Guzheng
Several guzheng on display in a store
Chinese	古箏
Transcriptions Mandarin - Hanyu Pinyin gǔzhēng
Zheng
Chinese	箏
Transcriptions Mandarin - Hanyu Pinyin zhēng

Example of the music from the guzheng

Shop assistant tuning a guzheng

A guzheng hung on a wall for display

The guzheng or gu zheng (Chinese: 古箏; pinyin: gǔzhēng, pronounced [kǔt͡ʂə́ŋ]) sometimes called simply zheng (箏, gu 古 means "ancient"), is a Chinese plucked zither. It has 18-23 or more strings and movable bridges.

The guzheng is the ancestor of several Asian zither instruments, such as the Japanese koto,^[1][2][3] the Mongolian yatga,^[3] the Korean gayageum,^[2][3] and the Vietnamese đàn tranh.^[2][3] The guzheng should not be confused with the guqin (another ancient Chinese zither without bridges).

History[link]

The early types of guzheng emerged during the Warring States Period.^[4] It was largely influenced by the se, a plucked stringed instrument.^[5] It became prominent during the Qin period, and by the Tang Dynasty, the guzheng was arguably the most commonly played instrument in China.^[4]

Playing styles and performers[link]

There are many techniques used in the playing of the guzheng, including basic plucking actions (right or both hands) at the right portion and pressing actions at the left portion (by the left hand to produce pitch ornamentations and vibrato) as well as tremolo (right hand). These techniques of playing the guzheng can create sounds that can evoke the sense of a cascading waterfall, thunder, horses' hooves, and even the scenic countryside. Plucking is done mainly by the right hand with four plectra (picks) attached to the fingers. Advanced players may use picks attached to the fingers of both hands. In more traditional performances however, plectra are used solely on the right hand, reflecting its use for melodic purposes and its relative importance in comparison to the left hand which is used solely for purposes of ornamentation. Ancient picks were made of ivory and later also from tortoise shell. Ornamentation includes a tremolo involving the right thumb and index finger rapidly and repeatedly plucking the same note. Another commonly used ornamentation is a wide vibrato, achieved by repeatedly pressing with the left hand on the left side of the bridge. This technique is used liberally in Chinese music, as well as in Korean gayageum music.

In arrangements of guqin pieces, harmonics are frequently used, along with single-string glissandi, evoking the sound of the guqin. Harmonics are achieved by lightly placing the left hand in the middle of the string while plucking on the right end of string.

The guzheng's pentatonic scale is tuned to Do, Re, Mi, So, and La, but Fa and Ti can also be produced by pressing the strings to the left of the bridges. Well known pieces for the instrument include Yu Zhou Chang Wan (Singing at night on fishing boat), Gao Shan Liu Shui (High mountains flowing water), Mei Hua San Nong (Three variations of the Plum Blossom theme) and Han Gong Qiu Yue (Autumn Moon Over the Han Palace).

Two broad playing styles (schools) can be identified as Northern and Southern, although many traditional regional styles still exist. The Northern styles is associated with Henan and Shandong while the Southern style is with the Chaozhou and Hakka regions of eastern Guangdong. Both Gao Shan Liu Shui (High mountains flowing water) and Han Gong Qiu Yue (Han palace autumn moon) are from the Shandong school, while Han ya xi shui (Winter Crows Playing in the Water) and Chu shui lian (Lotus Blossoms Emerging from the Water) are major pieces of the Chaozhou and Hakka repertories respectively.

Important players and teachers in the 20th century include Wang Xunzhi (王巽之, 1899–1972) who popularized the Wulin zheng school based in Hangzhou, Zhejiang; Lou Shuhua, who rearranged a traditional guzheng piece and named it Yu zhou chang wan; Liang Tsai-Ping (1911–2000), who edited the first guzheng teaching manual, Nizheng pu in 1938; Cao Dongfu (1898–1970), from Henan; Gao Zicheng (b. 1918) and Zhao Yuzhai (b. 1924), both from Shandong; Su Wenxian (1907–1971); Guo Ying (b. 1914) and Lin Maogen (b. 1929), both from Chaozhou; the Hakka Luo Jiuxiang (1902–1978); and Cao Guifen and Cao Zheng (1920–1998), both of whom trained in the Henan school. The Cao family from Henan are known for being masters of the guzheng.

Many new pieces have been composed since the 1950s which used new playing techniques such as the playing of harmony and counterpoint by the left hand. Pieces in this new style include Qing feng nian (Celebrating the Harvest, Zhao Yuzhai, 1955), Zhan tai feng (Fighting the Typhoon, Wang Changyuan, 1965) and the guzheng concerto "Miluo River Fantasia" (Li Huanzhi, 1984). Contemporary experimental atonal pieces have been composed since the 1980s.

A more modern playing technique is using the left hand to provide harmony and bass notes, heavily influenced by the theory of Western music. This allows for greater flexibility in the instruments musical range, allowing for harmonic progression. This however also has its limitations, as it prevents the subtle ornamentations provided by the left hand in more traditional music. Students of the Guzheng who take the Beijing Conservatory examinations are required to learn a repertoire of pieces both traditional and modern.

In other genres[link]

The guzheng has been used by the Chinese performer Wang Yong (王勇) in the rock band of Cui Jian, as well as in free improvised music. Zhang Yan used it in a jazz context, performing and recording with Asian American jazz bandleader Jon Jang.

Other zheng players who perform in non-traditional styles include Wu Fei, Xu Fengxia, Randy Raine-Reusch, Mohamed Faizal B. Mohamed Salim, Mei Han, Bei Bei He (Bei Bei), Zi Lan Liao, Levi Chen, Andreas Vollenweider, Jaron Lanier, Mike Hovancsek, Chih-Lin Chou, Liu Le, and David Sait. Koto player Brett Larner developed innovative works for the guzheng utilizing longitudinal mode vibration of the strings: he also played guzheng in a duet with electronic musician Samm Bennett on his CD Itadakimasu. English rock musician Jakko Jakszyk played guzheng on the 2011 album A Scarcity of Miracles.

Jerusalem based multi-instrumentalist Bradley Fish is the most widely recorded artist of loops for the guzheng. Fish is known for using the guzheng with a rock-influenced style and electronic effects on his 1996 collaboration "The Aquarium Conspiracy" with Sugarcubes/Björk drummer Sigtryggur Baldursson. The virtual band Gorillaz also used the guzheng in their song "Hong Kong" from the Help!: A Day in the Life compilation (2005).

The American composer Lou Harrison (1917–2003) played and composed for the instrument. Contemporary works for Guzheng have been written by such non-Chinese composers as Halim El-Dabh, Kevin Austin, David Vayo, Simon Steen-Andersen, and Jon Foreman.

In popular culture[link]

In the television drama series Huan Zhu Ge Ge, actress Ruby Lin's character plays the guzheng, although she mimes to the music.

Used in Gorillaz song Hong Kong which appears on the albums Help! A Day in the Life and D- Sides.

It was also seen and used as a weapon in the movie Kung Fu Hustle.

See also[link]

China portal

• List of guzheng performers
• Traditional Chinese musical instruments
• Gayageum
• Koto (musical instrument)
• Đàn tranh
• Se (instrument)

References[link]

Further reading[link]

• Han Mei. "Guzheng." In The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London, 2001).

Wikimedia Commons has media related to: Guzheng

Liu Fang
Background information
Born	(1974-05-10) May 10, 1974 (age 38)
Genres	Chinese music from the classical tradition / Contemporary classical music / World Music
Occupations	Soloist
Instruments	pipa and guzheng
Years active	1985-present
Website	www.philmultic.com

Liu Fang (simplified Chinese: 刘芳; traditional Chinese: 劉芳) (born 1974) is one of the most prominent pipa players in the world. Described in the media ^[1] as the "empress of pipa" (L'actualité), "divine mediator" (World), "the greatest ambassadress of the art of the pipa" (La presse), Liu Fang is known as “possessing virtuoso technique, grace and a unique empathy toward the music she plays – whether it is a traditional and folk tune or a modern Western composition” (All Music Guide). "She has an extraordinary focused, poised presence in her manner and her playing. In a lesser player this is just a trained formality; the body of material and techniques for her instruments is extremely highly developed, passed down through centuries. But Liu Fang’s total devotion to her playing has moved her beyond perfect execution to the creativity and flexibility that marks a true musician."^[2](in the fRoots Magazine, 06.2006).

Biography[link]

Born in Kunming in the Chinese province of Yunnan, she began playing the pipa at the age of 6. Her first solo public performance was at the age of 9. In 1986, at age 11, she played for Queen Elizabeth II. Her studies at the Shanghai Conservatory of Music broadened her musical range and allowed her to study the guzheng. At the age of 22, Liu Fang immigrated to Canada and is now a Canadian citizen, currently residing in Montreal. The decision to move to Quebec allowed her virtuosic playing to reach a wider international audience. Since 1999, she has performed hundreds of solo concerts featuring Chinese traditional and classical music on her two solo instruments - pipa and guzheng. Her profile ^[3] has risen due to her rich and deeply spiritual performances as well as a wide ranging repertoire that features music from Chinese classical ^[4] and folk traditions (including pieces rarely heard) as well as contemporary works from both east and west.

Side projects[link]

Apart from her numerous solo concerts, Liu Fang has also many intercultural collaborations in terms of "Silk and Steel Projects",^[5] where "Silk" represents the traditional culture of China whereas "steel" is a metaphor for modernity and western culture. Her last album entitled "Silk Sound" (Le son de soie) featured musical dialogues with artists from three different continents and was awarded the grand prize of L'Académie Charles Cros, the French equivalent of the US Recording Academy.

Awards[link]

Back in 2001, Liu Fang was the only musician to receive the prestigious "Future Generation Millennium Prize"^[6] awarded by the Canada Council for the Arts to three artists of different disciplines under 30 years of age. The words of the jury summed up her achievements rather succinctly: "Liu Fang's mastery of the pipa and the guzheng has established her international reputation as a highly talented young interpreter of traditional Chinese music. She aspires to combine her knowledge and practice of eastern traditions with western classical music, contemporary music and improvisation, thereby creating new musical forms, uniting different cultures and discovering new audiences."

Live performances[link]

Liu Fang has made a number of national and international radio and TV appearances, produced several CDs. Liu Fang was invited as one of the featured artists by BBC World Service for the concert on November 7, 2003, dedicated to World AIDS Day. She performed at the 60th anniversary of UNESCO in Paris on November 16, 2005, and has also been honored by the government of Canada.^[7] She has performed with orchestras, string quartets and various instruments the works of many contemporary composers, including R. Murray Schafer, Tan Dun, Philip Glass, Janet Maguire, Ian Wilson, José Evangelista, Zhou Long, Melissa Hui, Diego Luzuriaga, Chen Yi, Toshiyuki Hiraoka, Yoshiharu Takahashi, David Loeb, Hugue Leclair, Simon Bertrand and Chantale Laplante, to mention a few, and has performed frequently with guitarist Michael O'Toole and the violinist Malcolm Goldstein.

Discography[link]

Albums solo :

• The soul of pipa, vol. 3 : Pipa Music from Chinese folk traditions, Philmultic, 2006
• Emerging Lotus : Chinese traditional guzheng music, Philmultic, 2005
• The soul of pipa, vol. 2 : Chinese classical Pipa Music: from the ancient to the recent, Philmultic, 2003
• The soul of pipa, vol. 1 : Chinese Pipa Music from the classical tradition, Philmultic, Canada, 2001
• Chinese Traditional Pipa Music : Oliver Sudden Productions Inc, Canada/USA, 1997

Collaborations :

• Along the Way - Duo pipa & violin : Philmultic, 2010
• Changes - Duo pipa & Guitar : Philmultic, 2008
• Le son de soie : Accords-Croisés/Harmonia Mundi, Paris, 2006
• Mei Hua - Fleur de prunier : ATMA Classique, Canada, 2004
• Arabic and Chinese music : Liu Fang et Farhan Sabbagh, Philmultic, 2000
• Musique chinoise : Solo, duo, et avec orchestre de chambre, Philmultic, 1999

Notes[link]

External links[link]

• Liu Fang at CBC TV
• Liu Fang live at Dutch TV Vrije Geluiden
• Liu Fang Interview at allaboutjazz.com
• Liu Fang's official site
• Liu Fang on Myspace