For the 1924 silent film, see The Midnight Express (film).

Midnight Express is a 1978 American film directed by Alan Parker and produced by David Puttnam. It is based on Billy Hayes' 1977 book and was adapted into the screenplay by Oliver Stone. It starred Brad Davis, Irene Miracle, Bo Hopkins, Paolo Bonacelli, Paul L. Smith, Randy Quaid, Norbert Weisser, Peter Jeffrey and John Hurt. Hayes was a young American student sent to a Turkish prison for trying to smuggle hashish out of Turkey. The movie deviates from the book's accounts of the story — especially in its portrayal of Turks — and some have criticized the movie version, including Billy Hayes himself. Later, both Stone and Hayes expressed their regret on how Turkish people were portrayed in the movie.^[2] The film's title is prison slang for an inmate's escape attempt. The Motion Picture Association of America (MPAA) rated the film "R".^[3]

Plot[link]

On October 6, 1970, a U.S. citizen named Billy Hayes is arrested by Turkish police, on high alert due to fear of terrorist attacks, as he is about to fly out of Istanbul with his girlfriend. He is found to have several bricks of hashish taped to his body — about two kilograms in total — and arrested. After a while, a shadowy American (who is never named, but is nicknamed "Tex" by Billy due to his thick Texan accent) arrives, takes Billy to a police station and translates for Billy for one of the detectives. On questioning Billy tells them that he bought the hash from a taxicab driver, and offers to help the police track him down in exchange for his release. Billy goes with the police to a nearby market and points out the cab driver, but when the police go to arrest the cabbie Billy makes a run for it. He gets cornered in a building and is recaptured by the mysterious American. Billy is sentenced to four years and two months' imprisonment on the charge of drug possession. He is sent to Sağmalcılar prison to serve out his sentence. He meets and befriends other Western prisoners in the remand centre.

In 1974, Billy's sentence is overturned by the Turkish High Court in Ankara after a prosecution appeal (the prosecutor originally wished to have him found guilty of smuggling and not possession), and he is ordered to serve at least a 30-year term for his crime. His stay becomes a living hell: terrifying scenes of physical and mental torture follow one another; bribery, violence and insanity rule the prison.

In 1975 Billy's girlfriend, Susan, comes to see him and is devastated at what the guards have done to him. However, she leaves him a scrapbook with money hidden inside as "a picture of your good friend Mr. Franklin from the bank," hoping Billy can use it to help him escape. When he is committed to the prison's insane asylum, Billy again tries to escape, this time by attempting to bribe the head guard to take him to the sanitarium where there are no guards. Instead the guard takes Billy past the sanitarium to another room and attempts to rape him. Billy ends up killing the brutish and sadistic guard, puts on an officer's uniform and manages his escape by walking out of the front door. In the epilogue it is explained that on the night of October 4, 1975 he successfully crossed the border to Greece, and arrived home three weeks later.

Cast[link]

• Brad Davis as Billy Hayes
• Irene Miracle as Susan
• Bo Hopkins as "Tex"
• Paolo Bonacelli as Rifki
• Paul L. Smith as Hamidou
• Randy Quaid as Jimmy Booth
• Norbert Weisser as Erich
• John Hurt as Max
• Kevork Malikyan as the Prosecutor
• Yashaw Adem as the Airport police chief
• Mike Kellin as Mr. Hayes
• Franco Diogene as Yesil
• Michael Ensign as Stanley Daniels

Production[link]

Although the story is set largely in Turkey, the movie was filmed almost entirely at Fort Saint Elmo in Valletta, Malta, after permission to film in Istanbul was denied. Ending credits of the movie state: "Made entirely on location in Malta and recorded at EMI Studios, Borehamwood by Columbia Pictures Corporation Limited 19/23 Wells Street, London, W1 England."

The making of the film, I'm Healthy, I'm Alive, and I'm Free, was released in 1977.

Differences between the book and the film[link]

There are some differences between the cinematic and literary versions of Midnight Express:

• In the movie, Billy Hayes is in Turkey with his girlfriend when he is arrested, whereas in the original story he is alone.
• The attempted rape scene was fictionalized. Billy Hayes never claimed to have suffered any sexual violence at the hands of his Turkish wardens. He did engage in consensual sex while in prison, but the film depicts Hayes rejecting the advances of a fellow prisoner.
• The scene where Billy attempts to escape and is recaptured by "Tex", the shadowy American agent, did not happen. 'Tex' was a real person Billy encountered after his arrest, who indeed pulled a gun on him, but that was when they were riding in the police car from the Istanbul airport to the police station. In the book's account Tex drove Billy to the police station and Billy never saw him again. It was a Turkish policeman who translated for Billy during his interrogation.
• Although Billy Hayes did spend seventeen days in the prison's psychiatric hospital in 1972, Hayes never bit out anyone's tongue, which led to him being committed to the section for the criminally insane in the film.
• In the book's ending, Hayes was moved to another prison on an island from which he escapes, eventually by swimming across the lake.^[4] In the movie this passage is replaced by a violent scene in which he unwittingly kills the head guard who is preparing to rape him. In reality, Hamidou, the sadistic guard, was killed in 1973 by a recently paroled prisoner, who spotted him drinking tea at a café outside the prison and shot him eight times.

Soundtrack[link]

Released on October 6, 1978, the soundtrack to Midnight Express was composed by Italian synth-pioneer Giorgio Moroder. The score won the Academy Award for Best Original Score of 1978.

Side A:

1. Chase – Giorgio Moroder (8:24)
2. Love's Theme – Giorgio Moroder (5:33)
3. Theme from Midnight Express (Instrumental) – Giorgio Moroder (4:39)

Side B:

1. Istanbul Blues (Vocal) – David Castle (3:17)
2. The Wheel – Giorgio Moroder (2:24)
3. Istanbul Opening – Giorgio Moroder (4:43)
4. Cacophoney – Giorgio Moroder (2:58)
5. Theme from Midnight Express (Vocal) – Chris Bennett (4:47)

Samples[link]

A sample of Billy's letter-writing voice-over can be heard in "Sanctified" by Nine Inch Nails.^{[citation needed]} Mobb Deep and Bounty Killa sampled "Theme from Midnight Express" for their song "Deadly Zone". Excerpts of "Theme from Midnight Express" were interpolated in Outkast's 1998 song "Return of the G".

Reception[link]

Midnight Express received both critical acclaim and box office success. On the film review aggregate site Rotten Tomatoes, 95% of film critics gave the film positive reviews, based on 20 reviews.^[5]

Negative criticisms focused mainly on its unfavorable portrayal of Turkish people. In Mary Lee Settle's 1991 book Turkish Reflections, she writes, "The Turks I saw in Lawrence of Arabia and Midnight Express were like cartoon caricatures, compared to the people I had known and lived among for three of the happiest years of my life."^[6] When the Lights Go Down criticizes the film as well, saying, "This story could have happened in almost any country, but if Billy Hayes had planned to be arrested to get the maximum commercial benefit from it, where else could he get the advantages of a Turkish jail? Who wants to defend Turks? (They don’t even constitute enough of a movie market for Columbia Pictures to be concerned about how they are represented)".^[7] One reviewer writing for World Film Directors wrote, "Midnight Express is 'more violent, as a national hate-film than anything I can remember', 'a cultural form that narrows horizons, confirming the audience’s meanest fears and prejudices and resentments'".^[8]

David Denby of New York criticized the film as "merely anti-Turkish, and hardly a defense of prisoners' rights or a protest against prison conditions".^[9] Denby said also that all Turks in the movie – guardian or prisoner – were portrayed as "losers" and "swines" and that "without exception [all the Turks] are presented as degenerate, stupid slobs".^[9]

Turkish Cypriot film director Dervis Zaim wrote a thesis at Warwick University on the representation of Turks in the film, where he concluded that the one-dimensional portrayal of the Turks as "terrifying" and "brutal" served merely to reinforce the sensational outcome and was likely influenced by such factors as Orientalism and Capitalism.^[10]

Awards and nominations[link]

Midnight Express won Academy Awards for Best Music, Original Score (Giorgio Moroder) and Best Writing, Screenplay Based on Material from Another Medium (Stone). It was also nominated for Best Actor in a Supporting Role (John Hurt), Best Director, Best Film Editing and Best Picture.

The film was also entered into the 1978 Cannes Film Festival.^[11]

Legacy[link]

An amateur interview with Hayes appeared on YouTube,^[12] recorded during the 1999 Cannes Film Festival, in which he described his experiences and expressed his disappointment with the film adaptation.^[13] In an article for the Seattle Post-Intelligencer, Hayes was reported as saying that the film "depicts all Turks as monsters."^[14]

When he visited Turkey in 2004, screenwriter Oliver Stone, who won an Academy Award for the film, made an apology for the portrayal of the Turkish people in the film.^[15] He "eventually apologised for tampering with the truth."^[16]

Alan Parker, Oliver Stone and Billy Hayes were invited to attend a special film screening with prisoners in the garden of an L-type prison in Döşemealtıas, Turkey as part of the 47th Antalya Golden Orange Film Festival in October 2010.^[17]

See also[link]

• Midnight Express (book)

References and notes[link]

External links[link]

• Midnight Express at the Internet Movie Database
• Midnight Express truth revealed by Alinur (Part 1 – Part 2): Interview with Hayes about the movie at YouTube.
• Script of movie by Oliver Stone (pdf)

Midnight Express may refer to:

• Midnight Express (book), a 1977 book by Billy Hayes and William Hoffer
  • Midnight Express (film), a 1978 film dramatization of the book
  • Midnight Express, the soundtrack album to the film Midnight Express by Giorgio Moroder
• The Midnight Express (film), a 1924 romantic film
• Midnight Express, alternate title of the album Oh, Boy! by Brotherhood of Man, also a song on the album
• Midnight Express (EP), an EP by Gyroscope
• The Midnight Express (professional wrestling), a professional wrestling tag team in the 1980s
• Midnight Express (Transformers), several fictional characters in the various Transformers universes
• Midnight Express (military operation), a 1993 rescue operation conducted by the Sri Lanka Army, led by Sarath Fonseka
• "Midnight Express" (song) an instrumental by rock band Extreme.

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Giorgio Moroder
Giorgio Moroder
Background information
Birth name	Hansjörg Moroder
Also known as	Giorgio
Born	(1940-04-26) 26 April 1940 (age 72) Urtijëi, Italy
Origin	Urtijëi, Italy
Genres	Dance, disco, electronic, electronic dance, Hi-NRG, Eurodisco, Italo disco, pop, rock
Occupations	Singer, songwriter, record producer
Instruments	Synthesizers
Years active	1965–present
Labels	Oasis
Associated acts	Donna Summer, Freddie Mercury, Limahl
Website	www.moroder.net

Hansjörg "Giorgio" Moroder,^[1][2] named on record sleeves often only Giorgio (born 26 April 1940, Urtijëi, South Tyrol, Italy) is an Italian (of Ladin ethnicity^[3]) record producer, songwriter and performer based in Los Angeles. When in Munich in the 1970s, he started his own record label called Oasis Records, which several years later became a subdivision of Casablanca Records. He collaborated with Donna Summer during the era of disco (including "Love to Love You Baby" and "I Feel Love") and is the founder of the former Musicland Studios in Munich, which was used as a recording studio by artists including the Electric Light Orchestra, Led Zeppelin, Queen and Elton John.

In addition to producing several hits with Donna Summer, Moroder also produced a number of electronic disco hits for The Three Degrees, two albums for Sparks, a handful of songs on Bonnie Tyler's album Bitterblue as well as her 1985 single "Here She Comes" and a score of songs for performers including David Bowie, Irene Cara, Madleen Kane, Melissa Manchester, Blondie, Japan, and France Joli.

Music career[link]

Moroder made his first steps in music in Berlin by releasing a few singles under the name "Giorgio" beginning in 1966, singing in Italian, Spanish, English, and German. He came to prominence in 1969, when his recording "Looky Looky", released on Ariola Records, was awarded a gold disc in October 1970.^[4] He then began making a name for himself in studios around Germany in the early 1970s. Often collaborating with lyricist Pete Bellotte, Moroder had a number of hits in his own name including "Son of My Father" in 1972 before releasing the synthesizer-driven From Here to Eternity, a notable chartbuster in 1977, and in the following year releasing "Chase", the theme from the film Midnight Express. These songs achieved some chart success in the United Kingdom, the United States, and across Europe, and everywhere disco-mania was spreading. The full film score for Midnight Express won him his first Academy Award for best film score in 1978. In 1979, Moroder released his album E=MC². Text on the album's cover stated that it was the "first electronic live-to-digital album." He also released three albums between 1977–1979 under the name Munich Machine.

In 1984, Moroder worked with Philip Oakey of The Human League to make the album Philip Oakey & Giorgio Moroder; which was a UK singles chart hit with "Together in Electric Dreams", title track to the 1984 film Electric Dreams. 1985 saw him collaborating with Kajagoogoo frontman Limahl for their worldwide hit "Neverending Story". In 1986, Moroder collaborated with his protégé Harold Faltermeyer (of "Axel F.") and lyricist Tom Whitlock to create the score for the film Top Gun (1986) and Berlin's "Take My Breath Away". "Chase" was also used as an entrance theme for wrestling's group The Midnight Express. In 1987, Moroder produced Falco's song "Body Next to Body".

In 1997, Moroder and Donna Summer won the Grammy Award for Best Dance Recording for the song "Carry On".

On 20 September 2004 Moroder was honored at the Dance Music Hall of Fame ceremony, held in New York, when he was inducted for his many outstanding achievements and contributions as producer. In 2005, he was given the title of Commendatore by the then President of the Italian Republic, Carlo Azeglio Ciampi. On September 5, 2010 Moroder received the Great Order of Merit of the South Tyrol.

Film work[link]

Throughout much of his musical career, Moroder has been involved in soundtrack work for various motion pictures.

In 1980, he composed and produced two film soundtrack albums: the first for Foxes and the second for American Gigolo. A double album, of the Foxes soundtrack was released on the disco label Casablanca Records which includes Donna Summer's hit single "On the Radio", which Moroder both produced and co-wrote. The American Gigolo soundtrack featured the Moroder-produced Blondie's "Call Me", a US and UK number one hit. All singles from the album also went to number two for five weeks on the disco/dance charts.^[5] In 1982 he wrote the soundtrack of the movie Cat People, including the hit single "Putting Out Fire" featuring David Bowie.

In 1983, Moroder produced the soundtrack for the film Scarface. During its initial release, the album was only available in a few countries and strictly through import in the United States. Notable Moroder-produced tracks included "Scarface (Push It to the Limit)" by Paul Engemann, "Rush Rush" by Debbie Harry, and "She's on Fire" by Amy Holland. In 2006, the soundtrack was featured in the game Scarface: The World Is Yours, which is based on the film and also includes some previously-unreleased instrumentals by Moroder.

In 1984, Moroder compiled a new restoration and edit of the silent film Metropolis (1927) and provided it with a contemporary soundtrack. This soundtrack includes seven pop music tracks from Pat Benatar, Jon Anderson, Adam Ant, Billy Squier, Loverboy, Bonnie Tyler and Freddie Mercury. He also integrated the old-fashioned intertitles into the film as subtitles as a means of improving continuity, and he also increased the film's frame to 24 frames a second. Since the original speed was unknown this choice was controversial. Known as the "Moroder version", it sparked debate among film buffs, with outspoken critics and supporters of the film falling into equal camps.^[6]

Moroder also scored other films in the 1970s and 1980s, including Midnight Express, Flashdance, The Never Ending Story, Thief of Hearts, Electric Dreams, Cat People and Over the Top.

In 2002, he wrote the score for Leni Riefenstahl's final film, Impressionen unter Wasser, a marine documentary.^[7]

In an interview in May 2012, Moroder said he is collaboration on a little "rap" on the upcoming album of Daft Punk.^[8][9]

Video games[link]

His score for "Scarface" has been used in the video game Grand Theft Auto III while Moroder's "From Here to Eternity" and "Chase" were used in the Sony PlayStation Portable and PlayStation 2 game Grand Theft Auto: Liberty City Stories. "Together In Electric Dreams", a collaborative effort of Giorgio Moroder and Philip Oakey (of The Human League) features in Grand Theft Auto: Vice City Stories.

Sporting events and other media[link]

Moroder wrote the official theme songs, "Reach Out", for the 1984 Los Angeles Olympics, and "Hand in Hand", for the 1988 Seoul Olympics and "Un'estate italiana" for the 1990 Football World Cup. "The Chase" is now also used as the theme bumper-music for the US AM talk radio program Coast to Coast AM. The BBC used Moroder's film soundtrack "Ivory Tower" as theme song during the broadcast of the motor-racing event Formula 1 Grand Prix, during the late 1980s and the early/mid 1990s. He also composed the song "Forever Friends" for the 2008 Summer Olympics in Beijing.

Other[link]

In the late 1980s, Moroder collaborated with Claudio Zampolli to create the Cizeta supercar.

Awards[link]

Moroder has won three Academy Awards: Best Original Score for Midnight Express (1978); Best Song for "Flashdance...What a Feeling", from the film Flashdance (1983); and Best Song for "Take My Breath Away", from Top Gun (1986).

Moroder also won two of his three Grammy Awards for "Flashdance": Best Album Of Original Score Written For A Motion Picture Or A Television Special and Best Instrumental Composition, for the track "Love Theme from Flashdance".

Notable collaborations[link]

{{columns-list|4|

• María Conchita Alonso
• Adam Ant
• Pat Benatar
• Edoardo Bennato
• Berlin
• Big Trouble
• Blondie
• Daft Punk
• David Bowie* [[* The Three Degrees
• Bonnie Tyler

}}

Discography[link]

The discography of Giorgio Moroder includes thirteen studio albums and ten soundtracks. This list is not representative of Moroder's work, as he is most successful as music producer.

Studio albums[link]

Singles[link]

• 1965 Baby Courreges / Warum hoer' ich nichts von dir (as Rock Romance)
• 1966 Stop / Believe In Me
• 1966 Glaub An Mich / Stop
• 1966 Bla, Bla Diddley / How Much Longer Must I Wait, Wait (as Giorgio and The Morodians)
• 1967 Lilly Belle / Love's Morning Land
• 1968 Moody Trudy / Stop
• 1968 Yummy, Yummy, Yummy / Make Me Your Baby (as Giorgio)(as George)
• 1968 Cinnamon / Reesy-Beesy
• 1968 Monja / Raggi Di Sole (as George)
• 1969 Luky, Luky [Looky, Looky] / Senza Te, Senza Me [Happy Birthday] (as George)
• 1969 Looky, Looky / Happy Birthday
• 1969 Mah Nà Mah Nà / Doo-Bee-Doo-Bee-Doo
• 1970 Lina Con La Luna (Moody Trudy) / Risi E Bisi (Reesy Beesy) (as George)
• 1970 Mony Mony (Muny Muny Muny) / Tempo D'amore (Make Me Your Baby)(as George)
• 1970 Arizona Man / Sally Don't You Cry
• 1970 Arizona Man (Jerk) / So Young (Slow)
• 1970 America, America / Rhythm Of Love (as Spinach)
• 1971 Action Man (part 1) / Action Man (part 2) (as Spinach)
• 1971 Underdog / Watch Your Step
• 1971 I'm Free Now / Son Of My Father
• 1971 London Traffic / Everybody Join Hands
• 1972 (Sweet Sixteen) You Know What I Mean / Knockin' On Your Door
• 1972 Tu Sei Mio Padre [Son Of My Father] / Non Ci Sto [Underdog]
• 1972 Son Of My Father (part 1) / Son Of My Father (part 2)
• 1972 Lord (Release Me) / Tears (as Children Of The Mission)
• 1972 Today's A Tomorrow (You Worried 'Bout Yesterday) / Pauline
• 1972 Take It, Shake It, Break My Heart / Spanish Disaster
• 1972 The Future Is Past / Blue Jean Girl
• 1973 Lonely Lovers' Symphony / Crippled Words
• 1973 Heaven Helps The Man (Who Helps Himself) / Sandy
• 1973 Hilf Dir Selbst/Geh Zu Ihm
• 1974 Marrakesh / Nostalgie
• 1974 Lie, Lie, Lie / Collico
• 1974 Born To Die (Mono) / Born To Die (Stereo)(as Giorgio)
• 1974 Born To Die / Strongest Of The Strong (as Giorgio's Common Cause)
• 1975 Bricks and Mortar / It's A Shame
• 1975 Rock Me To My Soul / Dark and Deep and In between (as Giorgio's Common Cause)
• 1975 Einzelgänger / Liebes Arie (as Einzelgänger)
• 1976 Einzelgänger / Good Old Germany (as Einzelgänger)
• 1976 Take Five / Enterprise (as MLS (Musicland Set))
• 1976 Knights In White Satin
• 1976 I Wanna Funk With You Tonite / Oh, L'Amour
• 1977 Let The Music Play / Oh, L'Amour
• 1977 From Here To Eternity / Too Hot To Handle
• 1977 From Here To Eternity / Utopia - Me Giorgio
• 1977 Get On The Funk Train (part I) / Get On The Funk Train (part II) (as Munich Machine)
• 1978 A Whiter Shade of Pale / It's All Wrong (But It's Alright) (as Munich Machine)
• 1978 Love's In You (Love's In Me) / I Can't Wait (as Giorgio & Chris)
• 1979 Party Light / Bolectro (as Munich Machine)
• 1979 Baby Blue / If You Weren't Afraid
• 1979 If You Weren't Afraid / E=MC2
• 1980 Night Drive / The Apartment
• 1983 Scarface (Push It To The Limit) / Tony's Theme (as Giorgio Moroder & Paul Engemann)
• 1984 Together In Electric Dreams / Together In Electric Dreams Instrumental (as Giorgio Moroder & Philip Oakey)
• 1984 The Duel / Madeline's Theme
• 1984 Reach Out / Reach Out (Instrumental)(as Giorgio Moroder & Paul Engemann)
• 1984 American Dream / Too Hot To Touch (Instrumental) (as Giorgio Moroder & Paul Engemann)
• 1985 Shannon's Eyes / Shannon's Eyes (Instrumental) (as Giorgio Moroder & Paul Engemann)
• 1985 Night Time Is The Right Time / Baby Blue [1985 Remix]
• 2012 Giorgio's New Dancing Shoes (from the CD: The 84th Academy Awards)

Soundtracks[link]

Sampling and other uses[link]

• Bronski Beat have covered "I Feel Love" and "Love to Love You Baby" for their debut album The Age of Consent (1984).
• Madonna has sampled "I Feel Love" ( a production by Moroder, sung by Donna Summer ) in the early 90's.
• "On Fire", the second single from rapper Lil Wayne's seventh studio album Rebirth; contains allusions from Amy Holland's song "She's on Fire" and was inspired in its entirety by Scarface.^[11]
• "Push It", the second single from rapper Rick Ross' debut album Port of Miami; samples "Scarface (Push It to the Limit)" and the story of the video has a very similar theme to the film Scarface. It was produced by J. R. Rotem.
• His song "Tears" was sampled and used as the basis of the DJ Shadow song "Organ Donor" on his 1996 album Endtroducing...... Canadian Hip Hop group Swollen Members sampled the song in "Fuel Injected" and "Meltdown". It also appears on the song "Tragedy" by RZA. The main melody and chord progression form the basis of "Marz" by folk musician John Grant and "Only Light" by Australian ska band The Cat Empire.
• The Hip Hop-duo Mobb Deep used a sample from the song "Tony's Theme" in their song G.O.D. Pt. III.
• His Song "E=MC2" was sampled and used for J. Dilla's song of the same title.
• One of his early compositions, "Doo-Bee-Doo-Bee-Doo" from 1969, would be featured for many years in silent sketches on The Benny Hill Show, as part of a medley that also included "Mah Nà Mah Nà", a 4/4 adaptation of Ludwig van Beethoven's "Für Elise", and "Gimme Dat Ding".
• The theme from Midnight Express was sampled by hip-hop duo OutKast for their song "Return of the Gangsta", and by hip-hop producer J Dilla for "Phantom of the Synths", a beat later used by MF DOOM for "Gazzillion Ear" and by Jay Electronica for "Dimethyltryptamine".
• Moroder's opening theme from the film Scarface is sampled by Nas and Mobb Deep for the track "It's Mine".
• "Leopard Tree Dream" from Cat People is sampled by Cannibal Ox in the song "Iron Galaxy."
• "The Legend Of Babel" theme From the "metropolis" soundtrack was covered By DJ Dado.
• British electronica musician Little Boots covered "Love Kills", which was written in collaboration with Freddie Mercury.
• "Future Lovers", a song from American recording artist Madonna's 2005 album Confessions on a Dance Floor, has a bass line inspired by Donna Summer's Moroder-produced hit "I Feel Love". Furthermore, Madonna opened her 2006 Confessions Tour with a medley of "Future Lovers" and "I Feel Love".
• For the "Chase" instrumental, see that article
• Suns of Arqa's album "Technomor" includes the track "Moroder Vibe" which contains elements of "I Feel Love".

See also[link]

• List of number-one dance hits (United States)
• List of artists who reached number one on the U.S. Dance chart
• Cizeta Moroder V16 supercar project

References[link]

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (November 2010)

External links[link]

• discog.info: Giorgio Moroder discography
• Giorgio Moroder discography at Discogs
• Giorgio Moroder at the Internet Movie Database