specifically it's assuming only UNIX and DOS-style files—no Mac OS 9-style files).

This technique is often combined with find to list files recursively. For instance, the following command checks all "regular files" (e.g. it will exclude directories, symbolic links, etc.) to find all UNIX-style files in a directory tree, starting from the current directory (.), and saves the results in file unix_files.txt, overwriting it if the file already exists:

find . -type f -exec grep -PL '\r\n' {} \; > unix_files.txt

This example will find C files and convert them to LF style line endings:

find -name '*.[ch]' -exec fromdos {} \;

The file command also detects the type of EOL used:

file myfile.txt
> myfile.txt: ASCII text, with CRLF line terminators

Other tools permit the user to visualise the EOL characters:

od -a myfile.txt
cat -e myfile.txt
hexdump -c myfile.txt

dos2unix, unix2dos, mac2unix, unix2mac, mac2dos, dos2mac can perform conversions. The flip^[10] command is often used.

See also[link]

• ASA carriage control characters
• C0 and C1 control codes
• Page break
• Line starve

References[link]

External links[link]

• The Unicode reference, see paragraph 5.8 in Chapter 5 of the Unicode 4.0 standard (PDF)
• "The End-of-Line Story"
• The [NEL] Newline Character
• The End of Line Puzzle
• Tofrodos - software for Unix that converts to and from DOS newlines
• ToFroWin: a Windows shell extension that is able to convert multiple files from DOS to UNIX (and vice-versa) line endings right from the context menu.
• "Understanding Newlines" on O'Reilly-Net - an article by Xavier Noria.

Monty Roberts
Monty Roberts at Equitana in Essen, Germany, March 2003
Born	Marvin Earl Roberts (1935-05-14) May 14, 1935 (age 77) Salinas, California, United States
Occupation	Horse trainer, author
Nationality	American
Subjects	Horse training
www.montyroberts.com

Marvin Earl "Monty" Roberts (born May 14, 1935) is an American horse trainer who promotes his techniques of natural horsemanship through his Join-Up International organization, named after the core concept of his training method. Roberts believes that horses use a non-verbal language, which he terms "Equus," and that humans can use this language to communicate with horses. In order to promulgate his methods, Roberts has authored a number of books including his original best-seller, The Man Who Listens to Horses,^[1] and regularly tours with a live demonstration. He runs an Equestrian Academy in Solvang, California and an "online university" to promote his ideas.

Early life[link]

Monty Roberts was born in Salinas, California and is the son of horse trainer Marvin E Roberts, who authored his own self-published^[2] book on called "Horse and Horseman Training" in 1957.^[3][4] Roberts strongly disagrees with his father's training methods, which he describes as "almost torturing the animals into submission".^[1] However, the senior Roberts' book, on page 55, also describes some training methods similar to the "Join-up" technique,^[3]and blogger John Dolan has noted other parallels between the training methods of father and son.^[5] Roberts claims that his father also beat him as a child, although other family members, including his younger brother Larry, dispute this version of events, with his aunt and cousin, Joyce Renebome and Debra Ristau, specifically refuting the allegation in the book Horse Whispers & Lies.^[6]

Roberts competed in rodeo and won his first trophy at the age of four.^[7] He attended California Polytechnic State University, San Luis Obispo ("Cal Poly")^[8][9] and riding for their rodeo team, he won 2 National Intercollegiate Rodeo Association (NIRA) National Championships, including National NIRA Champion Bulldogger in 1957, the NIRA Champion Team Roping in 1956.^[10] He graduated from Cal Poly in 1959 with a degree in Animal Science.^[7]

Roberts describes in his books and web site how he was sent to Nevada at the age of 13 in order to round up horses for the Salinas Rodeo Association’s Wild Horse Race, and there began observing mustangs interact with each other. He writes that he realized that they used a discernible, effective and predictable body language to communicate, set boundaries, show fear and express annoyance, relaxation or affection, and that he came to understand that utilizing this silent language would allow training to commence in a much more effective and humane manner, encouraging true partnership between horses and humans.^[11] Roberts describes this language as Equus, and refers to this frequently in his books, tours and other materials.^[12]

Career[link]

Books[link]

Roberts' first book, The Man Who Listens to Horses was published in 1996 and is autobiographical. It spent 58 weeks on the New York Times Bestsellers list, and was subsequently translated into more than 15 languages, selling more than five million copies worldwide.^[13] Roberts has authored a number of further books, including best-selling Shy Boy: The Horse That Came in from the Wild (1999),^[14][15] Horse Sense for People (2001),^[16] From My Hands to Yours (2002),^[17] The Horses in My Life (2005)^[18] and Ask Monty (2007).^[19]

Live demonstrations[link]

Monty and Pat Roberts with Queen Elizabeth II of the United Kingdom in 1996

Today, Roberts travels around the world, demonstrating his method of horse training to paying audiences, all well as volunteering time for audiences such as incarcerated youth in juvenile detention facilities. An event that would change the direction of his life was an invitation in 1989 from the offices of Queen Elizabeth II of the United Kingdom and an avid horsewoman. She had heard about Roberts' work and invited him to come to her country and show her staff his "Join~Up" method.^{[1][page needed]} After watching his demonstration, Roberts claims that the Queen urged him to write a book about his nonviolent horse-training methods. That book became The Man Who Listens to Horses.^[1]

He also teaches his techniques to students at his Equestrian Academy in Solvang, California and acts as a consultant at schools with disciplinary issues in the UK and the US,^[20] and advises executives at Fortune 500 companies.^[21] He also runs the "Equus Online University" to promote his ideas.^[22]

Television[link]

Three documentaries on Roberts have been released. The first was the 1997 documentary BBC/PBS Monty Roberts: The Real Horse Whisperer. It showed Roberts as he set out to tame a wild mustang without enclosures, and his developing relationship with the horse later known as Shy Boy. Other documentaries include the 1999 film Shy Boy: The Horse That Came in from the Wild and a 2005 documentary^[23] on Roberts' work with wild horses and another about his work with aboriginal youth on Palm Island, Australia.^[24] In 2006, a DVD series with 17 episodes, named A Backstage Pass! was completed and broadcast in the UK.^[25] The series has also been broadcast in the US on the HRTV cable channel.

Awards[link]

In 2002, Roberts received an honorary doctorate in animal psychology from the University of Zurich in Switzerland and in 2005 he gained an honorary doctorate in animal psychology from the University of Parma in Italy. In 2004, the Girl Scouts of the USA commissioned a special Join-Up badge and training program in honor of Roberts’ work, and in 2005, he became the first foreign-born and first American to receive the German Silbernes Pferd (Silver Horse) Award for outstanding contributions to promoting the love of horses.^[24] In the Dec. 2008 issue of Your Horse, a major British equestrian magazine, readers named Monty Roberts Personality of the Year 2008.^[26]

In 1966 he assisted in the founding of Flag Is Up Farms, of which he is now the full owner. From 1973 to 1986, he was a leading consignor to the Hollywood Park Two-Year-Old Thoroughbreds in Training Sale. In 2004, Roberts’ German-bred horse Sabiango won major races throughout the US.^[27]

In 2002 Roberts again visited Windsor Castle as part of the Queen's Golden Jubilee.^[28] Roberts was appointed Honorary Member of the Royal Victorian Order (MVO) in the 2011 Birthday Honours.^[29]

Publications[link]

• Roberts, Monty. The Man Who Listens to Horses. Random House, August 1997, hardcover, 310 pages. ISBN 0-345-42705-X.
• Roberts, Monty. The Man Who Listens to Horses - abridged audio book. Random House Audio, August 1997. ISBN 978-0-679-46044-2.
• Roberts, Monty. Shy Boy, the Horse that Came in from the Wild. 1999, 239 pages.
• Roberts, Monty. Horse Sense for People: The Man Who Listens to Horses Talks to People. 2002, 256 pages.

See also[link]

• Natural horsemanship

References[link]

External links[link]

• Official website
• Monty Roberts at the Internet Movie Database

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (May 2010)

The Basics
The Basics at the Oxford Art Factory, 2010
Background information
Origin	Melbourne, Australia
Genres	Rock
Years active	2002–present
Labels	Independent, Albert Records
Associated acts	Gotye, Down Hills Home, Dog With Wheels, Blood Red Bird
Website	The Basics Official Website
Members
Wally De Backer Kris Schroeder Tim Heath
Past members
Michael Hubbard
Notable instruments
Lead guitar, drums, bass guitar.

The Basics ( /ˈbæzɪtʃ/ BAZZ-ich) are a three-piece band from Melbourne, Australia, formed by Wally De Backer and Kris Schroeder in 2002. Their style has been described as anything from 'indie-pop' to 'rock'n'roll' to 'pop-rock', though their records show they span a wide range of genres, including reggae, ska, country, and electro-pop. They are "recognised as one of Australia's hardest-working bands".^[1]

With close to 1000 shows in their ten-year career, their live performances are well-known for their sense of humour and energy.^[2]

Formation[link]

The Basics were formed after Kris met Wally at a party in Melbourne.^[3] The event was to see off the young aspiring producer, who was about to depart for Los Angeles, and together with a number of musician friends, the two jammed on some blues-rock standards. Later that night, they bonded over a mutual love of The Beatles, 70s and 80s cartoon theme songs and old Sierra adventure games.

Initially, they played around Melbourne as an acoustic guitar/drums combo, starting at The Opposition in Frankston and the House of Fools in Footscray, where in late 2002 they met Michael Hubbard and later invited him to join them on electric guitar.^[4] Though lacking any real experience with the instrument, Kris willingly purchased his first bass guitar, and the trio was born. During this time, the group start performing songs with more complicated three-part harmony.

During late 2002 and early 2003, The Basics recorded and released an album called Get Back through MGM Distribution. They began what was to become regular tours of the East and West coasts of Australia.

2004-2005: Current lineup[link]

Tim Heath joined the group in June 2004, after Michael decided to pursue his solo career, which has included being one half of Down Hills Home.^[4] Tim was reportedly the only person to reply to an advertisement in Melbourne's Beat Magazine looking for a new guitarist. Tim apparently answered the advertisement - which said the applicant "must have a love of 50s and 60s rock'n'roll" - thinking that he would be meeting "a couple of old guys to play with on the weekends over some beers". They soon recorded For Girls Like You.

The Basics in 2005 continued to tour and play small festivals, and after releasing For Girls Like You through MGM Distribution, they departed for a national tour of Australia, which lasted for two months and took them to every Australian state and territory. Stuart Padbury, a young Melbourne sound engineer, joined them on much of this tour. On returning, the band began demonstrating songs for a new album.

2006-2009: Touring and soundtracks[link]

In 2006, The Basics began recording what was to become known as Stand Out/Fit In. Taking several months, it was not completed until the end of the year, despite intentions to have it released in June. Instead, they held a successful 'album preview', where each of the tracks was demonstrated in 'rough form' accompanied by a music video for each (produced by Melbourne photographic artist James Bryans). The band also talked about the origins of the songs. This event brought a lot of attention to the band for the idea's originality. They pre-released a radio single 'Just Hold On' from the album. The band were invited to play the hugely popular Homebake Festival in Sydney, where they received a great response, after being introduced onto the stage by a short stocky Asian guy with big calves ("one of the highlights" wrote The Daily Telegraph).

In 2007, the band departed on a tri-state residency which saw them play Melbourne, Sydney and Brisbane every week for the month of April - a bold move which brought further attention to the band for its original idea.^[5] Riding on the wave of this tour, Schroeder, De Backer and Heath departed on their first overseas tour which saw them performing 26 shows around Japan, Norway and the United Kingdom.^[6] They also toured twice more up the East Coast, one of which was with popular Japanese band The Bawdies. Their song 'Rattle My Chain' was used in a series of commercials for Volvo Australia. The song 'Hey There!' featured in the British film The Bank Job - starring Jason Statham - and was used as the backing for a February 2007 short film directed by Tim Longhurst called The Rip. Their song 'Better' was featured in a surfing documentary about the invention of the shortboard in 1967.

In 2008, the band appeared on Australia's Channel 9 for Australia Day celebrations, performing two of their songs - 'Just Hold On' and 'Hey There!' - to an estimated audience of 2 million. Securing an Australian Government grant, they embarked on a two-month tour of Australia, specifically targeting "culturally underprivileged groups" in rural and regional schoolchildren and Indigenous communities. The programme had them holding masterclasses and performing alongside Indigenous groups in the remote Northern Territory and Queensland.^[7][8] Their initiative also had them raising money for the charity Lifeline^{[disambiguation needed ]}, their contribution to which was recognised with a plaque at the end of the tour. Season two of Californication starring David Duchovny featured their cover of the classic 'Have Love, Will Travel', most famously covered by 'The Sonics'.

In 2009, The Basics for the first time enjoyed the support of Australian radio network Triple J, which had reportedly snubbed the band's previous material.^[9] The singles 'With This Ship' and 'Like A Brother' were added to the station's playlist, and momentum carried The Basics overseas for a second tour of the United Kingdom and Norway, and also a series of shows in Dublin, Ireland. They were joined by the longtime front-of-house engineer Stuart Padbury, who had been mixing them since 2005. The band was often seen in the Grafton Street Mall in Dublin, busking to promote their concerts there. Their second show in Oslo, Norway, saw the band perform with Hot Tub, one of the members of the Norwegian boy band "Boyzvoice", in his first performance for several years. Season Eight of Scrubs featured the song 'Lookin' Over My Shoulder'.

Despite all this promise, the band's album Keep Your Friends Close - produced and part-recorded by Peter Cobbin at London's Abbey Road Studios - though enjoying many favourable reviews,^{[10][11][12][13]} failed to impress Richard Kingsmill, music director of Triple J. This effectively ended the band's apparent upward spiral and the resulting album launch tour was reportedly "trying".

2010: Hiatus and live album[link]

In 2010, following the band's fourth stint at the Tamworth Country Music Festival, and the recording of a yet-unreleased live album, an indefinite hiatus was announced on the band's websites. This was in part due to the impending release of a new album produced by Wally for his Gotye project, and also to reported tensions within the band following the previous year's disappointments.

However, this hiatus was soon broken with a two-month residency at the Northcote Social Club in Melbourne, which saw an apparent return to form.^[14] The band's EP "Wait For You" enjoys airplay on Triple J.^[15] The Basics also played a one-off show at Sydney's Oxford Art Factory.^[16]

On 20 August 2010, The Basics released their fourth LP /ðəˈbæzɪtʃ/, available free and exclusively from their website for digital download^[17]. The band had reportedly moved to expand their listenership through this free giveaway, though 300 "Deluxe" CD/vinyl versions have been printed. /ðəˈbæzɪtʃ/ was recorded at the Northcote Social Club on 6 February, "in front of a live studio audience", and like the previous record, was mixed by Peter Cobbin at Abbey Road Studios. Technically a self-titled album, the phonetics spell out the accurate pronunciation of the band’s name. Kris Schroeder: "For years we’ve worked at bringing our live energy into the studio and thus far it’s been a bit hit-and-miss. Our trick this time was to pull a switcheroo and bring the studio to us instead; the result is the best and closest to us we’ve sounded yet."

Melbourne thespian and Dog With Wheels bassist David Bramble - friends with Heath from university days - has occasionally joined the band on tour, playing keys, often while sporting a large moustache. Other guests have included Jake Mason (saxophone), also of Cookin' on 3 Burners and The Bamboos^{[disambiguation needed ]}, Gideon Brazil (saxophone, flute), Simon Imrei (guitar and vocals) and Monty MacKenzie (saxophone).

Covers have often made an appearance from various sources: to date, some of the bands covered have been Cream, The Kinks, The Rolling Stones, The Police, Neil Young, Bob Dylan, New Kids on the Block, Richard Berry, Sonny Curtis and The Crickets, JJ Cale, Harry Nilsson, Bill Scott, Ryan Adams and The Coasters (via The Beatles for their cover of Three Cool Cats).

Members[link]

Current

• Wally De Backer - drums, vocals (2002-present)
• Kris Schroeder - bass, vocals (2002-present)
• Tim Heath - guitar, vocals (2004-present)

Former

• Michael Hubbard - guitar, vocals (2002-2004)

Discography[link]

Albums[link]

• Get Back (15 January 2004)
• Stand Out/Fit In (5 May 2007)
• Keep Your Friends Close (25 September 2009)
• /ðəˈbæzɪtʃ/ (20 August 2010)

EP[link]

• For Girls Like You (11 July 2005)
• Lookin' Over My Shoulder (10 February 2007)
• Like A Brother (5 June 2009)
• Wait For You (21 May 2010)

Singles[link]

• Call It Rhythm & Blues (20 August 2004)
• Just Hold On
• With This Ship (22 February 2009)

Upcoming projects[link]

The band is taking a three year hiatus, with an announced return to the stage together in early 2014. Wally De Backer launched Making Mirrors under his Gotye act in August 2011, Tim Heath will be touring and recording with Blood Red Bird, and Kris Schroeder recorded a solo EP titled, Patience in the Face of Control, before leaving Australia to work with the Red Cross in Kenya for a two year sabbatical.

References[link]

External links[link]

• Official Website
• Myspace Website