The Muslim population of the world by percentage of each country

Ummah (Arabic: أمة‎) is an Arabic word meaning "community" or "nation." It is commonly used to mean either the collective nation of states, or (in the context of pan-Arabism) the whole Arab world. In the context of Pan-Islamism, the word ummah is used to mean the diaspora^{[citation needed]} or Commonwealth^{[citation needed]} of the Believers (ummat al-mu'minin), and thus the whole Muslim world.

Origin[link]

The phrase Ummah Wahida in the Qur'an (the "One Community") refers to all of the Islamic world unified. The Quran says: “You [Muslims] are the best nation brought out for Mankind, commanding what is righteous (Ma'ruf, lit. "recognized [as good]") and forbidding what is wrong (Munkar, lit. "unrecognized [as good]")…” [3:110].

On the other hand, in Arabic Ummah can also be used in the more Western sense of nation, for example: Al-Umam Al-Muttahida, the United Nations.

The Constitution of Medina, an early document said to have been negotiated by Muhammad in AD 622 with the leading clans of Medina, explicitly refers to Jewish and pagan citizens of Medina as members of the Ummah.^[1][2][3][4]

The Organisation of Islamic Cooperation (OIC) is the main organization representing the whole Muslim Ummah with a permanent delegation to the United Nations claiming an Islamic Nation.

In modern Hebrew, the word Ummah (אוּמָה) means "nation", from the root Am (עם),People.

See also[link]

• Islamic Caliphate
• Divisions of the world in Islam
• Pan-Islamism
• Islamic Missionary Activity

Population[link]

• Muslim population growth
• List of countries by Muslim population

References[link]

External links[link]

• The definition of 'Ummah' is the unity of the Muslims
• Online Islamic Learning Resource

This Islam-related article is a stub. You can help Wikipedia by expanding it. v t e

The Ummah was a music production collective, composed of members Q-Tip and Ali Shaheed Muhammad of A Tribe Called Quest, and the late Jay Dee (now known as J Dilla) of the Detroit-based group Slum Village. Occasional members included Raphael Saadiq, and D'Angelo. In addition to producing nearly the entirety of A Tribe Called Quest's fourth and fifth album, the Ummah provided backing tracks for a notable array of hip hop and contemporary R&B artists, including Busta Rhymes, Whitney Houston, Keith Murray, the Brand New Heavies, Janet Jackson, and Jon B. The group was so named because two of its members (Tip and Ali) are devout Muslims. The word "ummah" is Arabic for "community", "nation", or "brotherhood".

Biography[link]

Background[link]

The collective took shape around 1995, when veteran keyboardist Amp Fiddler introduced Jay Dee (who at the time was shopping for a deal for his group) to Q-Tip. Tip was impressed enough by Jay Dee's soulful productions to invite him as an addition to Tribe's music-production team, which until then consisted of Tip and Ali Shaheed.

Production work[link]

Its first work, Beats, Rhymes and Life, was criticized for moving away from the group's earlier, denser, and bottom heavy sound exemplified by tracks such as "Scenario" and "Oh My God." The new sound, which now leaned towards a more laid-back and polished tone, would be embraced a little more with the release of Tribe's "Find A Way" from its fifth and final album, The Love Movement, although the album itself received a lukewarm reception, and no second proper single or video was released.

Following this and the split of A Tribe Called Quest, Q-Tip and Jay Dee continued to collaborate under the Ummah moniker, producing almost all of Tip's solo album Amplified, which included two tracks from DJ Scratch. For several reasons, including label complications, Tip's solo career became largely inactive while Jay Dee and D'Angelo went on to form the Soulquarians with other like-minded artists. Although A Tribe Called Quest since formed somewhat of a reunion, releasing "ICU (Doin' It)" in 2003, the possibility of the group once again using the Ummah name for future productions seems unlikely, especially since member Jay Dee's death on February 10, 2006, from complications of Lupus.

Despite the well-known projects and collaborations the collective did, people would erroneously assume that The Ummah was another name, or perhaps even an alter-ego of Q-Tip. As a result, contributions by J Dilla would go overlooked and unnoticed. Looking back at the collective's formation and history, in an interview, Q-Tip stated:^[1]

That word "Ummah" means brotherhood. But the problem with The Ummah and even now with me with Tribe… With Ummah, just because I was the face, people would automatically assume sometimes, like with that “Sometimes” remix, that I produced it or that I did the beat when it was Dilla. So people would get confused sometimes over that and think that just because I’m the face of it, if it says "The Ummah" it means that I did it or credited it as such. And that wasn’t the case. So he Dilla wanted to make sure that he got known for what he did. So I can emphatize with where Dilla was at because I was at the same place you know?!? My whole idea I think it was a great idea to represent a unit. But from poor management to not really understanding the ramifications of it, it didn’t work to that great idea necessarily. Still in all I think we all were able to make some good music. I saw some people say that I didn’t do the "Get Down" remix, the Craig Mack shit. People were saying Dilla did that but I did that. Then people were saying that I did "Breathe & Stop" but Dilla did that. And they were saying Dilla did "Vivrant Thing" but I did that. You know it’s just all mixed up.

Discography[link]

Albums[link]

• A Tribe Called Quest - Beats, Rhymes and Life (1996, Jive, RIAA certification: Platinum)
• A Tribe Called Quest - The Love Movement (1998, Jive, RIAA certification: Gold)
• Q-Tip - Amplified (1999, Arista, RIAA certification: Gold)

Selected production[link]

1996[link]

• Da Bush Babees - "Gravity", "3 MCs"
  • Gravity
• Grant Green - "Down Here On The Ground"
  • Various artists - The New Groove: The Blue Note Remix Project Volume 1
• Keith Murray - "Dangerous Ground", "The Rhyme (Remix)"
  • Enigma
• Busta Rhymes - "Ill Vibe", "Still Shinin'", "Keep It Moving"
  • The Coming

1997[link]

• A Tribe Called Quest - "Same Ol' Thing"
  • Various artists - Men in Black: The Album
• Janet Jackson - "Got 'Til It's Gone (Ummah's Uptown Saturday Night Mix)", "Got 'Til It's Gone (Ummah Jay Dee's Revenge Mix)"
  • 12"/CD single
• Michael Jackson - "HIStory (The Ummah Radio Mix)", "HIStory (The Ummah Urban Mix)", "History (The Ummah DJ Mix)"
  • 12"/CD singles
• Mint Condition - "Let Me Be The One (Ummah Remix)"
  • 12"/CD single
• Busta Rhymes - "So Hardcore"
  • When Disaster Strikes
• Brand New Heavies - "Sometimes (The Ummah Remix)"
  • 12"/CD single
• Jon B. - "Cool Relax"
  • Cool Relax

1998[link]

• Jamiroquai - "Deeper Underground (The Ummah Mix)"
  • 12"/CD single
• Towa Tei - "Happy (Q-Tip Remix Dub)"
  • 12"/CD single
• Whitney Houston - "Fine"
  • Whitney: The Greatest Hits

References[link]

Busta Rhymes
Background information
Birth name	Trevor Tahiem Smith, Jr.
Born	(1972-05-20) May 20, 1972 (age 40)
Origin	Brooklyn, New York, U.S.
Genres	Hip hop
Occupations	Rapper, actor
Years active	1989–present
Labels	Conglomerate, Cash Money
Associated acts	Leaders of the New School, A Tribe Called Quest, Flipmode Squad, Spliff Star, Dr. Dre, N.O.R.E., The Notorious B.I.G., Pharrell, Swizz Beatz, DMX, Mystikal, Wu-Tang Clan, M.O.P.,

Trevor Tahiem Smith, Jr., (born May 20, 1972),^[1] better known by his stage name Busta Rhymes, is an American rapper, producer and actor. Chuck D of Public Enemy gave him the alias Busta Rhymes after NFL wide receiver George "Buster" Rhymes. Early in his career, he was known for his wild style and fashion, and today is best known for his intricate rapping technique, which involves rapping at a fast rate with lots of internal rhyme and half rhyme, and to date has received eleven Grammy nominations for his musical work. About.com included him on its list of the 50 Greatest MCs of Our Time (1987–2007),^[2] while Steve Huey of Allmusic called him one of the best and most prolific rappers of the '90s.^[3]

Early life[link]

Busta was born in Red Hook, Brooklyn, New York, and grew up in Flatbush, Brooklyn, to Jamaican parents Geraldine Green and Trevor Smith, Sr. in 1972. Smith attended George Westinghouse Career and Technical Education High School, alongside Jay-Z, DMX and The Notorious B.I.G.^[4][5][6][7] He went to Uniondale High School on Long Island, graduating in 1990.

Music Career[link]

Leaders of the New School and rising popularity: 1990–1993[link]

Hip-hop crew Leaders of the New School began recording in 1989 and released their debut album A Future Without a Past... in 1991 on Elektra Records. In early 1992 the group appeared on A Tribe Called Quest's posse cut "Scenario," in which Busta's climactic verse propelled him into the cultural consciousness.^[8] In 1993, they released T.I.M.E. (The Inner Mind's Eye). Soon after, however, internal problems arose because of Busta's increasing popularity, and the group broke up on the set of Yo! MTV Raps.

After LONS broke up, Busta Rhymes began making guest appearances on several hip-hop and R&B artists singles such as R&B group Boyz II Men, he appeared on the track "Intro Talk" on Mary J. Blige's landmark debut album, What's the 411?, he also appeared on the album jacket of fellow hip-hop group A Tribe Called Quest's Midnight Marauders, with a host of other fellow hip-hop pioneers. In 1993, he appeared in a cameo role in Yo! MTV Raps hosts Doctor Dré and Ed Lover's film, Who's the Man?, and in the HBO film, Strapped, and co-starred alongside Ice Cube and Omar Epps in the John Singleton film, Higher Learning (which was in post-production until it was released in 1995). The following year, he teamed up with Puff Daddy, LL Cool J, and future Flipmode Squad member, Rampage and former classmate The Notorious B.I.G., on a remix to Craig Mack's "Flava In Ya Ear", soon after he would team up again with The Notorious B.I.G. among a plethora of rappers such as Bone Thugs-n-Harmony and Coolio on the single, "The Points" which appeared on the soundtrack to the 1995 film, Panther.

[edit] The Coming and When Disaster Strikes: 1995–1997

In the summer of 1995, Busta Rhymes started work on his first album The Coming, and a month after recording the album, he released it in March of 1996. A month before the album was released, he broke out with a solo hit single, "Woo Hah!! Got You All in Check". Later, he started work on his second album, When Disaster Strikes, which would not be released until September 1997. It produced the hit singles "Put Your Hands Where My Eyes Could See" and "Fire It Up".

[edit] Extinction Level Event (Final World Front): 1998–1999

In 1998, Busta recorded Extinction Level Event (Final World Front). Its lead single, "Gimme Some More" — which sampled Bernard Herrmann's theme from Psycho — reached number 6 in the UK singles chart in January 1999. Busta enjoyed further transatlantic success in April when the single "What's It Gonna Be?!", featuring Janet Jackson, reached the US and UK Top 11. The album received prominent notice for featuring the fastest rapping Busta has ever performed, particularly on a song called "Iz They Wildin Wit Us?", featuring a guest appearance by Mystikal.^[1]

J/Arista/BMG[link]

Busta Rhymes performing in 2006

Anarchy & Genesis (2000-2001)

In 2000, Busta recorded his final album for Elektra, entitled Anarchy. After Busta signed to J Records, a label started by the then recently ousted Arista Records chief and founder Clive Davis, he released a greatest hits collection^{[citation needed]} alongside a new album of original work. Continuing the Biblical theme of his previous albums, he titled his record Genesis. The album featured collaborations with Mary J. Blige, P. Diddy, Kelis, and others. Genesis was powered by the hit single with Kelis, "What It Is", and his solo single released in November 2001, "Break Ya Neck". The final single was the summer smash "Pass the Courvoisier, Part II", which featured Pharrell and P. Diddy. Despite the success of the two singles, this album did not sell as well as previous releases.

It Aint Safe No More (2002-2004)

In 2002, Busta released his sixth studio album It Ain't Safe No More. The album was moderately successful, with a hit song featuring Mariah Carey and the Flipmode Squad called "I Know What You Want". Another hit song was "Make It Clap", featuring Spliff Starr. The remix of "Make It Clap" featured Sean Paul. After its release, he left J Records. In 2004, he signed with Dr. Dre's Aftermath Entertainment.

Aftermath/Interscope[link]

The Big Bang (2006)

His seventh studio album, The Big Bang, became the first #1 album of his career. The CD sold over 209,000 copies in its first week to earn the top spot on The Billboard Top 200.^[9] The album also became his highest charting album in the UK, peaking at #19. Some of the album was leaked on the Internet, and as a result several songs were left off the album and new ones added. The Big Bang featured more production by Dr. Dre than Busta's previous releases, as well as appearances by Raekwon and Nas. The singles that have been released from the album are, "Touch It", "I Love My Bitch", featuring Kelis and Will.I.Am, "New York Shit", featuring Swizz Beatz and "In The Ghetto". Busta also had a stint opening for Mariah Carey's The Adventures of Mimi Tour. Also, Busta performed with Eminem on "Touch It Remix Part 5" and performed a verse on the aforementioned rapper's song, "I'll Hurt You". On July 17, 2008, Busta left Interscope/Aftermath due to a creative clash with Interscope head Jimmy Iovine.

Universal Motown[link]

Back on My B.S. (2007-2009)

He also made a song featuring Linkin Park called "We Made It". It was later revealed that Busta inked a deal with Universal Motown, who released his eighth studio album, Back on My B.S., on May 19, 2009.^[10] He also appeared on Asher Roth's debut album, Asleep in the Bread Aisle. The album debuted at #5 on the Billboard 200, selling 56,000 copies, and was his first album to not receive an RIAA certification, selling 122,000 copies to date. The singles that have been released from the album are, "Arab Money", featuring Ron Browz, "Hustler's Anthem '09", featuring T-Pain and "Respect My Conglomerate". The song "World Go Round", featuring British singer Estelle, was released in France on April 6, 2009 due to the heavy rotation of a leaked version. The single was released in the UK on July 13, 2009. Due to controversial content, the United Arab Emirates (UAE) has banned the album. Back on My B.S. was released internationally, but because of one song, "Arab Money", it is not available to buy as a CD there (however, the album can still be purchased via iTunes). According to the National Media Council, the lyrics were considered to be offensive to Arabs and to Islam, and permission for distribution was therefore denied. Some DJs, artists and fans have lambasted the track, saying it portrayed Arabs in a stereotypical way. The first part out of three of the remix by Rhymes contains verses from the Quran. In November, when "Arab Money" was released as a single, DJ Dany Neville and the Iraqi rapper The Narcicyst responded by recorded a reply. Busta later apologized. DJs in the country said they had not received an order banning the record from being spun in nightclubs, and they had mixed feelings on whether the record was offensive or not.^[11] DJ Saif of Dubai said:

2002

Emirati DJ DJ Bliss, refused to play the Busta Rhymes' single called Arab Money on Radio 1 in Dubai after it was banned in the UAE for offense to Arabs along with many other Dj's in the United Arab Emirates that also took a stand. He added:

[edit] Conglomerate Records / Cash Money Records & Extinction Level Event 2 (2010-present)

Busta announced that he was working on his tenth studio album, alongside Canadian producer Boi-1da, entitled The Chemo. He says that his next project is 80 percent finished.^[12] Busta has reportedly changed the title of his forthcoming Chemo album to Extinction.Level.Event.2 (E.L.E. 2).^[13] Some new songs are being considered for the album, including "C'mon (Catch 'Em By Surprise) by Tiësto and Diplo and "Look at Me Now" alongside Chris Brown and Lil Wayne. The trend of album sequels continues with Busta adding another chapter to his 1998 opus E.L.E. (Extinction Level Event): The Final World Front. Busta's manager Chris Lighty sent out the message via Twitter. He said; "Extinction.Level.Event 2 ......prepare yourself." Like the first, E.L.E. 2 is inspired by movies of impending destruction on planet Earth, Lighty said; "From the Intro of the new Busta Album you're going to know you're in trouble and you just turned on 2012 the movie on warp speed,".

DJ Premier, in an August 6, 2010 interview on Conspiracy Worldwide Radio said Busta Rhymes has received over eight beats which he didn't want to use but Premier hoped his next beat would be chosen for inclusion on the album.^[14] On DJ Premier's Live From Headqcourterz radio show Premier confirmed that one of his beats were to be included in E.L.E. 2. In 2010, Busta Rhymes formed his new label Conglomerate Records (With later on having rosters such as N.O.R.E., and Spliff Star). He was featured on C'mon (Catch 'Em By Surprise) by Tiësto and Diplo.

In 2011, Rhymes recorded "Look at Me Now" with Chris Brown and Lil Wayne on Brown's fourth album, F.A.M.E., the song has received favorable reviews regarding Rhymes guest verse on the song, and is his highest chart entry on the Billboard Hot 100, peaking at number six, while reaching number one on the Hot R&B/Hip-Hop Songs chart, becoming his first #1 on that chart. On September 7, 2011, Rhymes received six nominations for the BET Hip Hop Awards, held on October 11, 2011.

On May 1, 2011 Rhymes appeared on the launch show for MNET's Big Brother Africa 6: Amplified and performed some of his songs.

In 2011, Busta Rhymes performed at the Gathering of the Juggalos.^[15]

Rhymes contributed to the 2011 Tech N9ne album "All 6's and 7's". The single "Worldwide Choppers" was released on May 31st, 2011.^[16]

Canadian recording artist Justin Bieber will feature Busta on a song called "Drummer Boy" off Bieber's sophomore studio album, Under the Mistletoe, released on 1 November 2011.^[17]

On November 11, 2011, a Heavy D tribute song titled "You Ain’t Gotta Wait Till I’m Gone" was leaked.^[18]

On November 16, 2011, it was announced that Busta Rhymes and Mystikal signed to Cash Money Records.^[19] On June 08, 2010, way before he was signed by Birdman, he released "Stop the Party (Iron Man)" which featured Swizz Beatz. For his debut single on the Cash Money label and his Conglomerate Records, he reunites with Chris Brown to make the aggressive single known as Why Stop Now.

In 2012, Busta collaborated with Jodie Connor, featuring on her single "Take You There", however he did not appear in the music video.

A song with Twista, titled "Can You Keep Up" was leaked.

Acting Career[link]

Busta has appeared in a number of films (including Shaft, The Rugrats Movie, Halloween: Resurrection, and Higher Learning) and TV shows (including Cosby, The Boondocks, and The Steve Harvey Show).^{[20][21][22][23][24]}

Personal life[link]

Busta has three children with his ex-girlfriend, Joanne Wood: T'Ziah (born 1993), T'Khi (born 1999), and Trillian (born 2000).

Religion[link]

On September 2, 2007, a video was uploaded on Liveleak.com about Rhymes having converted to Islam.^[25] He himself has said that he lives his life by Islam, stating he is Muslim and loves Allah.

Legal issues[link]

On August 20, 2006, he was arraigned for charges of third-degree assault after attacking a man who reportedly spat on his car in New York City on August 12 after the AmsterJam Music Festival on Randall's Island.^[26]

On October 24, 2006, he appeared at Manhattan Criminal Court as the district attorney's office attempted to amend previous charges against him to include weapons possession for a machete found in his car. The judge refused to add the charge and adjourned the case.^[27][28]

On February 20, 2007, Busta refused a plea deal offered by the prosecutors office for the assault of his former driver, Edward Hatchett. The deal would have entailed six months in jail and pleading guilty to two assaults, the attack on Hatchett, and the attack on the former fan. The dispute with Hatchett is believed to have originated over back pay Hatchett felt he was owed. Manhattan Criminal Court Judge Becki Rowe offered Busta another option, pleading guilty to third-degree assault. The conditions of the proposed sentence would include five days of community service, two weeks of youth lectures and six months of anger management classes, as well as three years of probation. On March 18, 2008 a judge in New York City sentenced Busta to three years' probation, 10 days' community service, $1250 in fines (plus court costs), and to enroll in a drunken driving program.^{[28][29][30][31]}

On September 25, 2008, he was temporarily refused entry to the United Kingdom due to "unresolved convictions".^[32]

On October 14, 2009, a Brooklyn judge ordered Busta to pay a concert goer $75,000 in compensation for an assault which occurred in 2003.^[33]

Discography[link]

• The Coming (1996)
• When Disaster Strikes... (1997)
• E.L.E. (Extinction Level Event): The Final World Front (1998)
• Anarchy (2000)
• Genesis (2001)
• It Ain't Safe No More... (2002)
• The Big Bang (2006)
• Back on My B.S. (2009)
• E.L.E. (Extinction Level Event) 2: End of the World (TBA)

Awards and nominations[link]

Busta Rhymes has been nominated for 11 Grammy Awards during his 16-year solo career.

Grammy Awards

Busta Rhymes has been nominated for 10 MTV Video Music Awards during his 16-year solo career, but has yet to win one.

MTV Video Music Awards

See also[link]

• List of artists who reached number one on the U.S. dance chart
• List of number-one U.S. dance hits

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Busta Rhymes

Wikimedia Commons has media related to: Busta Rhymes

• Busta Rhymes at MTV
• Busta Rhymes at the Internet Movie Database

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2010)

The Brand New Heavies are an acid jazz and funk group formed in 1985 in Ealing, a suburb of London, England.

Biography[link]

The Brand New Heavies began in the 1980s as an instrumental acid jazz group called Brother International.^[1]

The group came up with the Heavies name after signing their first record contract, borrowing from a liner note on a James Brown single declaring the artist "Minister of New Super Heavy Funk".^[2] As The Brand New Heavies they gained a cult following in the London club scene and soon signed to Cooltempo as acid jazz replaced rare groove in clubs. The band issued a debut recording for Eddie Piller's Acid Jazz label in 1990 with Jay Ella Ruth as lead singer.^[3]

A single, "Got to Give", came out on Cooltempo before the Brand New Heavies signed to Acid Jazz Records and released Brand New Heavies to critical acclaim. The band signed to a division of Chrysalis Records in the UK,^[1] and American distribution was picked up by influential label Delicious Vinyl, and N'Dea Davenport (who had signed an artist development deal with Delicious Vinyl) joined the group. A revamped version of the first album with vocals by N'Dea Davenport was then released, and the singles "Dream Come True", "Never Stop" and "Stay This Way", all with Davenport on lead vocals, became hits on both sides of the Atlantic, with the latter becoming a music video directed by Douglas Gayeton that saw heavy rotation on MTV.

The group's appearance with MC Serch (formerly of 3rd Bass) and Q-Tip (of A Tribe Called Quest) at a performance in New York City, inspired the group to incorporate elements of hip hop music. Their next album was the critically acclaimed Heavy Rhyme Experience, Vol. 1, which included collaborations with Guru of Gang Starr and The Pharcyde, among others, but lacked any female vocals.

While under management by Colin Lester's and Ian McAndrew's Wildlife Entertainment, The Brand New Heavies released Brother Sister (1994) which was the last album for a while with N'Dea Davenport, who had left to complete her solo album (which she had put on hold to join the Heavies). The album spawned more singles, though one of them, a cover of Maria Muldaur's "Midnight at the Oasis", was popular only in the UK because it was not included in the US version of the album.

Siedah Garrett joined the group for their next album, Shelter (1997). It contained the minor hit, the Carole King-penned song "You've Got a Friend" that was originally made famous by James Taylor. Again, though, this song did not appear on the US version of the album. The album also contained the hit "Sometimes". The remix of "Sometimes" included the rap vocals of Q-Tip.

The Brand New Heavies then released their greatest hits album, Trunk Funk - The Best of The Brand New Heavies (2000) with Carleen Anderson on vocals for some newly recorded songs, followed by the Japan only album We Won't Stop (2003) featuring a variety of vocalists and Allaboutthefunk (2004) featuring British singer Nicole Russo on vocals.

In April 2006, the Brand New Heavies reunited with N'Dea Davenport and former label Delicious Vinyl. A new album, Get Used to It was released on 27 June 2006 via Starbucks and more traditional music retail outlets. The album was recorded in New York and London; and the lead single "I Don't Know Why (I Love You)" was issued in early May. The single was notable for being one of very few late releases to feature the trademarked A Tom Moulton Mix, as he had been asked to contribute remixes. Later that year, their song "Jump 'N' Move" was featured on the soundtrack for the 2006 computer animated feature film, Happy Feet, and the in-game soundtrack for 2004's NBA Live 2005 and 2009's NBA 2k10. The band toured at the end of 2006.

The Brand New Heavies released a 2 CD live album in October 2009 - Live In London and worked with Lancome on an ad campaign, resulting in the 2009 single "C'est Magnifique". There was talk of a follow-up album to Heavy Rhyme Experience, Vol. 1, following the same concept of rap artists fronting the band, however nothing has materialized on that front to date.

The Heavies released a free download album called "Dunk Your Trunk" in November 2011, available through blog.pedigreecuts.com and Soundcloud. The album, recorded in only four days and described as 'funky library music' is directed at 'TV and Movie people to add to their programmes and films'. A CD was due for release on 23 April 2012, but so far only download files (mp3, wav) have appeared.

Members[link]

Discography[link]

Studio albums[link]

• 1990: The Brand New Heavies (featuring Jay Ella Ruth)
• 1991: The Brand New Heavies (featuring N'Dea Davenport)
• 1992: Heavy Rhyme Experience, Vol. 1 (featuring vocals by various hip hop groups and rappers)
• 1994: Brother Sister (featuring N'Dea Davenport)
• 1997: Shelter (featuring Siedah Garrett)
• 1997: Shibuya 357 (Japan only live album)
• 2003: We Won't Stop (Japan and Korea only release; featuring Sy Smith)
• 2004: Allaboutthefunk (featuring Nicole Russo)
• 2006: Get Used To It (featuring N'Dea Davenport)
• 2012: Dunk Your Trunk (download instrumental album) - To be released on CD 23 April 2012

Live, remix collections, compilations and soundtracks[link]

• 1992: Juice (Original Motion Picture Soundtrack) (incl. "People Get Ready (Remix)")
• 1994: Original Flava (album)
• 1994: Pret-A-Porter: Music From The Motion Picture (incl. "Close To You")
• 1994: Higher Learning (Music From The Motion Picture) (incl. "Higher Learning/Time For Change")
• 1995: Excursions, Remixes & Rare Grooves (album)
• 1997: Love Jones (The Music) (incl. "I Like It")
• 1998: Sliding Doors (Music From The Motion Picture) (incl. "More Love")
• 1999: Trunk Funk - The Best of The Brand New Heavies (featuring Carleen Anderson)
• 2002: Acid Jazz Years (album)
• 2006: Happy Feet (Music From The Motion Picture) (incl. "Jump N' Move")
• 2006: Platinum Collection (album)
• 2007: Elephantitis - The Funk + House Remixes (album)
• 2008: Get Used to It - The Tom Moulton Mixes (album) (featuring N'Dea Davenport)
• 2009: Elephantitis - The Funk + House Remixes 2
• 2009: Greatest Hits Live in London (featuring N'Dea Davenport)
• 2011: The Best Of 20 Years

Singles[link]

• 1988: "Got To Give"
• 1989: "People Get Ready"
• 1990: "Dream Come True"
• 1991: "Never Stop" (UK #43, US #54)
• 1991: "Stay This Way" (UK #24)
• 1992: "Dream Come True '92" (UK #24)
• 1992: "Ultimate Trunk Funk EP" (UK #19) (Never Stop/Stay This Way/Mr. Tanaka/Got To Give)
• 1992: "Don't Let It Go To Your Head" (UK #24)
• 1992: "Stay This Way" (UK #40)
• 1994: "Dream On Dreamer" (UK #15, US #51)
• 1994: "Back To Love" (UK #23)
• 1994: "Midnight At The Oasis" (UK #13)
• 1994: "Spend Some Time" (UK #26)
• 1995: "Close To You" (UK #38)
• 1995: "Mind Trips" (U.S. only)
• 1997: "Sometimes" (UK #11, US #88)
• 1997: "You Are The Universe" (UK #21)
• 1997: "You've Got A Friend" (UK #9)
• 1997: "Shelter" (UK #31)
• 1997: "You Can Do It" (U.S. only)
• 1999: "Saturday Nite" (UK #35)
• 1999: "Apparently Nothing" (UK #32)
• 2004: "Boogie" (UK #66)
• 2005: "Surrender"
• 2006: "Jump And Move" (feat. Jamalski) (download only)
• 2006: "I Don't Know Why (I Love You)"
• 2007: "Let's Do It Again"
• 2009: "C'est Magnifique" (download only)

^[4]

References[link]

External links[link]

• The Brand New Heavies official website
• The Brand New Heavies at MySpace
• Delicious Vinyl Official website
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Sami Yusuf
Yusuf in 2011
Background information
Born	July 1980 (age 31) Tehran, Iran
Genres	Spiritique
Occupations	musician, composer, producer, multi-instrumentalist, singer-songwriter
Instruments	piano, keyboard, violin, tar, santour, tombak, oud, tabla
Years active	2003–present
Labels	Awakening Records 2003–2009 ETM International 2009–Present
Associated acts	Ian Brown, Sezen Aksu, Conner Reeves
Website	SamiYusufOfficial.com

Sami Yusuf is a British singer-songwriter, composer, producer and multi-instrumentalist musician of Azerbaijan origin.^[1]

In 2003 Yusuf released his first album "Al-Mu`allim" at the age of 23, selling over two million copies. Following the release of his second album "My Ummah" in 2005, Yusuf was heralded as "Islam's Biggest Rock Star" by Time magazine for his success in attracting a relatively young fan base from diverse regions across the world, many of whom were of Muslim backgrounds. Yusuf has sold over 9 million albums.^[2] In October 2010, following a five-year hiatus, Yusuf’s third official album "Wherever You Are" was launched, manifesting his self-coined genre “Spiritique”. Yusuf is involved in humanitarian initiatives, supporting, among others, Islamic Relief and Save the Children.

Early life[link]

An ethnic Azeri born in Tehran, Yusuf was raised in London from the age of three.^[3] He initially began composing simple melodies starting at the age of three,^[4] and performing on stage for the first time around the age of nine.^[5] His “defining moment”^[6][7] musically occurred when his father loaned him a book on the basics of the Tombak [Persian instrument]. Upon returning from a tea break, his father found that the young Yusuf had mastered the book that had taken months for his students to finish.^[8] As a teenager he was a devotee of classical music and classical icons like Chopin and Mozart, admitting that he listened to Classic FM radio station for hours in a day.^[9] He went on training professionally in several other instruments including the santoor, piano, violin, oud, setar, tar, and daf under the guidance of traditional teachers, as well as professional musicians. While producing and demo-recording for another singer, he became aware of his own singing abilities which were further developed by the encouragement of his family. Divided between pursuing a musical career or studying law at King’s College London, Yusuf opted for music while committed to “doing something dignified and respectable”.^[9] Though he claimed to having been always spiritual, he reconnected with his Islamic faith through a “religious awakening”^[10] at the age of sixteen. He then set out to share his experience with the other young British Muslims he felt were direly in search of an identity especially post 9/11. Yusuf self-produced and released his debut album “Al-mu’allim” at the age of 23, pioneering an innovative trend other Muslim artist would seek to emulate and promote, termed "Islamic pop".^[11]

Professional career[link]

(2003–2004) – Al-Mu'allim[link]

Shortly before traveling to Egypt to study Arabic, Sami Yusuf released his debut album Al-Mu`allim in July 2003 and 2004, a primarily percussive album comprising eight tracks.^[12] The radiant cube and purple background of the album cover symbolized “the light of the Prophetic message illuminating the darkness of the night”.^[12] Its feature song, "Al-Mu’allim", became an instant hit in the Middle East, North Africa, and South-East Asia topping the charts in Egypt and Turkey for twelve consecutive weeks, selling over two million copies worldwide.^[13] Believing that music can be a "powerful medium to promote ideas and establish dialogue within society”,^[14] he coalesced Eastern percussive instrumentation and Western melodies in “Al-Mu’allim” with a focus on the English and Arabic languages. The last track, “Supplication”, was used in the Golden-Globe award-nominated film, “The Kite Runner”.^[15] Though the album was described as a “project to define British Muslim identity”^[16] in a post 9-11 period — with explicitly religious themes praising the Prophet Mohammad and Allah in songs like “The Creator” and “Ya Mustafa” — it reached the ears of unexpectedly diverse range of listeners, constituting of various nationalities, ages, and races.^[12] Redirecting the current of Muslim music through his songs and professionally produced music videos (“Al-Mu’allim” and “Supplication”), Yusuf had “unintentionally” cultivated grounds for a fresh genre of music coined "Islamic Pop"^[11] by setting a new benchmark in the religious music industry. The journal Transnational Broadcasting Studies analyzed the main causes of his success by attributing it to Yusuf’s ability to blend “a religious worldview with a mainstream form of entertainment, and in doing so, [communicating] a personable, accessible expression of the Islamic faith that is in harmony with the modern world and incorporated into the mundane activities of daily life”.^[17]

(2005–2009) – My Ummah[link]

Performing at Royal Concert Hall Glasgow, April 2006

Yusuf gained worldwide recognition following the release of his second album, My Ummah, in July 2005. This album appeared in both musical and percussive versions and includes fourteen tracks. The album’s thematic elements include empowerment of women in “Free”, raising awareness of the plight of victims of conflict-laden regions like Palestine and Darfur in the respective tracks of “Try Not to Cry” (featuring Outlandish) and “Make A Prayer”; “Muhammad” was dedicated to the victims of the 2004 Beslan school massacre, whereas “We Will Never Submit” protested against acquiescence to oppression.^[18] The album, both Eastern and Western in sound, utilized wide-ranging musical instrumentation from classical instruments like piano, violin, flute and drums to ethnic instruments like oud, santour, tar, drums, tombak and more. "My Ummah" was an embodiment of Yusuf’s "utopia for the Muslim World or humanity at large".^[19] Considered a breakthrough album^{[by whom?]}, it sold over four million copies globally and was received enthusiastically by a diverse range of listeners, particularly young people, who identified closely with the topics included therein.^[20] Transnational Broadcasting Studies discussed the exposure of Muslim youth to a new dawn of Islamic “art with purpose”, accrediting this opening to Yusuf’s music that had the power "to both preserve core cultural identity and promote spiritual and material progress“.^[17] Yusuf's music video featuring the Afghan folklore “Hasbi Rabbi” became a regional hit in Egypt, and was used to launch Vodafone Egypt’s value-added-service (VAS) platform Vodafone Live.^[21] The video portrays Yusuf in multiple characters and locations: as a practicing Muslim businessman in London, a teacher playing soccer and tutoring in Taj Mahal, then a professional Volinist jubilantly laughing and chatting with his bandmates in Turkey, and finally as a jovial carpenter in the lively bazaar's of Egypt. Recognized by The Independent as the "Voice of Islam",^[22] Yusuf emphasized that he was not a "preacher",^[23] rather a musician with a message^[24] who believes in the urgent need for “a wave of people to come along and bridge the gaps, because we have so much in common, so much to learn from each other”.^[20] A major addition to his artistic repertoire was Oscar-winning director Marc Forster's proposal to Yusuf to compose a credit-piece for the Golden Globe award-nominated film, The Kite Runner.^[25] Due to time constraints on both sides however, the credit piece was never realised but “Supplication”, a track from Yusuf’s debut album, was used to voice one of the film’s climactic scenes.^[26] Reluctant to be dubbed as “Islam’s Biggest Rock Star” by Time, Yusuf later explained that he does not "want to be a rock star ... a popstar. ... I just want to make good music, and do what I feel I’m confident in doing ... and that’s music”.^[11]

(2005–2009) Dispute with Former Label[link]

In a contractual dispute lasting from 2008 to 2009, Yusuf legally separated from his former record label Awakening. He claimed the "third" album, Without You, released by Awakening in January 2009, was released without his prior “blessings nor consent”. He stated: “I therefore wish to make it perfectly clear that an album comprised of any such recordings could only be put on to the market against my wishes and without my approval”.^[27] In mid-2009, he signed a five-album contract with the UK-based record label ETM International.^[28]

(2009 – present) – Wherever You Are Pre-Release[link]

In July 2009, Yusuf was awarded an honorary Doctor of Letters degree in recognition of his “extraordinary contributions to the field of music” by Roehampton University in southwest London.^[29] Earlier in the year, he was selected to serve as the first Global Ambassador of HH Sheikha Moza Bint Nasser’s (Qatar's First Lady) initiative, Silatech, which seeks to engage “the public, private and civil society sectors to promote large-scale job creation, entrepreneurship and access to capital and markets for young people”.^[30] Ranked in the “Top 500 Influential Muslims of 2009 (and 2010) ”, a publication edited by Georgetown University’s John Esposito and Ibrahim Kahlin, Yusuf was described as an “internationally popular British singer-songwriter whose music has revolutionized the nasheed industry. ... He is also known for his extensive involvement in charity work”.^[31] Yusuf released his video single, “You Came To Me,” in four languages (English, Arabic, Turkish, and Persian) in the summer of 2009.^[32] Rolling Stone magazine called the style by which Yusuf sung the track’s lyrics “touching”, listing it as one of the key tracks of the “Wherever You Are” album.^[33] SamiYusufOfficial.com announced the release of “Wherever You Are”, Yusuf’s third official album, in March 2010, introducing it as “A renaissance. A Rebirth. A New Beginning”.^[34] Meanwhile in the following summer, Yusuf shared his music video “Healing” sung in English and Arabic that was created in cooperation with the KSA-based International Medical Center.^[35] It was also listed as another key track by Rolling Stone magazine.^[33] In reference to the song’s underlying philosophy of generosity in lines like “Heal and you will be healed/…Give and you will receive/It’s nature’s order”, Yusuf’s wrote on his blog: “I hope it helps, albeit in some small way, in showing that every single one of us can be a healer”.^[36] Amidst the torrential monsoons that wreaked havoc in Pakistan and affected 20 million lives in the summer of 2010, he promptly released a charity single entitled “Hear Your Call”, performed in English and Urdu, to raise funds for the displaced Pakistanis in a joint-effort with the UN-sponsored charity organization Save the Children.^[37][38] The song was featured on a short film by the United Nations Office for Coordination of Human Affairs (OCHA)^[39] appealing for renewed donations towards the relief effort. Prompted by the protests and clashes that transpired in Egypt in February 2011, Yusuf released a free track entitled “I’m Your Hope”, dedicating it to the “Shabaab” or youth.^[40] The lyrics are in English and Arabic.^[41] Sami Yusuf has expressed keen interest on initiating his own “record company to help artists and talents that are not supported” in the near future.^[42]

(2009–Present) Wherever You Are: “New Chapter” and“Spiritique”[link]

Performing live in the Maida Vale Studios,^[43][44] Yusuf explained that “It's 2009, I have different challenges, I've got different issues and I will not sing religious-themed music just for the sake of business – it's got to be what I feel”. After a five-yearlong hiatus, Yusuf released his third, official studio album named Wherever You Are in October 2010, welcoming what he termed a “New Chapter” in his professional career and music.^[45] "Spiritique" is Yusuf’s self-coined musical and philosophical classification of his music. Spiritique, according to Yusuf, is a blend of both the “oriental and occidental” sounds, underpinned by spirituality that “will utilize music as a facilitator for spiritual appreciation, regardless of race and religion”. Yusuf considers it his new sound and “something [he] wants to stand for from now”.^[46] With the exceptions of songs like “No Word is Worthy”, “You Came To Me” and "Salaam" (though the latter is more of a 'humanitarian ode' than religiously themed) the 12 track-set album purposely draws less upon religious content^[47] leaving room for interpretation for listeners of all backgrounds. Yusuf maintains, however, that it follows the “same principles and ingredients [of] honesty, [and] sincerity”.^[48] Introducing the album in its official trailer as a “mini diary of events”^[49] that occurred from 2007 to 2010, Yusuf emphasized that the content is essentially a reflection of his worldview: “This third album is about who I am and the reality of the day and age we are living in. It talks about the hypocrisy. ... it’s quite dark”.^[47] Songs like “Give the Young A Chance”, featuring lyrics by Ian Brown, incorporate heavy usage of metaphors, likening the youth to “jewels” and allusions to “gardens where birds will sing lullabies” and “sweet scents fill the air”.^[50] British singer-songwriter Conner Reeves and Turkish singer Sezen Aksu also collaborated with Yusuf in the track “Without You”.^[51] “In Every Tear, He Is There” song, another track collaboration with Conner Reeves, concludes with an African choir singing “In Every Tear/ That is where/He is There” repeatedly in Zulu.^[52] “Fragile World”, Yusuf’s admittedly own favorite track,^[53] is reflective of the “dark”^[47] experiences he underwent throughout the years.^[54] Though predominantly performed in English, several tracks include verses in Arabic, Malaysian, Persian and Urdu. It has been given 3.5 stars out of 4 by Rolling Stone magazine, and commended as a “beautifully produced album”.^[55] Sami Yusuf has visited Turkey, UAE, and Qatar to promote “Wherever You Are” and is due to travel to Egypt, Singapore, Malaysia, and Jordan in the near future,^[56] plus an upcoming European tour scheduled for spring 2011.^[57] The video for "In Every Tear He Is There" has been released and that for "Make Me Strong" was released on 6th April 2012.^[58]. Sami Yusuf has also announced his forth upcoming studio album called "Salaam" which is featuring Siti Nurhaliza, the pop-star of Malaysia. Sami Yusuf will release it soon.^[59].

Notable Tours/Concert Performances[link]

Yusuf arrives in the Netherlands on tour in 2006

Yusuf’s tours and concert performances throughout the past eight years have been extensive. His more notable^{[by whom?]} tours include sold-out concerts in the Royal Albert Hall and Royal Concert Hall in the UK in 2006, in addition to a comprehensive Germany tour in 2007. He performed to crowds of thousands in Bosnia, Canada, France, Belgium, Finland, Austria, Greece, and the Netherlands (which he considers one of his favorite concerts).^{[citation needed]} He toured the United States in 2006 and 2007, singing at venues in Los Angeles, Detroit, Dallas, Chicago, and New Jersey in venues like the LA Shrine Auditorium.^{[citation needed]} In the Middle East and Asian regions, he performed to tens of thousands in Egypt’s Cairo and Alexandria, Qatar, Kuwait, UAE, Algeria, Bahrain, Syria, Jordan, Tajikistan, and Saudi Arabia. He received a record crowd of 250,000 in Istanbul, Turkey earning the name “Islam’s Biggest Rock Star” in Time magazine. In an early concert in Azerbaijan, Yusuf experienced what he likened to a “hero’s welcome” in his ancestral homeland.^{[citation needed]} Over 50,000 people attend his shows in the Casa Music Festival in Casablanca, Morocco in 2007, exceeding by double the venue’s space limit.^{[citation needed]} In the highly publicized concert at Wembley Arena [dubbed the press as the “Muslim Live Aid”^{[citation needed]}], which served as a milestone event where approximately two million pounds were raised for the relief effort in Darfur, Sudan. It was warmly received by a thank-you video message by the British Prime Minister, Gordon Brown.^{[citation needed]} Performing in The Velodrome in Capetown, Durban, and Johannesburg in his 2008 South Africa Tour, Yusuf accompanied the Agape Children Orphanage’s choir, singing along with their feature song “We Are Together” – the title of a multi-award winning HBO film on the Agape Children’s Orphanage. After performing in the Moroccan Fez Wold Sacred Music Festival in 2009, he agreed to do a free concert for the locals that drew in approximately a hundred thousand attendees, with one day’s notice.^{[citation needed]} Packing venues again in Faruma Arena, Denmark, Grugahalle in Germany, and De Doelen in Netherlands, Yusuf introduced his forthcoming album, “Wherever You Are”.^[60] Sami Yusuf has visited Turkey, UAE, and Qatar^[56] to promote “Wherever You Are” and is due to travel to Egypt, Singapore, Malaysia, and Jordan^[56] in the near future. An upcoming European tour is scheduled for spring 2011.^[57]

Acclaim/Recognition[link]

• “Islam’s Biggest Rock Star” – Time Magazine (2006)^[20]
• “Biggest Star in the Middle East” – Guardian (2006)^[61]
• “King of Islamic Pop” – Al-Jazeera (2007)^[11]
• IOL Star of 2009 (2009)^[62]
• 500 Most Influential Muslims in 2009 (2009)^[63]
• BBC’s 30 More Famous Britons (2009)^[64]
• First Global Ambassador of Silatech (2009 – Present)^[65]
• Doctor of Letters Award – Roehampton University (2009)^[66]
• 500 Most Influential Muslims in 2010 (2010)^[63]

Collaborations[link]

• Outlandish – Try Not to Cry, I’ve Seen (2005)
• Erkan Mutlu – Wherever You Are (2010)
• Sezen Aksu – Wherever You Are (2010)
• Ian Brown – Wherever You Are (2010)
• Conner Reeves – Wherever You Are (2010)

Charity Work/Humanitarian Initiatives[link]

• Charity Event for Disabled Children – Cairo, Egypt (2005)^[67]
• Evening of Inspiration – Islamic Relief/UK Tour (2006)^[68]
• Evening of Inspiration – Islamic Relief/US Tour (2006)<refname=time1/>
• Evening of Inspiration – Islamic Relief/US Tour (2007)^[69]
• Wembley Arena – UK (2007)^[70]
• Agape Children’s Orphanage concert – South Africa (2008)^[71]
• Telethon Fundraiser for Gaza (2009)^[72]
• Gaza Rally – Istanbul, Turkey (2009)^[73]
• First global ambassador of Silatech (2009)^[74]
• “Hear Your Call” – Save the Children, Pakistan (2010)^[75]
• “I’m Your Hope” (2011)^[76]
• “In Every Tear, He Is There” – Haiti, South Africa (2011)

Discography[link]

• Al-Mu`allim (2003) – 3 Million^[77]
• My Ummah (2005) – 4 Million^[2]
• Without You (2009)
• Wherever You Are (2010) – N/A

Soundtracks (Singles)[link]

• "Supplication" – Adapted in “The Kite Runner” (2007)
• "Palestine Forever" (2009)
• "Anything For You" (2009)
• "You Came to Me" (2009)
• "Healing" (2010)
• "Hear Your Call" (2010)
• "I’m Your Hope" (2011)
• "In Every Tear, He Is There" (2011)
• "The Source" (2011)
• "Forgotten Promises" (2011)

Music Videos[link]

• Al-Mu’allim – Dir. Hani Osama
• Supplication – Dir. Hani Osama
• Hasbi Rabbi – Dir. Hani Osama
• Mother – Dir. Hani Osama
• Asma Allah – Dir. Hani Osama
• Healing – Dir. Jacob Viit Kusk
• You Came to Me – Dir. Jacob Viit Kusk
• In Every Tear He Is There – Dir. Jacob Viit Kusk
• Hear Your Call – Dir. Daniyal Noorani
• I’m Your Hope – Dir. Kareem Shaaban
• Forgotten Promises - Dir. Siros Kerdouni
• Make Me Strong – Dir. Jacob Viit Kusk

References[link]